The Strollers Quotes

We've searched our database for all the quotes and captions related to The Strollers. Here they are! All 100 of them:

When humans were young, they were pushed around in strollers. When they were old, they were pushed around in wheelchairs. In between, they were just pushed around.
Tom Robbins (Skinny Legs and All)
Yo, guys," Ty says, peering down into the stroller. "What the hell is that thing? Satan's spawn?" "You'd better watch it!" Henry says. He puts on a serious face, throws an arm around my shoulders, and pulls me in close. "That's our child you're talking about." Ty smiles, then looks at Jerry Rice. "Its eyes are seriously creeping me out. And I knew something was going on between you two." "You're right," Henry says. "Woods is my husband, and I'm her wife.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Woods? Do you have a sec?" Ty asks. "Sure." "Alone?" Ty eyes Henry and Jerry Rice, and I jerk my head at Henry. "Fine," Henry says, rolling his eyes. "Divorce me if you must, Woods. I can't believe I've only been married half an hour and I'm already a single parent." Ty holds the door to the gym open so Henry can get the stroller through. I giggle at the sight of him carrying those diaper bags across the gym.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
The photographer is an armed version of the solitary walker reconnoitering, stalking, cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes. Adept of the joys of watching, connoisseur of empathy, the flâneur finds the world 'picturesque.
Susan Sontag (On Photography)
Shut up!" Henry says, "You're going to wake up Jerry Rice." "Jerry Rice?" Carter says, covering his mouth with a hand. I don't think I've ever seen Carter laugh so hard. "Carter, would you like to be the godfather?" Henry asks. "You know, in case anything happens to me and Woods this week?" "Charming," Carter says. "I''d be honored. Does JJ get to be godmother?" "Obviously," I say. "Can I hold Jerry Rice?" JJ asks. "He''s so cute." "No way, man," I reply. "I don't want to wake that thing up before practice. We'll be late if we have to feed it." "What does it eat?" Carter asks. "I have to breast-feed, cause I'm the mom," Henry says, continuing to push the stroller toward the locker room. "Actually," I say, "It eats a metal rod, made out of, like, lead. So basically, we're learning how to poison babies." "Radical," JJ says as we approach the gym,
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.
Steven Wright
Henry looks from my face back to the field, and his eyes pop open wide. I turn to see why he's gaping: JJ and Carter are messing around, trying to shove a scrawny wide receiver into Jerry Rice's stroller. "JJ!" Henry yells, "You can't fit a freshman in that stroller.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Daily I walk around my small, picturesque town with a thought bubble over my head: Person Going Through A Divorce. When I look at other people, I automatically form thought bubbles over their heads. Happy Couple With Stroller. Innocent Teenage Girl With Her Whole Life Ahead Of Her. Content Grandmother And Grandfather Visiting Town Where Their Grandchildren Live With Intact Parents. Secure Housewife With Big Diamond. Undamaged Group Of Young Men On Skateboards. Good Man With Baby In BabyBjörn Who Loves His Wife. Dogs Who Never Have To Worry. Young Kids Kissing Publicly. Then every so often I see one like me, one of the shambling gaunt women without makeup, looking older than she is: Divorcing Woman Wondering How The Fuck This Happened.
Suzanne Finnamore (Split: A Memoir of Divorce)
We’ve both read the same books, so I know direct sunlight is harmful for babies. Whenever I take Jamie out, I make sure she’s wearing her hat and is hidden safely beneath the stroller’s shade screen. I pretty much treat her like she’s a vampire.
Elle Kennedy (The Goal (Off-Campus, #4))
The solitary and thoughtful stroller finds a singular intoxication in this universal communion. The man who loves to lose himself in a crowd enjoys feverish delights that the egoist locked up in himself as in a box, and the slothful man like a mollusk in his shell, will be eternally deprived of. He adopts as his own all the occupations, all the joys and all the sorrows that chance offers.
Charles Baudelaire
The man who is unable to people his solitude is equally unable to be alone in a bustling crowd. The poet enjoys the incomparable privilege of being able to be himself or some one else, as he chooses. [...] The solitary and thoughtful stroller finds a singular intoxication in this universal communion. [...] What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire...to the unexpected as it comes along, the stranger as he passes.
Charles Baudelaire (Paris Spleen)
The problem was money and the indignities of life without it. Every stroller, cell phone, Yankees cap, and SUV he saw was a torment. He wasn't covetous, he wasn't envious. But without money he was hardly a man.
Jonathan Franzen (The Corrections)
I came to New York because I was fleeing from the double-wide baby stroller, from the culture of respectability of the bourgeois suburban middle class. And my dream is that the elements of New York that are vital—the elements that are artistic, that are alternative, that resist capital, that are humane—not only endure but thrive, and maybe they do some sort of aikido reversal. They take [diversity-killing trends] and fucking slam them on their heads.
Junot Díaz
Living one way is not a criticism of every other way of living. Is that the threat of the woman without kids? Yet the woman without kids is not saying that no woman should have kids, or that you-woman with a stroller- have made the wrong choice. Her decision about her life is no statement about yours. One person's life is not a political or general statement about how all lives should be. Other lives should be able to exist alongside our own without any threat or judgment at all.
