“
The sons of York will destroy each other, one brother destroying another, uncles devouring nephews, fathers beheading sons. They are a house which has to have blood, and they will shed their own if they have no other enemy.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Maybe that's what growing up means, in the end - you go far enough in the direction of - somewhere - and you realise that you've neutered the capacity of the term home to mean anything. [...] We don't get an endless number of orbits away from the place where meaning first arises, that treasure-house of first experiences. What we learn, instead, is that our adventures secure us in our isolation. Experience revokes our licence to return to simpler times. Sooner or later, there's no place remotely like home.
”
”
Gregory Maguire (Out of Oz (The Wicked Years, #4))
“
People don't get what they deserve. They just get what they get. There's nothing any of us can do about it.
”
”
Gregory House, M.D.
“
Gregory,” she said, “you cannot leave me here. What if someone finds you and removes you from the house? Who will know I am here? And what if…and what if…and then what if…”
He smiled, enjoying her officiousness too much to actually listen to her words. She was definitely herself again.
“When this is all over,” he said, “I shall bring you a sandwich.”
That stopped her short. “A sandwich? A sandwich?
”
”
Julia Quinn (On the Way to the Wedding (Bridgertons, #8))
“
I sometimes think that the size of our happiness is inversely proportional to the size of our house.
”
”
Gregory David Roberts (Shantaram)
“
The storm dropped a house on her head.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
Another husband, another new house, another new country, but I never belong anywhere and I never own anything in my own right.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
“
Lies we tell ourselves are the ghosts that haunt the empty house of midnight.
”
”
Gregory David Roberts (Shantaram)
“
I won't forgive this wrong done to me and my house, whoever it was that killed my boys, I shall put a curse on their house that they will have no first born son to inherit. Whoever took my son will lose his son. He will spend his life longing for an heir. He will bury his first born and long for him, for I cannot even bury mine.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
I sometimes think that the size of our happiness is inversely proportional to the size of our house.’ She
”
”
Gregory David Roberts (Shantaram)
“
Compassion isn't just about feeling the pain of others; it's about bringing them in toward yourself. If we love what God loves, then, in compassion, margins get erased. 'Be compassionate as God is compassionate,' means the dismantling of barriers that exclude.
In Scripture, Jesus is in a house so packed that no one can come through the door anymore. So the people open the roof and lower this paralytic down through it, so Jesus can heal him. The focus of the story is, understandably, the healing of the paralytic. But there is something more significant than that happening here. They're ripping the roof off the place, and those outside are being let in.
”
”
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
“
What is whiter than snow?' he said. 'The truth,' said Grania.
'What is the best colour?' said Finn. 'The colour of childhood,' said she.
'What is hotter than fire?' 'The face of a hospitable man when he sees a stranger coming in, and the house empty.'
'What has a taste more bitter than poison?' 'The reproach of an enemy.'
'What is best for a champion?' 'His doings to be high, and his pride to be low.'
'What is the best of jewels?' 'A knife.'
'What is sharper than a sword?' 'The wit of a woman between two men.'
'What is quicker than the wind?' said Finn then. 'A woman’s mind,' said Grania. And indeed she was telling no lie when she said that.
”
”
Lady Gregory (Gods and Fighting Men: The Story of the Tuatha De Danaan and the Fianna of Ireland)
“
I've found that when you want to know the truth about someone that someone is probably the last person you should ask
”
”
Tirumalai S. Srivatsan
“
There were a great many jokes about the disaster (house falling on and killing Wicked Witch of the East), naturally. "You can't hide from desinty, that house had her name on it" "That Nessarose, she was giving such a good speech about religious lessons, she really brought down the house!" "Everybody needs to grow up and leave home sometimes, but sometimes HOME DOESN'T LIKE IT." "What's the different between a shooting star and a falling house?" "One which is propitious grants delicious wishes, the other which is vicious squishes witches." "What's big, thick, makes the earth move, and wants to have its way with you?" "I don't know, but can you introduce me?
”
”
Gregory Maguire
“
We the daughters of Melusina,' she corrects me. 'Your grandmother was a daughter of the water goddess of the royal house of Burgundy and she never forgot that she was both royal and magical. When I was your age I didn't know whether she could summon up a storm or whatever it was all just luck and pretence to get her own way. But she taught me that there is nothing in the world more powerful than a woman who knows what she wants and walks a straight road towards it.
”
”
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
“
The size of our happiness is inversely proportional to the size of our house.
”
”
Gregory David Roberts (Shantaram)
“
The play’s over, the house lights are up, the audience is gone, but I’m still on the damned stage.
”
”
Gregory Miller (The Uncanny Valley: Tales from a Lost Town (The Uncanny Chronicles, #1))
“
But Dad, you were a grown man, you have got to take responsibility for what you did, too! I mean, you made me eat [snotty] Kleenex, Dad! For Christ's sake, you can't do that to a little girl! You have got to say you're sorry for the stuff you did as a grown man!'
'Well,' Dad snorts, 'I musta done something right! 'Cause you never left any snot rags lying around the house again, now, did you?
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
“
Remember when our songs were just like prayers. Like gospel hymns that you called in the air. Come down, come down, sweet reverence, unto my simple house and ring.
Ring like silver, ring like gold
”
”
Gregory Alan Isakov
“
The woman was a menace. He would hate it if she were his. Only a man very strong and able to do without any malefriends could have a siren like her. She was more than a handful; she was a disaster waiting to happen.
Are you reading the human's thoughts, ma petite femme? Gregori's satisfied voice whispered in her mind. Even one such as he knows you are wild like the winds. With great reluctance he loosened his hold on her. Go inside the house.
Her eyes widened in mock surprise. You mean he might think we were making love? We would have been if he hadn't wandered out and interrupted us.
Push me further, cherie, and I may do something you will not like.
She laughed out loud, totally unafraid as she sashayed through the courtyard. As she passed Gary, she leaned over and blew warm air into his ear.
Savannah! Gregori roared her name, a distanct threat.
I'm going, I'm going, she said, completely unrepentant.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
No one survives in times of war unless they make war their home. How did I get so old and wise, but for welcoming war into my house and making friends with him? Better to befriend the enemy and hang on. Something worse might come along, which might be amusing or might not.
”
”
Gregory Maguire (Mirror Mirror)
“
Everything you ever sense, in touch or taste or sight or even thought, has an effect on you that's greater than zero. Some things, like the background sound of a bird chirping as it passes your house in the evening, or a flower glimpsed out of the corner of an eye, have such an infinitesimally small effect that you can't detect them. Some things, like triumph and heartbreak, and some images, like the image of yourself reflected in the eyes of a man you've just stabbed, attach themselves to the secret gallery and they change your life forever.
”
”
Gregory David Roberts (Shantaram)
“
Gregori stared with dismay at the small, two-story house enclosed in wrought-iron latticework and sandwiched between two smaller, rather rundown properties in the crowded French Quarter of New Orleans. He inserted the key in the lock and turned to look at Savannah's face. It was lit up with expectation, her blue eyes shining.
"I have definitely lost all good sense," he muttered as he pushed open the door.
The interior was dark, but he could see everything easily. The room was layered with dust, old sheets covered the furniture, and the wallpaper was peeling in small curls from the walls.
