“
Now, mind you, I just wanted to crawl off into a corner and die from my horrific battle wounds. But if Mrs. Buxbaum needed me, I was damn well going to help.
”
”
Lynn Painter (Better than the Movies (Better than the Movies, #1))
“
Then I’d throw my automatic down the elevator shaft-after I’d wiped off all the fingerprints and all. Then I’d crawl back up to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all. The goddam movies. They can ruin you. I’m not kidding.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Fucking NASA. In a horror movie, when everyone is hugging their shins and shouting for the main character to turn and run, or crawl under the bed, or call the cops, or grab a gun, NASA would be the dude in the back shouting, “Go see what made that noise! And take a flashlight!
”
”
Hugh Howey (Pet Rocks (Beacon 23, #2))
“
In a horror movie, when everyone is hugging their shins and shouting for the main character to turn and run, or crawl under the bed, or call the cops, or grab a gun, NASA would be the dude in the back shouting, “Go see what made that noise! And take a flashlight!
”
”
Hugh Howey (Beacon 23)
“
You squeeze the eyedropper, and a drop of pond water drips out onto the microscope stage. You look at the projected image. The drop is full of life - strange beings swimming, crawling, tumbling; high dramas of pursuit and escape, triumph and tragedy. This is a world populated by beings far more exotic than in any science fiction movie...
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
I loved him so much. I wanted to die, I loved him so much. I wanted to crawl inside of him and live there. I wanted to spend the rest of my life just being with him. Adoring him. Protecting him. Living in all his quiets. Letting him touch me any way he wanted to, as often as he wanted to.
A head on his shoulder in a movie theatre. A kiss before bed. A cuddle in the dark. Growing old and holding his hand.
Anything he wanted. Anything he needed. I wanted to be his anything.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
But that day...well, Soda can't sit still long enough to enjoy a movie, much less a sermon. It wasn't long before he and Steve and Two-Bit were throwing paper wads at each other and clowning around, and finally Steve dropped a hymn book with a bang--accidentally, of course. Everyone in the place turned to look around at us, and Johnny and I nearly crawled under the pews. And then Two-Bit waved at them.
I hadn't been to church since.
”
”
S.E. Hinton (The Outsiders)
“
Your Cat Has More Self Esteem Than I Do
There are no billboards for cats
advertising feline plastic surgery
feline acne gels
feline gastric bands
feline face-lifts.
There are no commercials about
feline makeup
feline sex toys
feline fashion.
There are porn movies with cats,
but no cats watch them.
”
”
A.S. King (I Crawl Through It)
“
Everything that’s happening, is happening inside the self. And whatever the self is, it is not William Harding the movie actor or the adulterer. Whatever the self is will not die when your body has worms crawling through your eye sockets.
”
”
Ethan Hawke (A Bright Ray of Darkness)
“
Movies are made out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that make it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theater gazing together at a deep imaginative night. It is the terra incognita of film, the dark continent on every map. In a similar way, a runner’s every step is a leap, so that for a moment he or she is entirely off the ground. For those brief instants, shadows no longer spill out from their feet, like leaks, but hover below them like doubles, as they do with birds, whose shadows crawl below them, caressing the surface of the earth, growing and shrinking as their makers move nearer or farther from that surface. For my friends who run long distances, these tiny fragments of levitation add up to something considerable; by their own power they hover above the earth for many minutes, perhaps some significant portion of an hour or perhaps far more for the hundred-mile races. We fly; we dream in darkness; we devour heaven in bites too small to be measured.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
We walked into my mother's house at 10:30 in the morning at the end of February 1992. I had been gone for three weeks. She had been so desperate about us - she, too, looked thin and haggard. She was stunned to see me walk in, filthy and crawling with lice, with a huge crowd of starving people.
We ate and drank clean water; then, before we even washed, I put Marian in a taxi with me and told the driver to go to Nairobi Hospital. We had no money left and I knew Nairobi Hospital was expensive; it was where I had been operated on when the ma'alim broke my skull. But I also knew that there they would help us first and ask to pay later. Saving the baby's life had become the only thing that mattered to me.
