Bites The Dust Quotes

We've searched our database for all the quotes and captions related to Bites The Dust. Here they are! All 100 of them:

When love bites the dust, we must learn to recognize the demons of our failures. ("I seek you")
Erik Pevernagie
I can't belly dance.' Yes, you can. It's in your fi--' Will you stop reading my goddamn file!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Cassandra,” he said, “I hope you know that poaching Muppets is illegal in this country.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
What do you do to your hair?" "Dust, hair gel, and a little gun oil." "Ever thought of patenting the recipe?" "No.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
So of course that was the moment my motherboard decided to do a short internal scan, throw up its hands, and screech, “Dear Lawd, a VAMPIRE has taken mah blood!” and initiate a general shutdown.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
She was the snake biting its tail. She was a dreamer, eternally bound to a nightmare, eyes closed even when her eyes had turned to dust.
Silvia Moreno-Garcia (Mexican Gothic)
I keep from gritting my teeth, though all I really want to do right now is grind them to dust. The main reason I don’t is because I would no longer be able to bite Addie’s clit.
H.D. Carlton (Haunting Adeline)
Excellent." As soon as Bergman left earshot Vayl said, "I am going to buy you some pom-poms and a short pleated skirt-" Hey, if Bergman needs a cheerleard, that's what he's getting." Vayl tipped his head to one side and smiled wickedly. "I was just thinking perhaps I need a cheerleader as well." Cassandra got up. "If that's where this conversation is headed, I'm leaving." She wants some pom-poms too," I told Vayl. I do not!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
The girl in me wanted to slap Lung across his face and yell, "Get your eyes off my sticky buns, ya creep!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
It’s Tchaikovsky’s ‘Another One Bites the Dust,’” said Crowley, closing his eyes as they went through Slough.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Another one bites the dust. I am reaping the benefit of self-fulfillment and self-control. I am worthy of all the good things in life.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I like these boots," I told Vayl. "Do you think they'd sell them to me cheap? I keep ruining mine." "Since when do you fret over money?" he asked with amusement. "I was not even sure you knew what to do with it." I shrugged. "A women has needs." "Still." said Cole. "Gosh, Jaz, why didn't you say something to me? I'd never let you suffer.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Oh my God, this can't be happening!" I cried. "What?" "Mopeds? Those are the wheels Pete gives us? I knew he was pissed off at me! It was all that time I spent in the hospital wasn't it? Or was it the wrecks? But I only tore up one car last time! And that wasn't my fault!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Never mistake my silence for weakness. No one plans a murder out loud.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
I sat up. Slowly. Between the belly dancing, the fire, the visit to Dave and it's aftermath, the night had taken its toll. You look like crap!" Cole said merrily. "I like the hair though." He made a camera frame with his thumbs and forefingers and in the genie voice from Aladdin said, "Now what does this say to me? Homeless women? Tornado victim? Britney Spears? I've got it! Preschooler who's misplaced her gum!" I regarded him balefully. "You're a morning person, aren't you?" You make that sound like a bad thing." Not if you stop talking.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
Cassandra watched him go, slumping a little as the distance between them grew. "He was so nice." "Yeah." "And look at that butt." I considered said item. "Definitely superior. But not for Cassandra hands?" She shook her head sadly. "Another person stands between us now. He'll meet her within the month." "Is she prettier than you?" Cassandra started to smile. "Well?" "No" "Ha!" "Jaz!" "Honey, we've got to take our victories where we can find them.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
It looks as if I was thinking what you were thinking." "Actually, you weren't. I was really thinking I needed to ask you a question." "What was that?" "Do you think we should ask Goatee Guy how to find the caterer?" I smiled at him innocently as his eyebrows pratically met above his nose. "I am never going to share my pet peeves with you again."
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
You won't enjoy it," sighed Crowley. "It's been in the car for more than a fortnight." A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale's brow furrowed. "I don't recognize this," he said. "What is it?" "It's Tchaikovsky's 'Another One Bites the Dust'," said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd's "We Are the Champions" and Beethoven's "I Want To Break Free." Neither were as good as Vaughan Williams's "Fat-Bottomed Girls.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Cole!" Cassandra smacked him on the shoulder. "Wha-?" When he opened his mouth all you could see was half-chewed goo. "How old are you?" I demanded. I threw shrimp at him and it got stuck in his tangle of wig hair. Bergman fished it out, wiped it off, and put it back on the serving dish. "Now, thats disgusting," said Cassandra. "Children!" Vayl's voice boomed in our ears, loud and sudden enough to make us all jump guiltily. "I trust you are all preforming actual work right now." "Chill out, Vayl," I replied. "Bergman is just conducting and experiment to see how vampires respond to ingesting brown hair dye." "That makes me curious, Vayl," said Cole in a sticky, goodie-between-the-gums voice that reminded me of Winnie the Pooh after a major honey binge. "Have you ever colored your hair? You know blonds have more fun." "Not when they are in the hospital.
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
I was a whore for a good voice.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
A bite will still hurt, but it won't kill you.
Jonathan Maberry (Dust & Decay (Rot & Ruin, #2))
Normal is an illusion. What is normal for the spider is chaos for the fly. -Morticia Adams
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid. "What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to. "So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
Kirsten Hubbard (Wanderlove)
A dog doesn’t care if you’re rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his. -Marley and Me
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Pressing his thumb down on her jaw to part her lips, he kissed her again, angel dust glittering in the air. "Mmm." She rubbed against him. "Did you make a change to your special blend?" Angel dust, he'd told her, was normally rich and exquisite, but not sexual. Elena had only ever tasted Raphael's blend, and it was always oh-so-sexual-today, it also held a dangerous bite. Kisses down her throat. "I wouldn't wish my consort to suffer ennui.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
I've never met someone who died.I mean someone who could actually talk to me about it.Was it all bright lights and Mormon Tabernacle Choir music?" She smiled in spite of her fear.She'd used this tactic before with victims in their first stages of shock to calm them down until help could get there."Well,I can't really be sure but I think I remember hearing Queen's 'Another One Bites The Dust',"she quipped.He snorted."Well, at least it wasn't ACDC's 'Highway to Hell'.
