Washroom Quotes

The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.

Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get? At the very least we want a witness. We can't stand the idea of our own voices falling silent finally, like a radio running down.

Listen, Stephen King used to write in the washroom of his trailer after his kids went to sleep. Harlan Ellison wrote in the stall of a bathroom of his barracks during boot camp. Elmore Leonard got up at 5 AM every morning to write before work. Every time my alarm goes off at 5 AM and I don’t want to get up, or I would rather sit down after work and play a videogame, I think about those guys. Take care of your family. They need you and love you. Make time for them. Then stop screwing around and finish your damn book.

my butterfly dress was visible on the washroom floor, bent and shredded wings and all. Cheeks hot, I remember what he'd suggested before someone shot him. His eyes found the dress too. "I was teasing about that. Unless you were looking forward to it. Then I meant every word.

His sisters -- my aunts -- did not go to school at all, just like millions of girls in my country. Education had been a great gift for him. He believed that lack of education was the root of all of Pakistan's problems. Ignorance allowed politicians to fool people and bad administrators to be re-elected. He believed schooling should be available for all, rich and poor, boys and girls. The school that my father dreamed of would have desks and a library, computers, bright posters on the walls and, most important, washrooms.

It made sense. But rich folk, they had a different word for the crapper. They’d call it a “commode” or a “washroom.” That way, when someone asked for the crapper, they knew it was a person they needed to oppress.

This tiny habitation on wheels, with bit parts of the living room, the washroom, and the fireplace, is a pathetic admission that human life is no more than this: an attempt to feel at home while racing towards oblivion. He

I must go the washroom. I've shaken a lot of hands.

One of the few things my father says when he's had a few that I agree with is that kids don't have much balls in this generation. Some of them are trying to start the revolution by bombing U.S. government washrooms, but none of them are throwing Molotov cocktails at the Pentagon.

At first I was like, No way am I saying that, but when you hang out with people who are always being supergrateful and appreciating things and saying thank you, in the end it kind of rubs off, and one day after I'd flushed, I turned to the toilet and said, "Thanks, toilet," and it felt pretty natural. I mean, it's the kind of thing that's okay to do if you're in a temple on the side of a mountain, but you'd better not try it in your junior high school washroom, because if your classmates catch you bowing and thanking the toilet they'll try to drown you in it. I explained this to Jiko, and she agreed it wasn't such a good idea, but that it was okay just to feel grateful sometimes, even if you don't say anything. Feeling is the important part. You don't have to make a big deal about it.

It wasn’t the first time I’d run across sex spells: they were just as common as electricity-kindled spells. They just aren’t convenient for your average on-the-go magical needs. “Do all the memory spells require that?” I asked. “I don’t think so. I just noticed it on the last couple of retrieval ones.” “Uh, maybe I could just get myself, you know, privately …?” I suggested. I regretted it immediately, and felt my face flush with warmth. What the hell was I going to do? Ask Lon if he had any porn I could borrow and hole up in his library’s washroom?

You know it’s the 21st Century when someone TEXTS you from the washroom to ask you to bring them a roll of toilet paper.

Charlotte Sykes approaching from the washrooms. She had changed into high heels and a tangerine-colored blouse that clashed with all her best intentions.

At this point, I couldn't help it. I walked around to see her better, and from the moment I witnessed her face again, I could tell that this was who she loved the most. Her expression stroked the man on his face. It followed one of the lines down his cheek. He had sat in the washroom with her and taught her how to roll a cigarette. He gave bread to a dead man on Munich Street and told the girl to keep reading in the bomb shelter. Perhaps if he didn't, she might not have ended up writing in the basement. Papa - the accordionist - and Himmel Street. One could not exist without the other, because for Liesel, both were home. Yes, that's what Hans Hubermann was for Liesel Meminger.

There probably was a time when the idea of having a toilet inside a house was repulsive.

If a person leads an ‘active’ life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just about his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it’s dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss. Yet, ignore it though we might in our daily toss and tussle, the fact of our impending death is always there, just behind the draperies, or, more accurately, inside our sock, like a burr that we can never quite extract. If one has a religious life, one can rationalize one’s slide into the abyss; if one has a sense of humor (and a sense of humor, properly developed, is superior to any religion so far devised), one can minimalize it through irony and wit. Ah, but the specter is there, night and day, day in and day out, coloring with its chalk of gray almost everything we do. And a lot of what we do is done, subconsciously, indirectly, to avoid the thought of death, or to make ourselves so unexpendable through our accomplishments that death will hesitate to take us, or, when the scimitar finally falls, to insure that we ‘live on’ in the memory of the lucky ones still kicking.

