Dart Love Quotes

We've searched our database for all the quotes and captions related to Dart Love. Here they are! All 100 of them:

I don't know if anyone's ever told you this", he begins. He doesn't blush, and his eyes don't dart away. Instead I find myself staring into a pair of oceans - one perfect, the other blemished by that tiny ripple. "You're very attractive." I've been complimented on my appearance before. But never in his tone of voice. Of all the things he's said, I don't know why this catches me off guard. But it startles me so much that without thinking I blurt out, "I could say the same about you." I pause. "In case you didn't know." A slow grin spreads across his face. "Oh, trust me. I know.
Marie Lu (Legend (Legend, #1))
Love is like quicksilver in the hand. Leave the fingers open and it stays. Clutch it and it darts away.
Dorothy Parker
When Love cast me out, it was Cruelty who took pity upon me
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
Oh love and hate are two sides of the same blade
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
The music grew louder, faster, as we saw an empty couch on the balcony and ran to get it, pushed aside another couple darting for the same thing, but it was ours, and we smiled wide, laughing at our fortune, our couch.
Lee Matthew Goldberg (Slow Down)
sweet spring is your time is my time is our time for springtime is lovetime and viva sweet love (all the merry little birds are flying in the floating in the very spirits singing in are winging in the blossoming) lovers go and lovers come awandering awondering but any two are perfectly alone there's nobody else alive (such a sky and such a sun i never knew and neither did you and everybody never breathed quite so many kinds of yes) not a tree can count his leaves each herself by opening but shining who by thousands mean only one amazing thing (secretly adoring shyly tiny winging darting floating merry in the blossoming always joyful selves are singing) sweet spring is your time is my time is our time for springtime is lovetime and viva sweet love
E.E. Cummings
Quisiera darte todo lo que nunca hubieras tenido, y ni así sabrías la maravilla que es poder quererte
Frida Kahlo
Truly, it is in loss that we learn a thing's true value.
Jacqueline Carey (Kushiel's Avatar (Phèdre's Trilogy, #3))
I love you, Lucien, but I am a muse, you are an artist, I am not here to make you comfortable.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
A great ring of pure & endless light Dazzles the darkness in my heart And breaks apart the dusky clouds of night. The end of all is hinted in the start. When we are born we bear the seeds of blight; Around us life & death are torn apart, Yet a great ring of pure and endless light Dazzles the darkness in my heart. It lights the world to my delight. Infinity is present in each part. A loving smile contains all art. The motes of starlight spark & dart. A grain of sand holds power & might. Infinity is present in each part, And a great ring of pure and endless light Dazzles the darkness in my heart.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
I waited here while you talked to Sorcha, who, by the way, is crazy. Now you are off to the mortal world where the crazier one is? ... I was there, Devlin. Bananach could've killed you, and really? We've been bound together for like five minutes and you're suddenly darting off into danger without me. I don't think so.
Melissa Marr (Radiant Shadows (Wicked Lovely, #4))
His eyes darted over the surface of my face. Like a moth to a blaze he was hesitant, seeming to crave my warmth but not its inevitable burn. He explored me from a distance with his unspoken desire, with the fear that touching me would set him to flame. I wanted nothing more in that moment than to prove very much the opposite.
Shawn Maravel (Volition (Volition, #1))
Love them all," said Renoir. "That is the secret, young man. Love them all." The painter let go of his arm and shrugged. "Then, even if your paintings are shit, you will have loved them all.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
It is a human failing, to attribute the best of motives to those we know the least, and the worst to those we love best.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
When he looks back at me, his eyes travel around my face the way fingers dart through the bottom of a drawer, searching for batteries in a blackout.
Holly Schindler (Playing Hurt)
You must picture me alone in that room in Magdalen, night after night, feeling, whenever my mind lifted even for a second from my work, the steady, unrelenting approach of Him whom I so earnestly desired not to meet. That which I greatly feared had at last come upon me. In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England. I did not then see what is now the most shining and obvious thing; the Divine humility which will accept a convert even on such terms. The Prodigal Son at least walked home on his own feet. But who can duly adore that Love which will open the high gates to a prodigal who is brought in kicking, struggling, resentful, and darting his eyes in every direction for a chance of escape? The words “compelle intrare,” compel them to come in, have been so abused be wicked men that we shudder at them; but, properly understood, they plumb the depth of the Divine mercy. The hardness of God is kinder than the softness of men, and His compulsion is our liberation.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Old boy," said Grimes, "you're in love." "Nonsense!" "Smitten?" said Grimes. "No, no." "The tender passion?" "No." "Cupid's jolly little darts?" "No." "Spring fancies, love's young dream?" "Nonsense!" "Not even a quickening of the pulse?" "No." "A sweet despair?" "Certainly not." "A trembling hope?" "No." "A frisson? a Je ne sais quoi?" "Nothing of the sort." "Liar!" said Grimes.
Evelyn Waugh (Decline and Fall)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Are you afraid?” he asked moving his chair directly in front of her. “Should I be?” she answered getting her courage back. She stood about to dart away, but Vaselik stopped her, took her hands and studied them intently.
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
She died on a windy gray day in March when the sky was full of darting crows and the world lay prostrate and defeated after winter. Peter Lake was at her side and it ruined him forever. It broke him as he had not ever imagined he could have been broken. He would never again be young, or able to remember what it was like to be young. What he had once taken to be pleasures would appear to him in his defeat as hideous and deserved punishments for reckless vanity.
Mark Helprin (Winter’s Tale)
I wanted her to know just how much I loved her while also letting her know that she bore not one particle of blame for not loving me back. But I wouldn’t say that. It was rosepetals I wanted to throw, not a poison dart.
