Stuart Wilde Quotes

Each moment of our life, we either invoke or destroy our dreams. We call upon it to become a fact, or we cancel our previous instructions.

If you don't change, reality in the end forces that change upon you.

Most people talk too much, and what they do say is often just noise or irrelevant gibberish designed to keep themselves entertained

Poverty is restriction and as such, it is the greatest injustice you can perpetrate upon yourself.

Never be afraid to let people go if they're not right; often that's the only way you can make room for the right person.

You have a divine right to abundance, and if you are anything less than a millionaire, you haven't had your fair share.

Remember, it's Ok to get what you want from life.

You're the only one who can decide what's best for you.

Just because you love someone is no reason to marry them.

Life was never meant to be a struggle, just a gentle progression from one point to another, much like walking through a valley on a sunny day. — Stuart Wilde

... you have the right to be satisfied with what you have and with what you are right now.

You are on your quest. That is exciting. If you’re balanced, your boat floats on a low tide in the same way as it does on a high tide.

To win a moral victory at the expense of your sanity is dumb.

Humans need to be a little crazy, spontaneous, unusual, free-flowing, and creative.

Love is a quality of attention, a way of focusing on someone.

We don't want to eliminate the ego completely. Otherwise we'd be wandering around the house each morning, drinking coffee for hours, saying, 'Who the hell am I?' We need the ego to sustain a sense of identity.

At every turn, give five good reasons for saying no.

People have to be secure in order to transfer their money to you. Never forget that. How you make them secure is to not come at them from above (action, yang) telling them how marvelous the product is and how marvelous you are. Instead, work on their comfort zone first, keeping silent for the most part, leading things along effortlessly by asking questions (nonaction, yin). When you do get to talk, be sure to tell them that everything is cozy, safe, and secure. People need to hear that. Work on their positive energy, and tell them about the good fortune that is about to descend upon them in these exciting and positive times. Then, and only then, mention the dumb screws.

I must admit that, either from temperament or taste, or from both, I am quite incapable of understanding how any work of art can be criticised from a moral standpoint. The sphere of art and the sphere of ethics are absolutely distinct and separate;

You must drive him mad, Stuart thought. You must make him wild for you. You are a teenage girl in a woman’s body with a woman’s needs and a teenage girl’s savage heart.

The new idea is here: Control is very old-fashioned, and our societies will change gradually as people come to see that the old system just doesn’t work. I

Con jerked to a halt in the entryway to his and Leilani’s bedroom. It looked as if their entire closet had been dumped onto the bed. Or at least her half of the closet. “Leilani?” She stepped out of the bathroom wearing only panties and the giant cerulean-colored jewel around her neck that he’d given her a week ago to commemorate their official mating. Part of him still couldn’t believe she’d said yes. She was everything to him and he loved seeing the physical statement around her neck. Everyone knew she was his but still, his most primitive side liked claiming her publicly. She held up two long-sleeved tunics, both a similar blue color. “Which one should I wear tonight?” They looked almost the same but the slightly wild look in her dark eyes told him that would be the dumbest answer possible. He pointed to the one on the left. It was cut lower than the other and he liked to see the soft swell of her breasts as often as possible. “That’s what I thought too.” Grinning, she tossed the other to the ground and disappeared back into the bathroom. The female was a whirlwind of activity sometimes.

Clowns slap me on the back, and women swirl in front of me, butterfly masks in hand. I ignore much of it, pushing my way to the couches near the french doors, where I can better rest my weary legs. Until now, I’d only witnessed my fellow guests in handfuls, their spite spread thin across the house. To be ensnared among them all, as I am now, is something else entirely, and the further I descend into the uproar, the thicker their malice seems to become. Most of the men look to have spent the afternoon soaking in their cups and are staggering instead of dancing, snarling and staring, their conduct savage. Young women throw their heads back and laugh, their makeup running and hair coming loose as they’re passed from body to body, goading a small group of wives who’ve grouped together for safety, wary of these panting, wild-eyed creatures.

