Victoria Memorial Quotes

We've searched our database for all the quotes and captions related to Victoria Memorial. Here they are! All 97 of them:

His lips are on mine, hard and warm and pressing. The touch is electrifying, but not like I'm used to. This isn't a spark of destruction, but a spark of life. As much as I want to pull away, I just can't do it. Cal is a cliff and I throw myself over the edge, not bothering to think of what it could do to us both. One day he'll realize I'm his enemy, and all this will be a far-gone memory. But not yet.
Victoria Aveyard (Red Queen (Red Queen, #1))
Because the only way to truly record a person is not in words, not in still frames, but in bone and skin and memory.
V.E. Schwab (The Archived (The Archived, #1))
There is no greater pain or punishment than memory.
Victoria Aveyard (Queen Song (Red Queen, #0.1))
I wanted to ask you about your vision of perfection in an imperfect world, or what side of the earth calls out to you when you touch a physical globe, or maybe about your greatest heartache and how you still go on as your world continues turning, or what you do with a memory once lodged inside your bones that;s still breathing, and burning. But you're still a stranger, and I'm overly polite, so I'll ask all about your day when I'd rather know about your life.
Victoria Erickson
There is no greater pain or punishment then memory.
Victoria Aveyard (Cruel Crown (Red Queen, #0.1-0.2))
I still had sting my eyes, prickling at Maven’s memory. It’s hard to forget him as he was. No. As he pretended to be. The kind, forgotten boy. The shadow of the flame.
Victoria Aveyard (Glass Sword (Red Queen, #2))
But once you know, you can’t go back. Not really. You can carve out someone’s memories, but they won’t be who they were before. They’ll just be full of holes. Given the choice, I’d rather learn to live with what I know.
V.E. Schwab (The Archived (The Archived, #1))
Cal's touch has not erased Maven's. My memories are still there, still just as painful as they were yesterday. And as much as I try, I have not forgotten the canyon that will always stretch between us. No kind of love can erase his faults, just like none can erase mine.
Victoria Aveyard (King's Cage (Red Queen, #3))
As much as I want to pull away, I just can't do it. Cal is a cliff, and I throw myself over the edge, not bothering to think of what it could do to us both. One day he'll realise that I am his enemy, and all this will be a far-gone memory. But not yet.
Victoria Aveyard (Red Queen (Red Queen, #1))
It’s not that Mom didn’t keep anything, it’s that she kept the wrong things. We leave memories on objects we love and cherish, things we use and wear down.
V.E. Schwab (The Archived (The Archived, #1))
But after a year of tiptoeing through our lives, trying not to set off memories like landmines.
V.E. Schwab (The Archived (The Archived, #1))
The only way to truly record a person is not in words, not in still frames, but in bone and skin and memory.
V.E. Schwab (The Archived (The Archived, #1))
our memories change, too. (For instance, I swear the teddy bear I had growing up was green, but according to my parents it was orange.) But when you take a photograph, things stay still. The way that they were, is the way that they are, is the way that they will always be. Which is why I love pictures.
V.E. Schwab (City of Ghosts (Cassidy Blake, #1))
One day he’ll realize I’m his enemy, and all this will be a far-gone memory. But not yet.
Victoria Aveyard (Red Queen (Red Queen, #1))
The way memory is the ringing after a gunshot. The way we try to remember the gunshot but can’t. The way memory gets up after someone has died and starts walking.
Victoria Chang (Obit)
My skin burs under Maven's gaze, with the memory of one stolen kiss. It was him who saved me from Evangeline. Cal who saved me from escaping and bringing more pain upon myself. Cal who saved me from conscription. I've been too busy trying to save others to notice how much Cal saves me. How much he loves me.
Victoria Aveyard (Red Queen (Red Queen, #1))
--and the memory of stardust and open fields, of bleachers and black-and-white cats and apples in the woods, of tally marks and music, of running and burning, and the desperate, hopeless desire to feel human.
V.E. Schwab (Our Dark Duet (Monsters of Verity, #2))
Dad says that the world is always changing, every second of every day, and so is everything in it, which means that the you you are right now is different from the you you were when you started reading this sentence. Crazy, right? And your memories change, too. (For instance, I swear the teddy bear I had growing up was green, but according to my parents it was orange.) But when you take a photograph, things stay still. The way that they were, is the way that they are, is the way that they will always be.
V.E. Schwab (City of Ghosts (Cassidy Blake, #1))
Instead of trying to hold on, to push myself into this force, I let go. And I fall into what I can't explain, into a sensation that is everything and nothing, light and dark, hot and cold, alive and dead. Soon the power is the only thing in my head, blotting out all my ghosts and memories.
Victoria Aveyard (Red Queen (Red Queen, #1))
The way memory gets up after someone has died and starts walking.
Victoria Chang (Obit)
As I write, more and more of my cells are replaced by language. When they burn a writer's body, the smoke will be shaped llike letters.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
Nature is constantly growing, changing, one of the few things that can't hold memories. You forget how much clutter there is in the world, in the people and things, until you're surrounded by green. And even if they don't hear and see and feel the past the way I do, I wonder if normal people feel this too -- the quiet.
