Voice Modulation Quotes

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Ghastly," continued Marvin, "it all is. Absolutely ghastly. Just don't even talk about it. Look at this door," he said, stepping through it. The irony circuits cut in to his voice modulator as he mimicked the style of the sales brochure. " 'All the doors in his spaceship have a cheerful and sunny disposition. It is their pleasure to open for you, and their satisfaction to close again with the knowledge of a job well done.' " As the door closed behind them it became apparent that it did indeed have a satisfied sighlike quality to it. "Hummmmmmmyummmmmmmah!" it said.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Laughter, when out of place, mistimed, or bursting forth from a disordered state of feeling, may be the most terrible modulation of the human voice.
Nathaniel Hawthorne (Ethan Brand)
Vere spoke again, “You want us to hide this six-foot-three, positively gorgeous, famous rock star—one who has sports-drink blue eyes BY THE WAY—and who is absolutely PERFECT looking, at Palmer Divide High? In this town? In my junior class?” “Yes,” Mrs. Roth answered. “Why is it such a difficult concept for you to grasp?” “Because guys who look like that.” She pointed a finger at him. “Do not come from this town. In addition to the face, he’s too tall, and he’s got the posture of some Russian—ballerina! And did you not notice his voice?” “What’s wrong with my voice?” Hunter frowned. “It’s all LOW and, SUPER-MANLY-AMAZING,” she modulated her voice down, trying to sound like him. Charlie cracked up, and Hunter had to bury his own laugh.
Anne Eliot (Unmaking Hunter Kennedy)
Because he said it as if he was the first human being who'd ever noticed. Maybe that's why so many people trusted him, because he had something in his voice, because he was well-spoken and had learned to modulate his speech-just so-and somehow, with that calm and controlled voice, he managed to rearrange the chaos of the world in such a way as to make it appear as if there really were a plan.
Benjamin Alire Sáenz (In Perfect Light)
The sweetness and fine expression of her voice attracted his attention to her figure, which had a distinguished air of delicacy and grace; but her face was concealed in her veil. So much indeed was he fascinated by the voice, that a most painful curiosity was excited as to her countenance, which he fancied must express all the sensibility of character that the modulation of her tones indicated.
Ann Radcliffe (Complete Works of Ann Radcliffe)
I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.
Stanisław Lem (Return From the Stars)
I don’t write literature but simply confessions, just as a drowning man or a man dying of poisoning no longer worries about the state of his hair or the modulation of his voice, but instead simply lets out a scream.
Hermann Hesse (Steppenwolf)
Sol, listen,” came the Voice, modulated now so it did not boom from far above but almost whispered in his ear, “the future of humankind depends upon your choice. Can you offer Rachel out of love, if not obedience?” Sol heard the answer in his mind even as he groped for the words. There would be no more offerings. Not this day. Not any day. Humankind had suffered enough for its love of gods, its long search for God. He thought of the many centuries in which his people, the Jews, had negotiated with God, complaining, bickering, decrying the unfairness of things but always—always—returning to obedience at whatever the cost. Generations dying in the ovens of hatred. Future generations scarred by the cold fires of radiation and renewed hatred. Not this time. Not ever again.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
But about the gentleman thing.” She waved her glass. “I want to make it plain as the nose on your face. I can stand anything in the book but gentlemen. Because I've spent a lot of time, too much time with them, and I know why gentlemen are what they are. They decide to be that way after they've tried all the real things and flopped at them. They've flopped at women. They've flopped at standing up on their hind legs and acting like men. So they become gentlemen. They've flopped at being individuals. So they say to themselves one fine morning: 'What can I be that's no trouble at all and that doesn't amount to a damned thing, but yet will make everyone look up to me?' The answer's simple. Be a gentleman. Take life flat on your back, cry in private, and then in a well-modulated voice.
