β
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
We are flawed creatures, all of us. Some of us think that means we should fix our flaws. But get rid of my flaws and there would be no one left.
β
β
Sarah Vowell (Take the Cannoli)
β
Two words. Three vowels. Four constenants. Seven letters. It can either cut you open to the core and leave you in ungodly pain or it can free your soul and lift a tremendous weight off you shoulders. The phrase is: It's over.
β
β
Maggi Richard
β
Say something in Mandarin,β said Tessa, with a smile.
Jem said something that sounded like a lot of breathy vowels and
consonants run together, his voice rising and falling melodically: βNi
hen piao liang.β
βWhat did you say?β Tessa was curious.
βI said your hair is coming undone β here,β he said, and reached out
and tucked an escaping curl back behind her ear. Tessa felt the blood
spill hot up into her face, and was glad for the dimness of the
carriage. βYou have to be careful with it,β he said, taking his hand
back, slowly, his fingers lingering against her cheek.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
Always end the name of your child with a vowel, so that when you yell the name will carry.
β
β
Bill Cosby
β
It is late now, I am a bit tired; the sky is irritated by stars. And I love you, I love you, I love you β and perhaps this is how the whole enormous world, shining all over, can be created β out of five vowels and three consonants.
β
β
Vladimir Nabokov (Letters to Vera)
β
She laughed and laughed and laughed until the vowels were rolling across the walls and floors, as if they meant to do away with the laws of time and space.
β
β
Fredrik Backman (A Man Called Ove)
β
With a gun barrel between your teeth, you speak only in vowels.
β
β
Chuck Palahniuk
β
[Calvin and Hobbes are playing Scrabble.]
Calvin: Ha! I've got a great word and it's on a "Double word score" box!
Hobbes: "ZQFMGB" isn't a word! It doesn't even have a vowel!
Calvin: It is so a word! It's a worm found in New Guinea! Everyone knows that!
Hobbes: I'm looking it up.
Calvin: You do, and I'll look up that 12-letter word you played with all the Xs and Js!
Hobbes: What's your score for ZQFMGB?
Calvin: 957.
β
β
Bill Watterson (Scientific Progress Goes "Boink": A Calvin and Hobbes Collection)
β
It's a hard spell and an old spell, and it works only if you understand the Great Vowel Shift of the Sixteenth Century - and if you're stupidly in love.
β
β
Rainbow Rowell (Carry On (Simon Snow, #1))
β
I no longer drink nearly as much as I used to but, still, my motto is Sine coffea nihil sum. Without coffee, I'm nothing.
β
β
Sarah Vowell
β
Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.
β
β
Sarah Vowell
β
Like Lincoln, I would like to believe the ballot is stronger than the bullet. Then again, he said that before he got shot.
β
β
Sarah Vowell (Assassination Vacation)
β
Er," Henry says, adding to the list of vowel sounds he has to show for himself. It is, unfortunately, also sexy. After all these weeks, the bar is low.
β
β
Casey McQuiston (Red, White & Royal Blue)
β
I love you, my sun, my life, I love your eyes-closed- all the little tails of your thoughts, your stretchy vowels, your whole soul from head to heels.
β
β
Vladimir Nabokov (Letters to Vera)
β
Buffy's high school was built on top of a vortex of evil, the Hellmouth. And whose wasn't?
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
The only thing more dangerous than an idea is a belief.
β
β
Sarah Vowell (The Wordy Shipmates)
β
Bill Door was impressed. Miss Flitworth could actually give the word "revenue", which had two vowels and one diphthong, all the peremptoriness of the word "scum.
β
β
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
β
I talk about going to [George W. Bush's] Inauguration and crying when he took the oath, 'cause I was so afraid he was going to wreck the economy and muck up the drinking water'... the failure of my pessimistic imagination at that moment boggles my mind now.
β
β
Sarah Vowell
β
I guess if I had to pick a spiritual figurehead to possess the deed to the entirety of Earth, I'd go with Buddha, but only because he wouldn't want it.
β
β
Sarah Vowell (Unfamiliar Fishes)
β
Words reduce reality to something the human mind can grasp, which isnβt very much. Language consists of five basic sounds produced by the vocal cords. They are the vowels a, e, i, o, u. The other sounds are consonants produced by air pressure: s, f, g, and so forth. Do you believe some combination of such basic sounds could ever explain who you are, or the ultimate purpose of the universe, or even what a tree or stone is in its depth?