Dear dad, in consequence of a trivial altercation with a Captain Tapper, of Wild Violet Lodge, whom I happened to step upon in the corridor of a train, I had a pistol duel this morning in the woods near Kalugano and am now no more. Though the manner of my end can be regarded as a kind of easy suicide, the encounter and the ineffable Captain are in no way connected with the Sorrows of Young Veen. In 1884, during my first summer in Ardis, I seduced your daughter, who was then twelve. Our torrid affair lasted till my return to Riverlane; it was resumed last June, four years later. That happiness has been the greatest event in my life, and I have no regrets. Yesterday, though, I discovered she had been unfaithful to me, so we parted. Tapper, I think, may be the chap who was thrown out of one of your gaming clubs for attempting oral intercourse with the washroom attendant, a toothless old cripple, veteran of the first Crimean War. Lots of flowers, please! Your loving son, Van He carefully reread his letter – and carefully tore it up. The note he finally placed in his coat pocket was much briefer. Dad, I had a trivial quarrel with a stranger whose face I slapped and who killed me in a duel near Kalugano. Sorry! Van

I find the entrance to the women's washroom...There's a rest area, gently lit in pinkish tones, with several easy chairs and a sofa, in a lime-green bamboo-shoot print, with a wall clock above it in a gold filigree frame. Here they haven't removed the mirror, there's a long one opposite the sofa. You need to know, here, what you look like.

My daughter asked me what it’s like to have children… So I followed her to the washroom every time she went and asked her questions through the door until she lost her S#!T…

The washroom door swung open, and all thoughts of pirates vanished. A tall boy walked inside, dressed in black clothes at least two sizes too tight. His cherry-red hair stood in haphazard spikes, and his eyes were heavily lined in kohl. If a rock star had an affair with a circus clown, this guy would be the result. It took a few moments to recognize him as Doran.

There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with. In the paint of the washroom cubicle someone unknown had scratched: Aunt Lydia sucks. It was like a flag waved from a hilltop in rebellion. The mere idea of Aunt Lydia doing such a thing was in itself heartening. So now I imagine, among these Angels and their drained white brides, momentous grunts and sweating, damp furry encounters; or, better, ignominious failures, cocks like three-week-old carrots, anguished fumblings upon flesh cold and unresponding as uncooked fish.

Most of us will. We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead: we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed. But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity--confession without penance, truth without consequences--it has its attractions. Getting the blood off your hands, one way or another. Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We're voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we've found it? We're all grave robbers, once we open the doors locked by others. But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.

We, each of us, have a ticket to ride, and if the trip be interesting (if it's dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss.

My daughter asked me what it’s like to have children… So I followed her to the washroom every time she went and asked her questions through the door until she lost her S#!T…

That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.

Most people would rather eat inside a windowless room in which they have just defecated than eat inside one in which someone else has just farted, even if the room does not have a toilet.

The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-" "It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets. Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent." "That makes two of us." He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her. "Leave," Farah ordered, unable to face him for fear she'd lost her nerve. "Stand up and make me.

To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable. Not important or particularly valuable. The frustration of that appearance, as you can imagine, was its complete misleadence, let’s say. There most definitely was value in him, and it did not go unnoticed by Liesel Meminger. (The human child—so much cannier at times than the stupefyingly ponderous adult.) She saw it immediately. His manner. The quiet air around him. When he turned the light on in the small, callous washroom that night, Liesel observed the strangeness of her foster father’s eyes. They were made of kindness, and silver. Like soft silver, melting. Liesel, upon seeing those eyes, understood that Hans Hubermann was worth a lot.

Four years ago, when I started writing this book, my hypothesis was mostly based on a hunch. I had been doing some research on university campuses and had begun to notice that many students I was meeting were preoccupied with the inroads private corporations were making into their public schools. They were angry that ads were creeping into cafeterias, common rooms, even washrooms; that their schools were diving into exclusive distribution deals with soft-drink companies and computer manufacturers, and that academic studies were starting to look more and more like market research.

