“
Elend smiled. "Oh, come on. You have to admit that you're unusual, Vin. You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've mangaged - in our short three years together - to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
”
”
John Berger
“
Love is a religion, and its rituals cost more than those of other religions. It goes by quickly and, like a street urchin, it likes to mark its passage by a trail of devastation.
”
”
Honoré de Balzac (Père Goriot)
“
Her fingers moved among barnacles and mussels, blue-black, sharp-edged. Neon red starfish were limp Dalis on the rocks, surrounded by bouquets of stinging anemones and purple bursts of spiny sea urchins.
”
”
Janet Fitch (White Oleander)
“
Sea urchins have protective, mobile spines. Laura now has all the protection she needs, coming from within.
”
”
Sally Ann Hunter (Transfigured Sea)
“
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
”
”
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
“
I feel for all faiths the warm sympathy of one who has come to learn that even the trust in reason is a precarious faith, and that we are all fragments of darkness groping for the sun. I know no more about the ultimates than the simplest urchin in the streets.
”
”
Will Durant
“
The stories in books hate the stories in newspapers, David's mother would say. Newspaper stories were like newly caught fish, worthy of attention only for as long as they remained fresh, which was not very long at all. They were like the street urchins hawking the evening editions, all shouty and insistent, while stories- real stories, proper made-up stories-were like stern but helpful librarians in a well-stocked library. Newspaper stories were as insubstantial as smoke, as long-lived as mayflies. They did not take root but were instead like weeds that crawled along the ground, stealing the sunlight from more deserving tales.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
“
You who are Prejudice, Abuse, Ignominy, Oppression, Iniquity, Despotism, Injustice, Fanaticism, beware of the wide-eyed urchin. He will grow up.
”
”
Victor Hugo (Les Misérables)
“
And I’ll gaze across the chasm to the other side of the island, where I can still sometimes catch sight of a curly-haired urchin running joyously through the tall purple grass, her faithful dog at her heels.
”
”
Michelle Cooper (The FitzOsbornes at War)
“
I like the way the morning can be stormy and the afternoon clear and sparkly as a jewel in the water. Put your hand in the water to reach for a sea urchin or a sea shell, and the thing desired never quite lies where you had lined it up to be. The same is true of love. In prospect or contemplation, love is where it seems to be. Reach in to lift it out and your hand misses
”
”
Jeanette Winterson (The PowerBook)
“
For this, be sure, tonight thou shalt have cramps,
Side-stitches that shall pen thy breath up. Urchins
Shall forth at vast of night that they may work
All exercise on thee. Thou shalt be pinched
As thick as honeycomb, each pinch more stinging
Than bees that made 'em.
”
”
William Shakespeare (The Tempest)
“
And, in fact, this is the tale that I would love to write: history is such a romantic place, with its jarveys and urchins and side-buttoned boots. If it would just stay still, I think, and settle down. If it would just stop sliding around in my head.
”
”
Anne Enright (The Gathering)
“
I could hear people around us whispering about the crazy drunk man and his dirty little urchin children, but who cared what they thought?
”
”
Jeannette Walls (The Glass Castle)
“
I don't know who had the training of you," he continued doggedly, "but your morals are shocking. You spent a night in my bed, remember, after a night in a bawdy house. You go about collecting street urchins and letting inebriated vagabonds kiss you, and then you get into brawls in pawnshops. You are probably past all redemption, but I'm going to reform you anyhow. If you behave yourself, perhaps I'll let you reform me on occasion, but I make no promises.
”
”
Loretta Chase (Viscount Vagabond)
“
That Jim Crow there in the window," answered the urchin, holding out a cent, and pointing to the gingerbread figure that had attracted his notice, as he loitered along to school; "the one that has not a broken foot.
”
”
Nathaniel Hawthorne (The House of the Seven Gables)
“
wonder. At last one took the other aside, and said, 'That little urchin
”
”
Jacob Grimm (Grimm's Fairy Tales)
“
...it would be a very naive sort of dogmatism to assume that there exists an absolute reality of things which is the same for all living beings. Reality is not a unique and homogeneous thing; it is immensely diversified, having as many different schemes and patterns as there are different organisms. Every organism is, so to speak, a monadic being. It has a world of its own because it has an experience of its own. The phenomena that we find in the life of a certain biological species are not transferable to any other species. The experiences - and therefore the realities - of two different organisms are incommensurable with one another. In the world of a fly, says Uexkull, we find only "fly things"; in the world of a sea urchin we find only "sea urchin things.
”
”
Ernst Cassirer (An Essay on Man: An Introduction to a Philosophy of Human Culture)
“
May yours be the sparkle of light on the ocean,
The whisper of foam on the sea,
The warm sand guiding your feet safely home,
A pebble in your pocket from me.
Some sea glass, a starfish, some driftwood, a whelk,
Treasures washed up on the shore.
A flower, a feather, an urchin, a pearl,
Keep your eyes open for more.
May you know yourself held in the palm of Her hand,
Blessed by the waves wild and free,
Blown by the wind, anointed with salt,
Beloved of She of the Sea.
”
”
Lucy H. Pearce (She of the Sea)
“
It’s certainly nice to have my options open.” He looked back out at the city. “Can this possibly work, Mister Brekker? Or am I risking the fate of Ravka and the world’s Grisha on the honor and abilities of a fast-talking urchin?”
“More than a bit of both,” said Kaz. “You’re risking a country. We’re risking our lives. Seems a fair trade.”
The king of Ravka offered his hand. “The deal is the deal?”
“The deal is the deal.”
They shook.
