Watching Sunset Quotes

Grief can destroy you --or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. OR you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn't allow yourself to consider the sacredness of it. But when it's over and you're alone, you begin to see that it wasn't just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can't get off your knees for a long time, you're driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.

It's okay. We aren't in the same class. Just don't forget that some of us watch the sunset too.

People are just as wonderful as sunsets if you let them be. When I look at a sunset, I don't find myself saying, "Soften the orange a bit on the right hand corner." I don't try to control a sunset. I watch with awe as it unfolds.

You want proof there's a God? Look outside, watch a sunset.

…she remembered watching a summer sunset from this very spot. Not so long ago; just a lifetime.

I watch him throw his head back in supreme happiness, like he's hearing that he gets to choose the colors for all the sunsets from now on.

It's the idea that people living close to nature tend to be noble. It's seeing all those sunsets that does it. You can't watch a sunset and then go off and set fire to your neighbor's tepee. Living close to nature is wonderful for your mental health.

One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.

I want the late-night drives, the sunset watching, the screaming, the yelling, and the crying. I know I'll definitely want the make-up sex that comes after all of the screaming and crying. I want the good, the bad, and the in-between. All of it is what's going to make us amazing together.

We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.

If I could live again my life, In the next - I'll try, - to make more mistakes, I won't try to be so perfect, I'll be more relaxed... I'll take fewer things seriously.. I'll take more risks, I'll take more trips, I'll watch more sunsets, I'll climb more mountains, I'll swim more rivers, I'll go to more places I've never been I'll eat more ice ...I'll have more real problems and less imaginary ones If I could live again - I will travel light If I could live again - I'll try to work bare feet at the beginning of spring till the end of autumn, I'll watch more sunrises ...If I have the life to live

One day,' you said, 'I watched the sunset forty-three times!' And a little later you added: 'You know, when one is that sad, one can get to love the sunset.' 'Were you that sad, then, on the day of the forty-three sunset?' But the prince made no answer.

You bend the laws of the universe when you fly," I say. "It's impressive. Defying gravity? Watching sunrises and sunsets from places Mother Nature didn't intend for you to watch them from? You really are superheroes, if you think about it.

There was a footpath leading across fields to New Southgate, and I used to go there alone to watch the sunset and contemplate suicide. I did not, however, commit suicide, because I wished to know more of mathematics.

So often in my life I've been with people and shared beautiful moments like travelling or staying up all night and watching the sunrise, and I knew it was a special moment, but something was always wrong. I wished I'd been with someone else. I knew that what I was feeling - exactly what was so important to me - they didn't understand.

When the sun is setting, leave whatever you are doing and watch it.

I don't know how long we stay that way, but we watch the sun go down together. The giant, burnt-orange sphere sinks towards the horizon, coloring the rock layers until it's gone and the canyon is covered in shadow.

I watched her departure, as one watches a sunset. She went like a radiance through the dark wood, which was henceforth bright to me, from simply knowing that such a creature was in it.

My mother taught me this trick: if you repeat something over and over again it loses its meaning, for example homework homework homework homework homework homework homework homework homework, see? Nothing. Our existence she said is the same way. You watch the sunset too often it just becomes 6 pm you make the same mistake over and over you stop calling it a mistake. If you just wake up wake up wake up wake up wake up wake up one day you’ll forget why.

I like people who get excited about the change of seasons, the sound of the ocean, watching a sunset, the smell of rain and starry nights.

One day, I watched the sun setting forty-four times......You know...when one is so terribly sad, one loves sunsets.

...stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more ice cream, go barefoot oftener, swim more rivers, watch more sunsets, laugh more and cry less. Life must be lived as we go along.

Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.

I want it all, Emily. I want to spend my nights holding hands with you,” he breathed the words into her ear. “I want the all-day texting.” He kissed her temple and caressed her cheek. “I want the laughing and the forehead kisses.” He softly ran his lips over her forehead. “I want the date nights, the movie watching, and the breakfast making.” He dragged his hands through her hair, his teeth tugging gently at her bottom lip. “I want the late-night drives, the sunset watching, the screaming, the yelling, and the crying.” Still kissing her, he smiled against her mouth. “I know I’ll definitely want the make up sex that comes after the screaming and the crying. In want the good, the bad and e in between. All of it is what's going to make us amazing together,

Just don't forget that some of us watch the sunset too.

Watching them was like watching the sunset and the sunrise, equally beautiful in different ways.

I love the autumn—that melancholy season that suits memories so well. When the trees have lost their leaves, when the sky at sunset still preserves the russet hue that fills with gold the withered grass, it is sweet to watch the final fading of the fires that until recently burnt within you.

People give flowers as presents because flowers contain the true meaning of love. Anyone tries to possess a flower will have to watch its beauty fading. But if you simply look at a flower on a field, you will keep it forever, because the flower is part of the evening and the sunset and the smell of damp earth and the clouds on the horizon.

Most people miss their whole lives, you know. Listen, life isn't when you are standing on top of a mountain looking at a sunset. Life isn't waiting at the alter or the moment your child is born or that time you were swimming in a deep water and a dolphin came up alongside you. These are fragments. 10 or 12 grains of sand spread throughout your entire existence. These are not life. Life is brushing your teeth or making a sandwich or watching the news or waiting for the bus. Or walking. Every day, thousands of tiny events happen and if you're not watching, if you're not careful, if you don't capture them and make them COUNT, your could miss it. You could miss your whole life.

I have a stalker, a beautiful one: the sunset. Every day she’s there, watching me, whether I watch her or not.

You read a lot, don't you, Ponyboy?” I was startled. “Yeah, why?” “I could just tell. I'll bet you watch sunsets, too.

...time can be slowed if you live deliberately. If you stop and watch sunsets. If you spend time sitting on porches listening to the woods. If you give in to the reality of the seasons.

They kept saying cows watched sunsets. At that point I wished I’d used the fucking conspiracy theorists instead of the cows. Nobody would’ve cared if I’d turned people inside-out who think vaccines have nanites in them that mine cryptocurrency. But cows watch sunsets, man!

Slip away and come watch the sunset." -Marcus 'There are more calls to finish.' -Shari "Those will wait. The sunset won't" -Marcus

Peter on the Transfiguration: “So, trying to be helpful, I offered to build three tents, one for Jesus, one for Moses, and one for Elijah. The minute those words left my mouth, I realized how stupid they were. Seriously, Peter? Build them tents? Like Jesus, Moses, and Elijah were going to spend the weekend on the mountain watching sunsets and sitting around the bonfire making s’mores? What is wrong with me?

Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.

And when the years have passed, and we have watched a thousand sunsets, and we are bent, our bodies crooked with age ask me again. In the twilight, in the shadow of the life we have shared, ask me if I love you, and my heart will answer before my lips can part. My love, my life, my heart never left your hands. Always, evermore, even after. Still.

If I could live again my life, In the next – I’ll try, - to make more mistakes, I won’t try to be so perfect, I’ll be more relaxed, I’ll be more full – than I am now, In fact, I’ll take fewer things seriously, I’ll be less hygienic, I’ll take more risks, I’ll take more trips, I’ll watch more sunsets, I’ll climb more mountains, I’ll swim more rivers, I’ll go to more places – I’ve never been, I’ll eat more ice creams and less lima beans, I’ll have more real problems – and less imaginary ones, I was one of those people who live prudent and prolific lives - each minute of his life, Of course that I had moments of joy – but, if I could go back I’ll try to have only good moments, If you don’t know – that’s what life is made of, Don’t lose the now! I was one of those who never goes anywhere without a thermometer, without a hot-water bottle, and without an umbrella and without a parachute, If I could live again – I will travel light, If I could live again – I’ll try to work bare feet at the beginning of spring till the end of autumn, I’ll ride more carts, I’ll watch more sunrises and play with more children, If I have the life to live – but now I am 85, - and I know that I am dying …

I will never be at ease while watching the sunset, knowing our stories will never end with the same words. All sunsets have their own story, it is just that ours will always fall incomplete.

