Midnight In Paris Quotes

The artist's job is not to succumb to despair but to find an antidote for the emptiness of existence.

All men fear death. It’s a natural fear that consumes us all. We fear death because we feel that we haven’t loved well enough or loved at all, which ultimately are one and the same. However, when you make love with a truly great woman, one that deserves the utmost respect in this world and one that makes you feel truly powerful, that fear of death completely disappears. Because when you are sharing your body and heart with a great woman the world fades away. You two are the only ones in the entire universe. You conquer what most lesser men have never conquered before, you have conquered a great woman’s heart, the most vulnerable thing she can offer to another. Death no longer lingers in the mind. Fear no longer clouds your heart. Only passion for living, and for loving, become your sole reality. This is no easy task for it takes insurmountable courage. But remember this, for that moment when you are making love with a woman of true greatness you will feel immortal. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face like some rhino hunters I know or Belmonte, who is truly brave, it is because they love with sufficient passion to push death out of their minds. Until it returns, as it does to all men. And then you must make really good love again. Think about it.

Nostalgia is denial. Denial of the painful present. The name for this denial is Golden Age thinking - the erroneous notion that a different time period is better than the one ones living in - its a flaw in the romantic imagination of those people who find it difficult to cope with the present.

What is my perfect crime? I break into Tiffany's at midnight. Do I go for the vault? No, I go for the chandelier. It's priceless. As I'm taking it down, a woman catches me. She tells me to stop. It's her father's business. She's Tiffany. I say no. We make love all night. In the morning, the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico, but I go to Canada. I don't trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he's the chief of police. This is where the story gets interesting. I tell Tiffany to meet me by the Trocadero in Paris. She's been waiting for me all these years. She's never taken another lover. I don't care. I don't show up. I go to Berlin. That's where I stashed the chandelier.

Yeah, that's what the present is. It's a little unsatisfying because life's a little unsatisfying.

I believe that love that is true and real, creates a respite from death.

If it's bad, I'll hate it because I hate bad writing. If it's good, I'll be envious and hate it all the more.

There’s dark magic there,” Luc warned. “Creatures who like the cold, who like girls who wander into their woods. Whatever you do, don’t let them kiss you.

Inez: You always take the side of the help. That's why Daddy says you're a communist.

That Paris exists and anyone could choose to live anywhere else in the world will always be a mystery to me.

You think that drinking with a serial killer takes you into the midnight currents of the culture? I say bullshit. There's been twelve TV documentaries, three movies and eight books about me. I'm more popular than any of these designed-by-pedophile pop moppets littering the music television and the gossip columns. I've killed more people than Paris Hilton has desemenated, I was famous before she was here and I'll be famous after she's gone. I am the mainstream. I am, in fact, the only true rock star of the modern age. Every newspaper in America never fails to report on my comeback tours, and I get excellent reviews.

Those last nights in Paris, walking home with her father at midnight, the huge book clasped against her chest, Marie-Laure thinks she can sense a shiver beneath the air, in the pauses between the chirring of the insects, like the spider cracks of ice when too much weight is set upon it. As if all this time the city has been no more than a scale model built by her father and the shadow of a great hand has fallen over it.

Midnight" The hours glide Like drops of water on a window pane Midnight silence Fear unrolls in the air And the wind hides at the bottom of the well OH It's a leaf We think the earth is going to end Time stirs in the shadow Everyone is asleep A SIGH Inside the house someone has just died

Adriana: I can never decide whether Paris is more beautiful by day or by night. Gil: No, you can't, you couldn't pick one. I mean I can give you a checkmate argument for each side. You know, I sometimes think, how is anyone ever gonna come up with a book, or a painting, or a symphony, or a sculpture that can compete with a great city. You can't. Because you look around and every street, every boulevard, is its own special art form and when you think that in the cold, violent, meaningless universe that Paris exists, these lights, I mean come on, there's nothing happening on Jupiter or Neptune, but from way out in space you can see these lights, the cafés, people drinking and singing. For all we know, Paris is the hottest spot in the universe.

I am off to Paris by the midnight train, and I wanted particularly to see you before I left. I thought it was you, or rather your fur coat, as you passed me. But I wasn't quite sure.

