Vega Win Quotes

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Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
She blew a stream of smoke up at the empty clotheslines. 'These silly dreams you have when you're young. I mean, what, Katie and Brendan Harris were going ot make a life in Las Vegas? How long would that little Eden have lasted? Maybe they'd be on their second trailer park, second kid, but it would have hit them sooner or later - life isn't happily ever after and golden sunsets and shit like that. It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work - at everything -because that's what growing older is.
Dennis Lehane (Mystic River)
Shoot the pasties off the nipples of a ten-foot bull-dyke and win a cotton-candy goat.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
It seems like a lifetime, or at least a Main Era — the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run... but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant... There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle — that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply PREVAIL. There was no point in fighting — on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave... So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high water mark — that place where the wave finally broke, and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
I think scientists have a valid point when they bemoan the fact that it's socially acceptable in our culture to be utterly ignorant of math, whereas it is a shameful thing to be illiterate.
Jennifer Ouellette (The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse)
the thing about God is that He doesn’t take rejection the same way humans do. When He sets His sights on you, He doesn’t give up until He wins your affections. He is the ultimate Dream Guy.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting — on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Wall Street investment banks are like Las Vegas casinos: They set the odds. The customer who plays zero-sum games against them may win from time to time but never systematically, and never so spectacularly that he bankrupts the casino.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
... I succeeded at math, at least by the usual evaluation criteria: grades. Yet while I might have earned top marks in geometry and algebra, I was merely following memorized rules, plugging in numbers and dutifully crunching out answers by rote, with no real grasp of the significance of what I was doing or its usefulness in solving real-world problems. Worse, I knew the depth of my own ignorance, and I lived in fear that my lack of comprehension would be discovered and I would be exposed as an academic fraud -- psychologists call this "imposter syndrome".
Jennifer Ouellette (The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse)
We should go to Vegas," I announced. "We're on a streak." His brows drew together. "Babe, not sure you're payin' attention but, shit that's flyin' around us does not say 'winning streak'." "I've got a naked hot guy bad boy on top of my that proves you wrong.
Kristen Ashley (Wild Man (Dream Man, #2))
To be in a war, you must learn the rules of survival… to win a war, you must break every fucking one of those rules.
A.J. Vega (Majesty's Offspring)
Where have you been?" I asked weakly. A few minutes ago I would have rather died than questioned him. Let him know I care. But I'm too sick to be strong, kick ass Rayne at the moment. "Vegas" he says. I raise an eyebrows. "Uh, okay. Win anything?" I can't believe he was off gambling as I lay dying. I mean, I know poker is hot and all, but couldn't he have waited a couple of days for that straight flush? "I got what I went for, if that's what you mean." "What, a lap dance?" He chuckes. "Even sick, you're still funny, Rayne.
Mari Mancusi (Stake That (Blood Coven Vampire, #2))
I abandoned the assigned problems in standard calculus textbooks and followed my curiosity. Wherever I happened to be--a Vegas casino, Disneyland, surfing in Hawaii, or sweating on the elliptical in Boesel's Green Microgym--I asked myself, "Where is the calculus in this experience?
Jennifer Ouellette (The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse)
Our corporate executives speculate with their shareholders’ assets because they get big personal rewards when they win—and even if they lose, they are often bailed out with public funds by obedient politicians. We privatize profit and socialize risk. The
Edward O. Thorp (A Man for All Markets: Beating the Odds, from Las Vegas to Wall Street)
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.…
Hunter S. Thompson (Fear and Loathing in Las Vegas)
The mere fact of Vegas, its necessity, was an indictment of our normal lives. If we needed this place--to transform into a high roller or a sexy swinger, to be someone else, a winner for once--then certainly the world beyond the desert was a small and mealy place indeed.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
Diner Customer 1 (Kyle): …I’ll give you one piece of advice, on account of I like you and I don’t want to see you get hurt. First time I went to Vegas, I thought It was the most beautiful place in the world. All lights and neon. And the women --- well, the WOMEN… Anyway, didn’t take me long to figure out the whole place was on the hustle, that none of it was what it looked like, and if you’re not real careful, a place like that can kill you. Bill: Asgard ain’t Vegas, Kyle. Diner Customer 1 (Kyle): No, sir. You’re absolutely right. It isn’t Vegas. ‘Cause in Vegas, even guys like you and me can win once in a while. (Kyle leaves the diner) Diner Customer 2: Pay no attention to him, Bill. A man loses two hundred-fifty dollars on the slots, and he thinks it gives him wisdom. Biggest mistakes I ever made were in listening to guys like that, instead of listening to my own heart… what my granddad used to call “The Tyranny of Reasonable Voices.” Mistakes you make can always be worked out. The mistakes you don’t make because you do nothing, because you don’t try, you don’t risk, those are the ones that haunt you when you get old. Regret, that’s the real killer. Go where your heart leads you, Bill. Life’ll take care of the rest. It always does. - Thor #10 (2007)
J. Michael Straczynski
Stupid entropy ruins everything.
