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Are You Ready for New Urban Fragrances?
Yeah, I guess I'm ready, but listen:
Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.
Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.
I want to travel on a train that smells like snowflakes.
I want to sip in cafes that smell like comets.
Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.
I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.
I want to carry luggage that reeks of the neurons in Einstein's brain.
I want a city's gases to smell like the golden belly hairs of the gods.
And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.
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Tom Robbins (Wild Ducks Flying Backward)
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How reprehensible it is when those blessed with commodities insist on ignoring the poor. Better to torment them, force them into indentured servitude, inflict compulsion and blows—this at least produces a connection, fury and a pounding heart, and these too constitute a form of relationship. But to cower in elegant homes behind golden garden gates, fearful lest the breath of warm humankind touch you, unable to indulge in extravagances for fear they might be glimpsed by the embittered oppressed, to oppress and yet lack the courage to show yourself as an oppressor, even to fear the ones you are oppressing, feeling ill at ease in your own wealth and begrudging others their ease, to resort to disagreeable weapons that require neither true audacity nor manly courage, to have money, but only money, without splendor: That’s what things look like in our cities at present
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Robert Walser (The Tanners)
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There being no direct route to Savannah from Charleston, I followed a zigzagging course that took me through the tidal flatlands of the South Carolina low country. As I approached Savannah, the road narrowed to a two-lane blacktop shaded by tall trees. There was an occasional produce stand by the side of the road and a few cottages set into the foliage, but nothing resembling urban sprawl. The voice on the radio informed me that I had entered a zone called the Coastal Empire.
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John Berendt (Midnight in the Garden of Good and Evil)
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I believe in magic. Writing is my magic wand, and through my magic I create my own secret world, away from all these worries and responsibilities. Love, honesty and humanity is essential to enter this beautiful world of magic. I dwell among White magical peacocks, glowing unicorns, fire breathing turquoise dragons, talking trees, flying horses, talking wise jackals and wolves, crystal water falls, secret pathways hidden in urban gardens and books with doorways to secret worlds. You need to believe in magic to experience it.
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Ama H. Vanniarachchy
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Gardening gives you an appreciation for the strength of life, but it also shows you its fragility.
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Matt Puchalski (A Pandemic Gardening Journal)
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."In my garden there is a large place for sentiment. My garden of flowers is also my garden of thoughts and dreams. The thoughts grow as freely as the flowers, and the dreams are [just] as beautiful".
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Abram L. Urban
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If you have time for vacation, don’t go to a city. Go to a natural area. Try to go one weekend a month. Visit a park at least once a week. Gardening is good. On urban walks, try to walk under trees, not across fields. Go to a quiet place. Near water is also good.
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Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
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Mind gleams in every atom of the Universe.
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Lisa Mason
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These handkerchief gardens are a traditional German solution to apartment dwellers' yearning for a tool shed and a vegetable garden. They make a patchwork of green in odd corners of urban land, along train lines or canals or, as here, in the lee of the Wall.
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Anna Funder
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I have always thought of urban gardens - most gardens - as islands, where we create our own kingdoms, acting out our need for land, nurture and nature. On this weekend all these tiny islands wake again, each one crammed with insects, birdsong (often far better in town than country) and slow-moving people emerging into this gift of extra light.
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Montagu Don (My Roots: A Decade in the Garden)
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Many of the world's best-designed cities have been inspired by garden concepts.
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Tom Turner (Garden History: Philosophy and Design 2000 BC – 2000 AD)
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The garden was not merely a biophilic intervention. It was a social machine.
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Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
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The city, to her, meant a few particular blocks - the best blocks - lying together in a neat rectangle, linked by arcades and department stores; three streets one way, cut by four at right angles, bound at the top by gardens, self-enclosed at the bottom and either end. Three or four times a week she walked the streets of these blocks, smelt the coffee, the flowers, the rich expensive leather, the cosmetics.
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Elizabeth Harrower (Down in the City)
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Symptomatic of this rural-urban identity crisis is our eager embrace of a recently imposed divide: the Red States and the Blue States. That color map comes to us with the suggestion that both coasts are populated by educated civil libertarians, while the vast middle and south are criss-crossed with the studded tracks of ATVs leaving a trail of flying beer cans and rebel yells. Okay, I'm exaggerating a little. But I certainly sense a bit of that when urban friends ask me how I can stand living here, "so far from everything?" (When I hear this question over the phone, I'm usually looking out the window at a forest, a running creek, and a vegetable garden, thinking: Define everything.)
