Wake Up With The Chickens Quotes

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Kindness Before you know what kindness really is you must lose things, feel the future dissolve in a moment like salt in a weakened broth. What you held in your hand, what you counted and carefully saved, all this must go so you know how desolate the landscape can be between the regions of kindness. How you ride and ride thinking the bus will never stop, the passengers eating maize and chicken will stare out the window forever. Before you learn the tender gravity of kindness, you must travel where the Indian in a white poncho lies dead by the side of the road. You must see how this could be you, how he too was someone who journeyed through the night with plans and the simple breath that kept him alive. Before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing. You must wake up with sorrow. You must speak to it till your voice catches the thread of all sorrows and you see the size of the cloth. Then it is only kindness that makes sense anymore, only kindness that ties your shoes and sends you out into the day to mail letters and purchase bread, only kindness that raises its head from the crowd of the world to say It is I you have been looking for, and then goes with you everywhere like a shadow or a friend.
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
I am as silent as death. Do this: Go to your bedroom. Your nice, safe, warm bedroom that is not a glass coffin behind a morgue door. Lie down on your bed not made of ice. Stick your fingers in your ears. Do you hear that? The pulse of life from your heart, the slow in-and-out from your lungs? Even when you are silent, even when you block out all noise, your body is still a cacophony of life. Mine is not. It is the silence that drives me mad. The silence that drives the nightmares to me. Because what if I am dead? How can someone without a beating heart, without breathing lungs live like I do? I must be dead. And this is my greatest fear: After 301 years, when they pull my glass coffin from this morgue, and they let my body thaw like chicken meat on the kitchen counter, I will be just like I am now. I will spend all of eternity trapped in my dead body. There is nothing beyond this. I will be locked within myself forever. And I want to scream. I want to throw open my eyes wake up and not be alone with myself anymore, but I can't. I can't.
Beth Revis (Across the Universe (Across the Universe, #1))
There is a tendency to treat our relationship with Jesus like the diet we keep meaning to start. I’m going to start eating right, as soon as I finish off this chicken chimichanga. Tomorrow for sure. We treat our relationship with Jesus like the workout program we keep meaning to start. We go to bed telling ourselves, “Tomorrow I’m going to wake up early and exercise.” But the following night we find ourselves getting into bed promising, “Tomorrow for sure.
Kyle Idleman (Not a Fan: Becoming a Completely Committed Follower of Jesus)
I still remember the moment. I ordered a chicken salad and it tasted like chalk. I knew I was depressed. And I went downhill so fast. That’s when I really started drinking. I just did everything to fuck myself up to the bitter end. I would just black out and drink and black out and drink and black out and drink. I always left suicide notes: if I don’t wake up, call my mother. I was using alcohol to kill myself. It was the easiest drug I knew; it was cheap; it was accessible. And it is respectable.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
We danced in the handkerchief-big space between the speak-easy tables, in which stood the plates of half-eaten spaghetti or chicken bones and the bottles of Dago red. For about five minutes the dancing had some value in itself, then it became very much like acting out some complicated and portentous business in a dream which seems to have a meaning but whose meaning you can't figure out. Then the music was over, and stopping dancing was like waking up from the dream, being glad to wake up and escape and yet distressed because now you won't ever know what it had been all about.
Robert Penn Warren (All the King's Men)
IT’S DISTURBING TO WAKE UP as a chicken.
Rick Riordan (The Throne of Fire (Kane Chronicles, #2))
True story: Some homeowner’s burning a yard pile just like this one. And he goes inside for lemonade and opens the cabinet under the sink to toss something in the trash, and this rat’s down in the bottom, gnawing a chicken bone. The rat had been driving the guy crazy for months, living in the walls and scampering through the attic at night like it had combat boots. So the guy grabs a rolling pin and beats it to death. Then he takes it outside and throws it on the burning pile.” “Good story,” said Coleman. “What’s the problem?” “The rat’s not dead. The heat wakes him up. It jumps off the pile and makes a beeline for the house. Except now its fur’s on fire. The homeowner tries to intercept, but it zips between his legs, runs back inside and gets in the walls. Ignited the insulation. Whole place burned down.