Jennifer Ouellette (The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse)
I will never listen to ocean waves or view a beautiful sunset in quite the same way again. That is perhaps the greatest gift one can gain by delving into calculus: It is a whole new way of looking at the world, accessible only through the realm of mathematics.
Jennifer Ouellette (The Calculus Diaries: How Math Can Help You Lose Weight, Win in Vegas, and Survive a Zombie Apocalypse)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.… History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)... but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that… There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.… And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.… So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Why do movies make this look so simple?” He leaned back and looked her straight in the eye, the smile winning. “One-handed bra removal is not easy. I call false reality.” “Teen boys all over the world are going to hate themselves for not being able to do it.” “Grown men, too.” “Don’t forget Irish men.” Melody readjusted herself and sat up straighter. “Declan?” she whispered, tipping her face toward his. Then she ran her tongue over his mouth and pinned his other hand against his side. “I don’t want you to hate yourself. Don’t give up. You’ve got this.
Brooklyn Skye (Just One Reason(What Happens In Vegas, #5))
Strange memories on this nervous night in Las Vegas. Has it been five years? Six? It seems like a lifetime. The kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. But no explanation, no mix of words or music or memories can touch that sense of knowing you were there and alive, in that corner of time and the world. Whatever it meant... There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning... And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. We had all the momentum; we were riding the crest of a high and beautiful wave... So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . (...) There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
You would not infer causality at all. Not only do you not infer that your neighbor is angry because you left the gate open and her dog got out, you don’t infer that the dog got out because you left the gate open. You don’t infer that the car won’t start because you left the radio on. While you would be good at spatial relations, you would not grasp the causes and effects described by physics. You will not infer any unobserved causal forces, whether they be gravitational or spiritual. For example, you would not infer that a ball moved because a force was transferred to it when it was hit by another, yet because of your inability to draw inferences, you would do better in Vegas at the gaming tables. You would bet with the house and not try to infer any causal relationship between winning and losing other than chance. No lucky tie or socks or tilt of the head. You would not string out some cockamamy story about why you did something or felt some way, not because you aren’t capable of language, but again because you don’t infer cause and effect. You won’t be a hypocrite and rationalize your actions. You would also not infer the gist of anything, but would take everything literally. You would have no understanding of metaphors or abstract ideas. Without inference you would be free of prejudice, yet not inferring cause and effect would make learning more difficult. What processing comes bubbling up in your separate hemispheres determines what the contents of that hemisphere’s conscious experience will be.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. .There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back. ― Hunter S. Thompson, Fear and Loathing in Las Vegas
Thompson Hunter S (Fear and Loathing in Las Vegas)
Excerpt from Winning Streak, Las Vegas Sinners Book 3, coming later this year: Tonight’s ensemble was typical Madden. Dark and faded but expensive jeans, a fitted, black Vegas is For Lovers t-shirt and some Doc Martin boots. Okay, those were a little unusual. “We’re not going for a hike in the desert, are we?” “Not exactly.” “What is ‘not exactly’? I’m not a pee-behind-a-tree kind of girl.