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Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
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When you think of Eden, don’t think of a public park with a lawn, a play set, and a flowerbed or two, where God hands Adam a lawnmower and says, Keep it tidy, will ya? Think of a violent, untamed wilderness teeming with beauty, but no infrastructure, no roads, no bridges, no cities, no civilization, and God says, Go make a world. Adam wasn’t a landscape-maintenance employee. He was an explorer, a cartographer, a gardener, a designer, an architect, a builder, an urban planner, a city-maker.
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John Mark Comer (Garden City: Work, Rest, and the Art of Being Human.)
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Do you believe in eternal love, Vane?"
He nodded. "When you live for hundreds of years, you see all kinds of things."
"How does someone know the difference between that and infatuation?"
He sat up between her legs, then pulled her into his lap to cuddle. "I don't think there is a difference. I
think infatuation is like a garden. If tended and cared for, it grows into love. If neglected or abused it
dies. The only way to have eternal love is to never let your heart forget what it's like to live without it.
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Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
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This burgeoning interest in exclusive green spaces bespoke a desire for solitude in the urban landscape.
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Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
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What else do you recommend?” I asked the middle-aged man with the bowl haircut. Clearly, Li gets asked this a lot. He had a small list. “If you have time for vacation, don’t go to a city. Go to a natural area. Try to go one weekend a month. Visit a park at least once a week. Gardening is good. On urban walks, try to walk under trees, not across fields. Go to a quiet place. Near water is also good.
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Florence Williams (The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative)
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But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.
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Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
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What is the proper response to seeing a child arrested? Another child, the umpteenth child, when you've lived here long enough. And worse, arrested for something you can't be sure they actually did, even if they get found guilty?
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Alyssa Cole (An Extraordinary Union (The Loyal League, #1))
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The transition first to agriculture and then to industry has condemned us to living unnatural lives that cannot give full expression to our inherent inclinations and instincts, and therefore cannot satisfy our deepest yearnings. Nothing in the comfortable lives of the urban middle class can approach the wild excitement and sheer joy experienced by a forager band on a successful mammoth hunt. Every new invention just puts another mile between us and the Garden of Eden.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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There's something ironic about a man like Ron Finley—who plants gardens in spaces white supremacy created to nutritionally and intellectually starve minorities—being celebrated by the mainstream white news media. The goal of guerrilla gardening isn't to make black folks look more peaceful and benevolent; it's to engage in a new type of fight in which we are taking care of ourselves in an era that's actively trying to poison and kill us. It's an act of survival. It's great that people like Ron and other urban farmers are engaging with DIY, grassroots activism to fight back. However, we need to watch how we frame their stories and most importantly, we need to watch out for who is framing these stories.
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Aph Ko (Aphro-ism: Essays on Pop Culture, Feminism, and Black Veganism from Two Sisters)
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Nothing in the comfortable lives of the urban middle class can approach the wild excitement and sheer joy experienced by a forager band on a successful mammoth hunt. Every new invention just puts another mile between us and the Garden of Eden.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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if our roots aren’t healthy, then our fruits won’t be, either. We have to relearn how to cultivate communities from the seedbed; we can’t sow homogeneous exclusion and then expect to reap diverse belonging. First we need to weed the garden, and then we can replant.
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David P. Leong (Race & Place: How Urban Geography Shapes the Journey to Reconciliation)
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[Community gardens] were oases in the urban landscape of fear, places where people could safely offer trust, helpfulness, charity, without need of an earthquake or hurricane...Community gardens are places where people rediscover not only generosity, but the pleasure of coming together. I salute all those who give their time and talents to rebuilding that sense of belonging.
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Paul Fleischman (Seedfolks)
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Like all supposedly classless societies, America makes up for its lack of formal caste barriers by raising class prejudice to a fine art; the cheap shots at small town America so common among the urban middle classes who dominate today’s green scene are an expression of that, and so is the peer pressure that keeps most Americans from doing the sensible thing and buying cheap and sturdy used products in place of increasingly overpriced and slipshod new ones.