At the reception desk I announced, "This baby is going to die," and the nurse's eyes went wide with horror. She took him and put a drip in his arm, and very slowly, this tiny shape seemed to uncrumple slightly. After a little while, his eyes opened.
The nurse said, "The child will live," and told us to deal with the bill at the cash desk. I asked her who her director was, and found him, and told this middle-aged Indian doctor the whole story. I said I couldn't pay the bill. He took it and tore it up. He said it didn't matter. Then he told me how to look after the baby, and where to get rehydration salts, and we took a taxi home.
Ma paid for the taxi and looked at me, her eyes round with respect. "Well done," she said. It was a rare compliment.
In the next few days the baby began filling out, growing from a crumpled horror-movie image into a real baby, watchful, alive.
”
”
Ayaan Hirsi Ali (Infidel)
“
Peace and beauty? You think Indians are so worried about peace and beauty? ... If Wovoka came back to life, he'd be so pissed off. If the real Pocahontas came back, you think she'd be happy about being a cartoon? If Crazy Horse, or Geronimo, or Sitting Bull came back, they'd see what you white people have done to Indians, and they'd start a war. They'd see the homeless Indians staggering around downtown. They'd see fetal-alcohol-syndrome babies. They'd see the sorry-ass reservations. They'd learn about Indian suicides and infant mortality rates. They'd listen to some dumb-ass Disney song and feel like hurting somebody. They'd read books by assholes like Wilson, and they would start killing themselves some white people, and then kill some asshole Indians too.
Dr. Mather, if the Ghost Dance worked, there would be no exceptions. All you white people would disappear. All of you. If those dead Indians came back to life ,they wouldn't crawl into a sweathouse with you. They wouldn't smoke the pipe with you. They wouldn't go to the movies and munch popcorn with you. They'd kill you. They'd gut you and eat your heart.
”
”
Sherman Alexie (Indian Killer)
“
I may not have known much about my future-- my college choice or degree, my someday job and city, boys I'd love and lose. But I knew who'd be beside me. Chalk it up to too many movies, too many TV finales that flashed forward, but I saw these girls as clearly as I saw the moon overhead. Beyond college, beyond even our twenties. I'd drive across state lines to get to them, to soothe small disappointments and big heartbreaks. I'd come crawling home to them when I got lost, to guide off their stars. I'd be their witness to diplomas received, vows spoken to partners, oaths taken for office. And when the rest of the decisions felt like a tightrope, precarious with no back-stepping allowed-- well, I had a net.
”
”
Emery Lord (The Map from Here to There (The Start of Me and You, #2))
“
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position.
I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do.
"What are you doing?" he asked without removing his arm.
"Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say.
"I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication.
"Damn it, man! I'm trying to save your life! Don't interrupt."
A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions.
"Don't you die on me!"
And praying.
After another round, he asked, "Am I going to make it?"
"It's touch-and-go. I'm going to have to bring out the defibrillator."
"We have a defibrillator?" he asked, quirking a brow, clearly impressed.
I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth.
"I had no idea smartphones were so versatile."
"I'll just have to download it. It'll just take a sec."
"Do I have that long?"
Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted?
"Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!"
Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway.
He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper.
After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat.
"Well?" he asked after a tense moment.
I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow."
Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair.
It was a miracle!
”
”
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
“
What—in other words—would modern boredom be without terror? One of the most boring documents of all time is the thick volume of Hitler’s Table Talk. He too had people watching movies, eating pastries, and drinking coffee with Schlag while he bored them, while he discoursed theorized expounded. Everyone was perishing of staleness and fear, afraid to go to the toilet. This combination of power and boredom has never been properly examined. Boredom is an instrument of social control. Power is the power to impose boredom, to command stasis, to combine this stasis with anguish. The real tedium, deep tedium, is seasoned with terror and with death.