Tim Dorsey (Atomic Lobster Free with Bonus Material)
That brings us to the third bond,” Elizabeth said, pointing at another set of molecules, “the hydrogen bond—the most fragile, delicate bond of all. I call this the ‘love at first sight’ bond because both parties are drawn to each other based solely on visual information: you like his smile, he likes your hair. But then you talk and discover he’s a closet Nazi and thinks women complain too much. Poof. Just like that the delicate bond is broken. That’s the hydrogen bond for you, ladies—a chemical reminder that if things seem too good to be true, they probably are.” She walked back behind the counter and, exchanging the marker for a knife, took a Paul Bunyan swing at a large yellow onion, cleaving it in two. “It’s chicken pot pie night,” she announced. “Let’s get started.” “See?” a woman in Santa Monica demanded as she turned to her sullen seventeen-year-old daughter, the girl’s eyeliner so thick, it looked as if planes could land there. “What did I tell you? Your bond with that boy is hydrogen only. When are you going to wake up and smell the ions?” “Not this again.” “You could go to college. You could be something!” “He loves me!” “He’s holding you back!” “More after this,” Elizabeth said as the cameraman indicated a commercial break.
Bonnie Garmus (Lessons in Chemistry)
He wrote all the time except during those late-afternoon hours between night and day when he didn't know what to do with himself. When work was over and the evening hadn't yet begun. He saw people going about their business, on their way home on the streetcars, walking with the evening newspaper in their hands. He looked at the dull gray of the city as it settled to dark, the clatter of dishes, children's heads bent over books, cooking smells -- chicken, stews, soups -- drifting into the street. It was in the pauses, in the space between notes, in the slips and breaks, a kind of slow steady interval as if one thing could lead to the next. As if you could go to sleep and wake up and it would be a new day and somehow things would be different than they'd been before. But Benny knew otherwise. Life didn't get better as it went along. It got narrower as if you were walking through a tunnel that was closing in on you, toward a distant beam of light that kept receding. Life got slower and the pauses got longer. Benny didn't mind the day when he was busy, and he waited for the night when he'd go somewhere and listen or play if they let him. It was the in-between time when he felt lost.
Mary Morris (The Jazz Palace)
With the mistaken premise that my stay-at-home work and his accomplished career required equal emotional energy, I couldn’t understand where he got the vigor to worry about his ego being rejected or his sex drive being ignored. For me, it was all hands on deck, between our kids and our house and our work. Sex, passion, romance, I thought, could certainly wait. And maybe some part of me reasoned that when I had suffered a loss, he had been too busy to support me. So what could he possibly ask of me now? But now, in the fresh mental air of my momspringa, I start to understand the kind of neglect John must have felt when I fell asleep in one of the kids’ beds every night or stopped kissing him hello and instead threw a preschooler into his arms the minute he walked in the door. At the moment I’m walking in his shoes: my children are cared for by someone else, my days are spent in rich mental exercise, I get plenty of sleep, and I go to the gym every day. In other words, I have the emotional energy to think about desire and how good it feels to be wanted. Yes, John had clean pressed shirts without having to ask, and yes, we had family dinners together that looked perfect and tasted as good, and yes, he never had to be on call when Joe started getting bullied for the first time or when Cori’s tampon leaked at a diving tournament. Yet while I was bending over backward to meet his children’s every need, his own were going ignored. And was it the chicken or the egg that started that ball rolling? If he had, only once, driven the carpool in my place, would I have suddenly wanted to greet him at the door in Saran Wrap? Or was I so incredibly consumed with the worry-work of motherhood that no contribution from him would have made me look up from my kids? I don’t know. I only know that in this month, when I have gotten time with friends, time for myself, positive attention from men, and yep, a couple of nice new bras, parts of me that were asleep for far too long are starting to wake up. I am seeing my children with a new, longer lens and seeing how grown up they are, how capable. I am seeing John as the lonely, troubled man he was when he walked out on us and understanding, for the first time, what part I played in that. I am seeing Talia’s lifestyle choices—singlehood, careerism, passionate pursuits—as less outrageous and more reasonable than ever before. And most startling of all, I am seeing myself looking down the barrel of another six years of single parenting, martyrdom, and self-neglect and feeling very, very conflicted.
Kelly Harms (The Overdue Life of Amy Byler)
I think my cats are trying to kill me by putting catnip in my food. I sense disappointment in them when I wake up in the morning.
