Wall E Quotes

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Look, everyone talks about the unknown like it's some big scary thing, but it's the familiar that's always bothered me. It's heavy, builds up around you like rocks, until it's walls and a ceiling and a cell.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Victor stared at the wall as if it were still a window. “He doesn’t know how patient you are,” he said. “Doesn’t know you like I do.” Eli cleaned the blood from his hand. “No,” he said softly. “No one ever has.
Victoria Schwab (Vengeful (Villains, #2))
If you plan to build walls around me, know this—I will walk through them.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I struggle to keep up with him because my wits have been thoroughly and royally scattered all over the floor and walls of elevator three in the Heathman Hotel.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him? No, thank you,' he will think. 'Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, although these are things which cannot inspire envy.
Viktor E. Frankl (Man’s Search for Meaning)
I was attracted to science fiction because it was so wide open. I was able to do anything and there were no walls to hem you in and there was no human condition that you were stopped from examining.
Octavia E. Butler
I did the only thing I knew how to do: I built my own walls of silence to disguise my desperation and what later came to be recognized and diagnosed as depression.
Sharon E. Rainey (Making a Pearl from the Grit of Life)
A film like Wall-E exemplifies what Robert Pfaller has called ‘interpassivity’: the film performs our anti-capitalism for us, allowing us to continue to consume with impunity.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
One smile has the power to... Calm fears. Soften stone walls. Warm a cold heart. Invite a new friend. Mimic a loving hug. Beautify the bearer. Lighten heavy loads. Promote good deeds. Brighten a gloomy day. Comfort a grieving spirit. Offer hope to the forlorn. Send a message of caring. Lift the downtrodden soul. Patch up invisible wounds. Weaken the hold of misery. Act as medicine for suffering. Attract the companionship of angels. Fulfill the human need for recognition. Who knew changing the world would prove so simple?
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Sentences may alter the weather, and poems might tear down walls. Stories may change the world.
Alix E. Harrow (The Ten Thousand Doors of January)
The bourgeoisie, by the rapid improvement of all instruments of production, by the immensely facilitated means of communication, draws all, even the most barbarian, nations into civilization. The cheap prices of its commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians' intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilization into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.
Karl Marx (The Communist Manifesto)
I was here but now I'm gone I left my name to carry on Those who liked me Liked me well Those who didn't can go to hell'" -The bathroom wall
E.M. Crane (Skin Deep)
I love the idea of the big life - the life that matters, the life that makes a difference. The life where stuff happens, where people take action. The opposite of the life where the girl can't even speak to the boy she likes; the opposite of the life where the friends aren't even good friends, and lots of days are wasted away feeling bored and kind of okay, like nothing matters much.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
I never saw a man fight as Conan fought. He put his back to the courtyard wall, and before they overpowered him the dead men were strewn in heaps thigh-deep about him. But at last they dragged him down, a hundred against one.
Robert E. Howard (A Witch Shall Be Born)
We have to save our children. We have to break down our children’s walls patiently with the understanding that they will come around slowly but surely. The silent killer of darkness will not win. We have to bring the light out of our brittle and fragile children.
Charlena E. Jackson
Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.
E.M. Forster (The Machine Stops)
People think of hearts when they think of love, but a heart is a bloody organ in the body. It doesn't have any emotions. It's like a metaphor for love that has nothing to do with what love actually is.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
We grow when the walls press in. We grow when life steals our control. We grow in darkness.
Mary E. DeMuth (Everything: What You Give and What You Gain to Become Like Jesus)
Libertarianism is “cultish,” say the sophisticates. Of course, there’s nothing cultish at all about allegiance to the state, with its flags, its songs, its mass murders, its little children saluting and paying homage to pictures of their dear leaders on the wall, etc.
Thomas E. Woods Jr.
Hitler made only one big mistake when he built his Atlantic Wall,” the paratroopers liked to say. “He forgot to put a roof on it.
Stephen E. Ambrose (Band of Brothers: E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest)
The tunnel under the wall of intellectual snobbery is the only way back to common sense reality, but most won't find it because it is beneath them.
David E. Navarro
On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy. It is this largess that accounts for the presence within the city’s walls of a considerable section of the population; for the residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.
