“
It was octarine, the colour of magic. It was alive and glowing and vibrant and it was the undisputed pigment of the imagination, because wherever it appeared it was a sign that mere matter was a servant of the powers of the magical mind. It was enchantment itself.
But Rincewind always thought it looked a sort of greenish-purple.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone.
When it had mattered most Celaena hadn't been there.
Nehemia was gone.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
The pure power of a life can manifest as beatitude, or as an unspeakable, sheer violence...
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things (a John Hope Franklin Center Book))
“
A life thus names a restless activeness, a destructive-creative force-presence that does not coincide fully with any specific body. A life tear the fabric of the actual without ever coming fully 'out' in a person, place, or thing. A life points to ... 'matter in variation that enters assemblages and leaves them. A life is a vitality proper not to any individual but to 'pure immanence,' or that protean swarm that is not actual though it is real: 'A life contains only virtuals. It is made of virtualities.
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things (a John Hope Franklin Center Book))
“
QUALITY leadership is neither the product of one great individual nor the result of odd historical accidents. Rather, it comes from deeply bred traditions and communities that shape and mold talented and gifted persons. Without a vibrant tradition of resistance passed on to new generations, there can be no nurturing of a collective and critical consciousness—only professional conscientiousness survives.
”
”
Cornel West (Race Matters)
“
Being materially wealthy but spiritually poor is not worth anything.
It’s much better to be happy than rich. Many rich people commit suicide. What good was their wealth? I wish both riches and joy for you, but giving up your joy in exchange for wealth is not worth it. Luckily you don’t have to give up your wealth to obtain joy and you don’t have to give up your joy to obtain wealth. You simply need to reconnect with the vibrant energy in and all around you. He who is happiest is the richest person in the world. Our culture is so obsessed with materiality, but I promise you, we’re focused on the wrong thing. All the matter in the universe only makes up 4% of all the stuff in the universe. Energy is what really matters and it’s what we’re really made of. Without it you’re just a decaying lump of skin and bones.
”
”
Todd Perelmuter (Spiritual Words to Live by : 81 Daily Wisdoms and Meditations to Transform Your Life)
“
Cramming the stories of Israel into a modern mold of history writing not only makes the Bible look like utter nonsense; it also obscures what the Bible models for us about our own spiritual journey. On that journey, what matters most is not simply where we’ve been—the triumphs or the tragedies—but where we are with God now in the moment. All great spiritual leaders will tell us that living in the moment is key to vibrant communion with God. The now is where God’s presence is found, where neither past memories nor the future with its idle speculations dominates.
”
”
Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
“
A lot happens to the concept of agency once nonhuman things are figured less as social constructions and more as actors, and once humans themselves are assessed not as autonoms but as vital materialities.
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things)
“
Each human is a heterogeneous compound of vibrant matter. If matter itself is lively, then not only is the difference between subjects and objects minimized, but the status of the shared materiality of all things is elevated.
(...)
And in a knotted world of vibrant matter, to harm one section of the web may very well be to harm oneself. Such an enlightened or expanded notion of self-interest is good for humans.
”
”
Jane Bennett (The Force of Things: Steps Toward an Ecology of Matter)
“
Name the colors, blind the eye” is an old Zen saying, illustrating that the intellect’s habitual ways of branding and labeling creates a terrible experiential loss by displacing the vibrant, living reality with a steady stream of labels. It is the same way with space, which is solely the conceptual mind’s way of clearing its throat, of pausing between identified symbols. At any rate, the subjective truth of this is now supported by actual experiments (as we saw in the quantum theory chapters) that strongly suggest distance (space) has no reality whatsoever for entangled particles, no matter how great their apparent separation.
”
”
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
“
I don't validate my faith with a church attendance scorecard. I think of church as a vibrant community of people consisting of two or more of varied backgrounds gathering around Jesus. Sometimes they are at a place that might have a steeple or auditorium seating. But it's just as likely that church happens elsewhere, like coffee shops or on the edge of a glacier or in the bush in Uganda. All of these places work just fine, I suppose, When it's a matter of the heart, the place doesn't matter. For me, it's Jesus plus nothing—not even a building.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
I passed people shopping or walking their dogs, and young people, university students maybe, busy about their lives, so that the streets I walked seemed vibrant to me, more vibrant than my own. But then almost everywhere I went I imagined a place more accommodating of the life I wanted, as if happiness were a matter of streets or parks, as maybe to a point it is; and with R. away for so long I was accustomed to thinking of my real life existing in some distant place or future time, projecting forward in a way that I was afraid might keep me from living fully where I was.
”
”
Garth Greenwell (What Belongs to You)
“
We say we deserve another knowing, the knowing that comes when you assume your life will be long, will be vibrant will be healthy. We deserve to imagine a world without prisons and punishment, a world where they are not needed, a world rooted in mutuality. We deserve to at least aim for that.
”
”
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
“
Mr. Severin, may I ask something personal?"
"Of course."
"Why did you offer to be my oyster?" A hot blush climbed her face. "Is it because I'm pretty?"
His head lifted. "Partly," he admitted without a hint of shame. "But I also liked what you said- that you never nag or slam doors, and you're not looking for love. I'm not either." He paused, his vibrant gaze holding hers. "I think we would be a good match."
"I didn't mean I don't want love," Cassandra protested. "I only meant I'd be willing to let love grow in time. To be clear, I want a husband who could also love me back."
Mr. Severin took his time about replying. "What if you had a husband who, although not handsome, was not altogether bad-looking and happened to be very rich? What if he were kind and considerate, and gave you whatever you asked for- mansions, jewels, trips abroad, your own private yacht and luxury railway carriage? What if he were exceptionally good at..." He paused, appearing to think better of what he'd been about to say. "What if he were your protector and friend? Would it really matter so much if he couldn't love you?"
"Why couldn't he?" Cassandra asked, intrigued and perturbed. "Is he missing a heart altogether?"
"No, he has one, but it's never worked that way.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Here is a new musical phenomenon. Not songs written for black musicians by white composers. Not humiliating parodies that grope for a laugh, joking at the black singers' expense. Black composers and lyricists, black musicians excellent in their own right. Not merely excellent, but daring and vibrant and wholly original.
”
”
Julie Berry (Lovely War)
“
It’d be a shame if you let growing up dull your edges. I’m all for whatever makes you happy,” he qualifies. “You don’t need to be drinking for me to enjoy your company – you’ve always been fun no matter what. Lately, though, it seems like the real Gen is slipping away. Becoming a muted version of the incredible, terrifying, vibrant woman you used to be.
”
”
Elle Kennedy (Bad Girl Reputation (Avalon Bay, #2))
“
a latent belief in the spontaneity of nature.