It is not good for man to be kept perforce at all times in the presence of his species. A world from which solitude is extirpated is a very poor ideal. Solitude, in the sense of being often alone, is essential to any depth of meditation or of character; and solitude in the presence of natural beauty and grandeur, is the cradle of thoughts and aspirations which are not only good for the individual, but which society could ill do without. Nor is there much satisfaction in contemplating the world with nothing left to the spontaneous activity of nature...scarcely a place left where a wild shrub or flower could grow without being eradicated as a weed in the same of improved agriculture. If the earth must lose that great portion of its pleasantness which it owes to things that the unlimited increase of wealth and population would extirpate from it, for the mere support of a larger, but not a better or happier population, I sincerely hope, for the sake of posterity, that they will be content to be stationary...

She blinked once before the most brilliant smile lit up her face. “Just when I think I can’t possibly love you even more, you do something incredibly unexpected. Thank you.” The ground shifted beneath him the tiniest bit every time she told him she loved him. She’d confessed the first time two days after he’d saved her from Einar. He’d been waiting for the right moment but she’d beat him to it. The only positive thing to come out of that bastard Einar infiltrating the mountain sector was that they’d patched up a security hole. He still wasn’t certain what the male had wanted; probably just to cause as much destruction as he could. It didn’t matter now. “I love you too.” He moved toward her, planning to show her just how much. But she shook her head and waved some wand thing at him. She used it to do something to her eyebrows. Since she’d moved all her stuff into his room he’d discovered that females took up a lot of space. “I know that look. We don’t have time.” She disappeared into the bathroom once again. This time he followed, his body already humming with the need to be inside her. “We have plenty of time.” She’d invited half a dozen females from their sector as well as their mates tonight to celebrate the unanimous change in the Ducereco law. They’d also started plans on her new project. Things were about to change for his people and he knew it was for the better. Shaking her head, she turned away from him and faced the mirror. That would not deter him. If anything, the sight of her pert ass made him even harder. Her tunic only covered the top half, making him crazy as he moved up behind her. He slid his hands up her hips and under her tunic until he grasped the thin scrap of material of her sheer panties and slid them down her legs. She’d paused what she was doing and watched him in the mirror, her own hunger sparking as wild as his. He moved in close, pressing his erection against her back. Leaning down, he brushed her hair to one side and nuzzled her neck. He never got tired of her sweet scent or the perfect way she fit right up against him. “Maybe we have some extra time,” she murmured, her eyes going heavy-lidded as they met his in the mirror. -Leilani & Con

He clipped the male again, this time in the shoulder, sending Einar flying backward. He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her. Con couldn’t go to her yet. The threat needed to be eliminated. A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn’t walking out of here. He knew he wasn’t acting rational, that the threat could be put down easier than this, but he couldn’t stop the rage that had overtaken him. Einar pumped a fist against Con’s ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male’s jaw. Didn’t feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar’s face. This male had wanted to hurt Leilani, to take her from Con. Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. “Con!” Cyn held him tight, his eyes wild as he kept him pinned down. “It’s done. You’re scaring her.” Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. “I’m fine,” he rasped to his brother. Cyn paused before loosening his grip. When he did, Con stood, terrified he’d screwed things up for good. He didn’t glance at Einar, who he was certain was dead. He’d never lost control like that, had never even come close. It pierced him that Leilani had seen him kill someone, that he literally had blood on his hands in front of her now. “Leilani—” She jumped at him, throwing her arms around his neck on a sob. “You came for me.” Unable to do anything about the blood, he wrapped his arms around her and held tight. Of course he’d come for her. There was nowhere she could go that he wouldn’t follow. That realization slammed into him as if someone had actually struck him. They’d known each other less than two weeks but she’d changed his world without even trying. He would give up his role of leader for her. The thought should have terrified him, but it didn’t. He buried his face against her neck, inhaled her sweet, arilod scent. “I’m not letting you go after the moon cycle.” She sniffled, her fingers gripping his shoulders tight. “Good because I’m not going anywhere,” she said as she pulled back. Her eyes were bright with tears as she looked at him. “I would move to the mainland for you.” She blinked once in surprise before her lips pulled up into a smile. “No. This is your home— my home now.” No, he realized, she was his home, but he simply nodded and crushed his mouth to hers.