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John Michael Greer (Green Wizardry: Conservation, Solar Power, Organic Gardening, and Other Hands-On Skills from the Appropriate Tech Toolkit)
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Seasons passed by. I always loved to watch the trees in our garden. With the first rain, the leaves would
drench themselves. Slowly they would grow tired of the rain and droop. So would I, grow tired of
waiting for him to look at me, talk to me. Slowly the leaves would dry up, and fall to the ground. It
resembled a naked and shameless woman, trying to woo her husband. And the season would change,
and the leaves would shoot slowly trying to gain the lost vigor. It would start blooming and look in its
best form. The tree would be so overwhelmed by its own beauty that it would call upon the butterfly
and birds. It would make everyone happy. But has anyone wondered how it feels? It feels like me.
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Ranjani Ramachandran (Fourteen Urban Folklore)
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Turnbull, whose powers of surprise were exhausted, rolled his round grey eyes and said, "Mr. Wilkinson, I think," because he could not think of anything else to say.
The tall man sitting on the gravel bowed with urbanity, and said: "Quite at your service. Not to be confused with the Wilkinsons of Cumberland; and as I say, old boy, what have you done with my yacht? You see, they've locked me up here--in this garden--and a yacht would be a sort of occupation for an unmarried man."
"I am really horribly sorry," began Turnbull, in the last stage of bated bewilderment and exasperation, "but really----"
"Oh, I can see you can't have it on you at the moment," said Mr. Wilkinson with much intellectual magnanimity.
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G.K. Chesterton (The Ball and the Cross (Dover Literature: Literary Fiction))
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In a city it's impossible to forget we live in places raised and built over time itself. The past is underneath our feet. Every day when I leave the house , I may walk over a place where a king killed a wolf in the Royal Forest of Stocket, one of the medieval hunting forests ,where alder and birch , oak and hazel,willow, cherry and aspen grew. The living trees were cut down , their wood used to fuel the city's growth , it's trade, it's life.The ancient wood ,preserved in peat, was found underneath the city(The site of the killing is fairly well buried -the wolf and the king had their encounter some time around the early years of the eleventh century)It's the same as in any other city, built up and over and round , ancient woodlands cut down , bogs drained , watercourses altered, a landscape rendered almost untraceable, vanished.Here, there's a history of 8,000 years of habitation , the evidence in excavated fish hooks and fish bone reliquaries, in Bronze Age grave-goods of arrowheads and beakers, what's still under the surface, in revenants and ghosts of gardens , of doo'cots and orchards, of middens and piggeries, plague remains and witch-hunts, of Franciscans and Carmelites, their friaries buried , over-taken by time and stone .This is a stonemasons' city , a city of weavers and gardeners and shipwrights and where I walk , there was once a Maison Dieu, a leper house; there was song schools and sewing schools, correction houses and tollboths, hidden under layers of time, still there
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Esther Woolfson (Field Notes from a Hidden City: An Urban Nature Diary)
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That's my little piece of heaven. Go ahead."
Ciro followed Remo through the open door to a small enclosed garden. Terra-cotta pots positioned along the top of the stone wall spilled over with red geraniums and orange impatiens. An elm tree with a wide trunk and deep roots filled the center of the garden. Its green leaves and thick branches reached past the roof of Remo's building, creating a canopy over the garden. There was a small white marble birdbath, gray with soot, flanked by two deep wicker armchairs.
Remo fished a cigarette out of his pocket, offering another to Ciro as both men took a seat. "This is where I come to think."
"Va bene," Ciro said as he looked up into the tree. He remembered the thousands of trees that blanketed the Alps; here on Mulberry Street, one tree with peeling gray bark and holes in its leaves was cause for celebration.
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Adriana Trigiani (The Shoemaker's Wife)
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Islamic art in its many forms is of the greatest import for the understanding of the essence of Islam and a central means of transmitting its message to the contemporary world. When one thinks of Islam, one should go beyond the repetitive scenes on television of wars and battles, which unfortunately abound in today’s world, to behold the peace and harmony of Islamic art seen in the great mosques, traditional urban settings and gardens, and the rhythm and geometry of calligraphy and arabesque designs; read in the poems that sing of the love that permeates all of God’s creation and binds creatures to God; and heard in the strains of melodies that echo what we had experienced in that primordial morn preceding creation and our descent into this lowly world. Today more than ever before, the understanding of Islamic art is an indispensable key for the comprehension of Islam itself. Those who are sensitive to the language of traditional art and the beauty of a paradisal order that emanates from it as well as the intellectual principles conveyed through it can learn much from this art.