E.B. White (Here Is New York)
She scoured the Earth, wandering and ravenous, looking for doors. And she found them. She found them in abandoned churches and the salt-rimed walls of caves, in graveyards and behind fluttering curtains in foreign markets. She found so many her imagining of the world grew lacy and tattered with holes, like a mouse-chewed map.
Alix E. Harrow (The Ten Thousand Doors of January)
I'd come to see that home wasn't just about the place where you lived or the memories within the walls. It was the love you saw reflected in the eyes of the people around you, and the strength of your own feelings that made a place home.
R.E. Butler (A Flash of Fang (Wiccan-Were-Bear, #2))
When I was younger I cried over everything from sneers to sad endings, and even once over a puddle of tadpoles that dried up in the sun, but at some point I learned the trick of stoicism: you hide. You pull yourself inside your castle walls and crank up the drawbridge and watch everything from the tallest tower.
Alix E. Harrow (The Ten Thousand Doors of January)
Whatever I am, she thought, pressing her hand to the wall, let it be enough.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Whether or not you’re in politics, everything is political. We all save face for others to perceive us in the best light. Nothing is real until you break down the walls and reveal the ugliness.
E.K. Blair (Bang (Black Lotus, #1))
Are we just going to keep having sex so we can avoid talking about what we need to talk about?" Prophet pulled back and looked between Tom's legs. "What?" "Just checking to make sure you still have a dick." "Same one that fucked you through the wall while you begged for it," Tom pointed out, and Prophet eyes grew heavy lidded with lust again. "You're so easy, Proph." "For you.
S.E. Jakes (Long Time Gone (Hell or High Water, #2))
I sat in a box With walls on each side. Not too tall. Not too wide. To think. To ponder. To pray. To hide. I sat in a box and cried.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Walls aren't always where they ought to be.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
The only place people find fulfillment is within themselves. And too often, that's the last place they look.
Robert E. Rubin (In an Uncertain World: Tough Choices from Wall Street to Washington)
She has listened to the bells, and the organ, and the calls to prayer. And yet, despite it all, she has never understood the appeal. How does a ceiling bring you closer to heaven? If God is so large, why build walls to hold Him in?
Victoria Schwab (The Invisible Life of Addie LaRue)
As parents, guardians, teachers, school administrators, and higher authorities, we have to tear down the wall of bullying. We have to hold the silent killer responsible for its actions. We are a powerful force and if we all can come together, we will put an end to the silent killer once and for all.
Charlena E. Jackson
Choices are always with us. Faith, hope and love are decisions we make. They will leap over our barriers, tear down our walls and make the impossible -- possible.
Amy E. Tobin (Still, Love Remains: God's Crimson Threads of Grace)
The owner of the Stone’s Throw was built like a brick wall—if a brick wall decided to grow a beard—tall
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
The coldest day in fall is at the Hallows Evening ball where ghoulish fun avoids the sun as monsters mingle wall to wall.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
They realize their ultimate doom, but they are fatalists, incapable of resistance or escape. Not one of the present generation has been out of sight of these walls.
Robert E. Howard (Conan the Barbarian: The Complete Collection)
I've been a soldier all my life. I've fought from the ranks on up, you know my service. But sir, I must tell you now, I believe this attack will fail. No 15,000 men ever made could take that ridge. It's a distance of more than a mile, over open ground. When the men come out of the trees, they will be under fire from Yankee artillery from all over the field. And those are Hancock's boys! And now, they have the stone wall like we did at Fredericksburg. - Lieutenant General James Longstreet to General Robert E. Lee after the initial Confederate victories on day one of the Battle of Gettysburg.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Lara Jean and Peter's amended contract *Peter will write a letter to Lara Jean once a week. A real handwritten letter, not an e-mail. *Lara Jean will call Peter once a day. Preferably the last call of the night, befero she goes to bed. *Lara Jean will put up a picture of Peter's choosing on her wall. *Peter will keep the scrapbook out on his desk so any interested parties will see tha he is taken. *Peter and Lara Jean will always tell each other te truth, even when it's hard. *Peter will love Lara Jean with all his heart, always.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I am done making sacrifices. When this is over, and the lords and ladies and royals are all gone, I am leaving" "I cannot let you go" "You said it yourself, Your Majesty. You do not have the power to stop me" And with that, Kell turned his back on the king, took his coat from the wall, and walked out.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
I realised I really was shy. And once I was in it, I couldn't escape. I'd go to talk and find my face was made of cement. Nothing would come out. On winter days, I'd feel myself turning grey at the edges and fading into the walls. Was this defensive strategy? It was paralysing. And it went on for years.
