β
Failed relationships can be described as so much wasted make-up.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
I couldnβt be with people and I didnβt want to be alone. Suddenly my perspective whooshed and I was far out in space, watching the world. I could see millions and millions of people, all slotted into their lives; then I could see meβIβd lost my place in the universe. It had closed up and there was nowhere for me to be. I was more lost than I had known it was possible for any human being to be.
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
Boom, boom, fucking boom, Da. I'm done for...
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Whoever he said he was, thought Marsh, he was not from the immigration department, and the web that he was convinced Walsh had been weaving was beginning to unravel with disastrous and dangerous consequences.
β
β
Michael Parker (The Devil's Trinity)
β
Β¨I think I need you for keeps.Β¨
Β¨I think I need you for keeps, too.Β¨
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
The way to move out of judgement is to move into gratitude
β
β
Neale Donald Walsch
β
I loved being in my own head so much, it was getting harder and harder being with other people.
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
No, no, no, Da, I'm serious," I slurred. "I think I love that girl."
"Well, who's this girl?"
"She's a river," I sighed and closed my eyes. "I'm keeping her Da.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
The feel of them (books) and the smell of them. A bookshop was like an Aladdin's cave for me. Entire worlds and lives can be found just behind that glossy cover. All you had to do was look." Claire (Watermelon)
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
I want your trouble, and your complications, and everything else that comes with you.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
She was worth it all.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
She makes my heart go, like, whoa. Boom, boom, fucking boom. All the time.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I'm your daddy on the field, bitch.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I once read somewhere that we mature with damage, not with age.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
If this is love, then it's you. You are love.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I just wanted her. For keeps.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
For once in my life, I wanted a safe place to run to instead of from.
I felt like I was slowly dying in that house.
In my home.
Where I was supposed to lay my head.
Where I was supposed to feel safe.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I hated humans.
They were such a disappointment.
And to think, god switched dinosaurs for man.
He must be raging.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
But don't forget that you'll always be my 13." She sniffled and wiped my cheek with her fingers. "My binding 13." I choked out a pained laugh, thinking about that stupid bet. "You heard about that?" "Yeah." Half-sobbing/ half-laughing, Shannon smiled and nodded. "I won.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
Then one day, this kid named Darren Walsh touched the Cheese with his finger, and that's what started this thing called the Cheese Touch. It's basically like the Cooties. If you get the Cheese Touch, you're stuck with it until you pass it on to someone else. The only way to protect yourself from the Cheese Touch is to cross your fingers.
β
β
Jeff Kinney (Diary of a Wimpy Kid (Diary of a Wimpy Kid, #1))
β
You know what it's like. Sometimes, you meet a wonderful person, but it's only for a brief instant. Maybe on vacation or on a train or maybe even in a bus line. And they touch your life for a moment, but in a special way. And instead of mourning because they can't be with you for longer, or because you don't get the chance to know them better, isn't it better to be glad that you met them at all?
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
The deepest secret is that life is not a process of discovery, but a process of creation. You are not discovering yourself, but creating yourself anew. Seek, therefore, not to find out Who You Are, seek to determine Who You Want to Be.
β
β
Neale Donald Walsch
β
Boys with pretty eyes and big muscles mess everything up for girls.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Now, tell me who made you cry and I'll fix it.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I wanted to fight all her battles. I wanted to give her all her smiles and make her laugh and snatch her away from the rest of the world and keep her all to myself. I just wanted her. For keeps.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
When I was with her, I felt like I was drowning and breathing all at once.
β
β
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
β
You teach people how to treat you by setting boundaries, lad. If you let someone walk all over you, they're going to think it's okay.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
when happiness makes a guest appearance in one's life,it's important to make the most of it.It may not stay around for long and when it has gone wouldn't it be terrible to think that all the time one could have been happy was wasted worrying when the happiness would be taken away.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
What you resist, persists
β
β
Neale Donald Walsch
β
I once read somewhere that we mature with damage, not with age. If that's the case, I was an old age pensioner in the emotional stakes.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
You've recognised a fundamental feature of an addict's life. Maintaining your habit is so important you've no real interest in anything else.
β
β
Marian Keyes (Rachel's Holiday (Walsh Family, #2))
β
Hate was such a waste of human resources. So little was accomplished with hate, so much more with love.
