Warp And Woof Quotes

We were so wholly one I had not thought That we could die apart. I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.

If through no fault of his own the hero is crushed by a bulldozer in Act II, we are not impressed. Even though life is often like this—the absconding cashier on his way to Nicaragua is killed in a collision at the airport, the prominent statesman dies of a stroke in the midst of the negotiations he has spent years to bring about, the young lovers are drowned in a boating accident the day before their marriage—such events, the warp and woof of everyday life, seem irrelevant, meaningless. They are crude, undigested, unpurged bits of reality—to draw a metaphor from the late J. Edgar Hoover, they are “raw files.” But it is the function of great art to purge and give meaning to human suffering, and so we expect that if the hero is indeed crushed by a bulldozer in Act II there will be some reason for it, and not just some reason but a good one, one which makes sense in terms of the hero’s personality and action. In fact, we expect to be shown that he is in some way responsible for what happens to him.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught - in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too - in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well - or ill?

And still the Weaver plies his loom, whose warp and woof is wretched Man Weaving th' unpattern'd dark design, so dark we doubt it owns a plan

Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands. By necessity, by proclivity, and by delight, we all quote.

I'll sing you a song of the long ago - Seven shine the shiners, oh! What did the Seven do way back when? Why, they wove the Charter then! Five for the warp, from beginning to end. Two for the woof, to make and mend. That's Seven, but what of the Nine - What of the two who chose not to shine? The Eighth did hide, hide all away, But the Seven caught him and made him pay. The Ninth was strong and fought with might, But lone Orannis was put out of the light, Broken in two and buried under hill, For ever to lie there, wishing us ill.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.

The important thing for the remembering author is not what he experienced, but the weaving of his memory, the Penelope work of recollection. Or should one call it, rather, the Penelope work of forgetting? ... And is not his work of spontaneous recollection, in which remembrance is the woof and forgetting the warp, a counterpart to Penelope's work rather than its likeness? For here the day unravels what the night has woven. When we awake each morning, we hold in our hands, usually weakly and loosely, but a few fringes of the tapestry of a lived life, as loomed for us by forgetting. However, with our purposeful activity and, even more, our purposive remembering each day unravels the web and the ornaments of forgetting.

Have you noticed how we are presented with the same lessons, over and over and over, before a tipping point is reached? The lessons we need to learn circle round us, closing in, until finally we are ready to take them in. Take them in. Those are the words that matter, because until I had embodied the lessons I was supposed to learn, absorbed them into the warp and woof of my being, they didn’t “take”; they remained a head trip and didn’t lead to changes in my behavior.

Jesus! it is the name which moves the harps of heaven to melody. Jesus! the life of all our joys. If there be one name more charming, more precious than another, it is this name. It is woven into the very warp and woof of our psalmody. Many of our hymns begin with it, and scarcely any, that are good for anything, end without it. It is the sum total of all delights. It is the music with which the bells of heaven ring; a song in a word; an ocean for comprehension, although a drop for brevity; a matchless oratorio in two syllables; a gathering up of the hallelujahs of eternity in five letters.

But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause:—through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally.

As I discussed in the previous chapter, attachment researchers have shown that our earliest caregivers don't only feed us, dress us, and comfort us when we are upset; they shape the way our rapidly growing brain perceives reality. Our interactions with our caregivers convey what is safe and what is dangerous: whom we can count on and who will let us down; what we need to do to get our needs met. This information is embodied in the warp and woof of our brain circuitry and forms the template of how we think of ourselves and the world around us. These inner maps are remarkably stable across time. This doesn‘t mean, however, that our maps can‘t be modified by experience. A deep love relationship, particularly during adolescence, when the brain once again goes through a period of exponential change, truly can transform us. So can the birth of a child, as our babies often teach us how to love. Adults who were abused or neglected as children can still learn the beauty of intimacy and mutual trust or have a deep spiritual experience that opens them to a larger universe. In contrast, previously uncontaminated childhood maps can become so distorted by an adult rape or assault that all roads are rerouted into terror or despair. These responses are not reasonable and therefore cannot be changed simply by reframing irrational beliefs.

Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm.

Humans are caught--in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too--in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well--or ill?