I've decided that if I had my life to live over again, I would not only climb more mountains, swim more rivers, and watch more sunsets; I wouldn't only jettison my hot water bottle, raincoat, umbrella, parachute, and raft; I would not only go barefoot earlier in the spring and stay out later in the fall; but I would devote not one more minute to monitoring my spiritual growth. No, not one.

Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going down under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did.

It had been dark at the beach for hours, he hadn't been smoking much and it wasn't headlights – but before she turned away, he could swear he saw light falling on her face, the orange light just after sunset that catches a face turned to the west, watching the ocean for someone to come in on the last wave of the day, in to shore and safety.

Have you ever watched this kind of sunset? The colours don’t blend: the redder the sky the bluer the water, as we tilt away from the sun.

Two roads diverged in a yellow wood, but I chose neither one. Instead, I set sail in my little boat to watch a sunset from a different view that couldn't be seen from shore. Then I climbed the tallest mountain peak to watch the amber sun through the clouds. Finally, I traveled to the darkest part of the valley to see the last glimmering rays of light through the misty fog. It was every perspective I experienced on my journey that left the leaves trodden black, and that has made all the difference.

I'm enjoying two beautiful visions tonight. Watching you stand there against a marvelous background has to be the most intriguing sunset I have ever experienced.

We who live under heaven, we of the clovery kindgom, we middlesins people have often watched the sky overreaching the land.

It was too late to tell Dally. Would he have listened? I doubted it. Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did. It was too much of a problem to be just a personal thing.

Sunset is so marvellous that even the sun itself watches it every day in the reflections of the infinite oceans!

She didn't see him at first. She was watching the dancers. Her color was high, and there were deep dimples at the corners of her mouth. She looked nine miles out of place, but he had never loved her more. This was Willa on the edge of a smile.

I need to know why I’m supposed to go through the rest of my life without being able to talk to her. Hug her. Hear her laugh. Watch the sunset with her. Watch her play her violin. Kiss her forehead. Tell her I love her. Hear her say it back. Why? Why?!

i stood and watched the final sunset as the world was ending light that once would fall was now ascending

Watching sunset makes you feel stronger

There on the dune, beside the table, one of the camel boys has his arm around the other, and they sit there like that as they watch the sun. The dunes are turning the same shades of adobe and aqua as the buildings of Marrakech. Two boys, arms around each other. To Less, it seems so foreign. It makes him sad. In his world, he never sees straight men doing this. Just as a gay couple cannot walk hand in hand down the streets of Marrakech, he thinks, two men, best friends, cannot walk hand in hand down the streets of Chicago. They cannot sit on a dune like these teenagers and watch a sunset in each other’s embrace. This Tom Sawyer love for Huck Finn.

Well, then why should we do anything more than once? Should I just smoke this one cigarette? Maybe we should only have sex once, if it's the same thing. Should we just watch one sunset? Or live just one day? Because it's new every time. Each time is a different experience.

Grief can destroy you—or focus you. You can decide a relationship was all for nothing if it had to end in death, and you alone. Or you can realize that every moment of it had more meaning than you dared to recognize at the time, so much meaning it scared you, so you just lived, just took for granted the love and laughter of each day, and didn’t allow yourself to consider the sacredness of it. But when it’s over and you’re alone, you begin to see it wasn’t just a movie and a dinner together, not just watching sunsets together, not just scrubbing a floor or washing dishes together or worrying over a high electric bill. It was everything, it was the why of life, every event and precious moment of it. The answer to the mystery of existence is the love you shared sometimes so imperfectly, and when the loss wakes you to the deeper beauty of it, to the sanctity of it, you can’t get off your knees for a long time, you’re driven to your knees not by the weight of the loss but by gratitude for what preceded the loss. “And the ache is always there, but one day not the emptiness, because to nurture the emptiness, to take solace in it, is to disrespect the gift of life.

Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm?

One day, I watched the sun setting forty-four times," you told me. And a little later, you added: "You know... when one is so terribly sad, one loves sunsets..." "The day you watched those fourty-four sunsets, were you sad?" I asked. But the little prince made no reply.

Life shouldn’t be about constantly trying to prove that we’re safe from getting hurt. Life should be about living with uncertainty while we watch beautiful sunsets with the people we love.

For sure, even the worst blow job is better than, say, sniffing the best rose ... watching the greatest sunset. Hearing children laugh.

Grey eyes that grow sadder than sunset or rain, Fond heart that is ever more true Firm faith that grows firmer for watching in vain--- She’ll wait by the sliprails for you.

This is my favorite time of day. When the sun is setting and the last of its fiery fingers caress the water line before relinquishing their hold to the darkness of the night. And I can watch as the stars pop out, one by one, to pinprick the sky with their silvery light.

Outside on the sidewalk, I stop in my tracks. The sun is setting. It’s like fire in the sky.  Bright.  Brilliant.  Orange. The four guys stand with me in awed silence. They know how much Bright Side loved to watch the sunset.  My smile grows as the sun makes its final descent and plunges us into darkness. Bright Side was definitely in charge tonight.  “That’s my girl.

I got to bed later than most People to see the moon in the night sky. And wake up earlier than most people to watch the Sunrise.

I want to see the sunrise with you. I want to watch the sunset. I want to make out during a movie. Silly, huh?

Are you dreaming? Stop dreaming; come and watch the sunset, it is better than all the dreams!

You could tell a lot about people who would stop what they were doing to watch the Almighty go about His business.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.

If you repeat something over and over again it loses its meaning; You watch the sunset too often it just becomes 6 pm, you make the same mistake over and over you stop calling it a mistake. If you just wake up wake up wake up wake up wake up wake up one day you’ll forget why

Watching the day slowly bloom into night. That’s how it always seemed to me: not the fading of a withered flower, but the opening of some dark, rich blossom, with unexpected hues and heavy scents.

I couldn't help but remember a similar moment, another view of infinite sunset as I sat side by side with Asuna, watching the end of Aincrad. Her voice echoed in my ears: We'll always be together.

The sun leaves often and I watch like a lover who's not yet vulnerable enough to ask it to stay a little longer.

There is a place they call La Pature, on the top of the hill, on the edge of the forest. Sometimes, on Sundays, I go and stay there with a book, watching the sunset.

I want to grow old with you,” he whispers. “I want to let you win at bingo, I want you to help me find my dentures, and I want to spend the evening watching the sunset with you every night from our two rocking chairs.” -Jackson 'Blame It on the Pain

Nothing in life is guaranteed. You can't predict how many days you'll have on this Earth, how many more sunsets you'll be here to see. I want you to make me a promise. Always watch the sunset, baby girl.

Why shouldn't it be that way for the rest of us? Why not just go with it? Just walk the dog and send the tweets and eat the scones and play with the hamsters and ride the bicycles and watch the sunsets and stream the movies and never worry about any of it? I didn't know it could be that easy. I didn't know that until just now. That sounds good to me.

Sunset is such a sad hour,” she said, presently. “If I watch the end of a day—any day—I always feel it’s the end of a whole epoch. And the autumn! It might as well be the end of everything,” he said. “That’s why I hate cold countries, and love the warm ones, where there’s no winter, and when night comes you feel an opening up of the life there, instead of a closing down. Don’t you feel that?

Slip away and come watch the sunset." -Marcus 'There are more calls to finish.' -Shari "Those will wait. The sunset won't" -Marcus

Watch the sunset without speaking, just like a bird watching the sunset in complete silence!

I watched the sunset from the comfort of my bathtub, which has a clear bottom so I had an unobstructed view.

Get outside. Watch the sunrise. Watch the sunset. How does that make you feel? Does it make you feel big or tiny? Because there's something good about feeling both.