Her skin was warm beneath his hand, and he could feel the ripe curves beneath the lawn nightdress. The material might be opaque, but it did little to disguise the feel of her. He was not a man who resisted temptation. Nor was he a man who prided himself on honor, decency, or fair play. He thought of her eyes as she had listened to the opera, and he tilted his head and pressed his mouth against the base of her throat, beneath the ring of bruises. The pulse leapt beneath his mouth, hammering wildly. In panic or in longing? He didn't care. He turned her in his arms, so that her front pressed up against his. She was a tall woman, taller than those he was used to, and he found she fit him quite nicely, her hips cradling his, her breasts against his chest, her neck within easy reach of his mouth as he traced his way along the abraded flesh. She shivered again, and he liked it. Releasing her face, he slid his hand down between their bodies, into the ripped-open front of her nightdress, and encountered soft female flesh, gently rounded, tantalizing, enchanting, mesmerizing. She was trembling in his arms, with fear, with longing, and the shiver that ran over her warm, scented flesh was irresistible. He wanted her. Wanted to lose himself in her sweet body, wanted to kiss her mouth, her breasts. He wanted oblivion, hot and dark, but oblivion with her, and the hell with his plans, with waiting. He was going to swing her up in his arms and carry her over to the sofa, he was going to drag her upstairs to his bed and strip off her clothes, slowly, and then make love to her, making it last, over and over again, until they were both wet and shaking, and he wouldn't let her escape for days.

And immediately we rushed like horses, wild with the knowledge of this song, and bolted into a startingly loud harmony: 'Rule Britannia, Britannia rules the waves; Britons, never-never-ne-verr shall be slaves!' and singing, I saw the kings and the queens in the room with us, laughing in a funny way, and smiling and happy with us. The headmaster was soaked in glee. And I imagined all the glories of Britannia, who, or what or which, had brought us out of the ships crossing over from the terrible seas from Africa, and had placed us on this island, and had given us such good headmasters and assistant masters, and such a nice vicar to teach us how to pray to God - and he had come from England; and such nice white people who lived on the island with us, and who gave us jobs watering their gardens and taking out their garbage, most of which we found delicious enough to eat...all through the ages, all through the years of history; from the Tudors on the wall, down through the Stuarts also on the wall, all through the Elizabethans and including those men and women singing in their hearts with us, hanging dead and distant on our schoolroom walls; Britannia, who, or what or which, had ruled the waves all these hundreds of years, all these thousands and millions of years, and kept us on the island, happy - the island of Barbados (Britannia the Second), free from all invasions. Not even the mighty Germans; not even the Russians whom our headmaster said were dressed in red, had dared to come within submarine distance of our island! Britannia who saw to it that all Britons (we on the island were, beyond doubt, little black Britons, just like the white big Britons up in Britannialand. The headmaster told us so!) - never-never-ne-verr, shall be slaves!

round the folding screen like a man possessed, nearly leaping out of my skin when I discover a wild-eyed creature lurking on the other side. It’s a mirror.

If you are still young, you’re going to be living on this planet for many, many years to come. I truly hope it’s a planet where the ice caps haven’t melted and the major coastal cities of earth aren’t underwater (and, for that matter, that there are still elephants in the wild).

The Abundance Book, by John Randolph Price; The Trick to Money Is Having Some, by Stuart Wilde; and The Dynamic Laws of Prosperity, by Catherine Ponder. These three books are excellent tools for developing a prosperity consciousness so that you can be free of money worries forever.

He moved, and suddenly she felt her body pressed up against the wall, quite firmly, his hands on her arms. And then a moment later, before she realized what he intended, he moved closer, his tall body covering hers in shadows, and all she could do was feel him, hip to hip, his chest against hers, his heart, slow and lazy against her racing one, as he filled all her senses, and she was drowning. Endure, she reminded herself, and closed her eyes, holding very still. He moved his head down, to the spot at the base of her neck, and she felt his mouth, his teeth, just the lightest of bites against her skin, and she quivered. Endure, she reminded herself again, trying to breathe normally. He was much too strong to fight. His body held her still, and he released her arms to slide his hands up, the fingers stroking the pulse at her neck that was racing so wildly.

I am serene and balanced, whether life is perfect or not.

