Veins Pump Quotes

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I ran. I ran until my muscles burned and my veins pumped battery acid. Then I ran some more.
Chuck Palahniuk (Fight Club)
Kat felt her heart beat faster, adrenaline pumping through her veins, and she knew he was right. She studied him for a long time. "Do you believe in curses, Hale?" He looked at her. "I believe in you.
Ally Carter (Uncommon Criminals (Heist Society, #2))
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Music to me is the air I breathe it's the blood that pumps through my veins that keeps me alive
Billie Joe Armstrong
Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.
David Mitchell (The Bone Clocks)
I didn't know how...deep love ran, how it was in your blood, not your heart, and how that same blood pumped through your veins your whole life.
Kristin Hannah (On Mystic Lake)
They say the city gets in your blood, but that's crap. The city doesn't become part of you... you become part of it. It soaks you up bit by bit, year after year. Until you're just a tiny part of its system... Pumping through its veins, lost in its arteries.
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
Running doesn't just make me happy. Running keeps me alive. When I'm running-the blood pumping through my veins, the tunes playing in my ears, the muscles tightening on the inclines- the problems of the world disappear. It's just me, the sidewalk, and God.
Lisa Schroeder (Chasing Brooklyn)
In one day I had altered my life; my life, therefore, was alterable. This simple axiom did not call out for exegesis; no, it entered my bloodstream directly, as powerful as heroin. I could feel it pump and surge, the way it brightened my veins to a kind of glass. I had wakened that morning to narrowness and predestination and now I was falling asleep in the storm of my own free will.
Carol Shields (The Stone Diaries)
I was like a child bitten by a viper. All I could think of was finding a way to remove the fangs sunken into my skin. I had no notion that I still had to contend with the venom pumping through my veins.
Tessa Afshar (Thief of Corinth)
The puzzle's an incomplete circus, the pieces touching each other in all these ways, and there's a hitch in our back from where you've hunched, but you've done it. You've put this thing together. Seams like veins pump blood through this cobbled-together catastrophe, this broken, beautiful mess.
Julia Drake (The Last True Poets of the Sea)
See, my aim is not to survive but to be thrown to the wolfs with adrenaline still pumping in my veins and hear the gods laughing saying ”that was one hell of a youth” and everything I do I do in order to push my senses and levels of natural ecstasy. I want to be so awake that I pass out by exhaustion every night with a smile on my face and no thoughts of tomorrow because today was all I ever could make of it and I am sick and tired of boredom. Bored people slumbering boring words about bored habits and I want to get out.
Charlotte Eriksson
For the record,” I say, hardly able to speak through the lust that pumps through my veins, “I was more myself with you during those three days than I’ve ever been with anyone in my life. It’d be easier if I could be fake with you, but you bring out everything in me, little Ann. All of it.” The good and the bad. The hot and the cold. The lust and the love.
Wendy Higgins (Sweet Temptation (The Sweet Trilogy, #4))
Scott’s crown reached Tad’s prostate but didn’t stop, instead grinding across it as it made its way by. “Unnngh-UH!” The last of Tad’s groan came out on a burst. Licking bliss tore up his channel and straight into his dick. Blood pumped furiously along the veins of his shaft, his sack fighting futilely to lift. But that fucking ball ring wouldn’t yield at all. Tad grimaced, pelvis writhing. Scott growled and gripped his hips tighter. “Fuck, Tad. The way your ass is letting me in… Accepting me… Swallowing me down… I’ve never seen anything so hot.
Kora Knight (Loser Takes All (Up-Ending Tad: A Journey of Erotic Discovery, #1))
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
So it comes to this: I would have lost her either way. If Cole hadn't reinfected her, I would have lost her in the hospital bed. And now Cole's wolf tozin pumps through her veins, and I lose her to the woods, like I lose everything I love. So here is me, and I am a boy watched--by her parents' suspicious eyes, since they cannot prove that I kidnapped Grace but believe nonetheless--and I am a boy watchful--because Tom Culpeper's bitterness is growing palpable in this tiny town and I will NOT bury Grace's body--and I am a boy waiting--for the heat and the fruitfulness of summer, waiting to see who will walk out of those woods for me. Waiting for my lovely summer girl.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
You don’t have a monopoly on pain or loss. It’s a level playing field—we all lose—we all grieve. It’s what remains afterwards that defines us. Guilt is the poison we pump into our own veins. It’s self-inflicted torture.
R.W. Patterson
It was as if her own heart had been surgically removed from her body and was being kept at a remote location, still connected to her and pumping blood through her veins, but exposed to dangers she couldn't see: her heart in a box somewhere, in the open air, unprotected.
Jeffrey Eugenides (The Marriage Plot)
Raphael shrugged away the facad of humanity that he wore like a cloak, releasing the bonds that kept his power concealed and let if low out of him like a river of molten silver. It warmed his veins and sped the pumping of his heart, pushing his lungs to expand more fully with every breath. It was a heady rush that had his lips drawing back in a vicious smile of pure exhilaration, his fangs emerging from his gums as he became the purest form of what he was....Vampire".
D.B. Reynolds (Sophia (Vampires in America, #4))
Adverbs are cholesterol in the veins of prose. Halve your adverbs and your prose pumps twice as well.” Pens scratch. “Oh, and beware of the verb ‘seem’; it’s a textual mumble. And grade every simile and metaphor from one star to five, and remove any threes or below. It hurts when you operate, but afterwards you feel much better.
David Mitchell (The Bone Clocks)
The blood pumping through her veins when she landed a vault like that one always felt like exclamation points.
Caela Carter (Tumbling)
One’s story isn’t a skin to be shed— it’s inescapable, one’s body and blood. You go on pumping it out till you die, the story veined with the themes of your life, the ever-recurring story that’s at once your invention and the invention of you.
Philip Roth
I weigh just a little under two hundred pounds have brown hair blue eyes and a full set of teeth. As far as I know my thyroid gland pumps the right hormones into the twelve pints of blood that circulate in my arteries and veins. At six feet and two inches I have long femurs and tibias with solid connective tissue. Both my kidneys function properly and my heart runs at a steady clip of eighty-seven beats per minute. All in I figure I'm worth about 250 000.
