Victorian London Quotes

In Victorian London they used to burn phosphorus at seances in an attempt to see ghosts, and I suspect that the pop-music equivalent is our obsession with B-sides and alternate versions and unreleased material.

It was a fine day by London's standards. Which meant it was a day slightly less likely to suffocate you and poison your lungs.

I've often thought a blind man could find his way through London simply by gauging the changes in innuendo: mild through Trafalgar Square, less veiled towards the river.

Wonderful things didn’t happen because one was cautious. They happened because one dared.

Dickens' London was a place of the mind, but it was also a real place. Much of what we take today to be the marvellous imaginings of a visionary novelist turn out on inspection to be the reportage of a great observer.

I long to go through the crowded streets of your mighty London, to be in the midst of the whirl and rush of humanity, to share its life, its change, its death, and all that makes it what it is.

The sacrifice our ancestors gave yesterday Gave us today and our tomorrow

Those angels you’ve painted in your mind wouldn’t last for a moment on the streets of London, Mother,” Ellie called out to her. “We’re the devils who stepped in to replace them.

In a platonic and boring fashion, is it all right if I share your fire until me clothes dry out? I have a feeling if I fall asleep damp I'll wake up with some horrid Victorian disease.

It was immediately clear that the book had been undisturbed for a very long time, perhaps even since it had been laid to rest. The librarian fetched a checked duster, and wiped away the dust, a black, thick, tenacious Victorian dust, a dust composed of smoke and fog particles accumulated before the Clean Air acts.

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

No, the events which I am about to describe were simply too monstrous, too shocking to appear in print. They still are. It is no exaggeration to suggest that they would tear apart the entire fabric of society and, particularly at a time of war, this is something I cannot risk.

The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted.

IN THE TORRID London summer of 1886, William Gladstone was up against Benjamin Disraeli for the post of prime minister of the United Kingdom. This was the Victorian era, so whoever won was going to rule half the world. In the very last week before the election, both men happened to take the same young woman out to dinner. Naturally, the press asked her what impressions the rivals had made. She said, “After dining with Mr. Gladstone, I thought he was the cleverest person in England. But after dining with Mr. Disraeli, I thought I was the cleverest person in England.” Guess who won the election? It was the man who made others feel intelligent, impressive, and fascinating: Benjamin Disraeli.

No book is written; it's always re-written

They were not hacks, working surreptitiously for Victorian special-interest groups. They were not blinded by politics or personal ambition. They were blinded, instead, by an idea.

It’s not his responsibility to educate me. The ignorance is mine, and so must be the remedy for it.

Victorian London. Rome in the fifth century. Egypt in the early twentieth. There must have been a hundred different places listed, all with small journal entries, like Saw the Queen as she and the Prince rode past us on their way to Buckingham Palace and The camel nearly ate Gus’s hair, ripped it from his scalp like grass and My God, if I never see another big-bellied man wrapped in a toga…

The dining-room was in the good taste of the period. It was very severe. There was a high dado of white wood and a green paper on which were etchings by Whistler in neat black frames. The green curtains with their peacock design, hung in straight lines, and the green carpet, in the pattern of which pale rabbits frolicked among leafy trees, suggested the influence of William Morris. There was blue delft on the chimneypiece. At that time there must have been five hundred dining-rooms in London decorated in exactly the same manner. It was chaste, artistic, and dull.

While the experience of homelessness in Victorian London was one of wretched misery for all who were forced to endure it, women like Polly, who found themselves without shelter, might also expect to become victims of sexual violence.

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894.

It is best for a man to try to be both poet and naturalist — not to be too much of a naturalist and so overlook the beauty of things, or too much of a poet and so fail to understand them or even perceive those hidden beauties only revealed by close observation.

My very core clenches and spasms, my hips with a mind of their own, lurch. It is as if I no longer have control of any part of my body. ‘Ugh,’ I continue to groan in relief. And then, slowly, the rush is over and I am able to part my eyelids again. David is still looking at my face, a light sheen of sweat on his brow indicates that his task was not without effort. Finding his gaze too forthright in the current circumstances, my eyes move to the arm that still dwells beneath my skirts and the hand that clings viciously to his sleeve. My hand.

(...Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dress as somebody else, almost naked parties in St John's Wood, parties in flats and studios and houses and ships and hotels and night clubs, in windmills and swimming baths, tea parties at school where one ate muffins and meringues and tinned crab, parties at Oxford where one drank brown sherry and smoked Turkish cigarettes, dull dances in London and comic dances in Scotland and disgusting dances in Paris--all that succession and repetition of massed humanity.... Those vile bodies...)