Elliot Chaze (Black Wings Has My Angel)
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered. "I hope you're not going to kill anyone," said Carrot. "That's up to us!" "Sorry, was I talking to you?" said Carrot. "Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed. "Come on, gentlemen, let's get this over with." "Don't play with your food!" said a voice from the crowd. There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks. "It's OK," said Angua quietly. Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them. "Hadn't we better help," said a constable who was new to the Watch. "They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
I slip into the seat behind hers and take a mouthful of the coffee, wincing at the heat. “Apologies. I neglected to eat supper.” “I neglected to eat supper,” Pytha repeats, mocking my accent. Born on the Palantine Hill of Luna, I have lamentably inherited the most egregiously stereotypical highLingo accents. Apparently others find it hilarious. “Haven’t we servants to spoon-feed His Majesty supper?” “Oh, shut your gory gob,” I say, modulating my voice to mimic the Thessalonican bravado. “Better?” “Eerily so.” “Skipping supper. No wonder you’re a little twig,” Cassius says, pinching my arm. “I daresay you don’t even weigh a hundred ten kilos, my goodman.” “It’s usable weight,” I protest. “In any matter, I was reading.” He looks at me blankly. “You have your priorities. I have mine, muscly creature. So piss off.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
The minister spoke in a well-modulated voice. Then we joined in singing. I could not help but make comparisons: the dirty prison dormitory, infection-ridden and filthy, the beds full of lice, and now this. Clean sheets and pillow cases and a spotless floor. The hoarse voices of the slave drivers and the mature, melodious voice of the minister. Only the singing was the same, for we had sung at Ravensbruck. Singing was one of the ways we kept up our courage.
Corrie ten Boom (Tramp for the Lord)
Novels begin and end with, consist of, and indeed in one sense are nothing but voices. So reading is learning to listen sensitively, and to tune in accurately, to varying frequencies and a developing programme. From the opening words a narrative voice begins to create its own characteristic personality and sensibility, whether it belongs to an 'author' or a 'character'. At the same time a reader is being created, persuaded to become the particular kind of reader the book requires. A relationship develops, which becomes the essential basis of the experience. In the modulation of the fictive voice, finally, through the creation of 'author' and 'reader* and their relationship, there is a definition of the nature and status of the experience, which will always imply a particular idea of ordering the world. So much is perhaps familiar enough, and a useful rhetoric of Voice' has developed. Yet I notice in my students and myself, when its vocabulary is in play, a tendency to become rather too abstract or technical, and above all too spatial and static. Perhaps we need to remind ourselves what it can be like to listen to close friends, talking animatedly and seriously in everyday experience, in order to make sure that a vocabulary which often points only to broad strategies does not tempt us to underplay the extraordinary resourcefulness, variety and fluctuation of the novelist's voice.
Ian Gregor (Reading The Victorian Novel: Detail Into Form)
But about the gentleman thing.” She waved her glass. “I want to make it plain as the nose on your face. I can stand anything in the book but gentlemen. Because I've spent a lot of time, too much time with them, and I know why gentlemen are what they are. They decide to be that way after they've tried all the real things and flopped at them. They've flopped at women. They've flopped at standing up on their hind legs and acting like men. So they become gentlemen. They've flopped at being individuals. So they say to themselves one fine morning: 'What can I be that's no trouble at all and that doesn't amount to a damned thing, but yet will make everyone look up to me?' The answer's simple. Be a gentleman. Take life flat on your back, cry in private, and then in a well-modulated voice.