Katie Kenyhercz
my professor got to his punch lines. In the end, Job heaves a big sigh and says, “Okay, you win. You are bigger than I am. I give up!” And then the Devil catches Job’s eye and winks at him. And Job winks back. They both know the answer now: Humor the Big Bully. UNDERSTANDING THE DIVINE SILENCE
Richard J. Mouw (Calvinism in the Las Vegas Airport: Making Connections in Today's World)
But it isn’t the fun of DIY invention, urban exploration, physical danger, and civil disorder that the Z-Boys enjoyed in 1976. It is fun within serious limits, and for all of its thrills it is (by contrast) scripted. And rather obedient. The fact that there are public skateparks and high-performance skateboards signals progress: America has embraced this sport, as it did bicycles in the nineteenth century. Towns want to make skating safe and acceptable. The economy has more opportunity to grow. America is better off for all of this. Yet such government and commercial intervention in a sport that was born of radical liberty means that the fun itself has changed; it has become mediated. For the skaters who take pride in their flashy store-bought equipment have already missed the Z-Boys’ joke: Skating is a guerrilla activity. It’s the fun of beating, not supporting, the system. P. T. Barnum said it himself: all of business is humbug. How else could business turn a profit, if it didn’t trick you with advertising? If it didn’t hook you with its product? This particular brand of humbug was perfected in the late 1960s, when merchandise was developed and marketed and sold to make Americans feel like rebels. Now, as then, customers always pay for this privilege, and purveyors keep it safe (and generally clean) to curb their liability. They can’t afford customers taking real risks. Plus it’s bad for business to encourage real rebellion. And yet, marketers know Americans love fun—they have known this for centuries. And they know that Americans, especially kids, crave autonomy and participation, so they simulate the DIY experience at franchises like the Build-A-Bear “workshops,” where kids construct teddy bears from limited options, or “DIY” restaurants, where customers pay to grill their own steaks, fry their own pancakes, make their own Bloody Marys. These pay-to-play stores and restaurants are, in a sense, more active, more “fun,” than their traditional competition: that’s their big selling point. But in both cases (as Barnum knew) the joke is still on you: the personalized bear is a standardized mishmash, the personalized food is often inedible. As Las Vegas knows, the house always wins. In the history of radical American fun, pleasure comes from resistance, risk, and participation—the same virtues celebrated in the “Port Huron Statement” and the Digger Papers, in the flapper’s slang and the Pinkster Ode. In the history of commercial amusement, most pleasures for sale are by necessity passive. They curtail creativity and they limit participation (as they do, say, in a laser-tag arena) to a narrow range of calculated surprises, often amplified by dazzling technology. To this extent, TV and computer screens, from the tiny to the colossal, have become the scourge of American fun. The ubiquity of TV screens in public spaces (even in taxicabs and elevators) shows that such viewing isn’t amusement at all but rather an aggressive, ubiquitous distraction. Although a punky insurgency of heedless satire has stung the airwaves in recent decades—from equal-opportunity offenders like The Simpsons and South Park to Comedy Central’s rabble-rousing pundits, Jon Stewart and Stephen Colbert—the prevailing “fun” of commercial amusement puts minimal demands on citizens, besides their time and money. TV’s inherent ease seems to be its appeal, but it also sends a sobering, Jumbotron-sized message about the health of the public sphere.
John Beckman (American Fun: Four Centuries of Joyous Revolt)
As she followed the group back into the airport, she noticed the two young men again, walking ahead of her. The blond man was acting as if he had just gotten off a plane in Las Vegas after a winning streak, but the dark one seemed uninterested in his friend’s enthusiasm. They stopped, both of them staring down at some object in the dark one’s hand. Reece looked at them speculatively. They raised their heads simultaneously, looking directly at her. She could not pull her questioning eyes away from them, wondering if they were the cause of the airplane’s malfunctioning. They returned her gaze, seemingly as interested in her as she was in them.
S.L. Morgan (The Legacy of the Key (Ancient Guardians, #1))
Everything that happens in Las Vegas is a zero-sum game. If the house wins a
Anonymous
Everything that happens in Las Vegas is a zero-sum game. If the house wins a hand of blackjack, you lose. And the odds are stacked heavily in favor of the house. If you play blackjack long enough—at least without counting cards—it is a mathematical certainty that you will go broke.
Anonymous
The Dying Gambler If I were dying I'll go to Vegas and bet my every penny on black. If I win I've doubled the money I can give my children. If I lose, my children will take the casino to court, plead I was in a 'diminished capacity' when I placed the bet, document it with my hospital records and get all the money back minus legal fees. Now those odds, I like.