Sheila Heti (Motherhood)
People can't anticipate how much they'll miss the natural world until they are deprived of it. I have read about submarine crewmen who haunt the sonar room, listening to whale songs and colonies of snapping shrimp. Submarine captains dispense 'periscope liberty'- a chance to gaze at clouds and birds and coastlines and remind themselves that the natural world still exists. I once met a man who told me that after landing in Christchurch, New Zealand, after a winter at the South Pole research station, he and his companions spent a couple days just wandering around staring in awe at flowers and trees. At one point, one of them spotted a woman pushing a stroller. 'A baby!' he shouted, and they all rushed across the street to see. The woman turned the stroller and ran.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
Here it is undeveloped, a roll of film with all its mysteries locked up. I never took it anyplace, just left it waiting in a drawer dreaming of stars. That was our time, to see if Lottie Carson was who we thought she was, all those shots we took, cracking up, kissing with our mouths open, laughing, but we never finished it. We thought we had time, running after her, jumping on the bus and trying to glimpse her dimple through the tired nurses arguing in scrubs and the moms on the phone with the groceries in the laps of the kids in the strollers. We hid behind the mailboxes and lampposts half a block away as she kept moving through her neighborhood, where I've never been, the sky getting dark on only the first date, thinking all the while we'd develop it later.
Daniel Handler (Why We Broke Up)
Stroller was eccentric, no doubt, but I’m one of those people for whom eccentric were made. I’m an appreciator of the offbeat
Dominique Browning
8 April 1891 The obscenity of nostrils and mouths; the ignominious cupidity of smiles and women encountered in the street; the shifty baseness on every side, as of hyenas and wild beasts ready to bite: tradesmen in their shops and strollers on their pavements. How long must I suffer this? I have suffered it before, as a child, when, descending by chance to the servant's quarters, I overheard in astonishment their vile gossip, tearing up my own kind with their lovely teeth. This hostility to the entire race, this muted detestation of lynxes in human form, I must have rediscovered it later while at school. I had a repugnance and horror for all base instincts, but am I not myself instinctively violent and lewd, murderous and sensual? Am I any different, in essence, from the members of the riotous and murderous mob of a hundred years ago, who hurled the town sergeants into the Seine and cried, 'String up the aristos!' just as they shout 'Down with the army!' or 'Death to the Jews!
Jean Lorrain (Monsieur De Phocas)
​As a little girl, a woman is groomed to become a wife and a mother. She is trained to always make wise decisions, yet there will forever be limits and boundaries. As I look back, I remember being told what I could and could not do, simply because I was a girl. A little girl is told she cannot act like a boy; if she does, she will be classified as a “tomboy”. Climbing trees was prohibited, instead, she was taught to put a baby doll in a stroller and take the doll for a walk. She couldn’t sit as she pleased; she was told to only sit with her ankles crossed. Girls were given a kitchen playset that was equipped with a stove, sink, and an accessory set of play food dishes, pots, and pans, etc., along with a tea set to bring out the “elegance” in them. As the saying goes, “Girls are sugar and spice, and everything nice.” I’m taken aback by how girls are groomed to be a certain way; however, boys are able to love life and live freely without limitations and criticism.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Getting out of the house. Every. Single. Day. The best thing you can do for yourself, your sanity, and your baby is to leave the scene of the crime. Leave the place with the dishes in the sink and the overflowing Diaper Genie. Put your baby in a carrier or a stroller and go on a walk around the neighborhood. Put in some headphones and listen to Beyoncé or Adele or a podcast on business ethics. Do whatever you have to do to remind yourself that there is a life beyond your nest and that you are still part of it.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
For years I’d been awaiting that overriding urge I’d always heard about, the narcotic pining that draws childless women ineluctably to strangers’ strollers in parks. I wanted to be drowned by the hormonal imperative, to wake one day and throw my arms around your neck, reach down for you, and pray that while that black flower bloomed behind my eyes you had just left me with child. (With child: There’s a lovely warm sound to that expression, an archaic but tender acknowledgement that for nine months you have company wherever you go. Pregnant, by contrast, is heavy and bulging and always sounds to my ear like bad news: “I’m pregnant.” I instinctively picture a sixteen-year-old at the dinner table- pale, unwell, with a scoundrel of a boyfriend- forcing herself to blurt out her mother’s deepest fear.) (27)
Lionel Shriver (We Need to Talk About Kevin)
Mosca felt something enormous swell within the knotted stomach that she hid behind her fists. It seemed it must surge out of her like a wild, black wave, sweeping away stalls and strollers alike and biting the plaster from the walls.
Frances Hardinge (Fly by Night)
There is no English equivalent for the French word flâneur. Cassell's dictionary defines flâneur as a stroller, saunterer, drifter but none of these terms seems quite accurate. There is no English equivalent for the term, just as there is no Anglo-Saxon counterpart of that essentially Gallic individual, the deliberately aimless pedestrian, unencumbered by any obligation or sense of urgency, who, being French and therefore frugal, wastes nothing, including his time which he spends with the leisurely discrimination of a gourmet, savoring the multiple flavors of his city.
Cornelia Otis Skinner (Elegant Wits and Grand Horizontals)
The mother was holding a baby, had a stroller with what looked like twin girls around three, and had a five-year-old boy who was running around the shelves with a finger shoved up his nose. I considered warning him that if he fell, he would poke his brain out, but it struck me that losing intelligence was not something he was worried about.
Eileen Cook (Unraveling Isobel)
There is something of the ghoul in the page-swallower and of the novel-reader in the stroller through cemeteries.
Régis Debray (A Modest Proposal: A Plan for the Golden Years (Melville Manifestos))
Fuck you. Fuck running. Fuck the beautiful sun. Fuck those chirping birds. Fuck that lady pushing her kid in the stroller. It should be me in that fucking stroller.
Max Monroe (Banking the Billionaire (Billionaire Bad Boys, #2))
Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his convictions.
Walter Benjamin (One Way Street And Other Writings)
Even as a kid, in the stroller, he was tuned to odd frequencies, it seemed.
Kevin Barry (Night Boat to Tangier)
The Art of Talking to Strangers Here are two things we apparently need to stop doing when strangers bend down over your stroller to look at how cute you are: 1. Me sneaking up behind the stroller, hissing, "Say hello to my little FRIEND!" 2. Me sneaking up behind the stroller, hissing, "Dance, puppets, Daaance!" So. Yeah. This feedback is mostly for me. You just carry on.
