Expat Quotes

We've searched our database for all the quotes and captions related to Expat. Here they are! All 100 of them:

Just when the caterpillar thought the world was over, she became a butterfly.
Barbara Haines Howett (Ladies of the Borobudur)
People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.
Roman Payne (Crepuscule)
I woke up early and took the first train to take me away from the city. The noise and all its people. I was alone on the train and had no idea where I was going, and that’s why I went there. Two hours later we arrived in a small town, one of those towns with one single coffee shop and where everyone knows each other’s name. I walked for a while until I found the water, the most peaceful place I know. There I sat and stayed the whole day, with nothing and everything on my mind, cleaning my head. Silence, I learned, is some times the most beautiful sound.
Charlotte Eriksson
It was when I realised I had a new nationality: I was in exile. I am an adulterous resident: when I am in one city, I am dreaming of the other. I am an exile; citizen of the country of longing.
Suketu Mehta
Alex said. “This is Medina Station under occupation by a bunch of splinter Martian military expats. It’s not Baltimore.” Amos’ smile was as placid as always. “Everywhere’s Baltimore.
James S.A. Corey (Persepolis Rising (The Expanse, #7))
I am running and singing and when it’s raining I’m the only one left on the open street, smiling with my eyes fixed on the sky because it’s cleaning me. I’m the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. I’m the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever I’ve made of myself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
It was impossible to understand how brief it is. It seemed like youth would last so long; it would last forever. But it's just a blink.
Chris Pavone (The Expats (Kate Moore, #1))
When you grow up in middle America you are inculcated from the earliest age with the belief - no, the understanding - that America is the richest and most powerful nation on earth because God likes us best. It has the most perfect form of government, the most exciting sporting events, the tastiest food and amplest portions, the largest cars, the cheapest gasoline, the most abundant natural resources, the most productive farms, the most devastating nuclear arsenal and the friendliest, most decent and most patriotic folks on Earth. Countries just don't come any better. So why anyone would want to live anywhere else is practically incomprehensible. In a foreigner it is puzzling; in a native it is seditious. I used to feel this way myself.
Bill Bryson
The best hiding spots are not the most hidden; they're merely the least searched.
Chris Pavone (The Expats (Kate Moore, #1))
Time is your only enemy, it disappears very quickly and never gives you a second chance.
Steve Douglas (The Aussie Expat: The Luckiest Person on Earth)
I had chosen to leave, and live alone in a foreign country. And in fleeing thousands of miles across the Pacific, I chose myself, and a chance at a different future.
Alison Singh Gee (Where the Peacocks Sing: A Palace, a Prince, and the Search for Home)
Maybe the trick is not to define yourself as a container for your experiences, your thoughts. Maybe it's to assume you are larger than the things you have felt over a series of years, that your history is not a list of things your body has done or been present for, that your family is not people who you spent a lot of time around as a child or carry your genetic code. Maybe the trick is to push violently at your own boundaries, to find your own contradictions, and use your teeth and nails to destroy what separates you from something else. I am trying.
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
Do you know the difference between an expat and an immigrant? You're an immigrant in a country you look up to, an expat in one you consider beneath you.
Rabih Alameddine (The Angel of History)
Well, at least this is what I told myself every day as I fell asleep with the fire still burning and the moon shining high up in the sky and my head spinning comforting from two bottles of wine, and I smiled with tears in my eyes because it was beautiful and so god damn sad and I did not know how to be one of those without the other.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
And everyone's in the same situation, basically: we're all finding our separate ways, together.
Chris Pavone (The Expats (Kate Moore, #1))
People who were too outgoing made her suspicious. She couldn't help but presume that all the loud noise was created to hide quiet lies.
Chris Pavone (The Expats (Kate Moore, #1))
The white façades of the villas and apartment houses were like blocks of time that had crystallised beside the road.
J.G. Ballard (Cocaine Nights)
Here in the U.S., the language we use to discuss immigration does not recognize the realities of our lives based on conditions that we did not create and cannot control. For the most part, why are white people called “expats” while people of color are called “immigrants”? Why are some people called “expats” while others are called “immigrants”? What’s the difference between a “settler” and a “refugee”? Language itself is a barrier to information, a fortress against understanding the inalienable instinct of human beings to move.