Janet E. Cameron (Cinnamon Toast and the End of the World)
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
He kept me up against the wall, kissing me like he couldn't fight any longer. Like he was me, fighting himself and losing to a fervor that would burn him alive.
Rachel E. Carter (Apprentice (The Black Mage, #2))
I feel like I am frozen with fear, and the walls are closing in on me.” ~Love is respect ♥~
Charlena E. Jackson (In Love With Blindfolds On)
I wondered if she was truly Rahtan. Yes, she was skilled, but she didn’t exactly possess brawn—even if she had managed to overtake me and slam me up against the wall. But juggling? Riddles? Her age. Her poise and demeanor was that of a cynical tested soldier, but her appearance—she was young, younger than me, I was certain. Her black hair fell in thick, long waves, and her hands were delicate, her fingers more suited for a piano than a sword.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
The scrutiny was smothering. Right now it seemed that being Vendan within these outpost walls was preferable to being the impudent royal who had abandoned their precious prince at the altar.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
Oh, fuck the paperwork.” The words come from nowhere and on instinct I grab her and push her against the wall. Clasping both her hands, I pin them above her head so she can’t touch me, and once she’s secure, I twist my other hand in her hair while my lips seek and find hers.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
It was the only time the heavy panic set in, panic that she would never leave, never get to go home. She would be forgotten here, wearing the same pale clothes as everyone else, blending in with the patients and the nurses and the walls, and her family would be outside in the world and she would bleed away like a memory, like a colorful shirt washed too many times.
Victoria Schwab (Vicious (Villains, #1))
And it should feel good to hear her music, it should feel right. After all, she has gone to visit pieces of her art so many times. But they were only pieces, stripped of context. Sculptured birds on marble plinths, and paintings behind ropes. Didactic boxes taped to whitewashed walls and glass boxes that keep the present from the past. It is a different thing when the glass breaks. It is her mother in the doorway, withered to bone. It is Remy in the Paris salon. It is Sam, inviting her to stay, every time. It is Toby Marsh, playing their song. The only way Addie knows how to keep going is to keep going forward. They are Orpheus, she is Eurydice, and every time they turn back, she is ruined.
Victoria Schwab (The Invisible Life of Addie LaRue)
It's not objective. It's subjective.” Katya hooks her bra behind her back. “It's just what you think, not the truth.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
For Christian writers, religious faith is not a rebellion against reason, but a revolt against the imprisonment of humanity within the cold walls of a rationalist dogmatism.
Alister E. McGrath (Mere Apologetics: How To Help Seekers And Skeptics Find Faith)
The monster tested her, pulling at her soul and rending her spirit. She clung to life, and in the clinging she might have become a monster too, except she chose the path her story would take. She chose white stone walls and a golden crown. She chose to debate words of law, and to never grind her own grain. She chose to fight men every day, and then fight their sons, who thought they knew better than their fathers.<...> If you listen long enough to the whispers, you will hear the truth. Until then, I will tell you this: the world is made safe by a woman.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
I finally understood that history wasn’t just written on walls and in books but made in a thousand daily decisions, and some of them went wrong, some went right, and some decisions just had to be made because time was running out. Waiting for someone else to write your history was no way to live. Sometimes it was only a certain way to die.
Mary E. Pearson (Vow of Thieves (Dance of Thieves, #2))
Don't give up. I know you've made a thousand attempts to reach your goal, but look at it this way: after repeatedly banging your head against the wall, you ought to be numb enough break through this time.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Todd, trust math. As in Matics, Math E. First-order predicate logic. Never fail you. Quantities and their relation. Rates of change. The vital statistics of God or equivalent. When all else fails. When the boulder's slid all the way back to the bottom. When the headless are blaming. When you do not know your way about. You can fall back and regroup around math. Whose truth is deductive truth. Independent of sense or emotionality. The syllogism. The identity. Modus Tollens. Transitivity. Heaven's theme song. The night light on life's dark wall, late at night. Heaven's recipe book. The hydrogen spiral. The methane, ammonia, H2O. Nucleic acids. A and G, T and C. The creeping inevibatility. Caius is mortal. Math is not mortal. What it is is: listen: it's true.