V.E. Schwab (The Archived (The Archived, #1))
The dead are silent, and objects, when they hold impressions, are quiet until you reach through them. But the touch of living is loud. Living people haven't been compiled, organized -which means they're a jumble of memory and thought and emotion, all tangled up and held at bay only by the silver band of my finger. The ring helps, but it can't block the noise, just the images
V.E. Schwab (The Archived (The Archived, #1))
Victoria Park looks like every other inner-city park in every other city in Canada; a large and handsome memorial to the war dead surrounded by a square block of hard-tracked grass and benches where people can sit and look at statues of politicians or at flower beds planted with petunias and marigolds, the cheap and the hardy, downtown survivors.
Gail Bowen
My skin burns under Maven's gaze, with the memory of one stolen kiss. It was him who saved me from Evangeline. Cal who saved me from escaping and bringing more pain upon myself. Cal who saved me from conscription. I've been too busy trying to save others to notice how much Cal saves me. How much he loves me. Suddenly it's very hard to breathe. Maven shakes his head. "He will always choose you." Farley scoffs. "You want me to pin my entire operation, the entire revolution, on some teenaged love story? I can't believe this." Across the table, a strange look crosses Kilorn's face. When Farley turns to him, looking for some kind of support, she fines none. "I can," he whispers, his eyes never leaving my face.
Victoria Aveyard (Red Queen (Red Queen, #1))
My mother did so much for me. What I returned to her were empty containers.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
Time would tell how much he would remember, if anything at all. She hoped to high heaven that it was the latter.
Victoria Lynn (Once I Knew)
I've always been good at math. It's straightforward, black-and-white, right and wrong. Equations. Da thought of people as books to be read, but I've always thought of them more as formulas—full of variables, but always the sum of their parts. That's what their noise is, really: all of a person's components layered messily over one another. Thought and feeling and memory and all of it unorganized, until a person dies. Then it all gets compiled, straightened out into this linear thing, and you see exactly what the various parts add up to. What they equal.
V.E. Schwab (The Unbound (The Archived, #2))
He always kept a handful of stars in his pockets and rays of sunshine in his smile, a hurricane in his eyes and whole galaxies in his mind. And now when I close my eyes, my mind roams and enters the cave where our memories still resided. There's so much I wish I could tell you, but most of all I wonder how you could do this to us. I'm yet again stuck in this darkness that seems to never end.
Victoria Kulik (Diary of the mad: A short story collection)
Maybe I am staring into a piece of paper like it is a pond, hoping one day that what looks back is not my own reflection, but my great-grandmother's face. Maybe poetry is the distance between my face and her face. Maybe it's the difference between how the moon looks in the sky and how it contorts when a mayfly travels across the pond.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
I don’t know you anymore. I remember the girl that I fell in love with, and if I’m being honest with you, I still love her.” Her chin began to quiver, but my smile grew. “I want to fall in love with the woman now. I want to know who Ash Victoria Mabie really is.” … “I’m not the same guy you remember. The years have changed me too— in some ways for the better, and some for the worse. Hell, you might hate me in two weeks, but at least give me the chance. I want to make you fall in love with me, not the memories.
Aly Martinez (Fighting Shadows (On the Ropes, #2))
He wanted to regain his memory, but not if it cost him Victoria. He would give up everything for her.
Katie Reus (Taste of Darkness (Darkness, #2))
My dad—Victoria’s grandfather, “Poppa Jim”, as she called him—is forever waist-deep in the warm water of the harbour, holding a body.
Linda Collins (Loss Adjustment)
Mare Molly Barrow, born November seventeenth, 302 of the New Era, to Daniel and Ruth Barrow,” Tiberias recites from memory, laying my life bare.
Victoria Aveyard (Red Queen (Red Queen, #1))
She tried not to think of the men she’d killed. Their faces came anyway, haunting in her memory. “How many?” she said, her voice trailing off. Corayne didn’t expect Andry to understand the broken musings of her mind. But pain crossed his face, a pain she knew. He looked beyond her, to the bodies in green and gold. He shut his eyes and bowed his head, hiding his face from the desert sun. “I don’t know,” he replied. “I will not count.” I have never seen a heart break before, Corayne thought, watching Andry Trelland. He wore no wounds, but she knew he bled within. Once he was a squire of Galland who dreamed of becoming a knight. And now he is a killer of them, a killer of his own dreams.
Victoria Aveyard (Blade Breaker (Realm Breaker, #2))
He gave her an encouraging smile. "I know horrible memories haunt your dreams, but you're the strongest woman I know. If anyone can do this, it's you. We must kill the snakes in our garden, protect what we love, and let no man stand in our way.
Victoria Roberts (Snakes in the Garden)
If you saw my poems today, I hope you could see that I heard you even though you couldn't hear me. I have tried to write shorter + shorter + denser + denser + louder + louder poems. They have become so loud that each night I fold them into origamic cigarettes and smoke them so they'll blow away.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
What's the rush?", you said about publishing. I added: "Does the world need another competent book of poems?" Most times, we wouldn't answer our own questions because what did we know? We only knew that we couldn't scrub poetry off our bodies. And we ourselves feared the greatest death, which was writing merely competent poems.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
Oh, Cole,” she said, “the jewelry box is lovely—” “It’s not for jewelry.” She gazed up at him, surprised by his somber tone. “Then what—” “It’s a memory box, Devon. Something in which to store all those memories you collect, so you’ll never lose a single one.” He paused, looking both tender and serious at once. “Unlike the wedding gift you gave me, this one comes with strings attached. If you accept it, I expect the next fifty years of your life in return to help fill it up.” Devon bit her lip to hide a wayward, trembling smile. “Only the next fifty?” He shrugged. “We can negotiate after that.” She nodded, swallowing past the tight knot in her throat. “That sounds like a pretty fair deal to me.