Scott M. Carney (The Red Market: On the Trail of the World's Organ Brokers, Bone Thieves, Blood Farmers, and Child Traffickers)
Your spirit shouldn’t be ‘fine.’ It should be effervescent.” The “spirit” in question wasn’t the soul. Nothing so abstract. It was spirit of the body—the clear fluid pumped by the second heart through its own network of vessels, subtler and more mysterious than the primary vascular system. Its function wasn’t properly understood by science. You could live even if your second heart stopped and the spirit hardened in your veins. But it did have some connection to vitality, or “passion,” as Master Hyrrokkin said, and those without it were emotionless, lethargic. Spiritless.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
I’m begging you. Stop pushing me away, because I’m not going anywhere. I love you, and it’s not the kind of love that wavers. It’s the scary kind that doesn’t fade. I look at you, and I see not just everything I want for my life, but everything I am, because you took the emptiest, darkest pits of my soul and filled them with you. You are as much a part of me as my own heart, and it doesn’t beat without you. You pump through my veins and you fill my lungs. I may have saved you, but you’re the one who breathes for me every day.
Rebecca Yarros (Eyes Turned Skyward (Flight & Glory, #2))
Do you know why the leaves change colour, Makin?" They did look spectacular. The forest had grown around us as we traveled and the canopy burned with colour, from deepest red to flame orange, an autumn fire spreading in defiance of the rain. "I don't know," he said, "Why do they change?" "Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there—that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
The architecture of the Minotaur’s heart is ancient. Rough hewn and many chambered, his heart is a plodding laborious thing, built for churning through the millennia. But the blood it pumps—the blood it has pumped for five thousand years, the blood it will pump for the rest of his life—is nearly human blood. It carries with it, through his monster’s veins, the weighty, necessary, terrible stuff of human existence: fear, wonder, hope, wickedness, love. But in the Minotaur’s world it is far easier to kill and devour seven virgins year after year, their rattling bones rising at his feet like a sea of cracked ice, than to accept tenderness and return it.
Steven Sherrill (The Minotaur Takes a Cigarette Break)
Suddenly, the ice became liquid and her veins filled with the cold, condensing fluid. Her heartbeat intensified as the poor muscle attempted to pump the viscous solution.
Aleatha Romig (Consequences (Consequences, #1))
Like opium, nerve annihilation stretches up my veins to pump incinerating anguish through my body.
Poppet (Sveta (Neuri, #1))
Insanity—that was what this was. What was pumping in my veins.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
That sound,” Aaron breathed into my skin. “That sound is driving me goddamn insane.” Insanity—that was what this was. What was pumping in my veins. He kissed a path up my throat, veering for my ear, leaving little nips that left my blood roaring. Thundering across my body. My hands toured up his wide chest, reaching the nape of his neck. My fingers tangled in his hair, pulling at it softly when he nibbled at the skin below my earlobe. When he grazed his teeth over it, I pulled a little harder. “Hold on to me, baby.” In a swift move, Aaron picked me up from the floor, my legs going around him and my arms wrapping tighter around his neck.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
I think the responsibility of writers is to convey the feelings that exist in the moment, the moment of that sharp and immediate pang of sour smiles when your heart suddenly starts pumping ice through your veins and becomes difficult and visual perception takes on the appearance of cinematographer on Cops, with unsteady frames and jostling scenes, running through a backyard chasing perpetrators.
Johnny Rico
But thinking is to be a corrective in our life — it’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center — with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life — the way of living is the blood pumping through our veins, the ability to sense and to feel and to know. And the intellect doesn’t help you very much there — you should get on with the business of living.
Ray Bradbury
(What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Trees don't rely exclusively on dispersal in the air, for if they did, some neighbors would not get wind of the danger. Dr. Suzanne Simard of the University of British Columbia in Vancouver has discovered that they also warn each other using chemical signals sent through the fungal networks around their root tips, which operate no matter what the weather. Surprisingly, news bulletins are sent via the roots not only by means of chemical compounds but also by means of electrical impulses that travel at the speed of a third of an inch per second. In comparison with our bodies, it is, admittedly, extremely slow. However there are species in the animal kingdom, such as jellyfish and worms, whose nervous systems conduct impulses at similar speed. Once the latest news has been broadcast, all oaks int he area promptly pump tannins through their veins.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
There are two basic coping mechanisms. One consists of dreading the chaos, fighting it and abusing oneself after losing, building a structured life of work/marriage/gym/reunions/children/depression/affair/divorce/alcoholism/recovery/heart attack, in which every decision is a reaction against the fear of the worst (make children to avoid being forgotten, fuck someone at the reunion in case the opportunity never comes again, and the Holy Grail of paradoxes: marry to combat loneliness, then plunge into that constant marital desire to be alone). This is the life that cannot be won, but it does offer the comforts of battle—the human heart is content when distracted by war. “The second mechanism is an across-the-board acceptance of the absurd all around us. Everything that exists, from consciousness to the digestive workings of the human body to sound waves and bladeless fans, is magnificently unlikely. It seems so much likelier that things would not exist at all and yet the world shows up to class every morning as the cosmos takes attendance. Why combat the unlikeliness? This is the way to survive in this world, to wake up in the morning and receive a cancer diagnosis, discover that a man has murdered forty children, discover that the milk has gone sour, and exclaim, 'How unlikely! Yet here we are,' and have a laugh, and swim in the chaos, swim without fear, swim without expectation but always with an appreciation of every whim, the beauty of screwball twists and jerks that pump blood through our emaciated veins.
Jaroslav Kalfar (Spaceman of Bohemia)
The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely. When it’s over, then you can think about it; then you can look, it works or it doesn’t work, something is missing here. And, if something is missing, then you go back and reemotionalize that part, so it’s all of a piece. But thinking is to be a corrective in our life — it’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center — with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life — the way of living is the blood pumping through our veins, the ability to sense and to feel and to know. And the intellect doesn’t help you very much there — you should get on with the business of living.