Donna Tartt (The Goldfinch)
How is it that one woman is…enough…for three men?” “I don’t know.” “She must be a very talented courtesan.” “Callie.” “Well, that was what she was. Wasn’t it?” “Yes.” “How very fascinating!” She smiled brightly. “I’ve never met a courtesan, you know.” “I could have surmised as such.” “She looked just as I imagined they did! Well, she was rather prettier.” Ralston’s eyes darted around the room as though he was looking for the quickest escape route. “Callie. Wouldn’t you rather gamble than talk about courtesans?
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment. They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
BELOVED, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head Has given the waves their melody, And made my lips and music wed, Murmuring a wizard song for thee. There the Loves a circle go, The flaming circle of our days, Gyring, spiring to and fro In those great ignorant leafy ways; Remembering all that shaken hair And how the wingèd sandals dart, Thine eyes grow full of tender care: Beloved, gaze in thine own heart. Gaze no more in the bitter glass The demons, with their subtle guile, Lift up before us when they pass, Or only gaze a little while; For there a fatal image grows That the stormy night receives, Roots half hidden under snows, Broken boughs and blackened leaves. For all things turn to barrenness In the dim glass the demons hold, The glass of outer weariness, Made when God slept in times of old. There, through the broken branches, go The ravens of unresting thought; Flying, crying, to and fro, Cruel claw and hungry throat, Or else they stand and sniff the wind, And shake their ragged wings; alas! Thy tender eyes grow all unkind: Gaze no more in the bitter glass. - The Two Trees
W.B. Yeats
who can duly adore that Love which will open the high gates to a prodigal who is brought in kicking, struggling, resentful, and darting his eyes in every direction for a chance of escape? The words compelle intrare, compel them to come in, have been so abused by wicked men that we shudder at them; but, properly understood, they plumb the depth of the Divine mercy. The hardness of God is kinder than the softness of man, and His compulsion is our liberation.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
Twenty-three,” he said. “Mm?” She opened her dazed eyes. Thorne pulled back, looking guilty and worried, which made some of her euphoria fade away. “You once asked me how many times I’d told a girl I loved her. I’ve been trying to remember them all, and I’m pretty sure the answer is twenty-three.” She blinked, a slow, fluttering stare. Her lips pursed in a question that took a while to form. “Including the Lunar girl who kissed you?” His brow furrowed. “Are we counting her?” “You said it, didn’t you?” His gaze darted to the side. “Twenty-four.” Cress gaped. Twenty-four girls. She didn’t even know twenty-four people.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
And she imagined how things could be later. It was stupid, but the picture just appeared in her mind. Abel and Magnus shoveling snow together... in twenty years, in thirty. Magnus had grown old, his broad back still strong but bent from time, his hair nearly white at the temples. And Abel... Abel was a different Abel, an adult one, one who was absolutely self-confident and didn't let his eyes dart around the room at lunch, as if he were caught in trap. "Nonsense," she whispered. "Thirty years? You don't stay with the person you meet at seventeen... what kind of fairy tale are you living in, Anna Leemann?" And still the picture seemed right.
Antonia Michaelis (The Storyteller)
First darts are unpleasant to be sure. But then we add our reactions to them. These reactions are “second darts”—the ones we throw ourselves. Most of our suffering comes from second darts.
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
If you are the lantern, I am the flame; If you are the lake, then I am the rain; If you are the desert, I am the sea; If you are the blossom, I am the bee; If you are the fruit, then I am the core; If you are the rock, then I am the ore; If you are the ballad, I am the word; If you are the sheath, then I am the sword.
Cecilia Dart-Thornton (The Lady of the Sorrows (The Bitterbynde, #2))
What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman (Leaves of Grass)
By all appreciable signs, they loved; they had looked love, with eyes that conveyed the holy secret from the depths of one soul into the depths of the other, as if it were too sacred to be whispered by the way; they had even spoken love, in those gushes of passion when their spirits darted forth in articulated breath, like tongues of long-hidden flame; and yet there had been no seal of lips, no clasp of hands, nor any slightest caress, such as love claims and hallows.
Nathaniel Hawthorne (Rappaccini's Daughter)
Because the truth was, there was a dark underbelly of terror to motherhood. You loved your children with such an overwhelming fierceness that you were absolutely vulnerable at every moment of every day: They could be taken from you. Somehow, you could lose them. You could stop at the corner to buy a newspaper when a drunk driver veered onto the sidewalk. You could feed your child an E. coli-tainted hamburger. You could turn your head for a second while one darted out into the street. The threats to your child were infinite. And the thing was, if any of your children's lives were ruined, even a little bit, yours wold be, too.
Katherine Center (Everyone is Beautiful)
Down the violet wind slid syrinx melodies, wild as foxes, mad as love, strange as wakening.
Cecilia Dart-Thornton (The Battle of Evernight (The Bitterbynde, #3))
Now discontent nibbled at him - not painfully, but constantly. Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there's time, the bastard Time. The end of life is now not so terribly far away - you can see it the way you see the finish line when you come into the stretch - and your mind says, "Have I worked enough? Have I eaten enough? Have I loved enough?" All of these, of course, are the foundation of man's greatest curse, and perhaps his greatest glory. "What has my life meant so far, and what can it mean in the time left to me?" And now we're coming to the wicked, poisoned dart: "What have I contributed in the Great Ledger? What am I worth?" And this isn't vanity or ambition. Men seem to be born with a debt they can never pay no matter how hard they try. It piles up ahead of them. Man owes something to man. If he ignores the debt it poisons him, and if he tries to make payments the debt only increases, and the quality of his gift is the measure of the man.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
We love, while knowing that someday our love might be lost forever. We laugh as we stride along, even while recognising that doom lies at the end of the road. We give, while comprehending that in the end 'twill all be taken away. we are nothing less then heroes.