David Hammons (The Bean Straw: The Chicken Factor)
Kindness - 1952- Before you know what kindness really is you must lose things, feel the future dissolve in a moment like salt in a weakened broth. What you held in your hand, what you counted and carefully saved, all this must go so you know how desolate the landscape can be between the regions of kindness. How you ride and ride thinking the bus will never stop, the passengers eating maize and chicken will stare out the window forever. Before you learn the tender gravity of kindness you must travel where the Indian in a white poncho lies dead by the side of the road. You must see how this could be you, how he too was someone who journeyed through the night with plans and the simple breath that kept him alive. Before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing. You must wake up with sorrow. You must speak to it till your voice catches the thread of all sorrows and you see the size of the cloth. Then it is only kindness that makes sense anymore, only kindness that ties your shoes and sends you out into the day to gaze at bread, only kindness that raises its head from the crowd of the world to say It is I you have been looking for, and then goes with you everywhere like a shadow or a friend.
Naomi Shihab Nye
Just as chickens wake up and scream, being reborn is the polar opposite. You are blinded by bliss and numb to such pain.
Jordan Binless
She'd make all the ingredients individually for her kimchi-jjigae," he went on. "Anchovy stock. Her own kimchi, which made the cellar smell like garlic and red pepper all the time. The pork shoulder simmering away. And when she'd mix it all together..." He trailed off, tipping his head back against the seat. It was the first movement he'd made over the course of his speaking; his hands rested still by his sides. "It was everything. Salty, sour, briny, rich, and just a tiny bit sweet from the sesame oil. I've been trying to make it for years, and mine has never turned out like hers." My anxiety manifestation popped up out of nowhere, hovering invisibly over one off Luke's shoulders. The boy doesn't know that the secret ingredient in every grandma's dish is love. He needs some more love in his life, said Grandma Ruth, eyeing me beadily. Maybe yours. Is he Jewish? I shook my head, banishing her back to the ether. "I get the feeling," I said. "I can make a mean matzah ball soup, with truffles and homemade broth boiled for hours from the most expensive free-range chickens, and somehow it never tastes as good as the soup my grandma would whip up out of canned broth and frozen vegetables." Damn straight, Grandma Ruth said smugly. Didn't I just banish you? I thought, but it was no use. "So is that the best thing you've ever eaten?" Luke asked. "Your grandma's matzah ball soup?" I shook my head. I opened my mouth, about to tell him about Julie Chee's grilled cheese with kimchi and bacon and how it hadn't just tasted of tart, sour kimchi and crunchy, smoky bacon and rich, melted cheese but also belonging and bedazzlement and all these feelings that didn't have names, like the dizzy, accomplished feeling you'd get after a Saturday night dinner rush when you were a little drunk but not a lot drunk because you had to wake up in time for Sunday brunch service, but then everything that happened with Derek and the Green Onion kind of changed how I felt about it. Painted over it with colors just a tiny bit off. So instead I told him about a meal I'd had in Lima, Peru, after backpacking up and down Machu Picchu. "Olive tofu with octopus, which you wouldn't think to put together, or at least I wouldn't have," I said. The olive tofu had been soft and almost impossibly creamy, tasting cleanly of olives, and the octopus had been meaty and crispy charred on the outside, soft on the inside.