There were even profounder questions. For instance, the history of the universe would be very boring if one tried to think of it in the ordinary way of human experience. All that time without events! Gases over and over again, and heat and particles of matter, the sun tides and winds, again this creeping development, bits added to bits, chemical accidents—whole ages in which almost nothing happens, lifeless seas, only a few crystals, a few protein compounds developing. The tardiness of evolution is so irritating to contemplate. The clumsy mistakes you see in museum fossils. How could such bones crawl, walk, run? It is agony to think of the groping of the species—all this fumbling, swamp-creeping, munching, preying, and reproduction, the boring slowness with which tissues, organs, and members developed. And then the boredom also of the emergence of the higher types and finally of mankind, the dull life of paleolithic forests, the long long incubation of intelligence, the slowness of invention, the idiocy of peasant ages. These are interesting only in review, in thought. No one could bear to experience this. The present demand is for a quick forward movement, for a summary, for life at the speed of intensest thought. As we approach, through technology, the phase of instantaneous realiza-tion, of the realization of eternal human desires or fantasies, of abolishing time and space the problem of boredom can only become more intense. The human being, more and more oppressed by the peculiar terms of his existence—one time around for each, no more than a single life per customer—has to think of the boredom of death. O those eternities of nonexistence! For people who crave continual interest and diversity, O! how boring death will be! To lie in the grave, in one place, how frightful!
”
”
Saul Bellow (Humboldt's Gift)
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Now, are you familiar with the Lord of the Rings?” Molech hesitated again, realizing he was playing someone else’s game, but with no idea what else to do. He said, “Yeah, old horror movie about a ghost girl who crawls out of a television?” “No, this is the one with wizards and elves. Ends with the midgets fighting in a volcano? It
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
He works fast," Alan commented as he lifted his wine.
"David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands."
"Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else."
"Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided.
"Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well."
"I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here."
"Of all the gin joints in all the towns..."
This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago."
"Heard it?"
"Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?"
"Or foolish lies?" Alan countered.
Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator."
"Was I?" Rising, he offered Shelby her damp jacket. "How rude of me."
"It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place."
"If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?"
"It seems fair.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Do human software games have directors?" said Tetsuo. "Like movies?" "Yeah," I said, "if they're real pretentious, like Weapon Eternal." "Af be Hui was the director of A Tower of Sand," said Tetsuo. "She became well-known. High-status. She made seven other games and her games changed history a little bit. I think we should play more of her work." "To what purpose? Did she finally get the Ip Shkoy to calm down about the Constellation?" Ashley wriggled violently and Tetsuo crawled off of her tail. "Purpose?" said Tetsuo. "What is purpose? History is not a trash compactor where you lost something important. You have to spend some time there.
”
”
Leonard Richardson (Constellation Games)
“
Trash first. Then supplies.
Stepping forward, I kicked a pile of takeout containers to one side, wanting to clear a path to the cabinets so I could look for latex gloves. But then I stopped, stiffening, an odd scratching sound coming from the pile I’d just nudged with my foot.
Turning back to it, I crouched on the ground and lifted a greasy paper at the top of the mess. And that’s when I saw it.
A cockroach.
In Ireland.
A giant behemoth of a bug, the likes I’d only ever seen on nature programs about prehistoric insects.
Okay, perhaps I was overexaggerating its size. Perhaps not. Honestly, I didn’t get a chance to dwell on the matter, because the roach-shaped locust of Satan hopped onto my hand.
I screamed.
Obviously.
Jumping back and swatting at my hand, I screamed again. But evil incarnate had somehow crawled up and into the sleeve of my shirt. The sensation of its tiny, hairy legs skittering along my arm had me screaming a third time and I whipped off my shirt, tossing it to the other side of the room as though it was on fire.
“What the hell is going on?”
I spun toward the door, finding Ronan Fitzpatrick and Bryan Leech hovering at the entrance, their eyes darting around the room as though they were searching for a perpetrator. Meanwhile, I was frantically brushing my hands over my arms and torso. I felt the echo of that spawn of the devil’s touch all over my body.
“Cockroach!” I screeched. “Do you see it? Is it still on me?” I twisted back and forth, searching.
Bryan and Ronan were joined in the doorway by more team members, but I barely saw them in my panic.
God, I could still feel it.