Cecilia Dart-Thornton (The Well of Tears (The Crowthistle Chronicles, #2))
In the square below,’ said the Happy Prince, ‘there stands a little match-girl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. Pluck out my other eye, and give it to her, and her father will not beat her.’ ‘I will stay with you one night longer,’ said the Swallow, ‘but I cannot pluck out your eye. You would be quite blind then.’ ‘Swallow, Swallow, little Swallow,’ said the Prince, ‘do as I command you.’ So he plucked out the Prince’s other eye, and darted down with it. He swooped past the match-girl, and slipped the jewel into the palm of her hand. ‘What a lovely bit of glass,’ cried the little girl; and she ran home, laughing. Then the Swallow came back to the Prince. ‘You are blind now,’ he said, ‘so I will stay with you always.
Oscar Wilde (The Happy Prince)
Y a Dios, que esto no es más de darte la muestra del paño: si no te agrada la pieza, no desenvuelvas el fardo
Juana Inés de la Cruz (Sor Juana's Love Poems (Poemas de Amor) (English and Spanish Edition))
If you stop referring to my penis as a love truncheon.” “Love dart?” “No.” “Portable pocket rocket?” Sloane smiled. “Absolutely.” The smile vanished. “Not.” “How about moisture missile? Peacemaker? Heat seeking missile?
Charlie Cochet (Blood & Thunder (THIRDS, #2))
Tim stared at the steel rod in the gloved hand. "Is that a magic wand?" The Covenant Man appeared to consider. "I suppose so. Although it started life as the gearshift of a Dodge Dart, America's economy car, young Tim." "What's America?" "A kingdom filled with toy-loving idiots. It has no part in our palaver.
Stephen King (The Wind Through the Keyhole (The Dark Tower, #4.5))
I made so many promises when I arrived here. Now I'm not so sure. Now I'm worried. Now my mind is a traitor because my thoughts crawl out of bed every morning with darting eyes and sweating palms and nervous giggles that sit in my chest, build in my chest, threaten to burst through my chest, and the pressure is tightening and tightening and tightening Life around here isn't what I expected it to be.
Tahereh Mafi
What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had! "I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now." "Think again," it said: "that won't do." Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little." "I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here." So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
she was aware of his love - how could she not? She perceived it every time he looked at her. He was not demonstrative, but his ardour was all the more evident for the reins with which he restrained it, the mask of steel behind which he imprisoned it, his detached demeanour and deliberate gestures that, far from parading a lack of interest, displayed the strength of his self-discipline, that he could so tightly curb the intensity of his passion.
Cecilia Dart-Thornton (The Well of Tears (The Crowthistle Chronicles, #2))
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Though I am young, and cannot tell Either what Death or Love is well, Yet I have heard they both bear darts, And both do aim at human hearts. And then again, I have been told Love wounds with heat, as Death with cold; So that I fear they do but bring Extremes to touch, and mean one thing. As in a ruin we it call One thing to be blown up, or fall; Or to our end like way may have By a flash of lightning, or a wave; So Love’s inflamèd shaft or brand May kill as soon as Death’s cold hand; Except Love’s fires the virtue have To fight the frost out of the grave.
Ben Jonson
He preferred to not think of his mother as having hips. He preferred to not think of her as a woman at all, more as a traveling mass of loving annoyance - a mother-shaped storm that inhabited the bakery and, in bringing rain for the growth of the living things over which she hovered, didn't mind scaring the piss out of them with a few thunderbolts from time to time.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.’ In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances… and in which death itself was not a chance at all, but a certainty. This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.
C.S. Lewis
She had seen what it cost him and her heart quickened with compassion. For that alone, she might have loved him almost.
Cecilia Dart-Thornton (The Battle of Evernight (The Bitterbynde, #3))
Isn’t this a sight,” Friedrich said, darting in front of them. “My Lady Love and my underlings,” he said, glowering at his men.
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
-Como puedes darte cuenta, los patanes existen en todos los dominios…
Adri G.M. (La elevación (Los dominios del Ónix Negro, #1))
Fireflies, to me, are nighttime butterflies, Dazzling the night with magical flashes of light. When I see these teeny tiny sparks dart in the night, I am overcome with a sense of comfort and calm, Same as when a butterfly flutters around me during the day. I’m drawn to the dance of both astonishing critters. They remind me of life. They remind me of hope.
Melody Lee (Moon Gypsy)
hmmm. Didn't they say a man's feet echoed the size of his manhood? Of its own accord, her gaze darted up Gregor's leg to where his deliciously tight breeches caressed his- "Knife." She blinked, her gaze jerking up to his face, her skin flushing. Please, God, don't let him know what I was thinking. "Knife." he said again. "Knife?" she repeated dumbly. "Good god, Oglivie. I will need a knife if I'm to cut these vegetables.
Karen Hawkins (To Scotland, With Love (MacLean Curse, #2))
In the cage is the lion. She paces with her memories. Her body is a record of her past. As she moves back and forth, one may see it all: the lean frame, the muscular legs, the paw enclosing long sharp claws, the astonishing speed of her response. She was born in this garden. She has never in her life stretched those legs. Never darted farther than twenty yards at a time. Only once did she use her claws. Only once did she feel them sink into flesh. And it was her keeper's flesh. Her keeper whom she loves, who feeds her, who would never dream of harming her, who protects her. Who in his mercy forgave her mad attack, saying this was in her nature, to be cruel at a whim, to try to kill what she loves. He had come into her cage as he usually did early in the morning to change her water, always at the same time of day, in the same manner, speaking softly to her, careful to make no sudden movement, keeping his distance, when suddenly she sank down, deep down into herself, the way wild animals do before they spring, and then she had risen on all her strong legs, and swiped him in one long, powerful, graceful movement across the arm. How lucky for her he survived the blow. The keeper and his friends shot her with a gun to make her sleep. Through her half-open lids she knew they made movements around her. They fed her with tubes. They observed her. They wrote comments in notebooks. And finally they rendered a judgment. She was normal. She was a normal wild beast, whose power is dangerous, whose anger can kill, they had said. Be more careful of her, they advised. Allow her less excitement. Perhaps let her exercise more. She understood none of this. She understood only the look of fear in her keeper's eyes. And now she paces. Paces as if she were angry, as if she were on the edge of frenzy. The spectators imagine she is going through the movements of the hunt, or that she is readying her body for survival. But she knows no life outside the garden. She has no notion of anger over what she could have been, or might be. No idea of rebellion. It is only her body that knows of these things, moving her, daily, hourly, back and forth, back and forth, before the bars of her cage.