Terri Reid (Loose Ends (Mary O’Reilly #1))
She was so tight and compact; it would be nothing to tuck her neat and warm into the inside of his jacket and carry her wherever he went and feed her bites of cheese biscuits. Skin so creamy with just a touch of makeup dusting over her face, she had luscious lips the color of a Bordeaux wine and a slim neck he ached to suck on. God her fucking eyes… it was like they were constantly smiling.
V. Theia (Resurfaced Passion (Renegade Souls MC Romance Saga #6))
husband is someone who, after taking out the trash, gives the impression he just cleaned the whole house.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
The object of war is not to die for your country, but make the other bastard die for his. -George S. Patton
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Another lover bites the dust.
Clara Grace Walker (Gratification)
Go baby go,” he yelled to the hearse’s stereo blaring out Queen’s, ‘Another One Bites the Dust’.
Stephen P. Smith (The Unsound Convictions of Judge Stephen Mentall: A laugh out loud satire on the police and judiciary)
She looked up and caught Jared’s eye. He had watched the whole exchange, and he looked amused by Mina’s actions. He pointed down at the apple that had come to rest against his shoe, the apple she had smacked out of Savannah’s hand. He laughed as he reached down and picked up the apple. Mina frowned. Dusting it off against his shirt, Jared took a bite out of it and chewed slowly, taunting her.
Chanda Hahn (Fairest (An Unfortunate Fairy Tale, #2))
In the room full of individuals for whom I hold feelings of resentment about, Who might be the first I would converse with, when I am about to bite the dust?
Nishikant (The Papery Onions)
In the same way that a fiancée is a bride-to-be, I’ve always thought a girlfriend is a fiancée-to-be. Yes, most relationships bite the dust before things get long-term. However, that possibility of staying together forever remains the underlying force driving the relationship forward.
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
A person couldn’t expect to glide through life, good luck always breaking his way, the worst kind of bad luck befalling only other people. Sooner or later, you had to take it in the shorts, as they say, bite the bullet or maybe even bite the dust. A moment of grave misfortune must be near at hand.
Dean Koontz (The Bad Weather Friend)
It’s Tchaikovsky’s ‘Another One Bites the Dust,’” said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd’s “We Are the Champions” and Beethoven’s “I Want To Break Free.” Neither were as good as Vaughan Williams’s “Fat Bottomed Girls.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
But the examinations are the chief bugbears of my college life. Although I have faced them many times and cast them down and made them bite the dust, yet they rise again and menace me with pale looks, until like Bob Acres I feel my courage oozing out at my finger ends. The days before these ordeals take place are spent in cramming your mind with mystic formula and indigestible dates—unpalatable diets, until you wish that books and science and you were buried in the depths of the sea. At last the dreaded hour arrives, and you are a favoured being indeed if you feel prepared, and are able at the right time to call to your standard thoughts that will aid you in that supreme effort. It happens too often that your trumpet call is unheeded. It is most perplexing and exasperating that just at the moment when you need your memory and a nice sense of discrimination, these faculties take to themselves wings and fly away. The facts you have garnered with such infinite trouble invariably fail you at a pinch.
Helen Keller (The Story of My Life)
That should do it. Tell me if you get the urge to take a bite out of someone, though.” “There’s a long list of people I’d like to bite,” said Marra, a bit dryly. The dust-wife snorted. “Fair enough. Just tell me if you get the urge to chew afterward, then.
T. Kingfisher (Nettle & Bone)
You can trust your dog to guard your house, but never trust your dog to guard your sandwich. -T-shirt
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
I have never understood the female capacity to avoid a direct answer to any question. -Spock
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
And so, we continue living, going insane, trying to experience whatever ecstasy one can before finally biting the dust.
Ryan Gelpke (2017: Our Summer of Reunions: Braai Seasons with Howl Gang (Howl Gang Legend) (German Edition))
I don’t need anger management classes. You need “Shut the fuck up” classes.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
I mean, how does that crazy preacher know where the dead go and how the hell does he know the dead like being there? He's trying to make it sound like the only reason we get born is to bite the dust
Vera Jane Cook
Interestingly, one mate of mine, a proper leftie, in his heyday all Red Wedge and right-on punch-ups, was melancholy. "I thought I'd be overjoyed, but really it's just … another one bites the dust …" This demonstrates, I suppose, that if you opposed Thatcher's ideas it was likely because of their lack of compassion, which is really just a word for love. If love is something you cherish, it is hard to glean much joy from death, even in one's enemies.
Russell Brand
A dozen cobras moved as one, shattering their bottles. Wine and glass sprayed the room. The snakes sprang for Isyllt's attacker with fangs unfolded. He screamed high and sharp as they uncoiled, long slick bodies whipping through the air. She wasn't sure if their venom could survive death and pickling, but it didn't seem to matter. After several bites, he curled on the floor, weeping and trying to bat the undead snakes away.
Amanda Downum (Kingdoms of Dust (The Necromancer Chronicles, #3))
Ah, this is more like it. Tchaikovsky,’ said Aziraphale, opening a case and slotting its cassette into the Blaupunkt. ‘You won’t enjoy it,’ sighed Crowley. ‘It’s been in the car for more than a fortnight.’ A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale’s brow furrowed. ‘I don’t recognize this,’ he said. ‘What is it?’ ‘It’s Tchaikovsky’s “Another One Bites the Dust”,’ said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd’s ‘We are the Champions’ and Beethoven’s ‘I Want To Break Free’. Neither were as good as Vaughan Williams’s ‘Fat-Bottomed Girls’.