β
β
Haley Walsh (Foxe Tail (Skyler Foxe Mystery, #1))
β
Dear Human:
You've got it all wrong.
You didn't come here to master unconditional love. This is where you came from and where you'll return.
You came here to learn personal love.
Universal love.
Messy love.
Sweaty Love.
Crazy love.
Broken love.
Whole love.
Infused with divinity.
Lived through the grace of stumbling.
Demonstrated through the beauty of... messing up.
Often.
You didn't come here to be perfect, you already are.
You came here to be gorgeously human. Flawed and fabulous.
And rising again into remembering.
But unconditional love? Stop telling that story.
Love in truth doesn't need any adjectives.
It doesn't require modifiers.
It doesn't require the condition of perfection.
It only asks you to show up.
And do your best.
That you stay present and feel fully.
That you shine and fly and laugh and cry and hurt and heal and fall and get back up and play and work and live and die as YOU.
Its enough.
It's Plenty.
β
β
Courtney A. Walsh
β
I loved her more than I knew what to do with. I could see it all ahead of me: my life, my future, my career, and her. The girl I knew would play the leading role in all of it. I'd thrown it all in with her and I had no doubts. Not a single one. She was my teammate now.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
If people were more concerned with how they looked on the inside, then on the outside, the world would be a nicer place to exist.
β
β
David Walsh
β
I don't agree with your choices", I croaked out. "But I respect that they are yours to make.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
A bird doesn't sing because he has an answer-he sings because he has a song.
β
β
Joan Walsh Anglund (A Cup of Sun: A Book of Poems)
β
Bolting over to him, I collapsed down on the bed and wrapped my arms around my brother's neck, clinging to him like he was the only thing holding my world together.
Sometimes I thought that might be true.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
SHANNON LIKE THE RIVER. WILL YOU PLEASE BE MY FRIEND?
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
My brokenness is a better bridge for people than my pretend wholeness ever was.
β
β
Sheila Walsh
β
You show up and all the bad just...goes away for a little while.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
Failed relationships can be described as so much wasted makeup.
Forget the laughs, forget the fights, forget the sex, forget the jealousy. But take off your hat and observe a moment's silence for the legions of unknown tubes of foundation, mascara, eyeliner, blusher and lipstick who died that it might all have been possible. But who died in vain.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
Humans didn't deserve the love and loyalty dogs gave them.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
If you want guarantees in life, then you don't want life. You want rehearsals for a script that's already been written. Life by its nature cannot have guarantees, or its whole purpose is thwarted.
β
β
Neale Donald Walsch
β
I never knew devastation until he walked into my world and gave me a glimpse into his. I never knew heart break until he decimated my heart by decimating his body. I never knew hurt until he walked away from me. I never knew. I neverβ¦
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
I suppose I wanted to have my cake and eat it.
But then again, what were you going to do with your cake if not eat it?
Frame it?
Use it as a sachet in your underwear drawer?
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
I'm all in, Shannon. Scars and all. Fucked up father and all.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
I can take you home when you have to go?
What the actual fuck?
I might as well have shouted, love me, fucking love me at the girl.
I felt like a bleeding eejit.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I rang my mother to thank her for giving birth to me and she said, "What choice had I? You were in there, how else were you going to get out?
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
Waiting to be 'better' is the wrong approach. It's learning to live with it.
β
β
Marian Keyes (The Mystery of Mercy Close (Walsh Family, #5))
β
If drugs were to Joey Lynch what Claire Biggs was to me, then there was no amount of rehab that could sway me to kick the habit. Because she was the habit of my lifetime.
β
β
Chloe Walsh (Taming 7 (Boys of Tommen, #5))
β
I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
He sort of lives in his own world."
"She clearly lives in that world with him.
β
β
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
β
No more humiliation for me, thanks very much. No more swallowing my anger. Honestly, I couldn't manage another mouthful. But it was delicious. Did you make it yourself?
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
The meaning of everything is the meaning I give it
β
β
Neale Donald Walsch
β
You are so concerned with fighting the bullies at school, Mam," I sobbed, tears streaming down my cheeks. "When the biggest bully of them all lives under this roof.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
But you can't destroy what's already broken...