“If only treaties could be signed so quickly,” he said, his easy privateer’s mien sliding back in place like a mask purchased on West Stave. “I’m going to have a drink and a bath. One can take only so much mud and squalor. As the rebel said to the prince, it’s bad for the constitution.”
He flicked an invisible speck of dust from his lapel and sauntered out of the solarium.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
As he helped her prepare, the sky darkened beyond the cracked-open window. The distant urban melody of wheels rattling over cobblestone, urchins hawking the evening paper, and church bells sonorously pealing the hour mingled with the muted conversations of guests passing in the hall outside.
”
”
Margaret Rogerson (Mysteries of Thorn Manor (Sorcery of Thorns, #1.5))
“
The soul, you see, is a shy and retiring thing. It lurks in dark places and dislikes sunlight. And so, if you do not keep the skylight open at all times, the soul will rot. It easily decays, like a fresh sea urchin.
”
”
Yukio Mishima (The Frolic of the Beasts (Vintage International))
“
Are you a princess?” an older girl asks, but I smile and shake my head. “No. Are you?” The children all scoff together, trading looks. “You think princesses live in the shanties like street urchins?” I lower my hood and give her a conspiratorial smile. “Maybe hidden princesses do.
”
”
Raven Kennedy (Gild (The Plated Prisoner, #1))
“
After all, my young Dodger, what exactly are you? A stalwart young man, plucky and brave and apparently without fear? Or, possibly, I suggest, a street urchin with a surfeit of animal cunning and the luck of Beelzebub himself.
”
”
Terry Pratchett (Dodger)
“
Nobody ever got started on a career as a writer by exercising good judgment, and no one ever will, either, so the sooner you break the habit of relying on yours, the faster you will advance. People with good judgment weigh the assurance of a comfortable living represented by the mariners’ certificates that declare them masters of all ships, whether steam or sail, and masters of all oceans and all navigable rivers, and do not forsake such work in order to learn English and write books signed Joseph Conrad. People who have had hard lives but somehow found themselves fetched up in executive positions with prosperous West Coast oil firms do not drink and wench themselves out of such comfy billets in order in their middle age to write books as Raymond Chandler; that would be poor judgment. No one on the payroll of a New York newspaper would get drunk and chuck it all to become a free-lance writer, so there was no John O’Hara. When you have at last progressed to the junction that enforces the decision of whether to proceed further, by sending your stuff out, and refusing to remain a wistful urchin too afraid to beg, and you have sent the stuff, it is time to pause and rejoice.
”
”
George V. Higgins
“
Today, however, she didn't go looking for urchins or broken shells. She simply walked to the end of the earth and stood a while.
”
”
John Burnside (A Summer of Drowning)
“
Don’t grow up, Urchin, whatever you do. Definitely a bad idea.
”
”
Margaret McAllister (Urchin and the Rage Tide (The Mistmantle Chronicles, #5))
“
Yes.' Ouyang tried to laugh. It stuck in his throat like a salty sea urchin. 'This is your death. That is mine. We're fixed, Esen.' The saltiness was choking him. 'We have always been.
”
”
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
“
No Geologist worth anything is permanently bound to a desk or laboratory, but the charming notion that true science can only be based on unbiased observation of nature in the raw is mythology. Creative work, in geology and anywhere else, is interaction and synthesis: half-baked ideas from a bar room, rocks in the field, chains of thought from lonely walks, numbers squeezed from rocks in a laboratory, numbers from a calculator riveted to a desk, fancy equipment usually malfunctioning on expensive ships, cheap equipment in the human cranium, arguments before a road cut.
”
”
Stephen Jay Gould (An Urchin in the Storm: Essays About Books and Ideas)
“
What if America isn’t really the sort of place where a street urchin can charm his way to the top through diligence and talent? What if instead it’s the sort of place where heartwarming stories about abused children who triumphed through adversity are made up and marketed?
”
”
David Shields (Reality Hunger: A Manifesto)
“
When I was sent of errands, I always took my book with me, and by going one part of my errand quickly, I found time to get a lesson before my return. I used also to carry bread with me, enough of which was always in the house, and to which I was always welcome; for I was much better off in this regard than many of the poor white children in our neighborhood. This bread I used to bestow upon the hungry little urchins, who, in return, would give me that more valuable bread of knowledge.
”
”
Fredrick Douglas (Narrative of the Life of Frederick Douglass)
“
He laid his heart before the Heart. What else could he do?
”
”
M.I. McAllister (Urchin and the Raven War (The Mistmantle Chronicles, #4))
“
Now observe that in all the propaganda of the ecologists—amidst all their appeals to nature and pleas for “harmony with nature”—there is no discussion of man’s needs and the requirements of his survival. Man is treated as if he were an unnatural phenomenon. Man cannot survive in the kind of state of nature that the ecologists envision—i.e., on the level of sea urchins or polar bears....
In order to survive, man has to discover and produce everything he needs, which means that he has to alter his background and adapt it to his needs. Nature has not equipped him for adapting himself to his background in the manner of animals. From the most primitive cultures to the most advanced civilizations, man has had to manufacture things; his well-being depends on his success at production. The lowest human tribe cannot survive without that alleged source of pollution: fire. It is not merely symbolic that fire was the property of the gods which Prometheus brought to man. The ecologists are the new vultures swarming to extinguish that fire.
”
”
Ayn Rand (The Return of the Primitive: The Anti-Industrial Revolution)
“
Alone all day, Juniper would remember the animals and places he loved, and hold them in his own heart before the great Heart that made them. He was learning to find quietness inside himself. He was learning to pray.