And the feel of the Park itself was most strange and interesting - what I noticed most was its separateness; it seemed to be smiling and amiable, but somehow aloof from the miles and miles of London all around. At first I thought this was because it belonged to an older London - Victorian, eighteenth century, earlier than that. And then, as I watched the sheep peacefully nibbling the grass, it came to me that Hyde Park has never belonged to any London - that it has always been, in spirit, a stretch of the countryside; and that it thus links the Londons of all periods together most magically - by remaining forever unchanged at the heart of the ever-changing town.

Most archaeology in London these days is rescue archaeology – projects designed to preserve as much as possible from the relentless cash-driven redevelopment. It’s not a new problem. Ask a medievalist about Victorian cellars or an Iron Age specialist about medieval ploughing – but take snacks, because you’re going to be there for a while.

By the mid-eighteenth century, another new attitude was emerging, one which encouraged reflection on death as a spiritual exercise and a valid form of artistic expression. The experts on Victorian death, James Stevens Curl and Chris Brooks, have described this tendency as, respectively, ‘the cult of sepulchral melancholy’ and ‘graveyard gothic’.

It's elementary, my dear Winifred.

Oh to be blissfully ignorant, he thought. But in truth there was nothing he hated more in this life. Ignorance was the root of every manmade evil he had ever encountered.

Modern Londoners live in a great Victorian city; the Victorians lived through it, so to speak.

He wanted to be recognized for the things he could control, not for those things he couldn’t.

Starlight, of course,” he said solemnly. “For you, it will always be starlight.

Dogs cocked their legs on anything perpendicular, carriages clopped and growled along the cobblestones, and all with the prevailing aroma of rancid fish quietly melding the confusion together...

My friend, it is a firm belief of mine that if a gentleman is to secure the services of a London cab then he should certainly carry a carrot on his person. Why only tip the driver and not the horse?

He had the vague thought that riding a difficult mare for so many years had given her an unseen reservoir of power. Luminous as she appeared, she was no will-o’-the-wisp. She was formidable. Strong.

...in other spheres of Victorian Society the appeal of a young woman dressed in black from head to toe was acknowledged. In Victorian popular culture, widows had two manifestations: the battleaxe and the man-eater, preying upon husbands and bachelors alike. Even today, an attractive, dark-haired person dressed in all black has vampiric connotations, as the novelist Alison Lurie has noted, 'so archetypally terrifying and thrilling, that any black-haired, pale-complexioned man or woman who appears clad in all black formal clothes projects a destructive eroticism, sometimes without concious intention.

The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman")

The symptoms syphilis engendered worsened over time. In addition to the unsightly skin ulcers that pockmarked the body in the later stages of the disease, many victims endured paralysis, blindness, dementia, and “saddle nose,” a grotesque deformity that occurs when the bridge of the nose caves into the face. (Syphilis was so common that “no nose clubs” sprang up all over London. One newspaper reported that “an eccentric gentleman, having taken a fancy to see a large party of noseless persons, invited every one thus afflicted, whom he met in the streets, to dine on a certain day at a tavern, where he formed them into a brotherhood.” The man, who assumed the alias of Mr. Crampton for these clandestine parties, entertained his noseless friends every month for a year until his death, at which time the group “unhappily dissolved.”)

When she paused, I embraced the opportunity to turn the trend of conversation by saying: 'I am afraid that I was a little rude to you last night,' but I hardly expected such a blunt reply as she made. 'Yes, you were exceedingly rude, and I hate rude men.' 'I hope you don't hate me,' I cried, laughingly. 'Oh no, not quite. You're a Londoner, you see.' This was very severe. I confess I was hardly prepared for it, and I was tempted to say something cutting in reply, but checked myself, bowed, and merely remarked: 'Which is not my fault. Therefore pity me rather than blame me.' 'Certainly I do that,' she replied, with an amusing seriousness. ("The Doomed Man")

we sat down; not wishing to part in the tumult and blaze of Piccadilly. I had told her again that she should share in my good fortune, if I met with any; and that I would never forsake her, as soon as I had power to protect her.

It smelled not unlike Great-aunt Violet; an aura of books, of reading, of curling up and being cosy, of deciding, in a queue or on a train or a bus, just to step out of your normal world for a little while, go visit Narnia, or medieval England, or Persia, or the cockpit of a fighter plane; a hot air balloon; crime-ridden streets of Victorian London. To sit and blow the dust off something, then be transported elsewhere. It was magical. She couldn’t think of another word for it.

It’s true enough that the Victorians were grappling with heady issues like utilitarianism and class consciousness. But the finest minds of the era were also devoted to an equally pressing question: What are we going to do with all of this shit?

