Vodka Pictures Quotes

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I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture. At first I thought he was just pissed about his Mohawk, but then I realized he’s probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. He’s probably like, 'When the fuck are we gonna get to Malibu, bitch?
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
The problem with the suspenders my mother bought for him is that he hasn't adjusted the straps since he got them. So instead of attaching somewhere around his midsection, the suspenders clip onto his pants three inches below his nipples. Now picture the suspenders attached to sweatpants. This vision is what first led me to coin the term "camel balls.
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
Add to that cauldron an ever increasing measure of cheap vodka--a form of self-medication that quelled the inner scream but amplified the outer crazy--and you get a picture of the mother I left behind.
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
Of course that diagnosis was never made official because my mother refused to get professional help. Instead, she lived her life with her fingers in her ears, as though the truth would not exist if she never heard the words spoken aloud. Add to that cauldron an ever increasing measure of cheap vodka—a form of self-medication that quelled the inner scream but amplified the outer crazy—and you get a picture of the mother I left behind. She
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
I set the vodka glasses on the table, and we become gently drunk in the foetal warmth. The Australian woman doesn’t quite get the picture. We have a brief exchange in English. ‘Do you have a car?’ she asks. ‘No,’ I reply. ‘A TV?’ ‘No.’ ‘What if you have a problem?’ ‘I walk.’ ‘Do you go to the village for food?’ ‘There is no village.’ ‘Do you wait for a car on the road?’ ‘There is no road.’ ‘Are those your books?’ ‘Yes.’ ‘Did you write all of them?’ I prefer people whose character resembles a frozen lake to those who are more like marshes.
Sylvain Tesson (Consolations of the Forest: Alone in a Cabin in the Middle Taiga)
At night at my desk in the shack I see the reflection of myself in the black window, a rugged faced man in a dirty ragged shirt, need-a-shave, frowny, lipped, eyed, haired, nosed, eared, handed, necked, adamsappled, eyebrowed, a reflection just with all behind it the void of 7000000000000 light years of infinite darkness riddled by arbitrary limited-idea light, and yet there’s a twinkle in me eye and I sing bawdy songs about the moon in the alleys of Dublin, about vodka hoy hoy, and then sad Mexico sundown-over-rocks songs about amor, corazón, and tequila - My desk is littered with papers, beautiful to look at thru half closed eyes the delicate milky litter of papers piled, like some old dream of a picture of papers, like papers piled on a desk in a cartoon, like a realistic scene from an old Russian film, and the oil lamp shadowing some in half -
Jack Kerouac (Desolation Angels)
In the nineties…yes, we were ecstatic; there’s no way back to that naïveté. We thought that the choice had been made and that communism had been defeated forever. But it was only the beginning… Twenty years have gone by…“Don’t try to scare us with your socialism,” children tell their parents. From a conversation with a university professor: “At the end of the nineties, my students would laugh when I told them stories about the Soviet Union. They were sure that a new future awaited them. Now it’s a different story…Today’s students have truly seen and felt capitalism: the inequality, the poverty, the shameless wealth. They’ve witnessed the lives of their parents, who never got anything out of the plundering of our country. And they’re oriented toward radicalism. They dream of their own revolution, they wear red T-shirts with pictures of Lenin and Che Guevara.” There’s a new demand for everything Soviet. For the cult of Stalin. Half of the people between the ages of nineteen and thirty consider Stalin an “unrivaled political figure.” A new cult of Stalin, in a country where he murdered at least as many people as Hitler?! Everything Soviet is back in style. “Soviet-style cafés” with Soviet names and Soviet dishes. “Soviet” candy and “Soviet” salami, their taste and smell all too familiar from childhood. And of course, “Soviet” vodka. There are dozens of Soviet-themed TV shows, scores of websites devoted to Soviet nostalgia. You can visit Stalin’s camps—Solovki, Magadan—as a tourist. The advertisements promise that for the full effect, they’ll give you a camp uniform and a pickaxe. They’ll show you the newly restored barracks. Afterward, there will be fishing…
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
A good sense of humour combined with self-distance always make the world a better place. And my hundred-year-old, Allan Karlsson, would probably add a bottle of vodka to complete the picture.
Jonas Jonasson
This is why I shouldn’t chug vodka. Because I can picture the worry in his gray eyes when he caught me.
C.W. Farnsworth (Two Decisions, One Duty (Months, Words, Decisions, Duty, #2))
The vodka isn't laced with arsenic," said Lyla. "He's simply picturing life in a far-off galaxy, where a group of eight-armed cephalopods have gathered around a supper table to share in their last meal before riding off into the sunset. But, of course, they'll need at least two sedans for all those tentacles.
Erika Simms (Flies in the Punch Bowl)