”
”
Margaret McAllister (Urchin and the Heartstone (The Mistmantle Chronicles, #2))
“
We were right to come here, if only because the ocean reminded you that impossible things were possible. Miles and miles of the deepest waters that moved like clockwork were possible. Creatures like jellyfish and sea urchins were, too. Millions and jillions of the tiniest grains of sand to form one long, soft beach—yep, even that was possible.
”
”
Deb Caletti (Stay)
“
Ego is like a street urchin, born of fear and wanting and left to its own devices....
”
”
Kathleen Dowling Singh (The Grace in Aging: Awaken as You Grow Older)
“
With her skin turned black with all those sunbaths, and her hair spiky and wiry with so many sea baths, Isobel resembled a cross between a kipper and a sea urchin.
”
”
E.F. Benson (Mapp and Lucia (Lucia, #4))
“
The sea is a memory. It is mesmerising. Its beauty is intolerable. What it buries is vaster than what it reveals. Every so often you get a glimpse of what you forget, or you wade in and something snags you, a broken shell or a sea urchin the fishermen missed...No waves speak with the same voice, though they share the same elements and motion, the regular beating of the surf, their rippling heaves.
”
”
Gina Apostol (Insurrecto)
“
There are animals with eyes on their genitals, ears on their knees, noses on their limbs, and tongues all over their skin. Starfish see with the tips of their arms, and sea urchins with their entire bodies.
”
”
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
“
I hate people,” he said, wiping the urchin’s face with the rag. “Animals are more noble. Look at this boy. He’s poor and desperate, but can they see it? Can they pity him? No. They should embrace him. They should save their kicks and blows for the bastards who keep them so poor, who set them on each other like dogs.
”
”
Janet Fitch (The Revolution of Marina M.)
“
Padra put a paw on his shoulder as they trudged slowly across the sand together.
“It’s unusual for an otter to take on a squirrel for a page,” he said, “and I’m a poor substitute for Crispin.”
Urchin had been feeling that he would never be happy again. Now hope flared. “I can swim a bit, sir, if that helps,” he said eagerly.
”
”
M.I. McAllister (Urchin of the Riding Stars (The Mistmantle Chronicles, #1))
“
I instantly thought the guy was cute, in that gaunt, never-sees-the-light-of-day, New York street urchin kind of way. And he never stood still for a second. From across the tracks I read his expression as I have everything on my side except destiny, only his expression clearly hadn't informed his head or heart yet. The guy looked over and caught me staring, and once his eyes met mine they never deviated. He took several cautious steps forward, stopping abruptly at the thick yellow line you weren't supposed to cross. His arms dangled like a puppet and he seemed to skim the ground when he walked, as if suspended over the edge of the world by a hundred invisible strings.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
In strange and beautiful wares. It sells the lovely animals of the sea, the sponges, tunicates, anemones, the stars and buttlestars, and sun stars, the bivalves, barnacles, the worms and shells, the fabulous and multiform little brothers, the living moving flowers of the sea, nudibranchs and tectibranchs, the spiked and nobbed and needly urchins,
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
Don’t put anything in writing you wouldn’t want the world to read when you’re dead.
”
”
April White (An Urchin of Means (Baker Street, #1))
“
But perhaps I really am meant to do something for this island. Or perhaps I should, after what you’ve told me, whether I’m meant to or not.
”
”
M.I. McAllister (Urchin and the Heartstone (The Mistmantle Chronicles, #2))
“
If you intend to look like a street urchin and smell like a sow, I shall have to call you something else." He looked Teach over from head to toe, noting his shabby black hair and beard. "You're no dandy. I'll call you Blackbeard. Welcome aboard.
”
”
Nicole Castroman (Blackhearts (Blackhearts, #1))
“
But you don't come to Palermo to stay in minimalist hotels and eat avocado toast; you come to Palermo to be in Palermo, to drink espressos as dark and thick as crude oil, to eat tangles of toothsome spaghetti bathed in buttery sea urchins, to wander the streets at night, feeling perfectly charmed on one block, slightly concerned on the next. To get lost. After a few days, you learn to turn down one street because it smells like jasmine and honeysuckle in the morning; you learn to avoid another street because in the heat of the afternoon the air is thick with the suggestion of swordfish three days past its prime.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
I hunted rats and ate out of dustbins and saw my kittens killed and was hung by my tail and abused by wicked urchins,” Graymalk said suddenly, “before the mistress found me. She was an orphan who’d lived on the streets. Her life had been even worse.
”
”
Roger Zelazny (A Night in the Lonesome October)
“
Do you remember,” said Needle, “you said once that you thought you should have something important to do? Well, I think you’ve done it.”
“I’m not sure,” said Urchin. “I mean, yes, I know I’ve done some thing. But it doesn’t feel finished. There’s more that I have to do. And more that I have to be. I mean, it’s not as if you can do one special thing, and that’s it. It’s what you go on being that matters. Come to think of it, I don’t know what I am anymore.
”
”
M.I. McAllister (Urchin of the Riding Stars (The Mistmantle Chronicles, #1))
“
Urchin decided to put off his carefully prepared speech until they were on the shore. They sat on the rocks at low tide as they had so often before, watching anemones and sea urchins while Sepia dabbled her paws in the water. Finally he decided that his speech was ridiculous, and simply asked her to marry him.
”
”
Margaret McAllister (Urchin and the Rage Tide (The Mistmantle Chronicles, #5))
“
the history that makes the books is written by the victors. The poor never were and never will be victorious in any version of history, and change comes so slowly that individual contributions are always lost in the great gradual tide.