Jose Antonio Vargas (Dear America: Notes of an Undocumented Citizen)
It was a different sense of isolation from what he normally felt in Japan. And not such a bad feeling, he decided. Being alone in two senses of the word was maybe like a double negation of isolation. In other words, it made perfect sense for him, a foreigner, to feel isolated here. The thought calmed him. He was in exactly the right place.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
When someone says a song or a book or a poem saved their life, this is what they mean: • it took me out of my brain for the one second needed to get back onto the planet • it shot out a spark into the distance that I could then build a path toward • it opened something up in my imagination Because suicide is the result of the death of the imagination. You forget how to dream up other possible futures. You can’t picture new maneuvers, new ways around. Everything is just the catastrophic present and there will never be a time this is not so. That is what kills you. What saves you is a new story to tell yourself about how things could be.
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
Even the worst days have an ending, and the best days have a beginning.
Jennifer Coletta
Expats of any country are quick to lose their sense of humour, beaten down by a lifetime of defending the land they no longer live in.
Bill Carter (Fools Rush In: A True Story of War and Redemption)
Such is the nature of an expatriate life. Stripped of romance, perhaps that's what being an expat is all about: a sense of not wholly belonging. [...] The insider-outsider dichotomy gives life a degree of tension. Not of a needling, negative variety but rather a keep-on-your-toes sort of tension that can plunge or peak with sudden rushes of love or anger. Learning to recognise and interpret cultural behaviour is a vital step forward for expats anywhere, but it doesn't mean that you grow to appreciate all the differences.
Sarah Turnbull (Almost French: Love and a New Life in Paris)
He was just one of those people ... one of a thousand expats who'd dragged their unhappiness to the other side of the world, expecting everything to be different, and never quite got over the fact it felt the same.
Jon Courtenay Grimwood (End of the World Blues)
Am I making something worth while? I’m not sure. I write and I sing and I hear words from time to time about my life and choices making ways, into other lives, other hearts, but am I making something worth while? I’m not sure. There was a boy last night who I never spoke to because I was too drunk and still shy, but mostly lonely, and I couldn’t find anything lightly to say, so I simply walked away but still wondered what he did with his life because he didn’t even speak to me or look at me but still made me wonder who he was and I walked away asking Am I making something worth while? I am not sure. I am a complicated person with a simple life and I am the reason for everything that ever happened to me.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
...most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order.... In the immutability of their surroundings, the foreign shores, the foreign faces, the changing immensity of life glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; ... a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing.
Joseph Conrad (Heart of Darkness)
This is from "Marabou Stork Nightmares". Bernard's Poem: Did you see her on the telly the other day good family entertainment the tabloids say But when you're backstage at your new faeces audition you hear the same old shite of your own selfish volition She was never a singer a comic or a dancer I cant say I was sad when I found out she had cancer Great Britain's earthy northern comedy queen takes the rand, understand from the racist Boer regime So now her cells are fucked and thats just tough titty I remember her act that I caught back in Sun City She went on and on about 'them from the trees with different skull shapes from the likes of you and me' Her Neo-Nazi spell it left me fucking numb the Boers lapped it up with zeal so did the British ex-pat scum But what goes round comes round they say so welcome to another dose of chemotherapy And for my part it's time to be upfront so fuck off and die you carcinogenic cunt.
Irvine Welsh (Marabou Stork Nightmares)
Giving up on the drive to succeed is a good part of what being an expat is all about. If you travel all the way to the Caribbean Sea, you probably have already decided to trade the dog-eat-dog competition of modern living for a hammock on the sand.
Anthony Lee Head (Driftwood: Stories from the Margarita Road)
But she was still operating on lonely-person principles, still worried that her happiness could be wrenched away at any moment, for reasons out of her control.
Chris Pavone (The Expats (Kate Moore, #1))
Random acts of kindness show that even amidst the hustle and bustle, Paris inhabitants are more welcoming that their reputation gives them credit for.
Vicki Lesage (Confessions of a Paris Party Girl)
Your future is always more valuable than today, the sooner you realise that the better
Steve Douglas (The Aussie Expat: The Luckiest Person on Earth)
Travel wasn't fun if you didn't get to see or do what you wanted; it was merely a different type of work, in a different place.
Chris Pavone (The Expats (Kate Moore, #1))
The ex-pat's life with all its homesickness and loneliness and privileges and perks, with its dizzy ups and miserable downs, was certainly not ordinary.