At some time all cities have this feel: in London it's at five or six on a winer evening. Paris has it too, late, when the cafes are closing up. In New York it can happen anytime: early in the morning as the light climbs over the canyon streets and the avenues stretch so far into the distance that it seems the whole world is city; or now, as the chimes of midnight hang in the rain and all the city's longings acquire the clarity and certainty of sudden understanding. The day coming to an end and people unable to evade any longer the nagging sense of futility that has been growing stronger through the day, knowing that they will feel better when they wake up and it is daylight again but knowing also that each day leads to this sense of quiet isolation. Whether the plates have been stacked neatly away or the sink is cluttered with unwashed dishes makes no difference because all these details--the clothes hanging in the closet, the sheets on the bed--tell the same story--a story in which they walk to the window and look out at the rain-lit streets, wondering how many other people are looking out like this, people who look forward to Monday because the weekdays have a purpose which vanishes at the weekend when there is only the laundry and the papers. And knowing also that these thoughts do not represent any kind of revelation because by now they have themselves become part of the same routine of bearable despair, a summing up that is all the time dissolving into everyday. A time in the day when it is possible to regret everything and nothing in the same breath, when the only wish of all bachelors is that there was someone who loved them, who was thinking of them even if she was on the other side of the world. When a woman, feeling the city falling damp around her, hearing music from a radio somewhere, looks up and imagines the lives being led behind the yellow-lighted windows: a man at his sink, a family crowded together around a television, lovers drawing curtains, someone at his desk, hearing the same tune on the radio, writing these words.

Houses were never sanctuaries. The Gestapo often conducted their arrests between midnight and five in the morning. It appeared that at any instant the door could open, allowing a cold breath of night air to blow in, and three friendly Germans with revolvers.

Walked the streets until midnight among the people of Paris gorging on joy & I felt stupid & inadequate in my unhappiness & it seemed very clear to me that loneliness is the worst thing in the world & people should ALWAYS be forgiven for all the compromises they make in love.

We’ve scrambled for our lives,” she said softly. “Now we have to scramble for our world.

Something breathing, something bleeding, something blue. It was time to cast her first spell as the Gargoyle.

I thought of a line from Good Morning, Midnight: I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it . . . I read most of the time and I am happy.

And I would travel from asteroid to asteroid Trying to find the one that would be ours Building palace after palace until it feels like home From London to Paris, from New York to Rome The Little Prince, Alex Winslow

NIGHT OF LOVE The moon has left the sky, love, The stars are hiding now, And frowning on the world, love, Night bares her sable brow. The snow is on the ground, love, And cold and keen the air is. I 'm singing here to you, love; You 're dreaming there in Paris. But this is Nature's law, love, Though just it may not seem, That men should wake to sing, love, While maidens sleep and dream. Them care may not molest, love, Nor stir them from their slumbers, Though midnight find the swain, love, Still halting o'er his numbers. I watch the rosy dawn, love, Come stealing up the east, While all things round rejoice, love, That Night her reign has ceased. The lark will soon be heard, love, And on his way be winging; When Nature's poets wake, love, Why should a man be singing?

On this way, they reached the roof. Christine tripped over it as lightly as a swallow. Their eyes swept the empty space between the three domes and the triangular pediment. She breathed freely over Paris, the whole valley of which was seen at work below. She called Raoul to come quite close to her and they walked side by side along the zinc streets, in the leaden avenues; they looked at their twin shapes in the huge tanks, full of stagnant water, where, in the hot weather, the little boys of the ballet, a score or so, learn to swim and dive. The shadow had followed behind them clinging to their steps; and the two children little suspected its presence when they at last sat down, trustingly, under the mighty protection of Apollo, who, with a great bronze gesture, lifted his huge lyre to the heart of a crimson sky. It was a gorgeous spring evening. Clouds, which had just received their gossamer robe of gold and purple from the setting sun, drifted slowly by; and Christine said to Raoul: “Soon we shall go farther and faster than the clouds, to the end of the world, and then you will leave me, Raoul. But, if, when the moment comes for you to take me away, I refuse to go with you—well you must carry me off by force!” “Are you afraid that you will change your mind, Christine?” “I don’t know,” she said, shaking her head in an odd fashion. “He is a demon!” And she shivered and nestled in his arms with a moan. “I am afraid now of going back to live with him … in the ground!” “What compels you to go back, Christine?” “If I do not go back to him, terrible misfortunes may happen! … But I can’t do it, I can’t do it! … I know one ought to be sorry for people who live underground … But he is too horrible! And yet the time is at hand; I have only a day left; and, if I do not go, he will come and fetch me with his voice. And he will drag me with him, underground, and go on his knees before me, with his death’s head. And he will tell me that he loves me! And he will cry! Oh, those tears, Raoul, those tears in the two black eye-sockets of the death’s head! I can not see those tears flow again!” She wrung her hands in anguish, while Raoul pressed her to his heart. “No, no, you shall never again hear him tell you that he loves you! You shall not see his tears! Let us fly, Christine, let us fly at once!” And he tried to drag her away, then and there. But she stopped him. “No, no,” she said, shaking her head sadly. “Not now! … It would be too cruel … let him hear me sing to-morrow evening … and then we will go away. You must come and fetch me in my dressing-room at midnight exactly. He will then be waiting for me in the dining-room by the lake … we shall be free and you shall take me away … You must promise me that, Raoul, even if I refuse; for I feel that, if I go back this time, I shall perhaps never return.” And she gave a sigh to which it seemed to her that another sigh, behind her, replied. “Didn’t you hear?” Her teeth chattered. “No,” said Raoul, “I heard nothing.” - Chapter 12: Apollo’s Lyre