Amanda Elliot (Sadie on a Plate)
The Welsh are swine,” said the one-legged man in reply to a question from his son. “Absolute swine. The English are swine, too, but not as bad as the Welsh. Though really they’re the same, but they make an effort not to seem it, and since they know how to pretend, they succeed. The Scots are bigger swine than the English and only a little better than the Welsh. The French are as bad as the Scots. The Italians are little swine. Little swine ready and willing to gobble up their own swine mother. The same can be said of the Austrians: swine, swine, swine. Never trust a Hungarian. Never trust a Bohemian. They’ll lick your hand while they devour your little finger. Never trust a Jew: he’ll eat your thumb and leave your hand covered in slobber. The Bavarians are also swine. When you talk to a Bavarian, son, make sure you keep your belt fastened tight. Better not to talk to Rhinelanders at all: before the cock crows they’ll try to saw off your leg. The Poles look like chickens, but pluck four feathers and you’ll see they’ve got the skin of swine. Same with the Russians. They look like starving dogs but they’re really starving swine, swine that’ll eat anyone, without a second thought, without the slightest remorse. The Serbs are the same as the Russians, but miniature. They’re like swine disguised as Chihuahuas. Chihuahuas are tiny dogs, the size of a sparrow, that live in the north of Mexico and are seen in some American movies. Americans are swine, of course. And Canadians are big ruthless swine, although the worst swine from Canada are the French-Canadians, just as the worst swine from America are the Irish-American swine. The Turks are no better. They’re sodomite swine, like the Saxons and the Westphalians. All I can say about the Greeks is that they’re the same as the Turks: bald, sodomitic swine. The only people who aren’t swine are the Prussians. But Prussia no longer exists. Where is Prussia? Do you see it? I don’t. Sometimes I imagine that while I was in the hospital, that filthy swine hospital, there was a mass migration of Prussians to some faraway place. Sometimes I go out to the rocks and gaze at the Baltic and try to guess where the Prussian ships sailed. Sweden? Norway? Finland? Not on your life: those are swine lands. Where, then? Iceland, Greenland? I try but I can’t make it out. Where are the Prussians, then? I climb up on the rocks and search for them on the gray horizon. A churning gray like pus. And I don’t mean once a year. Once a month! Every two weeks! But I never see them, I can never guess what point on the horizon they set sail to. All I see is you, your head in the waves as they wash back and forth, and then I have a seat on a rock and for a long time I don’t move, watching you, as if I’ve become another rock, and even though sometimes I lose sight of you, or your head comes up far away from where you went under, I’m never afraid, because I know you’ll come up again, there’s no danger in the water for you. Sometimes I actually fall asleep, sitting on a rock, and when I wake up I’m so cold I don’t so much as look up to make sure you’re still there. What do I do then? Why, I get up and come back to town, teeth chattering. And as I turn down the first streets I start to sing so that the neighbors tell themselves I’ve been out drinking down at Krebs’s.
Roberto Bolaño (2666)
I broke in, suggesting he should have a drink first so as to avoid the risk —to him—of having his tongue roll up into a ball and—to me—of having my lug-holes hammered at without doing my brains any good whatsoever. He agreed with a gesture which consisted of holding up a small cask of Tokay at arm’s length above his head and my head respectively, the unimpeded flow from the open bung-hole sloshing into our stomachs in accordance with the method known as “never letting it touch the sides.” Then he took up his story rather more clearly: “The Kaffir, who tended the garden and looked after the chickens, in Cracow, used to sleep in the pigeon loft. He said it was ‘very good for the breath.’ One night, I had this terrifying dream. A huge corkscrew, which was the earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug but not hanging on so well, slither and stumble over the helix, and with my thoughts sent whirling down moving staircases made of a priori shapes. Suddenly, the fatal moment, there is a loud crack, my neck snaps, I fall flat on my face and I emerge in a splash of sparks before the Kaffir who had come to wake me. He says: ‘Did you have an attack of the nasties, then? Come and look at this.’ And he leads me to the pigeon loft and gets me to peep through a hole in the wall. I put my eye to it. I see a terrifying sight: a huge corkscrew, which was the Earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug, but not hanging on so well. …” Eyes popping, the bumps on his forehead lit up, his moustache bristling, little Sidonius began the story again, which slotted into itself endlessly like the popular refrains everybody knows. He spoke feverishly, mangling his words. I listened, paralyzed with horror, at least ten times to his appalling rotating story. Then I went off to get a drink.
René Daumal (A Night of Serious Drinking)
Moochie, I hope that wherever you are, you can catch every cat you chase, that you get to eat every chicken wing you find, and that nobody complains when you wake them up in the middle of the night and pretend you have to go out just so you can nudge them out of the warm spot in the bed.