Brigid Keenan (Diplomatic Baggage: The Adventures of a Trailing Spouse)
It wasn’t hard to understand. Mexican women are something special. They learn early on that men are subservient to them. They are trained by their mothers in the use of this power over these lowly creatures.
Anthony Lee Head (Driftwood: Stories from the Margarita Road)
It's impossible to know which parts of the woman, if any, were real.
Chris Pavone (The Expats (Kate Moore, #1))
She understood that he had to work, and he had to travel. But what he didn't have to do was be absent even when he was present.
Chris Pavone (The Expats (Kate Moore, #1))
So my sister, she slipped through the cracks of the disaster of our family. She became her own disaster.
Chris Pavone (The Expats (Kate Moore, #1))
Once you see some things, you can never forget them. If you don't want to have to see them for the rest of your life, it's better not to look in the first place.
Chris Pavone (The Expats (Kate Moore, #1))
The loneliness of the arab is a terrible thing; it is all consuming. It is already present like a little shadow under the heart when he lays his head on his mother's lap; it threatens to swallow him whole when he leaves his own country, even though he marries and travels and talks to friends twenty-four hours a day. That is the way Sirine suspects that Arabs feel everything - larger than life, feelings walking in the sky.
Diana Abu-Jaber (Crescent)
Oh, God”, he thought, “what a strenuous career it is that I’ve chosen! Travelling day in and day out. Doing business like this takes much more effort than doing your own business at home, and on top of that there’s the curse of travelling, worries about making train connections, bad and irregular food, contact with different people all the time so that you can never get to know anyone or become friendly with them. It can all go to Hell!
Franz Kafka (The Metamorphosis)
This is the expat life: you never know when someone you see every day is going to disappear forever, instantly transmogrifying into a phantom. Before long you won’t be able to remember her last name, the color of her eyes, the grades that her children were in. You can’t imagine not seeing her tomorrow. You can’t imagine you yourself being one of those people, someone who one day just vanishes. But you are.
Chris Pavone (The Expats (Kate Moore, #1))
You talking about computer weaknesses?" "Yes. But also human weaknesses." "Meaning what?" "Meaning the types of weaknesses that make humans let down their guard. Trust people they shouldn't trust." "You're talking about manipulating people." "Yes." Dexter and Lester were staring at each other. "I guess I am.
Chris Pavone (The Expats (Kate Moore, #1))
After a year or two, the long term expats won’t see the beggars the same way. After a year or two, the cheeky young monks won’t make them smile. After a year or two, the newest restaurant opening won’t pull them in. To preserve they will withdraw and settle. They will come to accept the limits of it all. The hype won’t bother them. The promise won’t motivate them. They will have accepted their odd expat life, their awkward place in the chimera that is Myanmar today.
Craig Hodges
OUr teachers at LT&C had their A levels and the odd teaching certificate. It is astonishing how a black crepe robe worn over a coat or blouse gives a Cockney punter or a Covent Garden flower girl the gravitas of an Oxford don. Accent be damned in Africa, as long as it's foreign and you have the right skin colour.
Abraham Verghese (Cutting for Stone)
We don't do well with infinity and endless possibility, and so we break things down into individual units and into stories. And then we accidentally believe in those stories, and we accidentally start acting them out. Stories about what love is, what happiness is. What men are, what women are. Unable to shape our own stories about the madness that surrounds us, we get infected with other people's stories, trying to ignore the discomfort that comes with an imperfect fit.
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
Plus she had to admit that a small part of her secrecy was that she was holding something back, for herself. If she never told Dexter the truth, she was still reserving the right to return to her old life. To one day be a covert operative again. To be a person who could keep the largest secrets from everyone, including her husband, forever.
Chris Pavone (The Expats (Kate Moore, #1))
A waiter visited to find out if everything was okay. A preposterous question.
Chris Pavone (The Expats (Kate Moore, #1))
But Kate was wide awake, chased by the same demon that haunted her regularly, especially when she was trying to forget it.
Chris Pavone (The Expats (Kate Moore, #1))
She needed friends, and a life, and this is how you acquired those things: by talking to strangers. Everyone was a stranger, all on equal footing in strangerhood.
Chris Pavone (The Expats (Kate Moore, #1))
Each of those photos proves a different thing. All those things add up to the truth.
Chris Pavone (The Expats (Kate Moore, #1))
She was not in a position to complain about this life, not yet. Probably not ever.