I. Could. Still. Feel. It.
Now I knew what those hapless women felt like in horror movies when they realized the serial killer was still inside the house.
”
”
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
“
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.”
We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night.
That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said.
As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery.
“Why are you pulling in to a cemetery?” I asked him.
“We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.”
“Are you kidding me? Could this get any worse?”
“Oh, quit it. You’re going to love it once I get this AC fired up.”
Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle.
“What was that?!”
“I don’t know,” Chip said.
I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news.
We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
”
”
Joanna Gaines (The Magnolia Story)
“
They're really going to mash the world up this time, the damn fools. When I read that description of the victims of Nagasaki I was sick: "And we saw what first looked like lizards crawling up the hill, croaking. It got lighter and we could see that it was humans, their skin burned off, and their bodies broken where they had been thrown against something." Sounds like something out of a horror story. God save us from doing that again. For the United States did that. Our guilt. My country. No, never again. And then one reads in the papers "Second bomb blast in Nevada bigger than the first! " What obsession do men have for destruction and murder? Why do we electrocute men for murdering an individual and then pin a purple heart on them for mass slaughter of someone arbitrarily labeled "enemy?" Weren't the Russians communists when they helped us slap down the Germans? And now. What could we do with the Russian nation if we bombed it to bits? How could we "rule" such a mass of foreign people - - - we, who don't even speak the Russian language? How could we control them under our "democratic" system, we, who even now are losing that precious commodity, freedom of speech? (Mr. Crockett," that dear man, was questioned by the town board. A supposedly "enlightened" community. All he is is a pacifist. That, it seems, is a crime.) Why do we send the pride of our young men overseas to be massacred for three dirty miles of nothing but earth? Korea was never divided into "North" and "South." They are one people; and our democracy is of no use to those who have not been educated to it. Freedom is not of use to those who do not know how to employ it. When I think of that little girl on the farm talking about her brother - "And he said all they can think of over there is killing those God-damn Koreans." What does she know of war? Of lizard-like humans crawling up a hillside? All she knows is movies and school room gossip. Oh, America's young, strong. So is Russia. And how they can think of atom-bombing each other, I don't know. What will be left? War will come some day now, with all the hothead leaders and articles "What If Women are Drafted?" Hell, I'd sooner be a citizen of Africa than see America mashed and bloody and making a fool of herself. This country has a lot, but we're not always right and pure. And what of the veterans of the first and second world wars? The maimed, the crippled. What good their lives? Nothing. They rot in the hospitals, and we forget them. I could love a Russian boy - and live with him. It's the living, the eating, the sleeping that everyone needs. Ideas don't matter so much after all. My three best friends are Catholic. I can't see their beliefs, but I can see the things they love to do on earth. When you come right down to it, I do believe in the freedom of the individual - but to kill off all the ones who could forge a strong nation? How foolish! Of what good - living and freedom without home, without family, without all that makes life?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
The moment we spot her, she begins clambering down the bleachers, crawling over them like a child on a jungle gym. It makes her look like something from that horror movie The Ring.
”
”
A.R. Kahler (The Immortal Circus: Act Two (Cirque des Immortels, #2))
“
Tommy didn’t notice any of this. He was locked into a scene and a moment he couldn’t bring to life. It was as horrifyingly transfixing as watching a baby crawl across the 405 freeway. We were all waiting for a miracle.