Jennifer Weiner (The Summer Place)
There was one month I’ll never forget, the worst month of my life. We were so broke that for weeks we ate nothing but bowls of marogo, a kind of wild spinach, cooked with caterpillars. Mopane worms, they’re called. Mopane worms are literally the cheapest thing that only the poorest of poor people eat. I grew up poor, but there’s poor and then there’s “Wait, I’m eating worms.” Mopane worms are the sort of thing where even people in Soweto would be like, “Eh … no.” They’re these spiny, brightly colored caterpillars the size of your finger. They’re nothing like escargot, where someone took a snail and gave it a fancy name. They’re fucking worms. They have black spines that prick the roof of your mouth as you’re eating them. When you bite into a mopane worm, it’s not uncommon for its yellow-green excrement to squirt into your mouth. For a while I sort of enjoyed the caterpillars. It was like a food adventure, but then over the course of weeks, eating them every day, day after day, I couldn’t take it anymore. I’ll never forget the day I bit a mopane worm in half and that yellow-green ooze came out and I thought, “I’m eating caterpillar shit.” Instantly I wanted to throw up. I snapped and ran to my mom crying. “I don’t want to eat caterpillars anymore!” That night she scraped some money together and bought us chicken. As poor as we’d been in the past, we’d never been without food. That was the period of my life I hated the most—work all night, sleep in some car, wake up, wash up in a janitor’s sink, brush my teeth in a little metal basin, brush my hair in the rearview mirror of a Toyota, then try to get dressed without getting oil and grease all over my school clothes so the kids at school won’t know I live in a garage. Oh, I hated it so much. I hated cars. I hated sleeping in cars. I hated working on cars. I hated getting my hands dirty. I hated eating worms. I hated it all.
Trevor Noah (Born A Crime: Stories from a South African Childhood)
So anyway, we took our seats, and I can’t remember how far we’d got through the meal when we became aware of a kerfuffle at the door and turned to see that His Royal Highness Sir Richard Branson was arriving. And he was very, very drunk. Now, by this time we’d already had our fill of Sir Richard, because earlier in the day he’d arrived at the circuit with all the pomp and ceremony of a returning hero. With a bevy of flag-bearing dolly birds in his wake, he’d marched up and down the paddock, waving, grinning and giving the thumbs up to his adoring public, who were, in fact, wondering what he was doing there in the first place. The reason, of course, was that he had a couple of stickers on our car. A million bucks’ worth of sponsorship, which is a lot of money but in F1 sponsorship terms, chicken feed. And yet he was behaving as though he had bank-rolled the whole thing. I can’t say he’d won a lot of admirers with that stunt, but at the end of the day he’s national treasure Sir Richard Branson, famous publicity seeker, so you cut him some slack. It’d be like hating a dog for barking at the telly. They can’t help it. It’s just what they do. What he did in the restaurant was less excusable. However, before I go on, it’s only right and proper for me to point out that he apologised for what happened that night, and even said that he gave up drinking for months afterwards. Not only that, but the press had a field day at the time and no Branson blush was spared. With all that penance paid you might think that he’s done his time and by rights I should leave out this story.
Jenson Button (Life to the Limit: My Autobiography)
And suddenly he was by my side and I was standing and he was ducking down to kiss me. Our lips met with a gentle thrill down the back of my neck. This wasn't a fiery kiss, one that foretold clothes tearing and fuck mes. It was a soft kiss, a sweet kiss, one that brought with it promises of waking up next to each other every morning and him bringing me chicken soup when I was sick and me slowly stealing all of his hoodies because they smelled like him. I pulled away and nestled my cheek into his shoulder. He leaned his head down and pressed a kiss to my forehead. "Does this mean you're my boyfriend now? However high school that sounds." "It means I'm your boyfriend," he said. "Does it mean you're my girlfriend? Do you want me to write a note where you can check off the yes or no box?" This next kiss melted me. Now came the clothes tearing, the sweeping of plastic plates off the table, the gasping as he bent over me and I but his earlobe and he groaned into the curve of my neck. Who needed pastries? This was better than any dessert.
Amanda Elliot (Best Served Hot)
Ha- I may have them I need to find out, I ran from inside there and found the yellow overpass, and fowl over everything and everyone, with gray wings, it was a night sky, all the light made me glow even more, to the dying world below. I want to fly to him or her or someone that loves me to get that white one that I should have. I have seen it all now, or so I think I do; yet will I remember when, I wake up in my bed undead, like all the days before. I killed myself- it’s what they all see… I see the three rivers run through me now over my head, yet that is fine, I will- drowned- that’s fine- to stop all this… I cannot take what I am doing or see any longer. I kissed a girl, Jenny said, we all just about crap ourselves. I want to go home and sleep this off, said Madalyn was also known as Maddie, wanted you to come home with me, Olivia was also known as Liv, but I- she would not let us or for we all running after crazy Karly that is all freaked up in the head these days. She’s going to do it- she’s going to do it this time. Right before the real came, she flowed out the door crying. She was freaking out waving her hands like a girl on drugs! Jenny was hugely relieved after telling us- ‘She is not going to go over, tee-he-ing- Saying ‘Chick-en sh-it, freaking- do it.