Fredrik Backman
To be poor in a rich city brings all kinds of ironies, perhaps none greater than this: The donated clothing is top shelf. Used purple uggs and pantagonia fleeces cover thinning socks and fraying jeans. A Phil & Teds rain shell fished from the garbage protects the babys creaky stroller.
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
Later, when we’re home, we take Cassie in the backyard to run around, and Skylar puts Gus in a cat stroller and pushes her around the perimeter of the property. I stand on the back patio smoking, wondering how I ended up with a teen bride pushing a cat in a baby stroller across my yard.
Carian Cole (Don't Kiss the Bride)
A generation of children is not only being raised indoors, but is being confined to even smaller spaces. Jane Clark, a University of Maryland professor of kinesiology . . . calls them "containerized kids"--they spend more and more time in car seats, high chairs, and even baby seats for watching TV. When small children go outside, they're often placed in containers--strollers--and pushed by walking or jogging parents. . . Most kid-containerizing is done for safety concerns, but the long term health of these children is compromised. (35)
Richard Louv (Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder)
But I can stop on any corner at the intersection of two busy streets, and before me are thousands of lives headed in all four directions, uptown downtown east and west, on foot, on bikes, on in-line skates, in buses, strollers, cars, trucks, with the subway rumble underneath my feet... and how can I not know I am momentarily part of the most spectacular phenomenon in the unnatural world? ...The city may begin from a marketplace, a trading post, the confluence of waters, but it secretly depends on the human need to walk among strangers.
E.L. Doctorow (City of God)
With my mother, I felt helpless all the time. Sometimes I feel helpless as a mother, but I know it’ll pass. And this time, there are things I can do to make it better. For example, Rose cries whenever I put her in the stroller, but once I start pushing the stroller, she’s happy. I remind myself that crying is her way of expressing herself, because she can’t speak, whereas my mom cried because she felt pain, and I didn’t know how to make it stop.
Hope Edelman (Motherless Mothers: How Losing a Mother Shapes the Parent You Become)
Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional "Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath "we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to.
Sarah Vowell (The Partly Cloudy Patriot)
She was still getting organized, trying to get the books she'd taken out to fit into the shelf under the stroller. She would shove a book in, and then something, a juice cup, a Binky, or one disturbing Barbie-doll head, would fall out the other side. She would shove that back in, and then something else would leak out the other side. Her stroller was like a poorly designed clown car. I went over and helped. It was a good thing spatial relations were a strength of mine, because it required the geometry skills of Newton to get everything slotted into place.
Eileen Cook (Unraveling Isobel)
The younger pushed a thumb-sucking baby in a stroller with little animals dangling—including a baby elephant. The kid’s eyes looked glassy with pleasure as it snacked on its own thumb. “What do they get out of that?” Eve wondered as they stepped into the vacated elevator. “How good could your own thumb taste?” “It’s not the taste, it’s the sucking action. Oral satisfaction and comfort.” “So, basically, they’re giving themselves a blow job?” For a couple of seconds, Peabody’s mouth worked silently. “I … I can’t possibly answer that without feeling really dirty and weirded.
J.D. Robb (Leverage in Death (In Death, #47))
So what are you thinking?" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself," I said, pulling her hood over her face. "Help! I'm being oppressed!" she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited," I told Cassie. "Calm down or I'll take you home with no ice cream.
Tana French (In the Woods (Dublin Murder Squad, #1))
What captivated my fancy was that I, Axel Heyst, the most detached of creatures in this earthly captivity, the veriest tramp on this earth, an indifferent stroller going through the world's bustle—that I should have been there to step into the situation of an agent of Providence. I, a man of universal scorn and unbelief...
Joseph Conrad (Victory)
When i have a kid, I want to put him in one of those strollers for twins, then run around the mall looking frantic.
Steven Wright
What is that?” “What?” I look down at the gift in my hand. “Did you bring an Aston Martin Stroller?” “He’s a Vor,” I shrug. “He should be riding in style.
A. Zavarelli (Thief (Boston Underworld, #5))
When I have a kid, I wanna put him in one of those strollers for twins, then run around the mall looking frantic.
Steven Wright
And there were likely people who thought one could not interpret men's feelings by the cars they drove. But when they moved onto the street, Ove drove a Saab 96 and Rune a Volvo 244. After the accident Ove bought a Saab 95 so he'd have space for Sonja's wheelchair. That same year Rune bought a Volvo 245 to have space for a stroller. Three years later Sonja got a more modern wheelchair and Ove bought a hatchback, a Saab 900. Rune bought a Volvo 265 because Anita had started talking about another child. Then Ove bought two more Saab 900s and after that his Saab 9000. Rune bought a Volvo 265 and eventually a Volvo 745 station wagon. But no more children came. One evening Sonja came home and told Ove that Anita had been to the doctor. And a week later a Volvo 740 stood parked in Rune's garage. The sedan model. Ove saw it when he washed his Saab. In the evening Rune found a half bottle of whiskey outside his door. They never spoke about it.
Fredrik Backman (A Man Called Ove)
Like everyone we knew, we did what we could to protest the war. We signed, and we worked, and we brought our children with us to storefront offices to make calls and type letters. We used mimeographs, the purple ink getting all over us, the place smelling like a schoolroom, and we headed down to D.C. in a long, fossilized traffic jam of cars. The children cried in the backseat, and we pushed them on the Mall in strollers while they begged for juice, their faces blazing with heat, and Joe was among the writers who stood up and screamed into screechy, inadequate mikes.