As we drifted away from the Tower Bridge, I saw a single silhouette standing against the bright lamplight. Even now when I was nearly asleep, I could recognise her. Her shoulders were hunched up as if she was upset. Whether she was upset that she had nearly killed me or that she had let me get away, I was unsure. Then she turned around and walked to join the other silhouettes standing in a group farther back. Now I could not see which one was Rose – they were all joint together to make one.

Thereafter he gave up on a career in the arts and filled a succession of unsuitable vacancies and equally unsuitable women, falling in love whenever he took up a new job, and falling out of love - or more correctly being fallen out of love with - every time he moved on. He drove a removal van, falling in love with the first woman whose house he emptied, delivered milk in an electric float, falling in love with the cashier who paid him every Friday night, worked as an assistant to an Italian carpenter who replaced sash windows in Victorian houses and replaced Julian Treslove in the affections of the cashier, managed a shoe department in a famous London store, falling in love with the woman who managed soft furnishings on the floor above.

She’d been made small for so long, the words hadn’t existed to articulate the wild yearnings within her... She knew now what she wanted-- what she’d always wanted... The freedom to want, to choose, to be. To live a colorful, conspicuous, unconventional life.

To begin, you will recognize that I am to be queen soon and you are not a liberty to tell me what to do, under any circumstance. His eyes widened with surprise. Now, there's a winning scheme if ever I heard one --befriend others by beating them on the head with your scepter.

In previous eras the servants’ quarters would be fully underground, but the Victorians, being the great social improvers they were, had decided that even the lowly should be able to see the feet of the people walking past the grand houses of their masters—hence the half basement.

But the stream of London, charity flows in a channel which, though deep and mighty, is yet noiseless and underground; not obvious or readily accessible to poor houseless wanderers: and it cannot be denied that the outside air and frame-work of London society is harsh, cruel, and repulsive.

Ci scrutammo in silenzio per un lungo minuto, abituandoci di nuovo alla presenza dell’altro, all’essere ancora entrambi vivi, in salvo, al sicuro nella civilizzata Londra. La pioggia che batteva sui vetri e il cla-clam-cla-clam dei pistoni della Pneumopolitana divennero solo un rumore bianco in sottofondo.

Miss Fields," said a servant, stepping into the room and closing the door, "There is a visitor for you. Are you in?" Clare blinked. "Yes, obviously." "Ah. Miss Fields, I should advise -- you may be in without being 'in', if you prefer," he said, offering her a tray. There was a calling card on it; Arthur Conan Doyle, Edinburgh.

«Hai presente come ci chiamano… invertiti. Come se indossassimo la giacca con la fodera all’esterno, o come se tutti gli altri nuotassero da una parte e noi fossimo sulla riva sbagliata del fiume. Per tutta la vita mi sono sentito a quel modo: sottosopra. Così pensai che per una volta avrei potuto lasciarmi trascinare dalla corrente» concluse, poi tacque per lungo tempo.

SHE LET US INTO THE house, which had the subtle smell of old wood and old wool—as I used to imagine Victorian homes smelled in Victorian times, before I was recently alerted to the painful truth that actually, at least here in London, they stink of whale oil, patchouli (woven into shawls to keep worms from eating the fabric in transit), and backed-up sewers. I am now convinced everyone here goes to church for the incense.

was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

Even today, every night of the year, the Queen’s Keys are carried in great ceremony to lock up the gates of the Tower. The Chief Yeoman Warder at 9:53 meets his escort warders and they walk to the gates. They arrive at 10:00 p.m. exactly and are challenged by a sentry with a bayonet who cries loudly, “Who comes here?” The reply by the Chief is, “The Keys.” “Whose keys?” “Queen Elizabeth’s keys.” “Pass, Queen Elizabeth’s keys, and all is well.” The party passes through the Bloody Tower Archway into the fortress and halts at the Broadway Steps. At the top of the stairs, the Tower Guard presents arms and the Chief Warder raises his hat and proclaims, “God preserve Queen Elizabeth.” The sentry replies, “Amen!” Afterward, the keys are taken to the Queen’s House for safekeeping and the Last Post is sounded. This ancient ceremony was interrupted only once since the 14th century. During World War II there was an air raid on London. Bombs fell on the Victorian guardroom just as the party was coming through the Bloody Tower Archway. The noise knocked down the Chief Yeoman and one of the Warder escorts. In the Tower is a letter from the Officer of the Guard in which he apologizes to King George VI for the ceremony finishing late, as well as a reply from the King which states that the officer is not to be punished since the delay was due to enemy action.