Marcel Ray Duriez (Nevaeh They Call Out)
Mama, is that Aunt Eula’s chicken recipe?” Emily tore into a drumstick with enough fervor for both of them. “Sure is.” Her aunts had been up since before dawn cooking. The sweets table was piled with pies and sponge cake with fresh berries and Aunt Marline’s divinity fudge. She picked at her chicken, feeling her appetite improving with each bite of familiar cooking. “Can I have seconds, Mama?” “Of course. let me get some for you.” Alaine took Em’s plate to the buffet, still loaded with more food than an army could do away with. She chose a drumstick from the plate of chicken, then froze. “Now, Stella, it’s quaint,” Mrs. Mark Grafton, Pierce’s mother. Alaine stiffened. “They’ve done the best they can— and I think they rather expected us to enjoy a country luncheon.” “But chicken fricassee? For a wedding luncheon? Are they going to have us dance a reel next?” A woman younger than Mrs. Grafton, but bearing the same sharp dark eyes, tittered quietly. “I told Pierce they should have a fish course, at least. And a consommé. Of course I knew an aspic would be asking far too much.” “Pierce always did have an independent streak.” Stella said this as though it were a blight. “Marrying some country nobody when the Harris girls or Georgia Lawson would have—” “Not polite to speak of it now, dear,” Mrs. Grafton said with a tone that told Alaine it was only propriety keeping her from joining. Alaine seethed. Delphine wasn’t a nobody— she was better than any of these Perrysburg ninnies. “Pierce has his career to consider, that’s all I’m saying. She can’t go blundering about, mucking that up. After all, we stand to catch the ill effects of any mistakes she makes.” “I’ve advised Pierce how to handle himself, and he’ll make sure she knows her place. You needn’t concern yourself with your brother’s affairs.” Mrs. Grafton swept away in a wake of heady perfume, but not before Alaine heard her add in a sharp whisper, “He didn’t listen to me about marrying the girl, why do you think he’d listen about a fish course?” Neither Grafton woman had noticed Alaine; they were, Alaine presumed, well practiced in ignoring anything that didn’t benefit them specifically. Country nobody, indeed— Del would show them all up before Christmas. If the best chicken in the county wasn’t good enough for the Graftons, she would enjoy it double.

Rowenna Miller (The Fairy Bargains of Prospect Hill)
There weren’t even generally accepted procedures for accounting in the poultry industry. As Jackson researched the industry, he found only one slim pamphlet that discussed how to account for operations at a vertically integrated chicken company. The business was simply too new to have well-defined practices. Like everyone else at Tyson, Jackson found himself making up new rules as he went along and building the foundation for a new industry in his wake. As luck would have it, the new industry was arising at the perfect moment in history. American dining habits were fundamentally shifting, opening the door to a new era of poultry production.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
In politics, I don’t know which came first, the rubber chicken policies, or the eggheadedness.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
The Kaffir, who tended the garden and looked after the chickens, in Cracow, used to sleep in the pigeon loft. He said it was "very good for the breath": One night, I had this terrifying dream. A huge corkscrew, which was the earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug but not hanging on so well, slither and stumble over the helix, and with my thoughts sent whirling down moving staircases made of a priori shapes. Suddenly, the fatal moment, there is a loud crack, my neck snaps, I fall flat on my face and I emerge in a splash of sparks before the Kaffir who had come to wake me. He says: "Did you have an attack of the nasties, then? Come and look at this": And he leads me to the pigeon loft and gets me to peep through a hole in the wall. I put my eye to it. I see a terrifying sight: a huge corkscrew, which was the Earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug, but not hanging on so well....' Eyes popping, the bumps on his forehead lit up, his moustache bristling, little Sidonius began the story again, which slotted into itself endlessly like the popular refrains everybody knows. He spoke feverishly, mangling his words. I listened, paralyzed with horror, at least ten times to his appalling rotating story. Then I went off to get a drink.
René Daumal (A Night of Serious Drinking)
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
She breaks into some remixed version of the funky chicken on crack before trying to twerk. And while that dance should not be performed by anyone – man, woman, or child—Ally most definitely should never, ever try it. At first I think she’s got butt cramps. Or her ass fell asleep and she’s trying to wake it up. I can’t even begin to ask, too overcome with hilarity to form coherent words. Shit, even I’m snorting a little.