"Isn't it beautiful?" Savannah flung out her hands and turned in a circle. Jumping into Gregori's arms, she hugged him tightly. "It's so perfect!"
He couldn't help himself; he kissed her inviting mouth. "Perfect for torching. Savannah,did you even look at this place before you bought it?"
She laughed and ruffled his thick mane of hair. "Don't be such a pessimist. Can't you see its potential?"
"It is a firetrap," he groused.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
You are the sweetest man, Savannah inserted softly, her voice brushing at him. Echoing.
Gregori frowned. Echoing? Close. He swung around, cursing in French, an eloquent dissertation that had Gary cringing. Savannah,however, simply took Gregori's arm and smiled up at him, the stars in her eyes dancing. She was like that.Distracting him and then slamming him sideways with her smile. With her blue-violet eyes with their accursed star centers. She didn't even have the decency to look repentant.
Don't be angry, Gregori.I was lonesome in the house all by myself. Are you really,really angry? Or just a little angry? Her voice was soft, a siren's whisper, made of silk sheets and candlelight. Her long lashes were thick and heavy, a sweep of magic that caught his eye and held it there.
It is impossible for you to be lonely when you are always running around in my head.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
We'd understood from high school on that it was Lew's job to make good grades, find a high-paying career, buy a two-story house in the suburbs, and generally become Dad. It was my job to fuck up. Occasionally this annoyed me, but most of the time I was comfortable with the division of labor. Lew's job was nearly impossible, and mine came naturally.
”
”
Daryl Gregory (Pandemonium)
“
Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened.
Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
It was like wandering her house, except that everything was bright and blinking and pixelated.
”
”
Daryl Gregory (Spoonbenders)
“
He’s got the right idea. We need more doors in our house.” “I know you’re joking, but doors are actually the seventh-most common cause of trapped negative energy
”
”
Gregory Ashe (Codirection (Borealis: Without a Compass, #4))
“
The unvisited grannies, in stone houses by the wheat field, can't remember their husbands or children. They worry their hands, though, hands that could do with a rinsing. The grannies think:
We start out in identical perfection: bright, reflective, full of sun. The accident of our lives bruises us into dirty individuality. We meet with grief. Our character dulls and tarnishes. We meet with guilt. We know, we know: the price of living is corruption. There isn't as much light as there once was. In the grave we lapse back into undifferentiated sameness.
”
”
Gregory Maguire (A Lion Among Men (The Wicked Years, #3))
“
Gregory?” I called. I couldn’t help myself. It was irrational, but I was scared to see him run from me. He turned my direction, his feet pivoting in the dirt. Warily, I crossed into the light for a moment.
“Do you, um…” I inhaled deeply. “Do you think you’ll still want to be my friend tomorrow?” I held my breath and waited for his answer.
Although I could feel the sunshine perceptibly tingle every inch of exposed skin, the way Gregory smiled at me produced a swell of warmth unmatchable even for the sun.
“I’ll always want to be your friend, Annabelle. Do you want to be mine?”
My head nodded like mad, ecstatic, all on its own. I disappeared among the shadows again and watched my new friend until he stepped around the Hopkins’ house. Then I waited until his car drove off -- Gregory and his mother headed for home.
I was on a high like no other, but I’d not lost my grasp on reality entirely. I knew that the real test would come Monday. It was one thing to befriend an outcast in the privacy of the woods, but quite another to risk ridicule and reputation when surrounded by peers. This was true even for those with the biggest of hearts, which I now believed Gregory Hill to have.
”
”
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
“
They were all wrong and the dreams and seeings were right. And there was nothing wrong with me. I felt my shoulders go back and my head come up, and I smiled at the doctor and promised to be prompt at his house in the morning; and as I smiled I sensed all the familiar strength - the strength which I named as the Lacey strength, Beatrice strength - come back to me, and I looked him in his pale blue eyes and thought to myself: you and I are enemies while you try to change me, for I will never change.
”
”
Philippa Gregory (The Favored Child (The Wideacre Trilogy, #2))
“
Do not act so friendly, Savannah. You are a celebrity. We will have enough attention drawn to us.
They are our neighbors. Try not to scare them to death, will you? Savannah took his arm, grinning up at him teasingly. "You look as fierce as a member of the Mafia. No wonder our neighbors are staring.People tend to be curious.Wouldn't you be if someone moved in next door to you?"
"I don't abide next-door neighbors. When humans consider building in the vicinity of one of my homes, the neighborhood is suddenly inundated with wolves.It works every time." He sounded menacing.
Savannah laughed at him. "You're such a baby,Gregori. Scared of a little company."
"You scare me to death, woman. Because of you I find myself doing things I know are totally insane. Staying in a house built in a crowded city below sea level.Neighbors on top of us.Human butchers surrounding us."
"Like I'm supposed to believe that would scare you," she said smugly,knowing his only worry was for her safety, not his.They turned a corner and headed toward the famous Bourbon Street.
"Try to look less conspicuous," he instructed.
A dog barked, rushed to the end of its lead,and bared its teeth. Gregori turned his head and hissed, exposing white fangs. The dog stopped its aggression instantly,yelped in alarm, and retreated whining.
"What are you doing?" Savannah demanded, outraged.
"Getting a feel for the place," he said absently, his mind clearly on other matters, his senses tuned to the world around him. "Everyone is crazy here, Savannah.You are going to fit right in." He ruffled her hair affectionately.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
There's no such thing! Our bodies break down, sometimes when we're 90, sometimes before we're even born, but it always happens and there's never any dignity in it! I don't care if you can walk, see, wipe your own ass... it's always ugly - ALWAYS! You can live with dignity; you can't die with it.
”
”
Gregory House, M.D.
“
Margaret...you must know that you could never change your own life. You are a girl: girls have no choice. You could never even choose your own husband: you are of the royal family. A husband would always have been chosen for you. It is forbidden for one of royal blood to marry their own choice. You know this too. And finally, you are of the House of Lancaster. You cannot choose your allegiance. You have to serve your house, your family, and your husband. I have allowed you to dream, and I have allowed you to read, but the time has come to put aside silly stories and silly dreams and do your duty.
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
“
Savannah moved gracefully, going directly across the darkened street, heading for the shadows of the square. She was very much aware of Gregori still close to her, his body protective. For a moment she thought he brushed her shoulder with his hand, the sensation was so real, but when she turned her head, he was several feet behind.
Go, ma petite, take Gary to the house.Do not allow the neighbors to see either of you.And place the safeguards carefully.
What about you?
There is no safeguard I cannot unravel. Go now. This time, there was so mistake. He was four feet away, already turning away from her, but she felt his mouth burning possessively on hers, lingering for just a moment, his tongue tracing the curve of her lip. She couldn't believe he could make her want him, burn for him, when he was going off into the night alone to fight their enemies.
The night has always been mine, Savannah.Do not waste your time worrying about me.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I am exhorted to be virtuous and fertile. The people see me indicated as the choice of God for Queen of England. Choirs sing as I enter the city, rose petals are showered down on me. I am myself, my own tableau: the Englishwoman from the House of Lancaster come to be the Queen of York. I am an object of peace and unity.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Alone by choice on Saturday nights, writing by an open window in his studio apartment, Gregory had experienced a kind of euphoria: a swelling, bursting, yearning hunger that had something in common with lust but included everyone, from the revelers outside his window to the carousers down the hall. He was where he wanted to be, and needed nothing else.
