Verona Love Quotes

We've searched our database for all the quotes and captions related to Verona Love. Here they are! All 38 of them:

They do not love that do not show their love.
William Shakespeare (The Two Gentlemen of Verona)
Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whole misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.
William Shakespeare (Romeo and Juliet)
Banish'd from [those we love] Is self from self: a deadly banishment!
William Shakespeare (The Two Gentlemen of Verona)
Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
Life is the messy bits.
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
She dreams of him that has forgot her love; You dote on her that cares not for your love. 'Tis pity love should be so contrary; And thinking of it makes me cry 'alas!
William Shakespeare (The Two Gentlemen of Verona)
O, how this spring of love resembleth The uncertain glory of an April day, Which now shows all the beauty of the sun, And by and by a cloud takes all away!
William Shakespeare (The Two Gentlemen of Verona)
To die, is to be banish'd from myself; And Silvia is myself: banish'd from her, Is self from self: a deadly banishment! What light is light, if Silvia be not seen? What joy is joy, if Silvia be not by? Unless it be to think that she is by, And feed upon the shadow of perfection. Except I be by Silvia in the night, There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumin'd, cherish'd, kept alive.
William Shakespeare (The Two Gentlemen of Verona)
Ay, but hearken, sir; though the chameleon Love can feed on the air, I am one that am nourished by my victuals, and would fain have meat.
William Shakespeare (The Two Gentlemen of Verona)
If you love her, you cannot see her.
William Shakespeare (The Two Gentlemen of Verona)
One of the great joys in life is having ones hair brushed.
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
What, gone without a word? Ay, so true love should do. It cannot speak, For truth hath better deeds than words to grace it." (2.2.17-19)
William Shakespeare (The Two Gentlemen of Verona)
Thou art a votary to fond desire
William Shakespeare (The Two Gentlemen of Verona)
Didst thou but know the inly touch of love Thou wouldst as soon go kindle fire with snow As seek to quench the fire of love with words. (2.7.18-20)
William Shakespeare (The Two Gentlemen of Verona)
Hope is a lover's staff; walk hence with that And manage it against despairing thoughts.
William Shakespeare (The Two Gentlemen of Verona)
Love is your master, for he masters you; And he that is so yoked by a fool, Methinks, should not be chronicled for wise.
William Shakespeare (The Two Gentlemen of Verona)
Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like: love to leave loved ones for, love to cross oceans for, but I'd like to believe if I ever were to feel it, that I'd have the courage to seize it. And Claire, if you didn't, I hope one day that you will. All my love, Juliet
Lise Friedman (Letters to Juliet: Celebrating Shakespeare's Greatest Heroine, the Magical City of Verona, and the Power of Love)
Die Welt ist nirgends außer diesen Mauern; Nur Fegefeuer, Qual, die Hölle selbst. Von hier verbannt, ist aus der Welt verbannt, Und solcher Bann ist Tod: Drum gibst du ihm Den falschen Namen. - Nennst du Tod Verbannung, Enthauptest du mit goldnem Beile mich Und lächelst zu dem Streich, der mich ermordet. There is no world without Verona walls, But purgatory, torture, hell itself. Hence banishèd is banished from the world, And world's exile is death. Then "banishèd" Is death mistermed. Calling death "banishèd", Thou cuttest my head off with a golden axe And smilest upon the stroke that murders me.
William Shakespeare (Romeo and Juliet)
The desire to lift, the willingness to help, and the graciousness to give come from a heart filled with love. The poet wrote, ‘Love is the most noble attribute of the human soul.’ And William Shakespeare cautioned, ‘They do not love who do not show their love’ (Two Gentlemen of Verona, act 1, sc. 2, line 31).
Thomas S. Monson
She was named Juliet, after his wife, the bishop thought, but that was not what Julia meant at all. She was far too modest to think of calling her child after herself. Juliet, for her, was the name of that young girl of Verona whose tragic love has everywhere helped make youth and sorrow better friends.
Robert Nathan (The Bishop's Wife)
Now no discourse, except it be of Love; Now I can break my fast, dine, sup and sleep Upon the very naked name of Love.
William Shakespeare (The Two Gentlemen of Verona)
Thus have I shunned the fire for fear of burning, and drenched me in the sea, where I am drowned.
William Shakespeare (The Two Gentlemen of Verona)
If you love her, you cannot see her […] Because love is blind.
William Shakespeare (The Two Gentlemen of Verona)
Is she kind as she is fair? For beauty lives with kindness. Love doth to her eyes repair To help him of his blindness,
William Shakespeare (The Two Gentleman of Verona)
I remember what happened twenty years ago, Romeo. I was in that tomb, remember? I thought you were dead and stabbed myself for love. I have the scar to prove it!
Christina Dodd (A Daughter of Fair Verona (Daughter of Montague, #1))
They were different colors: the right one blue, the left green. And her face in the light of the candle on the table startled me at first, just as it had in the icy night air. After seeing it on the street, I was afraid I had only imagined it: a still, luminous face with a silvery sheen. Finely hewn, with a long, straight nose and a wide mouth, it was nearly identical to another face, which I had photographed years before. Not on a person, bu on the fragment of a frieze I found in some ruins near Verona, The frieze, which depicted a band of musicians, had once been shadowed beneath a cornice high on the temple of Mercury, god of magic. Belonging to one of the musicians, it was a riveting face - like a puzzle that could not be solved - which I had never found, or expected to find, on a living woman.
