Nd Wilson Death By Living Quotes

Son," his father said. "Run faithfully to the end, and like all good men, you will die of having lived.

Drink your wine. Laugh from your gut. Burden your moments with thankfulness. Be as empty as you can be when that clock winds down. Spend your life. And if time is a river, may you leave a wake.

Life is a story. Why do we die? Because we live. Why do we live? Because our Maker opened His mouth and began to tell a story.

Rule 1 for Mortals: Love the Lord your God (with every bit of you). Rule 2 for Mortals: Love your neighbor as yourself. Tip 1 for Mortals: Ask God to call your bluffs.

Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded--under torch and hammer and chisel--into a sharper, finer, stronger image of God.

Glory is sacrifice, glory is exhaustion, glory is having nothing left to give. Almost. It is death by living.

...live hard and die grateful.

The truth is that a life well lived is always lived on a rising scale of difficulty.

When Job lifted his face to the Storm, when he asked and was answered, he learned that he was very small. He learned that his life was a story. He spoke with the Author, and learned that the genre had not been an accident. God tells stories that make Sunday school teachers sweat and mothers write their children permission slips excusing them from encountering reality.

May my living be grace to those behind me.

God's big enough that small doesn't matter.

Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain-they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,00 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end.

The fall of man did not introduce evil; it placed us on the wrong side of it, under its rule, needing rescue.

Living is the same thing as dying. Living well is the same thing as dying for others.

I listened to you tell me, tell everyone, and all the world, “Praise the Lord.” You were broken, but not by bullets and bombs. You were broken by grace.

By His grace, we are the water made wine. We are the dust made flesh made dust made flesh again. We are the whores made brides and the thieves made saints and the killers made apostles. We are the dead made living. We are His cross.

Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain—they can carry nothing in the grave. You have lungs, let them spill with laughter.

God is a God of galaxies, of storms, of roaring seas and boiling thunder, but He is also the God of bread baking, of a child’s smile, of dust motes in the sun.

God is a God of galaxies, of storms, of roaring seas and boiling thunder, but He is also the God of bread baking, of a child's smile, of dust motes in the sun. He is who He is, and always shall be. Look around you now. He is speaking always and everywhere. His personality can be seen and known and leaned upon. The sun is belching flares while mountains scrape our sky while ants are milking aphids on their colonial leaves and dolphins are laughing in the surf and wheat is rippling and wind is whipping and a boy is looking into the eyes of a girl and mortals are dying.

Do your best. Live. Create. Fail.

If God gives you (or makes you) a joke, what are you meant to do in response? (Receive it. Laugh.) If God gives you an obstacle, what are you meant to do in response? (Receive it. Climb it. Then laugh.) If God gives you more profound hardship, what are you meant to do in response? (Receive it. Climb it. Then laugh. Exhibit A: His Son.)

Clear your throat and open your eyes. You are on stage. The lights are on. It’s only natural if you’re sweating, because this isn’t make-believe. This is theater for keeps. Yes, it is a massive stage, and there are millions of others on stage with you. Yes, you can try to shake the fright by blending in. But it won’t work. You have the Creator God’s full attention, as much attention as He ever gave Napoleon. Or Churchill. Or even Moses. Or billions of others who lived and died unknown. Or a grain of sand. Or one spike on one snowflake. You are spoken. You are seen. It is your turn to participate in creation. Like a kindergartener shoved out from behind the curtain during his first play, you might not know which scene you are in or what comes next, but God is far less patronizing than we are. You are His art, and He has no trouble stooping. You can even ask Him for your lines.

Infinite goes all the way up and all the way down; and at every level, with equal attention, He creates with the full dose of His personality.

Understand this: we are both tiny and massive. We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits, huffing and puffing along the mountain ranges of epic narrative arcs prepared for us by the Infinite Word Himself.

Truth: We are the present. We are now. We are the razor's edge of history. The future flies at us and from that dark blur we shape the past. And the past is forever.

Every rock is spoon by the Word. Every time I touch a stone, I am touching the Voice of God. Every cell of me is crafted by that artistry. My life is His breath. But we mortals grow numb. We want to feel more. And so we add MSG to our earthly brands of holiness.

He was pierced and scourged and mocked. He was cursed and raised up on a tree, but He was in that ancient pose of victory. An old man on a hill, a blind man between two pillars, the God Man on a cross. Glory is sacrifice, glory is exhaustion, glory is having nothing left to give. Almost. It is death by living. The earth shook. The roof came down. The world changed. The armies fled. That Moses kept his hands up.