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things)
“
Agentic capacity is now seen as differentially distributed across a wider range of ontological types. This
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things)
“
It was the King Color, of which all the lesser colors are merely partial and wishy-washy reflections. It was octarine, the color of magic. It was alive and glowing and vibrant and it was the undisputed pigment of the imagination, because wherever it appeared it was a sign that mere matter was a servant of the powers of the magical mind. It was enchantment itself.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1))
“
Even more important is the way complex systems seem to strike a balance between the need for order and the imperative for change. Complex systems tend to locate themselves at a place we call “the edge of chaos.” We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. . . . Only at the edge of chaos can complex systems flourish.8 This threshold line, that edge between anarchy and frozen rigidity, is not a like a fence line, it is a fractal line; it possesses nonlinearity.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
But I think I’ve finally come to realize that it’s my destiny to be one of the madwomen. One of the women who speaks the truth no matter how terrifying it might be. One of the women who stands apart from the crowd, focusing not on their angry faces and disapproval but looking above them at the sky, which is in a vibrant shade of hyacinth blue that matches the flowers growing in the garden.
”
”
Sarai Walker (The Cherry Robbers)
“
Self-doubt and lack of conscious awareness undermine a person’s quest to live a life of dutiful service. Self-assurance infuses us with poise and the strength of character to blunt our destructive impulses. Self-awareness allows us to be cognizant of the whirlwind of infinite beauty that surrounds us and reinforces us with the forte to apply our vibrant life force in an expressive motif that exposes the mistiness of our inner soul to the outer world.
”
”
Kilroy J. Oldster
“
That was the thing about pictures. No matter how beautiful, they couldn't capture the truly felt parts of a moment. Life was different looking through the lens, the colors less vibrant, the beauty less grand. By the time you took the shot, the moment had already passed.
”
”
Sarah Ockler (The Book of Broken Hearts)
“
we are much better at admitting that humans infect nature than we are at admitting that nonhumanity infects culture, for the latter entails the blasphemous idea that nonhumans—trash, bacteria, stem cells, food, metal, technologies, weather—are actants more than objects. Latour
”
”
Jane Bennett (Vibrant Matter: A Political Ecology of Things)
“
Like Oz, life is full of beauty and horror. Whether you’re in the magical realm or the so-called civilized one, you can look at the world around you and see both things at almost any time. But what being in Oz taught me is that no matter how horrific a situation may be, no matter how devastating or scary or chaotic, there is still always beauty in the colors of it all, even in the grays. As I look back on the last four years of my life, on everything that led me to the place where my life changed forever for a second time, I might think I wasted too many crucial years perceiving my world through a lens that leeched the color from everything I set my eyes on, but now I can forgive myself for my mistakes and maybe even be grateful for the trials I’ve faced. After all, a rainbow only comes out when it rains. The most spectacular rainbows are set against a backdrop of a half dark sky where gray clouds hover and rain batters the surface of the earth, but the horizon is clear and bright—a pure, radiant blue surrounding a shining golden sun. When I’m in Oz, that rainbow is who I am—a vivid, radiant spectrum of colors with a clear bright landscape ahead only made more rich-hued and vibrant by the darkness that lies behind it.
”
”
Garten Gevedon (Dorothy in the Land of Monsters (Oz ReVamped, #1))
“
But even more important,” he said, “is the way complex systems seem to strike a balance between the need for order and the imperative to change. Complex systems tend to locate themselves at a place we call ‘the edge of chaos.’ We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and the new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. Too much change is as destructive as too little. Only at the edge of chaos can complex systems flourish.” He paused. “And, by implication, extinction is the inevitable result of one or the other strategy—too much change, or too little.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
I decide to scope out craigslist to see all the vibrant economic employment opportunities available to me in this depression. Oh, I’m sorry, I mean “recession.” No matter how many millions of jobs are lost, how much debt our country accrues, or how many years the stagnation drags on, it’s not a depression until the dogmatic media officially declares it to be a depression. It’s as if they believe by repeatedly printing or saying economists are afraid the economy will slip back into a recession, they’ll fool the masses of unemployed or underemployed into believing that not only are we not in a depression, but we aren’t even in a recession. I’m sure the millions of unemployed, freshly graduated college kids who have thousands of dollars of unshakable debt to pay off feel comforted by the empty repetition.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical.
Beneath her fingers, the white lawn started to redden.
She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath.
He coughed weakly, shifted his head.
"Don't you dare die on me!"
His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free."
"Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?"
He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to."
The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running.
She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years."
He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..."
She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together.
When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you."
He moistened his lips. Whispered, "You were?"
"Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me."
"Yes, I did." The words were firmer, bitten off through clenched teeth.
She caught his anger. Was anger good. Would temper hold him to the world?
A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
“
I passed people shopping or walking their dogs, and young people, university students maybe, busy about their lives, so that the streets I walked seems vibrant to me, more vibrant than my own. But then almost everywhere I went I imagined a place more accommodating of the life I wanted, as if happiness were a matter of streets or parks, as maybe to a point it is; and with R. away for so long I was accustomed to thinking of my real life existing in some distant place or future time, projecting forward in a way that I was afraid might keep me from living fully where I was.
”
”
Garth Greenwell (What Belongs to You)
“
Lady Merritt Sterling was a vibrantly attractive woman with large, dark eyes, a wealth of lustrous sable hair, and a flawless porcelain complexion. Unlike her two sisters, she had inherited the shorter, stockier frame of the Marsden side instead of the slender build of her mother. Similarly, she had her father's square-shaped face and determined jaw instead of her mother's delicate oval one. However, Merritt possessed a charm so compelling that she eclipsed every other woman in the vicinity, no matter how beautiful.
Merritt focused on whomever she was talking to with a wealth of sincere interest, as if she or he were the only person in the world. She asked questions and listened without ever seeming to wait for her turn to talk. She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soap or sauce into velvety smoothness.
It was no exaggeration to say that every man who met Merritt fell at least a little in love with her. When she had entered society, countless suitors had pursued her before she'd finally consented to marry Joshua Sterling, an American-born shipping magnate who had taken up residence in London.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Once women have lost her and then found her again, they will contend to keep her for good. Once they have regained her, they will fight and fight hard to keep her, for with her their creative lives blossom; their relationships gain meaning and depth and health; their cycles of sexuality, creativity, work, and play are re-established; they are no longer marks for the predations of others; they are entitled equally under the laws of nature to grow and to thrive. Now their end-of-the-day fatigue comes from satisfying work and endeavors, not from being shut up in too small a mind-set, job, or relationship. They know instinctively when things must die and when things must live; they know how to walk away, they know how to stay. When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
“
Woman of Virtue
She could be as still as a statue
But unapologetically vibrant
Even in her silence
She exudes confidence
Yet, so humble
She runs her race with courage
Because she has a clear picture
Of where she is going
She knows who she is
And what she really wants
She understands what her worth signifies
Extremely dignified
Many odds she defies
Has influence that no one denies
No matter where she goes, she prospers
She makes life so much better
Never doubts her own power
She whose face shines brighter
Such a paragon of splendour
That recognizes God’s favour
Committed to excellence
Crowned with brilliance
Clothed by abundance
Cloaked in resilience
Conquers through experience
She is someone I look up to
A woman of virtue
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
His grace is sufficient in our distress. His covenant of vibrant love is displayed in our hearts continually, even if we are unable to see the rainbowed promise with our natural eyes. God's Word is the same. Its promises hold true regardless of the circumstantial evidence to the contrary. God's promised words which are best exhibited through our daily life are bright and beautiful. Calm lives or chaotic ones; His Word remains steadfast. During times of still waters or when we are in a tempest grip, it doesn't change the life-giving promise that His mercies are new every morning. His compassion never wears out. He renews us just as He is with us. He sustains us just as He is for us. No matter what we face, He will see us through it all. Just as the sun rises in the east to meet our new day, His mercy is new each day.