”
”
April White (An Urchin of Means (Baker Street, #1))
“
The people are hungry,” Mihali said. He lifted his hands, spreading them to encompass the city. “The people need to be fed. They need bread and wine and soup and meat. But not just that. They need friendship.” He pointed to a minor noble, some viscount decked out in his finest foppish frills, who poured a bottle of St. Adom’s Festival wine into the cups of a half-dozen street urchins.
“They need companionship,” Mihali said. “They need love and brotherhood.” He turned to Tamas. He reached out with one hand, putting a palm to Tamas’s cheek. Instinct told Tamas to step back. He found that he couldn’t.
“You gorged them on the blood of the nobility,” Mihali said gently. “They drank, but were not filled. They ate of hatred and grew hungrier.” He took a deep breath. “Your intentions were… well, not pure, but just. Justice is never enough.” He let go of Tamas and turned to the square. “I will put things right,” he said. He puffed out his chest and spread his arms. “I will feed all of Adro. It is what they need.
”
”
Brian McClellan (Promise of Blood (Powder Mage, #1))
“
One look at the officials in the American Consulate where we went for dreary paper routines was enough to make you realize what was wrong with American 'diplomacy' throughout the Fellaheen world: - stiff offcious squares with contempt even for their own Americans who happened not to wear neckties, as tho a necktie or whatever it stands for meant anything to the hungry Berbers who came into Tangiers every Saturday morning on meek asses, like Christ, carrying baskets of pitiful fruit or dates, and returned at dusk to silhouetted parades along the hill by the railroad track. The railroad track where barefooted prophets still walked and taught the Koran to children along the way. Why didn't the American consul ever walk into the urchin hall where Mohammed Maye sat smoking? or squat in behind empty buildings with old Arabs who talked with their hands? or any thing? Instead it's all private limousines, hotel restaurants, parties in the suburbs, an endless phoney rejection in the name of 'democracy' of all that's pith and moment of every land.
”
”
Jack Kerouac (Desolation Angels)
“
You want me to marry Paul? But he is a moron and an idiot! He hasn't learned to fight properly, and he can't even read."
The king's smile widened. "I knew you'd like him.
”
”
Katharina Gerlach (Urchin King)
“
Youth is as easily wasted as a fine wine consumed by a drunken man. There is no poetry in aging, and Javert lived out the process in its most hideous iteration.
”
”
Kelsey Brickl (Wolves and Urchins: The Early Life of Inspector Javert)
“
This guy might look like a god, but he had the personality of a sea urchin.
”
”
Victoria Aveline (Tempting Auzed (Clecanian, #4))
“
The rain hammered down, the sea rising beneath it in spikes like the spines of a sea urchin.
”
”
Elisa Shua Dusapin (Winter in Sokcho)
“
The mind of Sir Isaac Newton, the sass of a rebel and the purse of a street urchin.
”
”
Lawrence H. Levy (Second Street Station (A Mary Handley Mystery, #1))
“
ow do I know I can trust you?’ said the urchin. ‘I don’t know,’ said Ridcully. ‘The subtle workings of the brain are a mystery to me, too. But I’m glad that is your belief.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37))
“
But these are sad times, the 'prentices wanting to be masters, and every little tradesman wanting to be a Senator, and every dirty little urchin thinking he can give
impudence to his betters!
”
”
Hope Mirrlees (Lud-in-the-Mist)
“
Hello, Minister!” bellowed Percy, sending a neat jinx straight at Thicknesse, who dropped his wand and clawed at the front of his robes, apparently in awful discomfort. “Did I mention I’m resigning?”
“You’re joking, Perce!” shouted Fred as the Death Eater he was battling collapsed under the weight of three separate Stunning Spells. Thicknesse had fallen to the ground with tiny spikes erupting all over him; he seemed to be turning into some form of sea urchin. Fred looked at Percy with glee.
“You actually are joking, Perce…I don’t think I’ve heard you joke since you were--
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Sir William was also startled, but when Vicky smiled at him, rather in the manner of an engaging street-urchin, his countenance relaxed slightly, and he asked her what she was doing with herself now that she had come home to live.
"Well it all depends," she replied seriously.
Sir William had no daughters, but only his memories of his sisters to guide him, so he said that he had no doubt she was a great help to her mother, arranging flowers, and that kind of thing.
"Oh no, only if it's that sort of a day!" said Vicky.
Sir William was still turning this remark over in his mind when the butler came in to announce that dinner was served.
”
”
Georgette Heyer (No Wind of Blame (Inspectors Hannasyde & Hemingway, #5))
“
Naysayers at their polite best chided the rewilders for romanticizing the past; at their sniping worst, for tempting a 'Jurassic Park' disaster. To these the rewilders quietly voiced a sad and stinging reply. The most dangerous experiment is already underway. The future most to be feared is the one now dictated by the status quo. In vanquishing our most fearsome beasts from the modern world, we have released worse monsters from the compound. They come in disarmingly meek and insidious forms, in chewing plagues of hoofed beasts and sweeping hordes of rats and cats and second-order predators. They come in the form of denuded seascapes and barren forests, ruled by jellyfish and urchins, killer deer and sociopathic monkeys. They come as haunting demons of the human mind. In conquering the fearsome beasts, the conquerors had unwittingly orphaned themselves.
”
”
William Stolzenburg (Where the Wild Things Were: Life, Death, and Ecological Wreckage in a Land of Vanishing Predators)
“
He could smoke through the water as though an aquamarine submarine, he could sever the festoonery of the poolside ebb and eddy into fiery fluttering swathes of hot-cut flax, he could treble beneath the meniscus of the pool, sharp as synthesiser music and with a trajectory of theological impermanence, a crucifixion affected underwater, a kingfisher with the velocity and capriciousness of a shooting star, a knife in the arm of a masochist, a cleft hatchet of rock through the porous orb of a sea urchin, a dick through butter, a tyrannical nutter, Shunt through water, watch Shunt corrupt your daughter. He could move in wet like a lion through wildebeest.