”
”
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
“
home only to pine over an ex-girlfriend, so he stopped. He apologized, saying a few more things that Catherine once again just nodded her head to, smiling, and before she knew it, she had plans to go see a movie with Dickie the following Friday. It was a date, the first of many. It went like this for two months: Friday night dates. Rides home from school while other girls looked on in jealousy. Long nights parked up at The Point, the low rumble of his car idling away while they made out with the heat blowing on her legs. Him sliding his hands up her skirt. Under her shirt. Her moaning. Her face flushing red. Her toes curling. The Rolling Stones on the radio. Why did he taste so good? Never sex, though. Even when he begged for it, she would refuse. She knew what their relationship really was. It was great and fun and wild and exciting, but she knew it wouldn’t last; he was off to college soon, and she remembered how he felt about being tethered to something familiar. That conversation never left her mind for the duration of their relationship, always reminding her to be ready to lose him. At the time, she was still a virgin, and as much as she loved Dickie she did not wish to give herself fully to someone who would more than likely forget about her within months, if not weeks, of leaving. Catherine was young, but never stupid or naive. She knew how the world worked… even Dickie’s world. What she felt and experienced with him may have been real by her definition, but she understood that that did not make the relationship everlasting or meant-to-be. Their time together had been great and fun and had changed her in ways she would never be able to put into words. She would forever cherish their moments together. Or at least, that’s what she’d thought at the time, before these cherished memories soured. Everything changed the night of the dance. The night he changed. The night she changed, too. It was Dickie’s senior prom. He invited her to go and she happily accepted. She even bought a new dress with the money she’d saved working shifts down at Woolworth’s. The dance was fine and good. They had a blast. They’d even kissed in the middle of the gymnasium during the last slow dance. It had been so romantic. But afterward was a different sort of time. Dickie and some of his friends rented a few rooms at the Heartsridge Motel for a place to hang out after the dance. But it was more than just a place to hang out. It was a place to party, a place to drink alcohol purchased illegally, a place for some of the looser girls to sleep with their dates. She had been to parties with Dickie before, parties with drinking and drugs and where there were rooms dedicated to fooling around. She wasn’t a square. But this was different. This place made her skin crawl. There was a raw energy in the air. She remembered feeling it on her skin. And the fact that it was a motel made the whole scene seem depraved. It just felt off, and she wanted to beg him to go somewhere else. But instead she held her tongue and went along with Dickie. He was leaving soon, after all. Why not appease him? He seemed excited about going. A few of them—all friends of Dickie’s—ended up together in one room, drinking Schnapps, smoking cigarettes, having
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Christian Galacar (Cicada Spring)
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I was so happy. I had changed lots of diapers in my twenty-two years and cared for lots of babies, but our Lily was ours, and to us, she was perfect and healthy. She was easy and quiet, and she slept really good. I always knew I was going to love being a mom, and I was right. I loved it. I could even take her to the movies, and she wouldn’t make a peep.
Phil always says Lily was the first granddaughter who wasn’t afraid of him. And it was true. From the very first time they laid eyes on each other, baby Lily was a match for Phil. She just took to him. I guess it was the beard, and it was a good thing Jep had a hunting-season beard when she was born because she was used to it. She loved her Papaw Phil, and as soon as she was a few months old and could sit up, she’d sit in his lap and watch Fox News. Jep had always said he wanted his children to be around his family, especially his parents, so I made an effort to bring Lily down to Phil and Kay’s as often as possible. While Lily sat with Phil, I’d help Miss Kay with work or in the kitchen or just sit and visit.
In the back of my mind, I still carried some of the fear and worry from my pregnancy. As she got closer to a year old, Jep and I noticed Lily hadn’t started talking yet, although she seemed to be normal and healthy in every other way. She was alert and sweet and smart, but she was quiet. Her eyes were big, and she watched everything going on around her. But she didn’t talk.
In her second year, we got a little more worried because Lily still wasn’t talking. Developmentally, everything else was on track. She grew and ate solid good and crawled and walked, but still no words. We were concerned and afraid something might be wrong.
Lily finally started talking when she was three, and she has turned out to be as smart as can be and does very well in school. There is nothing wrong with her. Lily is on her own timetable, and we had to wait patiently for her personality to emerge. I’m guessing her quiet personality came from her dad. I don’t know, but maybe I did all her talking for her, and she didn’t feel the need those first few years!
Lily is twelve years old now. She’s still sweet and smart and quiet, and she still loves her family.
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Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
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Every little bit of info helps someone get a glimpse of the bigger picture, some will get it faster than others, some will never get it, and remain stuck in the egoism, war mentality, and evil. Star Wars and other similar movies have opened up many minds to the reality of what is in the huge galaxy we live in, in a sci-fi way. We have to crawl before we can walk, and sci-fi is the crawl part.