Beryl Dov
Basher and the other smug patrons around his four-hundred-dollar-per-plate table, the next he was headed for Nevada.” “What’s in Nevada?” Seb asked. “Beyond Vegas? Not much,” Webb replied. Danica didn’t find that encouraging. It was practically cliché, the desperado heading to Vegas to roll the dice and either win big or end it all with a rooftop dive. She quickly dismissed the depressing thought. Surely her husband—her brilliant, insightful, courageous husband—was more resilient than that. “Are you angry?” Bruce asked, walking into the room and catching them all by surprise.  “Yes,” Danica replied in concert with her colleagues, buoyed by her husband’s exuberant tone. “Are you prepared to take action? To reclaim your rightful rung on the socioeconomic ladder?” Bruce continued, gesturing enthusiastically.  “Yes,” they all replied.   “Bold action?” Bruce clarified. “Yes!” “Decisive action?” “Yes!” “Are you prepared to stoop to the level required to win? To get dirty? To take risks? To use every tool at your disposal to outwit the people and the system that effectively just stole the last six years of your life?” Again, Danica found herself saying, “Yes!
Tim Tigner (Twist and Turn (Kyle Achilles, #4))
The purpose of Augur is simple but powerful. It will allow any Ether holder to wager money on any future event of their choosing. If the event doesn’t yet exist, anyone can make an event for people to place their bets on. Software built on “wisdom of the crowds” will set the probabilities, collect the Ether bets, and finally, reward the winnings. Because of the ease in which this can be set up, the price for actually running the show is exceptionally smaller than that compared in the average bookie. Only one percent is going to go to the Ether bookie, which is ten times lower than the average today if you go to Vegas. However,
Jeff Reed (Ethereum: The Essential Guide to Investing in Ethereum (Ethereum Books))
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.” “I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.” “I’m gonna get fat,” I mumble. “No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?” “Still Bennett.” I grin. “You haven’t made an honest woman of me yet.” “You ready to hop that plane to Vegas now?” “A shotgun wedding. My folks would be so proud.” I laugh. “What do you want to do about the wedding?” he asks. “Move it forward?” “That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?” I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?” “I’m going to have a mini-Jake soon. Of course I’m okay with that.” “Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.” I scrunch up my face. “Why?” “Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically. I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.” “Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.” Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
Samantha Towle (Wethering the Storm (The Storm, #2))
thepsychchic chips clips iii Jared gives me an assignment: I need to map out my emotional process so that I can start finding ways to solve each problem. I need to actually sit down and make a spreadsheet. Each time something happens, write it down in the situation trigger column. In the next column write a description of the thoughts, emotional reactions, and behaviors that the situation or trigger causes. In the next column give your best assessment of the underlying flaw or problem, and finally, write a logic statement that I can use in the moment to inject some rationality into the issue. 258 Jared’s 20 minute break routine for Maria: First 5 minutes of break: off load and brain dump. I write down some of the key hands so that they don’t occupy any of my headspace going forward. … Then a few minutes of contemplating my decision making. Asking myself: How was my thinking? Were there any emotionally compromised decisions? … Next 10 minutes: nothing. No poker talk, no thinking. Just walking and relaxing. And then, right before the end of break, a few minutes of warm-up for the next level. 276 - 277 EB White: “an honest ratio between pluck and luck.” 287 Food in Los Vegas: For sushi, Yui and Kabuto. For dinner close to the Rio, the Fat Greek, Peru Chicken, and Sazón. For when I’m feeling nostalgic for the jerk chicken of my local Crown Heights spots, Big Jerk. Lola’s for Cajun. Milos, but only for lunch. El Dorado for late-night poker sessions. Partage to celebrate. Lotus of Siam to drown your sorrows in delightful Thai. 314
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
I watched men win and I watched them lose. They were playing a straight house. Nothing was loaded. The house took its own little percentage and got rich. Money made in bootlegging and gunrunning and dope smuggling and whoremongering was invested quite properly in an entire town that stood as a monument to human stupidity, a boomtown in the state with the sparsest population and the densest people in the country. Vegas.
Lawrence Block (Grifter's Game)
Mathematically, interruptions didn’t matter, because my lifetime of playing was just one long series of hands, and chopping it into sessions and playing them at various times and in various casinos should not affect my edge, nor the long-run amount I could expect to win. This principle applies in both gambling and investing.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Our corporate executives speculate with their shareholders’ assets because they get big personal rewards when they win—and even if they lose, they are often bailed out with public funds by obedient politicians. We privatize profit and socialize risk.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Today is the day I reckon with fate. The day I wrestle with my destiny to become the man of the house and win over my new heir.