Victoria Lynne (Captured)
To borrow Julia Creet's phrase, maybe "memory is where we have arrived rather than where we have left." ... I used to think I was a transcriber of my own experiences and memories, adding an image here and there, but now I think I am more of a shaper. I take small fragments of image, memory, silence, and thought, and shape them with imagninary hands into something different.
Victoria Chang (Dear Memory: Letters on Writing, Silence and Grief)
It must be extremely unsettling for you not having any memory of the past," Anna said with a soft note of curiosity in her voice. "Frightening is a better word." Victoria's expression grew somber as she bit her lip in a display of distress. Suddenly her face lightened and a smile curved her lips. "Although I think my reputation for having a very unpleasant personality is much more intimidating.
Monica Burns (Forever Mine)
So it looks like I’ll be stuck hugging a photograph.” “I’m sorry,” Emma said. “No, that’s not true. I’m glad. I want you to miss me desperately.” “I think you’ll get your wish,” Jimmy said. “When will you come back?” “Next summer, definitely, whether Dad wants me to come or not. I’ll be an independent girl with a college degree. Maybe some paper like the Miami Herald or the LA Times will offer me a job. In the meantime, we have the National Geographic piece to pull together. We can still be a team.” “Be warned that I may come after you.” “If you do, there’s something I want you to bring me.” “Sure. Anything,” Jimmy said, “as long as it’s not some kind of exotic pet. What?” “This.” Emma took Jimmy’s face in her hands and looked straight in his eyes. She then placed her lips on his and gave him a kiss. It was a kiss that erased the pain and eradicated the bad memories, a kiss that left nothing but joy and a promise for things to come.
Victoria Griffith (Amazon Burning)
Well and all, he would burn that bridge when he came to it, he decided, and for now he would take Yvaine into the village and deal with events as they came. He felt his spirits lift, and his time as a dormouse had already become nothing more in his head than the remnants of a dream, as if he had merely taken an afternoon nap in front of the kitchen fire and was now wide awake once more. He could almost taste in his mouth the memory of Mr. Bromios’s best ale, although he realized, with a guilty start, he had forgotten the color of Victoria Forester’s eyes.
Neil Gaiman (Stardust)
A boat beneath a sunny sky, Lingering onward dreamily In an evening of July – Children three that nestle near, Eager eye and willing ear, Pleased a simple tale to hear – Long has paled that sunny sky: Echoes fade and memories die: Autumn frosts have slain July. As a child, I don’t understand exactly what it is about. I can’t read the significance of Alice reaching the final square and becoming a queen. But I feel the sadness in the poem, and, in this later now, I know why. It’s because everything is in the present tense, even though it cannot all be; either some of it has passed, or some of it hasn’t happened yet. The sky is sunny, but it has paled. The boat is lingering, but it is gone. It’s July, but it’s autumn. This is a riddle, a paradox. Lewis Carroll must be either looking back into the past, feeling the sunshine and the drifting boat as if he were still there . . . or looking forward from the present, imagining a time when the sky and the boat and the summer will have vanished. Which is it? Doesn’t matter. Wherever he stands, he feels both at once. The current, the retrospective, the projected, all are written in the present tense because they are all, always, mixed up together. Because, even as something is happening, it is gone. Ubi sunt qui ante nos fuerunt? Where is the boat? Where is the summer? Where are the children?
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
My passion for cooking grew as my mother taught me how to make her chewy cranberry bread, Dijon mustard vinaigrette, and Nantucket quahog chowder thickened with chopped clams, potatoes, and sweet onions. Then it reached new heights in college when I took a year off to study French cooking at Le Cordon Bleu in Paris, where I learned to master a mean spinach soufflé, make a perfect sauce Bordelaise, and craft authentic shiny chocolate-topped éclairs. When I was hired as the sous-chef at Le Potiron (The Pumpkin), a Parisian restaurant near Les Halles, I used my newfound skills to transform tough cuts of beef into tender stews, improvise with sweetbreads, and bake cakes from memory.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
need a whole weekend and he replied that yes—he did.” She shook her head. “On fire, I tell you,” she whispered. “He became impossible to refuse, to refute, to resist. And so . . . ” Alexander remembered Anthony from that summer before he left for West Point sitting alone outside on the moon deck, strumming his guitar, nearly naked in the Arizona 115-degree heat, singing “Ochi Chernye” over and over. Alexander and Tatiana had said quietly to each other that the girl must have been something else. Tonight he shook his incredulous head. “You stopped resisting,” he said to Vikki, lighting another cigarette. “Feel free to move forward through this part.” Vikki nodded. “I stopped resisting. Queen Victoria would have stopped resisting.” Seeking relief from visceral memory, her arms crossed over her torso, her body folded over her crossed legs. “Do you want to hear what happened with us after?” Alexander shuddered. “No. The rest I know.” “Do you?” But Vikki didn’t say it with surprise. She said it as in, no, you don’t. Alexander said he did. “Many years ago,” he said, “when I was even younger than Ant, I found myself in a similar situation with one of my mother’s friends, who was about the same age as you had been—thirty-nine. I was barely sixteen. She was my
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
In the white bowl, the paper caught fire, burning like a desperate flower, blooming and dying at the same time. Its scents came on tendrils of smoke, wrapping themselves around me. We missed you. I inhaled, and Victoria's kitchen disappeared around me. It was early morning in the cabin, winter; I could smell the woodstove working to keep the frost at bay. My father had fed the sourdough starter, and the tang of it played off the warm scent of coffee grounds. I could smell my own warmth in the air, rising from the blankets I'd tossed aside. I remembered that morning. It was the first time I ever saw the machine. I must have been three, maybe four years old. I'd woken up and seen my father, standing in the middle of the room, a box in his hands, bright and shiny and magical. I remembered racing across the floor, my bare feet tingling from the chill. What is it, Papa? It's wonderful. I want to know. And he'd put the shiny box aside and lifted me up high and said, You are the most wonderful thing in the world, little lark. The last of the paper crumbled to ash. I stood there, trying to remember what had happened next- but I couldn't. Did my father show me the machine, or did we go outside and chop wood? You'd think I'd remember, but I didn't. What I remembered was how it felt to be held in his arms. To be loved that way, before everything else happened. And in that moment, I felt whole. "Oh," I heard Victoria say, and when I turned to her, her eyes were filled with tears.