β
β
Eckhart Tolle
β
The true American patriot is by definition skeptical of the government.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
Behind every bad law, a deep fear.
β
β
Sarah Vowell (The Wordy Shipmates)
β
When I think about my relationship with America, I feel like a battered wife: Yeah, he knocks me around a lot, but boy, he sure can dance.
β
β
Sarah Vowell (Take the Cannoli)
β
There are two kinds of people in the world: the kind who alphabetize their record collections, and the kind who don't.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
You know you've reached a new plateau of group mediocrity when even a Canadian is alarmed by your lack of individuality.
β
β
Sarah Vowell (Assassination Vacation)
β
Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or donβt imagine it. Look outside. Human language is our attempt at navigating Godβs language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.
β
β
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
β
My turn now. The story of one of my insanities.
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
β
β
Arthur Rimbaud
β
In these fast and fickle times, itβs nice to know that there are some things you can always count on: the enduring brilliance of the last page of The Great Gatsby; the near-religious harmonies of the Beach Boysβ βCalifornia Girlsβ; and the lifelong friendship of Matt Damon and Ben Affleck.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
Except for the people who were there that one day they discovered the polio vaccine, being part of history is rarely a good idea. History is one war after another with a bunch of murders and natural disasters in between.
β
β
Sarah Vowell (Assassination Vacation)
β
Where were they from originally? The Seabolts?"
"I don't know, Idaho, Oklahoma, Iowa. One of those red-neck states with vowels on both ends."
"You mean like Alaska?
β
β
Dana Stabenow (Play With Fire (Kate Shugak, #5))
β
That, to me, is the quintessential experience of living in the United States: constantly worrying whether or not the country is about to fall apart.
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
... He'd been about to turn away when she lifted her face to the moon and sang.
It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent
This language was ancient, each word full of power and rage and agony.
She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself.
And the the song finished, its end as butal and sudden as Nehemia's death had been.
She stood there a few moments, silent and unmoving.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
American history is a quagmire, and the more one knows, the quaggier the mire gets.
β
β
Sarah Vowell
β
I couldn't think of anything to say. I was idiotically entranced by the way he said "Grace." The tone of it. The way his lips formed the vowels. The timbre of his voice stuck in my head like music.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I'm always disappointed when I see the word "Puritan" tossed around as shorthand for a bunch of generic, boring, stupid, judgmental killjoys. Because to me, they are very specific, fascinating, sometimes brilliant, judgmental killjoys who rarely agreed on anything except that Catholics are going to hell.
β
β
Sarah Vowell (The Wordy Shipmates)
β
Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
β
β
Patti Smith
β
If a picture paints a thousand words, then a naked picture paints a thousand words without any vowels....
β
β
Josh Stern (And Thatβs Why Iβm Single)
β
So, Mr. Digence, home to visit the family?"
"That's right. My mother's folks are from Killarney."
"Oh, really?"
"O'Reilly, actually. But what's a vowel between friends?"
"Very good. You should be on the stage."
"It's funny you should mention that."
The passport officer groaned. Ten more minutes and his shift would have been over. "I was being sarcastic, actually. . ."
"Because my friend, Mr. McGuire, and I are also doing a stint in the Christmas pantomime. It's Snow White. I'm Doc, and he's Dopey."
The passport officer forced a smile. "Very good. Next."
Mulch spoke for the entire line to hear. "Of course, Mr. McGuire there was born to play Dopey, if you catch my drift."
Loafers lost it right there in the terminal. "You little freak!" he screamed. "I'll kill you! You'll be my next tattoo! You'll be my next tattoo!"
Much tutted as Loafers disappeared beneath half a dozen security guards.
"Actors," he said. "Highly strung.
β
β
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
β
Along with voting, jury duty, and paying taxes, goofing off is one of the central obligations of American citizenship.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
Robert Todd Lincoln, a.k.a. Jinxy McDeath.
β
β
Sarah Vowell (Assassination Vacation)
β
Oh my dear, idealists are the cruelest monsters of them all.
β
β
Sarah Vowell
β
The only thing more dangerous than an idea is a belief. And by dangerous I don't mean thought-provoking. I mean: might get people killed.
β
β
Sarah Vowell (The Wordy Shipmates)
β
But when I am around strangers, I turn into a conversational Mount St. Helens. I'm dormant, dormant, quiet, quiet, old-guy loners build log cabins on the slopes of my silence and then, boom, it's 1980. Once I erupt, they'll be wiping my verbal ashes off their windshields as far away as North Dakota.