Susan Griffin (Woman and Nature: The Roaring Inside Her)
I already began to inspire the men with love. My breast began to take its right form, and such a breast! white, firm, and formed like that of the Venus de' Medici; my eyebrows were as black as jet, and as for my eyes, they darted flames and eclipsed the luster of the stars, as I was told by the poets of our part of the world. My maids, when they dressed and undressed me, used to fall into an ecstasy in viewing me before and behind; and all the men longed to be in their places.
Voltaire (Candide)
What I love is one foot in front of another. South-south-west and down the contours. I go slipping between Black Ridge and White Horse Hill into a bowl of the moor where echoes can't get out listen a lark spinning around one note splitting and mending it and I find you in the reeds, a trickle coming out of a bark, a foal of a river
Alice Oswald (Dart)
Brody's not gay. But then he kisses a boy. So he might be gay? No, Brody's not gay. But he loves this boy. So after much delaying, debating, and waiting, the answer comes clear...nothing is ever perfectly straight. It's slash.
Dart Gray (The Introspective Debate of Owen Brody)
And do you think, you fool," added Socrates, "that kisses of love are not venomous, because you perceive not the poison? Know that a beautiful person is a more dangerous animal than scorpions, because these cannot wound unless they touch us; but beauty strikes at a distance: from what place soever we can but behold her, she darts her venom upon us, and overthrows our judgment.
Xenophon (The Memorable Thoughts of Socrates)
How well she does everything! She reads not as if reading were the highest human activity, but as if it were the simplest possible thing, a thing even animals could do. As if she were carrying water from a well, or peeling potatoes." These reflections calmed him. A rare peace descended upon his soul. His mind stopped darting from subject to subject. He could not help smiling...
Boris Pasternak (Doctor Zhivago)
Did I ever tell you what came between your mother's heart and mine?" "I don't think this is the time--" "Your friend would disagree," she said, almost playfully, her attention darting to Tybalt. Focusing in me again, she said, "He all but burns with what he doesn't say to you, and my time is mine to spend.
Seanan McGuire (Late Eclipses (October Daye, #4))
You’ll freeze out here,” he said. What did he know? I was already a sheet of ice, a frozen branch, a twig. I could freeze in my own house, if I wanted to. The man’s eyes darted down the road. I was an icy slip of nothing. I was invincible.
Monica Drake (The Folly of Loving Life)
Ya smell like sun," he murmured. D's voice was raw, like a man under hypnosis. "Ya know that smell? That toasty-skin smell, like ya get after goin' ta the beach?" He nodded a little. "I love that smell." He straightened, eyes lowered to the ground. "Reminds me a workin' on the ranch, when I was a kid. Ridin' with my brother, up in the hills, sun beatin' down turnin' our necks brown, our hands." Jack didn't dare speak, or breathe, or make the tiniest move to disturb the so-rare Reverie. This glimpse into D's secret mind was like having a skittish deer approach him on a wooded trail; one false move and it would dart away into the brush, leaving him with only a flash of white tail before vanishing.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
Rahul did not realise the fluttering of the pigeons that so often disturbed everyone in the lab, by darting in and out of the ventilators. He did not realise the long, loud bell that went off, signalling the end of the last lecture, nor did she! They were living in the same moment, the same time, the same feeling, the same thought. Everything had slowed down to that moment. It was as if everything had stopped and all that existed were two people bound to each other by a string of feelings, two young people finally realising what life really meant and what they were supposed to do – love as one!
Faraaz Kazi
Strolling, keeping step, his stout polished well-made boots setting themselves down firmly beside her thin-soled black suede, they put off as long as they could the end of their moment together, and kept up as well as they could their small talk that flew back and forth over little grooves worn in the thin upper suface of the brain, things you could say and hear clink reassuringly at once without disturbing the radiance which played and darted about the simple and lovely miracle of being two persons named Adam and Miranda, twenty-four years old each, alive and on earth at the same moment: 'Are you in the mood for dancing, Miranda?' and 'I'm always in the mood for dancing, Adam!' but there were things in the way, the day that ended with dancing was a long way to go.
Katherine Anne Porter (Pale Horse, Pale Rider)
=The Burial of Love= His eyes in eclipse, Pale cold his lips, The light of his hopes unfed, Mute his tongue, His bow unstrung With the tears he hath shed, Backward drooping his graceful head. Love is dead; His last arrow sped; He hath not another dart; Go--carry him to his dark deathbed; Bury him in the cold, cold heart-- Love is dead.
Alfred Tennyson (The Suppressed Poems of Alfred Lord Tennyson)
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi
Stage one—you’re caught in a second-dart reaction and don’t even realize it: your partner forgets to bring milk home and you complain angrily without seeing that your reaction is over the top. Stage two—you realize you’ve been hijacked by greed or hatred (in the broadest sense), but cannot help yourself: internally you’re squirming, but you can’t stop grumbling bitterly about the milk. Stage three—some aspect of the reaction arises, but you don’t act it out: you feel irritated but remind yourself that your partner does a lot for you already and getting cranky will just make things worse. Stage four—the reaction doesn’t even come up, and sometimes you forget you ever had the issue: you understand that there’s no milk, and you calmly figure out what to do now with your partner. In education, these are known succinctly as unconscious incompetence, conscious incompetence, conscious competence, and unconscious competence. They’re useful
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
Hummingbird Flitting, darting A restless quest To fuel a fire That burns your breast Seeking sweetness For selfish glee Bringing gifts So heedlessly Your touch a trigger You fire life Igniting beauty In vibrant strife To equal you In colors bright They dazzle, dumbfound And delight But in tableau Their beauty ends Enlivened only By the wind Whilst you with Generous energy Prove a lovely Vibrant Persephone Their season ends Those blooms of spring And hummingbird On fragile wing Too soon I fear You will expire Sweetness smolders Consumed in fire.