”
”
Anthony Doerr
“
THERE ARE EXTRAORDINARY librarians in every age. Many of today’s librarians, such as Jessamyn West, Sarah Houghton, and Melissa Techman, have already made the transition and become visionary, digital-era professionals. These librarians are the ones celebrated in Marilyn Johnson’s This Book Is Overdue! and the ones who have already created open-source communities such as Code4Lib, social reading communities such as LibraryThing and GoodReads, and clever online campaigns such as “Geek the Library.” There are examples in every big library system and in every great library and information school. These leaders are already charting the way toward a new, vibrant era for the library profession in an age of networks. They should be supported, cheered on, and promoted as they innovate. Their colleagues, too, need to join them in this transformation.
”
”
John Palfrey (BiblioTech: Why Libraries Matter More Than Ever in the Age of Google)
“
She was studying a nearby bush covered with vibrant yellow pompom flowers.
"Wattle," he said.
"Golden wattle," she corrected.
"You're right."
"Did you know," she began, "that the seedlings from a golden wattle can live for up to fifty years?"
"That so?"
"That's a long time."
"It is."
"How old are you?"
"Younger than fifty." He was thirty-six, in fact.
"Wattle seeds are germinated by bushfires." Evie Turner nodded with vague disdain toward her parents, still engaged in heated discussion in the distance. "She's frightened of bushfires. That's because she's English. But I'm not. I'm Australian and golden wattles are my favorite flower and I'm not going to live in England no matter what she thinks."
With that, before Percy had a chance to tell her that golden wattles were his favorite, too, she'd run off to join the adults, sun-browned legs leaping over fallen logs with the expertise of one who seemed more familiar with this lonely place than she ought to be.
”
”
Kate Morton (Homecoming)
“
Notice how wickedly and cunningly the serpent tempted Eve: “God knows well that the moment you eat of it your eyes will be opened and you will be like gods who know what is good and what is evil.” The basic sin, the original sin, is precisely this self-deification, this apotheosizing of the will. Lest you think all of this is just abstract theological musing, remember the 1992 Supreme Court decision in the matter of Casey v. Planned Parenthood. Writing for the majority in that case, Justice Kennedy opined that “at the heart of liberty is the right to define one’s own concept of existence, of meaning, of the universe, of the mystery of human life.” Frankly, I can’t imagine a more perfect description of what it means to grasp at the tree of the knowledge of good and evil. If Justice Kennedy is right, individual freedom completely trumps objective value and becomes the indisputable criterion of right and wrong. And if the book of Genesis is right, such a move is the elemental dysfunction, the primordial mistake, the original calamity. Of
”
”
Robert Barron (Vibrant Paradoxes: The Both/And of Catholicism)
“
Drowning in guilt and fear and desire, she tried to push his caressing hand away from her throat. His fingers delved into her hair with a grip just short of painful. His mouth was close to hers. He was surrounding her, all the strength and force and maleness of him, and she closed her eyes as her senses went quiet and dark in helpless waiting. "I'll make you tell me," she heard him mutter.
And then she was kissing her.
Somehow, Beatrix thought hazily, Christopher seemed to be under the impression she would find his kisses so objectionable that she would confess anything to make him desist. She couldn't think how he had come by such a notion. In fact, she couldn't really think at all.
His mouth moved over hers in supple, intimate angles, until he found some perfect alignment that made her weak all over. She reached around his neck to keep from dropping bonelessly to the floor. Gathering her closer into the hard support of his body, he explored her slowly, the tip of his tongue stroking, tasting.
Her body listed more heavily against his as her limbs became weighted with pleasure. She sensed the moment when his anger was eclipsed by passion, desire changing to white-hot need. Her fingers sank into his beautiful hair, the shorn locks heavy and vibrant, his scalp hot against her palms. With each inhalation, she drew in more of his fragrance, the trace of sandalwood on warm male skin.
His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly.
"Tell me what you know," he said, his breath searing her lips. "Or I'll do worse than this. I'll take you here and now. Is that what you want?"
As a matter of fact ...
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
These associations—Cavafy, my mother polishing the silver, a missionary aunt who fled the familiar turf of Tennessee for the otherness of Korea (presumably with the intent of teaching them something, hopefully with the result of being taught), my Mamaw’s fragrant old bureau with its smell of wax and polish—all of them would be brought to bear upon my painting of peppermints, but none of them would be visible; there’s no reason the viewer would know any of this. I could render only what can be seen—color and form, though the painter’s splendid artifice reveals to us texture, too, and rich associations of scent and flavor, all arriving through the gates of the eyes.
And yet there is something more here, and that something is what nags at me to write this book, what tugs at my sleeve and my sleep. Why, if all that is personal has fallen away, should these pictures matter so? Why should they be alight with a feeling of intimacy? Interiority makes itself visible. In my imaginary still life, the “context and commentary” of my experience would be gone, but something would remain, something distilled and vibrant in the quality of attention itself. Is that what soul or spirit is, then, the outward-flying attention, the gaze that binds us to the world?
Coorte’s asparagus, his gooseberries and shells, distill this quality down to its quietest, most startling essence: the eye suffuses what it sees with I. Not “I” in the sense of my story, the particulars of my life, the way my father tended his old asparagus beds each spring, the way my beloved loved the forms and colors of shells. But “I” as the quickest, subtlest thing we are: a moment of attention, an intimate engagement.
Is that the lesson, then, that ultimately I becomes an eye? What is left of Adriaen Coorte but this? Isn’t that enough?
[…]
That, I think, is the deepest secret of these paintings, finally, although it seems just barely in the realm of the sayable, this feeling that beneath the attachments and appurtenances, the furnishings of selfhood, what we are is attention, a quick physical presence in the world, a bright point of consciousness in a wide field from which we are not really separate. That, in a field of light, we are intensifications of that light.
”
”
Mark Doty (Still Life with Oysters and Lemon: On Objects and Intimacy)
“
Christopher entered the room, having to bend his head to pass through the small medieval doorway. Straightening, he surveyed their surroundings briefly before his piercing gaze found Beatrix. He stared at her with the barely suppressed wrath of a man to whom entirely too much had happened.
Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation.
Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
“I’m so sorry,” she croaked.
No reply.
Christopher approached her slowly, as if he thought she might try to bolt again. Reaching her, he took her upper arms in a hard grip that allowed no chance of escape. “Tell me why you did it,” he said, his voice low and vibrant with…hatred? Fury? “No, damn you, don’t cry. Was it a game? Was it only to help Prudence?”
Beatrix looked away with a wretched sob. “No, it wasn’t a game…Pru showed me your letter, and she said she wasn’t going to answer it. And I had to. I felt as if it had been written for me. It was only supposed to be once. But then you wrote back, and I let myself answer just once more…and then one more time, and another…”
“How much of it was the truth?”
“All of it,” Beatrix burst out. “Except for signing Pru’s name. The rest of it was real. If you believe nothing else, please believe that.”
Christopher was quiet for a long moment. He had begun to breathe heavily. “Why did you stop?”
She sensed how difficult it was for him to ask. But God help her, it was infinitely worse to have to answer.
“Because it hurt too much. The words meant too much.” She forced herself to go on, even though she was crying. “I fell in love with you, and I knew I could never have you. I couldn’t pretend to be Pru any longer. I loved you so much, and I couldn’t--”
Her words were abruptly smothered.
He was kissing her, she realized dazedly. What did it mean? What did he want? What…but her thoughts dissolved, and she stopped trying to make sense of anything.
His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn’t care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan.
Christopher forced her to look back at him. “Loved?” he asked hoarsely. “Past tense?”
“Present tense,” she managed to say.
“You told me to find you.”
“I didn’t mean to send you that note.”
“But you did. You wanted me.”
“Yes.” More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief.
Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. “I love you, Beatrix.”
Maybe she was capable of swooning after all.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
No matter what the tree, they all grow from one seed, which takes root and branches out. Meditation is like the lotus tree. Rich with many, many layers, leaves and petals. It blossoms to be a vibrant flower, but at its core, it is the same, basic principle, ~ the seed you plant.
”
”
Andrew Pacholyk (Lead Us To A Place: Your Spiritual Journey Through Life's Seasons)
“
God washes the feet of men. The concepts we usually bring to the consideration of such matters are miserably political and prosaic. We think of flat repetitive equality and arbitrary privilege as the only two alternatives—thus missing all the overtones, the counterpoint, the vibrant sensitiveness, the interinanimations of reality.
”
”
C.S. Lewis
“
Cheri Davis is a fun, energetic, positive, and beautiful friend. We both share a vibrant and positive energy which is a rare and wonderful quality. No matter what is going on in the world, we have a magic ability to energize each other and make the day better simply by speaking. She once said to me, “Susan, our low is most people's high.” Indeed. We will not always match the energies of others, and when theirs is lower than ours, that can be a very good thing!
”
”
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
“
The quality of our diet matters most.
”
”
Mark Hyman (Eat Fat, Get Thin: Why the Fat We Eat Is the Key to Sustained Weight Loss and Vibrant Health (The Dr. Mark Hyman Library Book 5))
“
Who says that we are that which dies?
”
”
Charlotte Eulette (Real.Vibrant: poems for all that matters)
“
Direct your attention into the body. Feel it from within. Is it alive? Is there life in your hands, arms, legs, and feet — in your abdomen, your chest? Can you feel the subtle energy field that pervades the entire body and gives vibrant life to every organ and every cell? Can you feel it simultaneously in all parts of the body as a single field of energy? Keep focusing on the feeling of your inner body for a few moments. Do not start to think about it. Feel it. The more attention you give it, the clearer and stronger this feeling will become. It will feel as if every cell is becoming more alive, and if you have a strong visual sense, you may get an image of your body becoming luminous. Although such an image can help you temporarily, pay more attention to the feeling than to any image that may arise. An image, no matter how beautiful or powerful, is already defined in form, so there is less scope for penetrating more deeply.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
WE CARRY ON
If you are feeling lonely and lost
As your eyes meet my words
On the page of the book you hold
On glass screens on some device
This was meant to be
You connecting with me
Are you feeling the life fatigue
That gaping void and ennui
From all the sudden changes
In the slow and stuck life cycles
Your sparkle subdued
With postponed dreams
Does it dull your shine
When you think about your existence
And wonder about the grand purpose
With no real answers
Lost and drowning
Looking for a spark
Know you are not alone, never alone
With a glowing spirit inside, vibrant life outside
You matter, have every right live
Don’t you give up, for I too am trying
Not knowing what comes next
Living and loving as I know how
~June Samuel
”
”
June Samuel
“
complex systems seem to strike a balance between the need for order and the imperative to change. Complex systems tend to locate themselves at a place we call ‘the edge of chaos.’ We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and the new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. Too much change is as destructive as too little. Only at the edge of chaos can complex systems flourish.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Even though she felt sorry for anyone who’d lived a life thinking rice with cucumbers and tomatoes was delicious, no matter how well she’d seasoned the salad.
”
”
Sonali Dev (The Vibrant Years)
“
He thought about it for a moment and laughed. Laughed this vibrant, spirited laugh that I wanted to hear on a loop for the rest of my days. It was the kind of laugh that you wanted playing from a stereo and having it on full blast while you drove in the car. The kind of laugh you wanted to be reminded of whenever you forgot it, which would be hard to forget, but in the case that you did, an instant reminder was in store. The kind that would never get old, no matter how many times you heard it. The kind of laugh that made your heart want to dance. That was his laugh. What his laugh was to me.
”
”
Braelyn Wilson (Counting Stars)
“
LIKE ALL AMERICANS, I was shocked by what happened on January 6. But it was, at the same time, deeply familiar. President Trump’s defiance after losing the 2020 election reminded me of other presidents, from Nicolás Maduro, who in the months before Venezuela’s 2015 election declared he would not relinquish his post no matter the outcome, to Laurent Gbagbo, who refused to concede after Ivory Coast’s 2010 election because he claimed it was stolen. Venezuela slid toward authoritarianism; the Ivory Coast descended into civil war. A part of me did not want to accept the implications of what I was seeing. I thought of Daris, from Sarajevo, who, even years later, still struggled to understand how the people of his multicultural, vibrant country had turned so violently on one another. This is America, I thought. We are known for our tolerance and our veneration of democracy. But this is where political science, with its structured approach to analyzing history as it unfolds, can be so helpful. No one wants to believe that their beloved democracy is in decline, or headed toward war; the decay is often so incremental that people often fail to notice or understand it, even as they’re experiencing it. If you were an analyst in a foreign country looking at events in America—the same way you’d look at events in Ukraine or the Ivory Coast or Venezuela—you would go down a checklist, assessing each of the conditions that make civil war likely. And what you would find is that the United States, a democracy founded more than two centuries ago, has entered dangerous territory.