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
You can have whatever you want from me," he whispered, thrusting deep inside of me. "It's yours." Dropping down on an elbow, he leaned in close and crushed his lips to mine. "Because I'm only doing life for you.
β
β
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
β
Peace is not the absence of trouble, but the presence of Christ.
β
β
Sheila Walsh
β
Every bit of me misses every bit of you.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
Life begins at the end of your comfort zone. βNEALE DONALD WALSH
β
β
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
β
My whole heart's inside of ya.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
One of the things I am very aware of not having in my life is the love of my father. ...but I know now that it is hard to make up that loss in the life of a daughter.
It's your dad who tells you that you are beautiful.
Its your dad who picks you up over his head and carries you on his shoulders.
It's your did who will fight the monsters under your bed.
It's your dad who tells you that you are worth a lot, so don't settle for the first guy who tells you you're pretty.
β
β
Sheila Walsh (Let Go: Live Free of the Burdens All Women Know)
β
Well, he is her brother, lad," Gibsie offered. "He was obviously going to come back for her." "I donβt give a shite," I snapped, thinking about her bruised face. "I didnβt want her to leave, Gibs, and he just took her away from me. And I let him!" "You do know that you're not allowed to keep humans as pets, donβt you?" he asked in a wry tone. "You know that's just dogs and cats, right?
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Stay out of trouble out there, okay?β
I nodded slowly. βIβll try my best.β
βMake sure you do,β she laughed. βBecause Iβve put an awful lot of effort into saving you, six.
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
And when you fuck with her, you fuck with me.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
I said no, Aoife."
"You can't tell me what to do, Joe," I growled, feeling a combination of drunk and dizzy. "You don't own me."
"Well, that's bad fucking luck on my account, because you sure as shit own me!"
Drunk or not, his words hit me like a wrecking ball to the chest.
Feeling the air whoosh from my lungs, I glared up at him, feeling a torrent of emotions crashing through me. "Why would you say that to me?"
"Because it's the truth."
"Since when?"
"Since I was twelve.
β
β
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
β
You can lie to yourself all you want, but you cannot drag me into it. And so it goes for pronouns. If I intentionally call a man βshe,β I have lied. I have conveyed something that isnβt true. Despite my polite intentions, all Iβve done is contribute to the confusion, dishonesty, and intellectual chaos rampant in our culture.
β
β
Matt Walsh (Church of Cowards: A Wake-Up Call to Complacent Christians)
β
Nothing sinister. Just getting exercise. Although some might consider that sinister.
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
You are free to announce and declare Who You Are in every moment of Now. Indeed, you are doing so, without even knowing it. You are not free, however, to declare who someone else is, or who they must be.
β
β
Neale Donald Walsch
β
My perspective will create my perception
β
β
Neale Donald Walsch
β
That very first time I saw you? You sparked to life something inside of me.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
I wished there was some kind of switch on my brain. That I could turn it off in the same way that I could turn off the television. Just click it off and immediately empty my mind of all these images and worrying thoughts. And simply leave a blank screen. Or if I could just remove my head and put it on the bedside table and forget about it until morning. And then attach it again when I needed it.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
The things we dislike most in others are the characteristics we like least in ourselves.
β
β
Marian Keyes (Rachel's Holiday (Walsh Family, #2))
β
Β¨I think I need you for keeps,Β¨ he slurred. Β¨I think I need you for keeps, too,Β¨ I confessed.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Tequila again?β Feely glared at Gibsie. βReally?β
βListen, Iβm not going to sit here and apologize for something that happened a million years ago,β Gibsie huffed. βI puked on your dog. Feely. It was a genuine mistake. Iβve done it to Sookie a million times and you donβt see her giving me the cold shoulder. And I havenβt done it since, so can we please move past it?β
βI don't have a dog β that was my mother you puked on!β Feely snapped, sounding outraged. βAnd it was last Christmas, not a million years ago, asshole.β
βWhat?β Gibsie frowned. βThat's was your Mam?β
βYes, asshole!β
βAh, lad, Iβm so fucking sorry,β Gibsie strangled out, slapping a hand across his mouth. βI thought she was a dog.