”
”
Kirk Marshall (A Solution to Economic Depression in Little Tokyo, 1953)
“
The unfortunate are not as miserable as the world imagines. That urchins, the handicapped, orphans, prisoners and others are much happier than people think. And that language is a trap, that a dark evolutionary force has created languages to limit human thought. That writers are overrated fools. That all religions come from ancient comic writers. And the ultimate goal of comics is same as the purpose of humanity – to break free from language.
”
”
Manu Joseph (Serious Men)
“
Nor is the difference slight in moral disposition between a barbarian, such as the man described by the old navigator Byron, who dashed his child on the rocks for dropping a basket of sea urchins, and a Howard or Clarkson; and in intellect, between a savage who uses hardly any abstract terms, and a Newton or Shakspeare. Differences of this kind between the highest men of the highest races and the lowest savages, are connected by the finest graduations.
”
”
Charles Darwin
“
Those with hands cupped them for alms, those lacking in hands clenched the bill of a baseball cap in their teeth. Military amputees flapped empty sleeves like flightless birds, mute elderly beggars fixed cobra eyes on you, street urchins told tales taller than themselves about their pitiable conditions, young widows rocked colicky babies whom they might have rented, and assorted cripples displayed every imaginable, unappetizing illness known to man. Farther
”
”
Viet Thanh Nguyen (The Sympathizer)
“
A storm of fruity sweetness!
A concerto of seafood and herbs!
And a fragrant duet of thick lamb mousse and creamed root vegetables!
All three glasses present their own colorful tableau that unfolds across your tongue!
"Though each glass maintains a clear and unique flavor profile...
... from creamed raw sea urchin to smoked scallop mousse- the perfect accenting layer is always slipped into the perfect place.
It's like a gorgeous richly colored show of mousses is dancing in my mouth!
”
”
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
“
Tom knew he was being a surly ass, when he should have been making the most of the opportunity by trying to charm her. But this situation was not something he wanted Cassandra to associate him with.
The last time they had been together, they'd waltzed in a winter garden. Now, they were de-lousing a pestilent street urchin.
It wasn't exactly progress.
Moreover, it would make Tom look even worse in comparison to the well-bred gentlemen who were undoubtedly pursuing her.
Not that he was competing for her. But a man had pride.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
...and when the Assembly arrived at Dusk I hasten'd into the Streets and made my self a child of Hazard. There was a Band of little Vagabonds who met by moon-light in the Moorfields, and for a time I wandred with them; most of them had been left as Orphans in the Plague and, out of the sight of Constable or Watch, would call out to Passers-by Lord Bless you give us a Penny or Bestow a half penny on us: I still hear their Voices in my Head when I walk abroad in a Croud, and some times I am seiz'd with Trembling to think I may be still one of them.
”
”
Peter Ackroyd (Hawksmoor)
“
Indeed Christianity passes. Passes—it has gone! It has littered the beaches of life with churches, cathedrals, shrines and crucifixes, prejudices and intolerances, like the sea urchin and starfish and empty shells and lumps of stinging jelly upon the sands here after a tide. A tidal wave out of Egypt. And it has left a multitude of little wriggling theologians and confessors and apologists hopping and burrowing in the warm nutritious sand. But in the hearts of living men, what remains of it now? Doubtful scraps of Arianism. Phrases. Sentiments. Habits.
”
”
H.G. Wells (Experiment in Autobiography)
“
We got out of our car in Agra to be faced with 150 people and instantly knew that we were their target. We were white (we still are) and wealthy (in comparison). And these people are masters at the art of distraction. You’ll spot the one approaching from the left, but not the imminent threat from the right. And if you say no they have ways of making you say yes. We were greeted with, “Give me money” by street urchins, “Give me 20 rupees,” by a man in a ‘locker room’ looking after our camera equipment, and graceful, exquisite and amused smiles by some of the most magnificently beautiful women in the world. Ladies with coconut oil in their hair, eyes the colour of artisan’s gold, and spirituality in their hearts. And everywhere we went we were greeted with the Añjali Mudrā gesture and the word Namaste, indicating 'I bow to the divine in you.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Yes, yes, I won’t touch anything. More to the point, someone wants to kill me and take your place as the Viper, right, so do you really think the state of your moustache is important right now?” “You have a lot to learn about the world,” he called back as he climbed the stairs. “The state of my moustache has never been more important.
”
”
Celine Jeanjean (The Viper and the Urchin (The Viper and the Urchin #1))
“
Nobody is here to do your thinking for you.
”
”
Margaret McAllister (Urchin and the Raven War (The Mistmantle Chronicles, #4))
M.I. McAllister (Urchin of the Riding Stars (The Mistmantle Chronicles Book 1))
“
What are the fifty newspapers, which those precocious urchins are bawling down the street, and which are kept filed within, what are they but amusements? Not vapid, waterish amusements, but good strong stuff; dealing in round abuse and blackguard names; pulling off the roofs of private houses, as the Halting Devil did in Spain; pimping and pandering for all degrees of vicious taste, and gorging with coined lies the most voracious maw; imputing to every man in public life the coarsest and the vilest motives; scaring away from the stabbed and prostrate body-politic, every Samaritan of clear conscience and good deeds; and setting on, with yell and whistle and the clapping of foul hands, the vilest vermin and worst birds of prey.