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Lou Baldin (Coming Clean on Extraterrestrials and the UFO Hidden Agenda (Coming clean on UFOs Book 1))
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it screamed. The sound filled the cold autumn air and made it even colder. It crawled under every tiny pebble and burrowed into every knot-hole in every tree. Even the falling snow seemed to pause as if it were chilled by such a sound. It pounded icicles through Cliff’s ears and somehow down into the roots of his teeth.
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T.W. Brown (Midnight Movie Creature Feature)
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Then bullets finally took down Monica and Michael. One went through Michael’s stomach and he fell to the ground screaming. Another bullet pierced Monica’s lung. She lay there trying to talk, trying to breath, but nothing. She knew that she was going to die. Michael looked at her and crawled toward her, his guts dragging in the sand, scraping on rocks as he crawled. He made it over to Monica, cradled her in his arms. Her body twitched in his arms. It took everything he had but he spooned her like they were just going to sleep for the night. He put his arm around her and said into her ear, “Let’s watch a movie on Netflix,” and they both died.
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Noah Cicero (Go to work and do your job. Care for your children. Pay your bills. Obey the law. Buy products.)
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I got home a little after seven, but didn’t feel hungry. Instead, I crawled into my pajamas and pulled out my Jimmy Stewart movie It’s a Wonderful Life. I fixed myself a cup of herbal tea and settled in for the night. Normally, I’d save such a classic movie for the holidays, when I tended to feel sorry for myself, but today’s need felt urgent. If Jimmy was able to accept that he had a wonderful life, maybe I could, too.
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J.C. Patrick (A Hollywood Classic)
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Everything about this place made my skin crawl. The power plays and posturing. The snobbish cliques and haughty entitlement. I’d had an idea how things would be when I arrived, but living it was another story. Walking into the school cafeteria, I felt like I was cast in an over-the-top coming-of-age movie where each character had its very own stereotype to portray and not a single person was multidimensional. I’d only ever been to public school before, where kids bought square slices of generic pizza or brought brown paper sack lunches of PB&J and a bag of chips. Not at Xavier. There was a fucking sushi station, for Christ’s sake. How could any of these people be substantive when they’d never even stepped foot in the real world?
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Jill Ramsower (Perfect Enemies (The Five Families, #6))
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A couple of coworkers and I went to see the movie Collateral one evening. When we came back to the office around 11:00 (to go back to work), we ran into Chris Metzen sitting in the hallway. Upper management was making an effort to stay late with the team to show solidarity, and tonight was Chris’s night. He was playing the new beta and preparing for the final boss fight in Gnomeregan. Dungeon crawls were far more intense than anything he was used to, and he told the people standing behind his desk that he actually felt nervous before the fight. “Dude, my heart is pumping so hard right now, I’m gonna have a fucking heart attack. Just look at my hands, they’re shaking. I’ve never been so nervous about a game before this!” As his party prepared to fight the Gnomeregan end boss monster, Mekgineer Thermaplugg, Chris typed, “Remember guys, he’s just a gnome!” After a heated battle, Chris died screaming, seconds before the boss collapsed. This was before players received postmortem credit for kills, so Chris couldn’t complete his dungeon quest. He was so disappointed, he immediately went home. When I told Jeff what had happened the next morning, he laughed and replied, “Ouch. That really sucks. We should give kill-credit to everyone in the party, dead or alive.
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John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
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The artist child must begin by crawling. Baby steps will follow and there will be falls—yecchy first paintings, beginning films that look like unedited home movies, first poems that would shame a greeting card.
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Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
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Mia didn't stop. She'd been making low budget horror movies the majority of her adult life and one criticism of the genre she loved was that once you incapacitate the bad guy, you didn't run, you didn't relent, you didn't crawl to the nearest phone and dial 911. No motherfucker. What you did was you finished the fucking job.