We are characters—spoken and shaped down to the rhythms of the electrons in our toe fungus. But we are also active. We have been shaped in the Shaper’s image.

We are narrative creatures, and we need narrative nourishment—narrative catechisms.

The God who looked on you with joy when you were small and racing across His gift of green grass on His gift of feet beneath His gift of sky watched by His gift of a mother with His gift of love in His gift of her eyes, is the same God who will look on you as that race finally ends. He is the same, but we have changed, between our opening lines and our final page.

Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth. The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death. The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade. The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.

Assumption Two: God only cares about spiritual things. To be honest, I don't even know what this means, but those elusive spiritual things have been helping Christians cop out of true holiness for centuries. We are all like accountants with wizard-like abilities, funneling our choices and goals and actions through shell corporations and off-shore banks of unrighteousness. God only cares about spiritual things? His kingdom is a spiritual kingdom? Are you kidding me? God only cares how we emote at him? That's part of it, sure, but I was pretty sure that He made physical animals and a physical man and gave him a physical job. I was pretty sure that He made a physical tree with physical fruit and told that physical man not to eat it or he would physically die. He physically ate it anyway and now we physically go into the physical ground, physically rot, and become physical plant and physical worm food. And because of this incredibly physical problem, He made things even more clear when His own Son took on physical flesh to lead a physical life that lead to a physical cross where He physically absorbed our curse, was physically tortured, and bought you and bought me and bought this whole physical world with His physical blood. If He'd wanted a spiritual kingdom, He could have saved Himself a huge amount of trouble (to say nothing of making the Greek philosophers and medieval gnostics a lot happier), by just skipping Christmas and the Crucifixion.

Your life will contribute to a grand and wonderful story no matter what you do. You have been spoken. You are here, existing, choosing, living, shaping the future and carving the past. Your physical matter and your soul exist, not out of necessity, not voluntarily, and not under their own strength. There is absolutely nothing that you or I can do to guarantee that we will continue to exist. You aren't doing anything that makes you be. We aren't the Author. You and I are spoken. We have been called into this art as characters, born into this thread of occurrence tumbling downstream in the long Niagara of loss set in motion by the trouble that faced our first father and first mother. We will contribute to this narrative. But how?

That much life is heavy for the strongest shoulders.

We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits,

We grasp because God does. We create, and fall short, because God does. We continue creating because we fell short, and fall short again, because God does. Because one act of creation, one attempt at capture, is only one breath and we must breathe again. And again. And again. Here we stand (and sit and sleep), the many images of the Imager, and we can do no other.

Atheism is an idea. Most often (thank God), it is an idea lived and told with blunt jumbo-crayon clumsiness. Some child of Christianity or Judaism dons an unbelieving Zorro costume and preens about the living room. Behold, a dangerous thinker of thinks! A believer in free-from-any-and-all-goodness! Fear my brainy blade! Put candy in their bucket. Act scared. Don't tell them that they're adorable. Atheism is not an idea we want fleshed out. Atheism incarnate does happen in this reality narrative. But it doesn't rant about Islam's treatment of women as did the (often courageous) atheist Christopher Hitchens. It doesn't thunder words like evil and mean it (as Hitch so often did) when talking about oppressive communist regimes. His costume slipped all the time—and in many of his best moments. Atheism incarnate is nihilism from follicle to toenail. It is morality merely as evolved herd survival instinct (non-bindng, of course, and as easy for us to outgrow as our feathers were). When Hitchens thundered, he stood in the boots of forefathers who knew that all thunder comes from on high.

In this world, there is no true freeze frame. Pictures do not escape time. But they do sit in it. Pictures are men grabbing at wind to make themselves feel less beaten by the driving current of this river. We pinch brushes to pinch moments, feelings, and ... that thing that was just now but now it's gone. Did you catch that? We push buttons and point electric boxes. Did you get that? And most of the time we never go back to look. I got it (I think). But we feel better, like fishermen hooking everything but reeling rarely.

Lewis had said that there is no creativity de novo in us—that we are all sub-creators pirating and rearranging portions of reality. I agreed. But it was only an idea. And then it took on flesh. I began to see the world more like a cook than a writer. There were boundless ingredients out there, combinations waiting to be discovered and simmered and served. There were truths and stories and characters and quirks that could clash badly, and some that could marry and birth sequels. I began to feel a lot more comfortable. It wasn't all on me to create. It was on me to find. To catch. To arrange.

We haven't stopped running, but we are getting slower. We have little people running with us now. We have passed others. Our own people will pass us. They will grow and meet others who are young and strong and they will feel as if they are part of the very beginning of life.