Michael Sullivan
Why did you run away last time?” William asks quietly, so quietly that at first, I think I’m imagining it... “Because you are dangerous for me,” I say in the same tone so that he is the only one who can hear me... “Because,” I say, but then I stop, my throat suddenly too dry. 7…6… My tongue darts out to wet my lips before continuing in a hurry. “Because…” 5… “You could be everything I ever wanted.” 4…3… “Everything and so much more.
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
And, talking about the God of Love, Eros, who had grown up from the cute angelic Cupid with his ten colourful darts & golden bow, now wanted to be the God of True Love. He locked himself in embrace with his lovely wife, Psyche, all day & night, since, as he put it, Psyche was the Soul, & he, Eros, was the Body. And thus, Body & Soul should always be together. And he had, accordingly, set his golden bow & quiver of colourful darts aside.
Nicholas Chong
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I know that look." I put one arm out in from of me. He didn't stop. "Chris, we have to get going." I backed up, scooting over to put the couch between us. "What?" He feigned and innocent expression. "You know what." He kept coming. I continued evasive maneuvers. "They're going to be waiting on us." He shrugged. "It's not my wedding." His tongue darted out, wetting his bottom lip before sucking it back into his mouth. "I'd rather push that way too tight dress up around your waist and bend you over the couch.
Sadie Grubor (Stellar Evolution (Falling Stars, #1.5))
From the time I learned to love Jade and was drawn into the life of the Butterfield house, straight through to the wait for my case to come before the judge, there was nothing in my life that wasn't alive with meaning, that wasn't capable of suggesting weird and hidden significances, that didn't carry with it the undertaste of what for lack of anything better to call it I’ll call The Infinite. If being in love is to be suddenly united with the most unruly, the most outrageously alive part of yourself, this state of piercing consciousness did not subside in me, as I've learned it does in others, after a time. If my mind could have made a sound, it would have burst a row of wineglasses. I saw coincidences everywhere; meanings darted and danced like overheated molecules. Everything was terrifyingly complex; everything was terrifyingly simple. Nothing went unnoticed and everything carried with it a kind of drama.
Scott Spencer (Endless Love)
As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.
Voltaire (Candide)
And when the earth began to rumble and quake, as fear and frantic set in, he ran back inside the house past his wife and children, gathering all the valuables and things he thought of importance, and ran back to his car packing away. After making two trips in and out, he waited in the car for his family to come out, in fear they darted through the darkness and pelting cold rain. When everything calmed down, and the house was intact and safe, he returned putting everything back in its place, had the kids go to bed, told his wife he loves her and turned off the light.
Anthony Liccione
Oh," said her husband, sounding deeply pleased at something he'd read in his letter. "What?" Bridget sat up, inadvertently spilling several drops of honey on her breast. Sadly, she succumbed to her husband's fondness for nudity soon after their marriage. Valentine glanced up, but his gaze was immediately drawn to the honey slowly dripping down her breast. "Val..." Bridget moved to scoop the honey up with her finger. His hand darted out, catching hers. "Oh, don't," he breathed, leaning over her, forcing her flat on her back. He bent, closing his azure eyes, and licked her breast almost reverently. She shuddered. "It's the middle of the day," she whispered. His eyes opened, wicked and amused. "I know. Your favorite." She smiled up at him, threading her fingers through his golden hair. "I love you." "And I love you," he murmured against her lips, before taking her mouth hard and possessively. Their letters fell to the floor, abandoned, but Bridget didn't care at all. She was with her true love and the world outside could wait.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Mirabella’s eyes fill with tears, and Billy quickly wipes his mouth. He scoops strawberry tart onto his fork and holds it out. “Here,” he says. “You must try this.” As she takes the bite, he uses his thumb to discreetly wipe the tear that falls down her cheek. “I’m sorry,” he says softly. “I suppose I haven’t even tried to consider your point of view. It was thoughtless of me.” “It is all right,” Mirabella says. “Does she know that you love her?” Billy raises his eyebrows. “Why would she when I didn’t? It wasn’t like I read in books. A thunderclap. Eyes meeting. Tortured glances. With Arsinoe it was more like . . . having cold water poured down your back and learning to enjoy it.” “And does she love you?” “I don’t know. I think she might.” He smiles. “I hope she does.” “I hope so too.” Another tear slides down her cheek, and Billy darts forward to discreetly hide it. “It is all right,” she says. “They will think I am only crying because of how terrible this strawberry tart is.” Billy sets down his fork, insulted. Then they both begin to laugh.
Kendare Blake (One Dark Throne (Three Dark Crowns, #2))
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
Excellent,” says Gray, rubbing his hands together, a gleam in his eye. “The last person to sing gets to buy the drinks.” Ivy grins wide. “You’re on, Cupcake. I’m going to sing the house down.” We all pause, our gazes darting back and forth as a certain sense of terror falls over the table. Ivy sees us and slaps her palm onto the table. “Oh, for fuck’s sake. I know what you twats are thinking! If I suck at dancing, I’ll suck at singing? Well, I don’t. I’m awesome.” Awkward silence ensues, and she snorts. “What? You think I don’t know I suck at dancing? I just don’t give a shit.” She glares at Gray, though there really isn’t any anger in the look. “So you can stop dancing like an ass now.” A strangled sound leaves him. “You knew?” “Of course.” She tosses a lock of her hair over her shoulder. “You’re too coordinated on the field, and you kind of forget to suck when you do those victory dances.” He gapes at her for a long second, then gives a bark of laughter. “I fucking love you, Special Sauce.” With that, he hauls Ivy into his lap and kisses her. Fi, however, finally snaps out of the trance she’s been in since Ivy confessed. “You sneaky shithead,” she shouts over the music. “All these years I’ve been covering for your craptacular dancing, and you knew!” She shakes a fist. “I swear to God, Ivy Weed…” “Oh, please,” Ivy counters. “You pretend you suck at baking so you don’t have to cook for family holidays.” Fi sniffs, looking guilty as hell. “I don’t know what you’re talking about.” Ivy leans in, her eyes narrowed. “Midnight cookie baking ring a bell, Tink?” Fi’s cheeks flush, and she studies her nails with undue interest while muttering something about traitor sisters under her breath. “Those are for PMS cravings and nothing more. I was baking under duress.
