Replica Famous Quotes

Perhaps it goes without saying that I believe in the geographic cure. Of course you can't out-travel sadness. You will find it has smuggled itself along in your suitcase. It coats the camera lens, it flavors the local cuisine. In that different sunlight, it stands out, awkward, yours, honking in the brash vowels of your native tongue in otherwise quiet restaurants. You may even feel proud of its stubbornness as it follows you up the bell towers and monuments, as it pants in your ear while you take in the view. I travel not to get away from my troubles but to see how they look in front of famous buildings or on deserted beaches. I take them for walks. Sometimes I get them drunk. Back at home we generally understand each other better.

In a now famous thought experiment, the philosopher Derek Parfit asks us to imagine a teleportation device that can beam a person from Earth to Mars. Rather than travel for many months on a spaceship, you need only enter a small chamber close to home and push a green button, and all the information in your brain and body will be sent to a similar station on Mars, where you will be reassembled down to the last atom. Imagine that several of your friends have already traveled to Mars this way and seem none the worse for it. They describe the experience as being one of instantaneous relocation: You push the green button and find yourself standing on Mars—where your most recent memory is of pushing the green button on Earth and wondering if anything would happen. So you decide to travel to Mars yourself. However, in the process of arranging your trip, you learn a troubling fact about the mechanics of teleportation: It turns out that the technicians wait for a person’s replica to be built on Mars before obliterating his original body on Earth. This has the benefit of leaving nothing to chance; if something goes wrong in the replication process, no harm has been done. However, it raises the following concern: While your double is beginning his day on Mars with all your memories, goals, and prejudices intact, you will be standing in the teleportation chamber on Earth, just staring at the green button. Imagine a voice coming over the intercom to congratulate you for arriving safely at your destination; in a few moments, you are told, your Earth body will be smashed to atoms. How would this be any different from simply being killed? To

In Isaac Newton’s lifetime, no more than a few thousand people had any idea what he looked like, though he was one of England’s most famous men, yet now millions of people have quite a clear idea—based on replicas of copies of rather poorly painted portraits. Even more pervasive and indelible are the smile of Mona Lisa, The Scream of Edvard Munch, and the silhouettes of various fictional extraterrestrials. These are memes, living a life of their own, independent of any physical reality. “This may not be what George Washington looked like then,” a tour guide was overheard saying of the Gilbert Stuart painting at the Metropolitan Museum of Art, “but this is what he looks like now.” Exactly.

replica. Properly, a replica is an exact copy, built to the same scale as the original and using the same materials. To use the word when you might better use ‘model’, ‘miniature’, ‘copy’ or ‘reproduction’ devalues it, as here: ‘Using nothing but plastic Lego toy bricks, they have painstakingly reconstructed replicas of some of the world’s most famous landmarks’ (Sunday Times).

At the entrance of the gardens, Lauren approached the two large bronze buffalos, replicas of buffalo statues that were displayed during the World’s Columbian Exhibition in 1893. The event was meant to celebrate Columbus’ arrival in the New World in 1492. The fair was so spectacular that people still talk about it today, the fourteen great buildings constructed by famous architects. There were fairgrounds of wonder and mystery, science and invention, but almost all of it was temporary, temporary buildings, canals and lagoons. Over twenty-seven million people visited Chicago in those six months during the fair and took with them to their small rural towns, cities across America and country’s far away the stories of a great city on a prairie, a great people, and all of the magic that lives there.

H-22: Father Corby Monument 39º48.205’N, 77º14.063’W This monument honors the hundreds of chaplains present on the field in 1863. As chaplain of the Eighty-eighth New York Infantry of the famed Irish Brigade, Father William Corby, twenty-nine years old, has become as famous as many of those who actually bore arms those three fateful days. As the Irish Brigade formed up to enter the fight, Father Corby stepped onto a boulder—some historians believe the very boulder on which the monument stands—and raised his hand. Three hundred soldiers drew silent, many of them dropping to their knees, as the battle raged around them. The priest blessed them, prayed for their safety, and granted a general absolution, after which the troops marched into the fight. Corby’s admonition that the church would refuse a Christian burial for any man who failed to do his duty that day rang in their ears as they headed off. Following the war, Father Corby became president of the University of Notre Dame. A replica of this monument stands on the university’s campus, marking his grave. Years after the war, veterans of the Irish Brigade petitioned to have the Medal of Honor awarded to Corby, a request that was ultimately denied.

The next morning, I went over to pick them up. I’d spent the night thinking of more things I should tell them--everything about Chris I thought they needed to know. It was all too much. “I don’t know how to tell you everything,” I confessed to Bradley as he got into the car. I started to cry. “There’s so many things and we have such a short amount of time.” “Just being here is all we need,” he said. “I’m not an impersonator. I’m just here to feel Chris’s life--I feel him here with me right now.” Bradley put me at ease and I calmed down. Back at the house, he and Clint became almost like family. Little bits of their personality came out as well--and I saw a glimmer of Clint’s famous Dirty Harry character later on in the day when I had to leave to go to Bubba’s basketball game. They’d talked about coming with me--which frankly would have created an impossible circus. But I did give them the option. As they stood trying to make up their minds, I snapped into anxious mom mode. “All right,” I told them both. “You’re welcome to come. But if you’re coming, we’re leaving now.” I guess my tone was a little too strident. “So you want to get tough with me, huh, lady?” said Clint in his best Dirty Harry voice as he raised his eyebrow. It’s amazing how threatening a simple facial tic can be. I left them home to study some of Chris’s replica guns and gear. Our own already had its ample share of lawmen.