Chris Pavone (The Expats (Kate Moore, #1))
They are permanent tourists, in Paris. Their life is a certain type of dream come true.
Chris Pavone (The Expats (Kate Moore, #1))
After all, she herself had done the very worst thing imaginable. And she was a good person. Wasn’t she?
Chris Pavone (The Expats (Kate Moore, #1))
She began to sacrifice that old identity to live in her new one. It was the new life, after all, that everyone wanted.
Chris Pavone (The Expats (Kate Moore, #1))
So she forgave him. And instead she berated herself for her suspicion, for her snooping. For the things she promised herself she wouldn't do, the feelings she wouldn't have.
Chris Pavone (The Expats (Kate Moore, #1))
But quitting didn't change what she'd already done. The piece of her past that she'd never be able to outrun.
Chris Pavone (The Expats (Kate Moore, #1))
I was supposed to stay for 3 months. But I think I always knew I would stay a little longer, despite the crazy Frenchies. Or maybe because of them.
Vicki Lesage (Confessions of a Paris Party Girl)
I think I feel not at home in America, but not necessarily at home outside of America.
Jim Jarmusch
Minding his own business had been his motto living in a strange foreign country with a world-recognized social issue of failing morals.
Vann Chow (The White Man and the Pachinko Girl)
People will think we're having an affair," Kate said. She took a seat next to Bill on the cold slats of treated wood. "That would be better than the truth.
Chris Pavone (The Expats (Kate Moore, #1))
Things always end more suddenly than expected.
Chris Pavone (The Expats (Kate Moore, #1))
I don’t want you to explain. I want you to convince me I’m wrong. Or admit I’m right.
Chris Pavone (The Expats (Kate Moore, #1))
Dexter was too legit,” Julia continued. “His life was too verifiable, too aboveboard. He was nobody’s spy, nobody’s mole, nobody’s rat. He was who he is. And he didn’t know that you weren’t.
Chris Pavone (The Expats (Kate Moore, #1))
Kate was beginning to put distance between her sense of betrayal, her anger, and Dexter’s behavior. She was beginning to take his side. Or at least beginning to be able to see things from it.
Chris Pavone (The Expats (Kate Moore, #1))
Another word I’ve added to “the list” is “conversation,” as in “We need to have a national conversation about_________.” This is employed by the left to mean “You need to listen to me use the word ‘diversity’ for an hour.” The right employs obnoxious terms as well—“libtard,” “snowflake,” etc.—but because they can be applied to me personally it seems babyish to ban them. I’ve outlawed “meds,” “bestie,” “bucket list,” “dysfunctional,” “expat,” “cab-sav,” and the verb “do” when used in a restaurant, as in “I’ll do the snails on cinnamon toast.” “Ugh,” Ronnie agrees. “Do!—that’s the worst.” “My new thing,” I told her, “is to look at the menu and say, ‘I’d like to purchase the veal chop.’” A lot of our outlawed terms were invented by black people and then picked up by whites, who held on to them way past their expiration date. “My bad,” for example, and “I’ve got your back” and “You go, girlfriend.” They’re the verbal equivalents of sitcom grandmothers high-fiving one another, and on hearing them, I wince and feel ashamed of my entire race.
David Sedaris (Calypso)
But all people have secrets. Part of being human is having secrets, and being curious about other people's secrets. Dirty fetishes and debilitating fascinations and shameful defeats and ill-begotten triumphs, humiliating selfishness and repulsive inhumanity. The horrible things that people have thought and done, the lowest points in their lives.
Chris Pavone (The Expats (Kate Moore, #1))
Maybe he was wondering if they could make it, such liars, together. A marriage based on so many things that were not true. A life lived so falsely, for so long. Kate didn’t know that Dexter hadn’t admitted all his lies. Just as she hadn’t revealed every one of her secrets.
Chris Pavone (The Expats (Kate Moore, #1))
American men,” said Nancy gravely, “don’t know how to drink.” “What?” Jim was startled. “In fact,” she went on carelessly, “they don’t know how to do anything very well. The one thing I regret in my life is that I wasn’t born in England.” “In England?” “Yes. It’s the one regret of my life that I wasn’t.