Kristen Callihan (The Game Plan (Game On, #3))
Love-matches, my dear, are foolish things. I know not how you will find it some time hence: No general rule, however, without exceptions, you know. Violent Love on one side, is enough in conscience, if the other be not a fool, or ungrateful: The Lover and Lovée make generally the happiest couple. Mild, sedate convenience, is better than a stark staring-mad passion. The wall-climbers, the hedge and ditchleapers, the river-forders, the window-droppers, always find reason to think so. Who ever hears of darts, flames, Cupids, Venus’s, Adonis’s, and suchlike nonsense, in matrimony? — Passion is transitory; but discretion, which never bois over, gives durable  happiness.
Samuel Richardson (Complete Works of Samuel Richardson)
(I know, it's a poem but oh well). Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sun-down--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best-- mechanics, boatmen, farmers, Or among the savans--or to the soiree--or to the opera, Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct, and in its place. To me, every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman
In his younger days a man dreams of possessing the heart of the woman he loves; later, the feeling that he possesses the heart of a woman may be enough to make him fall in love with her. And 50, at an age when it would appear - since one seeks in love before everything else a subjective pleasure - that the taste for feminine beauty must play the larger part in its procreation, love may come into being, love of the most physical order, without any foundation in desire. At this time of life a man has already been wounded more than once by the darts of love; it no longer evolves by itself, obeying its own incomprehensible and fatal laws, before his passive and astonished heart. We come to its aid; we falsify it by memory and by suggestion; recognising one of its symptoms we recall and recreate the rest.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
In any case, right in this moment, the demon was wearing the infinitely lovely face of a cocubine. Being felt up all over by those lovely hands, Shen Qingqiu inevitably became embarrassed, and he involuntarily shrank back a little. This vision—that moment—struck Luo Binghe to his core. Until now, he'd only ever seen Shen Qingqiu's aloof and remote attitude, his derisive expression. But here and now, a faint, uncontrollable red flush formed on that face, and the way those eyes darted away... Also, Shen Qingqiu's upper body was completely bare but for the thin yet unbreakable immortal-binding cable and the red marks it left, and for Shen Qingqiu's long, disheveled, jet-black hair—neither of which concealed anything. Luo Binghe's chest was burning with a convoluted emotion that was impossible to describe.
Mò Xiāng Tóng Xiù (The Scum Villain's Self-Saving System: Ren Zha Fanpai Zijiu Xitong (Novel) Vol. 1)
When your body is clear there is control. When your body is clear you can choose whom to let in. There is love everywhere. Please cradle my rabbit heart. Please navigate yourself around me well. I know too much. I can recognize darkness because he is my brother, my maker. I can drink lightness because it is the only way to survive. I can shut off my heart but that leads to evil, so I express her and revel in the nuance of blood currents, and the sacred demons. I fear and quake with my eyes darting fight or flight love or die. The lightning comes from below this time and rips out of my throat for the world to see. They all see my rabbit and I have trained her to hunt. In her perfect glory she is shy and extroverted, chaste and perverted, my sweet near-death more alive than ever. Take her. Take me while I am ripe and open, rub berries on my lips and bear fat in my hair. Tattoo me with a needle and impale me with your warmth. Heal me, fuck me, and work my heart till she beats strong and unafraid. Haunches bared, teeth sharpened, wide-eyed and aware. Hurry. I want to feel safe.
Tanya Tagaq (Split Tooth)
I've been in a lot of fights. On the ice. And once off it. But all of them were against guys who could hold their own. This scar"----he pointed to a faint line under his left brow----"was from a left hook I didn't see coming. I returned the favor and broke the guy's nose. I'm telling you this because I won't lie and say I'm a stranger to violence." He didn't blink, didn't hesitate to meet my eyes. "But you? You could slap me, punch me, kick me in the nuts, call me names, disparage Mamie, whom I love more than anyone on Earth, and I still wouldn't ever raise a hand to you. Because I don't hit women or anyone weaker than me. Ever." He stopped there, his concerned gaze darting over my face. "I apologize that my behavior made you feel unsafe. It wasn't my intention. If you believe anything about me, believe I will always be the guy who stands with you, never against you.