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
It was delightful to see him leaping through the branches so far from her, but they had to be careful not to do it when anyone was looking; their painfully acquired witch power of separating had to stay a secret. Once she would have reveled in showing it off to all her urchin friends, and making them goggle with fear, but Will had taught her the value of silence and discretion.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
And later, when the sun begins to sink and the infinite sky is streaked with red and gold, I'll stroll out into the courtyard- perhaps even climb the steps to the gatehouse. And I'll gaze across the Chasm to the other side of the island, where I can still sometimes catch sight of a curly-haired urchin running joyously through the tall purple grass, her faithful dog at her heels.
”
”
Michelle Cooper (The FitzOsbornes at War)
“
Might as well rest the horses,” St. Just said, nudging his beast out of the middle of the beaten path. “Westhaven, can you dismount?” “I cannot. My backside is permanently frozen to the saddle; my ability to reproduce is seriously jeopardized.” “Anna will be desolated.” St. Just waited while Westhaven swung down, then whistled at an urchin shivering in the door to a nearby church. “We’ll
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Juniper remained quiet and thoughtful for a while. Then he said, “We will win, King Crispin, because it’s impossible.” Crispin rubbed his face with his paws. “I’m too tired for riddles, Juniper,” he said. “It’s not a riddle,” said Juniper. “It’s obvious. We are being called to fight beyond all that our strength and numbers can do. It’s not only their strength and their numbers that we’re up against. It’s that powerful, poisonous evil that drives them from inside. It’s beyond us. But it’s not beyond the Heart. Nothing is—so we call upon the Heart to fight our battle for us, and the Heart will.
”
”
M.I. McAllister (Urchin and the Raven War (The Mistmantle Chronicles, #4))
“
One night, walking along 8th Street in the East Village, I saw some adolescent boys, out too late and unattended. They were playing an arcade video game set up on the sidewalk, piloting a digital spacecraft through starlit infinity, blasting everything in their path to bits. Now and then, the machine would let out a robotic shout of encouragement: You’re doing great! So the urchins flew on through the make-believe nothingness, destroying whatever they saw, hypnotized by the mechanical praise that stood in for the human voice of love. That, it seemed to me, was postmodernism in a nutshell. It ignored the full spiritual reality of life all around it in order to blow things apart inside a man-made box that only looked like infinity. You’re doing great, intellectuals! You’re doing great. Much
”
”
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
“
Ziggy is in front of the tube, as if nothing much has been happening in his day, watching Scooby Goes Latin! (1990). Maxine after a quick visit to the bathroom to reformat, knowing better than to start in with the Q&A, comes in and sits down next to him about the time it breaks for a commercial. “Hi, Mom.” She wants to enfold him forever. Instead lets him recap the plot for her. Shaggy, somehow allowed to drive the van, has become confused and made some navigational errors, landing the adventurous quintet eventually in Medellín, Colombia, home at the time to a notorious cocaine cartel, where they stumble onto a scheme by a rogue DEA agent to gain control of the cartel by pretending to be the ghost—what else—of an assassinated drug kingpin. With the help of a pack of local street urchins, however, Scooby and his pals foil the plan.
”
”
Thomas Pynchon (Bleeding Edge)
“
The gutters in the lane overflowed with an odd, languid grace. Water filled the lane; rose from ankle-deep to knee-deep. Insects swam in circles. Urchins splashed about haphazardly, while Saraswati returned from market with a shopping-bag in her hands; insects swam away to avoid this clumsy giant. Her wet footprints printing the floor of the house were as rich with possibility as the first footprint Crusoe found on his island.
”
”
Amit Chaudhuri (A Strange and Sublime Address)
“
As they exited the conference room, Summer tugged at Dirk’s elbow. “So what did the data from Perlmutter cost you?” she chided, knowing the gourmet historian’s penchant for culinary blackmail. “Nothing much. Just a jar of pickled sea urchins and an eighty-year-old bottle of sake.” “You found those in Washington, D.C.?” Dirk gave his sister a pleading look of helplessness. “Well,” she laughed, “we do have six more hours in port.
”
”
Clive Cussler (Black Wind (Dirk Pitt, #18))
“
Hey, ya'll should come home with us. Verdie has a pot roast in the oven that will melt in your mouth," Finn said.
He was as tall as Sawyer and had the bluest eyes Jill had ever seen on a man. Callie nodded at his side as she corralled four kids, and Verdie poked her head out around Finn's shoulder to say, "Yes, we'd love to have you. Got plenty of food and plenty of these wild urchins to entertain you. If that don't keep you laughing, then there's a parrot that never shuts up and a bunch of dogs."
"And a cat," a little girl said shyly.
”
”
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
“
When you have a bad year, there is this need to package it up and write it off-as I have done in the past. I hope, in 2014, when things go badly-people create themselves a New Years’s day the moment they need it. Don’t make 12 resolutions in January but one with every breath. Don’t wait until December 31st to start anew.You can divide time with months and days and weeks-but each minute is only a minute long and belongs completely to itself. What you do in those tiny moments that seem so inconsequential are what will define not only your year-but your life
”
”
S.K. Munt (Urchin (The Fairytail Saga #0.5))
“
Old Colonel Chesnut came for us. When the train stopped, Quashie, shiny black, was seen on his box, as glossy and perfect in his way as his blooded bays, but the old colonel would stop and pick up the dirtiest little Negro I ever saw who was crying by the roadside. This ragged little black urchin was made to climb up and sit beside Quash. It spoilt the symmetry of the turn-out, but it was a character touch, and the old gentleman knows no law but his own will. He had a biscuit in his pocket which he gave this sniffling little Negro, who proved to be his man Scip’s son. I
”
”
Mary Boykin Chesnut (A Diary From Dixie)
“
She’s not your mother. She’s not a woman; she’s not even human. From the moment she went over, we lost her just as surely as if she’d died. They do not live for our benefit. They belong to Themselves.”