Watching the sun set is like watching a beautiful kid die for a good cause.

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

That evening, as I watched the sunset’s pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesn’t matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesn’t matter if, while trying to be modest and eager watchers of life’s many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesn’t matter if a passerby sees us dipping a finger into the moist pouches of dozens of lady’s slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.

You have to understand – there is a romance to Africa. You can see a sunset and believe you have witnessed the hand of God. You watch the slow lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature. In Africa, in the midday heat, you can see blisters in the atmosphere. When you are in Africa, you feel primordial, rocked in the cradle of the world.

When I look at a sunset as I did the other evening, I don’t find myself saying, “Soften the orange a little on the right hand corner, and put a bit more purple along the base, and use a little more pink in the cloud color.” I don’t do that. I don’t try to control a sunset. I watch it with awe as it unfolds. I like myself best when I can appreciate my staff member, my son, my daughter, my grandchildren, in this same way. I believe this is a somewhat Oriental attitude; for me it is a most satisfying one.

Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.

He watched the sun rise beyond the grape arbor. In the thin golden light the young leaves and tendrils of the Scuppernong were like Twink Weatherby's hair. He decided that sunrise and sunset both gave him a pleasantly sad feeling. The sunrise brought a wild, free sadness; the sunset, a lonely yet a comforting one. He indulged his agreeable melancholy until the earth under him turned from gray to lavender and then to the color dried corn husks.

Look', she said. It's going to be a beautiful sunset. Shall we stay out and watch it?' 'All right,' I said, and we stayed there on the lawn for quite awhile, arms around each other's waists, first watching the bright colors come up in the sky, then watching them fade to ashes of gray.

Go for a walk outdoors. Reconnect with the feeling of the wind blowing through your hair. Listen to the birds that live in a tree in your yard. Watch the sunset. Take time to smell the flowers that bloom in the park during the summer. The natural world is just as natural as it ever was, except there's less of it than there was twenty-five years ago - and most of us don't make a point of enjoying it often enough.

I remember that summer we walked up the hill, sat atop on the rocks with time to kill; we let sweet red wine set us aglow, then four drunken eyes watched the sunset show I felt the colors enter my veins: warm light-pink shining golden rays; if there was a hue for happiness, I'm sure I saw it with you then

Please forgive me for fighting against us, Gavin. Please forgive me for not fighting for us when I knew we were supposed to be together. Forgive me for being the weak mess I am. But more than anything… thank you for loving me. Thank you for your dimpled smile and your bottle caps. I’ll never be able to look at one without thinking of you. Thank you for your stupid Yankees and your wiseass remarks. Thank you for wanting late night drives and sunset-watching with me. Thank you for wanting the good, the bad, and the in-between.

Dorian looked down at the book. "This isn't one of the books that I sent you! I don't even own books like these!" She laughed weakly and took the tea from the servant as she approached. "Of course you don't, Dorian. I had the maids send for a copy today." "Sunset's Passions," he read, and opened the book to a random page to read aloud. "'His hands gently caressed her ivory, silky br-'" His eyes widened. "By the Wyrd! Do you actually read this rubbish? What happened to Symbols and Power and Eyllwe Customs and Culture?" She finished her drink, the ginger tea easing her stomach. "You may borrow it when I'm done. If you read it, you literary experience will be complete. And," she added with a coy smile, "it will give you some creative ideas of things to do with your lady friends." He hissed through his teeth. "I will not read this." She took the book from his hands, leaning back. "Then I suppose you're just like Chaol." "Chaol?" he asked, falling into the trap. "You asked Chaol to read this?" "He refused, of course," she lied. "He said it wasn't right for him to read this sort of material if I gave it to him." Dorian snatched the book from her hands. "Give me that, you demon-woman. I'll not have you matching us against each other." He glanced once more at the novel, then turned it over, concealing the title. She smiled, and resumed watching the falling snow.

Sunset and sunrise are two splendid movies that you can watch for seventy or eight years every day!

It is almost impossible to watch a sunset and not dream.

For once I didn't look away immediately. I forced myself to meet her contemptuous gaze. I allowed myself be swept away by it, to drown in it - the way I'd done so many times before. The way I would willingly do again. Because at least she was here to hate me. At least I had that. I watched my daughter conjure up the filthiest look in her vast arsenal before she turned away with complete disdain. I didn't mind that so much. It meant I could watch her, drink her in without her protest. Look at our daughter, Callum. Isn't she beautiful, so very beautiful? She laughs like me, but when she smiles... Oh Callum, when she smiles, it's picnics in Celebration Park and sunsets on our beach and our very first kiss all over again. When Callie Rose smiles at me, she lights up my life. When Callie Rose smiles at me.

At sunset, if I am near the water - and it is hard to be very far from it here -I pause to watch the splendid disc set the brine aflame and then douse itself in it's own fiery broth.

People are just as wonderful as sunsets if you let them be. When I look at a sunset, I don't find myself saying, Soften the orange a bit on the right hand corner.' I don't try to control a sunset. I watch with awe as it unfolds.

There is a small hill from which I can watch the sun set over the Outaouais River; every evening I see a red sky bleed over blue water and think of us. Have you ever watched this kind of sunset? The colours don’t blend: the redder the sky the bluer the water, as we tilt away from the sun.

I make a point of seeing the sunset. Even if I am on duty, I go on deck to watch the sky darken into twilight. It helps me remember that this strange place is still the earth, and I am still on it.

Our beauty unfolds, we become. The ones that truly value you And the pricelessness of your presence Will stick around to watch the full beauty of the sunset As they gaze through to your soul And feel warmed by your charm As you unfold, as you become

...the reward centers of the brain--where the pleasure of those high-calorie foods registers--also respond to other substances that bring about pleasure....But those reward centers also respond to other gratifying things, like watching a sunset or experiencing a loving touch...So while you may not be able to change the wiring in your brain, you can "feed" those reward centers other pleasures...Biology isn't destiny when you have effective strategies...

The look he gave me...My stomach quivered in that exact same way when I watched Before Sunset, yearning for a guy to know me so deeply and truly, we were only really complete when we were together. That I could talk, go on wild tangents, make obtuse references, and he would divine my meaning before I knew what I was trying to say myself. Erik had fallen asleep next to me on the couch, complaining later that the movie was "just people talking." He had no idea that this movie could have been a love letter written for me.

And the sun would set, and then our riders could watch the actual process of colour fading from the world. Was that tree still really green, or was it only that they were remembering how a few seconds ago it had been green?

You know those moments, whether you're in them or not, you feel something more than what you intended to feel, what you wanted to feel. That was right now. It was like watching a sunset, one that I expected to be an average sunset and knowing what the colours would be and the specific settings I would use, but then, with so much as a shift in the clouds, a sunset you never expected is revealed. It's a stolen heart in the rain, sprinkled rays of light that kiss your skin and dance in the rain to the sounds of thunder and rolling growls. It's being in the moment and giving yourself whether you intended to or not.

of all the things that have brought me suffering, being apart from you is the most excruciating pain I have ever experienced. But please know, I would suffer this a thousand days to spend one day with you. And there will come a time when we will walk together along the ocean, watching sunsets and sunrises. But we will be together in honor.

I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can't tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn't so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.

I live. I write. I watch old movies. I read. I watch the sunset. I watch the moon rise.

Watching her is like watching the loveliest sunset

I notice simple things. The way your hands hold the book you are reading, expressions of your face and eagerness in your eyes while you watch the sunset.

Lost love is like watching a beautiful sunset on the beach disappear and the night never turns to day. You take for granted the time you had and you dream of the sun rising again.

She got herself a cup of coffee and watched the setting sun from the corner of her eyes leaning against his back. The diamond ring shone in her navel like a chandelier of hope.

the three first-year apprentices watched in awe as the two marksmen slammed arrow after arrow into the almost invisible targets. “Anytime before sunset would be fine,” Will drawled.