Erica Bauermeister (The Scent Keeper)
My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.
Tom Robbins (Wild Ducks Flying Backward)
August 4, 1892, was hot even at dawn; it became the hottest day in memory for all who lived in a town remarkable for its summer heat.  "The hill," that steep slope to the northeast, cuts Fall River off from New England's cool wind from the open sea.
Victoria Lincoln (A Private Disgrace: Lizzie Borden By Daylight)
Rebecca woke up with her knees hurting and her fingers ice-cold, and the specifics of her life returned to her as the dream disappeared: weekend, hotel room, Baguio, memory, memory, memory.
Eliza Victoria (LONTAR #4)
Note Worthy: Thought's of Victoria Short Story 3: Until Death Do Us Part. If you keep your mind busy, then you do not have time to stop and stop and feel all the pain and sadness. If you stay busy you do not think of all the countless memories that flood your mind. Because when those memories pop in your head all you wish for… all you ache for is to hold that person in your arms close. To squeeze them tight and never let go. Only you can’t. You never can ever again. No matter how bad you want too.
Brenda Lee Compton (God's Amazing Grace: A Collection of Inspirational Poems and Stories)
Kimberly Mira blinked into the dark and sniffed the air. Clean cotton sheets? A soft mattress cushioned her back. Her skin grew goose bumps as the wind howled outside. This wasn't heaven. Her skin felt grimy and her head pounded like she'd drunk too much last night. Flashes of an out-of-control fire replayed in her mind. She sucked in her breath like she needed to hold as much oxygen in as possible. She told herself to be normal and that the intense fire was in her mind's eye. Eventually she relaxed her body. Another memory surfaced as she closed her eyes and remembered falling into depths
Victoria Pinder (Stormy Peril (Frosted Game of Hearts, #2))
All day, my brain is floating up in the Andromeda nebula; I cannot concentrate on anything. The soup boils for about three hours and my email goes unchecked, although I open the inbox five times or more. Letters do not add up to words, or words to sentences, and my eyes close of their own accord to give free reign to last night’s memories. I really want to live for myself, to be myself, to dream, to enjoy this unique moment of my life.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
It’s too painful for me. Talking about it is difficult, like reliving it all over again, and I’m just not sure I can. But I’ll do it right now if that’s what you really want.’ There is nothing but sincerity in his eyes, an almost childlike openness, and that is what stops me. Well, that and his mention of painful memories. This playboy has an old wound that hasn’t yet healed and he does everything he can to hide it. My heart is breaking for him but I can’t give in so easily, so I say, ‘I need to think.’ ‘Then think.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
Now as the train moved towards Calcutta, Malay felt as if his life was coming full circle. It had been a strange decision to visit the city at a time when post-Partition vomit and excreta was splattered on Calcutta streets. Marked by communal violence, anger and unemployment, the streets smelled of hunger and disillusionment. Riots were still going on. The wound of a land divided lingered, refugees from East Pakistan (now Bangladesh) continued to arrive in droves. And since they did not know where to go, they occupied the pavements, laced the streets with their questions, frustrations and a deep need to be recognised as more than an inconvenient presence on tree-lined avenues. The feeling of being uprooted was everywhere. Political leaders decided that the second phase of the five-year planning needed to see the growth of heavy industries. The land required for such industries necessitated the evacuation of farmers. Devoid of their ancestral land and in the absence of a proper rehabilitation plan, those evicted wandered aimlessly around the cities—refugees by another name. Calcutta had assumed different dimensions in Malay’s mind. The smell of the Hooghly wafted across Victoria Memorial and settled like an unwanted cow on its lawns. Unsung symphonies spilled out of St Paul’s Cathedral on lonely nights; white gulls swooped in on grey afternoons and looked startling against the backdrop of the rain-swept edifice. In a few years, Naxalbari would become a reality, but not yet. Like an infant Kali with bohemian fantasies, Calcutta and its literature sprouted a new tongue – that of the Hungry Generation. Malay, like Samir and many others, found himself at the helm of this madness, and poetry seemed to lick his body and soul in strange colours. As a reassurance of such a huge leap of faith, Shakti had written to Samir: Bondhu Samir, We had begun by speaking of an undying love for literature, when we suddenly found ourselves in a dream. A dream that is bigger than us, and one that will exist in its capacity of right and wrong and beyond that of our small worlds. Bhalobasha juriye Shakti
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
Plants won't wither if we always water them. So it's, also, with the memories. It's good, when they're pleasant, but if they aren't, then it's madness.