”
”
Jennifer Egan (The Candy House)
“
The only things that moved in the neighbourhood were bits and bobs of bafflingly pointless machinery, whittling the hours busily doing nothing. Waiting to be freed from flesh. It was an oppressive reality come home to roost. This house here contained dead people. And that one, and that one there. The same all the way down the block, horrible, inexplicable, and so quiet.
”
”
B.P. Gregory (Something for Everything (Automatons, #2))
“
Other people's houses are right on top of this one," he said. "I think they could take one step and be in our living room."
"You haven't seen the courtyard yet, Gregori. The house opens up to a courtyard in the back, and it's immense and in quite good shape." Savannah began heading up the stairs, ignoring his grousing.
"I hate to think what you would call bad shape," he muttered as he followed her upstairs.
"I wonder why everything is so dusty," Savannah said. "I had the real estate people come in and clean and get things ready for our arrival."
"Do not touch anything," Gregori hissed softly, and very gently caught her shoulders to put her behind him.
"What is it?" Instinctively she lowered her voice and looked around, trying to see if there was some danger she had been unable to sense.
"If people came and made up the bed and prepared the house for your arrival, then they would have removed the dust too."
"Maybe they're incredibly incompetent," she suggested hopefully.
Gregori glanced at her and found the hard edge of his mouth softening. She was making him want to smile all the time, even in the most serious of situations. "I am certain any company would work overtime trying to make you happy, ma petite. I know I do."
She blushed at the memory of how he did so. "So why all the dust?" she asked, deliberately distracting him.
"I think Julian left us a message. You have remained with humans so long, you see only with your eyes."
Savannah rolled her eyes at the reprimand. "And you've lived in the hills so long,you've forgotten how to have fun."
The pale eyes slid over her, wrapping her in heat. "I have my own ideas of fun, cherie. I would be willing to show you if you like," he offered wickedly.
Her chin lifted, blue eyes challenging. "If you think you're scaring me with your big-bad-wolf routine,you're not," she said.
He could hear her heart beat. Smell her scent calling to him. "Perhaps I will think of something to change that," he cautioned her.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
We, the daughters of Melusina,” she corrects me. “Your grandmother was a daughter of the water goddess of the royal house of Burgundy and she never forgot that she was both royal and magical. When I was your age, I didn’t know whether she could summon up a storm or whether it was all just luck and pretence to get her own way. But she taught me that there is nothing in the world more powerful than a woman who knows what she wants and walks a straight road towards it.
”
”
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
“
Wideacre faces due south and the sun shines all day on the yellow stone until it is warm and powdery to the touch. The sun travels from gable end to gable end so the front of the house is never in shadow. When I was a small child collecting petals in the rose garden, or loitering at the back of the house in the stable yard, it seemed that Wideacre was the very centre of the world with the sun defining our boundaries in the east at dawn, until it sank over our hills in the west, in the red and pink evening.
”
”
Philippa Gregory (Wideacre (The Wideacre Trilogy, #1))
“
She had no idea, no better than my kitten, as to how she would survive in this kingdom of her enemies. She must have thought that George was her savior. But not for long. Nobody knows quite what happened after that; but something went wrong with George’s agreeable plan to own both Neville girls and keep their enormous fortune to himself. Some say that Richard, visiting George’s grand house, met Anne again—his childhood acquaintance—and they fell in love, and that he rescued her like a knight in a fable from a visit that was nothing less than imprisonment.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
remember I said that ignorance is not bliss, and can be very costly. Did you know that 98 percent of the children who drown in the summertime are black? Why? Because historically we weren’t allowed in swimming pools because of Jim Crow. That law put a bad taste in black folks’ mouths, and to this day I don’t know how to swim. On my family’s farm, there was a lake a thousand feet deep. I told my wife, if one of our kids starts to drown, you go get him. I’m not going in the water. I can’t swim. I’m not going to play like I’m swimming. And when I was home, and the kids were out in the water playing, I would leave the house. I didn’t even want to hear them call my name when they were near the water.
”
”
Dick Gregory (Defining Moments in Black History: Reading Between the Lies)
“
That night, Gregory dreamt of his mother. It was a dream that he'd have carried to his therapist like a raw, precious egg if he'd had a therapist, and the dream made him wish he had one. In the dream, he sat in the kitchen of his mother's house at the table on his usual place. He could hear her handle pots and pans and sigh occasionally. Sitting there filled his heart with sadness and also with a long missed feeling of comfort until he realised that the chair and the table were much too small for him: it was a child's chair and he could barely fit his long legs under the table. He was worried that his mother might scold him for being so large and for not wearing pants. Gregory, in the dream, felt his manhood press against his belly while he was crouching uncomfortably, not daring to move.
”
”
Marcus Speh (Exquisite Quartet Anthology 2011)
“
What if the energy and resources used to preserve and tweak the civil religion was rather spent feeding the hungry, housing the homeless, befriending the drug addict, and visiting the prisoner? What if our focus was on sacrificing our resources to help inner-city schools and safety houses for battered women? What if our concern was to bridge the ungodly racial gap in our country by developing friendships and collaborating in endeavors with people whose ethnicity is different than our own? What if instead of trying to defend our religious rights, Christians concerned themselves with siding with others whose rights are routinely trampled? What if instead of trying to legally make life more difficult for gays, we worried only about how we could affirm their unsurpassable worth in service to them?
”
”
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
“
If I Go, I'm Goin"
This house
She's holding secrets
I got my change behind the bed
In a coffee can
I throw my nickels in
Just in case I have to leave
And I will go if you ask me to
I will stay if you dare
And if I go I'm goin shameless
I'll let my hunger take me there
This house
She's quite the talker
She creeks and moans
She keeps me up
And the photographs
Know I'm a liar
They just laugh as I burn her down
And I will go if you ask me to
I will stay if you dare
And if I go I'm goin on fire
Let my anger take me there
The shingles man they're shaking
The back door's burning through
This old house she's quite the keeper
Quite the keeper of you
I will go if you ask me to
I will stay if you dare
And if I go, I'm goin crazy
I'll let my darlin take me there
If I go, I'm goin crazy
I'll let my darlin take me there
This Empty Northern Hemisphere (2009)
”
”
Gregory Alan Isakov
“
I’d never seen a Christmas tree so big in person.
“Isn't she beautiful?” Deidra asked when she reached my side.
I’d been so busy gawking I hadn't heard her approach.
“It’s huge.” Again with the stating the obvious. “Where’d you
get it?”
“Gregory grows them at the edge of the property.”
Sure, because getting a tree that big so far from the city was
completely ludicrous. No wonder the entire house smelled of
pine. “How’d you get it in here?”
“Do you really want to know or do you want to help decorate it?”
Deidra picked up my bags of presents and brought them toward the
monster tree. They’d already wrapped it with white twinkle lights.
“I think I saw a squirrel in there,” I teased, finally able to
move. The closer I got the bigger the tree seemed.“Really?” one of
the guys said, stopping mid-chorus while the others continued. A
lock of gray hair fell over his forehead when he scanned the tree.
