Baby Vests Quotes

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I drove on, and between the north and southbound lanes a construction crew worked under daylight-bright industrial lamps. I saw them through a gauzy fog of dust and strong light...they wore blood-red vests and hardhats and massive goggles, and as the road sank I saw that the workers were bone thin, with skeletal jaws and long teeth. They labored on platforms over gaping holes in the earth, and among the men, piled atop rickety pallets, lolled babies, piles of them, in ashy cerements. I could not tell whether the crew was excavating or burying them.
Matthew M. Bartlett (Gateways to Abomination)
of the boys, and very thin. Though Charlie could not see her whole outfit, she was wearing a loose white shirt with an embroidered vest, and she had a brimmed hat perched on her glossy, shoulder-length brown hair, with an enormous flower threatening to tip it off her head. She was gesturing excitedly about something as she spoke.               The two boys were sitting next to each other, facing her. Carlton looked like an older version of his red-headed childhood self. He still had a bit of a baby face, but his features had refined, and
Scott Cawthon (The Silver Eyes (Five Nights at Freddy's, #1))
It seemed too as if many of the people were on display, behaving as if they expected to be looked at, as if they were on show: so many of them seemed to be wearing costumes, not just policemen and firemen and waiters and shop assistants, but people in their going-to-work costumes, their I'm-a-mother-pushing-a-pram costumes, babies and children in outfits that were like costumes; workers digging holes in their costume-bright orange vests; joggers in jogging costume; even the drinkers in the streets and parks, even the beggars, seemed to be wearing costumes, uniforms.
John Lanchester (Capital)
Her uncle could annoy the hell out of her when he chose, apparently he was choosing to do so now, and she resented it. “Nothing.” He sat down, took off his glasses, and returned them to his vest pocket. He spoke deliberately. “Baby,” he said, “all over the South your father and men like your father are fighting a sort of rearguard, delaying action to preserve a certain kind of philosophy that’s almost gone down the drain—
Harper Lee (Go Set a Watchman)
In a windowless nook of a downtown Roanoke funeral parlor, not far from where Tess once roamed the streets, Patricia caressed the back of the scar, as if cupping a baby's head, and told her poet goodbye. It was January 2, Tess's birthday. She would have been twenty-nine. Patricia tucked the treasures of her daughter's life inside the vest--a picture of her boy and one of his cotton onesies that was Tess's favorite, some strands of Koda's hair, and a sand dollar.
Beth Macy (Dopesick: Dealers, Doctors, and the Drug Company that Addicted America)
Even if one were to agree with progressive Christians that racial inequities should be the Church’s greatest concern, no other race-based injustice can compare to what is being done under the auspices of “reproductive rights,” something Professor Carl Trueman ably highlighted in First Things. “Police actions in 2018 accounted for the deaths of fewer than three hundred African Americans, while in the same year abortions of African-American babies accounted for more than 117,000 of the same,” he pointed out. “One would think this extreme difference (390 to one) would make abortion the centerpiece of Christian critiques of racism.”67 The only reason it wouldn’t is if those drawing such equivalencies do not, deep down, see those 117,000 babies as equally human as the 300 adults. Prior, French, Keller, and both Moores have taken to the pages of the most elite media outlets in the world to incessantly disparage average Christians who felt it was worth voting for Donald Trump for a chance to dismantle the most wicked practice this nation has ever known. Let’s be clear, no one cast a ballot for Trump because he committed adultery or because he bragged in 2005 about grabbing women’s private parts. Nor was the legal protection of adultery or lechery a feature of the Trump campaign’s platform. In contrast, Clinton and Biden did promise voters that electing them would allow the butchery to continue. They did make it a part of their platforms, and a significant number of voters cast ballots for them based on those promises. Given this, which vote is more morally compromising for the Christian—the one that places power in the hands of those who promise to allow the innocent to be put to death or the one that vests power in those who promise to make a way to rescue the innocent? Which group of Christians do these celebrated evangelical leaders accuse of defaming the name of Christ with an untoward interest in political power, and which do they excuse and even promote?