β
β
Sarah Vowell (Assassination Vacation)
β
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
If I looked in the mirror someday and saw no dark circles under my eyes, I would probably look better. I just wouldn't look like me.
β
β
Sarah Vowell (Take the Cannoli)
β
Dig deep into its communitarian ethos and it reads more like an America that might have been, an America fervently devoted to the quaint goals of working together and getting along. Of course, this America does exist. It's called Canada.
β
β
Sarah Vowell (The Wordy Shipmates)
β
Perhaps I was being picky, but I really didnβt think being able to spell orgasm without being spotted a vowel was asking too much.
β
β
Summer Daniels (Summer's Journey: Volume One - Losing Control (Summer's Journey, #1))
β
Vowels were something else. He didn't like them and they didn't like him. There were only five of them, but they seemed to be everywhere. Why, you could go through twenty words without bumping into some of the shyer consonants, but it seemed as if you couldn't tiptoe past a syllable without waking up a vowel. Consonants, you know pretty much where you stood, but you could never trust a vowel.
β
β
Jerry Spinelli (Maniac Magee)
β
I have a similar affection for the parenthesis (but I always take most of my parentheses out, so as not to call undue attention to the glaring fact that I cannot think in complete sentences, that I think only in short fragments or long, run-on thought relays that the literati call stream of consciousness but I still like to think of as disdain for the finality of the period).
β
β
Sarah Vowell (Take the Cannoli)
β
Slowly my body grows a single sound, slowly I become a bell, an oval, disembodied vowel, I grow, an owl, an aureole, white fire
poesia "Metamorfosi, I. Luna
β
β
Derek Walcott
β
That's what I like to call him, "the current president." I find it difficult to say or type his name, George W. Bush. I like to call him "the current president" because it's a hopeful phrase, implying that his administration is only temporary.
β
β
Sarah Vowell (Assassination Vacation)
β
Winthrop and his shipmates and their children and their children's children just wrote their own books and pretty much kept their noses in them up until the day God created the Red Sox.
β
β
Sarah Vowell (The Wordy Shipmates)
β
It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.
β
β
Anita Diamant (The Red Tent)
β
Hath Romeo slain himself? Say thou but ay,
And that bare vowel ay shall poison more
Than the death-darting eye of cockatrice.
I am not I,if there be such an ay,
Or those eyes shut,that make thee answer ay:
If he be slain say ay,or if not,no:
Brief sounds,determine of my weal or woe.
β
β
William Shakespeare
β
Greenmantle had always liked the idea of being a mysterious hit man, but that career goal invariably paled in comparison with his enjoyment of going out on the town and having people admire his reputation and driving his Audi with its custom plate (GRNMNTL) and going on cheese holidays in countries that put little hats above their vowels like so: Γͺ.
β
β
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
β
The modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
You know your country has a checkered past when you find yourself sitting around pondering the humanitarian upside of sticking with the British Empire.
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
Despite his consistent party-line voting record, some independents and Democrats still think of Senator McCain as the most palatable, independent-minded Republican. But this is the sort of empty compliment a friend of mine once compared to being called βthe coolest Osmond.
β
β
Sarah Vowell
β
A couple of times he called the second he'd finished reading a novel and just had to tell me about it, and I know it sounds hokey and librarianish to say so, but I just swooned when he did that.
β
β
Sarah Vowell (Take the Cannoli)
β
Listen to them again: βI love you.β Subject, verb, object: the unadorned, impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. βI love you.β How serious, how weighted, how freighted it sounds.
β
β
Julian Barnes (A History of the World in 10Β½ Chapters)
β
...the air has that bracing autumnal bite so that all you want to do is bob for apples or hang a witch or something.
β
β
Sarah Vowell (Unfamiliar Fishes)
β
She is either male property (Mrs.), wannabe male property (Miss), or man-hating harpy (Ms.).
β
β
Sarah Vowell (The Wordy Shipmates)
β
Freedom of expression truly exists only when a societyβs most repugnant nitwits are allowed to spew their nonsense in public.
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
Owen is the most Hitchcockian preschooler I ever met. He's three. He knows maybe ninety word and one of them is 'crypt'?