Ray Bradbury
For a person with ADD, tuning out is an automatic brain activity that originated during the period of rapid brain development in infancy when there was emotional hurt combined with helplessness. At one time or another, every infant or young child feels frustration and psychological pain. Episodic experiences of a distressing nature do not induce dissociation, but chronic distress does—the distress of the sensitive infant with unsatisfied attunement needs, for example. The infant has to dissociate chronic emotional pain from consciousness for two reasons. First, it is too overwhelming for his fragile nervous system. He simply cannot exist in what we might call a state of chronic negative arousal, with adrenaline and other stress hormones pumping through his veins all the time. It is physiologically too toxic. He has to block it out. Second, if the parent’s anxiety is the source of the infant’s distress, the infant unconsciously senses that fully expressing his own emotional turmoil will only heighten that anxiety. His distress would then be aggravated—a vicious cycle he can escape by tuning out.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Cress’s adrenaline was pumping like jet fuel through her veins as she scanned the room. She was surrounded by invisi-screens and holographs and programming, and the familiarity of it all made the knot in her stomach loosen. Instinct and habit. She formed a checklist in her mind.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
It had been an attack, of sorts, and people did fight who lived in castles like these. Not with fists and feet and claws, but with words and whispers and influence. Isabel couldn’t remember having been here before, but she knew. It was a fight, or rather a game, with many players and many rules and many strategies. She smiled suddenly, feeling her blood pump through her veins. She didn’t know how, and she didn’t know why, but she was suddenly sure it was a game she knew how to play.
Leah Cypess
One woman confessed that her group had passed comment on the “extremely large genitalia” of their cadaver. (What she perhaps didn’t realize is that the embalming fluid pumped into the veins expands the body’s erectile tissues, with the result that male anatomy lab cadavers may be markedly better endowed in death than they were in life.)
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
She should have been afraid. She should have been quaking with terror, but rage and anguish pumped through her veins.
Annette Marie (The Shadow Weave (Spell Weaver, #2))
She’s in my veins, fiery and weightless. She’s in my head, like a whisper of promises. She’s in my heart, softening it, mending it, and making it pump again. I
Pam Godwin (Dark Notes)
Maybe we really are bound by blood. By the blood I shed that night and the blood that has continued to pump through his veins ever since.
Callie Rose (Sweet Obsession (Ruthless Games, #1))
When passion runs through your veins, your heart pumps out endless energy.
Udai Yadla
The bloody organ we call the heart pumps life through our veins like Jesus offers hope for our souls. Are you thirsty for more?
Chris Vonada (The Wellspring Of Life)
I would go toe to toe with anyone who argued books weren’t life savers. They were the work of whatever god kept us functional when the world seemed too hard to handle. They were the air when we couldn’t breathe. The blood when it wouldn’t pump in our veins. The beat of our heart when we were done trying to force life to go on. Books saved lives. End of story, pun intended.
Jaymin Eve (Supernatural Academy: Year Two (Supernatural Academy, #2))
I tell the squad a joke: "Stop me if you're heard this. There was a Marine of nuts and bolts, half robot--weird but true--whose every move was cut from pain as though from stone. His stoney little hide had been crushed and broken. But he just laughed and said, 'I've been crushed and broken before.' And sure enough, he had the heart of a bear. His heart functioned for weeks after it had been diagnosed by doctors. His heart weighed half a pound. His heart pumped seven hundred thousand gallons of warm blood through one hundred thousand miles of veins, working hard--hard enough in twelve hours to lift one sixty-five ton boxcar one foot off the deck. He said. The world would not waste the heart of a bear, he said. On his clean blue pajamas many medals hung. He was a walking word of history, in the shop for a few repairs. He took it on the chin and was good. One night in Japan his life came out of his body--black--like a question mark. If you can keep your head while others are losing theirs perhaps you have misjudged the situation. Stop me if you've heard this...
Gustav Hasford (The Short-Timers)
we are speaking about cognitive meanings, which cannot be transferred into students as blood is pumped into veins. Learning the meaning of a piece of knowledge requires dialog, exchange, sharing, and sometimes compromise.
Joseph D. Novak (Learning How to Learn)
I didn’t know fear before. I didn’t know how it could shape you. Make you do things you didn’t want to do. I didn’t know how it lives in you like dye, like a stain that will never come out. How it works its way through you until your blood is made of it, until it is fear that pushes oxygen through your veins, fear that pumps your heart, open and shut, open and shut. The fear has no subject. It has no ground. It has only me, and some days it eats me alive.
Sara Sligar (Take Me Apart)
Anything that happens after this party breaks up is nothing. Everything is now. It's like war. Everyone is handsome, shining, just thinking about other people's blood. As though the red was flying from veins not theirs is facial makeup patented for its glow. Inspiriting. Glamorous. Afterward there will be some chatter and recapitulation of what went on; nothing though like the action itself and the beat that pumps the heart. In war or at a party everyone is wily, intriguing; goals are set and altered, alliances rearranged. Partners and rivals devastated; new pairings triumphant. The knockout possibilities knock Dorcas out because here -- with grown-ups and as in war -- people play for keeps.
Toni Morrison (Jazz (Beloved Trilogy, #2))
veins of prose. Halve your adverbs and your prose pumps twice as well.” Pens scratch. “Oh, and beware of the verb ‘seem’; it’s a textual mumble. And grade every simile and metaphor from one star to five, and remove any threes or below.
David Mitchell (The Bone Clocks)
Fear brings your mind to the edge of insanity, where everything is so frighteningly crystal clear you can take in every little thing that’s happening around you. Your body runs purely on adrenaline, with not a drop of blood pumping through your veins.
Michelle Horst (Wake Me Up (Tainted Ink, #1))
There was a pumping noise which Isaac knew to mean that the toxins had been released. Someone checked the needles and the tubing which had been inserted into his wrists and Isaac saw the thin, clear tubes begin to carry poisonous liquid into his veins.