Victoria Holt (The Shadow of the Lynx)
Memory is not an analog photograph that fades. Memory is a house, a castle with many rooms. Some of the rooms are deeper inside, honeycombed away. Each has a thousand keys—an image, a smell, a sound. Behind each door is a thousand other doors.
Victoria Gosling (Before the Ruins)
He closed his eyes and saw two versions of himself, the first surrounded by bodies, blood and shadow climbing his wrists, the second sitting on the roof, hoping to see stars; and as he watched, that second self began dissolving, like a dream, a memory unraveling moment by moment, slipping through his grip. "I'm right here.
V.E. Schwab
Memories were such fleeting things, yet the human brain stored them like food for the winter of old age.
Victoria Bylin (The Two of Us)
I remember the time on the school bus back before anyone could drive, Jenny bet me a dollar, to put my hand down her jeans to prove she wears thong undies. Saying that I am such a baby, for not knowing, that’s how that all started, she felt like she had to teach me everything. Anyways back then I was still where Mickey Mouse Briefs and did even think about what was underneath. She beat me to feel that she was not a virgin, that she was all open and smooth, unlike me at the time. I didn’t even shave my legs yet. So, I did, I went for it. The rush here was touching a girl inappropriately, with everyone looking, and hoping the driver didn’t see. I’ll never forget Danny Hover looking over the site with Andrea Doeskin smelling, like little perv’s, and Shy saying- ‘Oh my God’- snickering at the fact, from the set accordingly. Yeah, it’s that kind of rush I get, over and over being with them. Just like Jenny got Liv fixed up with Dilco, it’s all about the rush in the end. Jenny can be a hell of a lot of fun, and it’s that fun that keeps me coming back for more, the same way Liv and Maddie do, and other girls keep trying to be like us, it’s all about the craziness. I don’t know why but when I am with them- I want to be so naughty! I remember Marcel smacking my butt, just to be cute, every time he would see me in the hallways of a school. -Yeah, he’s weird, but I couldn’t stop thinking about him as I was- well… doing me. Yet Ray’s photo was looking at me on my nightstand. ~*~ In my bed, I snap the bright light off when I hear my little sis coming down the hall, everyone goes back to being fuzzy, like I’m not looking at my room but only at a blurry photo of my room that was taken with a shaky hand incorrectly and nothing match up with the real thing. My sis went into the bathroom next door to tinkle, so I snapped on my nightlight, and then that light modifies everything, so it looks somewhat ordinary again. If my sis sees my light on from the crack at the bottom of my door, she will come bursting in. I have learned to keep it as dark as I can when I hear her coming run down the hallway. I love her, yet I want my privacy. All at once it comes back to me, like a hangover rush all my blood starts going back up into my head: the party, my sis getting laid, the argument with Ray, falling to Marcel, all the sex, all the drinking, and drugs, it’s all thumping hard in my brain, like my covered button was a few moments ago, on cam. I am still lying here uncovered, with everything still out in the open. ‘Kellie!’ My door swings open, hammering the door handle against my wall, and sis comes bolting across my room, jumping in my bed, pacing over my textbook's notebooks, love notes, and pills of dirty tops and bottoms and discarded jeans, I panic thinking my Victoria’s Secret Heritage Pink nighty way over there on the floor, where I thought it off and left it the night before. Yet it’s not liked my sis has not seen me naked before… but is wired when this happens. Something is not right, something seems very wrong and oggie; something skirts the edges of my memory, but then it is gone as my head pounds and sis is bouncing on my bed on top of me, throwing her arms and legs around my nude torso. Saying- ‘So what are you going to show me today?’ I am thinking to myself- girl you already got it down, doing what you’re doing now, I don’t need to teach you anything. Kellie- she is so hot… (Oh God not in that way, she’s- my sis.) She is like a little furnace with her worth coming from her tiny body. It’s not too long before her nighty rides up, and I can see it all in my face like she wants to be just like me, and then she starts asking her questions.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Smedley would fall victim to the same fate. Louise looked away as her mind played tricks on her – the memory of Victoria’s broken body on the rocks, replaced by a vision of Emily in the same situation. She hurried down the stone pathway as if she could outrun the image. She was breathless by the time she reached the bottom. Getting her breath back, she ordered a take-away coffee from the small café. Paul called as she walked across the gravel car park. She let her phone ring until she reached the car, answering it as she leant against the driver’s door. ‘Paul.’ ‘Was it your idea to let Mum and Dad take Emily?’ he said, by way of greeting. Louise considered hanging up. There was no talking to him when he was like this but she was so agitated at the moment that she welcomed the ensuing argument. ‘We could have let her sleep on the streets if that would have made you happier?’ ‘Don’t be ridiculous. They had no right to take her.’ ‘Can you even hear yourself, Paul? You were too drunk to collect your daughter from school. Too drunk. Dad couldn’t even rouse you when he went to see you. Can’t you understand that?’ The line went silent and she was about to hang up when Paul said, ‘I made a mistake.