Megan Basham (Shepherds for Sale: How Evangelical Leaders Traded the Truth for a Leftist Agenda)
Sunday's Best Times are tough for English babies Send the army and the navy Beat up strangers who talk funny Take their greasy foreign money Skin shop, red leather, hot line Be prepared for the engaged sign Bridal books, engagement rings And other wicked little things Chorus: Standing in your socks and vest Better get it off your chest Every day is just like the rest But Sunday's best Stylish slacks to suit your pocket Back supports and picture lockets Sleepy towns and sleeper trains To the dogs and down the drains Major roads and ladies smalls Hearts of oak and long trunk calls Continental interference At death's door with life insurance Chorus Sunday's best, Sunday's finest When your money's in the minus And you suffer from your shyness You can listen to us whiners Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies
Elvis Costello
She would’ve preferred to have been anywhere else but a Walmart—it felt equal parts dystopian and apocalyptic, like this was the last big-box department store operating in the end times. Those who haunted the aisles and shelves were a motley mix: camo-clad doomsday preppers with their ass cracks showing; old white men who wore cowboy hats because apparently that was still a thing here in upstate PA; chunky girls with too-tight glitter-script spandex swallowed by hungry, hungry butt cheeks, their hair teased higher than the Tower of Babel; shuffling housewives haunted by the ghosts of regret; pock-cheeked teenagers in their Walmart vests, pushing a mop over mysterious spills. Fluorescent lights buzzed and snapped above. Somewhere, a baby wailed.
Chuck Wendig (The Book of Accidents)
Sweet Jane" Standing on the corner, suitcase in my hand Jack is in his corset, and Jane is in her vest, and, me I'm in a rock'n'roll band. Huh Ridin' in a Stutz-Bearcat, Jim Y'know, those were different times Oh, all the poet, they studied rules of verse And the ladies, they rolled their eyes Sweet Jane! Whoa! Sweet Jane, oh-oh-a! Sweet Jane I'll tell you something Jack, he is a banker And Jane, she is a clerk Both of them save their monies, ha And when, when they come home from work Ooh! Sittin' down by the fire, oh The radio does play The classical music there, Jim "The March of the Wooden Soldiers" All you protest kids You can hear Jack say, get ready, ah Sweet Jane! Come on baby! Sweet Jane! Oh-oh-a! Sweet Jane Some people, they like to go out dancing And other peoples, they have to work. Just watch me now And there's even some evil mothers Well they're gonna tell you that everything is just dirt Y'know that, women, never really faint And that villains always blink their eyes, woo And that, y'know, children are the only ones who blush And that, life is, just to die And, everyone who ever had a heart, oh That wouldn't turn around and break it And anyone who ever played a part, whoa And wouldn't turn around and hate it Sweet Jane! Whoa-oh-oh! Sweet Jane! Sweet Jane. Sweet Jane Sweet Jane. Sweet Jane
Velvet Underground
She changed her position, contemplated a row od apple shrubs that she had put in last autumn at the bottom of the terrace, and slowly filled up again with comfortable thoughts. Things wee coming to a head. Her inner life, her restless inner life, was still and lay asleep. She was at liberty now to think of material things; positions of wardrobes and chests-of-drawers; lists of books to be piled by her bed; dressing jackets; white wooly vests and pants. It was not often she could thus play dolls and doll-houses without feeling she ought to be doing something else; that life was short; that she was threatened by the melancholy of life itself whose vapors sometimes reached her with overpowering strength. from her present sea-deep content two things were absent now - the horror of the ultimate departure, and the need to express herself before the end. The baby seemed to swim and strike like a dolphin. "it is a mystery," she said. "Women bearing children, bulbs becoming hyacinths, acorns … sheep… lambs. Feet that never touched the earth… I shall become two people." She stared between the apple trees; hypnotized, drugged by that sea-deep peace; wonder drifting weedily in and out. She was a vase, a container, a plot oak for a gnome to live in, a split oak, a hollow elm.