David Foster Wallace (Infinite Jest)
First, if it is true that a spatial order organizes an ensemble of possibilities (e.g., by a place in which one can move) and interdictions (e.g., by a wall that prevents one from going further), than the walked actualizes some of these possibilities. In that way, he makes them exist as well as emerge. But he also moves them about and he invents others, since the crossing, drifting away, or improvisation of walking privilege, transform, or abandon spatial elements.
Michel de Certeau (The Practice of Everyday Life)
Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
It’s never easy letting go. But if we don’t learn the art of relinquishment, we’ll never move forward to embrace the new relationships God has for us.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
We cannot love our enemies until we see those twin truths: God loves me. God loves them.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
Old stone walls ran into the woods, and now and then there would be an empty barn as a ghostly landmark. The night grew frosty and the ground underfoot was slippery with rime. The bare birches wore the stars on their fingers, and the world rolled seductively, a dark symphony of brooding groves and plains.
E.B. White (One Man's Meat)
I realized at that moment - observing his form move further away without once turning back - that I’d already begun to rebuild the imaginary wall between us. I was shielding my heart with stone cold feelings again, the only way I knew to protect it. I still planned to try my hand at prayer. If God would grant me this one request, if I could keep my only friend, I would give anything in return, even the treasured books trapped beneath my arm. I’d tasted enough of a dismal life to know that a real, true friend was of greater worth than the collection of every imagined fairy tale in the world.
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
People will insist on building high and wide barriers directly in your path, often with the intent of closing you in. If you treat these obstacles like fencing walls, they will prove mightily so. I choose to see them as grand towers meant to be scaled and conquered, providing an added victory as well as a great view of the journey ahead.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
We enslave in the manner we talk to ourselves. But the truth is, God already set us free. He secured our release. To constantly hurt ourselves, resting in our inadequacy, is to call Him a LIAR.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
Fathers of the fatherless sons and daughters, you all need to get on the full-time ship of love, support, and financial help. Your parental alienation is emotional child abuse. As you violate fatherhood, your children build up walls and it is not so easy for them to forgive. If it’s not too late, you need to make it right." - Charlena E. Jackson, Author of Dear Fathers of the Fatherless Children
Charlena E. Jackson (Dear fathers of the fatherless children)
There is a most profound and beautiful question associated with the observed coupling constant, e - the amplitude for a real electron to emit or absorb a real photon. It is a simple number that has been experimentally determined to be close to 0.08542455. (My physicist friends won't recognize this number, because they like to remember it as the inverse of its square: about 137.03597 with about an uncertainty of about 2 in the last decimal place. It has been a mystery ever since it was discovered more than fifty years ago, and all good theoretical physicists put this number up on their wall and worry about it.) Immediately you would like to know where this number for a coupling comes from: is it related to pi or perhaps to the base of natural logarithms? Nobody knows. It's one of the greatest damn mysteries of physics: a magic number that comes to us with no understanding by man. You might say the "hand of God" wrote that number, and "we don't know how He pushed his pencil." We know what kind of a dance to do experimentally to measure this number very accurately, but we don't know what kind of dance to do on the computer to make this number come out, without putting it in secretly!
Richard P. Feynman (QED: The Strange Theory of Light and Matter)
She was sobbing for help, but her sobbing wails died within the four walls of the room under the clamorous slogans raised by a mob on the road, which had gathered near the masjid just beside the hospital, raising slogans, "Hum kya chahte, Azadi, we want freedom", "Yahan, kya chalega- Nizam-e-Mustafa", "La Sharqiya' lagharbia, Islamia Islamia.
Tarif Naaz (Mayhem In Paradise)
The stock is selling at a p/e of 30, while the most optimistic projections of earnings growth are 15–20 percent for the next two years.
Peter Lynch (One Up on Wall Street: How To Use What You Already Know To Make Money in the Market)
With an all-or-nothing mind-set, you tend to judge yourself relentlessly…Eeyore becomes your best friend.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
When we have difficult relationships, God often uses them as gifts in our lives—to shape us, conform us to His Son, and make us gutsier and stronger.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
We’d avoid a lot of insecurity, if we fully, wholly believed in God’s wild affection for us.
