Broken Wedding Vows Quotes

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Your brother Robb has been crowned King in the North. You and Aemon have that in common. A king for a brother.” said Mormont. “And this too,” said Jon. “A vow.” The Old Bear gave a loud snort, and the raven took flight, flapping in a circle about the room. “Give me a man for every vow I’ve seen broken and the Wall will never lack for defenders.” “I’ve always known that Rob will be Lord of Winterfell.” Mormont gave a whistle, and the bird flew to him again and settled on his arm. “A lord’s one thing, a king’s another. They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call `Your Grace’. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon… and I’ll name you a liar, and know I have the truth of it.” Jon drew himself up, taut as a bowstring “And if it did trouble me, what might I do, bastard as I am?” “What will you do?” Mormont asked. “Bastard as you are.” “Be troubled,” said Jon, “and keep my vows.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
It was the most traditional wedding ring in the world. It reeked of stability and fiftieth wedding anniversaries. It proclaimed itself to the world as the rock upon which vows were never broken. It was a testament of his love. Proof of his commitment.
Tara Janzen (Crazy Love (Steele Street, #5))
Because a promise is a promise, Officer Cavatone, and civilization is just a bunch of promises, that’s all it is. A mortgage, a wedding vow, a promise to obey the law, a pledge to enforce it. And now the world is falling apart, the whole rickety world, and every broken promise is a small rock tossed at the wooden side of its tumbling form.
Ben H. Winters (Countdown City (Last Policeman, #2))
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
Desiree the child bride, and her sister Miranda, had gone grave-robbing for a wedding gown. In the north end of the cemetery, among the palatial mausoleums with their broken windows of stained glass where the ivy crept in, was the resting place of a young woman who’d been murdered at the altar while reciting her marital vows. The decaying tombstone, among the cemetery’s most envied, was a limestone bride in despair, shoulders as slumped as a mule’s, a bouquet of lilies strewn at her feet. Though her murder, by her groom’s jealous mother, had been long in the past, everyone knew that her father had had her buried in her gown of lace and silk.
Timothy Schaffert (My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales)
... a fountain pen with a curious label: For finding dreams that don't exist yet. Evangeline had been unable to resist trying the pen, and as soon as she did, a fledgling dream had taken form. She didn't know how long she'd spent drawing, only that when her piece was done, it felt like a picture of a promise. Evangeline and her love were at the end of a dock covered in candles, which made the ocean glow so that it looked like a sea of fallen stars. Only night and her moon watched. No one else was there, just Evangeline and her groom. Their foreheads were pressed together- and she might not have known exactly what they were doing if not for the words her pen had etched in to the sky. And then they will write their vows on their hands and place them over each other's chests, so they may sink in to their hearts, where they will be kept safe forever and always.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes. "You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain. He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you." His voice was little more than a whisper. She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God." Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that. He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?" "Yes." She clutched his hand more tightly between hers. "I meant every word." His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too." She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?" His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot." His words were starting to slur again; he was slipping back into healing sleep. Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond. She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all." She knew he heard that-his features softened, eased. As he slid into sleep, he was, very gently, smiling.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I guess that sounds like I’m describing myself—I’m not. I know I’m not the right guy for her, either. We’d probably murder each other.
Sophie Lark (Broken Vow (Brutal Birthright, #5))