God seems to far away. Does He? Have you noted the splendid display of wildflowers? Have you listened to a child's laughter or watched a sunrise or a sunset? Have you seen peace on a person's face when they should be miserable? I want that for you. I want you to be able to face very moment of the day knowing God loves you.

...the woods, when they give at all, give unstintedly, and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

Yearning I am yearning for you in every love songs I listen to, I am yearning for you in every sunsets I watch, I am yearning for you in every stranger's faces, I am yearning for you in every nights looking at the stars. And as I wrote every words, I am yearning for you.

All these people who say they want a life free from sexual compulsion, I mean forget it. I mean, what could ever be better than sex? For sure, even the worst blow job is better than, say, sniffing the best rose . . . watching the greatest sunset. Hearing children laugh. I think that I shall never see a poem as lovely as a hot-gushing, butt-cramping, gut-hosing orgasm. Painting a picture, composing an opera, that's just something you do until you find the next willing piece of ass.

Perhaps I ought to remember that she is very young, a mere girl and make allowances. She is all interest, eagerness, vivacity, the world is to her a charm, a wonder, a mystery, a joy; she can’t speak for delight when she finds a new flower, she must pet it and caress it and smell it and talk to it, and pour out endearing names upon it. And she is color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of the dawn, the purple shadows on the mountains, the golden islands floating in crimson seas at sunset, the pallid moon sailing through the shredded cloud-rack, the star-jewels glittering in the wastes of space — none of them is of any practical value, so far as I can see, but because they have color and majesty, that is enough for her, and she loses her mind over them. If she could quiet down and keep still a couple of minutes at a time, it would be a reposeful spectacle. In that cases I think I could enjoy looking at her; indeed I am sure I could, for I am coming to realize that she is a quite remarkably comely creature — lithe, slender, trim, rounded, shapely, nimble, graceful; and once when she was standing marble-white and sun-drenched on a boulder, with her young head tilted back and her hand shading her eyes, watching the flight of a bird in the sky, I recognized that she was beautiful.

He had learned that sometimes, watching someone work or standing beside them, looking at stars or at bugs or at a sunset, was far more communicative than the eternal babble that sprung from his own wayward tongue.

From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.

From sunrise to sunset, I was in the forest, sometimes far from the house, with my goat who watched me as a mother does a child. All the animals in the forest became my friends, even dangerous and poisonous ones. Thanks to my goat-mother and my Indian nurse, I have always enjoyed the trust of animals--a precious gift. I still love animals infinitely more than human beings.

If you have a monster inside of you, please teach it how to jump, and laugh, and fly and catch fish! Please teach it to climb mountains to watch sunsets and wade in ponds to feel moonlight. Please love your monster, tell it that it has a home, teach it that it has a place in this world, maybe it likes ice cream, maybe marshmallows make it smile, maybe it goes to beautiful places in its dreams at night. One day it will sit atop a clocktower and cast sunbeams onto everyone! Because it will learn that! Because angels are too busy to do that, but monsters are not. Monsters would love to catch sunbeams and eat sugar donuts. Teach your monsters, they will form moonbeams one day!

Mortals die, Nick. It's what they do." Lorcan's eyes bored into him. "To attach yourself to them is to watch them grow old and feeble while you remain forever young. You will see their love turn to envy, then to resentment, then hatred, as they are forced to confront their own mortality reflected in your eyes.

So, if I can’t look back, and I can’t look forward, I’m forced to live here, right now. Today I can sit around a campfire and talk to my friends. Today I can watch the sunset, even if the outline is getting hazy. Today I have made a new friend and I’m enjoying her company and her vibrant conversation.” He makes a single, slow nod in my direction. “The Roman poet Horace said: ‘Don’t hope or fear, but seize today, you must! And in tomorrow put complete mistrust.’ All any of us have is today.

She was practically an invalid ever after I could remember her, but used what strength she had in lavish care upon me and my sister, who was three years younger. There was a touch of mysticism and poetry in her nature which made her love to gaze at the purple sunsets and watch the evening stars. Whatever was grand and beautiful in form and color attracted her. It seemed as though the rich green tints of the foliage and the blossoms of the flowers came for her in the springtime, and in the autumn it was for her that the mountain sides were struck with crimson and with gold.

Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be. It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her. But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade. It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.

I had watched the sun blaze and in the blink of an eye slip away; the happiness I felt in that moment was a heartbeat from tipping to sadness at the knowledge that I couldn't hold it forever. My old familiar push-pull, my trademark yearning for and resisting joy.

Life is a miracle; walking is a miracle; watching the sunset is a miracle; everything is a miracle, because existence is a miracle!

Anne was kneeling at the west gable window watching the sunset sky that was like a great flower with petals of crocus and a heart of fiery yellow.

The sunsets, he told her, were the most beautiful he had ever seen, the clouds lighting up in all colors, the stars at night so bright he could read his watch by them.

Fed up with life? Then you need to watch the sunset; it will make you love the life again!

Now, to look is one of the most difficult things in life – or to listen – to look and listen are the same. If your eyes are blinded with your worries, you cannot see the beauty of the sunset. Most of us have lost touch with nature. Civilisation is tending more and more towards large cities; we are becoming more and more an urban people, living in crowded apartments and having very little space even to look at the sky of an evening and morning, and therefore we are losing touch with a great deal of beauty. I don’t know if you have noticed how few of us look at a sunrise or a sunset or the moonlight or the reflection of light on water. Having lost touch with nature we naturally tend to develop intellectual capacities. We read a great many books, go to a great many museums and concerts, watch television and have many other entertainments. We quote endlessly from other people’s ideas and think and talk a great deal about art. Why is it that we depend so much upon art? Is it a form of escape, of stimulation? If you are directly in contact with nature; if you watch the movement of a bird on the wing, see the beauty of every movement of the sky, watch the shadows on the hills or the beauty on the face of another, do you think you will want to go to any museum to look at any picture? Perhaps it is because you do not know how to look at all the things about you that you resort to some form of drug to stimulate you to see better. There

One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands alone and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun—which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in some one's eyes.

Pie, in a word, is my passion. Since as far back as I can remember, watching my mom and dad make their apple pies together every fall as a young boy, I have simply loved pie. I can't really explain why. If one loves poetry, or growing orchids, or walking along the beach at sunset, the why isn't all that important. To me, pie is poetry that makes the world a better place.

Life shouldn’t be about constantly trying to prove that we’re safe from getting hurt. Life should be about living with uncertainty while we watch beautiful sunsets with the people we love.

Watching the rain is as beautiful as watching the sunset or the sunrise and it is even better because in addition to watching you can also listen to it, the fantastic music of the drop sounds!

Probably we’d have been better off born in nineteenth-century Russia. I’d have been Prince So-and-so and you Count Such-and-such. We’d go hunting together, fight, be rivals in love, have our metaphysical complaints, drink beer watching the sunset from the shores of the Black Sea. In our later years, the two of us would be implicated in the Something-or-other Rebellion and exiled to Siberia, where we’d die. Brilliant, don’t you think? Me, if I’d been born in the nineteenth century, I’m sure I could have written better novels. Maybe not your Dostoyevsky, but a known second-rate novelist. And what would you have been doing? Maybe you’d only have been Count Such-and-such straight through. That wouldn’t be so bad, just being Count Such-and-such. That’d be nice and nineteenth century.

There’s more to this world than science. There’s more than just the things you see, touch, and feel. There’s not much magic left in the world, and if some people had their way, it would all be gone. But if you open your mind, you can still find bits of it. Every time you see a rainbow, every time you watch the sunset, and every time you remember a dream – they’re all little glimpses into what’s beyond our world.

There are so many ways to tell time-one way with clocks and watches and sunsets, or other ways with how many times a person laughs, or what they forget, or how they change their minds about what they care about, or why, or whom.