Enid Bagnold
for Falasteen the boy i adored at sixteen gifted me his keffiyeh feeling guilty for living when others were killed simply for existing i haven’t seen him in sixteen years but think of him often these days his grandmother’s purse still carrying keys to their home believing they’d return in weeks can it even be called a key if what it unlocked is no longer there? we’d sneak onto mall rooftops & pretend shooting only happened with stars! 'we have a duty of memory,' he said, 'so they’ll kill us all until only the soil is witness' how could i reply? i sat in my liquid silence today there are nurseries of martyrs they bomb babies for they fear enemies hiding between pacifiers & tiny wrists bomb hospitals because enemies hide in ICU bedpans bomb schools because enemies hide in children’s bags bomb the oldest mosques & churches because enemies hide in rosary beads & votive candles they bomb journalists because enemies are hiding under their PRESS vests & helmets bomb poets because enemies hide in pages of peace poems the elderly are bombed because enemies hide under their canes the disabled are bombed because they harbour enemies in their artificial limbs they raze & burn all the ancient trees because enemies make bombs from olives they bomb water treatment plants because enemies are now water & so it goes: justification provided exoneration granted business as usual & the boy I adored has green-grey eyes the colour of fig leaves we don’t speak but i wish to tell him 'i’m sorry the world is a blade i’m sorry home is blood & bones i’m sorry music is sirens & wails i’m sorry night is infinite' but the boy I adored has grey-green eyes the colour of forgotten ash
Kamand Kojouri
Multiple Warning Survivors Anonymous Please don’t warn me of things that won’t happen, Like: the man who just sold me some land Might in fact have a vat Of the plague in his hat And a new black death minutely planned. Please don’t mention unlikely disasters That you think I’d be wise to avoid: Getting stalked in a tent, Or inhaling cement... Yes, my life could be swiftly destroyed But it won’t be, so no need to summon Your great ally, the spectre of doom – Babies, injured or dead! Dearest friend, axe in head! – While I’m safe, sitting still in a room. I am sure I’ll avoid strangulation By a dangling invisible thread, But my life’s in bad shape If I cannot escape From these horrors you plant in my head. Can I tell you what I think is likely? And I hope this is not out of line: Yes, there is a small chance I’ll be stabbed by Charles Dance But I strongly suspect I’ll be fine, Or I would be, if only you’d zip it. No, I won’t wear a bullet-proof vest When I go to Ikea.Don’t troll me with fear. Here’s a warning: just give it a rest Or I’ll certainly spend most of Sunday Thinking you’re an assiduous scourge – Sure as peas grow in pods. Please consider those odds When you next feel the dread-warning urge. If one day I am crushed by a hippo Then my agent will give you a ring. If you like you can mourn me, But please, please – don’t warn me. Your warning’s my only bad thing.
Sophie Hannah (Marrying the Ugly Millionaire: New and Collected Poems)
We vest our hopes in a political agenda because we don't want the risk and discomfort that following Jesus will bring. We don't follow in His footsteps because we don't like the places where He insists on walking. We have vested our citizenship in an America that is gone and will never return, rather than in the priceless and eternal Kingdon of Heaven. We want political change because we want to be left alone to live our lives in comfort without the incursion of any post-Christian, post-modern, neo-pagan nastiness. We like our churches big so our commitment can be small. We prefer boycotts, petitions, and protests over prayer. We fight to save the lives of unborn babies but care little if those babies grow up to die bloody deaths on our streets. (Unless, of course, it happens on our street.)
Coleman Luck
And anyway, we don’t care about boobs. No one told me when I wore low-cut vest tops to be modest. We don’t have a problem with boobs at all. We have a problem with babies sucking on nipples, let’s be honest here.
Hollie McNish (Nobody Told Me: Poetry and Parenthood)
James was teaching me how to knit baby clothes, but I didn’t get on very well when he wasn’t there, but I did manage two vests that resembled badly made porridge.
Barbara Comyns