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Ronald Malfi (Black Mouth)
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Try a little experiment. Sit on the couch and tell yourself you deserve to do absolutely nothing for ten minutes. Put your feet up and exhale. Then listen as your home bursts into life like an animated movie. You’ll begin to hear demands from different tasks around your home. The gutters say clean me. The dishes say wash me. The closet says, Marie Kondo me. This rising chorus becomes louder until it yanks you up two-fisted by your collar and you begin to do. And that’s just the voices of the inanimate objects! When flesh-and-blood humans join in the cacophony of requests, you’ll be running in six directions before you realize it. You don’t believe in the basic permission to stop. I wish I had the power to grant this permission to you. If there was an incantation or potion that I could bequeath to you, I’d crawl on my knees to get it. The best I can do is tell you, “I, Juliet Funt, imperfect mother and businesswoman, give you permission to stop.
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Juliet Funt (A Minute to Think: Reclaim Creativity, Conquer Busyness, and Do Your Best Work)
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loved him so much. I wanted to die, I loved him so much. I wanted to crawl inside of him and live there. I wanted to spend the rest of my life just being with him. Adoring him. Protecting him. Living in all his quiets. Letting him touch me any way he wanted to, as often as he wanted to. A head on his shoulder in a movie theater. A kiss before bed. A cuddle in the dark. Growing old and holding his hand. Anything he wanted. Anything he needed. I wanted to be his anything.
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Abby Jimenez (Yours Truly (Part of Your World, #2))
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Who cares if I read it or I saw the movie? The message is still the same.” Kitty crawls back up by me. I pat her hair. “So what’s the message?” “Don’t kill yourself over a boy.
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Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before #2))
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closed my eyes for a second before slowly straightening and climbing to my feet. I pasted a smile onto my face as Wes and Alex looked at me. “Hey, guys. What’s up? Fun prom, right?” “Right? Oh my God.” Alex, bless her, acted like it wasn’t out of the ordinary for me to be crawling around in the darkness behind Wes’s house. “I thought I was going to have a heart attack when Ash was crowned.
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Lynn Painter (Better Than the Movies (Better than the Movies, #1))
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Like our other facial equipment, eyes are something we all have in common—even that old poop the Ayatollah Khomeini had a pair. But to the best of my knowledge, no horror movie has ever been made about a nose out of control, and while there has never been a film called The Crawling Ear, there was one called The Crawling Eye. We all understand that eyes are the most vulnerable of our sensory organs, the most vulnerable of our facial accessories, and they are (ick!) soft. Maybe that’s the worst
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Stephen King (Danse Macabre)
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Dallas. The scriptwriters have each of the actresses in the soap opera play the death scene in the swimming pool: they do not know which of them is to die, and hence disappear from the series. The 'soap' becomes their destiny. If they should die in reality, a way is devised for writing them out of the script. If they are sacrificed in the script, their stardom inevitably comes to an end in real life too, since they are identified with the characters they play. It is the same as in a ceremony: outside the ritual, you count for nothing, but the ritual is flexible enough to make use of all the chance happenings of life. Dallas 's secret lies in its closeness to tribal and initiatory stereotypes. That is why there is never any laughter in it: no wit, no humour, no comic episodes, no happy coincidences. It is a closed world in which everything leads inevitably to fatality, perfidy, sentimental incest or magical cannibalism. Such is the tribal law, of which J.R. is the emblem, which gives rise to the desperate efforts on the part of the women to escape from this archaic trap. In its artless cruelty, Dallas is superior to any 'intelligent' critique that can be made of it. That is why intellectual snobbery meets its match here.
In a dream I saw the face of servitude. It is the face of a woman with heavy lidded, blue, expressionless eyes. The crescent shapes of her breasts are asymmetrical. She always has a smile for the poorest as she crawls off daintily towards infinity.
Boredom is like a pitiless zooming in on the epidermis of time. Every instant is dilated and magnified like the pores of the face.