From sunrise to sunset, from one day to the next, till our black hair turns white, we eat, we sleep, we bear children and we watch them grow. We watch them get married and in turn bear children of their own. How time flies, we say to ourselves. Then one day, we look down at our feet and we're surprised. Roots have sprouted in the ground of our daily living.

Mary watched the sunset from her carriage window, realizing that such beauty could never last. Life was a golden glory that faded in the wink of an eye. Life was a village fair that only lasted for a single day. As the carriage rattled along, rocking her like a babe in arms, Mary felt very old and wise. She found that she didn't mind being taken back to the castle, to a caring captivity that was filled with comforts and kindness. And she also found that she couldn't keep her eyes open.

You don’t have to go to church and sit in a pew to find faith. Look into the eyes of a newborn baby or watch a sunset. Listen to children laughing. Like when a dog licks your palm or when you can smell the rain steaming the asphalt on a hot summer day. There is God. . .there is love, and there is evidence of your faith. Live, breathe, love. . .the rest will come easily.

Yorkshire's autumn was as great a gift as Yorkshire's summer. I loved watching the rusting of the leaves while the dales mellowed to shades of ochre, and rose hips and blackberries grew deliciously fat on their branches. The morning mists were mystical and magical to me, and the rose-glow of the evening sun lent the sky a hypnotic light that matched any Cape Town sunset.

As we drew nearer we could see that the three men fishing seemed old and solemn-looking men. They sat on three chairs in the punt and watched intently their lines. And the red sunset threw a mystic light upon the waters and tinged with fire the towering woods and made a golden glory of the piled-up clouds. It was an hour of deep enchantment of ecstatic hope and longing. The little sail stood out against the purple sky the gloaming lay around us wrapping the world in rainbow shadows and behind us crept the night. We seemed like knights of some old legend sailing across some mystic lake into the unknown realm of twilight unto the great land of the sunset. We did not go into the realm of twilight we went slap into that punt where those three old men were fishing. We did not know what had happened at first because the sail shut out the view but from the nature of the language that rose up upon the evening air we gathered that we had come into the neighbourhood of human beings and that they were vexed and discontented.

One day, I watched the sun setting forty-four times,’ you told me. And a little later, you added: ‘You know… when one is so terribly sad, one loves sunsets…’ ‘The day you watched those forty-four sunsets, were you that sad?’ I asked. But the little prince made no reply.

The story of the herd of seals. Hundreds of them on a beach; among them the hunter killing one after the other with a club. Together they could easily have crushed him— but they lay there, watching him come to murder, and did not move; he was only killing a neighbor— one neighbor after the other. The story of the European seals. The sunset of civilization. Tired shapeless Götterdämmerung. The empty banners of human rights. The sell-out of a continent. The onrushing deluge. The haggling for the last prices. The old dance of despair on the volcano. Peoples again slowly being driven into a slaughterhouse. The fleas would save themselves when the sheep were being sacrificed. As always.

Would you still write the story of us? Me. You. Arcadian." Tumango ako habang hawak ang kamay ni Gavin. "It might take a while but I will. That's a promise." "I might ruin your story." Ngumiti ako habang nananatili na nakatitig sa papalubog na araw. "You're the reason I want to write it." "Babes." "Hmm?" "Sisingilin na kita." Bago pa ako muling makasagot, naramdaman kong umalis si Gavin mula sa pag kakahilig sa aking balikat. Lumingon ako sa kanya. Nakatitig siya sa akin saka siya ngumisi, the familiar carefree grin that Gavin was known of. Ngisi na hindi ko alam na huling beses ko ng makikita. That afternoon, while watching the sunset behind the trees, Gavin kissed me on the lips.

But any idiot can see you two are gaga for one another.” As in Lady Gaga? Because I do enjoy riding Wade’s disco stick and playing our own version of poker face. And even though I’m terrified we’ll wind up having a bad romance, leaving me to just dance while watching Wade ride off into the sunset with Alejandro as the paparazzi followed in a frenzy, I can’t seem to stop myself from loving him. I shook the nonsense out of my head.

I tutored myself in the art of solemnity, kept my euphoria private, and adopted a serious demeanour in keeping with everyone else and the general ambience of the house. I continued my solitary daily walks about the estate, carefully choreographing scenes and conversations yet to happen. I returned to those places of our clandestine moments together, replaying them in my head, languishing in his treasured words . . . and sometimes adding more. I stood under frosty sunsets, my warm breath mingling with the cold evening air as I watched the silent flight of birds across the sky. And even in those twilit autumnal days I felt a light shine down upon my path. For though he was no longer at Deyning, no longer in England, the fact that he lived and breathed had already altered my vision; and nothing, not even a war, could quell my faith in the inevitability of his presence in my life.

I know that the best time to see them is in that perfect hour before sunset when the sun sinks low on the horizon like a ripe peach and sends shafts of gold bursting through the trees. The "in between," I call it. No longer day, not yet night; some other place and time when magic hangs in the air and the light plays tricks on the eye. You might easily miss the flash of violet and emerald, but I- according to my teacher, Mrs. Hogan- am "a curiously observant child." I see their misty forms among the flowers and leaves. I know my patience will be rewarded if I watch and listen, if I believe.

It was one of the great fen sunsets, flaming across the sky from horizon to horizon, burning up the earth beneath it to nothingness. But it could not subdue the Cathedral. Isaac was looking straight up at the three great towers and the flaming clouds were streaming out from them like banners. Yet there was no wind, and no movement in the sky except just above the Rollo tower where two small white clouds were in gentle flight. They soared and sank again, infinitely graceful and lovely, the golden light touching their wings and breasts. Then they soared once more and were lost in the light. They were two white swans.

Picture a guy; he’s been surfing all day, the sun’s going down, and he grabs his guitar which he then carries to his favourite place where the waves crash against the rocks. And he just sits there, watching the sunset and composing songs with his guitar. Now, how ‘off tha rip’ is a surfer / musician like this?

Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.

On the trail, all I had to do was walk. It was up to me how far I wanted to walk and where I wanted to end up. I could stop when I wanted, I could eat when I wanted, I could take naps at any point during the day.The trail allowed me to feel a strong sense of freedom. And it helped me to see the oppression of a busy schedule and the way we multitask in civilization. I no longer saw what was civil about filling my life with commitments if I couldn't stop to watch the sunset or listen to the birds sing.

So we stood up there for a long while, watching the sunset and discussing how it was one of those things you could never truly capture in 8-bit, not with the simplistic definition of violet (CHR$(156)), orange (CHR$(129)), and yellow (CHR$(158)). There were too many other colors, thousands of colors. The hardware could never do justice to it.

The sun had reached the horizon, and the crickets slowed their chirping as the air began to cool. Sunset and sunrise, he thought, the edges of the day, were the only times you could see the sun move. It touched the top of the ridge and began to disappear. He reminded himself that it was the earth's rotation, that the sun itself only seemed to move, but what difference did that make? He felt he was watching time itself pass. The last bright quarter shrank to an eighth, a sixteenth, a point, and then nothing, the sun's dark negative lingering in his retina.

Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.

Sometimes I hate this language with its false words like sunset. The sun does not set. It doesn't rise either. It just stays there in one place, yet we get all romantic, huddling on beaches to watch its so-called departure, when it is we who turn away from it, which is a good thing-if the sun could turn, it would never come back, it'd just keep going, look for some better planet to nourish. Moonlight is another lie. It's a luminescent echo. The moon is a politician whose speeches are written by the sun. I long for a world where witnesses in court must place their hands on a dictionary when they swear. A world where an archer must ask an arrow's permission before loading it into a crossbow. A world with inverted flashlights that shoot out beams of darkness, so you can go to the beach and sabotage sunbathers, rob them of their shine. A world where people eat animals they wish to emulate. But who the hell am I? I'm just the spark from two people who rubbed their genitals together like sticks in a forest one October night because they were cold. I'm just burning the firecracker at both ends. Every morning I get up and swallow my weirdness pills. I know the glass is half full, but it's a shot glass, and there are four of us, and we're all very thirsty. I know it's easy not to cry over spilled milk when you've got another carton in the fridge.