You mind if I change out of this uniform?” I ask awkwardly. “I’ve got my street clothes in my bag.” He flops on the edge of the monstrous bed and leans back on his elbows. “Go right ahead. I’ll sit here and enjoy the show.” I clench my teeth. “I meant in the washroom.” “That’s no fun.” “Nothing about this is fun,” I mutter.

The women teeter on their spiked feet as if on stilts, but off balance; their backs arch at the waist, thrusting the buttocks out. Their heads are uncovered and their hair too is exposed, in all its darkness and sexuality. They wear lipstick, red, outlining the damp cavities of their mouths, like scrawls on a washroom wall, of the time before.

Therefore, while social phobics and patients with AvPD both avoid out of fear, the social phobic’s fears mainly arise in the clinical context of feeling, or actually being called upon to perform in ways ranging from giving a speech to urinating in a public washroom. In contrast the avoidant’s fears generally arise in the context of interpersonal relationships, the main marker I look for in making the diagnosis of AvPD.

Why is it we want so badly to memorialize ourselves? Even while we’re still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It’s all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get?

Why is it we want so badly to memorialize ourselves? Even while we’re still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It’s all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get? At the very least we want a witness.

There is something powerful in the whispering of obscenities, about those in power. There’s something delightful about it, something naughty, secretive, forbidden, thrilling. It’s like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with. In the paint of the washroom cubicle someone unknown had scratched: Aunt Lydia sucks. It was like a flag waved from a hilltop in rebellion. The mere idea of Aunt Lydia doing such a thing was in itself heartening.

Heartbreak is very hard to live with. In the morning, it made me wish that I could just snooze my alarm and hide from the sunlight. In the afternoon, I cried at work silently, then I ran to the washroom so that nobody noticed. In the late afternoon, my brain would unsuccessfully try to take control for an hour after which I would be exhausted from the emotional roller coaster led by my heart. At night, I would squeeze my pillow, howling inside and yet not being able to scream, wishing that I could stop feeling the stinging pain.

One morning Profane woke up early, couldn't get back to sleep and decided on a whim to spend the day like a yo-yo, shuttling on the subway back and forth underneath 42nd Street, from Times Square to Grand Central and vice versa. He made his way to the washroom of Our Home, tripping over two empty mattresses on route. Cut himself shaving, had trouble extracting the blade and gashed a finger. He took a shower to get rid of the blood. The handles wouldn't turn. When he finally found a shower that worked, the water came out hot and cold in random patterns. He danced around, yowling and shivering, slipped on a bar of soap and nearly broke his neck. Drying off, he ripped a frayed towel in half, rendering it useless. He put on his skivvy shirt backwards, took ten minutes getting his fly zipped and another fifteen repairing a shoelace which had broken as he was tying it. All the rests of his morning songs were silent cuss words. It wasn't that he was tired or even notably uncoordinated. Only something that, being a schlemihl, he'd known for years: inanimate objects and he could not live in peace.

TELLING TIME Before she was old, she took canoe trips in the rain and buried her passions deep within nature poems. Ten years before she was old, her husband died and developers paid a mighty price for their dairy farm. She knew she was getting old, when rest stops in Iowa changed over to those crazy automated washrooms. When she was old, God helped with little things (growing tomatoes in her garden) but was missing on big ticket items (bringing her husband back). She knew she had lived too long when her grandson explained extinction to his stuffed polar bear.

This washroom used to be for boys. The mirrors have been replaced here too by oblongs of dull gray metal, but the urinals are still there, on one wall, white enamel with yellow stains. They look oddly like babies' coffins. I marvel again at the nakedness of men's lives: the showers right out in the open, the body exposed for inspection and comparison, the public display of privates. What is it for? What purposes of reassurance does it serve? The flashing of a badge, look, everyone, all is in order, I belong here. Why don't women have to prove to one another that they are women? Some form of unbuttoning, some split-crotch routine, just as casual. A dog-like sniffing.

THE Andersons lived in a lovely clapboard house at the corner of Washington and Main, a few blocks past the hubbub of stores and businesses, where the town settled into private residences for the well-to-do. Beyond the wide front porch, where Mr. and Mrs. Anderson liked to sit in the evenings, the man scooping into his silk tobacco pouch and the woman squinting at her needlework, were the parlor, dining room, and kitchen. Bessie spent most of her time on that first floor, chasing after the children, preparing meals, and tidying up. At the top of the staircase were the bedrooms—Maisie and little Raymond shared theirs—and the second washroom. Raymond took a long nap in the afternoon and Bessie liked to sit in the window seat as he settled into his dreams. She could just make out the top two floors of the Griffin Building, with its white cornices that blazed in the sunlight.