Beethoven and Paul McCartney cited dreams as the spark behind some of their musical compositions (including McCartney’s famous “Yesterday”). Some of the most recognizable sequences in film—sections of Ingmar Bergman’s Wild Strawberries, Fellini’s 8 ½, Richard Linklater’s Waking Life—are translations of the directors’ dreams. Mary Shelley credited dreams with inspiring Frankenstein; E. B. White with Stuart Little.

The crann tau-ré, or crois-tau-ré, the Fiery Cross, which was carried through the Highlands thirty miles in three hours, in the year 1745, at the Stuart Rebellion, was known in very remote times among the western Celts, as it still is in India. When dipped in the blood of goats, and bearing a flame, it was the message of alarm among the wild tribes. A serpentine figure was often twisted round the cross in heathen times.

When the public says a work is grossly unintelligible, it means that the artist has said a beautiful thing that is new; when the public describes a work as grossly immoral, it means that the artist has said or made a beautiful thing that is true.

The Times, February 23rd, 1893, in reviewing "Salome", said: "It is an arrangement in blood and ferocity, morbid, bizarre, repulsive and very offensive." Wilde replied (Times, March 2nd), "The opinions of English critics on a French work of mine have, of course, little, if any interest for me.

Art should never try to be popular. The public should try and make itself artistic.

I dislike newspaper controversies of any kind, and of the two hundred and sixteen criticisms of "Dorian Gray," that have passed from my library table into the waste-paper basket I have taken public notice of only three.

I remain, Sir, your obedient servant, OSCAR WILDE. The correspondence continued for three weeks longer, but Oscar Wilde took no further part in it.

Mr. Oscar Wilde makes his third and, we presume, his final reply to the criticism which we published on "The Picture of Dorian Gray.

When critics disagree the artist is in accord with himself.

The pleasure that one has in creating a work of art is a purely personal pleasure, and it is for the sake of this pleasure that one creates. The artist works with his eye on the object. Nothing else interests him.

When it (the public) says a work of art is grossly unintelligible, it means that the artist has said or made a beautiful thing that is new; when it describes a work as grossly immoral, it means that the artist has said or made a beautiful thing that is true. The former expression has reference to style; the latter to subject-matter.

My story is an essay on decorative art. It re-acts against the crude brutality of plain realism. It is poisonous, if you like, but you cannot deny that it is also perfect, and perfection is what we artists aim at.

Wilde was indeed a true prophet when he foretold that his story would create a sensation.

Jack nodded, his mind drifting back to a night in Coventry when he and his wife had been caught in an air raid. He closed his eyes briefly as he thought about her, his throat catching as he recalled the letter she had sent him a week earlier. It had been the first he had received from his wife since arriving in France and he knew that it would be the last. In it she had confirmed all of the wild fantasies that had plagued him for countless nights. In it was the end of the hope he had clung to for so long. The letter had barely been a paragraph long, yet it had destroyed the world that Jack had once known. She had told him that there was another man, an American who was stationed on an airbase near their home. He was, she had told him, an officer. They had been together for two years and she planned to marry him. She had asked for a divorce and had informed him briskly that she intended, when the war was over, to take the children and return with her lover to New York. The letter had been blunt and to the point, there had been no warmth, no consideration in the words, just a cold animosity that Jack could not understand. The wording had suggested that it was his fault that their marriage had fallen apart, that somehow, in some imperceptible way, he had forced her into the arms of another. He felt his blood rising and he forced himself to breathe, his hands white against the stock of his Sten gun as he mulled over the contents of the letter. He had, deep inside, harboured a hope, a small dream that when the war finished they could rebuild their strained marriage. The letter had shattered that illusion and left in its wake a cold reality that had struck Jack like a thunderbolt. He spat onto the ground and wished that he could get five minutes alone with the bastard. All those years of writing to her, of missing her. All those years of struggling in the desert, longing to come home, of pouring his heart into the precious letters he had sent to her. All that time she had been with another man.