I remembered the rolling otter and its sweet-looking paws – dashing that urchin with the rock and the blood staining the water. I remembered the jewel-red carb – dragging that scavenged flesh into the sea grass. I’d found them comical, and pretty, but they were their own creatures too, just as my aunt had said, and busy with the job of living. They probably didn’t even see me. I remembered the way the cave spiders and suchlike scurried to hide from me in the rocks.
They were not there for us. They had their own mysterious life living inside them. Their world was not my world, their story not mine.
”
”
Ananda Braxton-Smith (Merrow)
“
Kit opened his eyes.
"Where is she?"
The voice was high and thin and directly by his left ear-also the location of the blade pressed up hard against his jawline.
"Where is she?" the voice demanded again, whispery words nearly spilling over one another in fury. "Tell me, you bastard! I'll kill you!"
Options flitted through his mind: this person was small, this person was young, it smelled like an urchin, the blade felt like a dagger or dirk. He could break its arm or its neck, he could Turn and crush it from behind or more simply rip off its head-and the only thing that kept his body motionless in the bed was the realization that the creature was obviously speaking of Rue.
"Zane," she said then, a single word that broke like a calm dream through the chamber. "Please do not kill the Marquess of Langford."
-Zane, Kit, & Rue
”
”
Shana Abe (The Smoke Thief (Drakon, #1))
“
Now the whole parable and purpose of these last pages, and indeed of all these pages, is this: to assert that we must instantly begin all over again, and begin at the other end. I begin with a little girl’s hair. That I know is a good thing at any rate. Whatever else is evil, the pride of a good mother in the beauty of her daughter is good. It is one of those adamantine tendernesses which are the touchstones of every age and race. If other things are against it, other things must go down. If landlords and laws and sciences are against it, landlords and laws and sciences must go down. With the red hair of one she–urchin in the gutter I will set fire to all modern civilization. Because a girl should have long hair, she should have clean hair; because she should have clean hair, she should not have an unclean home: because she should not have an unclean home, she should have a free and leisured mother; because she should have a free mother, she should not have an usurious landlord; because there should not be an usurious landlord, there should be a redistribution of property; because there should be a redistribution of property, there shall be a revolution. That little urchin with the gold–red hair, whom I have just watched toddling past my house, she shall not be lopped and lamed and altered; her hair shall not be cut short like a convict’s; no, all the kingdoms of the earth shall be hacked about and mutilated to suit her. She is the human and sacred image; all around her the social fabric shall sway and split and fall; the pillars of society shall be shaken, and the roofs of ages come rushing down, and not one hair of her head shall be harmed.
”
”
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
“
And everywhere, just as there were animals on land, were the animals of the sea.
The tiniest fish made the largest schools- herring, anchovies, and baby mackerel sparkling and cavorting in the light like a million diamonds. They twirled into whirlpools and flowed over the sandy floor like one large, unlikely animal.
Slightly larger fish came in a rainbow, red and yellow and blue and orange and purple and green and particolored like clowns: dragonets and blennies and gobies and combers.
Hake, shad, char, whiting, cod, flounder, and mullet made the solid middle class.
The biggest loners, groupers and oarfish and dogfish and the major sharks and tuna that all grew to a large, ripe old age did so because they had figured out how to avoid human boats, nets, lines, and bait. The black-eyed predators were well aware they were top of the food chain only down deep, and somewhere beyond the surface there were things even more hungry and frightening than they.
Rounding out the population were the famous un-fish of the ocean: the octopus, flexing and swirling the ends of her tentacles; delicate jellyfish like fairies; lobsters and sea stars; urchins and nudibranchs... the funny, caterpillar-like creatures that flowed over the ocean floor wearing all kinds of colors and appendages.
All of these creatures woke, slept, played, swam about, and lived their whole lives under the sea, unconcerned with what went on above them.
But there were other animals in this land, strange ones, who spoke both sky and sea. Seals and dolphins and turtles and the rare fin whale would come down to hunt or talk for a bit and then vanish to that strange membrane that separated the ocean from everything else. Of course they were loved- but perhaps not quite entirely trusted.
”
”
Liz Braswell (Part of Your World)
“
I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen.
'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.'
'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember.
The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman.
Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun?
One thing I won't tell him is that my pockets might be empty, but my bank account is full.
'One drink. Then I must get back.'
He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel.
'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.
”
”
Primula Bond
“
Letter
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
Cocks and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
”
”
Victor Hugo
“
I first came to Hokkaido for two reasons: miso ramen and uni, the island's most famous foods and two items on my short list for Last Supper constituents. The only thing they share in common, besides a home, is the intense fits of joy they deliver: the former made from an unholy mix of pork-bone broth, thick miso paste, and wok-crisped pork belly (with the optional addition of a slab of melting Hokkaido butter), the latter arguably the sexiest food on earth, yolk-orange tongues of raw sea urchin roe with a habit-forming blend of fat and umami, sweetness and brine. Fall for uni at your own peril; like heroin and high-stakes poker, it's an expensive addiction that's tough to kick.
But my dead-simple plan- to binge on both and catch the first flight back to Tokyo- has been upended by a steam locomotive and Whole Foods foliage, and suddenly Hokkaido seems much bigger than an urchin and a bowl of soup. No one told me about the rolling farmlands, the Fuji-like volcanoes, the stunning national parks, one stacked on top of the other. Nobody said there would be wine. And cheese. And bread.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it.
A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home.