Kristen Callihan (Make It Sweet)
Here, Kells. I brought you something,” he said unassumingly and held out three mangos. “Thanks. Um, dare I ask where you got them?” “Monkeys.” I stopped in mid-brush. “Monkeys? What do you mean monkeys?” “Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.” I gulped. “Have you ever…eaten a monkey?” Ren grinned at me. “Well, a tiger does have to eat.” I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.” He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way. “I don’t think I really need to hear about your hunting.” “Really? I quite enjoy hunting.” Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral. He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat. Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular. He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body. I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer. Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture. “I’m sorry if I frightened you, Kelsey. It won’t happen again.” When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?” He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.” I shuddered. “Fine. Just keep your animalistic tendencies to yourself.” He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring. “Stop that!” I sputtered. He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.” “Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.” His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.” He looked up at me and smiled. “It’s not freeze-dried.” “Okay. I’ll try some.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
We drove a couple of miles to a pasture near his parents’ house and met up with the other early risers. I rode along with one of the older cowboys in the feed truck while the rest of the crew followed the herd on horseback, all the while enjoying the perfect view of Marlboro Man out the passenger-side window. I watched as he darted and weaved in the herd, shifting his body weight and posture to nonverbally communicate to his loyal horse, Blue, how far to move from the left or to the right. I breathed in slowly, feeling a sudden burst of inexplicable pride. There was something about watching my husband--the man I was crazy in love with--riding his horse across the tallgrass prairie. It was more than the physical appeal, more than the sexiness of his chaps-cloaked body in the saddle. It was seeing him do something he loved, something he was so good at doing. I took a hundred photos in my mind. I never wanted to forget it as long as I lived.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. “You can’t escape me,” Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. “I’ve no desire to.” His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. “Welcome home, Mrs. Archer.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
In Tibet, we have a traditional image, the windhorse, which represents a balanced relationship between the wind and the mind. The horse represents wind and movement. On its saddle rides a precious jewel. That jewel is our mind. A jewel is a stone that is clear and reflects light. There is a solid, earthly element to it. You can pick it up in your hand, and at the same time you can see through it. These qualities represent the mind: it is both tangible and translucent. The mind is capable of the highest wisdom. It can experience love and compassion, as well as anger. It can understand history, philosophy, and mathematics—and also remember what’s on the grocery list. The mind is truly like a wish-fulfilling jewel. With an untrained mind, the thought process is said to be like a wild and blind horse: erratic and out of control. We experience the mind as moving all the time—suddenly darting off, thinking about one thing and another, being happy, being sad. If we haven’t trained our mind, the wild horse takes us wherever it wants to go. It’s not carrying a jewel on its back—it’s carrying an impaired rider. The horse itself is crazy, so it is quite a bizarre scene. By observing our own mind in meditation, we can see this dynamic at work. Especially in the beginning stages of meditation, we find it extremely challenging to control our mind. Even if we wish to control it, we have very little power to do so, like the infirm rider. We want to focus on the breathing, but the mind keeps darting off unexpectedly. That is the wild horse. The process of meditation is taming the horse so that it is in our control, while making the mind an expert rider.
Sakyong Mipham (Running with the Mind of Meditation: Lessons for Training Body and Mind)
When she returns a few minutes later, the bachelor party is in tow. She gives me a warning look. Don’t act drunk, she mouths. I give her a thumbs-up. Then I jump up and throw my arms around Peter. “Peter!” I shout above the music. He looks so cute in his button-down and tie. So cute I could cry. I bury my face in his neck like a squirrel. “I’ve missed you so, so very much.” Peter peers at me. “Are you drunk?” “No, I only had like two sips. Two drinks.” “Trina let you drink?” “No.” I giggle. “I stole sips.” “We’d better get you out of here before your dad sees you,” Peter says, eyes darting around. My dad is looking through a songbook with Margot, who is giving me a look that says, Get it together. “What he doesn’t know won’t hurt a living soul.” “Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I’ve been queen for ages and ages,” Sunny went on. She strutted across the cave floor. “No one dares challenge me for my throne! I am the strongest SandWing queen who ever lived!” “Don’t forget the treasure,” Tsunami hissed, pointing at a pile of loose rocks. “Oh, right,” Sunny said. “It’s probably because of all my treasure! I have so much treasure because I’m such an important queen!” She swept the rocks toward her and gathered them between her talons. “Did someone say treasure?” Clay bellowed, leaping out from behind a large rock formation. Sunny yelped with fright. “No!” Tsunami called. “You’re not scared! You’re Queen Oasis, the big, bad queen of the sand dragons.” “R-right,” Sunny said. “Rargh! What is this tiny scavenger doing in the Kingdom of Sand? I am not afraid of tiny scavengers! I shall go out there and eat him in one bite!” Glory started giggling so hard she had to lie down and cover her face with her wings. Even Tsunami was making faces like she was trying not to laugh. Clay swung his stalagmite in a circle. “Squeak squeak squeak!” he shouted. “And other annoying scavenger noises! I’m here to steal treasure away from a magnificent dragon!” “Not from me, you won’t,” Sunny said, bristling. She stamped forward, spread her wings, and raised her tail threateningly. Without the poisonous barb other SandWings had, Sunny’s tail was not very menacing. But nobody pointed that out. “Yaaaaaaah!” Clay shouted, lunging forward with his rock claw. Sunny darted out of the way, and they circled each other, feinting and jabbing. This was Clay’s favorite part. When Sunny forgot about trying to act queenly and focused on the battle, she was fun to fight. Her small size made it easy for her to dodge and slip under his defenses. But in the end Queen Oasis had to lose — that was how the story went. Clay drove Sunny back against the wall of the cave and thrust the fake claw between her neck and her wing, pretending it went right through her heart. “Aaaaaaaargh,” Sunny howled. “Impossible! A queen defeated by a lowly scavenger! The kingdom will fall apart! Oh, my treasure … my lovely treasure . . .” She collapsed to the ground and let her wings flop lifelessly on either side of her. “Ha ha ha!” Clay said. “And squeak squeak! The treasure is mine!” He scooped up all the rocks and paraded away, lashing his tail proudly.
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
Do you know how long I’ve wanted you? You’re like sunlight and water and air to me. All you need do is walk across my line of sight and my whole world lights up.” “You love your crusade more than you love me,” Kate said, her lips trembling. “You’ll kill yourself! You’ll die because you’re too arrogant to think another doctor could work with those patients as well as you.” She stepped forward, bumping against him and grabbing the lapels of his coat. “Please . . . we could be so good together.” He pulled away. “Don’t touch me, Kate. Don’t come near me. I love you, but you don’t know the meaning of the word. You only love when it’s easy, when there are no storm clouds on the horizon.” “Trevor, I’m afraid.” “Of course you’re afraid!” he shouted. “Do you imagine for one second that I’m not? But I won’t give in to it. I would lay down my life for you. I would lay down my life for any one of the thirty-two people lying in those beds upstairs, and I won’t turn my back on them. If I run away from what I’ve been fighting for all my life, then I begin dying. Then my purpose will be over.” She flinched and began straightening her shirt. “I’ve got to get out of here.” “Don’t go.” She twisted away to fumble with the doorknob. He tried to turn her to face him. “Kate, don’t go, please. Stay and fight this out.” She shook him off and fled from the closet as though it were on fire. He braced his hands on the doorframe, watching her dart around the people in the hallway. He wanted to run after her, drag her back into the closet, and plead with her to stay.