Elliott Chaze (Black Wings Has My Angel)
If you think neuro-electric or neuro-electromagnetic weapons or mind-control methods are far out, consider this. If you Google “Voice-to-Skull device” the U.S. Army’s Website appears. However, when you click on the link, you discover that the page has been taken down. Still, a description remains on the Federation of American Scientist’s Website. The device is described there as: Nonlethal weapon which includes (1) a neuro-electromagnetic device which uses microwave transmission of sound into the skull of persons or animals by way of pulsed-modulated microwave radiation; and (2) a silent sound device which can transmit sound into the skull of persons or animals. Note: The sound modulation may be voice or audio subliminal messages. One application of V2K is use as an electronic scarecrow to frighten birds in the vicinity of airports.37
Eldon Taylor (Mind Programming: From Persuasion and Brainwashing, to Self-Help and Practical Metaphysics)
We must learn to modulate our exposure, allowing things to ripen and mature in the container of the heart before revealing our secret inside flesh to others. In so doing, we will be better able to hear the subtle character and nuanced complexities of our inner life. This is delicate work, requiring a watchful attention to the rhythms of the soul. It is important to distinguish it from isolation and withholding—those are strategies devised early in our lives to keep hidden what had been shamed or wounded. Many of us had our expressions of suffering silenced. We heard the voices of those we looked to for comfort saying, “We’ve heard you say this all before. Stop repeating yourself.” “Get over it! Stop whining.” Or we heard nothing at all. Rarely did we find a refuge for our grief. Similarly, many of us found ourselves isolated in times of loss, shamed by the absence of someone who cared.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
A respectable old man gives the following sensible account of the method he pursued when educating his daughter. "I endeavoured to give both to her mind and body a degree of vigour, which is seldom found in the female sex. As soon as she was sufficiently advanced in strength to be capable of the lighter labours of husbandry and gardening, I employed her as my constant companion. Selene, for that was her name, soon acquired a dexterity in all these rustic employments which I considered with equal pleasure and admiration. If women are in general feeble both in body and mind, it arises less from nature than from education. We encourage a vicious indolence and inactivity, which we falsely call delicacy; instead of hardening their minds by the severer principles of reason and philosophy, we breed them to useless arts, which terminate in vanity and sensuality. In most of the countries which I had visited, they are taught nothing of an higher nature than a few modulations of the voice, or useless postures of the body; their time is consumed in sloth or trifles, and trifles become the only pursuits capable of interesting them. We seem to forget, that it is upon the qualities of the female sex, that our own domestic comforts and the education of our children must depend. And what are the comforts or the education which a race of beings corrupted from their infancy, and unacquainted with all the duties of life, are fitted to bestow? To touch a musical instrument with useless skill, to exhibit their natural or affected graces, to the eyes of indolent and debauched young men, who dissipate their husbands' patrimony in riotous and unnecessary expenses: these are the only arts cultivated by women in most of the polished nations I had seen. And the consequences are uniformly such as may be expected to proceed from such polluted sources, private misery, and public servitude.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Humility and Trustworthiness are not rooted only in Presentation, Voice modulation or Nice Jorgan but in Actions and Intentions that speak louder than you do and they last longer
Venkat Gandhi
Yours, I presume?" he said in a rich, deeply modulated voice that put her in mind of hot buttered rum on a cold winter day and the sensual luxury of lying amid warm silken sheets. Inwardly, she quivered. Her reply, whatever it might be, stuck like a stone in her throat; the incapacity only worsened when she lifted her gaze to his. Bold and intelligent, his eyes shone like a set of imperial jewels, their shade an improbably pure blue that lay somewhere between sapphire and lapis lazuli. He was sinfully handsome, with a refined jaw, a long, straight nose and a mouth that seemed the very embodiment of temptation. His mahogany-dark hair was cut short, the severe style unable to tame the rebellious wave that lent the ends just the faintest hint of curl. But most enticing of all was his height- his large, muscular, impressive height. She guessed he must be six feet three or four at least, his build broad and powerful enough to make even her feel small.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
God replies that all it really proves is "that some men will follow any order no matter how asinine as long as it comes from a resonant, well-modulated voice.