Kayley Loring (A Very Vegas St. Patrick's Day (Very Holiday #3))
Crypto (and to some extent DeFi) is more of a gamble than an investment at the moment. But in Las Vegas, the house always wins. The whole point of decentralization is to remove “the house” from the playing field.
Eugene McKinney (The DeFi Revolution: What You Need to Know About How Decentralized Finance and Blockchain Technology Are Disrupting the World, and How You Can Profit)
The casinos introduced technology to stop the counters. Cameras and observers followed the action through one-way mirrors above the tables. Currently, this is automated, incorporating face-recognition software. RFID chips keep track of a player’s bets, and machines can track the cards and check the play of the hands, searching for patterns characteristic of counters. Machines that continually reshuffle the cards proved to be a perfect defense without slowing the game down, but the casinos pay fees to the vendors of the machines. Meanwhile the card counters were developing more techniques for winning.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
A friend of mine makes an annual pilgrimage to Las Vegas. One year he asked a dealer: What games do you play, and what casinos do you play in? The dealer, stone-cold serious, replied: “The only way to win in a Las Vegas casino is to exit as soon as you enter.
Morgan Housel (The Psychology of Money: Timeless lessons on wealth, greed, and happiness)
Tory Vega just shut me down. I asked her to come to my room tonight but she just messaged me saying she's not coming and that I should use this time to 'work on my personality'.” He sighed, furiously thumbing through FaeBook posts absentmindedly, kicking out against the railing and making us swing backwards. “The Vegas are hard work.” I leaned my head back with a grunt. Caleb threw me a curious look. “You're not judging me then? Because every time I mention her name in front of Darius he looks like he's about to burst into flames.” ... “Well look at the bright side,” I said. “You could marry one of them and avoid marrying your buck-toothed cousin?” Darius's eyes whipped to me, his anger seeming to dissolve for a second. “That's not a terrible idea. Tory Vega has dry humped me on more than one occasion so I could probably win her round.” “I do hope you're fucking joking right now,” Caleb said in a deadly low voice and I turned to him with a smirk. “Someone's jealous,” I taunted, shoving his thigh with mine and he pressed his lips together into a tight line. A smirk pulled at Darius's features as he played up to Caleb's reaction. “That would be one way to keep her in line, huh Caleb? Surely you don't mind if I claim your play-thing. You're only passing time with her anyway, right?” “Right,” Caleb ground out, his shoulders becoming rigid and I glanced at him, knowing that wasn't true. Caleb didn't do exclusive very often, but it seemed like he was trying to do it with Tory. Which meant he actually gave a shit about her. And with my emotions all knotted up over Darcy, I sensed we were both about to cause a real issue when it came to keeping them both under heel. “That was the least convincing act I've ever seen,” Max jibed. “And I can feel your jealousy from here, mate, so you're not fooling anyone.” “She's my Source, it's natural for me to be possessive. That doesn't mean I care about her,” Caleb insisted, glaring at Max to try and make him back down. Their fighting made me uncomfortable and I snarled at Max to try and make him back off too. He raised his hands in innocence and I relaxed, getting to my feet and moving to stand next to Darius instead. (Seth POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Right, that’s enough! Miss Vega, get your ass in your own seat.” “Rigel, Acrux and Altair, if you throw one more fucking ice ball in my classroom, I will blast you through the wall and you can forget about coming back here to learn a single thing.” “What would happen if a Fae with a big Order form swallowed three people then shifted back into their Fae form? Do you think they’d die? I think they might die,” Seth mused aloud. “Actually, I know some annoying people we could send as bait to Lionel, then when he eats them, we could shoot an Order Suppressant dart up his ass and bang. Dead Dragon. Annoying people eaten. Win – win.” “Capella, if you ask another pointless question this lesson, I will force feed you three people in your Werewolf form and we’ll put your theory to the test,” I snarled, stealing the air from his lungs as he opened his mouth to respond. “So hot,” Darcy said under her breath as she watched me, shifting in her seat as desire filled her eyes. “Miss Vega, if you keep looking at me like that, I will bring you up here, bend you over my desk and spank you in front of everyone. Is that what you want?” I demanded, trying to ignore the way my cock was twitching for her.
Caroline Peckham
He plays poker in Vegas. He wins. I mean, not really. He doesn’t actually play. He buys the chips with cash, takes back checks when he cashes out, so he has the checks from the casinos to prove his so-called winnings. Declares it on his income tax. Not all of it, but a pretty big chunk. He spreads that over two or three years.