Dennis B. Boyer (A Tasting of Thistles: A Collection of Brief Tales)
Pickled cat pumped full of plastic, red for the arteries, blue for the veins, at the hospital, the undertaker’s. Find the brain of the worm, donate your body to science. Anything we could do to the animals we could do to each other: we practiced on them first.
Margaret Atwood (Surfacing)
The internal jugular vein just beneath her skin drew me enticingly. I was aroused by the scent of her, of the blood I could hear pumping ferociously around her body, the classic perfume she wore added to the deliciousness of her. Her scent washed over me, drowning me.
Zane Michaelson (The One (A Vampyre Romance #1))
I take in great lungfuls of air. Atom by atom, the oxygen enters my blood and pumps in waves through my veins; it is tidal, this pumping blood. My heart beats mightily. If I ran any faster, gravity would loose its claims on my ankles, and my feet would pedal into the air.
Ayana Mathis (The Twelve Tribes of Hattie)
With the card, there’s a photo of us from the day Yael taught me to box. The selfie in the mirror. I gulp at the image of our bodies together. My heart feels like its pumping tar through my veins. I wish I had the power to free my hands and shape my own life. But I don’t.
Leslie K. Barry (Newark Minutemen)
Maybe I could put it in a way that was accessible to them? Like, this is the cortisol that’s flooding the blood, that flows in the veins, that leads to the heart, that’s pumping too fast in the chest of the guy, who’s too scared to knock on the door of the house where Will lives.
Sophie Gonzales (Only Mostly Devastated)
I loved him so much, more than any moment or event could ever render. He was my air, my water, my blood pumping through my veins. I gave him every hidden spoke in my wheel. Every little thing that meant anything to me was nothing compared to him. To see him in so much pain cracked my soul.
Gretchen de la O (Eighteen at Last (Wilson Mooney, #2))
My favorite kind of musical experience is to feel afterward that your heart is filled up and transformed, like it is pumping a whole new kind of blood into your veins. This is what it is to be a fan: curious, open, desiring for connection, to feel like art has chosen you, claimed you as its witness. —
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Was life measured by the trouble you avoided, or by the obstacles you overcame? God had made her for trouble, equipped her for hardship. She'd do her share and then some. Most of all, she'd buttress the man who faced the dangers for all of them. He wouldn't do it alone. Not while she had blood pumping in her veins.
Regina Jennings (For the Record (Ozark Mountain Romance, #3))
But why didn't Gram tell us our mother wore a perfume that smelled like sunshine? That she slept in the garden in the springtime? That she made pesto with walnuts? why did she keep this real-life mother from us? But as soon as I ask the question, I know the answer, because suddenly there is not blood pumping in my veins, coursing all throughout my body, but longing for a mother who loves lilacs. Longing like I've never had for the Paige walker who wanders that world. That Paige Walker never made me feel like a daughter, but a mother who boils water for pasta does. Except don't you need to be claimed to be a daughter? Don't you need to be loved?
Jandy Nelson (The Sky Is Everywhere)
I would go toe to toe with anyone who argued books weren’t life savers. They were the work of whatever god kept us functional when the world seemed too hard to handle. They were the air when we couldn’t breathe. The blood when it wouldn’t pump in our veins. The beat of our heart when we were done trying to force life to go on. Books saved lives.
Jaymin Eve (Supernatural Academy: Year Two (Supernatural Academy, #2))
And all the sounds you heard- the wind whipping past your ears and the ocean's whispering and the trickle of whitecaps against your boat- that was the earth's blood pumping through imperceptible veins, and some of those veins were nothing more than people like Shy or Carmen or Addie. And when the end came it smelled like morning dew and brine and everything around you morphed into a man, and that man shined a flashlight in your eyes and kneeled down beside you to pet your hair and he said: You're gonna be okay, young fella. Now come on. And when he lifted you into his arms and carried you like a child into a hidden cave, where you would grow back into the earth's rich soil from which you came and where you would forever belong.
Matt de la Peña (The Living (The Living, #1))
There is something charming and peculiar about a beginning. You feel it, like the change of seasons, from winter to spring, from spring to summer. You feel it; the new blood pumping inside your veins. You feel it; a thousand butterflies fluttering around your fingers to help you fly. You feel it; on your lips, when you smile at the absurdities of life that suddenly make perfect sense. You smile... Because in every beginning, there is a rebirth. Because in every beginning, there is a layer of you that you just discovered. A layer you forgot was buried in you all this time. You smile because you are reminded of the immensity of fate. You smile because suddenly you feel so small and you like it. So let's begin my dear. This life is beautiful.
Malak El Halabi
You were made for us, Lilly Darling. Every atom belongs to the four of us, just as every part of us is yours. You make us greater than the sum of our parts, until we become more than we ever thought possible. You are as vital as the blood that pumps in our veins, as crucial as the air that we breathe. You are our beating heart, and our souls are bound together for all eternity.
Rosa Lee (Bound (Highgate Preparatory Academy, #2))
Something I've never admitted: I was the one who told Carlito about Isabela's cheating when he was beer-drunk in front of the TV one Saturday afternoon, wondering why she took so long to return his calls. I pumped him full of rage, told him she was giving him horns, that he was letting her play him like some kind of cabron. I lied. Said everybody in town knew about her easy ways but him.
Patricia Engel (The Veins of the Ocean)
Alec isn't worried. He isn't bothered by his actions or who he hurts." She came closer, her long blond hair curling around her neck and shoulder. "And worst of all, he is content with his actions. You?" She smiled around an airy laugh. "You're running from yourself. From anyone who sees good in you. Because you're struggling with it, with the belief that you're the same, that you've done bad things. That guilt, that shame? That should be your compass, Cole. But I don't need a compass to know you're not the same as Alec. And I wish my belief in you was enough to convince you. The actions of man speak to what's in his heart." She pressed a hand to his chest, right over the four-valved organ pumping blood through his veins. And it seemed in a hurry right now. "Read what's there, Cole.