One of my siblings was, named Sarah she was, shaken to death.’ 'Sarah was hurled into one of the industrial 50 pounds 1950's Milnor washing machines, with full soap and hot wash cycles and that is what killed her, not by one of us kids as they would say, by our Mother, and Gramma and Grandpa giggled, like xenophobe demented children when the wash was over.' ‘I can still hear the scramming for help, yet no one did this was her punishment for being a bad girl, and if you would help, like you would face the same fate.’ 'This was the true shaking to death, that was not reported, I was there and saw this happen, I would know it was true, yet who would believe me.' 'I can still see all the washers lined up in a line in the basement of the orphanage, next to the washrooms for all girls, to mass shower 100 at a time, all running around bare for a bath as water jets splashed upon the young naked pubescent bodies that were acting out in the only freedom to play.

From other shelters, there were stories of singing “Deutschland über Alles” or of people arguing amid the staleness of their own breath. No such things happened in the Fiedler shelter. In that place, there was only fear and apprehension, and the dead song at Rosa Hubermann’s cardboard lips. Not long before the sirens signaled the end, Alex Steiner—the man with the immovable, wooden face—coaxed the kids from his wife’s legs. He was able to reach out and grapple for his son’s free hand. Kurt, still stoic and full of stare, took it up and tightened his grip gently on the hand of his sister. Soon, everyone in the cellar was holding the hand of another, and the group of Germans stood in a lumpy circle. The cold hands melted into the warm ones, and in some cases, the feeling of another human pulse was transported. It came through the layers of pale, stiffened skin. Some of them closed their eyes, waiting for their final demise, or hoping for a sign that the raid was finally over. Did they deserve any better, these people? How many had actively persecuted others, high on the scent of Hitler’s gaze, repeating his sentences, his paragraphs, his opus? Was Rosa Hubermann responsible? The hider of a Jew? Or Hans? Did they all deserve to die? The children? The answer to each of these questions interests me very much, though I cannot allow them to seduce me. I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor. As is often the case with humans, when I read about them in the book thief’s words, I pitied them, though not as much as I felt for the ones I scooped up from various camps in that time. The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.

Russia, we now know, opted for door number two: information dominance. It was a logical choice for a weak but proud nation, one that could not match the West in the traditional forms of economic or military power. And it was less about matching the West than it was about bringing the West (especially the United States) down to Russia’s level by challenging its confidence in itself and its institutions. And the enabler for all of this was the World Wide Web and social media, the ability to “publish” without credentials, without the need to offer proof (at least in the traditional sense) or even to identify yourself. The demise of a respected media as an arbiter of fact or at least as a curator of data let loose impulses that were at once leveling, coarsening, and misleading. A. C. Grayling, the British philosopher, says that this explosion of information overwhelmed us and happened so quickly that education did not keep up, leaving us, he laments, with regularly reading the biggest washroom wall in history.

I forgot the maid who works in my P.G. and struggles to make money, every day, who is in fear that one day her cruel husband will find her out eventually and beat her and her son to death. I forgot that auto driver I met on my way to M.G. road metro station, and who wanted to be in the army but gave up study due to the financial crisis. I forgot that security guard I met at IIT Delhi, and who was forced to leave the study and marry at the age of 15. I forgot those little kids I generally encounter at Railway stations and trains selling packets of pens @ Rs.25 per packet. I forgot that 75 years old ricksha wala I met in sector 23 market with only one eye and high power lens I forgot that washroom cleaning staff at my office who always welcomes me with a broad smile. I forgot the dead body of that martyred soldier I saw at the Kashmir airport, laden with garlands of marigold and people shouting," jawan amar rahe!" I forgot the scream of that pig near my office when a thick rope was brutally tied in its nose and it was forcefully taken by some people on a bike. I almost forgot everything!

Most of us will. We’ll choose knowledge no matter what, we’ll maim ourselves in the process, we’ll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We’ll spy relentlessly on the dead: we’ll open their letters, we’ll read their journals, we’ll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us—who’ve left us holding the bag, which is often a good deal emptier than we’d supposed. But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity—confession without penance, truth without consequences—it has its attractions. Getting the blood off your hands, one way or another. Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We’re voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we’ve found it? We’re all grave robbers, once we open the doors locked by others. But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.