John Sandford (Judgment Prey (Lucas Davenport, #33; Virgil Flowers, #15))
If POG was trading at a 40 percent discount with shares at $6 each and an NAV of $10, we could attempt to buy enough shares to force and win a vote to convert the fund to an open-end mutual fund, allowing shareholders to redeem at net asset value. Then we pay $6 a share and cash out at $10 a share, for a profit of $4
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
The Baldwin strategy was the best way to play the game when nothing was known about which cards had already been played. Their analysis was for a single deck because that was the only version played in Nevada at the time. The Baldwin group also showed that the advice of the reigning gambling experts was poor, unnecessarily giving the casinos an extra 2 percent advantage. Any strategy table for blackjack must tell the player how to act for each case that can arise from the ten possible values of the dealer’s upcard versus each of the fifty-five different pairs of cards that can be dealt to the player. To find the best way for the player to manage his cards in each of these 550 different situations, you need to calculate all the possible ways subsequent cards can be dealt and the payoffs that result. There may be thousands, even millions of ways each hand can play out. Do this for each of the 550 situations and the computations just for the complete deck become enormous. If you are dealt a pair, the strategy table must tell you whether or not to split it. The next decision is whether or not to double down, which is to double your bet and draw exactly one card to the first two cards of a hand. Your final decision is whether to draw more cards or to stop (“stand”). Once I had figured out a winning strategy, I planned to condense these myriad decisions onto tiny pictorial cards, just as I had with the Baldwin strategy. This would allow me to visualize patterns, making it much easier to recall what to do in each of the 550 possible cases.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Keeping track of the 5s leads to a very simple winning system. Suppose the player bets small whenever any 5s are left and bets big whenever all the 5s are gone. The likelihood of all the 5s being gone increases as fewer cards remain. When twenty-six cards are left, this will happen about 5 percent of the time, and if only thirteen cards are left, 30 percent of the time. Since the player then has a 3.29 percent edge on his bets, if these are very big compared with his other bets he wins in the long run. For actual casino play, I built a much more powerful winning strategy based on the fluctuation in the percentage of Ten-value cards in the deck, even though my calculations showed that the impact of a Ten was less than that of a 5, since there were four times as many Tens. The larger fluctuations in “Ten-richness” that resulted gave the player more and better opportunities.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Card counters formed informal networks and developed new and improved techniques. Beat the Dealer had introduced the idea of a team. Suppose several players, say five, each with a $10,000 bankroll, are playing separately, winning at an average rate of 1 percent or $100 an hour. Then the five players together will gain an average of $500 an hour. If instead they pool their money into one $50,000 bank, when one of them plays he can bet five times as much as he could safely risk on his own $10,000. Consequently he expects to win five times as much, namely, 1 percent of $50,000 or $500
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
As I stood ready to leave for the casino, Claude cocked his head and with an elfish smile asked, “What makes you tick?” Claude was jokingly referring to the strange sounds (actually these were musical tones) he would be sending from the computer he was wearing to my ear canal, once we went into action at the roulette table. As I look back now from the future, seeing myself wired up with our equipment, I stop that moment in time and I think about a deeper meaning to the question of what makes me tick. I was at a point then in life when I could choose between two very different futures. I could roam the world as a professional gambler winning millions per year. Switching between blackjack and roulette, I could spend some of the winnings as perfect camouflage by also betting on other games offering a small casino edge, like craps or baccarat. My other choice was to continue my academic life. The path I would take was determined by my character, namely, What makes me tick? As the Greek philosopher Heraclitus said, “Character is destiny.” I unfreeze time and watch us head for the roulette tables.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
But we had issues. Well into one winning session, a lady next to me looked over in horror. Knowing I should leave, but not why, I raced to the restroom and there in the mirror saw the speaker peeking out from my ear canal like an alien insect. More seriously, though we frequently turned small piles of dime chips into large ones, we had a problem that prevented us on this trip from moving to large-scale betting. This had to do with the wires to the ear speaker. Even though they were steel, they were so fine that they broke frequently, leading to long interruptions while we returned to our rooms and went through the tedious process of doing the repairs and then rewiring me. But when it was up and running, the computer was a success. We knew we could solve the wire problem by using larger wires and growing hair to cover both our ears and the wire running up our neck. We also considered persuading our reluctant wives to “wire up,” concealing everything under their fashionable longer hair.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
I didn’t expect to win, since the odds were slightly against me, but as I expected to build a device to successfully predict roulette and had never gambled before, it was time to get casino experience. I knew virtually nothing about casinos, their history, or how they operated. I was like a person who had glanced at recipes but never been in a kitchen.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
I just want to say that a winning season doesn’t mean much if you don’t have somebody to share it with. There’s this woman I can’t stop thinking about, and regardless of whether she’s in Kansas or Vegas or on the damn moon, regardless of whether she’ll talk to me or ignore me... any wins, any victories that come our way will be because she’s on my mind. Trust me when I say that I won’t be sitting on the bench this season. Not when I’m playing for her and my son.