“I could have sworn we’d checked to make sure none of the tenants
were left over.”
I chuckled at his consternation. “Chill. I didn't really see one.”
Placing his hand at the center of his chest, he breathed a sigh
of relief. Afterwards he rounded the tree, making sure the squirrel
I’d joked about wasn't really there.
Mental note:don’t tease the servants.
They were way too dedicated.
”
”
Kate Evangelista (Savor (Vicious Feast, #1))
“
Every human being with normal mental and emotional faculties longs for more. People typically associate their longing for more with a desire to somehow improve their lot in life—to get a better job, a nicer house, a more loving spouse, become famous, and so on. If only this, that, or some other thing were different, we say to ourselves, then we’d feel complete and happy. Some chase this “if only” all their lives. For others, the “if only” turns into resentment when they lose hope of ever acquiring completeness. But even if we get lucky and acquire our “if only,” it never quite satisfies. Acquiring the better job, the bigger house, the new spouse, or world fame we longed for may provide a temporary sense of happiness and completeness, but it never lasts. Sooner or later, the hunger returns. The best word in any language that captures this vague, unquenchable yearning, according to C. S. Lewis and other writers, is the German word Sehnsucht (pronounced “zane-zookt”).[9] It’s an unusual word that is hard to translate, for it expresses a deep longing or craving for something that you can’t quite identify and that always feels just out of reach. Some have described Sehnsucht as a vague and bittersweet nostalgia and/or longing for a distant country, but one that cannot be found on earth. Others have described it as a quasi-mystical sense that we (and our present world) are incomplete, combined with an unattainable yearning for whatever it is that would complete it. Scientists have offered several different explanations for this puzzling phenomenon—puzzling, because it’s hard to understand how natural processes alone could have evolved beings that hunger for something nature itself doesn’t provide.[10] But this longing is not puzzling from a biblical perspective, for Scripture teaches us that humans and the entire creation are fallen and estranged from God. Lewis saw Sehnsucht as reflective of our “pilgrim status.” It indicates that we are not where we were meant to be, where we are destined to be; we are not home. Lewis once wrote to a friend that “our best havings are wantings,” for our “wantings” are reminders that humans are meant for a different and better state.[11] In another place he wrote: Our lifelong nostalgia, our longing to be reunited with something in the universe from which we now feel cut off, to be on the inside of some door which we have always seen from the outside is . . . the truest index of our real situation.[12] With Lewis, Christians have always identified this Sehnsucht that resides in the human heart as a yearning for God. As St. Augustine famously prayed, “You have made us for yourself, and our hearts are restless till they find their rest in you.”[13] In this light, we might think of Sehnsucht as a sort of homing device placed in us by our Creator to lead us into a passionate relationship with him.
”
”
Gregory A. Boyd (Benefit of the Doubt: Breaking the Idol of Certainty)
“
Those who sit in the house of grief will someday sit in the garden.
”
”
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
“
Leah and Gregory met through friends. I imagine the introduction was something like, “Hey, he’s rich and has a summer house in Montecito and she’s a hot makeup artist who was a yoga instructor and can still put her legs behind her head.” Aaaaand cue Mendelssohn’s “Wedding March.
”
”
Liza Palmer (The F Word)
“
It wasn’t about me anymore. I had a child. A husband who needed me to be there for him in the midst of what was turning out to be a terrible time to be making a living in agriculture. I didn’t have time to get mired in the angst of my own circumstances anymore. I didn’t have time for the past. My family--my new family--was all that mattered to me. My child. And always and forever, Marlboro Man.
And then he appeared--walking down the basement steps in his Wranglers and rain-drenched boots. He stepped into the basement, a warm, gentle smile on his face. It was Marlboro Man. He was there.
“Hey, Mama…,” he called. “It’s all fine.”
The storm had passed us by, the funnel cloud dissipating before it could do any damage.
“Hey, Daddy,” I answered. It was the first time I’d ever called him that.
Looking on the ground at the water bottles and granola bars, he asked, “What’s all this for?”
I shrugged. “I wasn’t sure how long I’d be down here.”
He laughed. “You’re funny,” he said as he scooped our sleeping baby from my arms and threw the blanket over his shoulder. “Let’s go eat. I’m hungry.” We walked across the yard to our cozy little white house, where we ate pot roast with mashed potatoes and watched The Big Country with Gregory Peck…and spent the night listening to a blessed September thunderstorm send rain falling from the sky.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
All that is very relevant to Afghanistan. To a startling degree, the Politburo’s 1979 deliberations about how to deal with it mirror the Bush administration’s close-minded and secretive decision-making that led to its invasion. The Bush White House might have modeled itself on the Soviet gerontocracy under Brezhnev that brushed aside warnings from military and regional experts who knew the situation in Afghanistan to be far more complicated than the Politburo stated.
”
”
Gregory Feifer (The Great Gamble: The Soviet War in Afghanistan)
“
Tell me, Brother Gregory, in your opinion can a woman think as well as a man?” “Properly speaking,” he said in a learned voice, “a woman cannot think at all, or at least, think as we men know it. But the imitative ability is very greatly developed in women, so that by copying men, some may attain the appearance of thought.” “This imitative ability,” said Margaret in a careful tone of voice, so as not to seem leading, “—how far does it carry women in the most extreme cases?” “Well, as far as true rationality, it cannot lead. In invention, mathematics and the higher philosophy, these being products of original thought and therefore pertaining to men, a woman cannot hope to enter. But in simpler things they have occasionally been trained. And it is, in my mind, entirely just to do so. For is not a falcon made useful to man by being trained in hunting? Is not a dog capable of being changed from a wild, dangerous creature to a gentle companion, capable of retrieving objects and protecting his lord’s house, if trained to the height of his capacities? Thus it is with women – they, too, should be trained as well as they are able, for the sake of their service to man.
”
”
Judith Merkle Riley (A Vision of Light (Margaret of Ashbury, #1))
“
Anti-Vision: a vacancy where a new idea refused to appear. For several moments it filled the screen, depthless and white. Gregory was fascinated. Was it really empty?
”
”
Jennifer Egan (The Candy House)
“
He’d done this before: lain on his back in a snowstorm, gazing into a depthless, empty sky. But when? It must be déjà vu. And then, with a rush of comprehension, Gregory recognized his father’s Anti-Vision: that bleak blank vista that had harried and tormented him, driven him in disguise to this same neighborhood twenty-five years ago. The Anti-Vision had never been an absence—the opposite! It was a density of whirling particles. His father just hadn’t gotten close enough.
”
”
Jennifer Egan (The Candy House)
“
rode in a state of wonder that a country could be so lush and so green; but even among this fertile wealth there was hunger. I saw it in the faces of some of the villagers, and in the fresh mounds of the graveyards. The carter was right, the balance that had been England at peace for a brief generation had been overthrown under the last king, and the new one continued the work of setting the country into turmoil. The great religious houses
”
”
Philippa Gregory (The Queen's Fool)
“
Then Baothan went away into the wood to hide himself and to avoid his tasks, and while he was there he saw a man alone and he building a house; and according as he came to the end of weaving one rod into the wall he would set the head of another to it, and so he worked on from rod to rod setting one only at a time. And that seemed very tedious to the young lad till he saw the wall rising as he watched; and he said to himself then "If I had worked at my learning as this man works at his building it is likely I might be a scholar now.