”
”
Barbara F. Walter (How Civil Wars Start: And How to Stop Them)
“
Here, Andraemon paces. A little to the left. A little to the right. Zeus used to pace in such a manner when contemplating matters of great import. He found that the action of movement, of striding this way and that, made it seem less dumb than when he simply stood, jaw drifting down, eyes up, lost in thought. A leader should look like their thought is a vibrant, potent thing, consuming all their body, all their might. For many, the performance of thinking oftentimes exceeds the actual energy being expended on the thought itself.
”
”
Claire North (Ithaca (The Songs of Penelope, #1))
“
But simply carving out a good life on earth is not the end goal. And in some cases, it can actually distract us from the bigger vision of being transformed into Christlikeness.
”
”
Jim Powell (Dirt Matters: The Foundation For a Healthy, Vibrant, And Effective Congregation)
“
In the book Transformational Church, the authors say, “Churches do not change until the pain of staying the same is greater than the pain of changing.
”
”
Jim Powell (Dirt Matters: The Foundation For a Healthy, Vibrant, And Effective Congregation)
“
People with teachable spirits realize the value of humility and how little they actually know before consequences force them to act.
”
”
Jim Powell (Dirt Matters: The Foundation For a Healthy, Vibrant, And Effective Congregation)
“
My favourite quotes, Part Two
-- from Michael Connelly's "Harry Bosch" series
The Black Box
On Bosch’s first call to Henrik, the twin brother of Anneke -
Henrik: "I am happy to talk now. Please, go ahead.”
“Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.”
“Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.”
“I’m sure you do.”
Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered.
The Burning Room 2
Grace was a young saxophonist with a powerful sound. She also sang.
The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope.
It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was.
----------------
He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone.
The Burning Room 3
“What do you want to know, Bosch?”
Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever.
At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due.
------------
“I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.”
“What is the other, Henrik?” Though he knew the answer.
“Anger . . . I am still angry, Detective Bosch.”
Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for.
“So am I, Henrik,” he said. “So am I.”
Angle of Investigation
1972
They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job.
Now
He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her.
The Scarecrow
At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.
”
”
Michael Connelly
“
Beecher Stowe was propelled into the public spotlight in 1852, when she published Uncle Tom’s Cabin, a vibrant and moving story that was effectively a political tract against slavery.
”
”
Roman Krznaric (Empathy: Why It Matters, and How to Get It)
“
The physical world is how concrete and vibrant and
colorful real meanings are. So I have no trouble with the idea that everything is
mindstuff, or consciousness, that is, as long as the physical cosmos isn’t degraded
with that association. And as long as what consciousness is made of is
understood to be the same as what physical reality is made of. Consciousness
arises out of the meaningfulness of being. The physical world is made of the
meaningfulness of being. The physical world isn’t just filled with an ethereal
meaning behind objects, it is meaning.
Any view which separates meaning from physical reality moves us toward a
division between matter and ideas or thought. Part of what can be deduced from
the success of this cosmology, as well as the harmony exposed here between
science and eastern philosophy, is that not only is it possible to discover good
science that is based on sound reasoning, there also is a deep and fundamental
relationship between physical reality and the world of ideas and meanings.
”
”
Gevin Giorbran (Everything Forever: Learning To See Timelessness)
“
The landscape of one's childhood was more vibrant than any other. It didn't matter where it was or what it looked like, the sights and sounds imprinted differently. They became part of a person, inescapable.
”
”
Kate Morton
“
The churches where I speak tend to be above-average churches. They are healthy and growing and evangelistically vibrant—most of them. Many of them are rocking along at 5% - 10% growth per year and do so year after year. I call these churches normal churches. “Normal” in the sense that they are not doing anything a lot different from the 80% that are plateaued. They are just doing things better. The preaching is a little better. That is huge. The music is a little better—and nearly always a little younger-sounding. (Here is an insight: most of the churches that are reaching young people are using the music of young people.) Often, they are in a little better location. Location matters more than we give it credit for.
”
”
Josh Hunt (Doubling Groups 2.0: How Andy Stanley and a whole generation of churches are exploding with doubling groups and the power of hospitality.)
“
You are living proof that the darkness you endure only makes your light shine brighter.
You are living proof that brokenness can be the foundation for becoming unbreakable.
You are living proof that life gets better when you decide “this is the last time I’ll let someone treat me this way.”
You are living proof that kindness and strength can coexist within the same heart.
You are living proof that when you show up as your most vibrant self… you don’t lose anybody, they lose you.
You are living proof that the toughest chapters of life can lead to the most beautiful stories of reinvention.
You are living proof that your past does not define you, it refines you.
You are living proof that no matter how many times you’ve been knocked down, you can bounce back stronger.
”
”
Case Kenny
“
Complex systems tend to locate themselves at a place we call ‘the edge of chaos.’ We imagine the edge of chaos as a place where there is enough innovation to keep a living system vibrant, and enough stability to keep it from collapsing into anarchy. It is a zone of conflict and upheaval, where the old and the new are constantly at war. Finding the balance point must be a delicate matter—if a living system drifts too close, it risks falling over into incoherence and dissolution; but if the system moves too far away from the edge, it becomes rigid, frozen, totalitarian. Both conditions lead to extinction. Too much change is as destructive as too little. Only at the edge of chaos can complex systems flourish.
”
”
Michael Crichton (The Lost World (Jurassic Park, #2))
“
Woman of Virtue
She could be as still as a statue
But unapologetically vibrant
Even in her silence
She exudes confidence
Yet so humble
She runs her race with courage
Because she has a clear picture
Of where she is going
She knows who she is
And what she wants
She understands what her worth signifies
Extremely dignified
Many odds she defies
She has influence that no one denies
No matter where she goes, she prospers
She makes life so much better
Never doubts her own power
She whose face shines brighter
Such a paragon of splendour
That recognises God’s favour
Committed to excellence
Crowned with brilliance
Clothed by abundance
Cloaked in resilience
Conquers any turbulence
She is someone I look up to
A woman of virtue
”
”
Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
But the innovation that would most transform the subcontinent—and its economic relationship to the rest of the world—did not involve separating the seeds from their fibers; every society that domesticated cotton for textile use ultimately developed some kind of mechanical gin. What made Indian cotton unique was not the threads themselves, but rather their color. Making cotton fiber receptive to vibrant dyes like madder, henna, or turmeric was less a matter of inventing mechanical contraptions as it was dreaming up chemistry experiments. The waxy cellulose of the cotton fiber naturally repels vegetable dyes. (Only the deep blue of indigo—which itself takes its name from the Indus Valley where it was first employed as a dye—affixes itself to cotton without additional catalysts.) The process of transforming cotton into a fabric that can be dyed with shades other than indigo is known as “animalizing” the fiber, presumably because so much of it involves excretions from ordinary farm animals. First, dyers would bleach the fiber with sour milk; then they attacked it with a range of protein-heavy substances: goat urine, camel dung, blood. Metallic salts were then combined with the dyes to create a mordant that permeated the core of the fiber. The result was a fabric that could both display brilliant patterns of color and retain that color after multiple washings.