Oh, grassy glades! oh ever vernal endless landscapes in the soul; in ye,—though long parched by the dead drought of the earthly life,— in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause:— through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally. Where lies the final harbor, whence we unmoor no more? In what rapt ether sails the world, of which the weariest will never weary? Where is the foundling’s father hidden? Our souls are like those orphans whose unwedded mothers die in bearing them: the secret of our paternity lies in their grave, and we must there to learn it.

Words and numbers are of equal value, for, in the cloak of knowledge, one is warp and the other woof. It is no more important to count the sands than it is to name the stars. Therefore, let both kingdoms live in peace.

A child may ask, “What is the world’s story about?” And a grown man or woman may wonder, “What way will the world go? How does it end and, while we’re at it, what’s the story about?” I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill? [...] In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world. We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.

Words and numbers are of equal value, for in the cloak of knowledge one is warp and the other woof.

But no, he did not believe in capricious fortune, but in a carefully woven pattern where every tightly stretched warp thread of pain laid the foundation for a woof thread of joy.

[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.

While the stability of marriage exists as a structural element of society the meaning and evaluation of life can be experienced at a personal and existential level. Once divorce emerges as the norm, or marriage is replaced by the ‘relationship’, itself a fleeting and undefined condition, the result is the isolated individual, and as such, the isolated individual is helpless to create a societal model. Marriage and inheritance – joining and transfer – are thus the warp and woof of the community. The

And 'the holy' will be, in Dr. Otto's language, a complex category of the 'numinous' and the 'moral', or, in one of his favourite metaphors, a fabric in which we have the non-rational numinous experience as the woof and the rational and ethical as the warp.

Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?

Nothing in the world compared to the liquid thrill of piloting a craft through three axes of movement, feeling the vertical, the lateral, and the longitudinal as divergent possibilities curving away from him through air that was tactile and elastic and textured with a warp and woof.

It seemed that Abraham had offered to murder his son to test a phantom. It seemed that Sol had brought his dying daughter through hundreds of light-years and innumerable hardships in response to nothing. But now, as the Sphinx loomed above him and the first hint of sunrise paled Hyperion’s sky, Sol realized that he had responded to a force more basic and persuasive than the Shrike’s terror or pain’s dominion. If he was right—and he did not know but felt—then love was as hardwired into the structure of the universe as gravity and matter/antimatter. There was room for some sort of God not in the web between the walls, nor in the singularity cracks in the pavement, nor somewhere out before and beyond the sphere of things … but in the very warp and woof of things. Evolving as the universe evolved. Learning as the learning-able parts of the universe learned. Loving as humankind loved.

Humans are caught -- in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too -- in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any chances we may impose of field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I don well -- or ill?

Yet, as the ever-woven verdant warp and woof intermixed and hummed around him, the mighty idler seemed the cunning weaver; himself all woven over with the vines; every month assuming greener, fresher verdure; but himself a skeleton. Life folded Death; Death trellised Life; the grim god wived with youthful Life, and begat him curly-headed glories.

The Pattern is what is. The Wheel of Time weaves all lives into the Pattern, all actions. A pattern that is all one color is no pattern. For the Pattern of an Age, good and ill are the warp and the woof.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

Oh, grassy glades! oh ever vernal endless landscapes in the soul; in ye,—though long parched by the dead drought of the earthly life,— in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm.

Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life, we do not advance through fixed gradations, and at the last one pause:—through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then skepticism, then disbelief, resting at last in manhood’s pondering repose

I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill?

Meantime, Queequeg's impulsive, indifferent sword, sometimes hitting the woof slantingly, or crookedly, or strongly, or weakly, as the case might be; and by this difference in the concluding blow producing a corresponding contrast in the final aspect of the completed fabric; this savage's sword, thought I, which thus finally shapes and fashions both warp and woof; this easy, indifferent sword must be chance— aye, chance, free will, and necessity—no wise incompatible— all interweavingly working together. The

As I discussed in the previous chapter, attachment researchers have shown that our earliest caregivers don’t only feed us, dress us, and comfort us when we are upset; they shape the way our rapidly growing brain perceives reality. Our interactions with our caregivers convey what is safe and what is dangerous: whom we can count on and who will let us down; what we need to do to get our needs met. This information is embodied in the warp and woof of our brain circuitry and forms the template of how we think of ourselves and the world around us. These inner maps are remarkably stable across time.