Ronie Kendig (Crown of Souls (Tox Files, #2))
We know that the world operates on a whim, a system of coincidences. There are two basic coping mechanisms. One consists of dreading the chaos, fighting it and abusing oneself after lost, building a structured life ... in which every decision is a reaction against the fear of the worst ... This is the life that cannot be won, but it does offer the comfort of battle - the human heart is content when distracted by war. The second mechanism is an across-the-board acceptance of the absurd all around us ... This is the way to survive in this world, to walk up in the morning ... and exclaim, 'How unlikely! Yet here we are,' and have a laugh, and swim in the chaos, swim without fear, swim without expectation but always with an appreciation of every whim, the beauty of screwball twists and jerk that pump blood through our emaciated veins.
Jaroslav Kalfar (Spaceman of Bohemia)
I never went to college. I don’t believe in college for writers. I think too many professors are too opinionated and too snobbish and too intellectual. And the intellect is a great danger to creativity because you begin to rationalize and make up reasons for things instead of staying with your own basic truth--- who you are, what you are, what you wanna be. I’ve had a sign over my typewriter for twenty-five years now which reads, “Don’t think.” You must never think at the typewriter--- you must feel, and your intellect is always buried in that feeling anyway. You collect up a lot of data, you do a lot of thinking away from the typewriter, but at the typewriter you should be living. It should be a living experience. The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely. When it’s over, then you can think about it; then you can look, it works or it doesn’t work, something is missing here. And, if something is missing, then you go back and reemotionalize that part, so it’s all of a piece. But thinking is to be a corrective in our life. It’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center, with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life. The way of living is the blood pumping through our veins, the ability to sense and to feel and to know, and the intellect doesn’t help you very much there. You should get on with the business of living. Everything of mine is intuitive. All the poetry I’ve written, I couldn’t possibly tell you how I did it. I don’t know anything about the rhythms or the schemes or the inner rhymes or any of these sorts of thing. It comes from 40 years of reading poetry and having heroes that I loved. I love Shakespeare, I don’t Intellectualize about him. I love Gerard Manley Hopkins, I don’t intellectualize about him. I love Dylan Thomas, I don’t know what the hell he’s writing about half the time, but he sounds good, he rings well. Let me give you an example on this sort of thing: I walked into my living room twenty years ago, when one of my daughters was about four years old, and a Dylan Thomas record was on the set. I thought that my wife had put the record on; come to find out my four-year-old had put on his record. I came into the room, she pointed to the record and said, ‘He knows what he’s doing.’ Now, that’s great. See, that’s not intellectualizing, it’s an emotional reaction. If there is no feeling, there cannot be great art.” 
Ray Bradbury
I could say the world is ending tomorrow, and no one would care. I could say the world will go forever, and no one would care. I could write words, words, words of hope, of love, of humanity, of peace, of pain and the world will still spin to unchanged tomorrows. The human heart balled up as a fist, just grows old clenching to life, to pride and ego, it won't let go. But the words slip through, as the last pump of blood to a lost web of veins.
Anthony Liccione
I was beginning to care for them. And as that cancerous emotion swelled within my heart so did my poor heart’s fear. Swollen heart. This is an insidious malady chiefly common in that mythical organ that pumps life through the veins of the ego: care, coronary care, complicated by galloping fear. The go-away-closer disease. Starving for contact and calling it poison when it is offered. We learn young to be leery of contact: Never open up, we learn . . . you want somebody running their dirty old fingers over your soul’s privates? Never accept candy from strangers. Or from friends. Sneak off a sack of gumdrops when nobody’s looking if you can, but don’t accept, never accept . . . You want somebody taking advantage? And above all, never care, never never never care. Because it is caring that lulls you into letting down your guard and leaving up your shades . . . you want some fink knowing what you are really like down inside?
Ken Kesey (Sometimes a Great Notion)
He felt heavy and light at the same time, and the world seemed sharp and beautiful even in a way that jade senses could not improve. There was an ache in his chest—some of the grief that had been arriving in pieces—but also relief, and love. Love for the life pumping through his heart and veins, love for those dear to him—the ones who were gone and the ones who remained, and love also for his city, for Janloon—a place as fierce and honest, as messy and proud and enduring as its Green Bone warriors.
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
dawned, even for her, that the end was here. Spots swam before Mark’s eyes, flashing lights. His heart wouldn’t stop racing, and it felt as if the organ pumped acid through his veins. Trina, silent, kept up with him. Into the cargo room. Down the ramp of the hatch door, into the brightness of day. They’d barely stepped off of it when squeals pierced the air and the slab of metal began to close. Alec lifted the Berg off the ground, blue thrusters roaring. Mark was barely holding onto his mind, but he
James Dashner (The Kill Order (Maze Runner, #4))
At any given moment, millions of systems are at work all around us. The blood pumping through our veins. The planets. The food chain. They're all super-specific systems linked to one another. Some of the systems occur organically as a greater part of the universe, like surprises and sunsets. But others are just made-up. Like, why is the school day eight hours long? And why is it that, even though I'm the smartest person in the world, I can't vote? The arbitrariness of it all is the thing that drives me nuts.
Gabby Rivera (America #2)
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm. With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years. “I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
Moon. Big white moon. White as milk moon. You’re all I can see from my window, here in the dark. Your light falls silver and white across the walls of my cell. The night-tide surges strong in me. So strong I can feel the grip of their drugs loosen. They fancy themselves high priests. Their gods have names like Thorazine and Lithium and Shock Therapy. But their gods are new and weak and cannot hope to contain me much longer. For I am the handiwork of far more powerful, far more ancient deities. Very soon my blood will learn the secret of the inhibiting factors the white-coated shamans pump into my veins. And then things will be very different, my beautiful moon. My white big moon. White as milk moon. Red as blood
Nancy A. Collins (Sunglasses After Dark (Sonja Blue, #1))
Then he watches the minute flicker of the pulse in her neck and imagines the vein, deep below the skin, dilating then shrinking, dilating then shrinking with the hot, thick blood sent shooting from the heart. The elastic, muscular stretch of it, every three-quarters of a second. He looks at the delta of veins at her wrist, the thin violet patterns on her eyelids, the trace of blue that runs through her cheek, the web of vessels at the curve of her instep. He wonders for the first time if they used just one person’s blood to revive her or whether it was the blood of lots of different people. And whether she is still her, if the very blood that pumps around her body doesn’t belong to her. At what point do you become someone else?