”
”
Lady Gregory (A Book of Saints and Wonders)
“
It was Athena who had first made them aware, in the workshop where Gregory and Dennis met, of word-casings and phrase-casings: gutted language she likened to proxies. “Find the eluder,” she instructed her rapt graduate students, narrowing gold-flecked eyes at them across the seminar table. “I want words that are still alive, that have a pulse. Hot words, people! Give me the bullet, not the casing—fire it right in my chest. I’ll die gladly for some fresh language.” She meant their prose, not their conversation, but Gregory and his peers strained for fresh ways to say, in workshop, that a piece of writing was powerful (“coiled,” “obsidian,” “hegemonic”) or flat (“waxen,” “kerneled,” “coffee grounds”).
”
”
Jennifer Egan (The Candy House)
“
You buy our treasures at a good price; you move into our houses. You don’t ask where the owners have gone. You say that it is within the law. You say that you are sorry, but what could you have done? You say that you cannot be blamed for crimes that are done in your name, to the glory of your God. You say you didn’t know. But not knowing is a choice that you make, it is as bad as doing.
”
”
Philippa Gregory (Dark Tracks (Order of Darkness, #4))
“
sometimes think that the size of our happiness is inversely proportional to the size of our house.
”
”
Gregory David Roberts (Shantaram)
“
Gardette-LePrete Mansion is
”
”
Hector Z. Gregory (True Haunted Houses: Inside The Abandoned Houses That Bring The Dead To Life (Haunted Places Book 1))
“
You’re a girl from the House of Lancaster. You cannot fall in love with the heir to the House of York unless he is king victorious, and there is some profit in love for you. These are hard days we are living in. Death is our companion, our familiar. You need not think you can keep Him at arm’s length. You will find He bears you close company. He has taken your husband; hear me: He will take your father and your brothers and your sons.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Her dogmatic belief that she was doomed infuriated him. It was surrender. Negative thinking. He knew that if they talked about death, if they planned for it, they would only give it power over them. Why invite the specter into their house, pour it a cup of coffee, let it put its bony feet all over their couch?
”
”
Daryl Gregory (Spoonbenders)
“
Tips for Writing: Here you are some tips for writing which are pretty impressive!
Make a character who is like Gregory house… mainly pranks, jokes!
Make the character so much to be incredible that… you decide to kill him.
…
Two are enough now on then we will eat ( 2 = dead)
”
”
Deyth Banger
“
If you were enjoying a festive dinner at a friend’s house and found a dead cockroach in your salad, what would you do?
”
”
Gregory Stock (The Book of Questions)
“
What's the different between a shooting star and a falling house?" "One which is propitious grants delicious wishes, the other which is vicious squishes witches.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
It is as I said. Your house’s emblem should not be the white rose but the old sign of eternity.” “Eternity?” I repeat, hopeful that he is going to say something reassuring at this most dark time in our days. “Yes, the snake which eats itself. The sons of York will destroy each other, one brother destroying another, uncles devouring nephews, fathers beheading sons. They are a house which has to have blood, and they will shed their own if they have no other enemy.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
At dusk, on the last day of April, I hear a calling noise, like a white-winged barn owl, and I go to my window and push open the shutters and look out. There is a waning moon rising off the horizon, white against a white sky; it too is wasting away, and in its cold light I can hear a calling, like a choir, and I know it is not the music of owls, nor singers nor nightingales, but Melusina. Our ancestor goddess is calling around the roof of the house, for her daughter Jacquetta of the House of Burgundy is dying.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Like many women, she was unable to fit exactly with her husband’s view. Her feet hurt: she could not walk in the path of her husband’s choosing. She tried to dance to please him, but she could not deny the pain. She is the ancestress of the royal house of Burgundy, and we, her descendants, still try to walk in the paths of men, and sometimes we too find the way unbearably hard.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Gregory?” Julia’s voice gentled. She had noticed the sudden change in him. “Please talk to me.” Talk was the last thing he wanted from her now. He didn’t want to talk or to think. He didn’t want to continue to hate himself in front of the one person he was beginning to adore. Gregory didn’t speak the truth. Instead, he lashed out with a lie. “Very well, if you must know. I’m tired of waiting for our bargain to be completed.” He practically growled the words as he turned to her, and Julia shrank back in surprise. “If you’re not interested in your duties as a wife, then say so and I’ll be on my way. But your indecision has interfered with my plans, so either return to the house and find your way into my bed, Your Grace, or bid me farewell.” Julia never spoke, only watched calmly as Gregory finished and rose, tromping off to collect his ward. Felicity was still hopping near the creek, gleefully squealing whenever Miss Winslow attempted to get her under control. “Felicity!” he shouted. That got the child’s attention. “Put your shoes on and return to the house at once—” “Your Grace?” Miss Winslow kept one hand to her bonnet, trying to stop the wind from snatching it away, and pointed at something behind him. “The duchess is leaving.” Gregory whirled around in shock and saw that the governess was right. Julia had taken her horse and was currently riding it in the exact opposite direction of the house. She cantered farther ahead, into the heart of the storm as the clouds burst open and rain began to pound the countryside. Dear God, she’d be soaked and catch her death, or else thrown from her horse in the storm and break her neck. “Damn everything to hell,” Gregory snapped. He raced for his own horse, saddled up, and rode hard after his errant wife.
”
”
Lydia Drake (Cinderella and the Duke (Renegade Dukes #1))
“
There's no such thing! Our bodies break down, sometimes when we're 90, sometimes before we're even born, but it always happens and there's never any dignity in it! I don't care if you can walk, see, wipe your own ass... it's always ugly - ALWAYS! You can live with dignity; you can't die with it.
”
”
Gregory House
“
Margaret Beaufort is of the House of Lancaster; Edmund Tudor is the son of a Queen of England. Any child they conceive will have an impressive lineage: English royal blood on one side, French royal blood on the other, both of them kin to the King of England.
”
”
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
“
But each and every night was the same: soundless, beautiful, and threatening. Bombay became a haunted house.
”
”
Gregory David Roberts (Shantaram)
“
Nor had either of us ever comprehended Boulderites’ inclination to squander free weekends and precious holidays wandering off into the wilderness, pitching tents, squatting in the woods, and generally pretending they didn’t have houses.
”
”
Stephen White (Dead Time (Alan Gregory, #16))
“
There used to be a regular poker game at Barbara Sinatra’s house in Malibu, and a great group of people showed up, including Jack Lemmon, Larry Gelbart, and Gregory Peck, who wore a little green visor like an old-time gambler. Everyone was about the same age, in their late sixties or seventies. I took my longtime companion, Michelle Triola, there because she loved to play poker. One night, back when I was doing Diagnosis Murder, I let her off and told the gang I was going back home. “I’m the only one here who doesn’t play poker,” I said. “You’re the only one here who’s working,” said Gregory Peck.