S.L. Jennings (Taint (Sexual Education, #1))
My mother gets up and puts the needle back to the start of the record or onto a select song. Light ones, famous with tourists, aren't her favorites. She prefers those that tear like an ache in your heart. Afterwards, she exhales a deep breath and looks up as if she is waking to the clap of a hypnotist. She leaves the smoky club, the sulfurous streetlights, the even darker cars, the clouds of ouzo in glasses, plates of chicken livers crusted with oregano and salt, and the man with a mustache at the door who calls the hat check girl his 'little doll.
Georgia Scott (American Girl: Memories That Made Me)
The definition for the “Poop Deck” as found in nautical books would lead you to believe that the name was derived from the French word for the stern of the ship, la poupe which in turn was derived from the Latin puppis. On sailing ships this deck was higher than the main deck, making it ideal to navigate from. It also was where the binnacle and ship’s wheel were located for the helmsman. The deck of the poop deck formed the roof or overhead of the Captain’s cabin making it convenient for the Captain to reach. His after cabin was frequently irreverently referred to as the “poop cabin!” As wooden ships with iron men were replace with wooden men on iron ships, the navigational functions, with the exception of setting the sails, were moved to the bridge. According to my father who was a ship’s cook in the early 1920’s, the term poop deck remained, but took on a totally different meaning. During the turn of the last century, with coal fired reciprocating steam engines replacing wind and sails, this rear deck was where animals were kept to be butchered for food. Salted meat packed in barrels and the lack of fresh vegetables was the frequent cause of constipation and even worse scurvy. Many ships of that era, and before, didn’t yet have refrigeration and this was the way they continued to have fresh meat. A cabin boy tended to the chickens, pigs, lambs and goats and it was up to the butcher or cooks to slaughter and quarter them. Of course the deck nearest the stern was ideal for this, leaving the ensuing smell behind in the wake of the ship. Seldom is the term “Poop Deck” used now since with the advent of cruise ships nautical terms are fading. Bunks have become beds, cabins became staterooms and the head is now the restroom. Oh, what has become of the days of yore?
Hank Bracker
They'd spent too long arranging their lives around their husbands and children; trying to mine happiness from the happiness of other people. Always the first to wake up and the last to go to bed, always the least favored piece of chicken from the dinner platter.
Elizabeth McCracken (Bowlaway)
Dear Diary, “Z! Get up for school!” my mom yelled at me this evening. The sun had just gone down, and the moon was on the way up, which meant that it was time to get ready for school. My name is Zombulon, Z for short, and I’m a zombie. Looking at my name and what kind of creature I am really makes my parents look lazy, but I don’t think that they ever imagined that they’d have another kid after my older brother because his name is Arrgh, or R for short. My parents are really into one-letter nicknames. Once my brother called my parents M and D for a while, but they didn’t like that at all. It really wasn’t fair. What also isn’t fair is that I’ve got to wake up right at nightfall for school when all of the other kids get to wake up at the crack of dawn. I bet they all feel really lucky about it. It must be great to be able to wake up to the sun in your eyes instead of having to go to bed when it comes up. Being a zombie is really complicated for a lot of reasons, but my main complaint is that I can’t go outside during the day because if I do I’ll burn up. It’s like all of those stories about vampires who turn to dust in the sunlight, except for zombies are real and I just happen to be one of them. Because zombies can’t go out into the sun, most of them tend to be afraid of anything that can go into the sun and live to tell the tale. I swear that once R ran away from a chicken just because he had never seen one before. It was pretty funny. The punch in the arm that he gave me after I laughed at him was not funny. Another weird thing about being a zombie, or a monster in general around here, is that we’ve all got to go to night school. Usually, when humans talk about night school, they’re complaining about adults who they think are dumber than them for not going to college right away and waiting to take classes after work or something. My mom complains about it every once in a while, and then my dad reminds her that their best human friend went to night school and now he’s loaded. Anyway, monster night school is different. It’s just a bunch of kids like me going to school together at night. Zombies, skeletons, pigmen, and other monsters are all allowed to go to the school. Personally, I think that the humans and villagers just don’t want us to scare their kids. Anyway, Mom’s pitching a fit downstairs, so I guess that I better get ready for school. After all, it is my first day of middle school, so she wants everything to be extra special for me. I’m going to write all about it tomorrow when I actually have some news. I’m sure I will because today is going to be the first day of school this year, and new stuff always happens on the first day.