β
β
Sarah Vowell (Assassination Vacation)
β
No cowboys for Canada. Canada got Mounties instead - Dudley Do-Right, not John Wayne. It's a mind-set of "Here I come to save the day" versus "Yippee-ki-yay, motherfucker.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
If there is a recurring theme in Garfieldβs diaries itβs this: Iβd rather be reading.
β
β
Sarah Vowell (Assassination Vacation)
β
While the melodrama of hucking crates of tea into Boston Harbor continues to inspire civic-minded hotheads to this day, itβs worth remembering the hordes of stoic colonial women who simply swore off tea and steeped basil leaves in boiling water to make the same point. Whatβs more valiant: littering from a wharf or years of doing chores and looking after children from dawn to dark without caffeine?
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
As recently as fifty years ago my grandmother was picking cotton with bleeding fingers. I think about her all the time while I'm getting overpaid to sit at a computer, eat Chinese takeout, and think up things in my pajamas, The half century separating my fingers, which are moisturized with cucumber lotion and type eighty words per minute, and her bloody digits is an ordinary Land of Opportunity parable, and don't think I don't appreciate it.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
Remember that the fool in the eyes of the gods and the fool in the eyes of man are very different. One who is entirely ignorant of the modes of Art in its revolution or the moods of thought in its progress, of the pomp of the Latin line or the richer music of the vowelled Greeks, of Tuscan sculpture or Elizabethan song may yet be full of the very sweetest wisdom. The real fool, such as the gods mock or mar, is he who does not know himself. I was such a one too long. You have been such a one too long. Be so no more. Do not be afraid. The supreme vice is shallowness. Everything that is realised is right
β
β
Oscar Wilde (De Profundis and Other Writings)
β
[Martin Luther King, Jr.] concluded the learned discourse that came to be known as the 'loving your enemies' sermon this way: 'So this morning, as I look into your eyes and into the eyes of all my brothers in Alabama and all over America and over the world, I say to you,'I love you. I would rather die than hate you.''
Go ahead and reread that. That is hands down the most beautiful, strange, impossible, but most of all radical thing a human being can say. And it comes from reading the most beautiful, strange, impossible, but most of all radical civics lesson ever taught, when Jesus of Nazareth went to a hill in Galilee and told his disciples, 'Love your enemies, bless them that curse you, do good to them that hate you.
β
β
Sarah Vowell (The Wordy Shipmates)
β
schwa: The faint vowel sound in many unstressed syllables in the English language. It is signified by the pronunciation "uh" and represented by the symbol upside down e. For example, the e in overlook, the a in forgettable, and the o in run-of-the-mill.
It is the most common vowel sound in the English language.
β
β
Neal Shusterman (The Schwa Was Here (Antsy Bonano, #1))
β
I do not think that there can ever be enough books about anything; and I say that knowing that some of them are going to be about Pilates.
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
Once or twice a day, I am enveloped inside what I like to call the Impenetrable Shield of Melancholy. This shield, it is impenetrable. Hence the name. I cannot speak. And while I can feel myself freeze up, I can't do anything about it.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
When one of a culture's guiding credos is that "all men are created equal," any person who, say, becomes an expert on, say, nuclear weapons or, say, ecology, i.e., anyone who distinguishes himself through mental excellence, is a nuisance.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
I wish that in order to secure his partyβs nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickenson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichaelβs βTwo Sleepy Peopleβ, Johnny Cashβs βFive Feet High and Risingβ, and βYou Got the Silverβ by the Rolling Stones...What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes.
β
β
Sarah Vowell (The Partly Cloudy Patriot)
β
I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what's going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art. But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father's father, and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done.
β
β
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
β
Clemenza's overriding responsibility is to his family. He takes a moment out of his routine madness to remember that he had promised his wife that he would bring dessert home. His instruction to his partner in crime is an entire moral manifesto in six little words: 'Leave the gun. Take the cannoli.
β
β
Sarah Vowell (Take the Cannoli)
β
English was such a dense, tight language. So many hard letters, like miniature walls. Not open with vowels the way Spanish was. Our throats open, our mouths open, our hearts open. In English, the sounds were closed. They thudded to the floor. And yet, there was something magnificent about it. Profesora Shields explained that in English there was no usted, no tu. There was only one wordβyou. It applied to all people. No one more distant or more familiar. You. They. Me. I. Us. We. There were no words that changed from feminine to masculine and back again depending on the speaker. A person was from New York. Not a woman from New York, not a man from New York. Simply a person.