Meg Wolitzer (The Wife)
God knows that parents love to take any opportunity to strut around with their unbearable, intrusive spawns, every public place available. Parks, museums, theaters, hospital, cemeteries, unemployment offices, by pushing in front of them with a puffed chest those characatures of a sarcophagus that are their strollers or even by dangling under the noses of innocent bystanders, their shopping basket from which an ugly squealing head emerges, much to the delight of the makers, who benefit at little cost from their little siren who captures our attention and stimulates our repressed instinct for murder.
Théophile de Giraud (L'art de guillotiner les procréateurs: Manifeste anti-nataliste)
Sometimes just walking behind a two-parent family on a sidewalk could trigger feelings of shame from being alone. I zeroed in on them -- dressed in clothes I could never afford, diaper bag carefully packed into an expensive jogging stroller. Those moms could say things that I never could: "Honey, could you take this?" or "Here, can you hold her for a second?" The child could go from one parent's arms to the other's.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
The war—the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more—the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are—would be fought by men like Richards: men with faces you didn’t notice and couldn’t remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees—the subjects hadn’t changed, they never would, all coming down, after you’d boiled away the bullshit, to somebody’s quarterly earnings report and who got to sit where—but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.
Justin Cronin (The Passage (The Passage, #1))
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
When Peter got injured in Canada and Kira started work, Peter was left at home alone with Isak. One day the child had a stomach ache and wouldn't stop screaming. Panic-stricken, Peter tried everything. He rocked him and took him out in the stroller and tried all the home remedies he had ever heard of, but nothing worked. Until he put a record on. Perhaps it was something about the old record player - the crackle in the speakers, the voices filling the room - but Isak fell completely silent. Then he smiled. And then he fell asleep in Peter's arms. That's the last time Peter can remember really feeling like a good father. The last time he had been able to tell himself that he actually knew what he was doing. He's never told Kira that, has never told anyone. But now he buys records in secret because he keeps hoping that feeling my come back, if only for a moment
Fredrik Backman (Beartown (Beartown, #1))
Likewise—now don’t laugh—cars and trucks should view the bike lanes as if they are sacrosanct. A driver would never think of riding up on a sidewalk. Most drivers, anyway. Hell, there are strollers and little old ladies up there! It would be unthinkable, except in action movies. A driver would get a serious fine or maybe even get locked up. Everyone around would wonder who that asshole was. Well, bike lanes should be treated the same way. You wouldn’t park your car or pull over for a stop on the sidewalk, would you? Well then, don’t park in the bike lanes either—that forces cyclists into traffic where poor little meat puppets don’t stand a chance.
David Byrne (Bicycle Diaries)
When I go to art museums, I push a bag of midget carrots in a baby stroller, and it feels like the stuff on the wall is watching me. As a fatheresque person of curiosity, I feel misunderstood, but at least The Ducks know me.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Ben noticed the odd procession making its way up Gardam Street. Batty slowly pushing Lydia in her stroller-this he understood-but what kind of creature was that, struggling to keep up with them? "Batty's got a huge guinea pig on a leash," said Rafael, squinting to bring the scene into better focus. "Like the hugest one in the world." "Its nose is too pointy for a guinea pig. More like the hugest rat in the world." neither of the boys wanted to meet a huge rat, but they refused to run from something Lydia didn't seem to be afraid of. So they stood their ground and, as the procession came closer, were relieved to see that the giant rat was only a fat dog with short legs.
Jeanne Birdsall
Mom once snuck me into a casino. We were going on vacation to Crater Lake and we stopped at a resort on an Indian reservation for the buffet lunch. Mom decided to do a bit of gambling, and I went with her while Dad stayed with Teddy, who was napping in his stroller. Mom sat down at the dollar blackjack tables. The dealer looked at me, then at Mom, who returned his mildly suspicious glance with a look sharp enough to cut diamonds followed by a smile more brilliant that any gem. The dealer sheepishly smiled back and didn’t say a word. I watched Mom play, mesmerized. It seemed like we were in there for fifteen minutes but then Dad and Teddy came in search of us, both of them grumpy. It turned out we’d been there for over an hour. The ICU is like that.
Gayle Forman (If I Stay (If I Stay, #1))
A period which suffers from a so-called high general level of liberal education but which is devoid of culture in the sense of a unity of style which characterizes all its life, will not quite know what to do with philosophy and wouldn’t, if the Genius of Truth himself were to proclaim it in the streets and the market places. During such times philosophy remains the learned monologue of the lonely stroller, the accidental loot of the individual, the secret skeleton in the closet, or the harmless chatter between senile academics and children
Friedrich Nietzsche (Philosophy in the Tragic Age of the Greeks)
Some days I would clean you, change your poopy diaper, put on your shoes and socks and hat and little jacket, haul you in the stroller down three flights of stairs, only to have you start howling the moment we turned the corner. Time to go back up with the stroller, three flights of stairs, change your diaper and clean you and put your clothes back on, and by then I would have lost any desire to go out. You poked me, wanting to show me the same thing for the tenth time, a roommate's pink shirt, a coin you'd found; you'd wail as you banged a spoon against the kitchen floor.
Lisa Ko (The Leavers)
Marriages are nesting dolls, too. We carry each iteration: the marriage we had before the children, the marriage of love letters and late nights at dive bars and train rides through France; the marriage we had after the children, the marriage of tenderness but transactional communication—who’s doing what, and when, and how—and early mornings and stroller walks and crayon on the walls and sunscreen that always needs to be reapplied; the marriage we had toward the end before we knew there was an end, the marriage of the silent treatment and couch sleeping and the occasional update email. Somewhere at the center is the tiniest doll. Love. The love that started everything. It’s still there, but we’d have to open and open and open ourselves—our together selves—to find it. I can’t bear to think of it in there somewhere, the love. Like the perfect pit of some otherwise rotten fruit.
