Victoria Wood Quotes

I remember the feel and smell and taste of him. Heat and wood smoke and sunrise, but no longer. Cal smells like blood, his skin is ice, and I tell myself I don’t want to taste him ever again.

Silly of me not to have realized it. One often finds Greek temples lurking in the woods of English estates. Sneaky things, temples.

And the memory of stardust and open fields, of bleachers and black-and-white cats and apples in the woods, of tally marks and music, of running and burning, and the desperate, hopeless desire to feel human.

For once, the forest is empty of ghosts, the sky is clear and glittering. Nothing evil can touch us like this. We’re dryads cavorting in autumn, wood spirits breathing out starlight.

Being forgotten, she thinks, is a bit like going mad. You begin to wonder what is real, if you are real. After all, how can a thing be real if it cannot be remembered? It’s like that Zen koan, the one about the tree falling in the woods. If no one heard it, did it happen? If a person cannot leave a mark, do they exist?

If you've ever stared into a campfire, or the woods, or a blanket of snow, you understand. Your brain gets bored and starts doodling.

how can a thing be real if it cannot be remembered? It’s like that Zen koan, the one about the tree falling in the woods. If no one heard it, did it happen? If a person cannot leave a mark, do they exist?

Love Poem with Peanut Shells" Now I am in the warm oil of your mouth, comfortably sleeping in your throat. We build with flagstone, shop for sconces and radiance. Your large hands bundle and stack wood into walls. You digest my shape, unlit layer, lung. Light begins here, where we are one decimal point, where I stand with a cool blue hat that covers my eyes, red shoes that drop anchor. Where we sit in bars with peanut shells with Mikes and Leroys and Toms. Where you counsel me on lips and throat. Where you love the hiss of my atom. Where the ocean is zero miles from everywhere. Here, madness has no map. Here, God is abridged. 0 to be loved this way. To have lips that bear fruit. To be cancelled.

The Sentinels lead the way through the maze of passages in the upper levels of the palace. Like the Spiral Garden, the architecture is all curves of stone, glass, and metal, slowly turning downward. Diamondglass is around every corner, showing breathtaking views of the marketplace, the river valley, and the woods beyond. From this height, I can see hills I didn't know existed rising in the distance, silhouetted against the setting sun.

The wolves watch us watching them and i recall the two wolves chasing the snowshoe hare across the field. How fast they claimed that animal as their prize. I remember wondering how the rabbit's heart must have known without doubt that it would be eaten. I think about this as we turn our backs on the wolves, and head deeper into the woods. I try to bury the worry, because we're not rabbits. We are humans. We are hunters. We are not prey.

In the distance, the mist parted and a woman slowly rose from the ground. She had creamy white skin and her hair was black as night. Her sheer gown was covered with leaves and ivy. Twigs shimmered and twisted into a high collar which looked as if they had sprouted from her shoulders. With magical grace, as if the woman floated, she made her way forward. “The winter fae queen,” Leana whispered. “What brings such tender creatures to my woods?” the queen asked.

The story of Kelly is easily told. He was a murderous thug who deserved to be hanged and was. He came from a family of rough Irish settlers, who made their living by stealing livestock and waylaying innocent passers-by. Like most bushrangers he was at pains to present himself as a champion of the oppressed, though in fact there wasn’t a shred of nobility in his character or his deeds. He killed several people, often in cold blood, sometimes for no very good reason. In 1880, after years on the run, Kelly was reported to be holed up with his modest gang (a brother and two friends) in Glenrowan, a hamlet in the foothills of the Warby Range in north-eastern Victoria. Learning of this, the police assembled a large posse and set off to get him. As surprise attacks go, it wasn’t terribly impressive. When the police arrived (on an afternoon train) they found that word of their coming had preceded them and that a thousand people were lined up along the streets and sitting on every rooftop eagerly awaiting the spectacle of gunfire. The police took up positions and at once began peppering the Kelly hideout with bullets. The Kellys returned the fire and so it went throughout the night. The next dawn during a lull Kelly stepped from the dwelling, dressed unexpectedly, not to say bizarrely, in a suit of home-made armour – a heavy cylindrical helmet that brought to mind an inverted bucket, and a breastplate that covered his torso and crotch. He wore no armour on his lower body, so one of the policemen shot him in the leg. Aggrieved, Kelly staggered off into some nearby woods, fell over and was captured. He was taken to Melbourne, tried and swiftly executed. His last words were: ‘Such is life.

He could also be terrible romantic and thoughtful. My job was a real challenge. The work was difficult and the boss demanding: he thought nothing of calling or emailing at odd hours, even on the weekend; you ignored him at your peril. There was a point at which everything got to me. And it was exactly at that moment that Chris stepped in and planned a weekend getaway. He found a little cabin out in the woods where there was no cell phone reception-yes!-and without telling anyone, we made our getaway. Almost. I actually called the boss and told him my cell reception was giving out, and so I wouldn’t be able to check messages, something he expected even on the weekends. As soon as we got to the cabin, I headed to the bedroom. Inside, I opened my suitcase and changed into sexy white Victoria’s Secret-style lingerie, complete with corset and thigh-highs. Feeling a little shy and silly, I walked out and leaned against the doorway of the living room where he was sitting. “Hey!” “Yeah?” he mumbled from the couch, not bothering to look up from the magazine he was reading. “Turn around,” I said. He turned around-slowly at first. But as soon as he caught sight of me in that lingerie, he hopped clear over the couch and chased me down the hall to the bedroom. I squealed and giggled the whole way.