β
β
Cristina HenrΓquez (The Book of Unknown Americans)
β
Nothing like love to put blood
back in the language,
the difference between the beach and its
discrete rocks and shards, a hard
cuneiform, and the tender cursive
of waves; bone and liquid fishegg, desert
and saltmarsh, a green push
out of death. The vowels plump
again like lips or soaked fingers, and the fingers
themselves move around these
softening pebbles as around skin. The sky's
not vacant and over there but close
against your eyes, molten, so near
you can taste it. It tastes of
salt. What touches you is what you touch.
β
β
Margaret Atwood (Selected Poems 2: 1976 - 1986)
β
The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldnβt have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out βItβs a Small World After All,β flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren
β
β
Sarah Vowell (Assassination Vacation)
β
In the U.S.A., we want to sing along with the chorus and ignore the verses, ignore the blues. . . No one is going to hold up a cigarette lighter in a stadium to the tune of "mourn together, suffer together." City on a hill, though -- that has a backbeat we can dance to. And that's why the citizens of the United States not only elected and reelected Ronald Reagan; that's why we ARE Ronald Reagan.
β
β
Sarah Vowell (The Wordy Shipmates)
β
Considering Independence Hall was also where the founders calculated that a slave equals three-fifths of a person and cooked up an electoral college that lets Florida and Ohio pick our presidents, making an adolescent who barely spoke English a major general at the age I got hired to run the cash register at a Portland pizza joint was not the worst decision ever made there.
β
β
Sarah Vowell (Lafayette in the Somewhat United States)
β
Because of the "city upon a hill" sound bite, "A Model of Christian Charity" is one of the formative documents outlining the idea of America. But dig deep into its communitarian ethos and it reads more like an America that might have been, an America fervently devoted to the quaint goals of working together and getting along. Of course, this America does exist. It's called Canada.
β
β
Sarah Vowell (The Wordy Shipmates)
β
However, displayed right alongside all the Confederate flag paraphernalia is a bunch of American flag merch β American flag place mats, patriotic βbody crystals,β flag stickers you attach to your skin. Personally, Iβm small-minded and literal enough that I see the two symbols as contradictory, especially in a time of war. But I fear that the consumer who buys a Confederate flag coffee cup, which she will then put on her American flag place mat, is the sort of sophisticated thinker who is open-minded enough that she is capable of hating blacks and Arabs at the same time.
β
β
Sarah Vowell (Assassination Vacation)
β
Y
That perfect letter. The wishbone, fork in the road, empty wineglass. The question we ask over and over. Why? Me with my arms outstretched, feet in first position. The chromosome half of us don't have. Second to last in the alphabet: almost there. Coupled with an L, let's make an adverb. A modest X, legs closed. Y or N? Yes, of course. Upside-down peace sign. Little bird tracks in the sand.
Y, a Greet letter, joined the Latin alphabet after the Romans conquered Greece in the first century -- a double agent: consonant and vowel. No one used adverbs before then, and no one was happy.
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Marjorie Celona (Y)
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For Americans, Acts 16:9 is the high-fructose corn syrup of Bible verses--an all-purpose ingredient we'll stir into everything from the ink on the Marshall Plan to canisters of Agent Orange. Our greatest goodness and our worst impulses come out of this missionary zeal, contributing to our overbearing (yet not entirely unwarranted) sense of our country as an inherently helpful force in the world. And, as with the apostle Paul, the notion that strangers want our help is sometimes a delusion.
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Sarah Vowell (Unfamiliar Fishes)
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Heaven, such as it is, is right here on earth. Behold: my revelation: I stand at the door in the morning, and lo, there is a newspaper, in sight like unto an emerald. And holy, holy, holy is the coffee, which was, and is, and is to come. And hark, I hear the voice of an angel round about the radio saying, "Since my baby left me I found a new place to dwell." And lo, after this I beheld a great multitude, which no man could number, of shoes. And after these things I will hasten unto a taxicab and to a theater, where a ticket will be given unto me, and lo, it will be a matinee, and a film that doeth great wonders. And when it is finished, the heavens will open, and out will cometh a rain fragrant as myrrh, and yea, I have an umbrella.
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Sarah Vowell (Take the Cannoli)
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The groundswell of outrage over the invasion of Iraq often cited the preemptive war as a betrayal of American ideals. The subtext of the dissent was: 'This is not who we are.' But not if you were standing where I was. It was hard to see the look in that palace tour guide's eyes when she talked about the American flag flying over the palace and not realize that ever since 1898, from time to time, this is exactly who we are.