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Jean Baudrillard (Cool Memories)
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In the Jolan district, on the edge of the Euphrates River, in the northwestern corner of the city, Marines found something far more troubling. Inside a metal-sided warehouse, past the insurgent caches of rocket-propelled grenades and artillery rounds, the Marines discovered a crawl space barricaded with a safe. Pushing it aside, the troops saw an Iraqi man chained hand and foot, lying in his own waste. The virtual skeleton proved to be a still-living taxi driver who’d been abducted four months earlier along with a pair of French journalists—thankfully, he would survive. Down the hall, Marines crashed through another door and found themselves in what appeared to be a ramshackle movie studio. On the table was a glass with ice in it; whoever had left had just done so in a hurry. Nearby, Marines found two video cameras, klieg lights, and instructions on how to get footage to the Baghdad offices of some of the regional news networks. On the back wall of the room hung the black-and-green flag of Ansar al-Islam. The floor was caked in dried blood. The moment I read that last detail in the intelligence report I received, I knew it was the room where Nick Berg had been murdered.
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Nada Bakos (The Targeter: My Life in the CIA, Hunting Terrorists and Challenging the White House)
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Emotions Dreams
I feel like my skin is crawling with viruses when it is on my figure. It’s mid-November and I am standing in the rain, as I run out the door it is, so cold, so lonely, and so freaking loveless! As I found my way back to him, I left behind oh so long ago. Up till now this is not habitual for me, I am always naked around my house, yet this is not a home at all, I don’t know what you call this place, it’s like a school however not so. I have my reason you’ll see, not to say too much, I have someone looking down at me with the eyes and the face and crap. The rain is falling on me, eyes and ears, and boys and girls all like knives inside me, never since the moment I got off the damn bus so it could just run my ass over and get it over with. The rain is matting my long brown hair on me as it lies on down my rump, just like a movie just like the books. Just like me living it, like her.
Some of this shower is cascading off my little face, and it slowly collects on my breasts, where it beads up and separates into two different watercourses down to my belly button. I eyeball it, as it goes all the way down the front of me. Yet I am okay with it… at last, I am free. To a fact! I still feel so shut in by all of them. Ten or twenty-five or three minutes have passed, I am still in a similar varied advertisement. ‘Girly portion.’ Almost like a waterfall gushing in-between my legs. It trickles down to me to where it turns and goes in my butt cheeks, falling too and thrashing my mud exposed toes. After standing so long, holding me upright, weekly my legs so not right give out. Just letting water follow me down.
I'm soaked! Soft thump, sooner or later the pounding gets rains resilient. Making me fall to the ground with where I will remain until I feel that I can get up and over what has happened to me. I can feel the wetness as it lingers in my hair for a while, so unforgivably waterlogged my body even more. That’s if I can… like if I can accept it all. It’s all because of them! Counting my sanctification, I feel dissatisfied in a way when I do feel it releasing offends my hair. Like it is wiping away everything that happened to me today, away from the day of the past. I feel the dropping rain weeping for me, like hell’s tears of pain and flam it runs out of me as I yell out for his safety in a call of his name.
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Marcel Ray Duriez (Nevaeh A Void She Cannot Feel)
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No more pet videos for you. You go finish your book.” I start to shove her out of the bed, and Kitty grabs on to my leg.
“Sweet my sister, cast me not away!” Proudly she says, “That’s Shakespeare. Romeo and Juliet, in case you haven’t read it.”
“Don’t act high and mighty like you were reading Shakespeare. I saw you watching the movie on TV the other day.”
“Who cares if I read it or I saw the movie? The message is still the same.” Kitty crawls back up by me.
I pat her hair. “So what’s the message?”
“Don’t kill yourself over a boy.”
“Or a girl.”
“Or a girl,” she agrees.
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Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
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Before she’d left Iowa, Jeanette had never seen but one or two black people in her life, except on television and in the movies. But Memphis was crawling with them.
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Justin Cronin (The Passage (The Passage, #1))
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Crawl underneath the hood of any growing church that is actually growing from the unchurched, and you will find that the number one reason newcomers attend is that they were invited by a friend. Churches grow from the unchurched because their members and attendees talk about it to their unchurched friends. It comes up in their conversations like the mention of a good movie, a favorite restaurant or a treasured vacation spot. There is a culture of invitation.
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Thom S. Rainer (ChurchLeaders Top 100: 2013 Edition)