Maggie Smith (You Could Make This Place Beautiful)
On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (A Parisian Affair and Other Stories)
He said I was a dirty boy,’ whispered Lockie. ‘I was a dirty boy and that was why he did stuff to me, because I was dirty. It was my fault.’ ‘Bullshit!’ Tina shouted and half the locker room turned around. Tina grabbed Lockie’s hand and they didn’t stop moving until they were out on the street. The cold was a shock after the warmth of the gym but she kept him walking fast until they got back home. ‘It wasn’t your fault, Lockie. It’s never the kid’s fault. The uniform was an evil piece of shit and nothing he said to you was true.’ ‘It was my fault—it was,’ whined Lockie. ‘Why? Why was it your fault?’ ‘I was supposed to stand by the stroller. I was supposed to hold on and not move while Mum got the prize. Dad had to carry the cake. I was supposed to stand by the stroller and not move. It was my fault.’ Lockie’s tears burst like a dam. His small shoulders heaved and his sleeve became a tissue.Tina leaned down and grabbed him by the shoulders. ‘Look at me, Lockie.’He did as he was told.‘This wasn’t your fault. Kids do stuff like that all the time. I have no idea what you’re talking about but I can tell you that my little brother wandered off every chance he got. It wasn’t your fault, Lockie; you were just being a kid.
Nicole Trope (The Boy Under the Table)
I sighed. “Sloan, you’re a romantic. You have some vision in your head of us being pregnant together and the four of us going on vacations and pushing jogging strollers around the block. You’ll just have to adjust.” She swiped at her eyes with her thumb. “I hate this. I hate that you have to give up so much.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
You know, Lockie,’ she said aloud. ‘What?’ ‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’ ‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’ ‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’ ‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’ ‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’ ‘No matter what?’ ‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’ ‘What if the stuff you do is really bad?’ ‘They’ll still love you. That’s their job.’ ‘No, I mean what if the stuff you did is really, really bad?’ ‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’ ‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.
Nicole Trope (The Boy Under the Table)
I had to postpone a family trip to the zoo to be here, so let’s make this quick,” he said. “You have ten minutes.” I tried to imagine Alex pushing a stroller around the zoo, but the only way I could see him stepping foot in the place was if he was magically transformed into one of those vicious jungle cats they kept in locked enclosures.
Ana Huang (King of Sloth (Kings of Sin, #4))
Korea vets in flannel shirts down from Michigan, accompanied by ruddy grandsons in Under Armour camo jackets, coexist peacefully with Montessori moms navigating strollers between clumps of grandparents eyeing big baskets of apples and small ones of plums. Trucker hats are worn without irony here; the hipsters are welcome but not in charge.
Pete Buttigieg (Shortest Way Home: One Mayor's Challenge and a Model for America's Future)
Central Park It’s hard to describe how that day in the park was altered when I stopped to read an official sign I came across near the great carousel, my lips moving silently like the lips of Saint Ambrose. As the carousel turned in the background, all pinions and mirrors and the heads of horses rising to the steam-blown notes of a calliope, I was learning how the huge thing was first designed to be powered by a blind mule, as it turned out, strapped to the oar of a wheel in an earthen room directly below the merry turning of the carousel. The sky did not darken with this news nor did a general silence fall on the strollers or the ball players on the green fields. No one even paused to look my way, though I must have looked terrible as I stood there filling with sympathy not so much for the harnessed beast tediously making its rounds, but instead for the blind mule within me always circling in the dark— the mule who makes me turn when my name is called or causes me to nod with a wooden gaze or sit doing nothing on a bench in the shape of a swan. Somewhere, there must still be a door to that underground room, the lock rusted shut, the iron key misplaced, last year’s leaves piled up against the sill, and inside, a trace of straw on the floor, a whiff of manure, and maybe a forgotten bit or a bridle hanging from a hook in the dark. Poor blind beast, I sang softly as I left the park, poor blind me, poor blind earth turning blindly on its side.
Billy Collins (Aimless Love: New and Selected Poems)
On our block, everybody knows me and I know everybody. I know every brick and every tree trunk and every crack in the sidewalk. I know Mrs. Grimaldi, the lady who's always sitting by her window, and the old guy who walks up and down the street whistling like a bird. I know the deli on the corner where Mom gets our bagels, and the waitresses at the coffee shop who all call me "honey" and give me lollipops whenever they see me. I love my neighborhood of North River Heights, which is why it was so strange to be walking down these blocks feeling like it was all new to me suddenly. Amesfort Avenue, a street I've been down a million times, looked totally different for some reason. Full of people I never saw before, waiting for buses, pushing strollers
R.J. Palacio (Wonder (Wonder, #1))
... and I had spent the last few years staring at babies in strollers, unable to focus my eyes on anything else when they were around. I would pick up friends’ babies and hold them tightly until the very moment their mothers demanded them back. I thought of what my own child might be like. I thought of how it would feel to bring a life into the world, to give the four of us another being to focus on.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
When she was little she used to pretend to fall asleep in the car so that he would carry her into the house. He always complained when he had to carry both her and the shopping, as well as steer Leo’s stroller, but he secretly loved the way his daughter would cling tight to his neck. That was how he knew she was only pretending, because when she was really asleep it was like carrying a bag of water, but when she was pretending she would bury her nose deep against his neck and wrap her arms around him as if she were afraid of losing him. When she got too big for that, he missed it every day. A year ago she sprained her ankle on a field trip and he had to carry her from the car to the house again. He has never felt more like a bad parent than when he admitted to himself that he wished she could sprain her ankle more often.