Quickly she shredded the cabbage on the chopping block and tossed it along with the onion and tomatoes in a blue Pyrex bowl. Then she slid the lamb chops, encrusted with fresh rosemary, into the oven. While the lamb baked, she brushed her hair in the washroom and pinned it back again. Then she zipped on a silk floral dress she'd purchased in Bristol and retrieved her grandmother's rhinestone necklace, one of the few family heirlooms her mother packed for her, to clasp around her neck. At the foot of the bed was the antique trunk she'd brought from her childhood home in Balham more than a decade ago. Opening the trunk, she removed her wedding album along with her treasured copy of 'The Secret Garden' and the tubes of watercolors her father had sent with her and her brother. Her father hoped she would spend time painting on the coast, but Maggie hadn't inherited his talent or passion for art. Sometimes she wondered if Edmund would have become an artist. Carefully she took out her newest treasures- pieces of crystal she and Walter hd received as wedding presents, protected by pages and pages of her husband's newspaper. She unwrapped the crystal and two silver candlesticks, then set them on the white-cloaked dining table. She arranged the candlesticks alongside a small silver bowl filled with mint jelly and a basket with sliced whole-meal bread from the bakery. After placing white, tapered candles into the candlesticks, she lit them and stepped back to admire her handiwork. Satisfied, she blew them out. Once she heard Walter at the door, she'd quickly relight the candles. When the timer chimed, she removed the lamb chops and turned off the oven, placing the pan on her stovetop and covering it with foil. She'd learned a lot about housekeeping in the past decade, and now she was determined to learn how to be the best wife to Walter. And a doting mother to their children. If only she could avoid the whispers from her aunt's friends.

Dalton ran back to the washroom, then returned and handed me a glass of water. I tossed it on Amy's face. Amy gasped and opened her eyes. Dalton started to laugh. “That was for her to drink. Peaches, you’re wild!

Orson arrived at the school lugging his makeup box, and once after a bully had attacked him, Orson repaired to the school washroom where he applied makeup so his face would resemble a bloody pulp. The bully screamed and fled. After that he left Orson alone.

Few girls go to Washrooms just to take selfies

My marriage is a sham,” Benton announced flatly, after downing half of the second drink.  “It would appear my wife is still seeing the man she had been dating before we met.  She made the mistake of leaving her mobile phone on the washroom counter.  A text came in while I was shaving.  It was him, telling her to meet him at a hotel room.  I know I should have respected her privacy but I couldn’t stop myself from looking back through her text history.”  He grimaced.  “Half the time when she’s told me she was out with ‘friends,’ she was with him.”               Kira

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Passing their toilet training is the very last thing that some adults did that has made their parents proud of them.

Tina tried to focus on her letter tiles and words, letting the other two talk. Megan had a defiant personality—some might call it a disorder—so if Tina put her foot down and officially came out against the guy, Megan would only want him more. Neither of them were trying to play the Scrabble board strategically, so Tina beat them easily. Megan had one of her tantrums and tossed the board on the floor “by accident.” When Megan was in the washroom, Tina whispered to Luca, “She’s a sore loser. Sorry I didn’t warn you about that.” “It must have been fun growing up with a sister,” he said. “You can have her.” “I will. When we get married, she’ll be my sister.” Tina was stunned. Talking about marriage? Already? Luca hadn’t been kidding around when he’d given her his heart to keep forever. She nonchalantly said, “My family is all yours.” Grinning, he pulled her in for a kiss.

The journey of a thousand miles begins with one last visit to the washroom. Thus all great ventures have unspoken beginnings.

Public washrooms and water fountains were rigidly demarcated to prevent contaminating contact with the same people who cooked the white South’s meals, cleaned its houses, and tended its children.

I also know why Carl and Emily took so long in the washroom, but I am not saying.

Heights of trust - After insisting for the 20th time that I should not eat his half-eaten banana, my 4yr old son rushed to the washroom to answer nature's call. In seconds, he hurried back and asked, "you didn't eat it right?