So at midnight, the heart of the metropolis of modern civilization was secretly trod by this jaunty barbarian in broadcloth; a sort of prophetical ghost, glimmering in anticipation upon the advent of those tragic scenes of the French Revolution which levelled the exquisite refinement of Paris with the bloodthirsty ferocity of Borneo; showing that broaches and finger-rings, not less than nose-rings and tattooing, are tokens of the primeval savageness which ever slumbers in human kind, civilized or uncivilized.

Here, one wants to create the Paris of the Far West. Evening traffic on Hollywood Boulevard attempts to mimic Parisian boulevard life. However, life on the Boulevard is extinct before midnight, and the seats in front of the cafes, where in Paris one can watch street life in a leisurely manner, are missing. . . . At night the illuminated portraits of movie stars stare down from lampposts upon crowds dressed in fake European elegance – a declaration that America yearns to be something other than American here. . . . Yet, in spite of the artists, writers and aspiring film stars, the sensibility of a real Montmartre, Soho, or even Greenwich Village, cannot be felt here. The automobile mitigates against such a feeling, and so do the new houses. Hollywood lacks the patina of age.75

The ghostly movement of the Parisian tribes. Watch the crowd rushing out in the (cold and rainy) spring night towards the urban deserts of La Villette to attend the inaugural cult of the Biennale and then, when that is ended, flowing back in great waves towards the inauguration of the Book Fair at the Grand Palais, crossing Paris in a tide of two thousand people (always the same ones) who, after having communed in fairground thronging and bookish vanity will meet up again around midnight at the end of a third collective migration, in the small number of Montparnasse restaurants marked with the sign of the tribe. Preceded perhaps by some minister or other, followed as ever by a horde of journalists. You can mark out the trajectory of this fauna culturalis every evening in advance, working from the order of the invitations, as in days gone by you could follow popular gatherings from place to place with certainty.

Einstein served as a source of inspiration for many of the modernist artists and thinkers, even when they did not understand him. This was especially true when artists celebrated such concepts as being “free from the order of time,” as Proust put it in the closing of Remembrance of Things Past. “How I would love to speak to you about Einstein,” Proust wrote to a physicist friend in 1921. “I do not understand a single word of his theories, not knowing algebra. [Nevertheless] it seems we have analogous ways of deforming Time.”54 A pinnacle of the modernist revolution came in 1922, the year Einstein’s Nobel Prize was announced. James Joyce’s Ulysses was published that year, as was T. S. Eliot’s The Waste Land. There was a midnight dinner party in May at the Majestic Hotel in Paris for the opening of Renard, composed by Stravinsky and performed by Diaghilev’s Ballets Russes. Stravinsky and Diaghilev were both there, as was Picasso. So, too, were both Joyce and Proust, who “were destroying 19th century literary certainties as surely as Einstein was revolutionizing physics.” The mechanical order and Newtonian laws that had defined classical physics, music, and art no longer ruled.

Greetings to you, Legendary One : you are a haunted house, and nothing at all would be achieved by sending a delegation of scientists with all their little bits of apparatus to observe the strange phenomena to which you play martyred host. But midnight is not long enough for your adorable ghosts : even the whole day, even the hours of sleep are scarcely sufficient, between your walls a perpetual sound of trailing robes makes you deliciously uneasy, you are in love with this sound. O what queen then has the palace that takes your form the palace from whose vault there once issued a damnable song and a black knight ? Her arms, her beautiful white arms embrace your memory. Your memory ? why no, it is she herself defying time and its quagmires, she is returning through the crannies of your veins, she gives a long, slow smile, is about to speak, the air she sings and breathes is quite changed by some new sovereign thought, she is aroused, she speaks, her breast quivers, and I hear. It is the sound of her heart which marks the beat of all my dreams. Here I am, my love, I have not left you.