β
β
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
β
God! I hated this business of being grown-up. I hated having to make decisions where I didn't know what was behind the door. I wanted a world where heroes and villains were clearly labeled. Where ominous music comes on-screen so you can't possibly mistake him. Where someone asks you to choose between playing with the beautiful princess in the fragrant garden and being eaten by the hideous monster in the foul-smelling pit. Not exactly a difficult one, now is it? Not something that you would agonize over, or that would make you lose a night's sleep?
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
Nothing in this world is real
β
β
Neale Donald Walsch
β
Iβm not afraid of loving a boy,β I told her honestly. βIβm afraid of losing myself in one.
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
Feathery Stokers - There is no definitive list but here are some examples. Men who didnβt eat red meat were Feathery Strokers. Men who used postshave balm instead of slapping stinging aftershave onto their tender skin were Feathery Strokers. Men who noticed your shoes and handbags were Feathery Strokers. (Or Jolly Boys.) Men who said pornography was exploitation of women were Feathery Strokers. (Or liars.) Men who said pornography was exploitation of men as much as women were of the scale. All straight men from San Francisco were Feather Strokers. All academics with beards were Feathery Stokers. Men who stayed friends with their ex-girlfriends were Feathery Strokers. Especially if they called them their βex-partner.β Men who did Pilates were Feathery Strokers. Men who said, βI have to take care of myself right nowβ were screaming Feathery Strokers. (Even Iβd go along with that.) ~Jacqui
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
You shouldn't settle for anything less than being in love to the point of madness. The only person that you should be settling for is the person who unsettles you the most. The person who drives you to the brink of suicide because he or she makes you feel so fucking much that you can't catch your breath or remotely function without them. And what's more is you won't want to. You won't want to breathe, or feel, or fucking function without them. That's how you'll know that it's a real relationshop Molloy. Only when you're feeling the most discomfort you've ever felt in your entire life, should you even consider settling. Because that's when you'll know you're in love, which, sounds to me, like a hell of a lot nicer way to live than settling for someone you have nothing in common with because it's comfortable.
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
Life begins at the end of your comfort zone.
β
β
null
β
What is important in your life is what you decide is important -- and this decision will indelibly create who you are
β
β
Neale Donald Walsch
β
A lifetime of striving to be the best.
The fear of not being good enough.
And the constant, sinking feeling of dread in the pit of my stomach.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Hm.β Her lips tipped up. βSo, do you have a name, boy-who-can-think-for-himself?β βDoes it matter?β I countered, needing to regain some ground I had lost to this powerhouse of a girl. βWe both know that youβll be calling me baby by the end of the day.
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
I hated humans. They were such a disappointment. And to think, God switched dinosaurs for man.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
Fathers were bastards and men couldn't be trusted.
β
β
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
β
smarter than me. But here's the thing my life did get better. I made a decision to let go of my dreams, because they were killing me, and I stopped asking the impossible of myself. I changed my attitude and decided to focus on what I had rather than what i didn't have.
β
β
Marian Keyes (Angels (Walsh Family, #3))
β
As a cloud crosses the sun, silence falls on London; and falls on the mind. Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame. Where there is nothing, Peter Walsh said to himself; feeling hollowed out, utterly empty within. Clarissa refused me, he thought. He stood there thinking, Clarissa refused me.
β
β
Virginia Woolf (Mrs. Dalloway)
β
They say the path of true love never runs smooth. Well, Luke and my true love's path didn't run at all, it limped along in new boots that were chafing its heels. Blistered and cut, red and raw, every hopping, lopsided step, a little slice of agony.
β
β
Marian Keyes (Rachel's Holiday (Walsh Family, #2))
β
I'm trying..." How could I put it? "I'm trying to get far enough down the line so that I can remember." I stopped, then continued: "so that I can remember without the pain killing me"
And the days were stacking up. And weeks. And months. It was now almost the middle of June and he'd died in February, but I still felt like I'd just woken from a horrible dream, that I was suspended in that stunned, paralyzed state between sleep and reality where I was grasping for, but couldn't get a handle on normality.
β
β
Marian Keyes (Anybody Out There? (Walsh Family, #4))
β
Because you might not love yourself, but I do. I love you enough for the both of us,β she whispered, fisting my cock in her hand. βAnd if keeping you here with me means that youβre off the streets and safe, then thatβs what Iβm going to do.