Tiny threads of time are the warp and woof of God’s redemptive tapestry: a series of todays, used well or poorly. God has ordained that the physical universe be composed of atoms, so also has God ordained that history be composed of moments. Personal and world history is an accumulation of todays, and how they were spent. At death, our window of opportunity will be closed, our time on earth finished. We can no longer store up treasure in heaven. We can no longer lead people to Christ. We can no longer suffer gladly for Christ. The time for all these things will be past. The call to every Christian is to make the most of this short segment of time, to make every day count for eternity.

One was taught that such things could not be; that things like Coleridge’s ‘Cristabel’ or Bram Stoker’s evil fairy tale were only the warp and woof of fantasy. Of course monsters existed; they were the men with their fingers on the thermonuclear triggers in six countries, the hijackers, the mass murderers, the child molesters. But not this. One knows better. The mark of the devil on a woman’s breast is only a mole, the man who came back from the dead and stood at his wife’s door dressed in the cerements of the grave was only suffering from locomotor ataxia, the bogey-man who gibbers and capers in the comer of a child’s bedroom is only a heap of blankets. Some clergymen had proclaimed that even God, that venerable white warlock, was dead.

One was taught that such things could not be; that things like Coleridge’s “Cristabel” or Bram Stoker’s evil fairy tale were only the warp and woof of fantasy. Of course monsters existed; they were the men with their fingers on the thermonuclear triggers in six countries, the hijackers, the mass murderers, the child molesters. But not this. One knows better. The mark of the devil on a woman’s breast is only a mole, the man who came back from the dead and stood at his wife’s door dressed in the cerements of the grave was only suffering from locomotor ataxia, the bogeyman who gibbers and capers in the corner of a child’s bedroom is only a heap of blankets. Some clergymen had proclaimed that even God, that venerable white warlock, was dead.

To a Polish Lady. Daughter of an enslaved land, angel through love, witch through  fancy, child by faith, aged by experience, man in brain, woman in  heart, giant by hope, mother through sorrows, poet in thy dreams, — to thee belongs this book, in which thy love, thy fancy, thy  experience, thy sorrow, thy hope, thy dreams, are the warp through  which is shot a woof less brilliant than the poesy of thy soul,  whose expression, when it shines upon thy countenance, is, to those who love thee, what the characters of a lost language are to  scholars. De Balzac.

Fetch? Balls and sticks capture my attention seconds at a time. Catch? I don’t think so. Bunny, tumbling leaf, a squirrel who’s—oh joy—actually scared. Sniff the wind, then I’m off again: muck, pond, ditch, residue of any thrillingly dead thing. And you? Either you’re sunk in the past, half our walk, thinking of what you never can bring back, or else you’re off in some fog concerning —tomorrow, is that what you call it? My work: to unsnare time’s warp (and woof!), retrieving, my haze-headed friend, you. This shining bark, a Zen master’s bronzy gong, calls you here, entirely, now: bow-wow, bow-wow, bow-wow.

if the diseased area has faded after it has been washed, he shall tear it out of the garment or the skin or the warp or the woof. 57Then if it appears again in the garment, in the warp or the woof, or in any article made of skin, it is spreading. You shall burn with fire whatever has the disease. 58But the garment, or the warp or the woof, or any article made of skin from which the disease departs when you have washed it, shall then be washed a second time, and be clean.” 59This is the law for a case of leprous disease in a garment of wool or linen, either in the warp or the woof, or in any article made of skin, to determine whether it is clean or unclean.

At that time he was a mere puppy, soft from the making, without form, ready for the thumb of circumstance to begin its work upon him. But now it was different. The thumb of circumstance had done its work only too well. By it he had been formed and hardened into the Fighting Wolf, fierce and implacable, unloving and unlovable. To accomplish the change was like a reflux of being, and this when the plasticity of youth was no longer his; when the fibre of him had become tough and knotty; when the warp and the woof of him had made of him an adamantine texture, harsh and unyielding; when the face of his spirit had become iron and all his instincts and axioms had crystallised into set rules, cautions, dislikes, and desires.

It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.

Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it’s impossible to determine warp, woof or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which comes to assume greater importance than the weave itself and destroys any continuity. Thus it is that we are charmed by the funny-looking automobiles of the ’30s, the curious fashions of the ’20s, the peculiar moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of a continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see. I

From science, then, if it must be so, let man learn the philosophic truth that there is no material universe; its warp and woof is maya, illusion. Its mirages of reality all break down under analysis. As one by one the reassuring props of a physical cosmos crash beneath him, man dimly perceives his idolatrous reliance, his past transgression of the divine command: “Thou shalt have no other gods before Me.” In his famous equation outlining the equivalence of mass and energy, Einstein proved that the energy in any particle of matter is equal to its mass or weight multiplied by the square of the velocity of light. The release of the atomic energies is brought about through the annihilation of the material particles. The ‘death’ of matter has been the ‘birth’ of an Atomic Age. Light-velocity is a mathematical standard or constant not because there is an absolute value in 186,000 miles a second, but because no material body, whose mass increases with its velocity, can ever attain the velocity of light. Stated another way: only a material body whose mass is infinite could equal the velocity of light. This conception brings us to the law of miracles. The masters who are able to materialise and dematerialise their bodies or any other object and to move with the velocity of light, and to utilise the creative light-rays in bringing into instant visibility any physical manifestation, have fulfilled the necessary Einsteinian condition: their mass is infinite. The consciousness of a perfected yogi is effortlessly identified, not with a narrow body, but with the universal structure. Gravitation, whether the ‘force’ of Newton or the Einsteinian ‘manifestation of inertia’, is powerless to compel a master to exhibit the property of ‘weight’ which is the distinguishing gravitational condition of all material objects. He who knows himself as the omnipresent Spirit is subject no longer to the rigidities of a body in time and space. Their imprisoning ‘rings-pass-not’ have yielded to the solvent: “I am He.

It isn't just physical ability and average intelligence but an insatiable appetite for success and an unflagging will power that would texture the warp and woof of the fabric called human destiny. Greater the difficulty, sweeter the victory.

I want a certain density that encourages savoring. I want to slide warp over woof, I want to make knots. I want entanglement, unexpected connections, reverberations, the weight of pouring rain on red earth. Mud is where life begins.

God wants to free us from ourselves, and there’s nothing like suffering to show us that we need something bigger than our abilities and our strength and our explanations. There’s nothing like suffering to remind us how not in control we actually are, how little power we ultimately have, and how much we ultimately need God. In other words, suffering reveals to us the things that ultimately matter, which also happen to be the warp and woof of Christianity: who we are and who God is.

often find that when God doesn’t answer a prayer, he wants to expose something in me. Our prayers don’t exist in a world of their own. We are in dialogue with a personal, divine Spirit who wants to shape us as much as he wants to hear us. For God to act unthinkingly with our prayers would be paganism, which says the gods do our will in response to our prayers. When someone’s prayers aren’t answered, I want to know the backstory. How long did that individual pray? What did God do in that person’s heart when he or she prayed? What was God doing in the situation? Most of us isolate prayer from the rest of what God is doing in our lives, but God doesn’t work that way. Prayer doesn’t exist in some rarified spiritual world; it is part of the warp and woof of our lives. Praying itself becomes a story.

This world that you and we treasure has now been driven round the sun so often that the warp and woof of its space grow threadbare and fall as dust and feeble lint from the loom of time.

Words and numbers are of equal value, for, in the cloak of knowledge, one is warp and the other woof.

Like the threads of finely woven linen, the warp and woof of friendship uniting the Warrens and Adams through successive generations was once again seamlessly bound.

Any Woman I am the pillars of the house; The keystone of the arch am I. Take me away, and roof and wall Would fall to ruin me utterly. I am the fire upon the hearth, I am the light of the good sun, I am the heat that warms the earth, Which else were colder than a stone. At me the children warm their hands; I am their light of love alive. Without me cold the hearthstone stands, Nor could the precious children thrive. I am the twist that holds together The children in its sacred ring, Their knot of love, from whose close tether No lost child goes a-wandering. I am the house from floor to roof, I deck the walls, the board I spread; I spin the curtains, warp and woof, And shake the down to be their bed. I am their wall against all danger, Their door against the wind and snow, Thou Whom a woman laid in a manger, Take me not till the children grow!

Buddha-nature or real self, being the seat of love and the nucleus of sincerity, forms the warp and woof of all moral actions. He is an obedient son who serves his parents with sincerity and love. He is a loyal subject who serves his master with sincerity and love. A virtuous wife is she who loves her husband with her sincere heart. A trustworthy friend is he who keeps company with others with sincerity and love. A man of righteousness is he who leads a life of sincerity and love. Generous and humane is he who sympathizes with his fellow-men with his sincere heart. Veracity, chastity, filial piety, loyalty, righteousness, generosity, humanity, and what not-all-this is no other than Buddha-nature applied to various relationships of human brotherhood.