Elizabeth Camden (With Every Breath)
I can trust you.” “How do you know?” she says again. This is when I kiss her. I cannot give her the haemanthus. That is my heart, and it is of Mars—one of the only things born from the red soil. And it is still Eo’s. But this girl, when they took her … I would have done anything to see her smirking again. Perhaps one day I’ll have two hearts to give. She tastes how she smells. Smoke and hunger. We do not pull apart. My fingers wend through her hair. Hers trace along my jaw, my neck, and scrape along the back of my scalp. There is a bed. There is time. And there’s a hunger different from when I first kissed Eo. But I remember when the Gamma Helldiver, Dago, took a deep pull from his burner, turning it bright but dead in a few quick moments. He said, This is you. I know I am impetuous. Rash. I process that. And I am full of many things—passion, regret, guilt, sorrow, longing, rage. At times they rule me, but not now. Not here. I wound up hanging on a scaffold because of my passion and sorrow. I ended up in the mud because of my guilt. I would have killed Augustus at first sight because of my rage. But now I am here. I know nothing of the Institute’s history. But I know I have taken what no one else has taken. I took it with anger and cunning, with passion and rage. I won’t take Mustang the same way. Love and war are two different battlefields. So despite the hunger, I pull away from Mustang. Without a word, she knows my mind, and that’s how I know it’s in the right. She darts one more kiss into me. It lingers longer than it should, and then we stand together and leave.
Pierce Brown (Red Rising (Red Rising Saga, #1))
I run my finger along the textured silk. “It’s so beautiful.” “Salishen silk,” Mage Florel says reverently. “From the Salishen Isles. They’re master weavers, the Salish. True artists. And all of their embroidery is as exquisite as this.” I glance up at her. “Do you think you could use this?” “Of course, Mage Gardner,” she replies, obviously thrilled by my choice. Fallon’s hand comes down on the fabric. “You can’t use this,” she says, her tone hard. I blink up at her in resentful surprise. “Why?” “Because,” she replies, her voice syrupy with condescension, “this is what my dress is being made of.” “Ah, what a pity,” Mage Florel sighs. She pats my shoulder sympathetically. “I’ve others, Mage Gardner, don’t you fret. We’ll find something just as lovely for you...” Heart racing, I put my own hand down firmly on the fabric sample, right next to Fallon’s. I meet Fallon’s stare and hold it. “No. I want this one.” Everyone gapes at me. Fallon leans in a fraction and bares her teeth. “You can’t have it.” I try to ignore the slight trembling of my hand. “Oh, come now, Fallon,” I say as I gesture at the fabric around us, mimicking her sneering tone. “It’s all black. And I’m sure the cut will be different.” I look over at Mage Florel, whose eyes are as wide as everyone else’s. “Can you make sure it’s very different from hers?” Fallon spits out a sound of contempt. “My dress isn’t being made here. I have my own dressmaker.” “Well, then,” I tell her. “That simplifies things.” I turn to Mage Florel. “Can you make it for me in time? With this fabric?” Mage Florel gives me an appraising look, her eyes darting toward Fallon as if weighing the options. She lifts her chin. “Why, yes, Mage Gardner. I think I can.” She smiles coldly at Fallon. “Why don’t you tell me what your dress is like, dear? I’ll make sure it’s quite different.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
As I turn the corner, I hear Peter calling out, “Wait! Wait! Sir!” He’s following a security guard who is approaching a red backpack on the floor. The security guard bends down and picks it up. “Is this yours?” he demands. “Uh, yeah--” “Why did you leave it on the ground?” He unzips the backpack and pulls out a teddy bear. Peter’s eyes dart around. “Can you put that back inside? It’s for a promposal for my girlfriend. It’s supposed to be a surprise.” The security guard is shaking his head. He mutters to himself and starts looking in the backpack again. “Sir, please just squeeze the bear.” “I’m not squeezing the bear,” the security guard tells him. Peter reaches out and squeezes the teddy bear and the bear squeaks out, “Will you go to prom with me, Lara Jean?” I clap my hands to my mouth in delight. Sternly the security guard says, “You’re in New York City, kid. You can’t just leave a backpack on the ground for your proposal.” “It’s actually called a promposal,” Peter corrects, and the security guard gives him a look. “Sorry. Can I just have the bear back?” He spots me then. “Tell him Sleepless in Seattle is your favorite movie, Lara Jean!” I rush over. “Sir, it’s my favorite movie. Please don’t kick him out.” The security guard is trying not to smile. “I wasn’t going to kick him out,” he says to me. To Peter he says, “Just be more aware next time. In New York, we’re vigilant. If we see something, we say something, do you feel me? This is not whatever little country town you guys are from. This is New York City. We do not play around here.” Both Peter and I nod, and the security guard walks away. As soon as he’s gone, Peter and I look at each other and break out into giddy laughter. “Somebody reported my book bag!” he says. “My promposal got fucked.” I take the teddy bear out of his bag and hug it to my chest. I’m so happy I don’t even tell him not to cuss. “I love it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.' ("The Wondersmith")
Fitz-James O'Brien (Terror by Gaslight: More Victorian Tales of Terror)
Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home. I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben. Well that was settled then, wasn’t it? Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking. And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world. “Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?” Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.” “You did that?” I asked. “Oh yes, he did,” Rayna nodded. “And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.” “Rayna is particularly charming,” Sage noted. “Thank you, darling.” She batted her eyes at him like a Disney princess. “What happened?” Ben asked. “Piri spiked your drink with garlic?” “You say that like it’s a joke,” Sage said. “I’m pretty sure she did.” “She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.” “Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!
Hilary Duff (Elixir (Elixir, #1))
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))