Lisa Suzanne (Touchdown (Vegas Aces: The Quarterback, #5))
I love you, Jack. I want to figure out how to make this work with you. I want to celebrate your wins and mourn your losses and stand by your side through it all. I want the world to know that you are mine and I am yours and nothing, nothing is going to tear us apart.
Lisa Suzanne (Touchdown (Vegas Aces: The Quarterback, #5))
The only way to win in a Las Vegas casino is to exit as soon as you enter.
Morgan Housel (The Psychology of Money)
A sharp crunching sound echoed across the cramped office. Pinfeather’s eyes went wide, his body rigid as a steel pole. He looked down. Caitlin’s hand was buried in his chest up to the wrist. A rivulet of blood guttered from his mouth as he tried to speak. Caitlin put her lips to his ear as her fingers curled around his pounding heart. “Like you said, this is Vegas,” Caitlin whispered. “And in Vegas, the house always wins.” She yanked her hand free. Pinfeather crumpled to the carpet, a look of surprise frozen on his face. She dropped his dead heart onto the ruins of his chest and went to find a bathroom where she could scrub her hands. Caitlin hummed as she strolled away from the empty church, thinking about what to buy for dinner. Daniel was coming over, and for at least one night, they could relax together in peace. She supposed things had worked out just fine.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
Arguing with your wife is like gambling in Vegas. You know how in Vegas the House always wins? Well, when you argue with your wife, she is the House.
Bob Marsocci (You Exhaust Me: A Clueless Guy's Guide to Marriage)
You’ve got to have the emotional understanding that you can make the right play time and time again,” he would say, “but you can still lose. And even if you lose four times in a row, you’re still supposed to make the same play the fifth time. It’s a very easy concept in theory, but in practice it’s much harder, especially when you see people making bad moves and they win. You have to do the right move all the time.” Once
David Kushner (Jonny Magic and the Card Shark Kids: How a Gang of Geeks Beat the Odds and Stormed Las Vegas)
If you are all set for an enjoyable weekend then simply head towards the magnificent Her Majesty’s Theatre! The popular London Westend theatre is running the award winning London show, The Phantom of the Opera with packed houses. The show has already made its remarkable entry into its third decade. The blockbuster London show by Andrew Lloyd Webber is a complete treat for music lovers. The popular show has won several prestigious awards. The show is set against the backdrop of gothic Paris Opera House. The show revolves around soprano Christine Daae who is enticed by the voice of Phantom. The show features some of the heart touching and spell binding musical numbers such as 'The Music of the Night', 'All I Ask of You' and the infamous title track, The Phantom of the Opera. The Phantom of the Opera is a complete audio visual treat for theatre lovers. In the year 1986, the original production made its debut at the Her Majesty's Theatre featuring Michael Crawford and Sarah Brightman. Sarah was then wife of composer Andrew Lloyd Webber. The popular London musical, The Phantom of the Opera went on becoming a popular show and still London's hottest ticket. The award winning show is a brilliant amalgamation of outstanding design, special effects and memorable score. The show has earned critical acclamation from both the critics and audiences. The show has been transferred to Broadway and is currently the longest running musical. The show is running at the Majestic Theatre and enjoyed brilliant performance across the globe. For Instance, the Las Vegas production was designed specifically with a real lake. In order to celebrate its silver jubilee, there was a glorious concert production at the Royal Albert Hall. The phenomenal production featured Ramin Karimloo and Sierra Boggess as Phantom and Christine. If you are looking for some heart touching love musical the Phantom of the Opera is a must watch. With its wonderfully designed sets, costumes and special effects, the show is a must watch for theatre lovers. The show is recommended for 10+ kids and run for two hours and thirty minutes.