It is worth pausing for a second to reflect on Snow’s willingness to pursue his investigation this far. Here we have a man who had reached the very pinnacle of Victorian medical practice—attending on the queen of England with a procedure that he himself had pioneered—who was nonetheless willing to spend every spare moment away from his practice knocking on hundreds of doors in some of London’s most dangerous neighborhoods, seeking out specifically those houses that had been attacked by the most dread disease of the age. But without that tenacity, without that fearlessness, without that readiness to leave behind the safety of professional success and royal patronage, and venture into the streets, his “grand experiment”—as Snow came to call it—would have gone nowhere. The miasma theory would have remained unchallenged.

Your brother is the most ridiculous, hardheaded, stupid man I know!” Rose half expected Archer to chastise her. Instead, he took a second glass of champagne from the footman passing with the tray and offered it to her. “And you are surprised by this?” “Astonishingly, yes.” She took a long, unladylike swallow of the crisp, bubbly liquid. “I’m astounded. Ah, here are two scoundrels you should know to avoid.” His grin told her he considered them quite the opposite. They were good-looking men, one tall and dark, the other almost as tall with brown hair and blue eyes and enough of the Kane countenance that she picked him for Grey's relation instantly. They met Archer enthusiastically, and then turned polite curiosity in her direction. "Lady Rose Danvers," Archer said jovially. "May I present the Earl of Autley." The dark man bowed over her offered hand. "And my cousin, Mr. Aiden Kane?" The man who looked a bit like Grey smiled and took her hand next. "It's lovely to meet you, Lady Rose," the earl said smoothly. "I hope you are enjoying your time in London?" "Oh, yes," she replied. "Lord Archer has been a very entertaining companion." "I don't doubt it," Aiden said with a grin as he clapped Archer on the shoulder.

VICTORIAN FUNERAL BISCUITS Adapted from the third edition of Miss Beecher’s Domestic Receipt-Book, published in 1862. ½ c sugar ½ c salted butter, softened 1 c molasses ½ c warm water 2 tbs fresh minced ginger 2 ¼ c flour ½ tsp baking soda In a large bowl, use an electric mixer to beat the sugar and butter together until light and fluffy, about 1 minute. Add the molasses, water, and ginger, and beat until combined. In a separate bowl, whisk together the flour and baking soda. Add flour to molasses mixture and use electric mixer to combine well. Dough will be stiff. Split dough into two balls. Knead each dough ball several times to remove any air bubbles. Form dough into two even logs, approximately 8 inches long. Wrap each log tightly in plastic wrap. Refrigerate for several hours until firm. Preheat oven to 350°F. Line two baking sheets with parchment paper. Slice each log of dough into ¼-inch rounds and place one inch apart on baking sheets. Each dough log makes approximately 25 biscuits. If desired, use a knife or stamp to impress an image onto the biscuits. Bake 20 minutes. Let cool completely (biscuits should be crunchy). Wrap several biscuits in wax paper and secure with a black wax stamp or black string.

I can never understand why Londoners fail to see that they live in the most wonderful city in the world. It is, if you ask me, far more beautiful and interesting than Paris and more lively than anywhere but New York—and even New York can’t touch it in lots of important ways. It has more history, finer parks, a livelier and more varied press, better theaters, more numerous orchestras and museums, leafier squares, safer streets, and more courteous inhabitants than any other large city in the world. And it has more congenial small things—incidental civilities, you might call them—than any other city I know: cheery red mailboxes, drivers who actually stop for you at pedestrian crossings, lovely forgotten churches with wonderful names like St. Andrew by the Wardrobe and St. Giles Cripplegate, sudden pockets of quiet like Lincoln’s Inn and Red Lion Square, interesting statues of obscure Victorians in togas, pubs, black cabs, double-decker buses, helpful policemen, polite notices, people who will stop to help you when you fall down or drop your shopping, benches everywhere. What other great city would trouble to put blue plaques on houses to let you know what famous person once lived there, or warn you to look left or right before stepping off the curb? I’ll tell you. None.

The plot of Love on a Mortal Lease is not unlike those Shakespear would use later, nor unlike those of commonplace Victorian works. The heroine, Rachel Gwynne, has dead parents, as is the case from Oliver Twist (1837) through hundreds of other ensuing tripledeckers. Rachel is a novelist – most of Shakespear’s heroines would be writers – in love with a military man many years her senior. After he refuses to marry her because he fears his mother will dislike Rachel and therefore disinherit him, Rachel becomes his mistress. Once the snobby old mother meets Rachel by happenstance in London, however, they immediately adore each other, and the Colonel may now safely marry Rachel – though she doesn’t love him anymore, and he seems none too fond of her, either. They muddle along in unhappy matrimony until Rachel conveniently discovers (as we’ve known for a while) that the Colonel has had another longtime mistress, a stupid society girl, throughout the course of their marriage, and even during their preceding affair. When the Colonel even more conveniently falls on his head and dies, Rachel is made a wealthy widow in her mid-twenties, free to marry a nice young writer who knows about, but forgives her, her former relationship. A happily wish-fulfilling story, perhaps, for a young woman writer in a bad marriage, and Rachel has some interesting ideas about her profession: speaking of clever girls who scribble, she hopes for the day that “the cleverness and the scribbling . . . fall from her, like a disguise, and she stands revealed in her true form – then she may never write another word, or she may write something immortal.”8