Terry Pratchett (Good Omens)
You can trust your dog to guard your house, but never trust your dog to guard your sandwich.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Lesson one: Only trust people with big butts. They cannot lie.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
It’s the man’s job to figure out what the woman likes, what will bring out the wild in her.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
He said he could have you, but that he would eviscerate him with a knitting needle and a hack saw if he ever stepped out of line.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
When a man's pride is made to bite the dust, resentment is the worm that eats his flesh
Bangambiki Habyarimana (The Great Pearl of Wisdom)
We didn't, after all, sing "Another One Bites The Dust" as the coffin was carried out; Hazel and the vicar had settled instead on the more traditional "How Great Thou Art". And Aunty Rose's old adversary the mayor was pressed into service as a coffin bearer to replace Matt. Rose Adele Thornton, born in Bath, England, died in Waimanu, New Zealand, a mere fifty-three years later. Adept and compassionate nurse, fervent advocate of animal welfare, champion of correct diction and tireless crusader against the misuse of apostrophes. Experimental chef, peerless aunt, brave sufferer and true friend. She had the grace and courage to thoroughly enjoy a life which denied her everything she most wanted. The bravest woman I ever knew.
Danielle Hawkins (Dinner at Rose's)
Bite in! I said. The sound of crackling. Eliza giggled in the back. Her parents did not allow her to eat Doritos. I was her drug dealer, in this way. See? I said. What does it taste like? A Dorito, said a smartass in the front row. Cheese, said someone else. Really? I said. They concentrated on their chips. That good dust stuff, said someone else. Exactly, I said. That good dust stuff.
Aimee Bender (The Particular Sadness of Lemon Cake)
We each have a space that fits us, all our darks and lights; and when we leave, the space lasts for a while, then slowly closes up, changing shape as it does, and we are mostly forgotten. I have forgotten most of my own life - why should somebody else remember it? I have found a purpose in life, and it is to bloom, wander around, have a bite to eat. Nothing of any value lasts for ever.
Marc Hamer (Seed to Dust: A Gardener's Story)
Dappled Leaf nodded. “They can share the spare nest.” As River Ripple disappeared inside his den, Moth Flight glanced shyly at Micah. She’d only shared a nest with her brother before. Dust Muzzle had always teased her that it was like sleeping next to a badger. “I’m afraid I snore.” “Good.” He took another bite of fish. “I snore too.” Dappled Pelt rolled her eyes. “Great,” she muttered.
Erin Hunter (Moth Flight's Vision (Warriors Super Edition #8))
His woman doesn't enjoy sex with him says something about the man, not the woman. It's the man's job to figure out what the woman likes, what will bring out the wild in her. Let me let you in on a little secret; I can make you wild. Don't doubt it.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Baby, I’d never let you fall. Never. The only way that would ever happen would be if I was dead, or both my legs and arms didn’t work. If one of them worked, I’d claw my way to you. I’d do everything in my power to watch over you. Only death would separate me from your side.” He
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Initiation asks the son to move his love energy away from the attractive mother to the relatively unattractive serpent father. All that is ashes work. When a man enters this stage he regards Descent as a holy thing, he increases his tolerance for ashes, eats dust as snake do, increases his stomach for terrifying insights, deepens his ability to digest the evil facts of history, accepts the job of working seven years under the ground, leaves the granary at will through the rat’s hole, bites on cinders, learns to shudder, and follows the voice of the old mole below the ground.
Robert Bly (Iron John: A Book About Men)
Sunday night is my personal weekly Halloween. I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop. Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices. “Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.” “Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.” “I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.” He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases. “I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.” He gives me a few coins’ change and bags my sweet, spongy drugs.
Sally Thorne (99 Percent Mine)
Ah, this is more like it. Tchaikovsky,” said Aziraphale, opening a case and slotting its cassette into the Blaupunkt. “You won’t enjoy it,” sighed Crowley. “It’s been in the car for more than a fortnight.” A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale’s brow furrowed. “I don’t recognize this,” he said. “What is it?” “It’s Tchaikovsky’s ‘Another One Bites the Dust,’” said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd’s “We Are the Champions” and Beethoven’s “I Want To Break Free.” Neither were as good as Vaughan Williams’s “Fat-Bottomed Girls.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
With biting solemnity he spoke. “What are you holding on to as Mara? Why are you holding on to what does not exist and was once known? Why not let her be dusts to the winds of Teracia, insignificant in the eyes of what Atheists believe?” Teracia was home to the American Spiritualist headquarters and a very large expanse of forestry. Roma, to keep Mara’s last wishes had visited Teracia, against his Atheist believes, to spread her ashes so her soul may roam free. What soared through Roma was more sadness than anger in the moment. But the anger was enough to push him head first into Retina. “How dare you? You stupid son of a bitch…Ahh!” The force that took Roma forward took them over the compliant material that was the railing and they became subject to gravity. The impact resisting, antigravity flooring broke the majority of their fall. And as Roma traveled the approximately fifteen inches resistance flight back in the air, “I’ll kill you,” he told Retina. While Retina was silently thanking Dr. Hunter, a QueXtgen scientist who had just saved their lives without knowing it, for the scientific design of the house, “I’ll kill you…” Roma said as his body touched the floor, before losing consciousness.
Dew Platt (Roma&retina)
Everything happens at night. The world changes, the shadows grow, there's secrecy and privacy in dark places. First kiss at night, by the monkey bars and the old swings that the children and their parents have vacated; second, longer kiss, by the bike stands, swirl of dust around feet in the dry summer air. Awkward words, like secrets just waiting to be broken, the struggle to find the right ones, the heady fear of exposure --- what if, what if --- the joy when the words are returned. Love, in the parkette, while the moon waxes and the clouds pass. Promises at night. Not first promises --- those are so old they can't be remembered --- but new promises, sharp and biting; they almost hurt to say, but it's a good hurt. Dreams at night, before sleep, and dreams during sleep. Everything, always, happens at night.