Maggie O'Farrell
I’m…” His eyes almost glowed in their intensity. “I’m begging you. Stop pushing me away, because I’m not going anywhere. I love you, and it’s not the kind of love that wavers. It’s the scary kind that doesn’t fade. I look at you, and I see not just everything I want for my life, but everything I am, because you took the emptiest, darkest pits of my soul and filled them with you. You are as much a part of me as my own heart, and it doesn’t beat without you. You pump through my veins and you fill my lungs. I may have saved you, but you’re the one who breathes for me every day. Do you get that? Stop pushing me away, because you make me imagine things, want things I never thought I could. Words like ‘forever,’ and ‘vows,’ and…‘family.’ I know I’m not good at that last one—
Rebecca Yarros (Eyes Turned Skyward (Flight & Glory #2))
The second project is in the field of metaphysics: with the aim of showing that, in the words of Professor H. M. Tooten, “evolution is a hoax”, Olivier Gratiolet has undertaken an exhaustive inventory of all the imperfections and inadequacies to which the human organism is heir: vertical posture, for example, gives man only a precarious balance: muscular tension alone keeps him upright, thus causing constant fatigue and discomfort in the spinal column, which, although sixteen times stronger than it would have been were it straight, does not allow man to carry a meaningful weight on his back; feet ought to be broader, more spread out, more specifically suited to locomotion, whereas what he has are only atrophied hands deprived of prehensile ability; legs are not sturdy enough to bear the body’s weight, which makes them bend, and moreover they are a strain on the heart, which has to pump blood about three feet up, whence come swollen feet, varicose veins, etc.; hip joints are fragile and constantly prone to arthrosis or serious fractures; arms are atrophied and too slender; hands are frail, especially the little finger, which has no use, the stomach has no protection whatsoever, no more than the genitals do; the neck is rigid and limits rotation of the head, the teeth do not allow food to be grasped from the sides, the sense of smell is virtually nil, night vision is less than mediocre, hearing is very inadequate; man’s hairless and unfurred body affords no protection against cold, and, in sum, of all the animals of creation, man, who is generally considered the ultimate fruit of evolution, is the most naked of all.
Georges Perec (Life A User's Manual)
I reached to feel at the side of his bearded face. It was warmed by life-sustaining blood pumping through his veins, moistened by beads of sweat formed from uncertainties. I had my love alive in front of me. How desperately I wanted to order him to stay behind, to guard the camp and keep clear of harm’s way. But remaining here amounted to hiding, which would torture the hero he was. Kresh never turned aside from danger. He was no coward. He would ignore my order and fight beside his fellow warriors—a right I could not deny him. Come whatever magic and chaos may, he would stand his ground. I needed him to survive it. Otherwise, our years of struggle and sacrifice would come to nothing. To have the Tarishe curse ended at long last and yet lose him in the process… I could imagine no more agonizing curse than that.
Richelle E. Goodrich (The Tarishe Curse)
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
Edward Abbey
The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape. And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.
Ekaterina Sedia (The House of Discarded Dreams)
What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.
Erica Chilson (Jaded (Mistress & Master of Restraint, #5))
Before I was turned, my human body sustained itself, albeit only for days. Something in me must have kept my heart beating and the muscles in my ribs tightening and relaxing, letting air into and out of my lungs. It's completely possible that that human power is still there, only dormant. Perhaps there is actually a lot of human potential in me. Last night, as my body had been warmed by Ben, I'd felt alive in a way I've never felt before. My heart had woken up and was beating faster than the demon could ever pump it; I'd felt a pleasure better and more intense than eating; I'd felt Ben's blood coursing through his veins but felt no desire to drink it, and only gratitude that he was alive and with me. It had been the duck that had repelled Ben---death had, essentially, repelled him: the remnants of my last meal. If I deny myself blood, perhaps the human side of me will get stronger until I can consume and live off human food, and I'll attract humans to me too, and a human life for myself, and human love.
Claire Kohda (Woman, Eating)
They were all joking about the party at my place when they walked away. As I uncapped my drink, I noticed Michael was hanging back a bit. “Got something on your mind?” I called out, gesturing at him with my chin. He was a good player, he worked hard on the field, and I respected him. I got the feeling, though, that I wasn’t going to like what he wanted to say. I could tell by the hesitation in his face and body language. He probably disagreed with some of the plays I wanted to try tonight and didn’t want to piss me off in fear I would freeze him out on the field. But I wasn’t like that. I left personal shit in the locker room. There was no room for drama in the game. He walked back over in front of me as he adjusted the strap on his shoulder. “I’m not sure I should say anything.” “Just say it, man. It’s cool.” “I saw your girl this morning.” He started, and everything in me went cold. This wasn’t about football. This was personal. “You looking at Rimmel?” I asked, my voice calm and low. His eyes widened a little, but he shook his head. “No, man. I probably wouldn’t have known it was her, but she was wearing your hoodie.” I nodded for him to continue. “She was in the hall, outside her class,” he said, glancing at me. He needed to get to the fucking point already. I was losing patience. “That guy Zach was with her. It looked pretty intense.” I jerked upright. “What?” I growled. What the fuck was Rimmel doing with Zach? Why was he talking to her? “He was grabbing her arm. Jerking her around pretty good.” Red tinged my vision and adrenaline started pumping in my veins. “What did you just say?” Michael nodded grimly. “It’s why I noticed them. He grabbed her and she cried out. She told him to let go, but he just jerked her more. She almost fell.” A noise rumbled out of my chest and anger so swift and hot that it hurt filled me. “Tell me you pulled him off her,” I intoned. “I was going to. I called out to them and started forward, but that’s when he let her go and walked away.” I was going to kill him. Dead. “I asked her if she was okay. I don’t think she knew I’m on the team with you.” “Probably not,” I muttered, still trying to control the anger spiraling out of control inside me. “She said she was.” He continued, but I heard the doubt in his voice. “But?” The word came out harsher than I intended, but he didn’t seem to notice. “But her wrist was pretty red. Looked like it was going to bruise.” Thought ceased in my head. Rationality evaporated. “Thanks for telling me,” I said and rushed away in the opposite direction of my next class.