Julian Baggini (Atheism: A Very Short Introduction)
WelcometoNailsEtcetraHowCanIHelpYouToday,” said the smaller girl-child. It took me a moment to translate. “Good afternoon,” I said slowly, and in an exaggeratedly modulated voice, to give her a clue as to how one ought to speak in order to communicate effectively. She and her companion were both staring, their expressions a combination of alarm and . . . well, alarm, mainly.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
How barren is my soul and thought, and yet incessantly tormented by vacuous, rapturous and agonizing birth pangs! Is my spirit to be forever tongue-tied? Must I always babble? What I need is a voice as penetrating as the glance of Lynceus, terrifying as the sigh of the giants, persistent as a sound of nature, mocking as a frost-chilled gust of wind, malicious as Echo's callous scorn, with a compass from the deepest bass to the most melting chest-notes, modulating from the whisper of gentle holiness to the violent fury of rage. That is what I need to get air, to give expression to what is on my mind, to stir the bowels of my wrath and of my sympathy. But my voice is only hoarse like the cry of a gull, or dying away like the blessing upon the lips of the dumb.
Søren Kierkegaard
Roger snapped on the large, battery-powered radio. He rolled the dial around, but all he got was static. Finally, he heard a signal, and he tuned it in. A badly modulated voice droned through the interference. It sounded as if it were a war correspondent sending a signal from very far away. Steve clicked off the TV set so that they would better be able to hear the announcer: “. . . Reports that communications with Detroit have been knocked out along with Atlanta, Boston and certain sections of Philadelphia and New York City . . .” “Philly . . .” Roger said almost to himself. “I know WGON is out by now,” Steve said with animation. “It was a madhouse back there . . . people are crazy . . . if they’d just organize. It’s total confusion. I don’t believe it’s gotten this bad. I don’t believe they can’t handle it.” He looked around the room proudly. “Look at us. Look at what we were able to do today.” A few feet away, still in a slumped position by the pyramid of cartons, Peter’s eyes blinked open. He had been listening to what he wanted to hear, and now this statement by the kid really made him take notice. His eyes moved slightly to the side so that he could watch Stephen. The young man was gesturing wildly with his hands, going on and on about their exploits as a team. The other two didn’t realize Peter was awake. Roger nodded his head, but it didn’t seem as if he were really listening to Steve’s ramblings. “We knocked the shit out of ’em, and they never touched us,” Steve exclaimed. “Not really,” he said in a quieter tone. The rumbling voice erupted from the other side of the room. “They touched us good, Flyboy. We’re lucky to get out with our asses. You don’t forget that!
George A. Romero (Dawn of the Dead)
Amory." "Yes, Beatrice." (Such a quaint name for his mother; she encouraged it.) "Dear, don't think of getting out of bed yet. I've always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up." "All right." "I am feeling very old to-day, Amory," she would sigh, her face a rare cameo of pathos, her voice exquisitely modulated, her hands as facile as Bernhardt's. "My nerves are on edge - on edge. We must leave this terrifying place to-morrow and go searching for sunshine." Amory's penetrating green eyes would look out through tangled hair at his mother. Even at this age he had no illusions about her. "Amory." "Oh, yes." "I want you to take a red-hot bath - as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.
F. Scott Fitzgerald (This Side of Paradise)
Amory." "Yes, Beatrice." (Such a quaint name for his mother; she encouraged it.) "Dear, don't think of getting out of bed yet. I've always suspected that early rising in early life makes one nervous. Clothilde is having your breakfast brought up." "All right." "I am feeling very old to-day, Amory," she would sigh, her face a rare cameo of pathos, her voice exquisitely modulated, her hands as facile as Bernhardt's. "My nerves are on edge—on edge. We must leave this terrifying place to-morrow and go searching for sunshine." Amory's penetrating green eyes would look out through tangled hair at his mother. Even at this age he had no illusions about her. "Amory." "Oh, yes." "I want you to take a red-hot bath—as hot as you can bear it, and just relax your nerves. You can read in the tub if you wish.
F. Scott Fitzgerald (This Side of Paradise)
Charismatic people tend to speak more loudly.  They modulate their voices. They stand up straight.  They gesticulate.  Think of MLK on the steps of the Lincoln Memorial.