”
”
Steven Johnson (Enemy of All Mankind: A True Story of Piracy, Power, and History's First Global Manhunt)
“
we didn’t know that HDL, triglycerides, and the size of your LDL (bad cholesterol) mattered more than total cholesterol.
”
”
Mark Hyman (Eat Fat, Get Thin: Why the Fat We Eat Is the Key to Sustained Weight Loss and Vibrant Health (The Dr. Mark Hyman Library Book 5))
“
That’s why weight and metabolism are not math problems. The quality of the food you eat matters much more than the quantity.
”
”
Mark Hyman (Eat Fat, Get Thin: Why the Fat We Eat Is the Key to Sustained Weight Loss and Vibrant Health (The Dr. Mark Hyman Library Book 5))
“
But to hear Reese stick up for me, to put Jonathan in his place, it warms me so much it scares me. This man, in the matter of a few weeks, has swept me off my feet, bonded with me, made me laugh, made me realize it’s possible to share an incredibly deep connection with another human being—one so vibrant, so real—that I wonder if it’s all a dream. He’s made me feel protected, cherished . . . loved.
”
”
Meghan Quinn (Stroked (Stroked, #1))
“
If it is nearly impossible for entrepreneurs to create jobs, then it really doesn’t matter how much we pour into education. The NGOs and governments can absorb only so many university graduates. Without an ecosystem that allows for the creation and growth of businesses, we have tens of millions of frustrated university graduates who are underemployed and poor. A university degree on its own, in the absence of a vibrant economy, does not feed the holder.
”
”
Magatte Wade (The Heart of A Cheetah: How We Have Been Lied to about African Poverty, and What That Means for Human Flourishing)
“
That’s life, Mom says, but I can’t help thinking there should be more. I want vibrant colors and passionate feelings. I want the sort of love that makes time stand still. I want to do something that matters in the world. And I really, really, really want a touch of magic and adventure in my life.
”
”
Kerry Anne King (Improbably Yours)
“
Today I wish you to know that even in your silent battles, you’re not alone, God fights alongside you & for you. Also know that even though I may not always walk beside you, my prayers are always with you, whispering courage, hope & unwavering support. My mission isn’t to become a mythical hero, but to become a light house, a reliable source of inspiration & light for those I love.
To all my loved ones, know this: even though I pray for you everyday & guide you towards your best version & goodness, your journey is your own. I can’t erase your challenges or make your choices. It will be up to you to live your own life & make your own choices knowing there are always rewards & consequences to every choice & action.
Darling listen – I just wish to gently remind you that you hold the pen & sword, shaping your own epic tale. Let you dip your pen in courage & forge your sword with faith. Each choice is a vibrant stroke painting the world you call your own.
Sweetheart, always remember, you are not just the recipient of my love & blessings, but the hero of your own story.
I wish & hope that your light will soon shine in 2024, not just in reflection, but in your own vibrant & magnificent way.. Blessings!
”
”
Rajesh Goyal
“
A Tidy and Organized Home… Makes you feel calm. You can relax and unwind in a tidy home. There is space to do things, and you know where everything is. When you walk into a hotel room, you immediately feel a sense of peace because the environment is tidy and organized. Makes you feel healthy. Dust and mold accumulate in messes. Are you always coughing and sneezing? Do you suffer from allergies? It’s probably because you are breathing in all the dirt in your home. Give your home a spring clean and your health issues will improve. Makes you feel in control. How does it feel when you know where everything is? Clutter prevents positive energy from flowing through your home. Remember, energy attaches itself to objects, and negative energy is attracted to mess, which creates exhaustion, stagnation, and exasperation. What does it feel like when negative energy is stuck in your body? You want to lie in bed and shut the world away because everything becomes more difficult and you can’t explain why. Here is how decluttering your house will unlock blocked streams of positive energy: You will become more vibrant. Once you create harmony and order in your home, you will feel more radiant and present. Like acupuncture, which removes imbalances and blockages from the body to create more wellness and dynamism, clearing clutter removes imbalances and blockages from your personal space. When you venture through spaces that have been set ablaze with fresh energy, you are captured by inspiration, and the most attractive parts of your personality come to life. You will get rid of bad habits and introduce good ones. All bad habits have triggers. Do you lie on your bed to watch TV instead of sitting on the couch because you can’t be bothered to fold the laundry that has piled up over the past six months? Or because the bed represents sleep, and when you come home from work and get into bed, you are going to fall asleep instead of doing those important tasks on your to-do list. Once you tidy the couch, coming home from work will allow you to sit on it to watch your favorite TV program but get up once it’s finished and do what you need to do. You will improve your problem-solving skills. When your home has been opened up with a clear space, it’s easier to focus, which provides you with a fresh perspective on your problems. You will sleep better. Are you always tired no matter how much sleep you get? That’s because negative energy is stuck under your bed amongst all that junk you’ve stuffed under there. Once you tidy up your bedroom, you will find that positive energy can flow freely around your room making it easier for you to have a deep and restful sleep. You will have more time. Mess delays you. An untidy house means you are always losing things. You can’t find a shoe, a sock, or your keys, so you waste time searching for them, which makes you late for work or social gatherings. When you declutter your home, you could save about an hour a day because you will no longer need to dig through a stack of items to find things. Your intuition will be stronger. A clear space creates a sense of certainty and clarity. You know where everything is, so you have peace of mind. When you have peace of mind, you can focus on being in the present moment. When you need to make important decisions, you will find it easier to do so. It might take some time to give your home a deep clean, but you won’t be sorry for it once it’s done. Chapter 5: How To Become an Assertive Empath The word assertive means “having or showing a confident and forceful personality.
”
”
Judy Dyer (The Empowered Empath: A Simple Guide on Setting Boundaries, Controlling Your Emotions, and Making Life Easier)
“
As powerful as this reading is, of course, it only matters if we take it to heart—if we let it saturate us and move us to action. Because the world can be vibrant and whole, but that’s not where it’s headed at the moment. And if part of our job as humans is to feel that wholeness and to bear witness to it, another part of our job—laid out in the first page of the darned book—is to steward and nourish it. But we move to protect that which we first love. The Song of Songs is a call to that love, to a time capsule buried in the Bible for the moment we most need it. Which is now.