I don’t know,’ Jack whispered, before kneeling beside a young woman, her blonde locks matted with dried blood. He could see that she had been shot in the side of her head, the back of her skull blown open by the bullet. ‘Their hands are tied,’ Jack said, as he looked down and saw that the woman’s arms had been bound behind her back with a length of rope. ‘They’ve been executed,’ Reg said, his face white as he looked at the bodies that had been laid out neatly on the floor. ‘A whole bloody family lined up and...’ He shook his head. A cry echoed from the street and Jack turned to where a window overlooked the road. He looked outside and saw a soldier stood in a doorway, the man waving his arm as he called out to where Fred was stood beside a shop. ‘What’s going on?’ the sergeant asked. ‘You’d best come and have a look,’ the man replied. Jack glanced down the street, his eyes staring at the deserted houses that lined the road. He felt a cold chill creep up his spine as he looked at the empty windows from which no lights shone. ‘Wait here,’ Jack said, before making his way out onto the road. He turned as a door swung open, his hand reaching for his rifle, before relaxing as Little stepped out onto the pavement, the corporal’s face a mask of wild anger. ‘The fucking pigs,’ he cursed, before kicking the wall in frustration. ‘Wait until I get my hands on ‘em.’ Jack glanced into the house that Little had searched, his throat catching as he saw the body of a woman on the floor. Beside her a baby lay on the hearth, the child motionless as it lay wrapped in a blanket. ‘The fucking animals,’ Little hissed, as he looked at the deserted houses. ‘Who could do such a thing?’ Ivor asked, his cheeks ashen as he stepped from the house. Jack shook his head, his eyes staring along the road as the men searched the buildings; the cry of alarm echoing along the street. ‘A whole bloody village.’ Jack turned and saw Fred pacing along the road, the battle hardened sergeant shaking his head in confusion as he looked at the houses as if unable to understand what he had seen. ‘What are we going to do?’ Jack asked. ‘Do?’ Little asked, his face possessed with rage. ‘I’m going to kill every fucking one of the evil bastards I can get my hands on.’ The men murmured in agreement, their eyes dark with anger. Jack stood in the street and watched as the first light of a new day shone above the rooftops, the sun casting a gentle warmth over the dead village as the men prepared to move once more.

I’m just saying that my undies are really, really wet. And I hate wet undies because…” “They chafe,” Zoe concluded. “We know. You’ve been griping about this for the last six hours.” “Because I’ve been chafing for the last six hours!” Mike grumpily adjusted his soggy underwear. “Why doesn’t the CIA have someone working on this? One of the labs there ought to be developing chafe-proof boxers. Those would be a lot more useful on our missions than grappling hooks.

he said that if I ever wrote anything remotely spicy to his granddaughter, he’d neuter me.

Well, whoever put this mission together is an idiot,” Erica declared. “I put this mission together!” the principal exclaimed. “Exactly,” Erica said.

It is not good for man to be kept perforce at all times in the presence of his species. A world from which solitude is extirpated is a very poor ideal. Solitude, in the sense of being often alone, is essential to any depth of meditation or of character; and solitude in the presence of natural beauty and grandeur, is the cradle of thoughts and aspirations which are not only good for the individual, but which society could ill do without. Nor is there much satisfaction in contemplating the world with nothing left to the spontaneous activity of nature; with every rood of land brought into cultivation, which is capable of growing food for human beings; every flowery waste or natural pasture ploughed up, all quadrupeds or birds which are not domesticated for man's use exterminated as his rivals for food, every hedgerow or superfluous tree rooted out, and scarcely a place left where a wild shrub or flower could grow without being eradicated as a weed in the name of improved agriculture. If the earth must lose that great portion of its pleasantness which it owes to things that the unlimited increase of wealth and population would extirpate from it, for the mere purpose of enabling it to support a larger, but not a better or a happier population, I sincerely hope, for the sake of posterity, that they will be content to be stationary, long before necessity compels them to it.

The tragedy of old age is not that one is old, but that one is young: let him so live that when old age comes he shall at least have the satisfaction of knowing that no opportunity of pleasure and indulgence has escaped untasted.

To say that such a book as mine should be "chucked into the fire" is silly. That is what one does with newspapers.

The pleasure that one has in creating a work of art is a purely personal pleasure, and it is for the sake of this pleasure that one creates. The artist works with his eye on the object. Nothing else interests him. What people are likely to say does not even occur to him.

The critic has to educate the public; the artist has to educate the critic.