Michelle Sagara (Silence (The Queen of the Dead, #1))
She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her ancient decayed mouth coming closer for her good-night kiss. I steeled myself against her putrid smell, the mouthful of bitter dust, but as her lips touched mine it was like biting into a purple black plum whose fruit was brilliant red, like an explosion of intense joy. Its childhood smell wrinkled my nose with pleasure, its sweet juices ran down my chin, turning into a beautiful black ocean where I floated safely, not lost as I had imagined, but securely tucked away deep in space.
Mary Woronov (Swimming Underground: My Years in the Warhol Factory)
From blossoms comes this brown paper bag of peaches we bought from the boy at the bend in the road where we turned toward signs painted Peaches. From laden boughs, from hands, from sweet fellowship in the bins, comes nectar of the roadside, succulent peaches we devour, dusty skin and all, comes the familiar dust of summer, dust we eat. O, to take what we love inside, to carry within us an orchard, to eat not only the skin, but the shade, not only the sugar, but the days, to hold the fruit in our hands, adore it, then bite into the round jubilance of peach. There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing, from blossoms to blossom to impossible blossom, to sweet impossible blossom.
Li-Young Lee (Rose)
Taste the soup now, and season with salt: you’ll need less than if you add it any earlier. Ladle into bowls, and swirl (if you like) with a tiny dash of cream. For restaurant-style pretty, spoon the cream into the centre, and swirl it with the wrong end of a spoon. Scatter the pistachio-pepper mixture in a line straight down the middle of the bowl, bisecting the pretty cream pattern, and grate over a very fine dusting of Parmesan. Notice how completely beautiful it is. Serve, and sit with the dark burn of November earth, and the musty taste of late autumn, and the fierce bite of the pepper, and feel warmed, as if you were sitting by a bonfire in the field with the flames rising in front of you, and your best friends beside you, and the whole world waiting for you.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
Day 1,309 of My Captivity YOU HUMANS LOVE COOKIES. I ASSUME YOU KNOW WHICH food I mean? Circular, about the size of a common clamshell. Some are flecked with dark bits, others are painted or dusted with powder. Cookies can be soft and quiet, moving soundlessly on their journey through human jaws. Cookies can be loud and messy, bits breaking off at the bite, crumbs tumbling down a chin, adding to the flotsam on the floor that the elderly female called Tova must sweep. I have observed many cookies during my captivity here. They are sold in the packaged food machine near the front entrance. Imagine my confusion, then, at the remark made by Dr. Santiago earlier this evening. “What can I say, Terry?” Dr. Santiago raised her shoulders and held her hands up. “I’ve seen a lot of octopuses, but you’ve got a smart cookie here.
Shelby Van Pelt (Remarkably Bright Creatures)
Sarah's first introduction was the signature sugardoodle. Big, billowy, and buttery, sparkling with a generous coating of sugar crystals and cinnamon, it has the perfect savory-sweet balance that comes from creamed butter and sugar. When she created it, the bakery's cookie menu was dominated by chocolaty options. She was looking to add something with a different flavor profile. Then, for the 2013 holiday season, she was playing with recipe ideas that would evoke nostalgia and home baking and struck upon the ginger spice cookie, a soft, sweet molasses number with the bite of ginger, cinnamon, and nutmeg. It was so popular it stuck around beyond the holidays and became a year-round best seller. Then came the killer red velvet. Rich from cocoa, savory from a cream-cheese center, and crunchy from its sugar-dusted top, it gives red velvet lovers a whole new creation to die for.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself (Mother's Day Gift for New Moms))
Get out! Get out of my parlor! Out! Out! Out! You bastard, let go of the goddamned door and GET OUT!’ That was when he slapped her. It was a flat, almost unimportant sound. The grandfather clock did not fly into outraged dust at the sound, but went on ticking just as it had ever since it was set going. The furniture did not groan. But Carla’s raging words were cut off as if amputated with a scalpel. She fell on her knees and the door swung all the way open to bang softly against a high-backed Victorian chair with a hand-embroidered slipcover. ‘No, oh no,’ Frannie said in a hurt little voice. Carla pressed a hand to her cheek and stared up at her husband. ‘You have had that coming for ten years or better,’ Peter remarked. His voice had a slight unsteadiness in it. ‘I always told myself I didn’t do it because I don’t hold with hitting women. I still don’t. But when a person – man or woman – turns into a dog and begins to bite, someone has to shy it off. I only wish, Carla, I’d had the guts to do it sooner. ‘Twould have hurt us both less.’ ‘Daddy –
Stephen King (The Stand)
With each new course, he offers up little bites of the ethos that drives his cooking, the tastes and the words playing off each other like a kaiseki echo chamber. Ark shell, a bulging, bright orange clam peeking out of its dark shell, barely cooked, dusted with seaweed salt. "To add things is easy; to take them away is the challenge." Bamboo, cut into wedges, boiled in mountain water and served in a wide, shallow bowl with nothing but the cooking liquid. "How can we make the ingredient taste more like itself?With heat, with water, with knifework." Tempura: a single large clam, cloaked in a pale, soft batter with more chew than crunch. The clam snaps under gentle pressure, releasing a warm ocean of umami. "I want to make a message to the guest: this is the best possible way to cook this ingredient." A meaty fillet of eel wrapped around a thumb of burdock root, glazed with soy and mirin, grilled until crispy: a three-bite explosion that leaves you desperate for more. "The meal must go up and down, following strong flavors with subtle flavors, setting the right tone for the diner." And it does, rising and falling, ebbing and flowing, until the last frothy drop of matcha is gone, signaling the end of the meal.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
R.C. Ryan (Montana Destiny)
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