It was an imprudent idea to begin with.” “I shan’t argue with you on that point.” Rose scoffed at him. “You don’t get to play morally superior with me, Grey. I may have been stupid enough to conspire against you, but you didn’t even recognize someone you’ve known for years! If one of us must be the bigger idiot, I think it must be you!” Oh dear God. She covered her mouth with her hand. What had she just said? Dark arched brows pulled together tightly over stormy blue eyes. “You’re right,” he agreed. “I am an idiot, but only because I allowed this ridiculous ruse past the point when I realized your identity.” Rose froze-like a damp leaf on an icy pond. “You knew?” And yet he continued to pretend…oh, he was worse than she by far. “Of course I knew.” He glowered at her. “Blindfold me and I would know the scent of your skin, the exact color and texture of your skin. Do you not realize that I know the color of your eyes right down to the flecks of gold that light their depths?” Heart pounding, stomach churning in shock, Rose could only stare at him. How could he say such things to her and sound so disgusted? “When?” Her voice was a ragged whisper. “When did you know?” “I suspected before but tried to deny it. The morning after we last met I took one look at your sweet mouth and knew there couldn’t be two women in the world, let alone London with the same delectable bottom lip.” It hurt. Oh, she hadn’t thought hearing him say such wonderful things could hurt so much! She pressed a hand to her chest. “You suspected and yet you made love to me any way.” “Made love?” He snorted. “That’s a girl’s term, Rose. What you and I did…it was something far worse than making trite love.” Worse? How could he malign what had transpired between them. “So you regret it, despite your own choice to continue with the charade.” “What I regret,” he growled, suddenly moving toward her, “is your sudden attack of conscience.” He was mad. She took a step back. “I don’t understand you.” “If only you had managed to keep your guilt where it belonged.” A ravaged smile curved his lips as he shook his head. “We might have continued on, with neither being the wiser, but now we must endure the rest of the Season together, knowing what we can no longer have.” “Then you admit you have feelings for me.” He laughed hollowly. “So many I can scarce discern them all.” It was a hollow victory at best. “If you care for me and I for you, then why can we not reveal our feelings? You have but to ask and I’m yours.

and no illustration of the disastrous effects of reckless indulgence in intoxicating liquors appeals to an audience with such telling force as that of the once sober and well-conducted female yielding by degrees to the terrible temptation until she at length sinks to the condition of a gin-soddened poor wretch, lost to every glimmer of self-respect, and capable even of starving herself and her children rather than forego her only remaining enjoyment in life ... It

Mr Locke...took a long, slender pick from the unrolled bag and, bending over slightly, inserted it into the lock. It was a steel-cased lock with a smooth, brass knob of around three inches wide and a brass plate around the singular keyhole. Mounted into the door frame was another steel fixture, forming the second half of the lock. Recognising the type of lock, Percy knew the key’s function was to throw the lock’s bolt into dead lock, thus securing the door. Such a design would also include an internal, smaller knob sliding back and forth, drawing back the bolt. A snib, jutting out from the case on the internal side of the door, could be compressed to keep the bolt in an open position, thus allowing one to open and close the door freely. “Do be so kind as to keep an eye out for the return of our friend the constable.” Locke pulled his pocket watch out with his other hand to glance upon it. “We have nine minutes.” “This is breaking and entering!” Mr Maxwell cried, hurrying up the steps. “Miss Trent said such was forbidden by the Society.” “Unless there is a sufficiently justifiable reason for doing so,” Mr Locke replied, inserting a second pick into the lower half of the lock. “The welfare of our client is a sufficiently justifiable reason; do you not think so, Mr Maxwell?” “His welfare?” Mr Maxwell enquired, confused. Miss Dexter, wholly fascinated by what the illusionist was doing, stepped closer still. She softly enquired, “Do you suspect some harm may have come to Mr Dorsey, Mr Locke?” “I do not know but Mr Colby was very keen we should not speak with him. Furthermore, Miss Trent’s note stated her telephone conversation with Mr Dorsey was abruptly ended, by him, when another—angry—voice spoke,” Mr Locke explained. There was a sharp click as the bolt sprang back into the lock’s casing. Mr Locke smiled broadly. “Our constable friend is back.” Mr Maxwell looked panic sticken. “It’s only been a minute.” “Ah, that will be the Bow Street police station,” Locke replied as he turned the door knob. “Also, they tend to keep a closer eye upon the more affluent residences; greater targets for thieves, you know,” Mr Locke stated as he pushed the door open and ushered both Mr Maxwell and Miss Dexter inside. He’d just closed the door, after slipping in himself, when the constable reached the bottom of the steps and peered up at the porch. Mr Locke stood to the side of the door and watched as the constable, seemingly satisfied all was well, walked away. A glance down at the internal part of the lock confirmed Mr Locke’s earlier assumptions about it. His slender hand slid the smaller brass knob along to lock the bolt in place once more.