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Seyyed Hossein Nasr (The Heart of Islam: Enduring Values for Humanity)
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As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop.
My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair.
Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
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Frank H. Wu (Yellow)
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city builders and rebuilders (Jerusalem) and city-loving exiles (Babylon). In New Testament times, the people of God become city missionaries (indeed, New Testament writings contain few glimpses of nonurban Christianity). Finally, when God’s future arrives in the form of a city, his people can finally be fully at home. The fallen nature of the city — the warping of its potential due to the power of sin — is finally overcome and resolved; the cultural mandate is complete; the capacities of city life are freed in the end to serve God. All of God’s people serve him in his holy city. QUESTIONS FOR DISCUSSION AND REFLECTION 1. Keller writes, “The church should continue to relate to the human cities of our time, not as the people of God did under Abraham, Moses, or David, but as they did during the time of the exile.” In what ways is the situation of the Christian church different from that of the exiles in Babylon? In what ways is it similar? How does this affect the mission of the church today? 2. From Acts 17 through the end of the book of Acts, Paul has strategically traveled to the intellectual (Athens), commercial (Corinth), religious (Ephesus), and political (Rome) centers of the Roman world. What are the centers of power and influence in your own local context? How is your church seeking to strategically reach these different centers of cultural influence? 3. Keller writes, “Then, as now, the cities were filled with the poor, and urban Christians’ commitment to the poor was visible and striking.” Do you believe this is still true of the Christian church? If so, give an example. If not, how can this legacy be recaptured? 4. Keller writes, “Gardening (the original human vocation) is a paradigm for cultural development. A gardener neither leaves the ground as is, nor does he destroy it. Instead, he rearranges it to produce food and plants for human life. He cultivates it. (The words culture and cultivate come from the same root.) Every vocation is in some way a response to, and an extension of, the primal,
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Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
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It describes a significantly different way of life. For instance, the Manuscript predicts that we humans will voluntarily decrease our population so that we all may live in the most powerful and beautiful places on the Earth. But remarkably, many more of these areas will exist in the future, because we will intentionally let the forests go uncut so that they can mature and build energy. “According to the Ninth Insight, by the middle of the next millennium,” he continued, “humans will typically live among five hundred year old trees and carefully tended gardens, yet within easy travel distance of an urban area of incredible technological wizardry. By then, the means of survival—foodstuffs and clothing and transportation—will all be totally automated and at everyone’s disposal. Our needs will be completely met without the exchange of any currency, yet also without any overindulgence or laziness. “Guided by their intuitions, everyone will know precisely what to do and when to do it, and this will fit harmoniously with the actions of others. No one will consume excessively because we will have let go of the need to possess and to control for security. In the next millennium, life will have become about something else. “According to the Manuscript,” he went on, “our sense of purpose will be satisfied by the thrill of our own evolution—by the elation of receiving intuitions and then watching closely as our destinies unfold. The Ninth depicts a human world where everyone has slowed down and become more alert, ever vigilant for the next meaningful encounter that comes along. We will know that it could occur anywhere: on a path that winds through a forest, for instance, or on a bridge that traverses some canyon. “Can you visualize human encounters that have this much meaning and significance? Think how it would be for two people meeting for the first time. Each will first observe the other’s energy field, exposing any manipulations. Once clear, they will consciously share life stories until, elatedly, messages are discovered. Afterward, each will go forward again on their individual journey, but they will be significantly altered. They will vibrate at a new level and will thereafter touch others in a way not possible before their meeting.
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James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
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From 50 centuries, we can learn about the close relationship between garden design and urban design, because both arts involve the composition of buildings with paving, landform, water, vegetation and climate.
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Tom Turner (British Gardens: History, philosophy and design)
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Abstractionism exacerbated the problem but sustainability, if intelligently conceived, could heal the rift between garden, landscape and urban design. Absolute sustainability is not possible. But relative sustainability is a practical and desirable proposition.
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Tom Turner (British Gardens: History, philosophy and design)
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It is time to expand what has been a romantic attachment to the ornaments of nature into a commitment to reshape the city in harmony with the workings of nature.