After a few minutes, Mrs. Byrne puts down her fork and says, “Dorothy, it’s time to discuss the rules of the house. As you already know, you are to use the privy in the back. Once a week, on Sunday evenings, I will draw a bath for you in the tub in the washroom off the kitchen. Sunday is also washday, which you’ll be expected to help with. Bedtime is at nine P.M., with lights out. There’s a pallet for you in the hall closet. You’ll bring it out in the evenings and roll it up neatly in the morning, before the girls arrive at eight thirty.” “I’ll be sleeping—in the hallway?” I ask with surprise. “Mercy, you don’t expect to sleep on the second floor with us, do you?” she says with a laugh. “Heaven forbid.

if the washroom was unreal, then none of what he remembered from that afternoon in the washroom could be real, either.

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Grandmama told me survival stories placed in offices, washrooms, Sunday school classrooms, parking lots, kitchens, fields and bedrooms. She told me stories featuring her body and the white foremen at the chicken plant. She told me about Mr. Mumford, about the deacons at our church, about the men who worked the line with her. She told me stories about her father, her uncles, her cousins, and her husband. "I think the men folk forgot," she said near the end, "that I was somebody's child.

washroom was the same. Not possessed of a strong stomach, he’d opted not to find out. Cockroaches had been conducting a track-and-field meet along the footrail of the bar, the pungent odor of urine had been held to a draw by the generous application of sweet-smelling disinfectant, the old status quo had prevailed, and Lockington had spotted Rufe Devereaux sitting in a rear booth, talking to a blonde woman. There’d been something vaguely familiar about her but Lockington hadn’t been able to put his finger on it. Devereaux had observed Lockington’s entrance, waving to him, motioning him to take a seat at the bar, then holding up a be-with-you-in-a-moment finger. Club Howdy attendance had been sparse—a few scruffy-looking characters had been clustered in a dark corner of the place, there’d been a pair of elderly men at the end of the bar, but the tables had been deserted, and Lockington had discounted the threat of being crushed in a rush. A four-piece string band had been mauling “Clayton’s Ridge” when Lockington had seated himself. “Clayton’s Ridge” came under the heading of bluegrass, and Lockington had never been convinced that bluegrass came under the heading of music. Bluegrass had always reminded Lockington of a midnight cat fight in a trash heap, but he’d ordered a Martell’s and waited.

The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow. Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner. The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.

After witnessing a particularly brutal Harvard–Yale match in the 1890s, boxing champ John L. Sullivan boarded a train for New York City. In the washroom, he encountered noted football official Paul Dashiell, who asked the prizefighter what he had thought of the match. Sullivan lowered his voice to a whisper before observing, “There’s murder in that game.

With tears in her eyes, she still tries to clean up the kitchen, throwing away the now bloodstained mushrooms, picking up the empty can and wiping down the fridge. She hears him leave the washroom again, but he immediately goes to the bedroom and falls asleep.

Once he steps out of the washroom, Ivanya glances out the window at the cabling. "Would it be rude to say that I am now losing faith in this plan?" "Yes." "All right. Well then, I will reconcile myself with just thinking it very loudly.

His smoking habit followed in the footsteps of Tottenham’s great inside forward Tommy Harmer. Nicholson didn’t allow the players to smoke in the dressing-room before a match so they’d go to the washroom. ‘There were only two toilets,’ recalls Maurice Norman. ‘They were the old-fashioned ones and Tommy Harmer was always in there smoking. The only way to get him out was to light a piece of paper and shove it under the door.’ Harmer was so addicted he’d even slip away for a cigarette at half-time.