M.C. Steve (Diary of a Wimpy Zombie: Book 1 (Diary of a Wimpy Zombie #1))
What Death Is Whenever the weather is half-decent, my dad and his motorcycle are one—cruising up the back roads into the Virginia hills in search of a lunch spot with the best fried chicken. And, on certain warm weekends, for twenty minutes or so around town, my dad and his motorcycle and Benny are one. Freddy has no interest in the bike—he has hated the noise since he was a baby—but Benny has the bug, the need for speed as he and my dad like to say, giving each other five. My broken skeleton and I stay home these days. It’s not like me to allow something so reckless as my kid on a motorcycle. Of course they wear helmets and my Dad is a paragon of safety, but this is objectively not a prudent idea—or possibly even a legal one. It’s something else completely: perilous and fantastic. I think of the five-point harness booster seat in my car and wonder at the incredible contortions that logic can do. I love watching Benny’s arms wrapped firm at my dad’s waist. Benny tells me his favorite part about it is that he likes to holler really loudly when they are going fast. “I scream whooooo-eeeeeeee up into the air and it makes me feel good!” My dad tells me that one time, on one of their more ambitious outings—about fifteen minutes in to a smooth ride just outside town—he could feel Benny’s arms start to slacken their grip. And he could feel the helmet resting on his back. Benny was falling asleep. “Come on, Benny—stay with me!” he said, jostling his torso gently to try to wake him up without startling him. Benny woke up. “You can’t do that again,” my dad said as they waited at a red light. “It’s not safe. You have to stay awake so you can hold on.” “But it sure felt good,” said Benny, who was able to hold it together the rest of the way home. I think of this feeling sometimes—and I can imagine that sort of letting go: warm, dangerous, seductive. What if this is what death is: The engine beneath you steady; those that hold you strong; the sun warm? I think maybe it wouldn’t be so bad to fall into that, to loosen the grip at the waist, let gravity and fate take over—like a thought so good you can’t stop having it.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Something was going to break, something has broken. You no longer feel — how to put it? — held up: it is as if some thing which, it seemed to you, it seems to you, fortified you until then, gave warmth to your heart, something like the feeling of your existence, of your importance almost, the impression of belonging to or of being in the world, is starting to slip away from you. And yet you are not one of those people who spend their waking hours wondering if they exist, and why, where they came from, what they are, where they are going. You have never seriously agonised over the chicken and the egg. Metaphysical torments have not significantly ravaged your noble countenance. But nothing remains of that arrow-like trajectory, of that forward movement in which, for as long as you can remember, you have been led to recognise your life, that is to say its meaning, its truth, its tension: a past rich in fruitful experiences, lessons well learned, joyous childhood memories, sun-bathed country idylls, bracing sea breezes, a dense present, compact and taut, like a coiled spring, a productive, verdant, airy future. Your past, your present and your future merge into one.
Georges Perec (Un homme qui dort)
The typical day went something like this. I’d wake up at 4:30 a.m., munch a banana, and hit the ASVAB books. Around 5 a.m., I’d take that book to my stationary bike where I’d sweat and study for two hours. Remember, my body was a mess. I couldn’t run multiple miles yet, so I had to burn as many calories as I could on the bike. After that I’d drive over to Carmel High School and jump into the pool for a two-hour swim. From there I hit the gym for a circuit workout that included the bench press, the incline press, and lots of leg exercises. Bulk was the enemy. I needed reps, and I did five or six sets of 100–200 reps each. Then it was back to the stationary bike for two more hours. I was constantly hungry. Dinner was my one true meal each day, but there wasn’t much to it. I ate a grilled or sautéed chicken breast and some sautéed vegetables along with a thimble of rice. After dinner I’d do another two hours on the bike, hit the sack, wake up and do it all over again, knowing the odds were stacked sky high against me. What I was trying to achieve is like a D-student applying to Harvard, or walking into a casino and putting every single dollar you own on a number in roulette and acting as if winning is a foregone conclusion. I was betting everything I had on myself with no guarantees.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)