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Anne Whiston Spirn (The Granite Garden: Urban Nature And Human Design)
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SECOND-HAND PLANTS ARE A GREAT ALTERNATIVE TO CONVENTIONAL PLANTS FROM GARDEN CENTRES. CHECK PORTALS SUCH AS EBAY FOR PLANTS – SOMETIMES YOU CAN FIND REAL GREEN GEMS ONLINE.
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Igor Josifovic (Urban Jungle: Living and Styling with Plants)
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What are we to do with the knowledge that Tayo was once a woman? That Ceremony held but abandoned considerable investments in Chicana identity, in urban life, and shades of acculturation? By outlining the trajectory of a composition process, drafts can be indicative of important variables in a finished work. The Angie drafts show that (despite Silko’s efforts to deflect it) considerable pressure can be brought to bear upon the choice of a male protagonist for the novel and upon the shallowness of its representation of human women, as well as upon the choice of a 1940s setting, and even on the rural setting and the novel’s form. Ceremony
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David L. Moore (Leslie Marmon Silko: Ceremony, Almanac of the Dead, Gardens in the Dunes (Bloomsbury Studies in Contemporary North American Fiction))
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The buzzing beneath my feet intensified as I neared the small pool of water. This had to be the gazing pool I'd heard about. Sheltered by tall, skinny evergreens and shrubs that held heavy clusters of small, delicate white flowers, it was shaded by the canopy of an old live oak tree that had moss growing at the base of its trunk.
Curiosity drew me in. Faint ripples pulsed along the water's surface as the small pool burbled gently, peacefully, as if I relieved to be unburdened of its long-held secret about Bee. I studied the burbling, wondering what caused it, because it didn't appear that anyone had placed a running hose beneath its surface. There was no equipment at all. Just clear water.
A knee-high mossy stone wall enclosed the pool, and ferns grew along its foundation, nestled snugly, their fronds rustling in the warm breeze. Suddenly I felt the urge to sit and stare into the water, and I absently smiled, thinking the gazing pool had been appropriately named.
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Heather Webber (In the Middle of Hickory Lane)
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Though something like a strawberry plant may be small, growing one has the same effect as growing a tree or a forest. It can help mitigate global warming by taking in CO2, like any other plant. The difference might be small, but in a situation like ours, every little bit counts.
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Alessandro Vitale (Rebel Gardening: A Beginner's Handbook to Creating an Organic Urban Garden)
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One of the main practices that helps me a lot in managing pests in my urban garden, but also helps to create symbiotic effects between the plants in my garden, is companion planting. This is when you grow specific plants close to each other with the idea that they will cooperate and thereby enhance each other’s growth, improve flavour, attract beneficial insects that help to pollinate each other and prey on pests, repel nasty pests and more. The first use of this technique is credited to the Native American Iroquois around 1600. They were planting corn using a three-sister farming method. Basically, this is when beans, corn and squash are planted together
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Alessandro Vitale (Rebel Gardening: A Beginner's Handbook to Creating an Organic Urban Garden)
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It was a civics lesson which cities across the northern tier of the country would all learn in similar fashion. Dzink and his Polish supporters had, in good American fashion, convinced their elected representatives of the justice of their cause, only to have the federal government countermand their efforts with a combination of black intelligence operations directed against American citizens and overwhelming military force. The government’s actions in the Sojourner Truth case would also establish a precedent in both housing and racial matters for the post-war period. Whenever blacks claimed discrimination, they could be sure of the federal government’s concern. Whenever the Catholic ethnics
would claim that their neighborhoods were being targeted for destruction, they were written off as racists suffering from paranoid delusion. No matter how much clout the ethnics could muster locally, it could always be countered by some judge, appealing to higher moral principles. The same was true of Poles in Detroit, where “vested powers might have considered Polish Detroiters and neighborhood brokers expendable.” One year later when the worst race riot in the history of the country broke out in Detroit, the Poles again were blamed, but with the experience of Sojourner Truth behind them, Detroit’s residents were skeptical. “After the street battles of 1943,” Capeci writes, “Conant Gardens residents remembered ‘something funny’ about the 1942 housing controversy, something phoney that seemed to come from outside the neighborhood.” Residents of Chicago would soon notice the same thing.