In July 2014, Ted tapped Brian Wright, a senior vice president at Nickelodeon, to lead young adult content deals. (Brian’s first Netflix claim to fame is signing the deal for a show called Stranger Things just a few months into the job.) Brian tells this story about Ted receiving feedback publicly on Brian’s first day at Netflix: In all my past jobs, it was all about who’s in and who’s out of favor. If you gave the boss feedback or disagreed with her in a meeting in front of others, that would be political death. You would find yourself in Siberia. Monday morning, it’s my first day of this brand-new job, and I’m on hyperalert trying to find out what are the politics of the place. At eleven a.m. I attend my first meeting led by Ted (my boss’s boss, who is from my perspective a superstar), with about fifteen people at various levels in the company. Ted was talking about the release of The Blacklist season 2. A guy four levels below him hierarchically stopped him in the middle of his point: “Ted, I think you’ve missed something. You’re misunderstanding the licensing deal. That approach won’t work.” Ted stuck to his guns, but this guy didn’t back down. “It won’t work. You’re mixing up two separate reports, Ted. You’ve got it wrong. We need to meet with Sony directly.” I could not believe that this low-level guy would confront Ted Sarandos himself in front of a group of people. From my past experience, this was equivalent to committing career suicide. I was literally scandalized. My face was completely flushed. I wanted to hide under my chair. When the meeting ended, Ted got up and put his hand on this guy’s shoulder. “Great meeting. Thanks for your input today,” he said with a smile. I practically had to hold my jaw shut, I was so surprised. Later I ran into Ted in the men’s washroom. He asked how my first day was going so I told him, “Wow Ted, I couldn’t believe the way that guy was going at you in the meeting.” Ted looked totally mystified. He said, “Brian, the day you find yourself sitting on your feedback because you’re worried you’ll be unpopular is the day you’ll need to leave Netflix. We hire you for your opinions. Every person in that room is responsible for telling me frankly what they think.

I was in a washroom drawing Mozart's head on the mirror in lipstick when a guy in cowboy boots came in and told me there was another way of drawing Mozart's head.

It made sense. But rich folk, they had a different word for the crapper. They'd call it a 'commode' or a 'washroom'. That way, when someone asked for the crapper, they knew it was a person they needed to oppress.

I am not going to parade naked in front of you. It wouldn’t be proper.” “Now you sound like my mother. Put some clothes on. Wear a bathing suit when you swim. Don’t flash your boobs for beads. This isn’t New Orleans.” That was definitely another sigh. “I am starting to see why you were banned from visiting.” “Hey, it wasn’t my fault the mice got out. They were supposed to be a surprise. How was I to know they’d get in the wiring?” “Dare I ask why you had mice?” “To play a game of course.” “What game involves live rodents?” She rolled her eyes. “Like duh. Mousetrap of course.” “Of course.” Even he couldn’t stop the twitch of his lips. “Interesting as this conversation is, I am going to the washroom. I expect you to be gone when I return.” “Or else?” “What do you mean or else? I’ve given you an order, and as a guest of the pride, you will obey.” “Sure thing, Pookie.” “And stop calling me Pookie.” “Would you prefer Snookums?” “No!” She might have laughed at his harried tone if he’d not chosen that moment to fling the covers back, revealing lots of flesh. Muscled, slightly tanned, delectable flesh.

Peer-oriented young people thus face two grave psychological risks that more than suffice to make vulnerability unbearable and provoke their brains into defensive action: having lost the parental attachment shield, and having the powerful attachment sword wielded by careless and irresponsible children. A third blow against feeling deeply and openly — and the third reason for the emotional shutdown of the peer-oriented child — is that any sign of vulnerability in a child tends to be attacked by those who are already shut down against vulnerability. To give an example from the extreme end of the spectrum, in my work with violent young offenders, one of my primary objectives was to melt their defenses against vulnerability so they could begin to feel their wounds. If a session was successful and I was able to help them get past the defenses to some of the underlying pain, their faces and voices would soften and their eyes would water. For most of these kids, these tears were the first in many years. Especially when someone isn't used to crying, it can markedly affect the face and eyes. When I first began, I was naive enough to send kids back into the prison population after their sessions. It is not difficult to guess what happened. Because the vulnerability was still written on their faces, it attracted the attention of the other inmates. Those who were defended against their own vulnerability felt compelled to attack. They assaulted vulnerability as if it was the enemy. I soon learned to take defensive measures and help my clients make sure their vulnerability wasn't showing. Fortunately, I had a washroom next to my office in the prison. Sometimes kids spent up to an hour pouring cold water over their faces, attempting to wipe out any vestiges of emotion that would give them away. Even if their defenses had softened a bit, they still had to wear a mask of invulnerability to keep from being wounded even further. Part of my job was to help them differentiate between the mask of invulnerability that they had to wear in such a place to keep from being victimized and, on the other hand, the internalized defenses against vulnerability that would keep them from feeling deeply and profoundly. The same dynamic, obviously not to this extreme, operates in the world dominated by peer-oriented children.

We have done so many weddings across the country and outside the country, and I have seen so many pretty women, but never have I seen someone as beautiful as Ms. Washroom. Of course, I still have to find out whether she is single and ready to mingle.