Charlie Houpert (Charisma on Command: Inspire, Impress, and Energize Everyone You Meet)
And so the piece was learned, and Lizzie felt that she had devoted her hour to poetry in a quite rapturous manner. At any rate she had a bit to quote; and though in truth she did not understand the exact bearing of the image, she had so studied her gestures, and so modulated her voice, that she knew that she could be effective. She did not then care to carry her reading further, but returned with the volume into the house. Though the passage about Ianthe’s soul comes very early in the work, she was now quite familiar with the poem, and when, in after days, she spoke of it as a thing of beauty that she had made her own by long study, she actually did not know that she was lying. As she grew older, however, she quickly became wiser, and was aware that in learning one passage of a poem it is expedient to select one in the middle, or at the end. The world is so cruelly observant now-a-days, that even men and women who have not themselves read their “Queen Mab” will know from what part of the poem a morsel is extracted, and will not give you credit for a page beyond that from which your passage comes
Anthony Trollope (Complete Works of Anthony Trollope)
The modules that cause behavior are different from the ones that cause people to voice agreement with moral rules. Because condemnation and conscience are caused by different modules, it is no wonder that speech and action often conflict.
Robert Kurzban (Why Everyone (Else) Is a Hypocrite: Evolution and the Modular Mind)
TAXI! TAXI!” Strike bellowed and it turned, heading towards him, just as Robin’s voice spoke in his ear, gasping. “Are… you there?” “JESUS CHRIST! WHAT’S HAPPENED?” “Stop… shouting…” With enormous difficulty he modulated his volume.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
Unlike emotion mind, which tends to raise its voice, or reasonable mind, which talks in a modulated tone, wise mind often speaks in a whisper. We have to cultivate the habit of listening for wise mind, and asking for its input, which doesn’t usually come in the form of an opinion. It comes as a sense, awareness, or noticing—states which can be quiet, even wordless. Wise mind, with its soft voice, can feel at first like uncertainty. Reasonable mind can be smugly sure of itself when we are armed with the facts. In impulsive people, emotion mind can also feel certain of itself, even aggressively so. In fearful and avoidant people, emotion mind may be reticent or confused, but still feel certain that this anxious response is the right stance. But wise mind usually doesn’t come on at first as such a strong opinion. It is subtler, less cocksure.
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
He strode out of the bathroom naked. Lisa’s eyes widened when she saw him, then swiftly shut. He grinned as pink once more filled her cheeks. The mattress dipped beneath his weight as he sat on it. Her eyes flew open as her side of the mattress tilted up and rolled her toward him. Taelon rested a hand on her shoulder to steady her, then slipped beneath the covers and lay down. Silence fell. “Would you tell me about your planet?” she asked softly as she studied him in the dim light. He rolled onto his side to face her and eased forward until their heads shared the same pillow. “Of course.” He hoped one day to show it to her. If he succeeded in contacting Ari’k… Well, he wouldn’t leave Lisa here on this barbaric planet where more men and women like those at the base would hunt her. He just needed to convince her to take a leap of faith and join him when he departed. To that end, he began to describe the beauty of his world. Lasara, the moons that orbited it, his people, the other populated planets in his solar system. He kept his voice low, his words carefully modulated. And soon her long lashes lowered until they rested upon her cheeks. Her breathing changed, deepening as sleep claimed her. He gently brushed her soft hair back from her face, tucking it behind one delicate ear. Even her ears were cute. But the dark circles beneath her eyes were not. She needed this rest. Leaning forward, he pressed a kiss to her forehead. “Sleep, Lisa.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
The girl you knew was a silly little romantic with her head in the clouds,' she hissed back at him, lowering her voice again as Steven glanced their way. 'I learned to hit back.' 'You certainly did.' Ty put down the half-empty cup, taking advantage of the pause to gather himself. When he spoke again it was in modulated, reasonable tones. 'Ria, it wasn't the way you thought back then. I no more wanted to lose you than you wanted to go, only it wouldn't have worked out. You needed a home, boyfriends, parties—all the things you'd missed out on trying to be what you weren't. All I could offer you was a rusting boat and a life where even I couldn't be sure what the next day was going to bring.' 'I see.' She attempted the same level delivery. 'So you sent me away for my own sake. Self-sacrificing of you, Ty—if I believed a word of it!