My wife and I tend to overgift to our kids at Christmas. We laugh and feel foolish when a kid is so distracted with one toy that we must force them into opening the next, or when something grand goes completely unnoticed in a corner. How consumerist, right? How crassly American. How like God. We are all that overwhelmed kid, not even noticing our heartbeats, not even noticing our breathing, not even noticing that our fingertips can feel and pick things up, that pie smells like pie and that our hangnails heal and that honey-crisp apples are real and that dogs wag their tails and that awe perpetually awaits us in the sky. The real yearning, the solomonic state of mind, is caused by too much gift, by too many things to love in too short a time. Because the more we are given, the more we feel the loss as we are all made poor and sent back to our dust.

Only two men and one woman have ever lost more than Job. Adam. Eve. Adam II.

Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain—they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,000 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end. Living is the same thing as dying. Living well is the same thing as dying for others.

The world never slows down so that we can better grasp the story, so that we can form study groups and drill each other on the recent past until we have total retention. We have exactly one second to carve a memory of that second, to sort and file and prioritize in some attempt at preservation. But then the next second has arrived, the next breeze to distract us, the next plane slicing through the sky, the next funny skip from the next funny toddler, the next squirrel fracas, and the next falling leaf. Our imaginations are busy enough capturing now that it is easy to lose just then.

Your world is tiny, yes. But God gets tinier. Not one dust mite falls through the carpet fibers and into the pad apart from your Father. He’s big enough that small doesn’t matter. Dust-mite drama doesn’t use up His attention, taking it away from something deemed by mentally incontinent college professors to be more worthy of His attention. When one is infinite, one can enjoy two black holes arm-wrestling over a galactic snack, and an uncoordinated junior high quarterback struggling to escape an overweight junior high defensive end. Infinite goes all the way up and all the way down; and at every level, with equal attention, He creates with the full dose of His personality.

Three postcards await our perusal, yea, three visions of a world. One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission. Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is. Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.

Everything old people say about time is true. For starters, it flies. As a kid living through semi-eternal summer vacations, this is hard to believe. But as an adult? Get married. Have children. And then sit back, stunned, watching an absolute roar of gorgeous moments and hilarious moments and exhausting moments disappear—quickly and in tragedy or marching off at the traditional pace, but disappear they must. Snap a photo or two. Read verses about futility. Watching one’s small humans age and grow up packs a serious punch. It’s like being stuck in a dream unable to speak, like being a ghost that can see but not touch, like standing on a huge grate while a storm rains oiled diamonds, like collecting feathers in a storm. Parents in love with their kids are all amnesiacs, trying to remember, trying to cherish moments, ghosts trying to hold the world. Being mortals, having a finite mind when surrounded by joy that is perpetually rolling back into the rear view is like always having something important on the tips of our tongues, something on the tips of our fingers, always slipping away, always ducking our embrace. No matter how many pictures we take, no matter how many scrapbooks we make, no matter how many moments we invade with a rolling camera, we will die. We will vanish. We cannot grab and hold.

Understand this: we are both tiny and massive. We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits, huffing and puffing along mountain ranges of epic narrative arcs prepared for us by the Infinite Word Himself. Swell with pride and gratitude, for you are tiny and given much. You are as spoken by God as the stars. You stand in history with stories stretching out both behind and before. We

By His grace, we are the water made wine. We are the whores made brides and the thieves made saints and the killers made apostles. We are the dead made living.

My life is His breath.

Nails are forged for pounding. Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded—under torch and hammer and chisel—into a sharper, finer, stronger image of God.

Unhinge your jaw; struggle to read and learn and speak God's story of yourself after Him, that story in which you live. Know that you have a better chance of spewing out the Snake River than of telling your full story as well. But not trying is the shortest route to character failure.

For years, all we do is feed. We don’t control what our parents feed us for dinner, we don’t control what they read to us (or don’t read to us) or what they let us watch. We are like jars of wet clay, and we are loaded full with every kind of tale—films; books; TV shows; stories from friends, parents, grandparents. And as we dry, we take the shape of what has been dumped inside of us. When we begin to make our own choices, when we become an active character in our own narratives, all of that soul food is behind us. We might not even remember the stories, but they groomed and molded us while we were still unfired clay.

Understand this: we are both tiny and massive. We are nothing more than molded clay given breath, but we are nothing less than divine self-portraits, huffing and puffing along mountain ranges of epic narrative arcs prepared for us by the Infinite Word Himself.

In the distant future, when the sun burns brighter and the dance of planets has been healed and death has died, towers will rise beyond the imagination of mortals now living. But not beyond the imagination of any mortal now dead.