Vietnamese Motivational Quotes

In no particular order, I read what I could, sometimes with Fadiman as my docent, sometimes not: Flaubert, Twain, Kerouac, Brontë, Kafka, Camus, Ibsen, James, Thurber, Shakespeare. But in the course of reading great books, something happened. My reading molded me, the tool hammering its hand into shape. By some miracle—and by miracle, I mean great teachers—I pushed past the shallowness and stupidity of my own motivations. I fell in love with the actual literature and the actual ideas of great literature. As an immigrant, as a Vietnamese kid, as a poor kid, I had collected so many scarlet letters of alienation that I connected profoundly to the great works. As I read, I began to understand that all the great works wrangled with big questions, important questions: our place in the world, the value of our experience, the fairness and meaning of our suffering, our quest for love and belonging. Universal themes bound these great works together, and they bound me to their oaky, yellowed pages like Odysseus lashed to the mast of his ship. I felt a connective and humanizing resonance in books: I wasn’t alone in my aloneness. I wasn’t alone in my longing for love. I wasn’t alone in my fear of being rejected, my fear of never finding my place, my fear of failing. The snarl of my journey was untangled and laid out clearly by books.

Kyle even says near the end of American Sniper that his one regret is that he couldn’t “save more lives” as a sniper in Iraq — that is, the lives of Marines. Like the aliens, Iraqis’ lives are unimportant. Their motivations for resisting imperialism appear to stem from some bestial impulse, not out of a rational human desire for freedom and self-determination. This is also the depiction we get of Iraqis in Hurt Locker, as well as of the Vietnamese in Platoon and the indigenous peoples of the Americas in The Mission.

Very early in human evolution men aggressed in order to incorporate two kinds of power, physical and symbolic. This meant that trophy taking in itself was a principal motive for war raiding; the trophy was a personal power acquisition. Men took parts of the animals they killed in the hunt as a testimonial to their bravery and skill— buffalo horns, grizzly bear claws, jaguar teeth. In war they took back proof that they had killed an enemy, in the form of his scalp or even his whole head or whole body skin. These could be worn as badges of bravery which gave prestige and social honor and inspired fear and respect. But more than that, as we saw in Chapter Two, the piece of the terrible and brave animal and the scalp of the feared enemy often contained power in themselves: they were magical amulets, " powerful medicine," which contained the spiritual powers of the object they belonged to. And so trophies were a major source of protective power: they shielded one from harm, and one could also use them to conjure up evil spirits and exorcise them. In addition to this the trophy was the visible proof of survivorship in the contest and thus a demonstration of the favor of the gods. What greater badge of distinction than that? No wonder trophy hunting was a driving obsession among primitives: it gave to men what they needed most- extra power over life and death. We see this most directly, of course, in the actual incorporation of parts of the enemy; in cannibalism after victory the symbolic animal makes closure on both ends of his problematic dualism— he gets physical and spiritual energy. An Associated Press dispatch from the “Cambodian Front Lines” quotes a Sgt. Danh Hun on what he did to his North Vietnamese foes: ”I try to cut them open while they’re still dying or soon after they are dead. That way the livers give me the strength of my enemy… [One day] when they attacked we got about 80 of them and everyone ate liver”.