Cambria Hebert (#Hater (Hashtag, #2))
In addiction, this means that because being addicted escalates wanting more than liking, the drug experience gets deeply carved into your memory. Anything you can associate with achieving a drug high, you will. As a result, when you try to quit, everything from a spoon (you could use it to prepare drugs) to a street (this is where the dealer lives!) to stress (when I feel like this, I need drugs) can come to drive craving. Desire fuels learning, whether it is normal learning or the pathological “overlearning” that occurs in addiction. You learn what interests you with ease because desire motivates. In contrast, it’s far more difficult to learn something you don’t want to understand or care to comprehend. Berridge and Robinson’s research also helps resolve another paradox: If dopamine signifies pleasure, then the brain should become less and less responsive to it as tolerance to a drug develops. But while tolerance clearly does occur, the opposite result is also seen in the brain. As I took cocaine, paranoia began to set in at lower and lower doses—not higher ones. The summer of 1988, it also took increasingly less drug to achieve the state of heart-pounding anxiety and mortal dread that I experienced so frequently. Neuroscientist Marc Lewis described his experience of this effect in his addiction memoir this way: “I kept pumping [cocaine] into my vein, this non-sterile solution, until my reeling consciousness, nausea, racing heart, and bloated capillaries told me that death was near. Later that night, I begged myself to stop.… But the urge would not relent.
Maia Szalavitz (Unbroken Brain: A Revolutionary New Way of Understanding Addiction)
The date rape drug he’d intended to give me has knocked him out so hard he’s barely even flinched, despite being dragged to the top of a twelve-storey building, stripped naked and bound to a post. His head lolls towards his chest. I stand back to admire him, taking in his slumped frame as he wilts against the pressure of his rope bindings. He looks Christ-like, vulnerable. His skin is grey in the murky moonlight. His body is incredible. Hardly surprising, since he seems to spend half his life at the gym. His stomach is taut, rippled with abs. His pecs are straight from a swimwear ad, his broad shoulders and ripped arms are built like a boxer’s. His biceps are strong, lined with veins that will soon cease to pump blood. He has the kind of arms that could pin you down so tightly you wouldn’t be able to move a muscle. His hands are large – the least attractive part of him: dry, thick, stubby. They’re the type of hands that could grip your wrists and stifle screams. Hands that could have killed me tonight. Hands that would have hurt me. Hands that would have held me in place while he raped me. I let my eyes wander down to his cock, which would probably have been pounding away inside me around now if things had gone his way. I could tell pretty early into our date that he was a predator. Perhaps it takes one to know one, but I could see it in his dark eyes and sly glances, the hungry way he took in my body, the type of questions he asked, his eagerness to buy me drinks. He probably didn’t think I had it in me to notice. Of course he didn’t. He just saw my shiny, sweeping hair, my lashes, my clothes, my smile. He saw what everybody else sees: my mask.
Zoe Rosi (Pretty Evil)
She leaned over and the table and reached for the discarded dice, depositing them in a small leather dice box. As she straightened, she felt Sebastian's hand skim gently over her corseted back, and the hairs on her nape lifted in response. "The hour is late," he said, his tone far softer than the one he had used with Cam. "You should go to bed---you must be exhausted after all you've done today." "I haven't done all that much." She shrugged uneasily, and his hand made another slow, unnerving pass along her spine. "Oh yes, you have. You're pushing yourself a bit too hard, pet. You need to rest." She shook her head, finding it difficult to think clearly when he was touching her. "I've been glad of the chance to work a bit," she managed to say. "It keeps me from dwelling on...on..." "Yes, I know. That's why I've allowed it." His long fingers curved around the back of her neck. Her breath shortened as the warmth of his hand transferred to her skin. "You need to go to bed," he continued, his own breathing not quite steady as he eased her closer. His gaze drifted slowly from her face to the round outline of her breasts, and back again, and a low, humorless laugh escaped him. "And I need to go there with you, damn it. But since I can't... Come here." "Why?" she asked, even as he secured her against the edge of the table and let his legs intrude amid the folds of her skirts. "I want to torture you a little." Evie stared at him with round eyes, while her heart pumped liquid fire through her veins. "When you---" She had to clear her throat and try again. "When you use the word 'torture,' I'm sure you mean it in a figurative sense." He shook his head, his eyes filled with light smoke. "Literal, I'm afraid." "What?" "My love," he said gently, I hope you didn't assume that the next three months of suffering was to be one-sided? Put your hands on me." "Wh-where?" "Anywhere.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I hold my breath while he hooks his hands under my thighs. When he resumes, it's faster, harder, and a whole new level of euphoria. I press my eyes shut just as they start to roll back. That spot. That elusive spot every man had such a hard time locating is front and center now. I silently dub him the G-spot whisperer. Another deep thrust hits it again. Good thing I'm not trying to speak anymore, because I've lost all my words. All I have to offer are huffs of hot air and whimpering. Lots and lots of whimpering. The edge of Callum's mouth turns up, and I have to swallow to keep from choking at the divine sight. He looks like a god in this moment. His skin is a golden glow, painted in specks of sweat, highlighting every single cut muscle he possesses. And his expression---a cross between concentration and satisfaction. It's hard physical work he's doing, but he relishes it. I can tell by the glimmer in his eyes, the way his hands cradle my legs so I'm comfortably supported. I can tell by the pinch of his jaw, those soft grunts he let loose, that this is blowing his mind too. For the second time in one night, pressure builds inside me. The feeling is almost too much, but all I want is more. These long, deliberate thrusts are the greatest physical sensations my body has ever experienced. I could explode at any moment, but I want this to last. Forever, if possible. Arching my back, I press my head against the pillow. I cry out, sounding like a rabid banshee. A muttered curse falls from his lips. "That's it. Don't hold back." Pressure and heat collide, and I couldn't hold back if I tried. The deep thrusts keep coming like an endless loop of crashing waves. Callum and my G-spot are new best friends, it seems. Over and over, he hits it. Over and over, the sensations build to an overwhelming peak. His pace shifts from impressive to phenomenal. If Callum were a sex doll, I'd buy a dozen. His stamina, his technique, his adoration of me and my body, it's all perfection. When I burst, I'm even louder than before. And just like before, I'm ablaze from the inside out. Ecstasy pulses through every inch of skin and bone. My blood pumps hot, like lava flowing through my veins. Every muscle tightens, then loosens. Panting, I clutch Callum's forearms and watch his face as he hits his own peak.