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Sarah Vowell (Unfamiliar Fishes)
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Until that moment, I hadnβt realized that I embarked on the project of touring historic sites and monuments having to do with the assassinations of Lincoln, Garfield, and McKinley right around the time my country iffily went off to war, which is to say right around the time my resentment of the current president cranked up into contempt. Not that I want the current president killed. Like that director, I will, for the record (and for the FBI agent assigned to read this and make sure I mean no harm β hello there), clearly state that while I am obsessed with death, I am against it.
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Sarah Vowell (Assassination Vacation)
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Parliament would abolish slavery in the British Empire in 1833, thirty years before President Lincoln's Emancipation Proclamation. A return to the British fold in 1778 might have freed American slaves three decades sooner, which is what, an entire generation and a half? Was independence for some of us more valuable than freedom for all of us? As the former slave Frederick Douglass put it in an Independence Day speech in 1852, 'This is your Fourth of July, not mine'.
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Sarah Vowell (Lafayette in the Somewhat United States)
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After Dickinson and Adams had it out over the Olive Branch Petition, Adams wrote to his wife, Abigail, that he and Dickinson βare not to be on speaking terms.β How sad is it that this tiff sort of cheers me up? If two of the most distinguished, dedicated, and thoughtful public servants in the history of this republic could not find a way to agree to disagree, how can we expect the current crop of congressional blockheads to get along?
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Sarah Vowell (Lafayette in the Somewhat United States)
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But I have never had the privilege of unhappiness in Happy Valley. California is about the good life. So a bad life there seems so much worse than a bad life anywhere else. Quality is an obsession thereβgood food, good wine, good movies, music, weather, cars. Those sound like the right things to shoot for, but the never-ending quality quest is a lot of pressure when youβre uncertain and disorganized and, not least, broker than broke. Some afternoons a person just wants to rent Die Hard, close the curtains, and have Cheerios for lunch.
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Sarah Vowell (The Partly Cloudy Patriot)
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But truth be told, I'm not as dour-looking as I would like. I'm stuck with this round, sweetie-pie face, tiny heart-shaped lips, the daintiest dimples, and apple cheeks so rosy I appear in a perpetual blush. At five foot four, I barely squeak by average height. And then there's my voice: straight out of second grade. I come across so young and innocent and harmless that I have been carded for buying maple syrup. Tourists feel more safe approaching me for directions, telemarketers always ask if my mother is home, and waitresses always, always call me 'Hon.
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Sarah Vowell (Take the Cannoli)
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If I'm still wistful about On the Road, I look on the rest of the Kerouac oeuvre--the poems, the poems!--in horror. Read Satori in Paris lately? But if I had never read Jack Kerouac's horrendous poems, I never would have had the guts to write horrendous poems myself. I never would have signed up for Mrs. Safford's poetry class the spring of junior year, which led me to poetry readings, which introduced me to bad red wine, and after that it's all just one big blurry condemned path to journalism and San Francisco.
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Sarah Vowell (Take the Cannoli)
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The best part about being a nerd within a community of nerds is the insularity β itβs cozy, familial, come as you are. In a discussion board on the Web site Slashdot.org about Rushmore, a film with a nerdy teen protagonist, one anonymous participant pinpointed the value of taking part in detail-oriented zealotry:
Geeks tend to be focused on very narrow fields of endeavor. The modern geek has been generally dismissed by society because their passions are viewed as trivial by those people who βsee the big picture.β Geeks understand that the big picture is pixilated and their high level of contribution in small areas grows the picture. They donβt need to see what everyone else is doing to make their part better.
Being a nerd, which is to say going to far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm like detective novels or Ulysses S. Grant.
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Sarah Vowell (The Partly Cloudy Patriot)
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I wish it were different. I wish that we privileged knowledge in politicians, that the ones who know things didn't have to hide it behind brown pants, and that the know-not-enoughs were laughed all the way to the Maine border on their first New Hampshire meet and greet. I wish that in order to secure his party's nomination, a presidential candidate would be required to point at the sky and name all the stars; have the periodic table of the elements memorized; rattle off the kings and queens of Spain; define the significance of the Gatling gun; joke around in Latin; interpret the symbolism in seventeenth-century Dutch painting; explain photosynthesis to a six-year-old; recite Emily Dickinson; bake a perfect popover; build a shortwave radio out of a coconut; and know all the words to Hoagy Carmichael's "Two Sleepy People," Johnny Cash's "Five Feet High and Rising," and "You Got the Silver" by the Rolling Stones. After all, the United States is the greatest country on earth dealing with the most complicated problems in the history of the world--poverty, pollution, justice, Jerusalem. What we need is a president who is at least twelve kinds of nerd, a nerd messiah to come along every four years, acquire the Secret Service code name Poindexter, install a Revenge of the Nerds screen saver on the Oval Office computer, and one by one decrypt our woes.