His development (or retrogression) was rapid. His muscles became hard as iron, and he grew callous to all ordinary pain. He achieved an internal as well as external economy. He could eat anything, no matter how loathsome or indigestible; and, once eaten, the juices of his stomach extracted the last least particle of nutriment; and his blood carried it to the farthest reaches of his body, building it into the toughest and stoutest of tissues. Sight and scent became remarkably keen, while his hearing developed such acuteness that in his sleep he heard the faintest sound and knew whether it heralded peace or peril. He learned to bite the ice out with his teeth when it collected between his toes; and when he was thirsty and there was a thick scum of ice over the water hole, he would break it by rearing and striking it with stiff fore legs. His most conspicuous trait was an ability to scent the wind and forecast it a night in advance. No matter how breathless the air when he dug his nest by tree or bank, the wind that later blew inevitably found him to leeward, sheltered and snug. And not only did he learn by experience, but instincts long dead became alive again. The domesticated generations fell from him. In vague ways he remembered back to the youth of the breed, to the time the wild dogs ranged in packs through the primeval forest and killed their meat as they ran it down. It was no task for him to learn to fight with cut and slash and the quick wolf snap. In this manner had fought forgotten ancestors. They quickened the old life within him, and the old tricks which they had stamped into the heredity of the breed were his tricks. They came to him without effort or discovery, as though they had been his always. And when, on the still cold nights, he pointed his nose at a star and howled long and wolflike, it was his ancestors, dead and dust, pointing nose at star and howling down through the centuries and through him. p21
Jack London (The Call of the Wild)
I couldn't help staring at him, slurping up every atom and utterance and whistle in his voice. He'd become more relaxed in the kitchen, relaxed yet assertive. He bit his thumb in thought and the contrast between his big, strong hands and this adorable, boyish habit made me woozy. "Well... what are we doing with this dish?" "Let me think," I said, letting my exhalations calm me down yet again. "I think the dish needs something more to ground it. Something earthy." "That's the lovage," he said, now looking in the fridge, his jean-clad butt poking out. "No, the lovage is the wild card," I said, as steadily as I could, even though I was intensely distracted and slightly astonished that a man's butt excited me so much. "That flavor remains suspended in your mouth," I continued. "You need something that goes deeper." As I said it, he slowly approached me. I lifted my hand to make way for him but he caught it in midair. "I need something?" he asked, tightening his grip with a little smile and a little threat. He walked one inch closer and that inch set my heart fluttering again, the air between us compressed and tickling. "Yes. Um, I mean..." Still holding my hand, he grabbed a bowl of toasted almonds. "Like this?" He dropped one in my mouth with his free hand, his fingers barely touching my lips. I didn't feel like eating it. I felt like either running back to my apartment and hiding under the covers, or maybe just pretending I was someone else and kissing him right then and there. But I ate the almond and resigned myself to imagining his lips on mine. His hand was still around my wrist... his finger on my lips... "Or, maybe this." He gripped me tighter and, with his other hand, picked up a frond of dehydrated kale, as big and light as a feather. He touched the end of my lips, but when I opened my mouth, he pulled it away. "Careful," he said. "It crumbles." He placed it on my lips once more and I took a bite, little flakes of kale falling like green fairy dust.
Jessica Tom (Food Whore)
Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love. “I ran over my dog today!” I blubbered and collapsed into another heap of impossible-to-corral tears. Marlboro Man was embracing me tightly now, knowing full well that his arms were the only offering he had for me at that moment. My face was buried in his neck and I continued to laugh, belting out an occasional “I’m sorry” between my sobs, hoping in vain that the laughter would eventually prevail. I wanted to continue, to tell him about J, to give him the complete story behind my unexpected outburst. But “I ran over my dog” was all I could muster. It was the easiest thing to explain. Marlboro Man could understand that, wrap his brain around it. But the uninvited surfer newly-ex-boyfriend dangling at the airport? It was a little more information than I had the strength to share that night. He continued holding me in his kitchen until my chest stopped heaving and the wellspring of snot began to dry. I opened my eyes and found I was in a different country altogether, The Land of His Embrace. It was a peaceful, restful, safe place. Marlboro Man gave me one last comforting hug before our bodies finally separated, and he casually leaned against the counter. “Hey, if it makes you feel any better,” he said, “I’ve run over so many damn dogs out here, I can’t even begin to count them.” It was a much-needed--if unlikely--moment of perspective for me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
He shall bite the dust!
E.D.E.N. Southworth (Capitola's Peril (A Sequel to "The Hidden Hand"))
Bites The Dust
This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
Steve Edwards
Fade Out Lines Deeper down It's everywhere I look From Las Vegas to right here Under your dresser Right by your ear It's creeping in sweetly It's definitely here There's nothing more deadly Than slow growing fear Life was full and fruitful And you could take a real bite The juice poring well over Your skins delight But the shadow it grows And takes the depth away Leaving broken down pieces To this priceless ballet The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line Did we build all those bridges To watch them thin down to dust Or blow them voluntarily Out of constant trust The clock is ticking its last couple of tocks And there won't be a party with weathering frocks The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line Heading deeper down We're sliding without noticing Our own decline Heading deeper down We're hanging onto Sweet nothings left behind Deeper down We're all going down Down deeper down, yeah We are all plunging straight towards our own decline Without noticing We slide Down Deeper down The shadow grows without ever slowing down We are heading straight Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows The fainter we go Into the fade out line The shallower it grows The shallower it grows
The Avener
Going away to war doesn’t sit well with any man; we need our women to be strong, to be the one person we can lean on when we need someone to support us.   The
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
That much blood going to my dick couldn’t be good for my brain.