Alina Popescu
When we become an autonomous organization, we will be one of the largest unadulterated digital security organizations on the planet,” he told the annual Intel Security Focus meeting in Las Vegas. “Not only will we be one of the greatest, however, we will not rest until we achieve our goal of being the best,” said Young. This is the main focus since Intel reported on agreements to deactivate its security business as a free organization in association with the venture company TPG, five years after the acquisition of McAfee. Young focused on his vision of the new company, his roadmap to achieve that, the need for rapid innovation and the importance of collaboration between industries. “One of the things I love about this conference is that we all come together to find ways to win, to work together,” he said. First, Young highlighted the publication of the book The Second Economy: the race for trust, treasure and time in the war of cybersecurity. The main objective of the book is to help the information security officers (CISO) to communicate the battles that everyone faces in front of others in the c-suite. “So we can recruit them into our fight, we need to recruit others on our journey if we want to be successful,” he said. Challenging assumptions The book is also aimed at encouraging information security professionals to challenge their own assumptions. “I plan to send two copies of this book to the winner of the US presidential election, because cybersecurity is going to be one of the most important issues they could face,” said Young. “The book is about giving more people a vision of the dynamism of what we face in cybersecurity, which is why we have to continually challenge our assumptions,” he said. “That’s why we challenge our assumptions in the book, as well as our assumptions about what we do every day.” Young said Intel Security had asked thousands of customers to challenge the company’s assumptions in the last 18 months so that it could improve. “This week, we are going to bring many of those comments to life in delivering a lot of innovation throughout our portfolio,” he said. Then, Young used a video to underscore the message that the McAfee brand is based on the belief that there is power to work together, and that no person, product or organization can provide total security. By allowing protection, detection and correction to work together, the company believes it can react to cyber threats more quickly. By linking products from different suppliers to work together, the company believes that network security improves. By bringing together companies to share intelligence on threats, you can find better ways to protect each other. The company said that cyber crime is the biggest challenge of the digital era, and this can only be overcome by working together. Revealed a new slogan: “Together is power”. The video also revealed the logo of the new independent company, which Young called a symbol of its new beginning and a visual representation of what is essential to the company’s strategy. “The shield means defense, and the two intertwined components are a symbol of the union that we are in the industry,” he said. “The color red is a callback to our legacy in the industry.” Three main reasons for independence According to Young, there are three main reasons behind the decision to become an independent company. First of all, it should focus entirely on enterprise-level cybersecurity, solve customers ‘cybersecurity problems and address clients’ cybersecurity challenges. The second is innovation. “Because we are committed and dedicated to cybersecurity only at the company level, our innovation is focused on that,” said Young. Third is growth. “Our industry is moving faster than any other IT sub-segment, we have t
Arslan Wani
Madden could be a secretive pain in the ass, but he knew a lot about hockey and he could turn on the charm and win anyone over when he so wished, which wasn’t often.
Katie Kenyhercz (On the Fly (Las Vegas Sinners, #1))
The preseason had been a trainwreck. They lost every game. Normally, she’d consider low attendance a bad thing, but it felt like a blessing. Now, on the night of the season opener, the pressure to win and garner the respect of potential fans, not to mention get the commissioner off her back, felt like an elephant sitting on her shoulders.
Katie Kenyhercz (On the Fly (Las Vegas Sinners, #1))
guests to ride in the elevator, so she wouldn’t have to share it alone with that man. No one came. Her step faltered, and her hand grabbed the doorframe, afraid to let go, still unsure of what to do. The hotel lobby sizzled with life and excitement and sparkled in a million colors, as can only be seen in Vegas. Nearby, clusters of gaming tables and slot machines were surrounded by tourists, and cheers erupted every now and then, almost covering the ringing of bells and the digital sound of tokens overflowing in silver trays, while the actual winnings printed silently on thermal paper in coupons redeemable
Leslie Wolfe (Las Vegas Girl (Baxter and Holt, #1))
Lydia makes every experience better. Being with her feels like luck and fate and winning the lottery. It feels like trust and friendship and home. Her love feels like a surprise so good you’d never dare expect it, but when it finds you, you hold on tight.
Jana Aston (Good Girl (Vegas Billionaires, #1))