Fredrik Backman (Beartown (Beartown, #1))
Ribbons, balloons, paper flowers, candies, diapers, and dolls. An aarti tray was set up by the shrine. A long table was covered in confetti and an assortment of food: little square cakes that resembled building blocks spelling out “Welcome Baby Shah,” cups with veggie dip and long slivers of vegetables, lettuce wraps, and a watermelon carved into a baby stroller filled with fruit balls. Alongside that were silver platters of warm vegetable samosas and bowls of a dark green chutney with spicy jalapeño, and sweet date and tangy tamarind chutney. Potato and onion pakora came next, fried golden brown with hints of green herbs and creamy raita. I knew I had to get some dabeli before those went fast and plucked a small bun of what was essentially a spiced potato burger topped with peanuts and pomegranate seeds. There was, of course,
Sajni Patel (The Trouble with Hating You)
All I want is to be assimilated into a collective, human community where someone braids my hair with flowers and white curtains sway in a warm breeze; where every morning I wake up and drink a glass of chilled iced tea, drive a car across a continent, kick the dirt, fill my nostrils with the air of the desert and move in with someone, get married, bake cookies, push a stroller, learn to play an instrument, dance a waltz.
Olga Ravn (The Employees)
...meanwhile, throughout this orchestrated space, harmonious hundreds of people were milling, window shopping, pushing strollers, and holding soda cans in round keep-' em-cool sleeves, while their abundant children, in large sneakers, straggled along or spir­ited about -and a piped-in rendition of Let It Be, performed by a high-cholesterol string ensemble, made the whole thing look like affectless, Nijinskian choreography...
Evan Dara (The Lost Scrapbook)
I think about the people I know with the absolutely largest hearts, people with a stunning capacity for endurance and grace and kindness against the most screaming terrors and pains. My Mom and Dad, for example, enduring the death of their first child at six months old, the boy the brother I never met, dying quietly in his stroller on the porch in the moment that my mother stepped back inside to get a pair of gloves because the crisp brilliant April wind was filled with a whistling cutting wind.... Fifty years later after five more children and two miscarriages she is standing in the kitchen with her usual eternal endless cup of tea and I ask her: How do you get over the death of your child? And she says, in her blunt honest direct terse kind way, You don't. Her face harrowed like a hawk for a moment in the swirling steam of the tea. p112-13
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
Vladimir Nabokov
Not at all,” Simon said breezily. “Eric has turned over a new leaf. He has a girlfriend. They’ve been going out for three months.” “Practically married,” Clary said, stepping around a couple pushing a toddler in a stroller: a little girl with yellow plastic clips in her hair who was clutching a pixie doll with gold-streaked sapphire wings. Out of the corner of her eye Clary thought she saw the wings flutter. She turned her head hastily.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.
Guy de Maupassant (Femme Fatale)
and though they pretended not to see the other strollers walking beside them or coming in the other direction, so as to let it be thought they had no interest in them, while actually glancing at them surreptitiously so as to avoid colliding with them, they collided with them nonetheless, or jostled them, because all of them had been furtively looking at each other, their attention concealed behind the same apparent disdain for everyone else; for love, hence fear, of the crowd is one of the most powerful motives in all individuals, whether they wish to please others, astonish them, or show that they despise them.
Marcel Proust (In the Shadow of Young Girls in Flower)
We think we value mothers in America, but we don’t. We may revere motherhood, the hazy abstraction, the cream-of-wheat-with-a-halo ideal, but a mother is just a kind of woman, after all, and women are trouble and not so valuable. Low-income mothers drag down the country—why’d they have kids if they couldn’t support them? Middle-class mothers are boring frumps. Elite ones are obsessed sanctimommies: Don’t they know how annoying they are, with their yoga, their catfights over diapers and breastfeeding, their designer strollers that take up half the sidewalk so that people with important places to go have to take several extra steps?
Katha Pollitt (Pro: Reclaiming Abortion Rights)
I had to ask Scottie what TYVM meant, because now that I’ve narrowed into her activities, I notice she is constantly text-messaging her friends, or at least I hope it’s her friends and not some perv in a bathrobe. “Thank you very much,” Scottie said, and for some reason, the fact that I didn’t get this made me feel completely besieged. It’s crazy how much fathers are supposed to know these days. I come from the school of thought where a dad’s absence is something to be counted on. Now I see all the men with camouflage diaper bags and babies hanging from their chests like little ship figureheads. When I was a young dad, I remember the girls sort of bothered me as babies, the way everyone raced around to accommodate them. The sight of Alex in her stroller would irritate me at times—she’d hang one of her toddler legs over the rim of the safety bar and slouch down in the seat. Joanie would bring her something and she’d shake her head, then Joanie would try again and again until an offering happened to work and Alex would snatch it from her hands. I’d look at Alex, finally complacent with her snack, convinced there was a grown person in there, fooling us all. Scottie would just point to things and grunt or scream. It felt like I was living with royalty. I told Joanie I’d wait until they were older to really get into them, and they grew and grew behind my back.
Kaui Hart Hemmings (The Descendants)
How Madeline slowed when she passed women pushing strollers, how she smiled at the babies in those strollers, whether they were cheerful or fretful or sleeping, how she smiled and said hello to the women, asked how they were, commented on the weather, even though—Mia could see it—there was a deep hunger in her eyes. She rushed to open doors for these women, even the nannies pushing fair-skinned children obviously not their own, holding the door open until woman and child were well into the bodega or the café or the bakery before letting it swing slowly shut after them with a wistful, almost mournful look. When a mother—harried, in heels—clip-clopped past her, Madeline Ryan scooped up a pacifier thrown
Celeste Ng (Little Fires Everywhere)
It was because I felt like the hotel, the city, the aloneness, these were times where I could feel my skin again; I could feel my body again. I existed again without context—without a stroller, without a man holding my hand. I wouldn’t wear my ring on these trips. It wasn’t because I wanted to fuck around. It was because when I was on airplanes my fingers got cold and skinny and so my ring would drop off and I couldn’t take the panic of worrying that I’d lost it. But also maybe it was the other thing, the context thing, I don’t know. Put it this way: You can feel your body for the first time in a long time, you can feel your skin, then suddenly you can also feel this ring around your finger and the weight of it is suddenly unbearable.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
4. Radicalism of forms. If a new model once created meets with much success on account of its greater efficiency than its predecessor, it lends certain neighbouring forms a formal radicalism, which attempts to borrow from the appearance of the new form: for example, bronze tools that had reached the furthest development of their utility had a disastrous influence on stone tools, warping them toward an elegance that could only be attained in bronze. Today aviation has imposed its aerodynamic forms even on baby strollers and irons. This radicalism of forms is a result of the fact that people become bored when they do not find some unexpected element in the familiar. This radicalism might seem illogical, as the advocates of standardization believe, but we must not forget that discovery is only made possible by this need of humanity.