On the other side of the lot, beyond the corroding replica of “David” that fronted the piazza named after his creator, lay the city of Florence, a spooned circle of terra cotta and stone and pastel, split horizontally by the nearby River Arno and surrounded by verdant hills like a lush hood framing the face of a movie star. Jacoby felt wonder rise through his sternum and out his nose. It seemed like a model, a tiny replica of plastic pieces, of a make believe place, not a real place in real size made by the hands of men many centuries ago. A city of domes and towers and palaces, of ceramic tiles and stone, of four bridges that spanned the Arno, including the famous Ponte Vecchio, lined with shops of pastel facades. From high above, Jacoby wandered through the tourists who snapped pictures and pointed. He stood atop the paved slope that led down the hill toward the magnificent city, but he held still, fighting the current of enticement, the beckoning, savoring the feeling of anticipation like a child has atop a long water slide above an enormous pool.

Nabokov famously never had a home. In the United States he and his wife, Vera, always rented. At Cornell University in Ithaca, New York, where he taught for a decade, they occupied homes vacated by professors on sabbatical. The Nabokovs ended their days in a small suite of rooms at the Montreux Palace Hotel in Switzerland. When asked to explain his peripatetic life of exile, Nabokov said, “Nothing short of a replica of my childhood surroundings would have satisfied me.” His hero Pushkin was a wanderer, too, exiled from St. Petersburg by the czar for years at a time. Like Nabokov, “To the end of his life he remained deeply attached to what he considered his real home, the Lyceum, and to his former fellow students.

Brian Chesky sends to all Airbnb employees is a powerful one. “You have to continue to repeat things” Brian told our class at Stanford. “Culture is about repeating, over and over again, the things that really matter for your company.” Airbnb reinforces these verbal messages with visual impact as well. Brian hired an artist from Pixar to create a storyboard of the entire experience of an Airbnb guest, from start to finish, emphasizing the customer-centered design thinking that is a hallmark of its culture. Even Airbnb conference rooms tell a story; each one is a replica of a room that’s available for rent on the service. Every time Airbnb team members hold a meeting in one of those rooms, they are reminded of how guests feel when they stay there. At Amazon, Jeff Bezos famously bans PowerPoint decks and insists on written memos, which are read in silence at the beginning of each meeting. This memo policy is one of the ways that Amazon encourages a culture of truth telling. Memos have to be specific and comprehensive, and those who read the memos have to respond in kind rather than simply sit through some broad bullet points on a PowerPoint deck and nod vague agreement. Bezos believes that memos encourage smarter questions and deeper thinking. Plus, because they’re self-contained (rather than requiring a person to present a deck), they are more easily distributed and consumed by a wider population within Amazon. The late Steve Jobs used architecture as a core part of his deliberate communications strategy at Pixar. He designed Pixar headquarters so that the front doors, main stairs, main theater, and screening rooms all led to the atrium, which contained the café and mailboxes, ensuring that employees from all departments and specialties would see people from other groups on a regular basis, thus reinforcing Pixar’s collaborative, inclusive culture.

The most famous such monument, a stela called ‘El Lanzón’ (‘the lance’), is a shaft of granite over thirteen feet tall, around which the Old Temple of Chavín was constructed. A well-lit replica of the stela, often assumed to represent a god who is also the axis mundi, or a central pillar connecting the polar ends of a shamanic universe, has pride of place in Peru’s Museo de la Nación; but the 3,000-year-old original still resides at the heart of a darkened maze, illuminated by thin slats, where no single viewer could ever grasp the totality of its form or meaning.

raised to mark German unity. From Schöneberg in West Berlin, the peal of the Freedom Bell was broadcast in the square in front of the Reichstag. A replica of the famous Liberty Bell in Philadelphia, financed in large part by donations from Americans, this bell had hung in Schöneberg’s town hall since October 1950. To this day, it bears the inscription “That this world under God shall have a new birth of freedom,” echoing President Abraham Lincoln’s Gettysburg Address in 1863, at the turning point in the American Civil War. The inscription had become reality for us, too. The GDR was history. There was only one German state now.

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and drove to Forest Lawn Memorial Park in Glendale. She’d heard Forest Lawn described as ‘the Disneyland of Cemeteries’ because of all the replicas of famous art, statues, and churches spread across multiple ‘themed lands’ (‘Slumber Land’, ‘Lullaby Land’, ‘Court of Freedom’, ‘Wee Kirk of the Heather’, ‘Graceland’, ‘Memory Slope’, etc.) and the founder’s mission statement, etched in marble, dedicating himself