Mary E. DeMuth (The Wall Around Your Heart: How Jesus Heals You When Others Hurt You)
The white realtor lady asks if I'm adopted—like that's some legitimate, socially appropriate question to ask—and is halfway through a gushy story about her friend's new baby from Korea when I say, “Haven't you ever heard of interracial marriage? It's all the rage in civilized countries,” and she shuts up and purses her lips.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
Me" ( Notice Me) I was sent here on a journey that has no end. I hear you joke of going nowhere fast. Well, maybe life’s a joke and I’m the fool That dreams of being first but ends up last. Life’s a trial—a sentence I can’t escape. Confusion and desperation tear me down and turn to hate. There’s so much more to figure out, But it’s growing way too late. If I could answer half the questions in my mind, If I could find the place where I belong, If words were near as strong and deep as the wall of emotions I climb Then sorrow wouldn’t be so wrong. There’s no way to make you understand. An entire symphony could not play the broken notes in one child’s soul. That child screams and no one hears her, Until the tears have dried and now she’s just too old. I don’t want to hear the philosophies, the opinions, The remarks, the horrible reasonings. Words are to pad the mind and fight with the solitude of the heart. Still, silence chills to the bone and tears the soul apart. She never means to hurt or harm, only to belong. To find the truth ‘mid mortal lies, to sing her only song. But someday this race will end, and if she comes in last, I pray the first will look deeper than the others, smile, and then pass. "Copyright 1985
Richelle E. Goodrich
Once, a few weeks ago, she’d heard a girl’s voice in there and wondered if it was porn on the computer until she could tell it wasn’t. She heard the voice say Eli’s name. E-liii. She’d turned her music as loud as she could, held her hands to her ears, even sang to herself, eyes clamped shut. She hoped he heard her fling off her Ked so hard it hit the wall. She hoped he remembered she was here.
Megan Abbott (The Fever)
How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
The room was lit with small reading lamps and there were books everywhere: piled on the coffee table, under the coffee table, on the sofa and under it, too. Books were stacked up the stairs and through the hall. Fern could see a small forest of books in the kitchen, books stacked on the table, the counters, like dishes in the the dish rack. Books lined every wall so that you couldn't see the walls at all. In fact, a mirror had been hung over the books as if the wall were made of books. And the oil paintings, which hung over the stacked books, depicted books.
N.E. Bode
The big mistake of modern media has been this notion of balance for balance's sake. That the left is just as violent and cruel as the right, that unions are just powerful as corporations, that reverse racism is just as damaging as racism.... Governments led by liberal democrats passed laws which changed the air I breathe for the better. Okay I'm for them and not for the party that is as we speak plotting to abolish the E.P.A. And I don't need to pretend that both sides have a point here, and I don't care what left or right commentators say about it. I only care what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King speaks on that wall in the capital and he didn't say "Remember folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point too." No, he said, "I had a dream and they had a nightmare." This isn't Team Edward & Team Jacob. Liberals like the ones on that field must stand up and be counted and not pretend that we're as mean or greedy or shortsighted or plain batched as they are. And if that is too polarizing for you and you still want to reach across the aisle and hold hands and sing with someone on the right ... Try Church.
Bill Maher
Or is that the nature of lust? It's like an urge that disregards all the stuff that your brain knows you actually think. I wonder if guys feel like this all the time. Or maybe if everyone feels like this all the time - everyone besides me - and that's why people act like such half-wits.
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
Google gets $59 billion, and you get free search and e-mail. A study published by the Wall Street Journal in advance of Facebook’s initial public offering estimated the value of each long-term Facebook user to be $80.95 to the company. Your friendships were worth sixty-two cents each and your profile page $1,800. A business Web page and its associated ad revenue were worth approximately $3.1 million to the social network. Viewed another way, Facebook’s billion-plus users, each dutifully typing in status updates, detailing his biography, and uploading photograph after photograph, have become the largest unpaid workforce in history. As a result of their free labor, Facebook has a market cap of $182 billion, and its founder, Mark Zuckerberg, has a personal net worth of $33 billion. What did you get out of the deal? As the computer scientist Jaron Lanier reminds us, a company such as Instagram—which Facebook bought in 2012—was not valued at $1 billion because its thirteen employees were so “extraordinary. Instead, its value comes from the millions of users who contribute to the network without being paid for it.” Its inventory is personal data—yours and mine—which it sells over and over again to parties unknown around the world. In short, you’re a cheap date.