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Sarah Vowell (The Partly Cloudy Patriot)
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The answer to all questions of life and death, "the absolute solution" was written all over the world he had known: it was like a traveller realising that the wild country he surveys is not an accidental assembly of natural phenomena, but the page in a book where these mountains and forests, and fields, and rivers are disposed in such a way as to form a coherent sentence; the vowel of a lake fusing with the consonant of a sibilant slope; the windings of a road writing its message in a round hand, as clear as that of one's father; trees conversing in dumb-show, making sense to one who has learnt the gestures of their language... Thus the traveller spells the landscape and its sense is disclosed, and likewise, the intricate pattern of human life turns out to be monogrammatic, now quite clear to the inner eye disentangling the interwoven letters. And the word, the meaning which appears is astounding in its simplicity: the greatest surprise being perhaps that in the course of one's earthly existence, with one's brain encompassed by an iron ring, by the close-fitting dream of one's own personality - one had not made by chance that simple mental jerk, which would have set free imprisoned thought and granted it the great understanding.
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Vladimir Nabokov (The Real Life of Sebastian Knight)
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Once, headed uptown on the 9 train, I noticed a sign posted by the Metropolitan Transit Authority advising subway riders who might become ill in the train. The sign asked that the suddenly infirm inform another passenger or get out at the next stop and approach the stationmaster. Do not, repeat, do not pull the emergency brake, the sign said, as this will only delay aid. Which was all very logical, but for the following proclamation at the bottom of the sign, something along the lines of, βIf you are sick, you will not be left alone.β This strikes me as not only kind, not only comforting, but the very epitome of civilization, good government, i.e., the the crux of the societal impulse. Banding together, pooling our taxes, not just making trains, not just making trains that move underground, not just making trains that move underground with surprising efficiency at a fair priceβbut posting on said trains a notification of such surprising compassion and thoughtfulness. I found myself scanning the faces of my fellow passengers, hoping for fainting, obvious fevers, at the very least a sneeze so that I might offer a tissue.
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Sarah Vowell
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All Carolina folk are crazy for mayonnaise, mayonnaise is as ambrosia to them, the food of their tarheeled gods. Mayonnaise comforts them, causes the vowels to slide more musically along their slow tongues, appeasing their grease-conditioned taste buds while transporting those buds to a place higher than lard could ever hope to fly. Yellow as summer sunlight, soft as young thighs, smooth as a Baptist preacher's rant, falsely innocent as a magician's handkerchief, mayonnaise will cloak a lettuce leaf, some shreds of cabbage, a few hunks of cold potato in the simplest splendor, restyling their dull character, making them lively and attractive again, granting them the capacity to delight the gullet if not the heart. Fried oysters, leftover roast, peanut butter: rare are the rations that fail to become instantly more scintillating from contact with this inanimate seductress, this goopy glory-monger, this alchemist in a jar.
The mystery of mayonnaise-and others besides Dickie Goldwire have surely puzzled over this_is how egg yolks, vegetable oil, vinegar (wine's angry brother), salt, sugar (earth's primal grain-energy), lemon juice, water, and, naturally, a pinch of the ol' calcium disodium EDTA could be combined in such a way as to produce a condiment so versatile, satisfying, and outright majestic that mustard, ketchup, and their ilk must bow down before it (though, a at two bucks a jar, mayonnaise certainly doesn't put on airs)or else slink away in disgrace. Who but the French could have wrought this gastronomic miracle? Mayonnaise is France's gift to the New World's muddled palate, a boon that combines humanity's ancient instinctive craving for the cellular warmth of pure fat with the modern, romantic fondness for complex flavors: mayo (as the lazy call it) may appear mild and prosaic, but behind its creamy veil it fairly seethes with tangy disposition. Cholesterol aside, it projects the luster that we astro-orphans have identified with well-being ever since we fell from the stars.
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Tom Robbins (Villa Incognito)