Miss Trent opened the Bow Street Society’s office door but didn’t enter; she knew she’d locked it. Slowly she looked over the darkened room until she could make out two silhouettes; one behind the desk, the other to its left. She stared at the latter as she moved forward and closed the door. “There is a lamp, you know,” she remarked casually. Lifting the glass shade from the kerosene lamp on her desk, she turned on the gas slightly and ignited it with a match. As she carefully increased the lamp’s gas, the faces of Mr Locke and Mr Snyder emerged from the darkness.

We’re a group created to investigate the cases the police either can’t or won’t. We’re all members of the public and we’ve all been hired by your mistress to investigate the murder of her cat,” Maxwell explained.

I am no stranger to danger,” Mr Locke pointed out. “Besides, if I should die, I shall take full responsibility.

Firstly, Inspector,” Miss Trent interrupted. “The safety of the Society’s members is paramount to me. Secondly, I have the utmost trust in Lady Owston and Mr Locke. They would’ve intervened had Miss Webster not returned when expected. Therefore, your accusations are without foundation. They are also symptomatic of your categorical hatred of the Bow Street Society, and of what we are trying to do.” “Which is what, exactly?” “Ensuring justice is served for those who ask for it.” “And putting your members’ lives at risk in the process!” “Enough, Inspector!” Miss Trent stood and glared down at him. In a heartbeat, he, too, was on his feet. Towering over her five feet seven inches with his six feet four, he bellowed, “You will listen to me, Miss Trent, and you will listen carefully!” Miss Trent put her hand on her hip but remained silent. “If you and your Society insist on facing danger unnecessarily, you will do so under my terms. You will give me a full list of your members so I, and the Metropolitan Police, can stop them from being murdered, attacked, and robbed. Try to justify what you do as much as you like, Miss Trent, but, at the end of the day, you are all just bloody civilians playing at a copper’s game!” “And yet, we are the ones people look to when the police refuse to help them,” Miss Trent retorted as she stepped closer to the desk. Leaning forward, so their faces were mere inches apart, she went on, “Not every case we investigate is a crime, Inspector, and our clients expect discretion with the confidences they grant us.

It’s preposterous, expecting a man to unburden himself to a woman,” Bennett Winchester slurred as the mantel clock chimed. Though it was midmorning the Bow Street Society’s parlour had neither daylight nor gaslight to soften the retired captain’s pointed profile. Bloodshot, brown eyes looked beyond the wall as he approached, turned, and retraced his route, each thump of his boot succeeded by the heavy thud of his peg-leg. Miss Trent’s gaze tracked him during each pass of her armchair yet she remained seated. “Captain Winchester,” she began, “you weren’t obligated to come here and I wasn’t obligated to receive you, yet here we are. Putting aside my disinclination to beg your pardon for my gender, I instead ask you to observe your surroundings. You and I are the only ones here. Therefore, your choice is clear—either swallow your masculine pride and tell me why you’re here, or leave and put your trust in those at Bow Street Police Station.” “Don’t speak such impertinence to me!” Captain Winchester barked, drawing Miss Trent to her feet. She countered, “I shall speak whatever I want, Captain, when you are in my domain.” His lips repeatedly furled and unfurled against gritted teeth while calloused hands, which had previously rested within his greatcoat’s deep pockets, balled at his sides. Starting at his neck, his already pink face steadily flushed as if port had spilt under his skin. He snarled, “How daare you, you uncouth wretch.” “Continue as you are, Captain Winchester, and I will be calling upon the officers at Bow Street,” Miss Trent promised despite his stale-rum-drenched breath turning her stomach. Whether it was the tone of her voice, her fixed gaze, the words themselves, or a combination of all three which cooled Bennett Winchester’s rage was unclear. Regardless the result was the same. After some aggressive chewing of his anger, the captain plonked himself in the vacant armchair. The clerk wasn’t naïve enough to think it ended, however. Instead, she enabled additional calming time by fetching tea from the kitchen. Coffee would’ve been more sobering for him but, alas, she suspected such a blatant assumption wouldn’t have been welcomed by his volatile temper. In due course Captain Winchester’s pallid complexion had returned and his hands had come to rest upon his thighs. She poured the amber liquid in silence and he accepted the cup without remark. “I must beg your pardon for my brutishness, Miss Trent,” he muttered against the steam rising from his cup.