Most broadly understood, lectio divina involves receiving God's revelation wherever it occurs. This means that there are other media beyond Scriptures that can also be engaged with in this same prayerful way. We can, for example, apply it to the reading of a book or article. In fact, it is very appropriately used when reading something devotional-say, for example, the book you now hold in your hands. But we can also open our senses and attend to God's revelation while listening to music, viewing a work of art, contemplating an icon, talking to a friend, listening to a sermon or watching a sunset.

It’s called “Caliban At Sunset”.’ ‘What at sunset?’ ‘Caliban.’ He cleared his throat, and began: I stood with a man Watching the sun go down. The air was full of murmurous summer scents And a brave breeze sang like a bugle From a sky that smouldered in the west, A sky of crimson, amethyst and gold and sepia And blue as blue as were the eyes of Helen When she sat Gazing from some high tower in Ilium Upon the Grecian tents darkling below. And he, This man who stood beside me, Gaped like some dull, half-witted animal And said, ‘I say, Doesn’t that sunset remind you Of a slice Of underdone roast beef?’ He

The Armageddon Machine Mackenzie watched the universe end. It was beautiful, like a flower closing up for the night. Stars and planets swirled inwards, spiralling around and down, faster and faster, collapsing into an infinitesimal particle. As silent as the sunset. The more space/time that was pulled in, the more massive the particle became and the more gravity it exerted on what remained of the universe.

I enjoy waking up before the weather. It never rains at 4:00AM. Yes, it’s always cold, but it’s not an uncomfortable cold; it’s the cold of an engine at rest, a day that has yet to fire into life. At this time, everything is fresh and crisp, as if it’s new and still in its wrapping. Sunsets are beautiful, but the light fades to darkness. It’s like watching a candle burn itself out. The dawn is the birth of a new day; the sun spills colours into the clouds like a child’s paintbrush swirling in a pot of water. The countryside has such a beautiful sadness about it; a distant tractor ambles slowly along a furrowed field like a tear on a cheek.

Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?

Just for a minute,” she said. He’s not half bad, she thought, as far as princes go. “Just to watch the sunset,” he agreed. He’s not half bad, she thought, as far as enemies go. “Just to see the stars,” she conceded. This isn’t half bad, she thought, as far as wars go. “Just one day,” he said. “You promised.” And just to take another look at one small photograph hanging on the wall, she thought. Lennox Gates, what is your Siren story?

If I dismiss the ordinary — waiting for the special, the extreme, the extraordinary to happen — I may just miss my life… To allow ourselves to spend afternoons watching dancers rehearse, or sit on a stone wall and watch the sunset, or spend the whole weekend rereading Chekhov stories—to know that we are doing what we’re supposed to be doing — is the deepest form of permission in our creative lives. The British author and psychologist Adam Phillips has noted, 'When we are inspired, rather like when we are in love, we can feel both unintelligible to ourselves and most truly ourselves.' This is the feeling I think we all yearn for, a kind of hyperreal dream state. We read Emily Dickinson. We watch the dancers. We research a little known piece of history obsessively. We fall in love. We don’t know why, and yet these moments form the source from which all our words will spring.

In The Sunset Sky The sunset sky dazzling with the golden hues, Taking bow in brilliant sparkle of experience Is it not a climax, of the story so far, that was today? Or is it building anticipation of the night yet to come. Watch the days go, some proud of their accomplishments Some leaving sighs of disappointments, Leaving all in awe of its Amaranthine twists and turns And the fortunate get to see the moon trying to steal the show from setting sun, Oh she is such a show off, isn't she, basking in reflected glory Its magical, the sunset sky,Puzzling, sometimes just like a riddle, Leaving the nature stunned and amazed For it has been filling the canvas whole day with colours And now the sunset threatens to hide them all And in dark all the colours will be same A cue for the wise. Sunset sky has so much to offer, is she not a fine exampleof how uncertain a life can be Often reminding no matter what you planned, there will besome unexpected returns For End has its own brain, its own script Charting its own course So why just the beginning,every moment of the life should be grand, meted with equal passion and fervor She has been so clever; the sunset sky Leaving Twinkling cryptic messages for the night sky For even the dark has sparkle and hope if you keep your head up, A constant reminder that exuberance is an attitude of deep,rich, warm hearts I want my sunset sky to be grand, magical, and full of stories of my life that has been And its memories to linger on in this world, in the tomorrow and a few more years to come

His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.

Have you ever felt a stirring in your heart as a touching story brought tears to your eyes or as you heard a soaring symphony or a captivating song on the radio that opened a new window in your soul? Maybe you have felt a similar exhilaration while watching a sunset, camping out under the night sky, or holding a newborn babe. Something inside of you quickened, and for a moment, some heavenly beauty connected your inner self with the divine. C. S. Lewis referred to such experiences as joy. These are remnants and reminders of the perfect world God designed for us to live in—the shadow of places He longs to take us to, the reality of the other world He’s preparing for us.

Rosemary took another sip of juice. Her head was already feeling better. ‘Does your name mean something in your language?’ ‘It does. I am “A Grove of Trees Where Friends Meet To Watch The Moons Align During A Sunset in Mid” . . . I’d guess you’d say “autumn.” Mind you, that’s just the first bit. It also includes my mother’s name and the town in which I was born, but I think I’ll leave it there, or else you’ll be listening to me translate all night.

In all seriousness, Archer claims that if you, as a living, alive person, hear the song “You’re the One That I Want” from the musical Grease three times in a single day—seemingly by accident, whether in an elevator, on a radio, a telephone hold button, or wherever—it indicates that you’ll surely die before sunset. In contrast, the phantom odor of scorched toast merely means that a deceased loved one continues to watch over you and protect you from harm.

It happens this way sometimes, we can discover truths about ourselves in a moment, sometimes in the midst of drama, sometimes quietly. A sunset wind can be blowing off the sea, we might be alone in bed on a winter night, or grieving by a grave among leaves. We are drunk in a tavern, dealing with desperate pain, waiting to confront enemies on a battlefield. We are bearing a child, falling in love, reading by candlelight, watching the sun rise, a star set, we are dying . . . But there is something else to all of this, because of how the world is for us, how we are within it. Something can be true of our deepest nature and the running tide of days and years might let it reach the shore, be made real there—or not.

Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was. He said, 'spiral jetty.' She said, ''In sand?' He smiled and said, 'That's its beauty.' A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers. Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow

it is a valuable lesson that should often be reinforced—that many who are faced with impending death, a disease that will likely take them in a year’s time, for example, quite often insist that their affliction is the best thing that ever happened to them. It takes the immediacy of mortality to remind them to watch the sunrise and the sunset, to note the solitary flower among the rocks, to appreciate those loved ones around them, to taste their food, and revel in the feel of a cool breeze.

The Ilhalmiut do not fill canvases with their paintings, or inscribe figures on rocks, or carve figurines in clay or in stone, because in the lives of the People there is no room for the creation of objects of no practical value. What purpose is there in creating beautiful things if these must be abandoned when the family treks out over the Barrens? But the artistic sense is present and strongly developed. It is strongly alive in their stories and songs, and in the string-figures, but they also use it on the construction of things which assist in their living and in these cases it is no less an art. The pleasure of abstract creation is largely denied to them by the nature of the land, but still they know how to make beauty. They know how to make beauty, and they also know how to enjoy it-- for it is no uncommon thing to see an Ilhalmio man squatting silently on a hill crest and watching, for hours at a time, the swift interplay of colors that sweep the sky at sunset and dawn. It is not unusual to see an Ilhalmio pause for long minutes to watch the sleek beauty of a weasel or to stare into the brilliant heart of some minuscule flower. And these things are done quite unconsciously, too. There is no word for 'beauty'--as such--in their language; it needs no words in their hearts.