Matt Brolly (The Descent (Detective Louise Blackwell #2))
That’s right, flyboy, no gag reflex. A fabulous party trick that is right up at the top of my list of attributes, along with my immaculate memory and dashing personality.
Victoria Wilder (Hide and Peak (The Riggs Family #2))
The past is never truly gone. It lives on in the memories of those who experienced it, in the stories that are told and retold, and in the places where it unfolded. We must honor the past by acknowledging its impact on our present, and by learning from its lessons to shape our future. (p. 21)
Victoria Nalani Kneubuhl
The past is never truly gone. It lives on in the memories of those who experienced it, in the stories that are told and retold, and in the places where it unfolded. We must honor the past by acknowledging its impact on our present, and by learning from its lessons to shape our future
Victoria Nalani Kneubuhl (Murder Leaves Its Mark (Latitude 20 Books (Paperback)))
We must honor the memory of those who have passed on, by seeking the truth, by speaking the truth, and by bringing justice to those who have been wronged. We must never forget the impact of our actions, both good and bad, and strive to make a positive difference in the lives of those around us." (Kneubuhl 124)
Victoria Nalani Kneubuhl (Murder Leaves Its Mark (Latitude 20 Books (Paperback)))
Memories can be altered or averted. Entire conversations can be pushed into a corner somewhere they can go ignored, because ignorance is preferable to knowledge when that knowledge is something too painful to accept
Victoria Jenkins (Happily Married)
PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust
Fodor's Travel Guides (Fodor's The Complete Guide to African Safaris: with South Africa, Kenya, Tanzania, Botswana, Namibia, Rwanda, Uganda, and Victoria Falls (Full-color Travel Guide))
Make peace with the past. Accept it. Forgive it. Live in the present. Whatever happened, happened. Life is not always fair. If you are always focusing on how things were, and the injustice you feel, then you will continue to re-create your future from that state. No matter how bad it was, it is not happening now. It only exists in your memory. You do not have to let it control your thoughts, emotions, or bring it into your future. Focus on what you have control over, which is how you choose to experience this present moment. Whatever you are focusing on, feeling, and imagining right now is what’s creating your future.
Victoria Gallagher (Practical Law of Attraction: Align Yourself with the Manifesting Conditions and Successfully Attract Your Desires)
Some people did stand out in her memory, one of them being Sir Grant Morgan's wife, Lady Victoria. Having long been curious about what kind of woman would wed the intimidating giant, Sophia was surprised to discover that his wife was quite small of stature. Lady Victoria was also one of the most spectacularly beautiful women Sophia had ever seen, with a voluptuous figure, a profusion of vivid red hair, and a vivacious smile. "Lady Sophia," the petite red-haired woman said warmly, "no words can express how thrilled we are that Sir Ross has finally married. Only a remarkable woman could have enticed him away from widowerhood." Sophia returned her smile. "The advantage of the match is entirely mine, I assure you." Sir Grant interceded, his green eyes twinkling warmly. He seemed far different from when he was at Bow Street, and Sophia observed that he basked in the presence of his wife as a cat would in sunshine. "I beg to disagree, my lady," he told Sophia. "The match holds many advantages for Sir Ross- which is obvious to all who know him." "Indeed," Lady Victoria added thoughtfully, her gaze finding Ross's dark form as he stood in a separate receiving line. "I've never seen him look so well. In fact, this may be the first time I've ever seen him smile." "And his face didn't even crack," Morgan commented. "Grant," his wife scolded beneath her breath. Sophia laughed. Morgan winked at her and drew his wife away.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
I wish that person were real. I wish he existed somewhere other than my memories.
Victoria Aveyard (Glass Sword (Red Queen, #2))
His mind blurred, a haze as each fallen Companion flashed before him, their endings irrevocably carved into his memory. No songs would be sung of them. No great stories told.
Victoria Aveyard (An act to confirm an order made by the Board of Trade under The Sea Fisheries Act, 1868, relating to Falmouth 23 July 1877)
I do not simply want out. I want... more. Our minds are not mere basins for our memories.
Victoria Princewill (In the Palace of Flowers)
I have my flights of fancy. You and I are like those ships. We are caught in the shivering sands of the past. We shall never escape because we are held fast, held by our memories and other people’s opinions of us.
Victoria Holt (The Shivering Sands)
La violenta confrontación y competencia que inicié con mi hermano por el amor de mi madre ocuparon de sobra el lugar de las magulladuras que hubieran podido provocar en mi alma el autoritarismo, la fuerza y el poder que mi padre no me hacía sentir. Pero por entonces no era capaz de entenderlo como ahora. Porque la competencia con mi hermano, sobre todo al principio, nunca salía a la luz de manera desnuda, sino que siempre se dejaba sentir como parte de un juego y, además, mientras soñábamos que éramos otros dentro de aquel juego. La mayor parte de las veces no nos enfrentábamos como Orhan y Sevket, sino como un futbolista o un héroe con el que yo me identificaba y otro con el que se identificaba él. Era como si, mientras representábamos aquellos personajes reales o imaginarios que luchaban en nuestro lugar y como nos entregábamos por completo a aquellos juegos y riñas que acababan con sangre y lágrimas, se nos olvidara que éramos dos hermanos los que en realidad nos estábamos peleando, hiriéndonos, humillándonos y aplastándonos de puros celos. Tal y como calculó y me contó años después mi hermano, que durante toda su vida tan aficionada fue a las estadísticas de todo tipo de triunfos y a exponer los detalles de la victoria de la parte victoriosa, él ganó el noventa por ciento de nuestras peleas y juegos
Orhan Pamuk (Istanbul: Memories and the City)
...suddenly flashes of scenes poured through his mind. Memories. Dreams. Dreams within a dream.
