Venom Character Quotes

If you follow the pescribed way of how people want you to be, then it will be of great relieve if you commit suicide than to be dragged along like a donkey.

Kevlar wrist cuffs in place, smoke bombs in left cargo pocket, zip ties in the right, and my handy-dandy, military-grade, metal detector-defying, twin APS daggers snug in their sheaths and hidden inside my steel-toe Doc Martens. Nothing like a well-stocked pair of black cargoes to make me feel girly.

Fear is the root cause of just about all physiological disorders. Know that when people hurt you or attack you, they are living in fear.

Anyway, most of the chapter is Bella telling us how much pain she's in. First she's about to die because delivering Optimus Beyonce nearly killed her. And then she goes on and on about how hot and awful the vampire venom feels as it takes hold of her body. She's in agony and there's nothing she can do about it. Good! I hope it hurts. This is what you get, Bella Swan. This is what you get for being a greedy, self-centered jerk. This is what happens to people who let thousands die in Italy. This is what you get for ruining Jacob's life and ignoring your human friends because you'd rather spend time with pretty people. This is what happens to selfish brats that have no regard for their family. This is what you get for being weak and dependent. This is what you get for lying to your father. This is what you get for crying and complaining about your perfect life. This is what you get for spending pages and pages describing freaking magnets! THIS IS WHAT YOU GET! I only wish the pain lasted longer than a chapter. An entire book of Bella's torture would be nice. And maybe if the book were illustrated…with Octo-Bears…I would finally sympathize with this, the least likable character in the history of novels. Bella, I do not care one tiny bit that you're in pain.

Dear Julie: If I didn't feel that there is some good in your story, I wouldn't take the time to write a criticism of it. But there is some good in it, some points that make me feel that if you expend the effort(Look who's talking about expending the effort, I couldn't help thinking) you may well achieve your very worthy ambition. First of all, you have an ear for cadence. Your sentences flow rather smoothly, and the continuity of your paragraphs is quite good. Secondly, your imagery is sharp and clear-cut. I could smell that dank, rat-infested attic and I was more than a little in love with your pretty heroine by the time she emerged from her third paragraph. Furthermore, you occasionally achieve poetic effects which are pleasing. But, my darling niece, your villains have nothing but venom in their souls, and your sympathetic characters are ready to step right off into Paradise without one spot to tarnish their purity. People aren't like that, Julie. Take a look around you. Again, all your colors, your moods, your nusances, are essentially feminine, and it just doesn't ring true to be told that a man is responsible for them. No, Julie, it will be a long time before you speak and think and feel like an anguished old German musician of eighty! And, after all, what do you know about the problems of musical composition, or the life of an impoverised German laborer such as the landlord in his nineteenth-century environment? And how much do you know about sadism and brutality? I must talk to you about any number of points. When you get home from school tomorrow, I shall have some recommendations to make; also some assignments. I am quite excited. It well may be that I have the making of a future writer in my hands. Uncle Haskell

The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.

There is a tradition relating to the proceedings of St. Patrick in this place, which deserves to be noticed, as an example of the way in which Roman Catholic miracles come into existence. One of his biographers states, that when he arrived at the top of the mountain he was surrounded by vast numbers of birds; other writers, improving on this simple fact, transformed the birds into demons, and described him as driving them into the sea at the foot of the mountain. Another, again, perhaps believing reptiles and demons to belong to the same genus, adds, that all the venomous reptiles were collected there from every part of Ireland, and “in the deep bosom of the ocean buried.”[56] This is firmly believed by the peasantry at the present day; and it is from such lying wonders they derive their ideas of the character and acts of St. Patrick.

So who is the real Jerry Falwell? Is he a rabid, hate-spewing fundamentalist? Or is he a dutiful family man, a talented preacher, and a competent administrator? Was John McCain right when he called Dr. Falwell an “agent of intolerance” during the 2000 presidential campaign? Or was the Wall Street Journal right when, in 1978, it described him as a “man of charm, drive, talent, and ambition”? Well, in a way, both are right. In fact, that’s the overwhelming impression I get from the time I’ve spent watching Dr. Falwell this semester and talking to him this afternoon: he’s a complex character, but he’s not hiding anything. He may be a blundering, arch-conservative provocateur, and he may spew anti-gay venom more often than most people brush their teeth, but I honestly think he believes every word he preaches, and I wouldn’t be at all surprised if he really does stay awake at night worrying about the homosexual agenda, the evils of abortion, and the imminent spread of liberalism. He really does think America needs to be saved.

Gretchen VanTreese (from The Crimson Corset) is easily the most heartless character I’ve ever written. Ruthless, self-obsessed, and ambitious beyond her means, she is the epitome of greed and overindulgence. This is woman who keeps handsome young men as pets, a staff of venom-addicted employees to do her daytime bidding, and a basement full of bound human delicacies.

I’ve picked my poison knowing I can withstand it.” She wasn’t entirely convinced of her own statement. Was Ren’s affection the poison infecting her heart, or was her desire for Kai the true venom growing within? Was there even a remedy for such a powerful intoxication?

Guns can be a strength in the hands of trained law enforcement officials and soldiers with character, but in the hands of civilians they are not just weakness, but a sickness. Without a trained host with character, a gun acts like a parasite, it not only makes the host sick both mentally and physically, but more importantly it sickens an entire society. Let me put this in perspective. In the hands of a civilian, snake venom is poison, in the hands of a scientist, it is medicine. So to put it in a nutshell - carry goodness, not guns. Civilization will never see the sun till the civilians reject their gun.

A heart consumed by pride and darkness often spews forth venomous words, wrapped in arrogance, rudeness, and irritability, poisoning the air and souls around them, revealing the true character of the evil within.

That summer, the Company became the focus for much scandalous gossip in London. There was already in print a brilliant satire attacking the directors of the EIC – Debates in the Asiatic Assembly. Among its characters were Sir Janus Blubber, Shylock Buffalo, Jaundice Braywell, Sir Judas Venom, Donald Machaggies, Caliban Clodpate, Skeleton Scarecrow and the villainous Lord Vulture, a character clearly modelled on Clive. As the parade of Company grotesques praise Lord Vulture, only one character – George Manly – dares denounce the others as ‘a troop of desperate banditti … a scandalous confederacy to plunder and strip’.