Nicholas Christopher (Veronica)
They were only to glad to come, ... as an alibi to test their charms ... ... but once they'd made it into the house their hearts where in their boots because they knew enough to see that here Madame Verona was still living off the interest.
Dimitri Verhulst (Madame Verona Comes Down the Hill)
It wasn't so much the reading she loved, as the act of reading, sitting there in his clothes, as if sitting in him, and knowing that another day had become part of the past and she was enjoying, with him, the little time that people can spend in supreme uselessness.
Dimitri Verhulst (Mevrouw Verona daalt de heuvel af)
I have done penance for contemning Love; Whose high imperious thoughts have punish’d me with bitter fasts, with penitential groans, with nightly tears, and daily heart-sore sighs; For, in revenge of my contempt for love, Love hath chaos’s sleep from my enthralled eyes and made them watchers of my own heart’s sorrow.
William Shakespeare (The Two Gentlemen of Verona)
If desire were really one to one, self to self, there would never be a problem of infidelity, but desire will always, without confusion, demand a particular class, Caring for a unique object is an illusion, but the feeling must be unique, and though that feeling may not be natural, it is duty. You must love your neighbour like yourself, uniquely. From the personal point of view, sexual desire, because of its impersonal and unchanging character, is a comic contradiction. The relation between every pair of lovers is unique, but in bet they can only do what all mammals do. All the relation in friendship a relationship of spirit, can be unique. In sexual relationship love the only uniqueness can be fidelity.
W.H. Auden (Lectures on Shakespeare (W.H. Auden: Critical Editions))
He leaned his forehead against hers. “You’re never going to forgive me, are you?” “I forgive you,” she said, fighting the urge to press her lips to his. She meant it. She couldn’t stay mad at him. And even though she didn’t understand, she would do her best not to judge. She was far from perfect herself. Falco exhaled deeply. “That is the best news I have gotten all day,” he said. He leaned back, and his face broke out into a wide smile. “And the second-best news is that my paintings did well at the exhibition. A wealthy artisan from the mainland has offered me work. A lot of work.” “Falco, that’s amazing!” Cass couldn’t resist reaching out to squeeze his hand. “Life-changing,” he said, in a low voice. “Like you. Like us.” Cass opened her mouth to protest, but no words came out. Falco was right. She wouldn’t deny that he had reached deep inside of her and unlocked secret places she had never even known existed. “But the position will mean a lot of travel. Perhaps relocation,” he said. She looked away from him, biting her lip. “You’ll be far away.” Falco nodded. “But I might get to see my family again.” “Your family?” Cass had never even thought to ask Falco about his family, whether he had brothers and sister. “My mother is a washerwoman and my father a cobbler. My brothers all work at the shop. I have a pair of little sisters in a convent in Verona,” he said. “It’s been years since I’ve seen them.” Cass couldn’t imagine what it would be like to grow up in such a large family, with so many built-in companions. “Come away with me, Cassandra,” Falco said, his hands coming to rest lightly on her waist. “I can give you a life now. It may not be quite what you’re used to, but it will be filled with love.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
Not a good answer, love.” “But – madonna forgive me, but – it was a woman.
David Blixt (The Master of Verona (Star-Cross'd #1))
We are not surprised at Romeo loving Juliet, though he is a Montague and she is a Capulet. But if we found in addition that Lady Capulet was by birth a Montague, that Lady Montague was a first cousin of old Capulet, that Mecutio was at once the nephew of a Capulet and the brother-in-law of a Montague, that count Paris was related on his father’s side to one house and on his mother’s side to the other, that Tybalt was Romeo’s uncle’s stepson and that the Friar who had married Romeo and Juliet was Juliet’s uncle and Romeo’s first cousin once removed, we would probably conclude that the feud between the two houses was being kept up for dramatic entertainment of the people of Verona.
A.N. Wilson
To the ones who feel not enough. or too much. Let this book be your reminder that you're not too much and you're not too little. You're exactly just right.
Nina Verona (Crushed by Love (Devious Delights #1))
I understand that my upbringing isn’t my fault. I was born into terrible circumstances, and they were born with silver spoons in their mouths. It doesn’t actually mean my worth as a human is less than theirs.
Nina Verona (Crushed by Love (Devious Delights #1))
Amar es comprar desprecios con lamentos; miradas de desdén con suspiros de dolor; es cambiar por un instante de placer veinte noches de ansiedades y desvelos. Si se triunfa, cara cuesta la victoria. Si se nos engaña, sólo conservamos desastres. ¿Qué queda, pues, del amor? Una tontería conseguida a fuerza de ingenio, o un ingenio vencido por la tontería o la locura.
William Shakespeare
They do not love that do not show their love. O, they love least that let men know their love. (Which camp are you in?)
~Two Gentlemen of Verona, Act I, scene II