”
”
Dick Van Dyke (Keep Moving: And Other Tips and Truths About Aging)
“
In the weeks since a mysterious fatigue had confined him to his bed, Gregory and Dennis had perfected the art of conversing between rooms.
”
”
Jennifer Egan (The Candy House)
“
Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little. He had four sons whose names were Blaise, Hugh, Gregory and Ralph: of these Ralph was the youngest, whereas he was but of twenty winters and one; and Blaise was the oldest and had seen thirty winters. Now it came to this at last, that to these young men the kingdom of their father seemed strait; and they longed to see the ways of other men, and to strive for life. For though they were king's sons, they had but little world's wealth; save and except good meat and drink, and enough or too much thereof; house-room of the best; friends to be merry with, and maidens to kiss, and these also as good as might be; freedom withal to come and go as they would; the heavens above them, the earth to bear them up, and the meadows and acres, the woods and fair streams, and the little hills of Upmeads, for that was the name of their country and the kingdom of King Peter.
”
”
William Morris (The Well at the World's End)
“
Are you writing?” Athena asked, startling him.
“Not a lot, Gregory admitted, which sounded better than Not at all. “I’ve been too drained.”
“Maybe not-writing is what’s draining you,” she said. “Maybe you’ve severed your energy source.”
“I’ve been thinking a lot,” he said, to scuttle the topic.
Athena turned to him. “Finish your fucking book, Gregory,” she said mildly. “It’s been bloody years.
”
”
Jennifer Egan (The Candy House)
“
He decided to take the C downtown and fumbled through blizzardy wind to Central Park West. Once there, he stepped inside the park. The wind dropped magically away. In the stillness, Gregory noticed that every twig and branch held a delicate stack of snow. Snow swarmed like honeybees in the golden glow of the old-fashioned streetlamps; it slathered tree trunks and sparkled like crushed diamonds at his feet. He heard a whispering noise and saw two people glide from among the trees on cross-country skis. A lavender lunar radiance filled the park. It was a world from childhood: castles and forests and magic lamps and princes scaling walls of brambles.
”
”
Jennifer Egan (The Candy House)
“
I wonder what you think of the Wizard's proposed Banns on travel?" The goat's eyes were buttery and warm, and frightening. Galinda had never heard of any Banns. She said as much. "Dillamond - was it Doctor Dillamond? - explained in a conversational tone that the Wizard had thoughts of restricting Animal travel on public conveyances except in designated transports. Galinda replied that animals had always enjoyed separate services. "No, I am speaking of Animals," said Dillamond. "Those with a spirit."
"Oh, those," said Galinda crudely. "Well, I don't see the problem."
"My, my," said Dillamond. "Don't you indeed?" The goatee quivered; he was irritated. He began to hector her about Animal Rights. As things now stood, his own ancient mother couldn't afford to travel first class, and would have to ride in a pen when she wanted to visit him in Shiz. If the Wizard's Banns went through the Hall of Approval, as they were likely to do, the goat himself would be required by law to give up the privileges he had earned through years of study, training, and saving. "Is that right for a creature with a spirit?" he said. "From here to there, there to here, in a pen?"
"I quite agree, travel is so broadening," said Galinda. They endured the rest of the trip, including the change across the platform at Dixxi House, in a frosty silence.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
The church is called 'the pillar and ground of the truth' (1 Tim. 3:15) not because she supports and gives authority to the truth (since the truth is rather the foundation upon which the church is built, Eph. 2:20), but because it stands before the church as a pillar and makes itself conspicuous to all. Therefore it is called a pillar, not in an architectural sense (as pillars are used for the support of buildings), but in a forensic and political sense (as the edicts of the emperor and the decrees and laws of the magistrates were usually posted against pillars before the court houses and praetoria and before the gates of the basilica so that all might be informed of them, as noted by Pliny, Natural History, lib. 6, c. 28+ and Josephus,? AJ 1.70–71 [Loeb, 4:32–33]). So the church is the pillar of the truth both by reason of promulgating and making it known (because she is bound to promulgate the law of God, and heavenly truth is attached to it so that it may become known to all) and by reason of guarding it. For she ought not only to set it forth, but also to vindicate and defend it. Therefore she is called not only a pillar, but also a stay by which the truth when known may be vindicated and preserved pure and
entire against all corruptions. But she is not called a foundation, in the sense of giving to the truth itself its own substructure and firmness. (2) Whatever is called the pillar and stay of the truth is not therefore infallible; for so the ancients called those who, either in the splendor of their doctrine or in the holiness of their lives or in unshaken constancy, excelled others and confirmed the doctrines of the gospel and the Christian faith by precept and example; as Eusebius says the believers in Lyons call Attalus the Martyr (Ecclesiastical History 5.1 [FC 19:276]); Basil distinguishes the orthodox bishops who opposed the Arian heresy by
this name (Letter 243; and Gregory Nazianzus so calls Athanasius. In the same sense, judges in a pure and uncorrupted republic are called the pillars and stays of the laws. (3) This passage teaches the duty of the church, but not its infallible prerogative (i.e., what she is bound to do in the promulgation and defending of the truth against the corruptions of its enemies, but not what she can always do). In Mal. 2:7, the 'priest’s lips' are said to 'keep knowledge' because he is bound to do it (although he does not always do it as v. 8 shows). (4) Whatever is here ascribed to the church belongs to the particular church at Ephesus to which, however, the papists are not willing to give the prerogative of infallibility. Again, it treats of the collective church of believers in which Timothy was to labor and exercise his ministry, not as the church representative of the pastors, much less of the pope (in whom alone they think infallibility resides). (5) Paul alludes here both to the use of pillars in the temples of the Gentiles (to which were attached either images of the gods or the laws and moral
precepts; yea, even oracles, as Pausanius and Athenaeus testify) that he may oppose these pillars of falsehood and error (on which nothing but fictions and the images of false gods were exhibited) to that mystical pillar of truth on which the true image of the invisible God is set forth (Col. 1:15) and the heavenly oracles of God made to appear; and to that remarkable pillar which Solomon caused to be erected in the temple (2 Ch. 6:13; 2 K. 11:14; 23:3) which kings ascended like a scaffold as often as they either addressed
the people or performed any solemn service, and was therefore called by the Jews the 'royal pillar.' Thus truth sits like a queen upon the church; not that she may derive her authority from it (as Solomon did not get his from that pillar), but that on her, truth may be set forth and preserved.