”
”
Ellen Bernstein (Toward a Holy Ecology: Reading the Song of Songs in the Age of Climate Crisis)
“
Worshipers in meditation literally lose themselves in a sense of oneness with the universe, as shown by the quieting of their parietal lobes. The Franciscan nuns use the Latin of their faith to describe the experience, unio mystica (mystical union). Buddhists call it “unitary consciousness.” Newberg says that “Unity is . . . the foundational notion in pretty much every religious tradition . . . people often describe unity as more ‘fundamentally real’ than anything else they’ve ever experienced. More real than reality.” In a survey of 2,000 people who had enlightenment experiences, over 90% report that they’re more real than everyday reality. This sense of hyperreality may occur because in these states the energy saved by the 40% deactivation of the parietal lobe is redeployed to enhance attention. Newberg says, “It’s an efficiency exchange . . . energy normally used for drawing the boundary of self gets reallocated for attention. At that moment, as far as the brain can tell, you are one with everything.” Newberg notes that this produces a sense of awe. Meditators don’t feel alone. They describe a sense of connection with everyone and everything in the universe, part of an infinitely large picture. On the material level, like everyone else, you still have vibrant connections with family and friends. But you also have a source of social support that isn’t dependent on the availability of other human beings. As you merge with universal consciousness, you feel one with all beings and the universe itself. An overview of meditation studies by a panel of top experts shows that this opens up “what have been termed ‘nonlocal’ aspects of human consciousness . . . people report experiences of perceiving information that does not appear limited to the typical five senses or seems to extend across space and time, such as precognition, clairvoyance, and mind-matter interactions (described as ‘siddhis’ in the Hindu yogic traditions).
”
”
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
“
Diana Adams is more interested in seeing increased social protections for alternative families. While same-sex marriage was an important victory for gay rights and opened up a cultural conversation about the definition of marriage and love, she says, we shouldn't forget that the movement was also "a queer critique of the nuclear family and traditional monogamous sexuality."
The same is true of monogamy's insurgents. Rather than "cram people into the institution of marriage," she says, "we ultimately want to get the government out of the business of deciding whether you get tax benefits, health insurance, and immigration status based on whom you're having sex with."
Her thoughts remind me of the late psychologist and gay activist Michael Shernoff, who reflected critically on the shift "from gay men radically transforming American society" to gay men "assimilating into it in conservative and hetero-normative ways." He lauded consensual nonmonogamy as a "vibrant, normative, healthy part" of the gay community, and expressed concern that the advent of gay marriage might consign this "venerable, multigenerational tradition" to the category of adultery.
"Couples who succesfully negotiate sexual nonexclusivity," he wrote, "are, whether or not they are conscious of it, being genuinely subversive, in one of the most constructive ways possible...by challenging the patriarchial notion that there is only one "proper" and "legitimate" (hetero-normative) way that loving relationships should and need to be conducted"
Monogamy was once a subject that was never even discussed in the therapist's office, but today as a matter of course I ask every couple, What is your monogamy agreement? Marriage without virginity was once inconceivable. So, too, sex without marriage.
”
”
The State of Affairs, Esther Perel
“
As the year draws to a close, a sense of anticipation mingles with reflection. We stand at the threshold of a new chapter, ready to bid farewell to the familiar & embrace the unknown. In this transitional month, it’s essential to cultivate a healthy, energized & determined attitude, setting the stage for a remarkable finish to 2023 & a vibrant beginning to 2024.
Darling listen – I want you to use this new month to do & say all the things that you’ve been putting off. The perfect time to say & do those things that matters is now.
I also wish & hope that instead of focusing on what you haven’t achieved, you focus on the milestones you’ve crossed, the growth you’ve experienced & the resilience you’ve demonstrated. Let you celebrate your victories (both big and small) & carry the lessons of your setbacks into the new year.
Sweetheart, December, a month of festivities, of togetherness, celebrations, of spreading cheers & goodwill, is the perfect time to cherish all the moments spent with loved ones, the memories created & the lessons learned.
Let this month bring you the breakthrough you’ve been waiting for & a pie so big that you’ll need a truck to carry it home… Cheers to a season of success & sweet treats!
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Rajesh Goyal
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No matter how fun and vibrant a dream may be, the ending is always the same. You always wake up from a dream. Just like how all lives end when you die.
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Kim Su Bak (A summer night's dream)
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I think about it. I don’t stop thinking about it, even after I finish painting the woman’s dress with burnt orange and crimson and topaz yellow. I paint because it’s the next step—what does it mean if there isn’t another step? Drawing feels so open and skeletal. My sketchbook is a collection of imprints from my soul. They aren’t finished—they need to be colored in, and decorated, and turned into something much prettier than what they are.
If I don’t have emerald greens and magentas and lilacs, I just have Kiko. Black-and-white. Bare and smudged.
I’m not confident enough to let my drawings speak for me. I need my paintings to say something else entirely.
Maybe this is my problem. Maybe this is what Hiroshi has been trying to tell me.
My paintings aren’t honest enough.
Cringing, I close my eyes and picture what the starfish woman will look like when she is finished. She’s vibrant and beautiful and commands the attention of the painting. But this isn’t her story.
And then my mind pictures the girl standing behind her, hidden behind the luminous splendor. She’s gray and plain, but she’s beautiful, too, in her own way. But the woman will never see it because she’s too busy being beautiful herself.
The painting isn’t about the starfish. It’s about the girl who wants to venture out into the ocean, away from the starfish, so she can feel like she matters.
Because the girl will never matter to the starfish.
In the finished painting in my head, the girl will finally know this.
It’s the honest story I want to tell.
I will make this painting the truest painting I’ve ever done. And after that . . .
I will swim into the ocean.
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Akemi Dawn Bowman (Starfish)
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Grandparents, Fathers, and Mothers of today were vibrant sons and daughters of past years. Experience matters, for no event is new to life but repetitions. Respect experience in your family. Seek wise counsel
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Ejezie Maxwell Chinedu
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The electrified gas creating these vibrant displays was a distinct and oft-forgotten fourth phase of matter—plasma—that comprised more of the universe than all but matter's fifth phase: dark.
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Tom B. Night (Mind Painter)
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5 Thumb Rules to Follow for Outsourcing 3D Character.
Outsourcing has become one of the basic requirements of the digital industry. Be it software, websites, architecture rendering or 3D character modelling, companies look forward to outsource these tasks to reliable names. Reason is simple. When it comes to value for money, 3D Art Outsourcing Service stands to be the most viable option as setting up in-house production often isn’t considered a wise ROI choice.
But, this necessity has also given rise to possible frauds. There are countless companies waiting to gulp your money in the blink of an eye. There are many more who are ready to lure you with lucrative offers when it comes to 3D character modelling concept. Since not everyone is familiar with the technicalities of this field, companies can easily get trapped with fake promises of giving top notch services well within their reach, only to find out that the whole thing was neither worth their time nor money.
However, all the sham can be avoided if companies follow the six thumb rules while Game outsourcing character modelling tasks to animation studios as these will lead them to the right names.
1) Take a Tour of the Website
Although you will find expert comments on not to judge a company by its cover, there is no denying the fact that website plays a decisive role in company’s credibility, especially when it comes to art and animation studios. A studio that claims to offer you state-of-art results must first focus on its own. A clean, crisp website with appropriate content can actually say a lot about the studio’s work. A poor design and inappropriate content often indicate the following things:
- Outdated and poorly maintained
- Negligence towards its virtual presentation
- Unprofessionalism
- Poor marketing
A sincere design and animation studio will indeed feature a vibrant website with all its details properly included.