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E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
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The modern urban-industrial society is based on a series of radical disconnections between body and soul, husband and wife, marriage and community, community and the earth. At each of these points of disconnection the collaboration of corporation, government, and expert sets up a profit-making enterprise that results in the further dismemberment and impoverishment of the Creation.
Together, these disconnections add up to a condition of critical ill health, which we suffer in common -- not just with each other, but with all other creatures. Our economy is based upon this disease. Its aim is to separate us as far as possible from the sources of life (material, social, and spiritual), to put these sources under the control of corporations and specialized professionals, and to see them to us at the highest profit. It fragments the Creation and sets the fragments into conflict with one another. For the relief of the suffering that comes of this fragmentation and conflict, our economy proposes, not health, but vast "cures" that further centralize power and increase profits...
Only by restoring the broken connections can we be healed. Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health -- and create profitable diseases and dependencies -- by failing to see the direction connections between living and eating, eating and working, working and loving. In gardening, for instance, one works with the body to feed the body. The work, if it is knowledgeable, makes for excellent food. And it makes one hungry. The work thus makes eating both nourishing and joyful, not consumptive, and keeps the eater from getting fat and weak. This is health, wholeness, a source of delight. And such a solution, unlike the typical industrial solution, does not cause new problems.
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Wendell Berry (The Unsettling of America: Culture and Agriculture)
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Certain leaves can really harm plants because of their acidity, so it’s best to avoid them at all times. Don’t be alarmed; they can be included if they only make up a small portion of the mould, although leaving them out is better. It’s best to stay away from things like Acacia, Walnut, Camphor, Eucalyptus, Juniper and Pittosporum.
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Alessandro Vitale (Rebel Gardening: A Beginner's Handbook to Creating an Organic Urban Garden)
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My favoured method is: 1. Create a cage with chicken wire or netting and a single wooden structure as the base (a pallet works just fine). 2. Cover the pallet with wire mesh or similar to avoid materials falling through. 3. Make an upright hoop of the mesh that will sit on the pallet and secure the ends with cable ties. 4. Fill the cage up with leaves. Make sure they are moist. If they are really dry, water them and check every few months, repeating the process if you find any dry spots. Remember that leaf mould takes a bit longer to decompose than most other organic substances as it’s primarily decomposed by fungal activity. To speed up the process you could add something nitrogen-rich like grass clippings or coffee grounds and it will help to get leaf mould quicker.
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Alessandro Vitale (Rebel Gardening: A Beginner's Handbook to Creating an Organic Urban Garden)
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My avant garde planters complete, they now yearned to be occupied.
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Matt Puchalski (A Pandemic Gardening Journal)
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Infinite possibilities stared at my as I began dreaming about April showers and May flowers.
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Matt Puchalski (A Pandemic Gardening Journal)
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When you do a poor job keeping track of where things are planted and what their maturity times are, it can lead to a bit of a nightmare as you plant things on top of each other, never quite sure what’s a weed and what’s intentionally there. When performed properly, it’s an amazing feeling to harvest something then immediately know there’s a plant that you’ve chosen waiting to fill that freshly opened soil.
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Matt Puchalski (A Pandemic Gardening Journal)
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The way I think about kimchi is:
leafy plant + crunchy plant + sweet plant + spices = delicious
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Matt Puchalski (A Pandemic Gardening Journal)
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I appreciated the details of his bathroom. A marble sink set upon Gucci Heron wallpaper, a small book case painted a money green color sat right above his garden tub with lamps on either side, a tray with cigars crossed over the tub. I could tell that he relaxed in this tub a lot and read books which was sexy to me. I loved an educated man. The whole bookcase built into the wall theme was different. I could picture myself soaking and reading one of my favorite urban books.
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Masterpiece (Bow Down: When A Bbw Submits)
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Trent pumped his arm as if he'd just hit the jackpot. "Thank God. If I had to hear about one more incident with that squirrel-shifter, I was going to shoot myself."
"Squirrel-shifter? Are you fucking kidding me?" Jace raised an eyebrow in a look that said, Do I even want to know?
"Some half squirrel, half man has been showing up naked in people's backyards out in the suburbs. Soccer moms tend to be a little alarmed when a nude man nibbling on acorns is perched near their child's window. I'm not sure whether he's a shifter who's unable to hold his animal form for long or just a garden variety nut.