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Her scent wrapped around him—something soft. Feminine. Probably one of those lotions that human women were always using. He rather…liked her smell. What was it? He inhaled again. Apples and…lavender. A nice blend. Only…there was something more. A deeper, richer scent that was pulling at him. Drawing him closer to her. Tempting. “Are you sniffing me?” He stopped. “Because that is some weird serial killer shit if you’re doing that. Don’t make me go for my gun again.
Cynthia Eden (Bite the Dust (Blood and Moonlight, #1))
You don’t know me,” Aidan told her, his voice almost a caress. “You’ve never met me.” A real shame. Because he was sure that they could have enjoyed the hell out of each other. “Go back to sleep.” Her lips trembled. “But the monsters are waiting.” What? His gut clenched. “No monsters are going to get you. Trust me on that one.” The trembling left her lips, and for an instant, it almost looked as if she were smiling. “Silly…I don’t trust…anyone…” Her breath sighed out and her eyes closed. He smoothed her hair away from her face. Her wound was already healing. She was— “Uh, yeah, are you gonna hold her hand all night?
Cynthia Eden (Bite the Dust (Blood and Moonlight, #1))
What was that about? Why did you kiss me?” Propping his shoulders against the door, he leaned back and let his gaze sweep over her. “I want to fuck you.” She stopped pacing. “I thought the kiss made that pretty clear.” He lifted a brow. “Was I too vague? Should I try again?” “You’re not supposed to say things like that.” Her voice had gone hoarse. She obviously had him confused with a human. Her mistake. “What am I supposed to say? That you’re beautiful? That you charm me? That I look at you and ache?” His laughter was rough. “Those lines are for mortals, not for me. That isn’t the way I work.” After drawing a quick breath, she took a step toward him. “How do you work?” “I’m a very primitive kind of guy.” That was the flat truth. “When I see something I want, I take it.” “I’m not something. I’m someone.” “And I’m not the flowers and candy type. I am the type who’ll give you so much pleasure you’ll scream until you’re hoarse.” She stared at him. “Got it. You’re the way too overconfident type.
Cynthia Eden (Bite the Dust (Blood and Moonlight, #1))
Josh was still whistling and Mateo added vocals. "And another one gone, and another one gone," SLICE! "another one bites the dust!" Same grabbed another rogue ans swung his knife. "hey I'm gonna get you too, another one bites the dust!
Sandrine Gasq-Dion (Dirty Ross (Assassin/Shifter, #22))
An odourless poison leaked out of him. His dearest childhood memories were of the practical jokes he had played on the servants. Stringing ropes to trip them up, setting off firecrackers under their beds, unscrewing the seat on the long drop. You could imagine that he had found his vocation in the process. His work, which involved jailing people for petty offences, was a malevolent prank. The way he spoke about it, forced removals, detention without trial, the troops in the townships were simply larger examples of the same mischief. I was struck by the intimacy of his racial obsession. His prejudice was a passion. It caused him an exquisite sort of pain, like worrying a loose tooth with your tongue or scratching a mosquito bite until it bleeds. In the mirror of his stories, however, the perspective was reversed. While he was always hurting someone, doing harm and causing trouble, he saw himself as the victim. All these people he didn’t like, these inferior creatures among whom he was forced to live, made him miserable. It was he who suffered. I understand this better now than I did then. At the time, I was trying to grasp my own part in the machinery of power and more often than not I misjudged the mechanism. Seid Sand, nicht das Öl im Getriebe der Welt, my friend Sabine had told me. Seid unbequem. Be troublesome. Be sand, not oil in the workings of the world. Sand? Must I be ground down to nothing? Should I let myself be milled? It was abject. Surely one could be a spanner in the works rather than a handful of dust? I’d rather be a hammer than a nail. These thoughts were driven from my mind by Louis’s suffering face, the downturned lips, the wincing eyes. Even his crispy hair looked hurt. You could see it squirming as he combed it in the mornings, gazing mournfully at his face in the shaving mirror. I could have shouted at him. ‘Look around you! See how privileged we are. We’ve all eaten ourselves sick, just look at the debris, paper plates full of bones and peels, crumpled serviettes and balls of foil, bloody juices. And yet we haven’t made a dent in the supply.’ The dish on the edge of the fire was full of meat, thick chops and coils of wors soldered to the stainless steel with grease. The fat of the land was still sizzling on the blackened bars of the grill. You would think the feast was about to begin." (from "Double Negative" by Ivan Vladislavic, Teju Cole)
Ivan Vladislavić, Teju Cole
Is she worth it?” Noah asks. “Of course she’s fucking worth it,” I growl. “Woah there, buddy. I get it,” he replies, holding his hands up. “She’s the breath of fresh air I never saw coming.” “What do you mean?” Daniel asks. “Her. Us. What we have.” “Jeez Carsen, sounds like you’ve got it bad,” Noah says with a grin. “Finally,” Daniel muses. “It’s about time another one fell.” Thomas starts singing ‘Another One Bites the Dust,” and I burst out laughing.
B.J. Harvey (Game Saver (Game #3))
I hadn’t been much help packing for the trip. I was accustomed to America, where I was always within striking distance of a grocery store, gas station, or equipment supply. The Australian bush wasn’t like that. Parts of the Burdekin were dangerously remote, and these, of course, were the parts where we were headed. Steve had to pack his own fuel, water, food, spare tires, boat, engine, and extra parts. He loaded up the Ute. Swags went in, but no tent. We would be sleeping under the stars. As we headed out, it came to light that this would be a sixteen-hour trip--and the driving would be shared. “Remember one thing,” Steve said as he climbed over the seat. “If you see a road train coming, you’ve got to get clear off the road.” “Okay,” I agreed. “But I need you to explain what a road train is.” I learned that long-distance truckers in the outback drive huge rigs--double-deckers that are three trailers long. “Okay, great,” I said. “Drive on the left, and watch out for road trains. Got it.” Steve climbed into the back under the canvas canopy and stretched out on top of one of the swags. I wasn’t worried about falling asleep while I was driving. I was too nervous to be sleepy. The farther north I drove, the smaller the roads became. Cars were few and far between. I saw the headlights of an oncoming Ute. Maybe I’ll practice pulling off the road, I thought. I miscalculated the speed of the oncoming vehicle, slowed down more abruptly than I intended, and pulled completely onto the soft gravel shoulder. The draft of the passing truck hit our Ute like a sonic boom--it was a giant beast with a huge welded bull bar on its front and triple trailers behind. The road train flew past us doing every bit of seventy-five miles per hour, never slowing down. I realized that if I hadn’t pulled over, I would have probably been knocked off the face of the earth. I imagined a small paragraph buried deep inside the Eugene Register-Guard, my hometown newspaper: “Oregon Woman Bites the Dust.” Road trains owned the road, but I had passed my first test. I could do this! I should not have spoken so soon.