I hope whomever Miss Trent is sending arrives soon.” Mr Maxwell shivered and wrapped his arms about himself. “Who does she usually send to these initial client meetings?” “I really couldn’t say,” [Miss Dexter] replied, honestly. “Miss Trent sends whomever she feels would be most appropriate.

In Victorian London, even in a place as louche and notoriously crime-ridden as Lambeth Marsh, the sound of gunshots was a rare event indeed.

we hit the Rotunda and we did a quick spin around the Museum of London and into the bit of Little Britain that runs beside Postman’s Park. The trees in the park still had most of their leaves, and the street was narrow and shaded and smelled of wet grass rather than the busy cement smell you get in the rest of the City. The office was based in a Mid-Victorian pile whose Florentine flourishes were not fooling anyone but itself. There was a brass plaque by the door engraved with “Public Policy Foundation” and beyond the doors a cool blue marble foyer and a young and strangely elongated white woman behind a reception desk. Because it’s not good policy to, we hadn’t called ahead to make an appointment. Which gave Guleed a chance to tease the receptionist by not showing her warrant card when she identified herself. The receptionist’s expression did a classic three point turn from alarm to suspicion and finally settling on professional friendliness as she picked up the phone and informed someone at the other end that the “police” had arrived to talk to Mr. Chorley.

By the early Victorian period, there were eighteen receiving houses in London, and the Illustrated London News estimated some 200,000 people were bathing in the Serpentine each year. In winter, the lifeguards donned greatcoats emblazoned with ‘Iceman’ on the back and patrolled the banks for any skater who might fall through the ice. Icemen operated throughout London at all regular skating grounds.

I ignore him and continue walking. I ignore the light drizzle that falls from the smog-filled sky and I ignore the mass of men who stand outside the public-house attempting to light their pipes with matchsticks that burn out as fast as they are struck alight. I ignore their thunderous cackles and cajoling as one of their friends gets sick on another's boots and I ignore my pseudo-name as my mentor yells it behind me.

The coppers, thinking I must be hacked to bits at the bottom of the Thames, now blame both murders on the Ripper. The theory is so ironic I cannot help but snort out a tirade of titters.

It was a myth, a fantastical portrayal of my mentor himself, his legend forever anchoring itself to history in a way mine will never be. Spring Heeled Jack, the boogeyman with eyes like fireballs who could jump unnaturally high. Breathing blue flames he'd ravage women with his claws.

The smallest lapse in emotion leaves me spinning, overcome with bloodlust.

I swivel my back to her, my eyes gluttonous and eager to get their fill of this intimate piece of what has come to be her puzzle.

Her blood. Gushing out, it darkens her lovely hair until each strand is as heavy as the shadows of my mind.

My mind is blank. Yet, one word rides the Ferris wheel of my psyche, whirling around and leaving me dizzy - monster. It is unavoidable. I am a monster.

For anyone, man or woman to desire me, it is absurd! I am nothing but a gargoyle filled with the blood of others.

Like a kelpie the sunlight feigns innocence until it meets my skin, transforming into a sharp-toothed monster that tears away at my cold dead flesh.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

One of the benefits of the national police force was the inception of national crime statistics. Although these represent only crimes recorded by the police, they offer real figures to work with, if only to map trends. Despite all the usual caveats about their unreliability, most historians have endorsed the official picture. The homicide rate for England and Wales was as high as 2 per 100,000 only once during the century, in 1865; otherwise it was about 1.5 per 100,000 and occasionally as low as i per 100,000, a record low.81 Between 1857 and 189o there were rarely more than 400 homicides reported each year, and in the 189os the average was below 350.82 In 1835-1837 9 percent of all English crimes were violent crimes, and from 1837 through 1845 the share declined to 8 percent.83 Even that 8 percent is inflated by the fact that of the crimes against the person some 25-33 percent were cases of infanticide, which would not have involved firearms. Crimes committed with guns were rare. Between 1878 and 1886 the average number of burglaries in London in which firearms were used was two per year; from 1887 to 18g1 this rose to 3.6 cases a year.84 "It was a rough society," David Philips concluded after examining Victorian crime, "but it was not a notably homicidal society. The manslaughter cases do not show a free use of lethal weapons."85 On the other hand, ordinary citizens were free to use lethal weapons to defend themselves. And as the difficulties of imposing restrictions on private firearms indicate, members of Parliament and their constituents were vigorously opposed to such attempts.