Marc Goodman (Future Crimes)
Wasn't she a good person? She felt a dim awareness of something almost shameful about the way she'd lived her life. Wasn't there something closed off, even small-minded and mean, about the way she cut herself off from people, ducking down behind the convenient wall of her shyness, her social anxiety? When she sensed the overtures of friendship, she took too long to respond to phone calls and e-mails, and eventually people gave up, and Tess was always relieved.
Liane Moriarty (The Husband's Secret)
We are not born with hard hearts. We are born with soft and tender hearts that, more often than not, are mishandled and consequently broken. The pain is always harsher than expected when each fragment turns to stone. So we pile them high to form a wall of protection around ourselves, determined never to experience such terrible pain again. That is how hearts come to be hardened. Ironically, our refusal to dismantle the wall is how and why we continue to suffer.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Logotherapy, keeping in mind the essential transitoriness of human existence, is not pessimistic but rather activistic. To express this point figuratively we might say: The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him? “No, thank you,” he will think. “Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, though these are things which cannot inspire envy.
Viktor E. Frankl (Man's Search for Meaning)
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
Jordan Belfort (The Wolf of Wall Street)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
There can be no question that parrots have more intellect than any other kind of bird, and it is this that makes them such favourite pets and brings upon them so many sorrows. ...Men will buy them ... and carry them off to all quarters of the native town, intending, I doubt not, to treat them kindly; but "the tender mercies of the wicked are cruel", and confinement in a solitary cell, the discipline with which we reform hardened criminals, is misery enough to a bird with an active mind, without the superadded horrors of ... life in a tin case, hung from a nail in the wall of a dark shop... Why does the Society for Prevention of Cruelty to Animals never look into the woes of parrots? ... However happy you make her captivity, imagination will carry her at times to the green field and blue sky, and she fancies herself somewhere near the sun, heading a long file of exultant companions in swift career through the whistling air. Then she opens her mouth and rings out a wild salute to all parrots in the far world below her.
E.H. Aitken
When I think of this trip, I see David and me in the front seat of the car. It’s nighttime. It smells like chewing tobacco, soda, and smoke. (The smell of chewing tobacco is like a muddy lawn you’ve just fed a truckful of cough drops to.) The window is letting in a leak of cold air. R.E.M. is playing. The wheels are making their slightly sleepy sound of tape being stripped cleanly and endlessly off a long wall. On the other hand, we seem not to be moving at all, and the conversation is the best one I’ve ever had.
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
There are no words, not in English, Spanish, Arabic, or Hebrew, that have been invented to explain what it’s like to lose a child. The nightmarish heartache of it. The unexplainable trepidation that follows. No mother loses a child without believing she failed as a parent. No father loses a child without believing he failed to protect his family from pain. The child may be gone, but the yearsthe child were meant to live remain behind, solid in the mind like an aging ghost. The birthdays, the holidays, the last days of school—they all remain, circled in red lipstick on a calendar nailed to the wall. A constant shadow that grows, even in the dark. As I was saying…there are no words.
D.E. Eliot (Ruined)
I personally believe mavericks are people who write their own rulebook. They are the ones who act first and talk later. They are fiercely independent thinkers who know how to fight the lizard brain (to use Seth Godin’s term). I don’t believe many are born, rather they are products of an environment, or their experiences. They are usually the people that find the accepted norm does not meet their requirements and have the self-confidence, appetite, independence, degree of self reliance and sufficient desire to carve out their own niche in life. I believe a maverick thinker can take a new idea, champion it, and push it beyond the ability of a normal person to do so. I also believe the best mavericks can build a team, can motivate with their vision, their passion, and can pull together others to accomplish great things. A wise maverick knows that they need others to give full form to their views and can gather these necessary contributors around them. Mavericks, in my experience, fall into various categories – a/ the totally off-the-wall, uncontrollable genius who won’t listen to anyone; b/ the person who thinks that they have the ONLY solution to a challenge but prepared to consider others’ views on how to conquer the world &, finally, the person who thinks laterally to overcome problems considered to be irresolvable. I like in particular the third category. The upside is that mavericks, because of their different outlook on life, often sees opportunities and solutions that others cannot. But the downside is that often, because in life there is always some degree of luck in success (i.e. being in the right place at the right time), mavericks that fail are often ridiculed for their unorthodox approach. However when they succeed they are acclaimed for their inspiration. It is indeed a fine line they walk in life.