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Kait Ballenger (Midnight Hunter (Execution Underground, #3))
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Did you know that many non-organic foods today have up to 50% fewer vitamins and minerals than the food your grandparents ate?
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Lynda Goldman (Easy Container Gardening: 5 Steps to Grow Fresh Organic Vegetables in Small Urban Spaces: Beginners guide to patio gardening (Easy gardening essentials Book 1))
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Many Detroiters, for example, are beginning to see urban agriculture as a real part of the solution; to grow things right where people live, where they work, and definitely need healthier food on the table. Green city gardens are scattered throughout Detroit now, from the schoolyard at Catherine Ferguson Academy for pregnant teens and teen moms, to reclaimed land owned by a local order of Catholic friars (Earthworks), to a seven-acre organic farm in Rouge Park. Together, city gardeners, nonprofit organizations, and the Greening of Detroit resource agency are writing a new local-food story of urban Michigan.
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Jaye Beeler (Tasting and Touring Michigan's Home Grown Food: A Culinary Roadtrip)
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By creating flowers from plastic bags (which are made with substances derived from oil), he addresses the ecological concerns associated with the material; that is, he has fashioned nature from the very object that threatens it. In doing so, he also comments on the function of nature in urban settings (particularly flowers), which are manipulated into unnaturally perfect plots and gardens, ultimately becoming as urbanized as the plastic bags that one assumes are the very antithesis of nature.
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Gwen Blakley Kinsler (The Fine Art of Crochet)
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Paris on the Nile’ or the ‘finery of Cairo’, Al-Ismailiya – a district to which Ismael gave his name – comprised large, wide avenues, piazzas, belle époque buildings and urban public gardens.8 He brought steam shipping to the Nile, which revolutionized internal trading. He was a major patron of the arts and created the Cairo Opera House, another architectural jewel. He founded Dar-Al-Kuttub (the National Library), an ambitious project that started with more than 250,000 volumes, most of which were gathered from Egyptian, Levantine, Turkish and European collections, and which grew to become the region's largest library and one of the cultural treasures of the world.
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Tarek Osman (Egypt on the Brink: From the Rise of Nasser to the Fall of Mubarak)
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Benefits of Going Green
The benefits of going green are sometimes not similar to obvious right away. For some people, because of this that going green can be so difficult. They have to see immediate or near immediate results of their green efforts. Unfortunately, some benefits take a while and dedication. Now and dedication can be a good thing about going green in itself. When we become more commited to an environmentally friendly lifestyle we study that lifestyle, the aspects of the life-style that is effective on our behalf and then we study new tips that make the lifestyle much better to create. Other merits of going green can be found especially zones of green lifestyles.
Benefits of Going Green at Home
Going green at your home is among the few places that green lifestyle benefits are shown quickly or in the next short space of time. The first home benefit that many individuals who go green see, is a drop in utility bills and spending. As people commence to make subtle and full blown changes in the volume of energy they use and the manner they make use of it, the utility bills will drop. This benefit shows itself within the first three billing cycles no matter the effective changes. Spending also reduces. The spending pattern of green lifestyles shows a spending reduction because of switching from disposable items to reusable items, pricey chemical items for DIY natural options and swapping out appliances for higher energy levels effiencent models. Simply not only are the advantages observed in healthier lifestyle options, but on top of that they are seen in healthier financial options.
Benefits to Going Green at Work
Going green at work is problematic to implement and hard to see immediate results from. However, the avantages of going green in the workplace might be incredibly financially beneficial regarding the business. A clear benefit for businesses going green that is the alleviates clutter and increased organization. By utilizing green techniques in your business such as cloud storage, going paperless and energy usage techniques a business will save many dollars each month. This is a clear benefit, but the additional advantage is increased business. Consumers, businesses and sales professionals love aligning themselves with green businesses. It shows an ecological awareness and connection and it has verified that the green business cares about the approach to life of their total clients. The green business logo and concept means the advantage of a higher customer base and increased sales.
Advantages and benefits of Going Green within the Community
Community advantages and benefits of going green are the explanation as to why many individuals begin contribution in the green movement. Community efforts do take time and effort to develop. Recycling centers, landscaping endeavors and urban gardening projects take community efforts and dedication. These projects can build wonderful benefits regarding the community. Initially the advantages will show in areas similar to a decrease in waste, increased organic gardening options and recycling endeavors to diminish waste in landfills. Eventually the avantages of going green locally can present a residential district bonding, closer knit communities and environmental benefits which will reach to reduced air pollution. There can also be an increase in local food production and local companies booming which helps the regional economy. There are numerous other benefits of going green. These benefits might be comprehensive and might change the thought of how communities, states and personal lifestyles are changed.