Tom McDonough (The Situationists and the City: A Reader)
into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending
Susan Meissner (A Fall of Marigolds)
The little girls who invited Poppy over had pink rooms and pink LEGOs and pink comforters over pink sheets on their pink beds. They had crates—actual crates!—of tutus and high heels and dress-up clothes, stuffed animals who themselves wore tutus and high heels and dress-up clothes, Barbies and clothes for the Barbies, jewelry, nail polish, fairies, and baby dolls. They liked to draw and trade stickers. They liked to put their stuffies in strollers and give them a bottle and push them around the block. They liked to have a lemonade stand. They liked to chase each other around the house but in tutus and high heels, and when they caught you at the end, they just hugged you and giggled and laughed together instead of making a big thing about who was a loser and sitting on your head and farting. Poppy could not understand why everyone in the whole world didn’t want to be a girl.
Laurie Frankel (This Is How It Always Is)
Letisha also misses New York, and what it offered her as a single mother, even at the same time that it made it impossible for her to stay. “In New York, everybody on the corner knew who I was,” she said. “Oh, that’s the brown woman with the baby and the dog.” This sense of community was comforting, and felt safe, even in the neighborhoods that she understood to be unsafe. One of her apartments, Letisha recalled, was “right next to a shady bodega,” but she said, “Never once did I feel unsafe in there.” She said she was never harassed on the street, often felt like the shop owners who sat outside on sidewalks served as an informal neighborhood watch, and felt comfortable enough with her neighbors, in each of her New York apartments, that she could ask for help getting groceries and a stroller up the stairs. She sometimes even left Lola in a store with neighbors while she ran across the street to pick up her laundry. “The attitude was: She’s one of us and we take care of our own,” she said. “I never felt like I was going to be in any danger. But you can’t control the shootings, and I wouldn’t go to block parties.” In her Virginia apartment complex, Letisha said, none of her neighbors acknowledge each other. For
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
Another morning Diana and I sat together on the window seat in our second-floor living room, looking out at a chilly, gray November day. She cleared her throat gently and asked, “Mrs. Robertson, I wonder if I might ask your advice on something, since you’re so much . . . er, older and . . . wiser, I mean.” She said that her grandmother had suggested to Diana that she seek help from Buckingham Palace in dealing with the press. Diana did not tell me that her grandmother was Lady Ruth Fermoy, a lady-in-waiting to the Queen Mother. Diana wanted to use our telephone to discuss this further with her grandmother. In the meantime, “Do you think I should ask Charles for help, Mrs. Robertson?” She was quite calm and in control; she simply wanted another opinion. I thought for a minute, then told her, “I wouldn’t ask for help if I could possibly manage without it. If the palace thinks you can’t handle the pressure now, they might think you couldn’t handle it once you’re part of the royal family. If you’re serious about this romance, you should try to struggle along on your own.” That conversation took place in early November on the day that the photograph of Diana pushing Patrick up the mews in his stroller was taken. It is my favorite photograph of the two of them because it reminds me of the trust she demonstrated that day. I clearly recall thinking at that point, “This child needs a mother for guidance.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
But she had learned about love through books, knew enough of it to recognize its absence in her life. Everywhere she looked, she was blinded by other forms of love, as if God were taunting her. From her bedroom window, she’d watch mothers pushing strollers, or children hanging from their father’s shoulders, or lovers holding hands. At doctors’ offices, she’d flip through magazines to find families smiling wildly, couples embracing, even women photographed alone, their bright faces shining with self-love. When she’d watch soap operas with her grandmother, love was the anchor, the glue that seemingly held the whole world together. And when she flipped through American channels when her grandparents weren’t looking, again love was the center of every show, while she, Deya, was left dangling on her own, longing for something other than her sisters to hold on to. As much as she loved them, it never felt like enough. But what did love even mean? Love was Isra staring dully out the window, refusing to look at her; love was Adam barely home; love was Fareeda’s endless attempts to marry her off, to rid herself of a burden; love was a family who never visited, not even on holidays. And maybe that was her problem. Maybe that’s why she always felt disconnected from her classmates, why she couldn’t see the world the way they did, couldn’t believe in their version of love. It was because they had mothers and fathers who wanted them, because they were coddled in a blanket of familial love, because they had never celebrated a birthday alone. It was because they had cried in someone’s arms after a bad day, had known the comforts of the words “I love you” growing up. It was because they’d been loved in their lives that they believed in love, saw it surely for themselves in their futures, even in places it clearly wasn’t.