Anguish and sadness in many ways are things that you cannot control. They happen. Supposing somebody hits you. The pain causes an anguish in you and an anger, and you might want to retaliate. But as you grow in the spiritual life, whether as a Buddhist or a Christian or any other tradition, you are able to accept anything that happens to you. You accept it not as the result of your being sinful, that you are blameworthy because of what has happened—it’s part of the warp and woof of life. It’s going to happen whether you like it or not. There are going to be frustrations in life. The question is not: How do I escape? It is: How can I use this as something positive?

Leaves and Angels" True fact (as my freshmen used to write): In Florence, Italy, there’s a wing of a psychiatric hospital specializing in patients who suffer from over-exposure to great art. Patients are observed experiencing delusions, free-floating anxiety, paranoia, even depression. Why? If poetry makes nothing happen, as W.H. Auden famously wrote, shouldn’t the same be true of art? Stand in front of Michelangelo’s David; what do you see? An impossibly outsized right hand, all the more beautiful for being so; and a face reminding one of Lord Byron (or is that the Apollo Belvedere?): a warp and woof between real and ideal. As for crass indifference—shouldn’t that, too, be a ticket of admission to the Florence nuthouse? Last night, a dream-voice whispered a bittersweet nothing in my ear: If you say to someone breathlessly, “I saw an angel fall in the street today!” they look at you askance. If you say to someone breathlessly, “I saw a leaf fall in the street today!” they look at you askance.               shimmering ponds of dream—                             wearying                                   of my reflection Steven Carter, A Hundred Gourds 2:2

The warp and the woof of the weave.

The future is a fabric of interlacing possibilities,” he said. “Some of which gradually become probabilities, and a few of which become inevitabilities, but there are surprises sewn into the warp and the woof, which can tear it apart.

I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught—in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too—in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill

Mother had that peculiar God-given gift of imagination so keen that the printed word became to her a vivid, living reality. It was as though, while her body stayed at home and cared for the children, her spirit had climbed far mountain peaks and sailed into strange harbors. Because of Barrie and Kipling and scores of others she had been intimately, sensitively in touch with the places and peoples of the world. She had stood on wind-swept, heather-grown Scottish moors, and broken bread in the little gray homes of the Thrums weavers. She had watched, fascinated, the slow-moving, red-lacquered bullock carts, veiled and curtained, creep over the yellow-brown sands of India. She had walked under brilliant stars down long, long trails in clear, cold, silent places, and she had strolled through groves of feathery flowering loong-yen trees of China. She had sensed to the finger tips the beauty of the witching, seductive moon-filled nights of Hawaii, and with strained eyes and chilling heart she had watched for the return of the fishing fleet on the wild-wind banks of Labrador. Yes, the warp of Mother's life had been restricted to keeping the home for Henry and the children. But the woof of the texture had been fashioned from the wind clouds and star drifts of the heavens. As she had touched her life with all the lives of these peoples of the earth, for the time being sunk her own personality in theirs, she had come to the conviction that, fundamentally, there was nothing in life that could not be found in this little inland town.

If it had been Morise, even if it hadn’t been Morise. I had to work hard to free myself from my feeling that he was the lord of the city and its shaykh, on whose crown falcons dozed, because everything in Seattle pointed to him and led toward him—each detail and sign. He did not merely dwell in this city; he was its creator, who had woven it from warp and woof. He had re-created it and then shaken the dust off it as if it were a carpet from Tabriz. Everything in the city carried his signature and his fingerprint: the joyful queues on weekends at pot stores, the empty seats in outdoor cafés sprinkled by drops of rain, girls’ colorful wool caps, tech workers’ badges dangling to their laps, the panting of elderly Asians climbing its heights… the spoons of busy restaurants clicking against the teeth of children of wealthy Indians, the helmets of cyclists who pause to look at the tranquility of the Japanese Garden, the sigh of buses as they lower a lift for an elderly white woman in a wheelchair, the roars of laughter of Saudi teens in the swimming pools of the University…all these tell his story. Everything glorifies his name.

Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation’s heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?

You accept the inevitable frustrations and hardships as part of the warp and woof of life. The question, he had said, is not: How do we escape it? The question is: How can we use this as something positive?

Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well—or ill? Herodotus,

Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song--soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacri- fice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,--we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?