Victoria Lynn (Once I Knew)
She worried that if she entered, the place that had once held so much charm for her would swallow her whole, devouring her in her thoughts and bringing to mind the memories of a time long by, when she had once been happy, protected, and loved.
Victoria Lynn (Once I Knew)
No memories. No recollection of who he was, who he had been. No images of family, faces, places, or anything in between. He clenched his jaw as a feeling of failure overcame him. He so desperately wanted to remember.
Victoria Lynn (Once I Knew)
Their faces blurred in his sight. Combining, and then morphing back into individuals. Swirling, spinning, dancing the night away.
Victoria Lynn (Once I Knew)
A man had to discover his purpose in life sooner rather than later. And while his journey might be a bit harder than most, and he had been set back by the unfortunate accident that had wiped his memory, he would work twice as hard to achieve a place in this world. Without that, he had nothing to offer her. And nothing was not something any man should bring to the table.
Victoria Lynn (Once I Knew)
[S]he heard his moans in the middle of the night, the strangling gasps, as if his memory, lost to him in life, somehow came back to haunt his sleep, like a vicious ghost clinging to a life it could no longer have.
Victoria Lynn (Once I Knew)
It was the most uncomfortable feeling to have the knowledge, the muscle memory, the reactions ingrained into him, but to have absolutely no idea why or what from.
Victoria Lynn (Once I Knew)
She hadn’t thought it could be an option to live without the pain she carried on a daily basis. She shook her head and cut off her train of thought. It was too much to think about, and she would much rather leave those memories buried deep inside, walled within her emotional fortress. It hurt less that way.
Victoria Lynn (Once I Knew)
If you stay away from something long enough, it stops meaning the same to you. Distance, Victoria thinks, makes the heart grow fonder of memories and feelings. Distance makes you forget the person, even if they stand in front of you screaming.
Najaha Nauf (Slow Dancing with The Stars)
The first mark she left upon the world, long before she knew the truth, that ideas are so much wilder than memories that they long and look forways of takings roots
Victoria
Maybe I have to be in mortal danger,” I huff. “Should we ask for Lucas’s gun?” Usually Julian laughs at my jokes, but right now he’s too busy thinking. “You’re like a child,” he finally says. I wrinkle my nose at the insult, but he continues anyway. “This is how children are at first, when they can’t control themselves. Their abilities present in times of stress or fear, until they learn to harness those emotions and use them to their advantage. There’s a trigger, and you need to find yours.” I remember how I felt in the Spiral Garden, falling to what I thought was my doom. But it wasn’t fear running through my veins as I collided with the lightning shield—it was peace. It was knowing that my end had come and accepting there was nothing I could do to stop it—it was letting go. “It’s worth a try, at least,” Julian prods. With a groan, I face the wall again. Julian lined it with some stone bookshelves, all empty of course, so I have something to aim at. Out of the corner of my eye, I see him back away, watching me all the time. Let go. Let yourself go, the voice in my head whispers. My eyes slide closed as I focus, letting my thoughts fall away so that my mind can reach out, feeling for the electricity it craves to touch. The ripple of energy, alive beneath my skin, moves over me again until it sings in every muscle and nerve. That’s usually where it stops, just on the edge of feeling, but not this time. Instead of trying to hold on, to push myself into this force, I let go. And I fall into what I can’t explain, into a sensation that is everything and nothing, light and dark, hot and cold, alive and dead. Soon the power is the only thing in my head, blotting out all my ghosts and memories. Even Julian and the books cease to exist. My mind is clear, a black void humming with force. Now when I push at the sensation, it doesn’t disappear and it moves within me, from my eyes to the tips of my fingers. To my left, Julian gasps aloud. My eyes open to see purple-white sparks jumping from the contraption to my fingers, like electricity between wires.
Victoria Aveyard (Red Queen (Red Queen, #1))
Throngs congregated in Pia ta Victoria (Victory Square) people hugged and kissed and whistled and danced, with abandon. The only military around were Russians and they kept to themselves. Life was supposed to return to normal, but it never did for Romania any more. In over a year, the Communists took over and life there was steadily deteriorating. I had housing trouble all along, all through the over two years of my life in Bucharest. I changed addresses about six times. Inflation ate up the value of the currency to an extent that, as soon as I rented a room and agreed on a rent, that sum was almost worthless next month. Since the landlady could not raise your rent every month, she just chased you out under one pretext or another. Bucharest had been bombed several times during the war and therefore housing was in very short supply. Many refugees converged on the capital and it turned into a nightmare.