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
I sound like an idiot. But what else am I supposed to say? My parents are getting a divorce? I'm practically flunking drawing and literature? My best friend's barely speaking to me and changes the subject when I ask where she was on Saturday night? I think about you all the time and I want your body?
E. Lockhart (Fly on the Wall: How One Girl Saw Everything)
The pessimist resembles a man who observes with fear and sadness that his wall calendar, from which he daily tears a sheet, grows thinner with each passing day. On the other hand, the person who attacks the problems of life actively is like a man who removes each successive leaf from his calendar and files it neatly and carefully away with its predecessors, after first having jotted down a few diary notes on the back. He can reflect with pride and joy on all the richness set down in these notes, on all the life he has already lived to the fullest. What will it matter to him if he notices that he is growing old? Has he any reason to envy the young people whom he sees, or wax nostalgic over his own lost youth? What reasons has he to envy a young person? For the possibilities that a young person has, the future which is in store for him? “No, thank you,” he will think. “Instead of possibilities, I have realities in my past, not only the reality of work done and of love loved, but of sufferings bravely suffered. These sufferings are even the things of which I am most proud, though these are things which cannot inspire envy.
Viktor E. Frankl (Man's Search for Meaning)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
Time passed, and they resented the defects no longer. The defects had not been remedied, but the human tissues in that latter day had become so subservient, that they readily adapted themselves to every caprice of the Machine. The sigh at the crises of the Brisbane symphony no longer irritated Vashti; she accepted it as part of the melody. The jarring noise, whether in the head or in the wall, was no longer resented by her friend. And so with the mouldy artificial fruit, so with the bath water that began to stink, so with the defective rhymes that the poetry machine had taken to emit. All were bitterly complained of at first, and then acquiesced in and forgotten. Things went from bad to worse unchallenged.
E.M. Forster (The Machine Stops)
I remember one day - the day I had to leave after a month here alone. I had just had lunch in some small tratoria on the remotest part of the Fondamente Nuove, grilled fish and half a bottle of wine. With that inside, I set out for the place I was staying, to collect my bags and catch a vaporetto. I walked a quarter of a mile along the Fondamente Nuove, a small moving dot in that gigantic watercolor, and then turned right by the hospital of Giovanni e Paolo. The day was warm, sunny, the sky blue, all lovely. And with my back to the Fondamente and San Michele, hugging the wall of the hospital, almost rubbing it with my left shoulder and squinting at the sun, I suddenly felt : I am a cat. A cat that has just had a fish. Had anyone addressed me at that moment, I would have meowed. I was absolutely, animally happy. Twelve hours later, of course, having landed in New York, I hit the worst possible mess in my life - or the one that appeared that way at the time. Yet the cat in me lingered; had it not been for the cat, I'd be climbing the walls now in some expensive institution.
Joseph Brodsky (Watermark)
There’s not one positive thing about being broke. The worst of it is the day-to-day grind of it all. You never know when that treadmill is finally going to buckle and hurl you into the wall. So you find yourself having to run faster and faster, just to keep from falling off. You can adjust to the hunger and the tiredness for the most part, having to choose between feeding yourself and feeding your electric meter; but one thing you can’t adjust to is the nagging anxiety. Whoever designed this loathsome system must think we’re all living these wonderful lives where money grows in the palms of our hands. There’s never any reassurance that everything is going to be okay; a promise that tomorrow will be slightly more bearable than today. Every minute of your life is consumed by a relentless feeling that time will only ever lead you to the worst possible outcome. And why—when you haven’t eaten a decent meal in two weeks and you’ve spent the last four days lying on a mattress just to conserve energy— should you believe any differently?