F. Scott Fitzgerald
This is the Hong Kong curse that expat housewives talk about in hushed voices: the man who takes to Hong Kong the wrong way. He moves from an egalitarian American society, where he’s supposed to take out the trash every day and help with the dinner dishes, to a place where women cater to his every desire—a secretary who anticipates his needs before he does, a servant in the house who brings him his espresso just the way he likes it and irons his boxers and his socks—and the local population is not as sassy with the comebacks as where he came from, so, of course, he then looks for that in every corner of his life.
Janice Y.K. Lee (The Expatriates)
Foreigner, útlendingur. Ausländer. I have joined the Faculty of Foreign Languages. British people of my generation don't use that world, certainly not as casually as Icelanders. 'Foreigner' is a word I associate with the Daily Mail and the British National Party, a term used only by people who understand the world in binary terms of Us and Them.
Sarah Moss (Names for the Sea: Strangers in Iceland)
That was not her husband; she knew him, and that was not him. But of course she didn’t really know him.
Chris Pavone (The Expats (Kate Moore, #1))
It was becoming difficult to separate her own decisions from those made by others, for her, on behalf of themselves.
Chris Pavone (The Expats (Kate Moore, #1))
So tell me how you think this ends.
Chris Pavone (The Expats (Kate Moore, #1))
The two men maintain firm eye contact. A poker game, both of them bluffing. Or pretending to.
Chris Pavone (The Expats (Kate Moore, #1))
You know what this means?" Everyone does, but nobody answers.
Chris Pavone (The Expats (Kate Moore, #1))
I thought you make your living as a thief." "No," he said. "That’s what I do for fun.
Chris Pavone (The Expats (Kate Moore, #1))
She fought the urge to look away, to hide her own eyes. Struggled against the long-ingrained habit of disguising her own lies, now that she was finally telling the truth.
Chris Pavone (The Expats (Kate Moore, #1))
I was young, and I was damaged, and I couldn’t imagine being not young, and not damaged.
Chris Pavone (The Expats (Kate Moore, #1))
She was picking a fight because it was Thanksgiving, and she was not thankful.
Chris Pavone (The Expats (Kate Moore, #1))
This woman is American, but she speaks with no regional accent. She could be from anywhere. She could be anyone.
Chris Pavone (The Expats (Kate Moore, #1))
She stared at this first bit of positive proof, the entrance to the rabbit hole from which she might never reemerge.
Chris Pavone (The Expats (Kate Moore, #1))
It didn’t need to be light to be day.
Chris Pavone (The Expats (Kate Moore, #1))
It would make a lot more sense if she had imagined this whole thing, her whole life. Now would just be now, attached to some other, more straightforward past.
Chris Pavone (The Expats (Kate Moore, #1))
She was seduced by the romance of it; she was energized by the possibilities.
Chris Pavone (The Expats (Kate Moore, #1))
The embarrassment that you weren't independent, your decisions not your own to make.
Chris Pavone (The Expats (Kate Moore, #1))
She knew what he was thinking: if she was asking questions like these, she was trying to understand. Trying to forgive him. He was right.
Chris Pavone (The Expats (Kate Moore, #1))
She knows that one of the most dangerous, self-destructive indulgences is to go around proving how smart you are. It’s the type of thing that gets people shot.
Chris Pavone (The Expats (Kate Moore, #1))
Because she'd once made a horrible decision that would haunt her forever, and because the one person in the world she'd trusted without reservation was lying to her.
Chris Pavone (The Expats (Kate Moore, #1))
It hadn't taken very long to come clean, after so many years of so many lies. It was surprising how undifferent she felt, now that everything— nearly everything— was out in the open.
Chris Pavone (The Expats (Kate Moore, #1))
As a child dragged out of bed at 2 a.m. by my Carl Sagan–worshiping father, I would pick a section of sky and watch it closely, waiting for the meteors to move through it. Waiting for the meteors to come to me. I would frustrate myself, angry when my sisters gasped and squealed as they saw stars fall while my chosen sky remained static. One has to open oneself up, take in the whole canvas without choosing, without discriminating. Relinquish focus and choose expansion. That is the song of the call to prayer. It moves you upward and outward, works you out of three dimensions and into four. Widen your scope, it sings. Unfix yourself. Allow yourself to move endlessly. Why choose a fragment when you can have the whole night sky?
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
They were ticking off items on a to-do list that was magnet-attached to the fridge. There were nineteen items on the list. They'd crossed off fifteen. The final item was underlined: Make a life.