Suddenly ravenous, April reached for a piece of bread and spared no caution in slathering it with a thick coat of butter. She’d just proved Luc’s theory, that Americans loved their snacking, but April didn’t much care. It was worth it. Along with her memories of every café, every midnight dinner, the thousands of glasses of wine, April remembered the butter. It was creamier in Paris, saltier. “Tell me more about the grand-mère,” April said and sat on her hands so she couldn’t physically take another bite. The thought of leaning over and lapping her baguette and beurre cat-style briefly occurred to her.

Young men who had fought for an uncertain cause felt equally uncertain about their place in modern America.

The war was undoubtedly the most profound and inescapable influence on writers in the 1920s. But it was far from the only influence. Social, political and aesthetic developments were percolating throughout the first part of the 20th century. In Paris,

Pablo Picasso rode on the crest of the Modern Art wave. Several

The Great War (1914-1918) – no one knew then it would be the first of two – transformed the world in ways that no one fully understood at the time. Perceptive individuals shared the not quite intelligible feeling that something had gone terribly wrong and would never again be right. The Great War was the first war in history to be fought primarily by the middle class.

I thought of a line from Good Morning, Midnight. “I want a long, calm book about people with large incomes—a book like a flat green meadow and the sheep feeding in it.… I read most of the time and I am happy.

Good Morning, Midnight. “I want a long, calm book about people with large incomes—a book like a flat green meadow and the sheep feeding in it.… I read most of the time and I am happy.

The world is filled with evil. Witches celebrate midnight mass with the flesh and blood of innocents. Men become wolves at night. Even in the crypts below Notre Dame you will find demons.

The overall climate meant that young artists pushing the limits of their craft were locked out of the establishment.

the Lost Generation was unafraid to take risks.

such as some private hotels in Paris have on the ground floor, for fear of thieves, and he is going to make me a similar door as well. I have made myself out a coward, but I do not care about that! September 10. Rouen, Hotel Continental. It is done; it is done—but is He dead? My mind is thoroughly upset by what I have seen. Well then, yesterday, the locksmith having put on the iron shutters and door, I left everything open until midnight, although it was getting cold. Suddenly I felt that He was there, and joy, mad joy took possession of me. I got up softly,

There were surely lives where she was sitting beside a swimming pool in the sunshine right now. Lives where she was playing music, or lying in a warm lavender-scented bath, or having incredible third-date sex, or reading on a beach in Mexico, or eating in a Michelin-starred restaurant, or strolling the streets of Paris, or getting lost in Rome, or tranquilly gazing at a temple near Kyoto, or feeling the warm cocoon of a happy relationship.

There were continual, background regrets, which repeated on multiple pages. ‘I regret not staying in The Labyrinths, because I let down my brother.’ ‘I regret not staying in The Labyrinths, because I let down myself.’ ‘I regret not doing more for the environment.’ ‘I regret the time I spent on social media.’ ‘I regret not going to Australia with Izzy.’ ‘I regret not having more fun when I was younger.’ ‘I regret all those arguments with Dad.’ ‘I regret not working with animals.’ ‘I regret not doing Geology at University instead of Philosophy.’ ‘I regret not learning how to be a happier person.’ ‘I regret feeling so much guilt.’ ‘I regret not sticking at Spanish.’ ‘I regret not choosing science subjects in my A-levels.’ ‘I regret not becoming a glaciologist.’ ‘I regret not getting married.’ ‘I regret not applying to do a Master’s degree in Philosophy at Cambridge.’ ‘I regret not keeping healthy.’ ‘I regret moving to London.’ ‘I regret not going to Paris to teach English.’ ‘I regret not finishing the novel I started at university.’ ‘I regret moving out of London.’ ‘I regret having a job with no prospects.’ ‘I regret not being a better sister.’ ‘I regret not having a gap year after university.’ ‘I regret disappointing my father.’ ‘I regret that I teach piano more than I play it.’ ‘I regret my financial mismanagement.’ ‘I regret not living in the countryside.