Kay Thorpe (Jungle Island)
The subject of reading aloud was farther discussed. The young men were the only talkers, but they, standing by the fire, talked over the too common neglect of the qualification, the total inattention to it, in the ordinary school-system for boys, the consequently natural--yet in some instances almost unnatural degree of ignorance and uncouthness of men, of sensible and well-informed men, when suddenly called to the necessity of reading aloud, which had fallen within their notice, giving instances of blunders, and failures with their secondary causes, the want of management of the voice, of proper modulation and emphasis, of foresight and judgment, all proceeding from the first cause, want of early attention and habit; and Fanny was listening again with great attention.
Jane Austen (Mansfield Park)
green painted walls look clean and bright. Matron was a stout woman in a plain, severely cut dark dress, her light brown hair taken back from her face and covered with a small starched white cap. ‘Angela O’Rourke? Please sit down,’ came the clipped, well-modulated voice. Angela sat, folding her hands in her lap and trying not to look nervous and edgy.
Lyn Andrews (A Daughter's Journey)
I told you I had feelings for my wife,” he said softly. “I did. Affection. Familiarity. Loyalty. We had known each other all her life; our fathers had been friends; I had known her brother. She might well have been my sister.” “And was she satisfied with that—to be your sister?” He gave me a glance somewhere between anger and interest. “You cannot be at all a comfortable woman to live with.” He shut his mouth, but couldn’t leave it there. He shrugged impatiently. “Yes, I believe she was satisfied with the life she led. She never said that she was not.” I didn’t reply to this, though I exhaled rather strongly through my nose. He shrugged uncomfortably, and scratched his collarbone. “I was an adequate husband to her,” he said defensively. “That we had no children of our own—that was not my—” “I really don’t want to hear about it!” “Oh, don’t you?” His voice was still low, not to wake Ian, but it had lost the smooth modulations of diplomacy; the anger was rough in it. “You asked me why I came; you questioned my motives; you accused me of jealousy. Perhaps you don’t want to know, because if you did, you could not keep thinking of me as you choose to.” “And how the hell do you know what I choose to think of you?” His mouth twisted in an expression that might have been a sneer on a less handsome face. “Don’t I?” I looked him full in the face for a minute, not troubling to hide anything at all. “You did mention jealousy,” he said quietly, after a moment. “So I did. So did you.” He turned his head away, but continued after a moment. “When I heard that Isobel was dead … it meant nothing to me. We had lived together for years, though we had not seen each other for nearly two years. We shared a bed; we shared a life, I thought. I should have cared. But I didn’t.” He took a deep breath; I saw the bedclothes stir as he settled himself. “You mentioned generosity. It wasn’t that. I came to see … whether I can still feel,” he said. His head was still turned away, staring at the hide-covered window, grown dark with the night. “Whether it is my own feelings that have died, or only Isobel.” “Only Isobel?” I echoed. He lay quite still for a moment, facing away. “I can still feel shame, at least,” he said, very softly.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
She had a piercing voice that needed conscious modulation to stop it becoming glass-breakingly shrill. 
Tabitha McGowan (The Tied Man (The Tied Man, #1))
The numerous commentaries that have been made on Baudelaire's "correspondences" seem to have forgotten this sixth sense that seeks to model and modulate the voice. This delicate little Aeolian harp that natures has set at the entrance to our breathing is really a sixth sense, which followed and surpassed the others. It quivers at the merest movement of metaphor; it permits human thought to sing. And when I let my nonconformist philosopher's daydreams go unchecked, I begin to think that the vowel a is the vowel of immensity. It is a sound area that starts with a sigh and extends beyond all limits.