Terri Irwin (Steve & Me)
Couples that have been together a long time finish each other’s sentences. The most popular ending in “shut the fuck up.” -E-card
Lani Lynn Vale (Another One Bites the Dust (Freebirds, #3))
Guys like us. Who’d ever have thought?” Jack rubbed a hand across the back of his sweaty neck and said, “Yeah, well, look out. You bite the dust like I did and all of a sudden you’re breeding up a ball team.” “I’ll
Robyn Carr (Whispering Rock (Virgin River, #3))
I thought if you had anything you wanted to say to me, I’d give you a chance to do that while Brie’s occupied with other things.” “Yeah,” Jack said. “Yeah, I have something to say. We’ve been over this, but just let me say this once more, so you know where I’m coming from. She’s real special to me and I’ve seen her hurt. Jesus, worse than hurt. You know what I’m talking about.” Mike gave a nod. “I know.” “This thing that’s going on with you and my sister, I fought it. It really scared me, got under my skin….” “I know,” Mike said again. “I under—” “Because I’m a fool,” Jack said, cutting him off. He shook his head in frustration. “Christ almighty, Valenzuela—you’ve had my back how many times? You’d fight beside me in a heartbeat, put yourself in harm’s way to protect me or any member of our squad. I don’t know why I got my back up like I did. When a woman in your family gets hurt like that—you just want to put her in a padded box with a lock on it so no one can ever get to her and hurt her again, even if that’s the worst thing you could do.” He shook his head again and now his expression was readable. He was open. “I apologize, man. I thought of you as my brother before you even glanced at Brie. I know she’s safe with you.” Mike found himself chuckling. “Man,” he said. “Mel must have held you down and beat you over the head.” Now the expression got surly. “I’d just like to know why Mel always gets the fucking credit when I start to make sense. What makes you think I didn’t just think it through and—” “Never mind,” Mike said, sticking out a hand. “I appreciate it.” Jack took the hand and Mike’s smile vanished. The look on his face became earnest. “Jack, I give you my word. I plan to do everything in my power to make your sister happy. I’ll protect her with my life.” “You’d better,” Jack said sternly. “Or so help me—” Mike couldn’t help but smile. “And we were doing so good there for a minute.” “Yeah, well…” “You won’t be disappointed in me,” Mike said. Jack was quiet a moment, then said, “Thanks. I knew that. It just took me a while. Guys like us…” “Yeah.” Mike laughed. “Guys like us. Who’d ever have thought?” Jack rubbed a hand across the back of his sweaty neck and said, “Yeah, well, look out. You bite the dust like I did and all of a sudden you’re breeding up a ball team.” “I’ll be on the lookout for that,” Mike said.
Robyn Carr (Whispering Rock (Virgin River, #3))
Fuck me, Corbin,” I repeat from a moment ago, and he doesn’t waste any time. He sets a punishing rhythm. In. Out. My back presses into the wall, scraping back and forth with his harsh movements, but I tilt my head up, letting him take me. He wraps his lips around the front of my throat, his teeth grazing my windpipe, and I thrust myself further toward him. God, his teeth. When they touch my skin, it ignites me. He pulls us off the wall, walking backward until his legs meet the bed. He sits, and I land with a grunt on top of him. “Ride me,” he says. I lean back, my hands fisting his thighs, digging into the soft hairs coating them. I press my breasts into the air, my long hair dusting my ass as I slowly work my hips back and forth, teasing, while he watches me with hooded eyes. His hands are looped behind his head as he enjoys the show. I work my hips faster, pumping his cock up and down inside me, my breasts puckered and bouncing. It feels incredible—to be what this gorgeous guy is focused on, is hard for. I relish the power and control I have as I sit astride him. His groans urge me on, and when he bites down on his bottom lip, I feel my control slipping. My movements become jerkier as I stare at him, memorizing the way he looks in this very moment. I lean forward, gripping his chest with my fingers, and I lower my head, nipping his chin, his nose, his forehead. He holds my sides, keeping me steady before rapidly thrusting up into me, and I love the sensation, his pubic bone rubbing against my clit with each pound. “Yes, right there. Oh God. Yes, keep doing that.” My words come out in a huff with each thrust, and I dig my fingers into his pecs as a second orgasm rips through me, pulling me under and holding me captive while Corbin never lets up. Suddenly, I’m wrenched from his lap as he throws me onto my back. After pulling my legs over his shoulders, he plants one hand in the valley between my breasts, guiding himself back inside with his other. The pressure on my chest, combined with the never-ending sensations overtaking my sensitive pussy, sends warmth through me. I’m floating, and I never want to come back down.