Chris Pavone (The Expats (Kate Moore, #1))
It hasn't taken long to find herself thinking that people are watching. And that they always have been, all the time. It was only a few months ago that Kate had finally been able to imagine she was living a totally surveillance-free life.
Chris Pavone (The Expats (Kate Moore, #1))
Now that it was finally here, she wasn’t surprised to find herself still reluctant to start it. Reluctant to end the part of her life when this conversation hadn’t happened yet. Reluctant to find out what her life would look like after it.
Chris Pavone (The Expats (Kate Moore, #1))
If there ever were one moment where everything worked for us, where we lived in harmony and at ease with our natures, then we would still be there. There is no garden to return to, no idyllic perfect childhood, no enwombed state. The Garden of Eden was boring, childhood is a nightmare we should all be grateful to be done with, and your mother smoked while she was pregnant and poisoned you in the womb with artificial sugar substitutes. The best thing any of us can do is just to keep fucking up in a forward motion, and see what comes out of it.
Jessa Crispin (The Dead Ladies Project: Exiles, Expats, and Ex-Countries)
The new man was again staring at her, staring at him, challenging her, knowing that she was considering him, wanting her to know that he was considering her. She couldn't help but wonder what it would be like to be with a man who absolutely didn't need her, but merely wanted her.
Chris Pavone (The Expats (Kate Moore, #1))
Wild Times Since Mexico accepted communism as a legitimate political party during the 1920’s and allowed refugees greater flexibility of thought, it became a haven from persecution. Moreover, living in Mexico was less costly than most countries, the weather was usually sunny and no one objected to the swinging lifestyle that many of the expats engaged in. It was for these reasons that Julio Mella from Cuba, Leon Trotsky from Russia and others sought refuge there. It also attracted many actors, authors and artists from the United States, many of whom were Communist or, at the very least were “Fellow Travelers” and had leftist leanings. Although the stated basic reason for the Communist Party’s existence was to improve conditions for the working class, it became a hub for the avant-garde, who felt liberated socially as well as politically. The bohemian enclave of Coyoacán now a part of Mexico City, where Frida Kahlo was born, was located just east of San Angel which at the time was a district of the ever expanding City. It also became the gathering place for personalities such as the American actor Orson Welles, the beautiful actress Dolores del Río, the famous artist Diego Rivera and his soon-to-be-wife, “Frida,” who became and is still revered as the illustrious matriarch of Mexico.
Hank Bracker
She glances at each of her three companions, at the protective veneers they’re all wearing, trying to mask the different lies they’ve told one another. The lies they’re all continuing to try to maintain. Hoping these lies will carry them through the rest of their full and satisfying lives, despite the truths they’ve chosen not to tell the most important people in their worlds.
Chris Pavone (The Expats (Kate Moore, #1))
You go about your business, as far away from these lines as possible, pretending they're not there. So when you eventually find yourself at one of these lines, your toe inching over, it's not only shocking and horrifying, it's banal. Because you've always been aware the lines were there, where you were trying with all your might not to see them, knowing that sooner or later you would.
Chris Pavone (The Expats (Kate Moore, #1))
She didn’t want to give the murder-pornography frame by frame. Didn’t want to recite her route across Manhattan, the length of the knife blade and the number of times she pulled the trigger, the color of the blood-splattered wallpaper in the hotel room, the man falling to the floor, the baby crying in the next room, the woman emerging and dropping the bottle, its nipple popping off and the milk spilling onto the carpet, the woman pleading “Por favor,” her hands up, shaking her head, asking— begging— for her life to be spared, her big black eyes wide, deep sinkholes of dark terror, while Kate trained the Glock on her, a seemingly eternal internal debate, while the baby sounded like he was the same age as Jake, late infancy, and this poor woman the same age as Kate, a different version of herself, an unlucky woman who didn’t deserve to die.
Chris Pavone (The Expats (Kate Moore, #1))
But there’s this giant deception at the foundation of their relationship, their happiness. This impure motive. There was that small mistake that the woman made, uttering the wrong number. And then the man reconstructed an entire intrigue, a big thick plot— a seduction and affair and relationship and marriage proposal, a whole life— around her error and his notice of it. Taking advantage of her lie. But does that make their relationship less real? Does that make it impossible that they genuinely love each other?
Chris Pavone (The Expats (Kate Moore, #1))