”
”
Francis Turretin (Institutes of Elenctic Theology (Vol. 1))
“
The church is called 'the pillar and ground of the truth' (1 Tim. 3:15) not because she supports and gives authority to the truth (since the truth is rather the foundation upon which the church is built, Eph. 2:20), but because it stands before the church as a pillar and makes itself conspicuous to all. Therefore it is called a pillar, not in an architectural sense (as pillars are used for the support of buildings), but in a forensic and political sense (as the edicts of the emperor and the decrees and laws of the magistrates were usually posted against pillars before the court houses and praetoria and before the gates of the basilica so that all might be informed of them, as noted by Pliny, Natural History, lib. 6, c. 28+ and Josephus,? AJ 1.70–71 [Loeb, 4:32–33]). So the church is the pillar of the truth both by reason of promulgating and making it known (because she is bound to promulgate the law of God, and heavenly truth is attached to it so that it may become known to all) and by reason of guarding it. For she ought not only to set it forth, but also to vindicate and defend it. Therefore she is called not only a pillar, but also a stay by which the truth when known may be vindicated and preserved pure and
entire against all corruptions. But she is not called a foundation, in the sense of giving to the truth itself its own substructure and firmness. (2) Whatever is called the pillar and stay of the truth is not therefore infallible; for so the ancients called those who, either in the splendor of their doctrine or in the holiness of their lives or in unshaken constancy, excelled others and confirmed the doctrines of the gospel and the Christian faith by precept and example; as Eusebius says the believers in Lyons call Attalus the Martyr (Ecclesiastical History 5.1 [FC 19:276]); Basil distinguishes the orthodox bishops who opposed the Arian heresy by
this name (hoi styloi kai to hedraiōma tēs alētheias, Letter 243 [70] [FC 28:188; PG 32.908]); and Gregory Nazianzus so calls Athanasius. In the same sense, judges in a pure and uncorrupted republic are called the pillars and stays of the laws. (3) This passage teaches the duty of the church, but not its infallible prerogative (i.e., what she is bound to do in the promulgation and defending of the truth against the corruptions of its enemies, but not what she can always do). In Mal. 2:7, the 'priest’s lips' are said to 'keep knowledge' because he is bound to do it (although he does not always do it as v. 8 shows). (4) Whatever is here ascribed to the church belongs to the particular church at Ephesus to which, however, the papists are not willing to give the prerogative of infallibility. Again, it treats of the collective church of believers in which Timothy was to labor and exercise his ministry, not as the church representative of the pastors, much less of the pope (in whom alone they think infallibility resides). (5) Paul alludes here both to the use of pillars in the temples of the Gentiles (to which were attached either images of the gods or the laws and moral
precepts; yea, even oracles, as Pausanius and Athenaeus testify) that he may oppose these pillars of falsehood and error (on which nothing but fictions and the images of false gods were exhibited) to that mystical pillar of truth on which the true image of the invisible God is set forth (Col. 1:15) and the heavenly oracles of God made to appear; and to that remarkable pillar which Solomon caused to be erected in the temple (2 Ch. 6:13; 2 K. 11:14; 23:3) which kings ascended like a scaffold as often as they either addressed
the people or performed any solemn service, and was therefore called by the Jews the 'royal pillar.' Thus truth sits like a queen upon the church; not that she may derive her authority from it (as Solomon did not get his from that pillar), but that on her, truth may be set forth and preserved.
”
”
Francis Turretin (Institutes of Elenctic Theology (Vol. 1))
“
The church is called 'the pillar and ground of the truth' (1 Tim. 3:15) not because she supports and gives authority to the truth (since the truth is rather the foundation upon which the church is built, Eph. 2:20), but because it stands before the church as a pillar and makes itself conspicuous to all. Therefore it is called a pillar, not in an architectural sense (as pillars are used for the support of buildings), but in a forensic and political sense (as the edicts of the emperor and the decrees and laws of the magistrates were usually posted against pillars before the court houses and praetoria and before the gates of the basilica so that all might be informed of them, as noted by Pliny, Natural History, lib. 6, c. 28+ and Josephus,? AJ 1.70–71 [Loeb, 4:32–33]). So the church is the pillar of the truth both by reason of promulgating and making it known (because she is bound to promulgate the law of God, and heavenly truth is attached to it so that it may become known to all) and by reason of guarding it. For she ought not only to set it forth, but also to vindicate and defend it. Therefore she is called not only a pillar, but also a stay by which the truth when known may be vindicated and preserved pure and
entire against all corruptions. But she is not called a foundation, in the sense of giving to the truth itself its own substructure and firmness. (2) Whatever is called the pillar and stay of the truth is not therefore infallible; for so the ancients called those who, either in the splendor of their doctrine or in the holiness of their lives or in unshaken constancy, excelled others and confirmed the doctrines of the gospel and the Christian faith by precept and example; as Eusebius says the believers in Lyons call Attalus the Martyr (Ecclesiastical History 5.1 [FC 19:276]); Basil distinguishes the orthodox bishops who opposed the Arian heresy by
this name (Letter 243 [70] [FC 28:188; PG 32.908]); and Gregory Nazianzus so calls Athanasius. In the same sense, judges in a pure and uncorrupted republic are called the pillars and stays of the laws. (3) This passage teaches the duty of the church, but not its infallible prerogative (i.e., what she is bound to do in the promulgation and defending of the truth against the corruptions of its enemies, but not what she can always do). In Mal. 2:7, the 'priest’s lips' are said to 'keep knowledge' because he is bound to do it (although he does not always do it as v. 8 shows). (4) Whatever is here ascribed to the church belongs to the particular church at Ephesus to which, however, the papists are not willing to give the prerogative of infallibility. Again, it treats of the collective church of believers in which Timothy was to labor and exercise his ministry, not as the church representative of the pastors, much less of the pope (in whom alone they think infallibility resides). (5) Paul alludes here both to the use of pillars in the temples of the Gentiles (to which were attached either images of the gods or the laws and moral
precepts; yea, even oracles, as Pausanius and Athenaeus testify) that he may oppose these pillars of falsehood and error (on which nothing but fictions and the images of false gods were exhibited) to that mystical pillar of truth on which the true image of the invisible God is set forth (Col. 1:15) and the heavenly oracles of God made to appear; and to that remarkable pillar which Solomon caused to be erected in the temple (2 Ch. 6:13; 2 K. 11:14; 23:3) which kings ascended like a scaffold as often as they either addressed
the people or performed any solemn service, and was therefore called by the Jews the 'royal pillar.' Thus truth sits like a queen upon the church; not that she may derive her authority from it (as Solomon did not get his from that pillar), but that on her, truth may be set forth and preserved.
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Francis Turretin (Institutes of Elenctic Theology (Vol. 1))
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But already, like the people in the ghetto, hundreds of feet below, I was picking through the smashed houses in my heart, and rebuilding on the ruin.
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Gregory David Roberts
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It was Athena who had first made them aware, in the workshop where Gregory and Dennis met, of word-casings and phrase-casings: gutted language she likened to proxies. “Find the eluder,” she instructed her rapt graduate students, narrowing gold-flecked eyes at them across the seminar table. “I want words that are still alive, that have a pulse. Hot words, people! Give me the bullet, not the casing—fire it right in my chest. I’ll die gladly for some fresh language.
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Jennifer Egan (The Candy House)
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The Stable Song"
Remember when our songs were just like prayers.
Like gospel hymns that you called in the air.
Come down come down sweet reverence,
Unto my simple house and ring...
And ring
Ring like silver, ring like gold
Ring out those ghosts on the Ohio
Ring like clear day wedding bells
Were we the belly of the beast or the sword that fell...
We’ll never tell
Come to me clear and cold on some sea
Watch the world spinning waves, like that machine
Now I’ve been crazy couldn’t you tell
I threw stones at the stars, but the whole sky fell
Now I’m covered up in straw, belly up on the table
Well I drank and sang, and passed in the stable.