Pearl Fichman (Before Memories Fade)
The patronage of devadāsī troupes by Muslims is also found in Qanoon-e-Islam, or the Customs of the Moosulmans of India (Shureef and Herklots 1832, lxxxii). This account notes that mēḷams are generally invited to perform at weddings, and mentions the nutwa (naṭṭuvaṉār) who leads the troupe. Professional dancers in Tanjore also performed in Muslim homes, particularly at the time of marriages. A mid-nineteenth-century painting from Tanjore currently held at the Victoria and Albert Museum (2006AV2428– 01) depicts a Muslim marriage procession led by dancers performing in the “Hindustānī” style. The participation of Tanjore’s devadāsīs in Muslim weddings is also confirmed by musicologist B. M. Sundaram: “In Tanjore, there were some devadāsī dancers who used to give regular performances in the homes of Muslims, whenever marriages take place there. When someone in those Muslim families died, it was a custom for the devadāsī who danced in these homes to gift a goat for the [funerary] meal … It shows a mutual respect, a mutual affinity.” (Sundaram, personal communication)
Davesh Soneji (Unfinished Gestures: Devadasis, Memory, and Modernity in South India (South Asia Across the Disciplines))
throwing a few more bodies on the blaze, if only to convince the world the Guard was made of monsters. He’ll kill Julian too, and Sara. They’re probably dead already. I can’t think of them at all. It’s too painful. Now my thoughts turn back to Maven himself, to cold blue eyes and the moment I realized his charming smile hid a beast. The bunk beneath me is hard, the blankets thin, with no pillow to speak of, but part of me wants to lie back down. Already my headache returns, throbbing with the electric pulse of this miracle boat. It is a firm reminder—there is no peace for me here. Not yet, not while so much more must be done. The list. The names. I must find them. I must keep them safe from Maven and his mother. Heat spreads across my face, my skin flushing with the memory of Julian’s little book of hard-won secrets. A record of those like me, with the strange mutation that gives us Red blood and Silver abilities
Victoria Aveyard (Glass Sword (Red Queen, #2))
The charge of the Light Brigade was forever memorialized as a moment of glorious sacrifice, as needless slaughters ordered by shortsighted generals so often are.
Julia Baird (Victoria the Queen: An Intimate Biography of the Woman Who Ruled an Empire)
It turned out that frantically gluing the broken pieces of a marriage back together didn’t make for the tightest hold. The seams had eventually given way and left her sitting in a giant, messy pile of hurt and anger and memories.
Victoria Helen Stone (False Step)
​Few would dispute that in the eighteenth and nineteenth centuries, Europe, and especially Great Britain, dominated the world culturally, politically and economically. Britain was the crucible of the Industrial Revolution and its military forces secured the colonies as surely as the English language invaded their cultures. When Queen Victoria ascended to the throne in 1837, she presided over the largest empire in history: the empire on which the sun never set. If you had gone to her court in 1870 and suggested that this empire would be over within a generation, you would have been laughed out of the building. But it was true. By the end of World War I in 1918, the empire was fatally wounded and, by the time I was born in 1950, it was a memory. Culturally, politically and economically, the twentieth century was dominated by the United States, as surely as Europe had dominated the nineteenth. Whether it will dominate the twenty-first century remains to be seen. As award-winning US scientist Jared Diamond has shown, empires tend to collapse rather than fade away.4 Think of the Soviet Union and its rapid dissolution in the 1980s and 1990s.
Ken Robinson (Out of Our Minds: The Power of Being Creative)
Book of Enoch?’ ‘It’s an ancient Jewish religious work ascribed by tradition to Enoch, the great-grandfather of Noah. Although modern scholars estimate the older sections date from about 300 BC,’ I said, regurgitating what I’d found on Wikipedia. I don’t have a photographic memory, but it’s not far off. ‘Apparently
Victoria Selman (Blood for Blood (Ziba MacKenzie, #1))
His portrait of a married couple — brazen male incompetence on one side, camera-shy female wisdom on the other — must have evoked in many men clusters of mental images, or vague memories, recalling the first and shaping love affair of their lives, with their mother. What Barrie thought every woman knew was something that most men knew, in their troubled unconscious.
Peter Gay (The Cultivation of Hatred - the Bourgeois Experience - Victoria to Freud)
Can Elders die of Starvation?” Sigil asked suddenly, returning to her exercises. Dom thought of his stomach again, and his last meal. It was too many days ago to count, his memory hazy. “We might find out,” he sighed. Sigil bent into a sit-up, bound hands crossed over her chest. “And you still can’t move at all?” Despite the circumstances, Dom wanted to laugh, his lips twitching. “No, I choose to remain like this.” “Strange time to finally grow a sense of humor, Dom,” she replied. He tipped back to look at the ceiling, tracing the cracks between the stones and wooden beams. Looking anywhere but the unmoving body a few cells away, her face still obscured. Her heart still beating. “It was bound to happen eventually,” he sighed.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves. She did not need to guess to know who. Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow. Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword. “Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip. His brow furrowed again, carving a line of concern. “Your sword.” The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old. “It is done,” he finally said, fishing into his shirt. The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss. Only when something soft touched her temple did she look up again. Her heart thumped. Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth. It was the fabric that made her breath catch. Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers. It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen. But it would not survive Sorasa Sarn. She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away. “Thank you,” she finally said to no reply.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))