The English public, as a mass, takes no interest in a work of art until it is told that the work in question is immoral, and your réclame will, I have no doubt, largely increase the sale of the magazine; in which sale, I may mention, with some regret, I have no pecuniary interest.

Why should an artist be troubled by the shrill clamour of criticism?

To the Editor of the St. James's Gazette.

That the editor of the St. James's Gazette should have employed Caliban as his art-critic was possibly natural. The editor of the Scots Observer should not have allowed Thersites to make mows in his reviews. It is unworthy of so distinguished a man of letters.

The superior pleasure in literature is to realise the non-existent.

The poor public, hearing from an authority so high as your own, that this is a wicked book that should be coerced and suppressed by a Tory Government, will, no doubt, rush to it and read it. But, alas, they will find that it is a story with a moral. And the moral is this: All excess, as well as all renunciation, brings its own punishment.

The public ... is always asking a writer why he does not write like somebody else ... quite oblivious of the fact that if he did anything of the kind he would cease to be an artist.

As you assailed me first, I have a right to the last word. Let that last word be the present letter, and leave my book, I beg you, to the immortality that it deserves.

Bad people are, from the point of view of art, fascinating studies. They represent colour, variety and strangeness. Good people exasperate one's reason; bad people stir one's imagination.

It is not proper that limitation should be placed on art. To art belong all things that are and all things that are not, and even the editor of a London paper has no right to restrain the freedom of art in the selection of subject-matter.

For if a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than æsthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame. It will be to each man what he is himself. It is the spectator, and not life, that art really mirrors.

But his story is also a vivid, though carefully considered, exposure of the corruption of a soul, with a very plain moral, pushed home, to the effect that vice and crime make people coarse and ugly.

You then express your surprise that "so experienced a literary gentleman" as myself should imagine that your critic was animated by any feeling of personal malice towards him. The phrase "literary gentleman" is a vile phrase, but let that pass.

Your critic states, to begin with, that I make desperate attempts to "vamp up" a moral in my story. Now I must candidly confess that I do not know what "vamping" is. I see, from time to time, mysterious advertisements in the newspapers about "How to Vamp," but what vamping really means remains a mystery to me—a mystery that, like all other mysteries, I hope some day to explore.

Hey there, Hot Mama,” Cyrus purred. “Got a kiss for me, Big Daddy?” Mary asked him.

Soren Swollen

In addition to being the international language of commerce, medicine, and science, English was also the standard language of evil.

I did not,” the principal said defiantly. “I never learned them in the first place!

You’re not expecting us to jump to that?” I asked, worried. “I’m not expecting anything. We’re doing it.” With that, Erica sprang over the railing onto the whale skeleton. She sailed through the air and landed perfectly atop the skull with an agility and finesse I knew I didn’t have in the slightest. I looked around for another way out. The only other exit was blocked by the government agent, who was digging himself out of the dinosaur toys. He had a livid glare in his eye and a plesiosaur jammed in his ear. The SPYDER agents appeared to have lost us, but the government agent was threatening enough. I jumped over the railing. To my surprise, I landed deftly atop the whale skull. Only, the perfect balance thing was completely beyond me. I pitched forward and nearly took a header into the piranha display below. Erica caught me at the last instant and steadied me, but my weight had thrown her off balance too. She now pitched forward herself and had no choice but to leap from the skull and catch onto the lip of the model humpback whale. The cables supporting it strained under the sudden jolt. One snapped free from the ceiling and the whale shifted wildly. Erica swung from the whale’s lip, launched herself into a backflip, and stuck the landing in the middle of the hall. The tourists gathered there all applauded, impressed. As though they figured the Smithsonian had started hiring circus performers to spice things up. Erica looked to me expectantly. So did all the tourists. Now I had potential death and performance anxiety to deal with. Knowing I couldn’t possibly do what Erica had just done, I carefully shimmied down the metal framework that supported the whale skeleton—and still biffed the dismount. I fell backward and landed on my butt atop a large sea turtle. The tourists groaned, like I had let them down.

nearly leaping out of my skin when I discover a wild-eyed creature lurking on the other side. It’s a mirror.