β
β
Chloe Walsh (Saving 6 (Boys of Tommen, #3))
β
Sometimes we mistake patience for weakness, but the patient person often realizes that it's much more important for another person to discover his or her own gifts and shortcomings--the patient person doesn't feel a need to "fix" other people, and sometimes will let certain things slide until the other person recognizes the problems. Patient parents often let their kids make the same mistake two or three times because they know that a lesson learned oneself is almost always preferable to a lesson given to us by an authority figure like a parent.
β
β
Tom Walsh
β
Temporary Insanity had come a-knocking and I had shouted "Come on in the door is open." Luckily, Reality had come unexpectedly and found Temporary Insanity roaming the corridors of my mind unchecked, going into rooms, opening cupboards, reading my letters, looking in my underwear drawer, that kind of thing. Reality had run and got Sanity. And after a tussle, they both had managed to throw out Temporary Insanity and slam the door in his face. Temporary Insanity now lay on the gravel in the driveway of my mind, panting and furious, shouting, "She invited me in, you know. She asked me in. She wanted me there.
β
β
Marian Keyes (Watermelon (Walsh Family, #1))
β
What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, "Musing among the vegetables?"βwas that it?β"I prefer men to cauliflowers"βwas that it? He must have said it at breakfast one morning when she had gone out on to the terraceβPeter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanishedβhow strange it was!βa few sayings like this about cabbages.
β
β
Virginia Woolf (Mrs. Dalloway)
β
As far as I can tell, kids are called bossy when they behave in a dictatorial and domineering fashion. Theyβre called bossy when they try to order people around and refuse to listen to authority figures. Hereβs a suggestion: instead of telling us not to refer to them as bossy, why donβt we teach them not to be bossy? We concentrate so much on eradicating negative words while forgetting to address the behavior that the words describe.
β
β
Matt Walsh
β
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
β
β
Marian Keyes (The Mystery of Mercy Close (Walsh Family, #5))
β
A word of advice about Ricky ..." Gabriel said as he swung his car from the end of the drive.
"Is it going to cost me?" I waved off his answer. "Whatever you're going to say, save your breath."
"I overheard him offering you a ride on his motorcycle. I don't believe you understand what that entails."
"Grass, gas, or ass. No one rides for free." I looked over at him. "I've seen the T-shirt."
"I don't think you're taking this seriously, Olivia. Do you know what a one-percenter is?"
I sighed. "Yes, Gabriel. It refers to the portion of bikers who belong to a professional motorcycle club. A gang. Ricky is one. As such, I'm going to guess that the only women who get to ride his bike are also riding him. Am I right?"
His mouth tightened as if he didn't appreciate the crass phrasing. "I'm afraid you're under some illusions about Ricky because he does not fit the stereotype."
"Oh, I'm not fooled. He may appear to be the heir to a criminal empire, but he's really an undercover cop, working tirelessly to overthrow his father's evil empire and restore justice and goodness to the land." I glanced over. "Am I close?"
Not even a hint of a smile.
β
β
Kelley Armstrong (Omens (Cainsville, #1))
β
I'm glad this happened," he said softly.
I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple.
So I said noncommittally, "Me too."
"Because I've been trying to get you back since the seventh grade."
I must have given him a very skeptical look.
He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker."
"Oh!" I thought back to the January issue. "I wondered where that came from."
"And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-"
I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra.
"-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me."
Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin.
"Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
β
β
Jennifer Echols (The Ex Games)
β
If you won 600 million dollars in the lottery, would you go out the next day and break into cars to steal the change from the cup holders? Thatβs what sleeping around is like when youβve already found a woman who will pledge her life and her entire being to you for the remainder of her existence.
You tell me that you are in an βopen marriage.β I will probably be lambasted for βjudgingβ you for it, but, sorry Professor, an βopen marriageβ makes about as much sense as a plane without wings or a boat that doesnβt float. Marriages, by definition, are supposed to be closed. Actually, Iβm getting rather tired of people like you trying to hijack the institution, strip it of its beauty and purpose, and convert it into some shallow little thing that suits your vices.
β
β
Matt Walsh