Jacie Lennon (King of Nothing (Boys of Almadale, #1))
The cumin and cardamom I used in testing worked great with curry... ... but they were too sharp for the stew. After trying lots of stuff, I settled on the heavy and mildly sweet flavor of cloves... ... and some black pepper to give it just a little bit of bite! "Oh, I get it! Cloves will help highlight the mellow yet deep flavor of the sauce! That he rubbed only salt and pepper on the oxtails themselves makes sense too. If he dusted them with cloves, that would give them too much flavor, making them stick out from the rest of the dish. " "Look! Now he's dicing some vegetables!" "Is he going to simmer those with the stew as well?" That combination of vegetables- a Matignon! He really did think this through! MATIGNON Celery, carrots and onions are minced and then sautéed with diced ham or bacon in butter, white wine or Madeira wine. Meant primarily to impart its sweetness onto other meats or fish, Matignon is more commonly used as a bed on which other things are cooked as opposed to being served in its own right. Yet another thing that will preserve the gentle flavor of the dish while still giving it impact. This stew he's making now... ... is going to taste better than the one he made only last week by an order of magnitude!
Yūto Tsukuda (食戟のソーマ 11 [Shokugeki no Souma 11] (Food Wars: Shokugeki no Soma, #11))
There was no creeping up on it—the stone outcroppings and broken monuments studding the wastes weren’t enough to conceal approach, and Mia’s cloak of shadows was only big enough for one. Besides, she reasoned, if these were servants of the Lady of Blessed Murder, they may not take kindly to being snuck up on as they stopped to piss. Sadly, the caravan folk seemed happy enough to go as they went, so to speak. The pair were gaining ground, but after two full turns in the saddle, with Bastard nipping her legs and occasionally trying to buck her into the dust, Mia could take no more. Pulling the stallion up near a circle of weathered statues, she didn’t so much lose her temper as drop-kick it across the sand. “Stop, stop,” she spat. “Fuck this. Right in the earhole.” Tric raised an eyebrow. “What?” “There’s more bruises in my britches than there is bottom. It needs a breather.” “Are we playing alliteration and you didn’t tell me, or …” “Fuck off. I need a rest.” Tric frowned at the horizon. “We might lose them.” “They’re led by a dozen camels, Tric. A noseless dog could follow this trail of shit in the middle of truedark. If they suddenly start trekking faster than a forty-a-turn smoker with an armload of drunken prostitutes, I think we can find them again.” “What do drunken prostit—” “I don’t need a foot massage. Don’t want a back rub. I just want to sit on something that isn’t moving for an hour.” Mia slipped off the saddle with a wince, waved her stiletto at Bastard. “And if you bite me again, I swear to the Maw I’ll make you a gelding.
Jay Kristoff (Nevernight (The Nevernight Chronicle, #1))
When you get three or more adults with nothing in common together, surprisingly often the conversation will turn to the junk foods we knew and enjoyed as children. There is a communal comfort to be had in reciting the names out loud, together, like a liturgy. In Britain, the catechism of nostalgia includes such sweets as Spangles, Jelly Tots, Rolos, Fry’s Chocolate Creams, Space Dust. These are common reference points that take us back to some joyous pre-pubertal age when life was free and easy.
Bee Wilson (First Bite: How We Learn to Eat)
Hot Sauce Shrine" I used to be a high priestess of tail-feather feel-good mumbo jumbo, naysayer extraordinaire cobbling together some crazy quilt catechism to cling to as I tangled in the world's thorns, frantic, fearing the chill soon to come. I haven't turned holy roller or handler of snakes, but things changed slowly, or all at once. Maybe it was when I drove through a dust devil and inhaled its grit of cut grass and cigarette butts. I've taken to praying since the whirlwind shook me loose, or anyway I dip my head at stoplights until I get distracted by scenery, or birds, and the prayers come out confused. I'm clueless—my angel of place smokes blunts and speaks to me in bug bite braille. I know to visit Saint Roch and turn his statue to the wall, but I hunger for alone time on an island with an organ that plays itself, or to whisper all my secrets to the hot sauce shrine. I read that the world is a dream of God, and now I don't know what to do with my hands. The world is God's dream and I am a sparrow passing through song and the brass glow of fire, or maybe that is wrong, and I'm trapped inside, stunned against the glass or down the chimney, terrified of kind hands that sweep me to the door. When I wake I'm walking the moonlit labyrinth with wet feet, and the birds are quiet because I have terrified them with the thunder of my stumbling. Oh God of everything that creeps, I light a candle and ask my question: Is it pilgrimage enough if I spend my life remembering the few seconds I was a bird?
Alison Pelegrin (Waterlines: Poems)
Loki and Gee are crashed in their beds along the wall, Mac is on his perch near the window, whistling Another One Bites The Dust, and Ava is sitting cross legged in bed, painting her toenails. None of that is what I sigh at. It’s the big bald bastard flat on his back watching my tv in my bed next to my woman. Axel. “Do you even know where your home is, Ax?” I ask. “Yup. With my sister. I think I’m going to sell my place and move in here. Then she can take care of me 24/7,” he smirks up at me. “The fuck you are. We have enough animals living in this house. You’re not going to be one of them. Get out of my bed, asshole
Lola Wright (Gunner (The Devil's Angels MC #1))
Next to the gallettes with their savory fillings, and even the banana-Nutella crêpe with its seductive chocolaty drizzle across the top, and especially next to whatever monstrosity Henry had ordered topped with three scoops of vanilla ice cream, the crêpe au sucre Rosie had selected certainly looked plain. It was a slim triangle dusted with sugar, but Rosie swore the sugar was sparkling in the dim light of the restaurant. She cut a tiny triangle off the tip and took a bite. Now this, this was everything. It was simple, but in the way that reminded Rosie that sometimes the simplest things were the best. The crêpe was golden and buttery and the caramelized sugar crunchy before it dissolved instantly, melting on Rosie's tongue. It couldn't be anything more than butter, sugar, flour, and milk. And yet... those simple ingredients were transformed into something transcendent. And that, Rosie thought, was exactly the power of cooking.
Stephanie Kate Strohm (Love à la Mode)