exhausted. Don't do that to others; it disempowers you. A little unemotional leaning in some circumstances can be okay—others may feel pleasure in supporting you or assisting you. But too much leaning, and they will vote “no.” It does not mean that you can't ask for help—sometimes you can—but there's a difference between asking dispassionately for help and constantly leaning on others emotionally, demanding that they ameliorate your inadequacy or insecurity. Thus, an important first step in silent power is don't lean. It's obvious, but most don't know it. When you're frantic for people, your needs have an air of desperation—they weaken you and push things away from you. Have you ever had a romantic relationship where the other person was all over you like a hot rash, desperate for you? What did you do? For the first few days you probably enjoyed the attention, but on day three you gave this man or woman a hard time, and you started to tow him or her around by the nose. You enjoyed that for a bit, but in the end, this desperation and insecurity bugged you; eventually you tossed this person out. When you're in love and you crave someone, if this individual keeps his or her distance or retreats from you, then your desire increases. If this person advances too far forward, your desire lessens, or may dissipate completely. When you're desperate for a deal and you lean into it, you push it away and/or you wind up paying more. It's called “wanting-it” tax. Before every deal, take a moment in the hallway to remind yourself that you don't need it. If you don't get it, it doesn't borner you. If you do get it, it will be under your terms, and you won't pay too much. Even if your natural tendency is to lean into people—because, let's say, you're a very social person—don't lean. Make that a discipline. You can be social without leaning in. Put a sign on your refrigerator door: “When in doubt, lean out!

Discovering what you really want saves you endless confusion and wasted energy. Stuart Wilde

your own snake. The truck swerved wildly, veered off the road, flattened the neighbor’s mailbox, and then smashed into an oak tree. The front end of the pristine vehicle crumpled like tinfoil, and the airbags deployed. Thankfully, the Barksdales hadn’t been

Until now, I’d only witnessed my fellow guests in handfuls, their spite spread thin across the house. To be ensnared among them all, as I am now, is something else entirely, and the further I descend into the uproar, the thicker their malice seems to become. Most of the men look to have spent the afternoon soaking in their cups and are staggering instead of dancing, snarling and staring, their conduct savage. Young women throw their heads back and laugh, their makeup running and hair coming loose as they’re passed from body to body, goading a small group of wives who’ve grouped together for safety, wary of these panting, wild-eyed creatures. Nothing like a mask to reveal somebody’s true nature.

All they needed for revenge was his mind, her body and one lucky night in Vegas.

Party has been running a similar scam on voters. Trump claims to be a great businessman who was wildly successful, while in fact he was one of the greatest failures in modern American business history.

Hey!” Mike exclaimed. “I think I saw a monkey!” “Mike!” Zoe snapped. “Focus!” “Sorry,” Mike said. “I’ve never seen one in the wild before.

For a moment, Stuart and Helen stood silent, just watching Lyric darting in and out of the white-fringed brine. Helen wondered if perhaps the child was smiling, maybe just a tiny bit, but her back was to them and it was difficult to get a glimpse of her face. But this Helen knew—the only times this strange, quiet child seemed to find any shard of peace was when she was close to water. The waves seemed thrilled to see her, and together they reared up like wild horses greeting each other before the waves crashed down on the stony shore with their hooves. When smaller waves came, the girl closed her eyes and slowly let her arms sway from side to side, as though listening to some music that the others could not hear. It made Helen’s ears prick up and strain, but it was lost to her.

She knew all the ways of building up a mark's confidence. She knew how to feed them a little of the sweetest bait whether it was sex or money or power, whatever it was that they adored the most. You were really feeding them the delicious poison of their own egos. You had to let them have a taste of it, and you had to promise them more. You had to make them believe that it would all come true.

The hustler knew that all that people ever wanted in the world was what they could not have, and what they had already lost.

The gatehouse is narrow and crooked, doors set into the walls at odd angles like teeth grown wild in a mouth. Wind whistles through the windows carrying with it the smell of the rain, the entire place seeming to rattle on its foundations. Everything about this house seems designed to unseat the nerves.

The Universal Law is impartial. It will give you anything you believe. It will throw you garbage or roses depending on the energy you put in. You are the one in charge.

In the stillness of your presence, you can feel your own formless and timeless reality as the un-manifested life that animates your physical form.