If there was a predominant season in heaven, Jenny Flanigan believed it would be summer. The long days and warm nights felt endless no matter how rushed the rest of the year was. With summer came the sense that all of life slowed to smell the deep green grass, to watch fireflies dance on an evening breeze, or to hear the gentle lap of lake water against the sandy shore. Summer was barbecues and quiet conversation in the fading light of a nine o'clock sunset. It was cutoffs and flip-flops and afternoons on Lake Monroe.

The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

In the dim sunset Perceval looked the glade over and said, “Does your lady wife think so little of sending you out on deadly errands?” Sir Gareth unstrapped the blanket from behind his saddle. “It’s our fourth child. I’ve grown accustomed to it.” “Of course,” Perceval said with a grin, “even dragonfire might burn less hot than my lady aunt’s temper.” Sir Gareth cuffed Perceval across the ear. “For that piece of insolence, youngster, you take the first watch. And be glad you are so tender in years that I dare not risk my honour upon you in single combat to prove my Lynet as sweet-tempered as she should be.

As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.

My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

That night, after we'd had our tea, Kevin and I went bird-watching. Not the usual sort, plodding round the fields with great binoculars round your neck (though I did take my work binoculars). No, we go up in the big trees in the wood, where the birds live. Right to the tops we go, where the branches sway and swing like a comfy bed, and you can look along the green billows of the tree-tops. In spring, we take the eggs out of the nests, handling them gentle, like, and putting them back afterwards of course. An' getting away quickly, so the hen-bird can come back and sit on them again. That's a wonder of life to me; to hold a speckled egg in the palm of your hand, and think what a marvellous thing it's going to become, a bird that flies and feeds and takes its chance with the cats, and breeds its own young and dies back into the dust in the end. Why does anyone need those crazy Christian dreams of Heaven, wi' angels playin' their harps on fleecy clouds, when they can have a wood at sunset, when you can look down from a low branch and see young rabbits playing, or even young foxes tumbling over and over and squeaking when they nip each other with their sharp little teeth?

For centuries scientists too accepted these humanist guidelines. When physicists wondered whether to get married or not, they too watched sunsets and tried to get in touch with themselves. When chemists contemplated whether to accept a problematic job offer, they too wrote diaries and had heart-to-heart talks with a good friend. When biologists debated whether to wage war or sign a peace treaty, they too voted in democratic elections. When brain scientists wrote books about their startling discoveries, they often put an inspiring Goethe quote on the first page. This was the basis for the modern alliance between science and humanism, which kept the delicate balance between the modern yang and the modern yin – between reason and emotion, between the laboratory and the museum, between the production line and the supermarket.

One year, on vacation in Hawaii, I was relaxing at a beach, watching whales in the distance, when a fisherman, obviously a local, drove up in his pick-up truck. He got out with a dozen fishing rods. Not one. A dozen. He baited each hook, cast all the lines into the ocean, and set the rods in the sand. Intrigued, I wandered over and asked him for an explanation. “It’s simple,” he said. “I love fish but I hate fishin’. I like eatin’, not catchn’. So I cast out 12 lines. By sunset, some of them will have caught a fish. Never all of ’em. So if I only cast one or two I might go hungry. But 12 is enough so some always catch. Usually there’s enough for me and extras to sell to local restaurants. This way, I live the life I want.” The simple fellow had unwittingly put his finger on a powerful secret. The flaw in most businesses, that keeps them always in desperate need—which suppresses prices—is: too few lines cast in the ocean.

When Leonardo was painting The Last Supper (fig. 74), spectators would visit and sit quietly just so they could watch him work. The creation of art, like the discussion of science, had become at times a public event. According to the account of a priest, Leonardo would “come here in the early hours of the morning and mount the scaffolding,” and then “remain there brush in hand from sunrise to sunset, forgetting to eat or drink, painting continually.” On other days, however, nothing would be painted. “He would remain in front of it for one or two hours and contemplate it in solitude, examining and criticizing to himself the figures he had created.” Then there were dramatic days that combined his obsessiveness and his penchant for procrastination. As if caught by whim or passion, he would arrive suddenly in the middle of the day, “climb the scaffolding, seize a brush, apply a brush stroke or two to one of the figures, and suddenly depart.”1 Leonardo’s quirky work habits may have fascinated the public, but they eventually began to worry Ludovico Sforza. Upon the death of his nephew, he had become the official Duke of Milan in early 1494, and he set about enhancing his stature in a time-honored way, through art patronage and public commissions. He also wanted to create a holy mausoleum for himself and his family, choosing a small but elegant church and monastery in the heart of Milan, Santa Maria delle Grazie, which he had Leonardo’s friend Donato Bramante reconstruct. For the north wall of the new dining hall, or refectory, he had commissioned Leonardo to paint a Last Supper, one of the most popular scenes in religious art. At first Leonardo’s procrastination led to amusing tales, such as the time the church prior became frustrated and complained to Ludovico. “He wanted him never to lay down his brush, as if he were a laborer hoeing the Prior’s garden,” Vasari wrote. When Leonardo was summoned by the duke, they ended up having a discussion of how creativity occurs. Sometimes it requires going slowly, pausing, even procrastinating. That allows ideas to marinate, Leonardo explained. Intuition needs nurturing. “Men of lofty genius sometimes accomplish the most when they work least,” he told the duke, “for their minds are occupied with their ideas and the perfection of their conceptions, to which they afterwards give form.

Across the lilies was a pond, its waters a vibrant green from reflecting the trees around it. In the center of the pond swam two elegant white birds, their long necks curved toward one another. "Swans!" Cinderella breathed. She leaned against the bridge's rail and gazed at the pair of swans gliding across the pond. At her side, Charles rested his elbows on the bridge. "They're here every evening before sundown. Sometimes, during sunset, you can see the light dapple their feathers. Look." Rays of golden light stroked the swans' wings, which shimmered against the still waters. "I used to come here whenever I could to watch them," said Prince Charles. "I'm certain it's been the very same pair of swans for years. When I saw them, I'd feel a little less lonely." "How happy they look," mused Cinderella, watching as the swans took flight, their feet skidding across the pond before they soared into the sky. "Free to come and go as they please.

Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.

LECHLADE, GLOUCESTERSHIRE. (Composed September, 1815. Published with “Alastor”, 1816.) The wind has swept from the wide atmosphere Each vapour that obscured the sunset’s ray; And pallid Evening twines its beaming hair In duskier braids around the languid eyes of Day: Silence and Twilight, unbeloved of men,    5 Creep hand in hand from yon obscurest glen. They breathe their spells towards the departing day, Encompassing the earth, air, stars, and sea; Light, sound, and motion own the potent sway, Responding to the charm with its own mystery.    10 The winds are still, or the dry church-tower grass Knows not their gentle motions as they pass. Thou too, aereal Pile! whose pinnacles Point from one shrine like pyramids of fire, Obeyest in silence their sweet solemn spells,    15 Clothing in hues of heaven thy dim and distant spire, Around whose lessening and invisible height Gather among the stars the clouds of night. The dead are sleeping in their sepulchres: And, mouldering as they sleep, a thrilling sound,    20 Half sense, half thought, among the darkness stirs, Breathed from their wormy beds all living things around, And mingling with the still night and mute sky Its awful hush is felt inaudibly. Thus solemnized and softened, death is mild    25 And terrorless as this serenest night: Here could I hope, like some inquiring child Sporting on graves, that death did hide from human sight Sweet secrets, or beside its breathless sleep That loveliest dreams perpetual watch did keep.    30