In the white bowl, the paper caught fire, burning like a desperate flower, blooming and dying at the same time. Its scents came on tendrils of smoke, wrapping themselves around me. We missed you. I inhaled, and Victoria's kitchen disappeared around me. It was early morning in the cabin, winter; I could smell the woodstove working to keep the frost at bay. My father had fed the sourdough starter, and the tang of it played off the warm scent of coffee grounds. I could smell my own warmth in the air, rising from the blankets I'd tossed aside. I remembered that morning. It was the first time I ever saw the machine. I must have been three, maybe four years old. I'd woken up and seen my father, standing in the middle of the room, a box in his hands, bright and shiny and magical. I remembered racing across the floor, my bare feet tingling from the chill. What is it, Papa? It's wonderful. I want to know. And he'd put the shiny box aside and lifted me up high and said, You are the most wonderful thing in the world, little lark. The last of the paper crumbled to ash. I stood there, trying to remember what had happened next- but I couldn't. Did my father show me the machine, or did we go outside and chop wood? You'd think I'd remember, but I didn't. What I remembered was how it felt to be held in his arms. To be loved that way, before everything else happened. And in that moment, I felt whole. "Oh," I heard Victoria say, and when I turned to her, her eyes were filled with tears.

Life is a windowless room in the Hotel Bellevue.

Bad things happen to girls who spend time in hallways.” “Only when bad men find them in those hallways.

He had better put this just the right way in order to get past it, but he didn’t want to be her cousin. Even if it was just make-believe to keep them out of trouble. She was too beautiful… “We look nothing alike. How about I am from Wood River, and I am a friend of your uncle, here to learn how to farm?

With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.

It is as if the moon and the trees have switched places. The sky is plunged into the heavy cloud-lidded darkness that seems to come every night, but in the valley below, the trees—or the places between the trees, it is impossible to tell the source—are fully lit, glowing. The woods are alight like an ember, bluish white and cradled by the rolling hills. It’s like a beacon, I think with a chill. So this is what happens when the world goes black. The forest steals the light from the sky. Cole straightens beside me, taking ragged breaths. I cannot stop staring at the glowing trees. It is strange and magical. Almost lovely. The wind song has become simply a song, clear and articulate, as if made by an instrument instead of the air. It is all a perfect dream.

But the accompanying steamed rice, pressed into the shape of a chrysanthemum, had a clean, delicate sweetness unlike any rice I had ever tasted. The tray also held a plastic bowl and sipped the savory liquid enriched with diced tofu and emerald wisps of wakame seaweed. In a shallow dish sat a small block of bean curd splashed with soy sauce and topped with pinkish curls of dried bonito that looked like pencil shavings. I cut into the silky white cube and tried to balance the craggy chunk on the slender pieces of wood. It tumbled off. After trying again, success was rewarded with the sweet taste of milky custard mingled with dark soy and smoky fish flakes. There were pickles too, crisp neon-yellow half-moons of sweet daikon radish and crunchy slices of eggplant. Although I had not expected culinary brilliance from a mall restaurant, dinner was exceeding expectations. The ingredients were plain, but exceptional in their purity and freshness.

But like so many things in Japan, behind the façade lay another view. So it was only after I had hiked into the woods far from the bridge that I found a fluttering world of persimmon, ocher, scarlet, and cabernet secreted away in a mossy garden of curving stone paths. When it began to rain, the colors deepened and the leaves, shaped like a baby's hands, spiraled down onto the plush green carpet and sleek dark rocks.

To our surprise and delight, dinner was stupendous. Served in our room at the low polished wood table, it exuded a freshness and artistry we had not seen since leaving Kyoto. The sashimi- sea bream, squid, and skipjack- tasted as clean as a freshly sliced apple. Rusty-red miso soup had a meaty fortifying flavor enhanced with cubes of tofu and slithery ribbons of seaweed. The tempura, served in a basket of woven bamboo, shattered to pieces like a well-made croissant. Hiding inside the golden shell was a slice of Japanese pumpkin, a chunk of tender white fish, an okra pod, a shiitake mushroom cap, and a zingy shiso leaf. Pale yellow chawan-mushi also appeared in a lidded glass custard cup. With a tiny wooden spoon we scooped up the ethereal egg and dashi custard cradling chunks of shrimp, sweet lily buds, and waxy-green ginkgo nuts. In a black lacquer bowl came a superb seafood consommé, along with a knuckle of white fish, tuft of spinach, mushroom cap, and a tiny yellow diamond of yuzu zest. A small lacquer bucket held several servings of sticky white rice to eat with crunchy radish pickles and shredded pressed cabbage. A small wedge of honeydew melon concluded the meal.

After a peek into the outhouse, I decide I’m better off going in the bushes. Amazing to me that men can see where they’re aiming and what they’re aiming with and they still can’t hit the mark. The wood in there is soaked with old urine.