Rupert Dreyfus (B R O K E)
Although I was deliberately dismissive of this idea at the beginning of the chapter, the real answer is, “Well, yes, sort of.” Nathan DeWall, together with Naomi Eisenberger and other social rejection researchers, conducted a series of studies to test out the idea that over-the-counter painkillers would reduce social pain, not just physical pain. In the first study, they looked at two groups of people. Half of them took 1,000 milligrams a day of acetaminophen (that is, Tylenol), and half of them took equivalently sized placebo pills with no active substances in them. Both groups took their pills every day for three weeks. Each night, the participants answered questions by e-mail regarding the amount of social pain they had felt that day. By the ninth day of the study, the Tylenol group was reporting feeling less social pain than the placebo group.
Matthew D. Lieberman (Social: Why Our Brains Are Wired to Connect)
candor could not be more crucial to our creative process. Why? Because early on, all of our movies suck. That’s a blunt assessment, I know, but I make a point of repeating it often, and I choose that phrasing because saying it in a softer way fails to convey how bad the first versions of our films really are. I’m not trying to be modest or self-effacing by saying this. Pixar films are not good at first, and our job is to make them so—to go, as I say, “from suck to not-suck.” This idea—that all the movies we now think of as brilliant were, at one time, terrible—is a hard concept for many to grasp. But think about how easy it would be for a movie about talking toys to feel derivative, sappy, or overtly merchandise-driven. Think about how off-putting a movie about rats preparing food could be, or how risky it must’ve seemed to start WALL-E with 39 dialogue-free minutes. We dare to attempt these stories, but we don’t get them right on the first pass.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
An offer indeed," said Lord Brandoch Daha; "if it be not in mockery. Say it loud, that my folk may hear." Corund did so, and the Demons heard it from the walls of the burg. Lord Brandoch Daha stood somewhat apart from Juss and Spitfire and their guard. "Libel it me out," he said. "For good as I now must deem thy word, thine hand and seal must I have to show my followers ere they consent with me in such a thing." "Write thou," said Corund to Gro. "To write my name is all my scholarship." And Gro took forth his ink-born and wrote in a great fair hand this offer on a parchment. "The most fearfullest oaths thou knowest," said Corund; and Gro wrote them, whispering, "He mocketh us only." But Corund said, "No matter: 'tis a chance worth our chancing," and slowly and with labour signed his name to the writing, and gave it to Lord Brandoch Daha. Brandoch Daha read it attentively, and tucked it in his bosom beneath his byrny. "This," he said, "shall be a keepsake for me of thee, my Lord Corund. Reminding me," and here his eyes grew terrible, "so long as there surviveth a soul of you in Witchland, that I am still to teach the world throughly what that man must abide that durst affront me with such an offer.
E.R. Eddison (The Worm Ouroboros)
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
David Foster Wallace (Infinite Jest)
Yet, if the phrase “separation of church and state” appears in no official founding document, then what is the source of that phrase? And how did it become so closely associated with the First Amendment? On October 7, 1801, the Danbury Baptist Association of Danbury, Connecticut, sent a letter to President Thomas Jefferson expressing their concern that protection for religion had been written into the laws and constitutions. Believing strongly that freedom of religion was an inalienable right given by God, the fact that it appeared in civil documents suggested that the government viewed it as a government-granted rather than a God-granted right. Apprehensive that the government might someday wrongly believe that it did have the power to regulate public religious activities, the Danbury Baptists communicated their anxiety to President Jefferson.36 On January 1, 1802, Jefferson responded to their letter. He understood their concerns and agreed with them that man accounted only to God and not to government for his faith and religious practice. Jefferson emphasized to the Danbury Baptists that none of man’s natural (i.e., inalienable) rights – including the right to exercise one’s faith publicly – would ever place him in a situation where the government would interfere with his religious expressions.37 He assured them that because of the wall of separation, they need not fear government interference with religious expressions: Believing with you that religion is a matter which lies solely between man and his God, . . . I contemplate with sovereign reverence that act of the whole American people which declared that their legislature should “make no law respecting an establishment of religion or prohibiting the free exercise thereof,” thus building a wall of separation between Church and State.38 In his letter, Jefferson made clear that the “wall of separation” was erected not to limit public religious expressions but rather to provide security against governmental interference with those expressions, whether private or public.
David Barton (Separation of Church and State: What the Founders Meant)