2) Location Matters
Location has a huge impact on hiring charges as it largely decides the price range one can expect. If you are looking forward to countries like India, you expect the range to be well within your budget chiefly because such countries have immense talent, but because of the increasing demand and competition in the field of outsourcing, hiring charges are relatively cheaper than countries like UK or USA. This means that once can get desired expertise without spending a fortune.
3) Know Your Team Inside Out
Since you will be spending your hard earned money, you have every right to know the ins and outs of your team. Getting to know the team can assist you in your decision. Do your part of homework and be ready with your queries. Starting from their names to their works, check everything you can, and if need be, go for one-to-one conversation.
This will not only help you to know them better, but will also give you an idea of their communication, their knowledge about their work and their sincerity. A dedicated one will always answer you up to the point while a confused one with fidget with words or beat around the bush.
4) Don’t Miss Out on the Portfolio
While the website of a studio is its virtual representative, it’s the portfolio which speaks about its execution. Reputed names of 3D modelling and design companies house excellent projects ranging from simple to complex ones. A solid portfolio indicates:
- commitment of the studio towards its projects
- competency of its team
- execution and precision
- status of its expertise
Apart from the portfolio, some animation studios even feature case studies and white papers in their websites which indicate their level of transparency. Make sure to go through all of them.
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Game Yan
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If the constitution written in Philadelphia in 1787 is not what secured American democracy for so long, then what did? Many factors mattered, including our nation’s immense wealth, a large middle class, and a vibrant civil society. But we believe much of the answer also lies in the development of strong democratic norms. All successful democracies rely on informal rules that, though not found in the constitution or any laws, are widely known and respected. In the case of American democracy, this has been vital.
As in all facets of society, ranging from family life to the operation of businesses and universities, unwritten rules loom large in politics.
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Steven Levitsky (How Democracies Die: What History Reveals About Our Future)
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The landscape of one’s childhood was more vibrant than any other. It didn’t matter where it was or what it looked like, the sights and sounds imprinted differently from those encountered later.
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Kate Morton (The Secret Keeper)
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The landscape of one's childhood was more vibrant than any other. It didn't matter where it was or what it looked like, the sights and sounds imprinted differently from those encountered later. They became part of a person, inescapable.
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Kate Morton (The Secret Keeper)
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I abhor some of what Catholicism teaches about homosexuality, but I appreciate that in one respect the Church has come to see us whole. Where it used to regard homosexuality as a mere behavior, engaged in sinfully by heterosexuals, it now understands that some men love men and some women love women, and are so constituted as to have no meaningful choice in the matter. Where many denominations regard same-sex love itself as wicked, the Catholic Church asks of homosexuals not that they be heterosexual but that they remain celibate, which is, at least, possible. Now, to ask a human being to dwell in a bed of solitude without the touch of another, until God Himself extends His embrace, is to ask for the most profound and, for most people, enormous of sacrifices. Many people would rather die in loving company than live alone. That, indeed, is what makes the priestly vow of celibacy the supreme act of devotion that it is. There surely are some people who can live whole and healthy lives without sex. I know a middle-aged Catholic woman who, because she is both unmarried and devout, is celibate by choice. She is vibrant and proud, partly, of course, because her celibacy is chosen and principled, rather than furtive or paralytic. But to be celibate is one thing; to live without even the possibility of love is something else again, a stripping-out of self and soul which leaves behind an ageless child.
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Jonathan Rauch (Denial: My 25 Years Without a Soul)
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She took a breath, and her vibrant green gaze moved over his face, taking him in. “Then okay. We’ll do this. Together. But don’t make any more decisions no matter how logical they are if they involve me, without consulting me first.” “Babe.” His voice said it all. He was that kind of man. He knew it. She knew it. Her breath hissed out of her. “Fine, but expect my temper when you do, Trap. It isn’t going to be pretty.” “I know.” And he did
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Christine Feehan (Spider Game (GhostWalkers #12))
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We might then entertain a set of crazy and not-so-crazy questions: Did the typical American diet play any role in engendering the widespread susceptibility to the propaganda leading up to the invasion of Iraq? Do sand storms make a difference to the spread of so-called sectarian violence? Does mercury help enact autism? In what ways does the effect on sensibility of a video game exceed the intentions of its designers and users? Can a hurricane bring down a president? Can HIV mobilize homophobia or an evangelical revival? Can an avian virus jump from birds to humans and create havoc for systems of health care and international trade and travel?
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Jane Bennett (Vibrant Matter: A Political Ecology of Things)
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weight loss does not have to involve the suffering, sacrifice, and deprivation we’ve been conditioned to accept but instead is a matter of eating the right foods (plants and animals), avoiding the wrong foods (processed fats and carbs—including grains), and exercising strategically, for far fewer hours than you might assume, to reach your desired fitness goals.
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Mark Sisson (The Primal Blueprint: Reprogram your genes for effortless weight loss, vibrant health, and boundless energy (Primal Blueprint Series))
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In the depths of decaying garbage dumps is the sorrow of discarded waste, forgotten by society, choking the life out of our vibrant ecosystems, a negligence upon our environment. The grim realities of our polluted world somehow shows the strength of nature’s resilience, blooming amidst the chaos and reminding us of the potential for renewal if we choose to act right. Our actions, no matter how small, have the power to impact the environment and those around us. We are all accountable as caretakers of this planet we live in. It is our responsibility to preserve earth’s natural beauty and the delicate balance of life that keeps us all alive.
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Chinonye J. Chidolue
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Without vision, people perish. Without direction, people drift. Without a goal, motivation wanes. Without a mission, ministries fade. Youth groups lose their life. Once-vibrant churches slowly die. We need a clear and compelling vision that is constantly and enthusiastically communicated.
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Craig Groeschel (Lead Like It Matters: 7 Leadership Principles for a Church That Lasts)
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No matter how dark the night is, morning always comes. The valley can be as deep as it wants, but hope pays no mind. It anticipates the climb ahead, and holds fast to the knowledge that the view from the peak is like no other. When everything else crumbles, hope stays. Hope is a caterpillar, bravely entering its cocoon and trusting that tomorrow will be better. It comes vibrantly, like the wings of a butterfly, painting the bleak present with promises of beauty. That’s the nature of hope.
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Maggie C. Gates (What Saves Us (Falls Creek, #3))
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I’m a Berliner first and a German second, Gerlinde. I grew up in this city. You haven’t the slightest idea how free and vibrant it was before Hitler came to power and obliterated everything that made it the very heart of Europe – cosmopolitan, accepting every walk of life and every gender no matter how fluid, a home to refugees and a watering spot to the European intelligentsia. And he came and ruined it all. I never forgave him that.
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Ellie Midwood (The Aftermath)