That tall grass grows high and brown,
Well I dragged you straight in the muddy ground
And you sent me back to where I roam
Well I cursed and I cried, but now i know...
now I know
And I ran back to that hollow again
The moon was just a sliver back then
And I ached for my heart like some tin man
When it came oh it beat and it boiled and it rang...
oh it's ringing
Ring like crazy, ring like hell
Turn me back into that wild haired gale
Ring like silver, ring like gold
Turn these diamonds straight back into coal.
That Sea, The Gambler (2007)
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Gregory Alan Isakov
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You are my lifemate. There is no question, cara mia, who will take care of this problem. You will stay here in this house and do as I say. I will not argue with you about this."
His voice, black velvet and tender, could turn her heart over, but she would not be seduced this time. Alexandria tilted her chin. "No, Aidan, I'm going with you. If you can save only one of us, it will be Joshua."
His eyes caressed her even as he shook his head. "You will give me your word that you will so as I say, or I will send you to sleep until I return. And if you are sleeping the sleep of the immortal, you will be unable to aid me should I have need of it. I must go now. I am wasting valuable time, time Gregori earned for me at great cost to his won strength, I am certain." His mouth brushed hers. "What shall it be? Do you sleep while I go? Or will you remain here awake to aid me should it become necessary?"
Alexandria shifted away from him but nodded her compliance. "It isn't as if you're leaving me a lot of choice, Aidan," she said softly. "Go then. But nothing had better happen to you, or you'll see what a human woman can do when she's good and mad."
"Former human woman," he corrected.
And he was gone. Just like that. One moment he was solid and real, the next he was a rainbow of light streaking through the narrow tunnel of rock upward toward the fog-shrouded sky.
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Christine Feehan (Dark Gold (Dark, #3))
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This one, this betrayer to our people." Gregori nodded toward the man lying so still on the rocks where he had fallen. "He sought to take her from you."
"He could not have done so," Aidan said softly.
Gregori nodded. "I believe that to be true. Still, she takes a risk that should not be permitted." A network of iridescent white veins lit up the sky, sharp, brilliant, a powerful display. The arcing lightning cast a peculiar shadow across the dark, handsome face and flashing silver eyes, making Gregori look both cruel and hungry.
The fingers around Alexandria's wrist tightened even more. Do not move, do not speak, no matter what, Aidan cautioned softly in her mind. "Thank you for your assistance, Gregori," he said aloud, his voice gentle and true. "This is my lifemate, Alexandria. She is new to our people and knows nothing of our ways. We would both consider it a great honor if you would accompany us back to our house and tell us the news of our homeland."
Are you out of your mind? Alexandria protested silently, horrified. It would be like bringing home a wild jungle cat. A tiger. Something very lethal.
Gregori inclined his head at the introduction, but the refusal to join them was clear in his silver eyes. "It would be unwise of me to join you indoors. I would be a caged tiger, untrustworthy, unpredictable." His pale eyes flickered over Alexandria, and she had the distinct impression he was laughing at her.
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Christine Feehan (Dark Gold (Dark, #3))
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This is my lifemate, Alexandria. She is new to our people and knows nothing of our ways. We would both consider it a great honor if you would accompany us back to our house and tell us the news of our homeland."
Are you out of your mind? Alexandria protested silently, horrified. It would be like bringing home a wild jungle cat. A tiger. Something very lethal.
Gregori inclined his head at the introduction, but the refusal to join them was clear in his silver eyes. "It would be unwise of me to join you indoors. I would be a caged tiger, untrustworthy, unpredictable." His pale eyes flickered over Alexandria, and she had the distinct impression he was laughing at her. Then he turned his attention once more to Aidan. "I need to ask of you a favor."
Aidan knew of what Gregori would speak, and he shook his head. "Do not, Gregori. You are my friend. Do not ask of me what I cannot do." Alexandria felt Aidan's sorrow, his distress. His mind was a turmoil of emotions, fear among them.
The silver eyes flashed and burned. "You will do what you must, Aidan, just as I have done for over a thousand years. I have come here to wait for my lifemate. She will arrive in a few months to do a show, magic show. San Francisco is on her schedule. I intend to establish a house high in the mountains, far from your place. I need the wild, the heights, and I must be alone. I am close to the end, Aidan. The hunt, the kill, is all I have left."
He waved a hand, and the ocean waves leapt in response. "I am not certain if I can wait until she comes. I am too close. The demon has nearly consumed me." There was no change in the sweet purity of his voice.
"Go to her. Send for her. Call her to you." Aidan rubbed his forehead in agitation, and his obvious upset alarmed Alexandria more than anything else. Nothing ever seemed to get to Aidan. "Where is she? Who is she?"
"She is Mikhail and Raven's daughter. But Raven did not prepare her for what was to come on the day of the claiming. She was but eighteen years. When I went to her, she was so filled with fear, I found I could not be the monster I needed to be to claim her against her will. I did not press her. I vowed to myself to allow her five years of freedom. After all, joining with me will be rather like joining with a tiger. Not the most comfortable of destinies.
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Christine Feehan (Dark Gold (Dark, #3))
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Tutti odierebbero il mondo dopo che gli hanno sparato. Solo un gran uomo lo odia a prescindere.
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Gregory A. Mencio
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We don't get an endless number of orbits away from the place where meaning first arises, that treasure-house of first experiences. What we learn, instead, is that our adventures secure us in our isolation. Experience revokes our license to return to simpler times. Sooner or later, there's no place remotely like home.
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Gregory Maguire (Out of Oz (The Wicked Years, #4))
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A bird in the house is a sign someone will die soon.
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Gregory Maguire (A Wild Winter Swan)
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You are mad," Gregory cried again. "Why have you come to my house?"
"I have not entered your house," the stranger answered, "for the time is not yet. But it is not that which you should fear - it is the day when you shall enter mine.
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Charles Williams (War in Heaven)
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On my way back and forth I might encounter Gregory. Gregory was a fixture around Evanston, well-known for stopping anyone on the street and telling them his story, which went like this: “Hello, my name is Gregory. I used to be an accountant. I had a lovely wife and family. I had a big house. One day I had to go to the store, but my wife had the car. I took my bike, but I didn’t wear a helmet. I got hit by a truck. I suffered a head injury. I still have difficulty walking. I lost everything. My wife left me. I lost my job. So when you ride your bike, think of me and always wear a helmet.” His injury had also destroyed his short-term memory, so he would tell you his story every time he met you.
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Tina Fey (Bossypants)
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Very well. I think that you can see my point here—we avoid chaos, in building houses and dividing land and so forth, by having an agreed standard for the measure of a unit of length.
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Gregory David Roberts (Shantaram)
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The streets were empty. I ran through puddles of fast-flowing water, reflecting the lightning-fractured sky. All the loneliness and all the love I knew collected and combined in me, until my heart was as swollen with love for her as the clouds above were swollen with their mass of rain. And I ran. I ran. And, somehow, I was back in that street, back at the doorway to her house.
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Gregory David Roberts (Shantaram)
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I was almost angry that she'd made me see the unlovely truth of my house.
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Gregory David Roberts (Shantaram)
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I knew, I was certain somehow, that wanting my little house to be bigger or brighter or grander than it was had been in my mind, not hers. She wasn't judging. She was only looking, seeing everything, even what I felt.
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Gregory David Roberts (Shantaram)