I've traveled the world, I've searched the literature. Nothing has answered my questions like the life and words of Jesus. I'm not into religion, I'm into a relationship with him. Several years ago I was in a Seattle airport washroom during an earthquake (what a place to die!). I'd been on a trip to check out a job offering three times my current salary. I'd been dreaming about a step up the ladder, about all the stuff I could buy, all the prestige I could have. But the earthquake shook me hard. (As the place shook, the guy in the stall next to me yelled, 'Did I do that?') Back on the plane, I wrote down my definition of success on an airline napkin: 'I will consider myself a success when I'm walking close to Jesus every day, when I'm building a strong marriage and performing meaningful work. I'll consider myself a success when I'm making others homesick for heaven.' That's my life mission and I can't believe how much fun I'm having following it.

If I’d felt insensitive earlier, it wasn’t long before I was feeling downright callous. Everyone kept telling me they’d heard what had happened and how horrible it must have been. But inside, I was still buzzing, my pulse racing, as giddy as the time Serena and I sneaked champagne at her cousin’s wedding. Rafe didn’t make it easy, either. During first period, he found an excuse to walk past my desk and drop off a note. It read, “Not dating classmates means you’ve missed out on an important part of fifth grade. Time to catch up.” Below that, he’d drawn a heart with our initials in it. I’d laughed, added “2 be + 2-gether = 4-ever” and passed it back. And so it went, all morning, the page getting filled up with doodles as it went back and forth. It was completely fifth grade and completely silly and I loved it, because he wasn’t afraid to be silly. It was like kissing him first--I could do whatever I wanted, and not have to worry what he’d think of me. Five minutes before lunch, he dropped off another note marked “Open at the bell,” then excused himself to use the washroom…and didn’t return. When the bell went, I unfolded it to find a rough sketch of the school, with a dotted line from our class to an X by the principal’s office. I stuffed the note in my pocket and took off. At the office, I found an X in marker on the floor beside the trash can. I moved it and found another note. Another dotted line, this one leading outside to another X. That one ended just inside the forest, where I found a third note under a pebble…It was blank. I looked up. Rafe’s laugh floated down from the trees. “Can’t fool you, huh?

There is rice whiskey in the washroom," says Sigrud, "if you would like some." "Mm? What? You hid booze in my room?" "I have booze hidden all over the place. Dead drop training has its uses beyond espionage.

One evening in Toronto, the gods Apollo and Hermes were at the Wheat Sheaf Tavern. Apollo had allowed his beard to grow until it reached his clavicle. Hermes, more fastidious, was clean-shaven, but his clothes were distinctly terrestrial: black jeans, a black leather jacket, a blue shirt. They had been drinking, but it wasn’t the alcohol that intoxicated them. It was the worship their presence elicited. The Wheat Sheaf felt like a temple, and the gods were gratified. In the men’s washroom, Apollo allowed parts of himself to be touched by an older man in a business suit. This pleasure, more intense than any the man had known or would ever know again, cost him eight years of his life. While at the tavern, the gods began a desultory conversation about the nature of humanity. For amusement, they spoke ancient Greek, and Apollo argued that, as creatures go, humans were neither better nor worse than any other, neither better nor worse than fleas or elephants, say. Humans, said Apollo, have no special merit, though they think themselves superior. Hermes took the opposing view, arguing that, for one thing, the human way of creating and using symbols, is more interesting than, say, the complex dancing done by bees. – Human languages are too vague, said Apollo.

As I passed Mrs. Morris, I motioned that I was going out to use the washroom. I’m sure she knew better, but she just smiled and waved me on. We aren’t a school with a truancy problem. Let’s be honest: Where would you go if you skipped class? No mall. No coffee shop. No hangout where the person running the place hasn’t known you from childhood…and knows you should be in class.

My hair, then?” he pressed. “I know for a fact that someone stole the length I hacked off, because it disappeared from your washroom floor the way things magically disappear from washroom floors, and I caught a braid that looked suspiciously like mine at a stall in the Hearthenge marketplace by lunchtime.” I was holding in another laugh, biting my lip as Vidrol’s emotions exploded out of him. His agitation had been slowly climbing for weeks, but I had never seen him this bad. He didn’t seem to know what to do with the energy spilling from his skin. “Things don’t disappear magically from washroom floors,” Vale’s voice carried right through his chest and into mine. “They’re called servants, dickhead.

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