Sarah Smith (Simmer Down)
There is only one race on this planet: The human race. We are all the same color-blood red, it pumps through all our veins. As soon as we all figure out the power of loving each other the quicker the world will become the place it should be
DeiAmor Verus (Talk to God)
I’ll never be put in a box and lowered into the earth. I’ll never grow old and watch the veins on my hands begin to work their way out of my skin. … It was funny, now, the way all the inner workings of old people moved to the outside. Their muscles and their sinews got hard and ropy and hung on the outside of their skins. Their veins rose up, so where you hadn’t been able to see them before you could see them now. There were little blue ones that appeared on the forehead, jagged like a saw blade, where the skin had once been smooth. There were others like cords wrapping their way across the backs of hands, and along legs. And pulses turned up where they never had been before. The throat one now, you didn’t even know it was there, until one day you saw it, naked and exposed, pumping your blood for everybody to see. … I won’t be like that, Margaret thought. I won’t ever get old and I won’t ever die. I couldn’t. …
Shirley Ann Grau (The Keepers of the House)
Watching her tongue lick up my thick vein, pumping blood to my best and biggest asset, sets my body ablaze. She wraps her hand around my shaft, sucks on the tip, and pumps hard until I release inside her delicious mouth. “Mm… salty.” She licks her lips and pushes a finger inside her mouth, sucking it clean. “Sorry for the mess.” I pull myself back inside my pants and re-buckle my belt. “I caught most of it.” She’s grinning, as if swallowing is some kind of special achievement. I grab her hand and
Kennedy Fox (This is War (The Checkmate Duet #1))
I needed some caffeine and sugar pumping through my veins before I could deal with his inevitable leaving again. Every time was like another knife straight to the gut.
Sally Berneathy (Death by Chocolate)
I found a tin of English chocolate biscuits and decided to have some. Half an hour later, my veins pumping with sugar and caffeine, my brain started to work and I had the brilliant idea of beginning the day by complicating my existence even further, if that was possible.
Carlos Ruiz Zafón (The Angel's Game)
The dark, however, has always been there to comfort me. I love that fleeting moment of pure power that pumps through my veins right before I cloak myself in its shadow. The world is quickly shut out with a simple flick of a switch. Just like that. It’s the only shield no one questions or expects you to justify
T.L. Martin (Dancing in the Dark)
With only their eyes for tools, through no fault of their own, naturalists were stuck at the surface level of biology for thousands of years. Although dissection allowed some progress in understanding large-scale internal anatomy, it too was often misleading. For example, arteries and veins could be seen in dissected animal bodies. Yet the fact that they connected to each other through tiny capillaries in a closed circulatory system escaped even the great Roman surgeon Galen, who thought blood was pumped out by the heart to sink into the tissues, much as water in irrigation canals in his day sank into the ground. His mistaken ideas were taught for thirteen hundred years.
Michael J. Behe (Darwin Devolves : The New Science About DNA That Challenges Evolution)
Get ready for the new things God has in store Pastor Dutch Sheets told a story about a forty-year-old lady having open-heart surgery. She had blockage in one of her arteries and had to have bypass surgery. Although this is a delicate procedure, it’s considered a routine surgery and performed successfully more than 230,000 times every year. During the operation, the surgeon clamps off the main vein flowing to the heart and hooks it to machine that pumps the blood and keeps the lungs working. The heart actually stops beating while the vein is being bypassed. When the procedure is over and the machine is removed, the warmth from the body’s blood normally causes the heart to wake back up and start beating again. If that doesn’t work, they have drugs that will wake up the heart. This lady was on the operating table and the bypass was finished, so they let her blood start flowing, but for some reason her heart did not start beating. They gave her the usual drugs with no success. She had no heartbeat. The surgeon massaged her heart with his hand to stimulate that muscle and get it beating again, but even that did not work. The surgeon was so frustrated, so troubled. It looked as if his patient was finished. After doing everything he could medically, he leaned over and whispered in her ear, “Mary, I’ve done everything I can do. Now I need you to tell your heart to beat again.” He stepped back and heard bump, bump, bump, bump. Her heart kicked in and started beating. Do you need to tell your heart to beat again? Maybe you’ve been through disappointments and life didn’t turn out like you had hoped. Now you’re just sitting on the sideline. You’ve got to get your passion back. Get your fire back. Tell your heart to dream again. Tell your heart to love again. Tell your heart to laugh again. Tell your heart to believe again.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
The second mechanism is an across-the-board acceptance of the absurd all around us. Everything that exists, from consciousness to the digestive workings of the human body to sound waves and bladeless fans, is magnificently unlikely. It seems so much likelier that things would not exist at all and yet the world shows up to class every morning as the cosmos takes attendance. Why combat the unlikeliness? This is the way to survive in this world, to wake up in the morning and receive a cancer diagnosis, discover that a man has murdered forty children, discover that the milk has gone sour, and exclaim, “How unlikely! Yet here we are,” and have a laugh, and swim in the chaos, swim without fear, swim without expectation but always with an appreciation of every whim, the beauty of screwball twists and jerks that pump blood through our emaciated veins.
Jaroslav Kalfar (Spaceman of Bohemia)