Etaf Rum (A Woman Is No Man)
For our part, we thought we would be following her path from a distance in the press. Our friends called to tell us when the photo of Diana pushing Patrick in his stroller appeared in Newsweek, or when our name was mentioned in a news magazine or paper. We were generally mislabeled as the Robinsons. Everyone asked if we would be going to the wedding, and we would reply, “Us? No, of course not.” We truly never expected to hear from Diana again, so her January letter became especially precious to us. We were stunned when a letter from Diana on Buckingham Palace stationary arrived in late March. She was clearly happy, writing, “I am on a cloud.” She missed Patrick “dreadfully.” She hoped that we were all “settled down by now, including your cat too--.” Diana had never even seen our cat. We’d left him with my brother because England requires a six-month quarantine for cats and dogs. How did she ever remember we had one? Then, “I will be sending you an invitation to the wedding, naturally. . . .” The wedding . . . naturally . . . God bless her. Maybe we weren’t going to lose her after all. She even asked me to send a picture of Patrick to show to “her intended(!), since I’m always talking about him.” As for her engagement, she could never even have imagined it the year before. She closed with her typical and appealing modesty: “I do hope you don’t mind me writing to you but just had to let you know what was going on.” Mind? I was thrilled and touched and amazed by her fondness and thoughtfulness, as I have been every single time she has written to us and seen us. This was always to be the Diana we knew and loved—kind, affectionate, unpretentious. I wrote back write away and sent her the two photographs I’d taken of her holding Patrick in our living room the previous fall. After Diana received the photographs, she wrote back on March 31 to thank me and sent us their official engagement picture. She said I should throw the photograph away if it was of no use. She added, “You said some lovely things which I don’t feel I deserve . . . .” Surely, she knew from the previous year that we would be her devoted friends forever.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
Diana Abu-Jaber (Crescent)
the singular cry of the wild: hey! get your stroller off my sidewalk!
Betsy Israel (Bachelor Girl: 100 Years of Breaking the Rules - a Social History of Living Single)
Practice resurrection. For me, this means forcing myself to be brave enough to enjoy simple pleasures with my family. I take long walks with Benjamin, pushing the stroller throughout the neighborhood and marveling at the gaudy excess of the bougainvillea. I bake honey wheat bread, listen to folk music, and tend the zucchini plants. I nurse my daughter, which is the most good and rightful thing I've ever done. I breathe. And little by little - baby steps - I invite the real God, the God of love, to banish my fear. How good life is.
Katherine Willis Pershey (Any Day a Beautiful Change: A Story of Faith and Family (The Young Clergy Women Project))
I started taking walks with my children on trash day just to collect the extra proofs of purchase. We’d roam the alleys together, stopping at each diaper box. I learned to swiftly tear the proof of purchase off in a stealth maneuver I’d refined with practice: pushing the stroller up close to the box, bending down as if tying my shoe, and ripping off the qualifier, all in less than thirty seconds.
Mary Potter Kenyon (Coupon Crazy: The Science, the Savings, and the Stories Behind America's Extreme Obsession)
In the absence of her customised soundtrack, there's only the dissonant music of the tangible: her own breathing as she walks, the coughs and tics of her family, their tacky-sounding footsteps on the road surface, the rustle of garments, the trundle of the stroller pushed by Tym while Boyki naps.
Catriona Ross (The Last Book on Earth)
Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
The runner sped past a woman pushing a lime green jogging stroller. Despite his fast pace, the jogger didn’t look winded. Adjusting his white Adidas cap as he turned into the public park, he scanned the area from behind Oakley running glasses. His brown hair could barely be seen peeking out.
C.G. Cooper (Presidential Shift (Corps Justice, #4))
I can’t believe how easy this is! This walking without a stroller, without a diaper bag, without a bag of snacks, without extra changes of clothes for four people.
Kimberly Stuart (Sugar)
You got nowhere running around Inner Circle. Instead, I dodged shoppers and strollers all the way down Southampton Row, onto Kingsway, a right onto Aldwych and over the Strand; then it was a race with the shadows of the double-deckers crossing Waterloo Bridge and a few bounces down the steps of Southbank to fall in with the ferries and barges, all of us purposefully gliding.
Lisa Halliday (Asymmetry)
Parents have many weapons at their disposal, but only one has the power to destroy anyone or anything in its path. A solider has a rifle. A Jedi has a light saber. A parent has an umbrella stroller.
James Breakwell (Only Dead on the Inside: A Parent's Guide to Surviving the Zombie Apocalypse)
Keep your vision in front of you Are you believing for a child? Go buy a baby’s outfit and hang it in your closet where you can see it every day. Keep your vision in front of you. A friend of mine who wanted a child decorated her whole baby’s room, bought the bed and the stroller, spent all this time, money, and energy. Her friends thought she was a little far out, preparing a baby’s room with no baby on the way. But she understood this principle: What you keep in front of you, you are moving toward. A year went by and still no baby. Two years, no baby. Five years. Ten years. She didn’t get discouraged. She kept thanking God that her baby was on the way. All through the day when she’d walk by that baby’s room, the seed was growing. It didn’t look like anything was happening, but she was moving toward it. Twenty years later she had not one baby, but two. The stroller didn’t work. The bed was out of date. She didn’t care. She had her babies!
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
REPEATED SIGHTINGS OF THE majestic gothic spires of King’s College Chapel cannot dull their impact. As the visitor to Cambridge ambles south from St. John’s Street into Trinity, Trinity into King’s Parade, the Chapel never fails to catch the eye unawares, often bringing the stroller to a standstill,
G.M. Malliet (Death of a Cozy Writer (St. Just Mystery #1))
Could you keep it down? You’re bothering Spike.” Both men peered at her feet, as though looking for a dog or a pet hamster or a stroller. “Spike?” Linebacker Guy said. She smiled at him. “My pet dragon? He’s very uncomfortable with strangers.” She made a show of stroking the air next to her. “It’s okay, Spike. Spencer will be here soon, and we’ll talk to him about you starring in his next novel, okay?
Jamie Farrell (Merried (Misfit Brides, #5))