Gaston Bachelard (The Poetics of Space)
A leading speaker will vary and modulate his voice, raising and lowering it and deploying the full scale of tones. He will avoid extravagant gestures and stand impressively erect. He will not pace about and when he does so not for any distance. He should not dart forward except in moderation with strict control. There should be no effeminate bending of the neck or twiddling of his fingers or beating out the rhythm of his cadences on his knuckles. He should control himself by the way he holds and moves his entire body. He should extend his arm at moments of high dispute and lower it during calmer passages.… Once he has made sure he does not have a stupid expression on his face and or a grimace, he should control his eyes with great care, for as the face is the image of the soul the eyes are its translators. Depending on the subject at hand they can express grief or hilarity.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
perambulated about the office. He walked with a measured gait, steady as a metronome, always covering the same distance in the exact same time. He had the soundless movements and modulated voice of an undertaker. Gliding about with silent footfalls, he startled people by materializing at their desks and politely asking, in a mellow voice, to inspect their work.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
Perfectly following a list of punctuation rules may grant me some kinds of power, but it won’t grant me love. Love doesn’t come from a list of rules—it emerges from the spaces between us, when we pay attention to each other and care about the effect that we have on each other. When we learn to write in ways that communicate our tone of voice, not just our mastery of rules, we learn to see writing not as a way of asserting our intellectual superiority, but as a way of listening to each other better. We learn to write not for power, but for love. But for all the subtle vocal modulations that typography can express, we’re not just voices. We still need a way to convey the messages that we send with the rest of our bodies.
Gretchen McCulloch (Because Internet: Understanding the New Rules of Language)
● Pursuing online courses with pre-recorded videos? ● Not able to communicate with the instructor while in an online lecture? ● Online lectures seem boring and disengaging? Not anymore. Technology has been able to advance an already transformative concept. Online learning has made its way into almost every professional’s career life. However, there is a new concept which not many people are aware of - LIVE & interactive learning. As the name suggests, it’s just like traditional classroom learning but entirely online. Let’s see what it is, how it works, and how it can benefit your career. LIVE Learning: The Better, More Interactive Learning Method LIVE & interactive learning entails experienced tutors and instructors delivering lectures via LIVE online learning platforms that are built with features to aid in engaging educational learnings. Furthermore, Online Courses are delivered in a similar format that is found in a traditional classroom. With interactivity, teachers can not only deliver lectures, take LIVE questions, and respond, but also the students can interact with one another - just like they would in a brick and mortar classroom. Taking Online Courses Up a Notch Instead of sitting through a pre-recorded lecture, you can now attend the session LIVE. And the best part about this type of learning is that both tutors and students can interact with each other, so query resolution is instant, students can voice out their thoughts, collaboration becomes easy, and the face-to-face interaction definitely makes it more interactive. Reasons Why LIVE & Interactive Learning is Taking the Lead ● Comfortable Learning Pace Students pursuing LIVE & interactive online courses get the opportunity to learn at their own pace. They can discuss their questions in LIVE lectures and interact with the faculty as well. ● Focus on Tougher Modules In a regular classroom, the teacher always decides which modules require special focus. However, with LIVE & interactive learning, you can choose how much time you want to spend on a particular module. ● Extensive Study Materials Another added benefit of LIVE & interactive online courses is that you have access to study material 24*7 and from anywhere. This gives you control and ample time to go through the material more than once or as required. ● Opportunity for More Interaction Ranging from Online Data Analytics Courses to finance, marketing, and sales, online courses allow students to involve themselves in class discussions and chat with more ease. This is just not possible in regular face-to-face interactions where teachers can ask questions and embarrass you in front of the entire class if you are wrong or don’t know the answer. It’s Not a Roadblock, Rather an Accelerant to Your Career The best part - you don’t have to leave your current job to pursue a degree program. Passion to gain knowledge and upskill and a search engine that will take you the right online course is all you need. So whether you are scouting for online data analytics courses, machine learning courses, or digital marketing, LIVE & interactive learning can help you gain the education you deserve.
Talentedge
Here, organic towers, tall shapeless masses of tissue cultured from the plasm of ancient mammals, trumpeted and moaned across the abandoned wastes of another continent, their huge cynical voices modulating on the wind, now immensely distant, now close at hand.
M. John Harrison (Viriconium)