The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap.
At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.
”
”
Herman Melville
“
Lift?” Dalinar asked in Azish. “Didn’t you leave?”
“Sure did. What’s wrong with your army?”
“They’re his now.”
“Did you forget to feed them?”
Dalinar glanced at the soldiers, standing in ranks that felt more like packs than they did true battle formations. “Perhaps I didn’t try hard enough.”
“Were you … thinkin’ you’d fight them all on your own?” Lift said. “With a book?”
“There is someone else for me to fight here.”
“… With a book?”
“Yes.”
She shook her head. “Sure, all right. Why not? What do you want me to do?”
The girl didn’t match the conventional ideal of a Knight Radiant. Not even five feet tall, thin and wiry, she looked more urchin than soldier.
She was also all he had.
“Do you have a weapon?” he asked.
“Nope. Can’t read.”
“Can’t…” Dalinar looked down at his book. “I meant a real weapon, Lift.”
“Oh! Yeah, I’ve got one a those.” She thrust her hand to the side. Mist formed into a small, glittering Shardblade.
… Or no, it was just a pole. A silver pole with a rudimentary crossguard.
Lift shrugged. “Wyndle doesn’t like hurting people.”
Doesn’t like … Dalinar blinked. What kind of world did he live in where swords didn’t like hurting people?
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
The clearest signs of Hakodate's current greatness, though, can be found clustered around its central train station, in the morning market, where blocks and blocks of pristine seafood explode onto the sidewalks like an edible aquarium, showcasing the might of the Japanese fishing industry.
Hokkaido is ground zero for the world's high-end sushi culture. The cold waters off the island have long been home to Japan's A-list of seafood: hairy crab, salmon, scallops, squid, and, of course, uni. The word "Hokkaido" attached to any of these creatures commands a premium at market, one that the finest sushi chefs around the world are all too happy to pay.
Most of the Hokkaido haul is shipped off to the Tsukiji market in Tokyo, where it's auctioned and scattered piece by piece around Japan and the big cities of the world. But the island keeps a small portion of the good stuff for itself, most of which seems to be concentrated in a two-hundred-meter stretch in Hakodate.
Everything here glistens with that sparkly sea essence, and nearly everything is meant to be consumed in the moment. Live sea urchins, piled high in hillocks of purple spikes, are split with scissors and scraped out raw with chopsticks. Scallops are blowtorched in their shells until their edges char and their sweet liquor concentrates. Somewhere, surely, a young fishmonger will spoon salmon roe directly into your mouth for the right price.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
He hopes at least after pulling himself up from one branch to another he will be able to see farther, discover where the roads lead; but the foliage beneath him is dense, the ground is soon out of sight, and if he raises his eyes toward the top of the tree he is blinded by The Sun, whose piercing rays make the leaves gleam with every colour against the light. However, the meaning of those two children seen in the tarot should also be explained: they must indicate that, looking up, the young man has realized he is no longer alone in the tree; two urchins have preceeded him, scrambling up the boughs.
They seem twins: identical, barefoot, golden blond. At this point the young man spoke, asked: “what are you two doing here?” or else: “how far is it to the top?” And the twins replied, indicating with confused gesticulation toward something seen on the horizon of the drawing, beneath the sun’s rays: the walls of a city.
But where are these walls located, with respect to the tree? The Ace of Cups portrays, in fact, a city, with many towers and spires and minarets and domes rising above the walls. And also palm fronds, pheasants’ wings, fins of blue moonfish which certainly jut from the city’s gardens, aviaries, aquariums, among which we can imagine the two urchins, chasing each other and vanishing. And this city seems balanced on top of a pyramid, which could also be the top of a great tree; in other words, it would be a city suspended on the highest branches like a bird’s nest, with hanging foundations like the aerial roots of certain plants.
”
”
Italo Calvino (The Castle of Crossed Destinies)
“
The Equator runs close to the Rongai Valley, and, even at so high an altitude as this we hunted in, the belly of the earth was hot as live ash under our feet. Except for an occasional gust of fretful wind that flattened the high, corn-like grass, nothing uttered — nothing in the valley stirred. The chirrup-like drone of grasshoppers was dead, birds left the sky unmarked. the sun reigned and there were no aspirants to his place. We stopped by the red salt-lick that cropped out of the ground in the path of our trail. I did not remember a time when the salt-lick was as deserted as this. Always before it had been crowded with grantii, impala, kongoni, eland, water-buck, and a dozen kinds of smaller animals. But it was empty today. It was like a marketplace whose flow and bustle of life you had witnessed ninety-nine times, but, on your hundredth visit, was vacant and still without even an urchin to tell you why. I put my hand on Arab Maina’s arm. ‘What are you thinking, Maina? Why is there no game today?’ ‘Be quiet, Lakweit, and do not move.’ I dropped the butt of my spear on the earth and watched the two Murani stand still as trees, their nostrils distended, their ears alert to all things. Arab Kosky’s hand was tight on his spear like the claw of an eagle clasping a branch. ‘It is an odd sign,’ murmured Arab Maina, ‘when the salt-lick is without company!’ I had forgotten Buller, but the dog had not forgotten us. He had not forgotten that, with all the knowledge of the two Murani, he still knew better about such things. He thrust his body roughly between Arab Maina and myself, holding his black wet nose close to the ground. And the hairs along his spine stiffened. His hackles rose and he trembled. We might have spoken, but we didn’t. In his way Buller was more eloquent. Without a sound, he said, as clearly as it could be said — ‘Lion.
”
”
Beryl Markham (West with the Night)
“
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale.
Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell.
Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
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Anthony Capella (The Food of Love)