Lives where she was playing music, or lying in a warm lavender-scented bath, or having incredible third-date sex, or reading on a beach in Mexico, or eating in a Michelin-starred restaurant, or strolling the streets of Paris, or getting lost in Rome, or tranquilly gazing at a temple near Kyoto, or feeling the warm cocoon of a happy relationship.

reading on a beach in Mexico, or eating in a Michelin-starred restaurant, or strolling the streets of Paris, or getting lost in Rome, or tranquilly gazing at a temple near Kyoto, or feeling the warm cocoon of a happy relationship.

Vice, coming from above, flowed along the gutters, spread itself out in the sheets of ornamental water, reascended in the fountains of the public gardens to fall again on to the roofs in a fine penetrating rain. And at night time, when one passed over the bridges, it seemed as if the Seine drew along with it, amid the sleeping metropolis, all the refuse of the city—crumbs fallen from tables, bows of lace left on divans, false hair forgotten in cabs, bank notes that had slipped out of bodices, everything that the brutality of desire, and the immediate satisfaction of instinct fling into the street broken and soiled. Then amid the feverish sleep of Paris, and better still amid its breathless hankering in the broad daylight, one realised the unsettling of the brain, the golden and voluptuous nightmare of a city, madly enamoured of its gold and its flesh. The violins sounded till midnight: then the windows became dark and shadows descended over the city. It was like a colossal alcove in which the last candle had been blown out, the last virtue extinguished.

I’ve never been more bummed walking out of a movie and back into present time than after seeing ‘Midnight in Paris.

There were continual, background regrets, which repeated on multiple pages, 'I regret not staying in The Labyrinths, because I let down my brother.' 'I regret not staying in the Labyrinths, because I let down myself.' 'I regret not doing more for the environment.' 'I regret the time I spent on social media.' 'I regret not going to Australia with Izzy.' 'I regret not having more fun when I was younger.' 'I regret all those arguments with Dad.' 'I regret not working with animals.' 'I regret not doing Geology at University instead of Philosophy.' 'I regret not learning how to be a happier person.' 'I regret feeling so much guilt.' 'I regret not sticking at Spanish.' 'I regret not choosing science subjects in my A-levels.' 'I regret not becoming a glaciologist.' 'I regret not getting married.' 'I regret not applying to do a Master's degree in Philosophy at Cambridge.' 'I regret not keeping healthy.' 'I regret moving to London.' 'I regret not going to Paris to teach English.' 'I regret not finishing the novel I started at university.' 'I regret moving out of London.' 'I regret having a job with no prospects.' 'I regret not being a better sister.' 'I regret not having a gap year after university.' 'I regret disappointing my father.' 'I regret that I teach piano more than I play it.' 'I regret my financial mismanagement.' 'I regret not living in the countryside.

A dream not of Paris but of rural England, where they would live together. A pub in the Oxfordshire countryside.

We did it,' she whispered into the country air. 'We actually did it.' This was the dream Dan had first mentioned to her while walking by the Seine in Paris, eating macarons they had bought on the Boulevard Saint-Michel.

There’s a door just off of Old Street; grey, square, your regular door. But behind that door the hallway vibrates with anticipation. This is Woody Allen’s Midnight in Paris and the clock is about to strike. The time is 1920; the music is jazz manouche. Metal ceilings, waiters in suspenders, sweet syrup dripping out of eggshells, fuming Lapsang Souchong… this is Nightjar.

Every universe exists over every other universe. Like a million pictures on tracing paper, all with slight variations within the same frame. The many-worlds interpretation of quantum physics suggests there are an infinite number of divergent parallel universe. Every moment of your life you enter a new universe. With every decision you make. And traditionally it was thought that there could be no communication or transference between those worlds, even though they happen in the same space, even though they happen literally millimetres away from us. 'But what about us? We're doing that.' 'Exactly. I am here but I also know I am not here. I am also lying in a hospital in Paris, having an aneurysm. And I am also skydiving in Arizona. And travelling around southern India. And tasting wine in Lyon, and lying on a yacht off the Côte d'Azur.

In one life she had quite a solitary time in Paris, and taught English at a college in Montparnasse and cycled by the Seine and read lots of books on park benches. In another, she was a yoga teacher with the neck mobility of an owl. In one life she had kept up swimming but had never tried to pursue the Olympics. She just did it for fun. In that life she was a lifeguard in the beach resort of Sitges, near Barcelona, was fluent in both Catalan and Spanish, and had a hilarious best friend called Gabriela who taught her how to surf, and who she shared an apartment with, five minutes from the beach.