But why can’t the language for creativity be the language of regeneration? You killed that poem, we say. You came in to that novel guns blazing. I am hammering this paragraph, I am banging them out, we say. I owned that workshop. I shut it down. I crushed them. We smashed the competition. I’m wrestling with the muse. The state, where people live, is a battleground state. The audience a target audience. ‘Good for you man,’ a man once said to me at a party, ‘you’re making a killing with poetry. You’re knocking ‘em dead.’ “-On Earth We’re Briefly Gorgeous, p. 179, Ocean Vuong “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink of an eye, as they say, then to be gorgeous, even from the day you’re born to the day you die, is to be gorgeous only briefly. Like right now, how the sun is coming on, low behind the elms, and I can’t tell the difference between a sunset and a sunrise. The world, reddening, appears the same to me--and I lose track of east and west. The colors this morning have the frayed tint of something already leaving. I think of the time Trev and I sat on the toolshed roof, watching the sun sink. I wasn’t so much surprised by its effect--how, in a few crushed minutes, it changes the way things are seen, including ourselves--but that it was ever mine to see. Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you first must be seen, but to be seen allows you to be hunted

Slung on a stage over the gunwale of an old felucca, the Peri. A storm had just passed, rushing away toward the land in a great slope of clouds; already turning yellowish from the desert. The sea there is the color of Damascus plums; and how quiet. Sun was going down; not a beautiful sunset, more a gradual darkening of the air and that storm’s mountainside. The Peri had been damaged, we hove to alongside and hailed her master. No reply. Only the sailor—I never saw his face—one of your fellahin who abandon the land like a restless husband and then grumble for the rest of their term afloat. It’s the strongest marriage in the world. This one wore a kind of loincloth and a rag round his head for the sun which was almost gone. After we’d shouted in every dialect we had among us, he replied in Tuareg: ‘The master is gone, the crew is gone, I am here and I am painting the ship.’ It was true: he was painting the ship. She’d been damaged, not a load line in sight, and a bad list. ‘Come aboard,’ we told him, ‘night is nearly on us and you cannot swim to land.’ He never answered, merely continued dipping the brush in his earthen jar and slapping it smoothly on the Peri’s creaking sides. What color? It looked gray but the air was dark. This felucca would never again see the sun. Finally I told the helmsman to swing our ship round and continue on course. I watched the fellah until it was too dark: becoming smaller, inching closer to the sea with every swell but never slackening his pace. A peasant with all his uptorn roots showing, alone on the sea at nightfall, painting the side of a sinking ship.

One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands alone and throws one’s head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one’s heart stands still at the strange unchanging majesty of the rising of the sun—which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in some one’s eyes.

Of all the streets that blur in to the sunset, There must be one (which, I am not sure) That I by now have walked for the last time Without guessing it, the pawn of that Someone Who fixes in advance omnipotent laws, Sets up a secret and unwavering scale for all the shadows, dreams, and forms Woven into the texture of this life. If there is a limit to all things and a measure And a last time and nothing more and forgetfulness, Who will tell us to whom in this house We without knowing it have said farewell? Through the dawning window night withdraws And among the stacked books which throw Irregular shadows on the dim table, There must be one which I will never read. There is in the South more than one worn gate, With its cement urns and planted cactus, Which is already forbidden to my entry, Inaccessible, as in a lithograph. There is a door you have closed forever And some mirror is expecting you in vain; To you the crossroads seem wide open, Yet watching you, four-faced, is a Janus. There is among all your memories one Which has now been lost beyond recall. You will not be seen going down to that fountain Neither by white sun nor by yellow moon. You will never recapture what the Persian Said in his language woven with birds and roses, When, in the sunset, before the light disperses, You wish to give words to unforgettable things. And the steadily flowing Rhone and the lake, All that vast yesterday over which today I bend? They will be as lost as Carthage, Scourged by the Romans with fire and salt. At dawn I seem to hear the turbulent Murmur of crowds milling and fading away; They are all I have been loved by, forgotten by; Space, time, and Borges now are leaving me.

Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.

Even though this duel has broken no rules, it’s not ben clean,” she said. “You began a brawl. Society will murmur its disapproval even before Ronan and Jess destroy your reputation.” “Society will disapprove of me?” Irex sneered. “Your reputation is not so lily white. Slave-lover.” Kestrel wobbled on her feet. It took her a moment to speak, and when she did, she wasn’t sure that what she said was true. “Whatever people say about me, my father will be your enemy.” Irex’s face was still sharp with hate, but he said, “Very well. You can live.” His voice became hesitant. “Did you tell the general about Faris?” Kestrel thought of her letter to her father. It had been simple. I have challenged Lord Irex to a duel, it had said. It will take place on his grounds today, two hours before sunset. Please come. “No. That would have defeated my purpose.” Irex gave Kestrel a look, one that she had seen before on the faces of her opponents in Bite and Sting. “Purpose?” he said warily. Kestrel felt triumph surge through her, stronger even than the pain in her knee. “I want my father to believe that I’ve legitimately won this duel. You are about to lose. You’ll throw the match, and give me a clear victory.” She smiled. “I want first blood, Irex. My father is watching. Make this look good.

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.

I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.

My seams gape wide so I'm tossed aside To rot on a lonely shore, While the leaves and mould like a shroud unfold, For the last of my trails are o'er, But I float in dreams on Northland streams That never again I'll see, As I lie on the marge of the old portage With grief for company. When the sunset gilds the timbered hills That guard Timagami, And the moon beams play on far James Bay By the brink of the frozen sea, In phantom guise my spirit flies As the dream blades dip and swing Where the waters flow from the Long Ago In the spell of the beck'ning spring. Do the cow-moose call on the Montreal When the first frost bites the air, And the mists unfold from the red and gold That the autumn ridges wear? When the white falls roar as they did of yore On the Lady Evelyn, Do the square-tail leap from the black pool deep Where the pictured rocks begin? Oh! the fur fleet sings on Temiscaming As the ashen paddles bend, And the crews carouse at Rupert's House At the sullen winter's end; But my days are done where the lean wolves run, And I ripple no more the path, Where the grey geese race 'cross the red moon's face From the white winds Arctic wrath. Tho' the death-fraught way from the Saguenay To the storied Nipigon, Once knew me well, now a crumbling shell I watch as the years roll on, And in memory's haze I live the days That forever are gone from me, As I rot on the marge of the old portage With grief for company.

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

Sit down and have a cup of coffee With your firm conviction that they're out to get you Sit down and have a cigarette with your awful fear of death I saw Milarepa at the all-night diner sharing a table with his personal demons He said You've got to invite them in with compassion on your breath Stop running away, 'cause nobody runs as fast as pain and sorrow Stop pushing away, you're just making it hard Stop putting it off, 'cause it'll be back to kick your ass tomorrow Breathe in, breathe out, let down your guard Sit down and start shooting the shit With the fear that you'll never measure up to your ideals Sit down and have a bottle of beer with the ache of all you've lost I saw Milarepa at the coffee house having a Danish with his hurts and hatreds He said You've got to invite them in, or you pay ten times the cost. Stop running away, 'cause nobody runs as fast as fear and loathing Stop pushing away, you're just making it worse Stop putting it off, cause it'll be back again in different clothing Just pop the clutch and go into reverse Invite them in and let them be there while you learn to stand it Invite them in and give them room to stomp and shout When they can come and go They won't be always pounding on your door If you let them in you can let them out. Sit down and have a conversation With the loneliness that's eating you alive Sit down and watch a sunset with your overwhelming rage I saw Milarepa at the corner bar buying a round for the monsters in his heart He said They're really not so bad when they're let out of their cage Stop running away, 'cause nobody runs as fast as pain and sorrow Stop pushing away, you're just making it hard Stop putting it off, 'cause it'll be back to kick your ass tomorrow Breathe in, breathe out, let down your guard