Girls in Victorian London were employed in all manner of menial positions- domestic servants, fruit sellers, flower girls- and Eliza's depiction of mangles and hot tubs in some of her fairy tales suggests that she was intimately acquainted with the task of laundering. The vampirelike beings in "The Fairy Hunt" may also reflect the early nineteenth-century belief that sufferers of consumption were vampire-afflicted: sensitivity to bright light, swollen red eyes, very pale skin and the characteristic bloody cough were all symptoms that fed this belief.

One day in the country was worth a month in town and better than Christmas, her birthday, or even Papa saying she was like the moon risen at the full.

Circassian Bloom was first advertised during the eighteenth century. A typical advert, as seen in a 1772 edition of London’s Public Advertiser, begins by declaring that ‘Circassians are the most beautiful Women in the World’. To enhance their beauty, the advert states that Circassian ladies have long been accustomed to using a ‘liquid bloom’ to bring colour to their cheeks. An enterprising Englishman claims to have duplicated the secret of this liquid bloom via an extract from a Circassian vegetable.

The ghost story was also a hugely popular form for Victorian women writers, enabling them to discuss gender dynamics, sexuality, the constraints of domestic life and other taboo topics.

matter of principal

The unlikely beast would later be hailed as the first dinosaur ever identified, though in 1824 the notion of “dinosaur” was still more than a decade off. Dickens nonchalantly placed a megalosaurus into the opening scene of Bleak House, in 1852. “London,” he began. “… Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful [i.e., astonishing] to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill.

In one historian’s summary, “Rome in the first century AD was a far cleaner place than London eighteen hundred years later.

One of the classic settings in fiction, a little world as reassuring as imperial St Petersburg or Victorian London, is suburban Connecticut in the 1950s. If you close your eyes, you can picture autumn leaves drifting down on quiet streets, you can see commuters in fedoras streaming off the platforms of the New Haven Line, you can hear the tinkle of the evening's first pitcher of martinis; and hear the ugly fights then, after midnight; and smell the desperate or despairing sex. (Introduction to "The Man in the Gray Flannel Suit")

God

What could split its soul into a thousand pieces? A million? And with it, the answer: God. God could divide Himself infinitesimally. God could fracture his soul into one and a half billion pieces and place a little of it in each and every man and woman walking the earth. And then, as understanding settled, he beheld

There was permanence in change. It was the only way life could flourish.

CURIOSITIES OF LONDON LIFE Charles Manby Smith   Copyright © Charles Manby Smith 1853.   The right of Charles

It is abundantly clear that our planet is warming. But not only the warming itself will change our world as we know it. We are already seeing changing weather patterns with extreme weather and droughts. We are already in the middle of three pandemics: The HIV/Aids pandemic is slowly retreating, the seventh cholera pandemic that started in the 1960s is still not under control, and the tuberculosis pandemic infects roughly one third of the human population. The World Health Organization warns about the spreading of multidrug-resistant tuberculosis bacteria with 900,000 cases each year. Microbiologists warn about the spreading of antibiotics-resistance genes in a great number of pathogenic bacteria, and they expect us to reach a point when antibiotics are no longer effective. Think of Victorian London with diseases like syphilis, cholera, typhus — there were no antibiotics available back then and a lot of people died a gruesome death.  What has disease to do with climate

Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.

Some baths were made of zinc, a metal which had made its début at the Great Exhibition in the shape, much admired for her curves, of Amazon by the German sculptor Kiss, and an 18-foot statue of Queen Victoria, admired for the maker’s tact, all in zinc. It

Norwich station has your standard late-Victorian brick, cast-iron, and glass shed retrofitted with the bright molded plastic of various fast-food franchises. I gratefully staggered in the direction of Upper Crust and considered asking if I could stick my head under their coffee spigot but settled for a couple of double espressos and a chicken tikka masala baguette instead.

If a Victorian gentleman arrived in present-day London, he’d think we’d been invaded by glowing rectangles.

In director Guy Ritchie’s entertainingly bumptious movies for Warner Bros., Robert Downey Jr. and Jude Law ricochet around a grimy Victorian-ish London replete with slow-motion fight scenes and massive exploding fireballs. (Watching those movies is like huffing gasified cotton candy, but the world loves them.