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Green Living
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Town-planning," Geddes once wrote, "is not mere place-planning, nor even work-planning. If it is to be successful it must be folk-planning. This means that its task is . . . to find the right places for each sort of people; places where they will really flourish." These places, of course, are not really to be found, but have to be made. From his earliest designs for a botanical school garden and urban renewal work in Edinburgh to his latest building initiatives in Montpelier in southern France, Geddes pursued the creation of such places. He perceived himself as a gardener ordering the environment for the benefit of life.
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Volker M. Welter (Biopolis: Patrick Geddes and the City of Life)
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Walking over the moonlit bridge, Tom found himself drawn deeper and deeper into the world of the market. Here, it was crowded, noisy; buzzing with scents both familiar and strange. The sharp aroma of some herbal stuff seemed to dominate this part of the bridge; the scented smoke was strongest around a little stall named Madcap, from which a pipe-smoking vendor was selling brightly colored pouches, marked at the price of Three days a twist. Next to him, a person of indeterminate gender was folding sheets of colored paper into origami birds, which they released into the air with a papery flutter of wings.
In spite of the crow woman's warning, Tom snapped a few more pictures. A dancer on the side of the bridge, her wings spread wide against the night. A diminutive woman with a whole haberdasher's shop balanced on her head: tiny drawers full of bobbins and lace, and packs of slender needles, and pincushions, and safety pins, and multicolored twists of silk. Next to her, cross-legged on the ground, an old woman in a drab overcoat was making garlands and buttonholes from baskets of strange-looking flowers that released an unfamiliar, intoxicating aroma. Her brown face lit up when she caught sight of Tom.
'Collector! What's it to be today? Another adventure? Your heart's desire? I know. True love!' And she picked up a white flower from one of her baskets and held it out to him with a smile. Its scent was complex, dark and sweet; the scent of a summer garden at night.
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Joanne Harris (The Moonlight Market)
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As early humans moved about, they were accompanied by a whole entourage of creatures they had come to depend on, or learned to coexist with — not only their crop plants and domesticated animals, which they carried with them deliberately, but also the creatures that had adopted them during their lengthy process of developing agriculture and animal husbandry and building habitations and cities, roads and canals, seaports and fortifications. To quote Anderson [Edgar Anderson, Plants, Man, and Life:]
‘Unconsciously as well as deliberately man carries whole floras about the globe with him, he now lives surrounded by transported landscapes, and our commonest everyday plants have been transformed by their long associations with us so that many roadsides and dooryard plants are artifacts. An artifact, by definition, is something produced by man, something which we would not have if man had not come into being. That is what many of our weeds and crops really are.
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Richard Orlando (Weeds in the Urban Landscape: Where They Come from, Why They're Here, and How to Live with Them)
Elizabeth Martens (The Indoor/Outdoor Urban Homestead Plant Guide (2 books in 1): A complete blueprint for growing houseplants and organic vegetable gardening with raised ... (Gardening with Elizabeth Martens Book 4))
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Gardeners with coorie on the brain don't have to look far for inspiration.
An urban jungle can easily be created on a tiny city terrace.
Professional gardeners recommend looking around to see what context your outside space falls within to give you clues on design.
If the spires of a large granite church or leaves of a copper beech tree can be seen close by echo the colours and shapes.
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Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
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In the afternoons he might walk in the garden and practice his knife throwing, before reading or flipping through magazines. He had piles of magazines in every room: Gun Tests, Gun World, Gun Digest, American Survival Guide, Knife, UFO Universe, Soldier of Fortune, subscription copies of National Geographic and the International Herald Tribune, which Bill always read in London and Paris, and the Weekly World News, a fictional news tabloid sold at the supermarket that Bill loved to read that specialized in alien abductions, mutants, “world’s fattest” stories, urban legends, Elvis sightings, and the revelation in 1994 that twelve U.S. senators were aliens from other planets.
(...)
His collection kept changing, but he normally had seven or eight handguns, two or three shotguns, and three or four rifles.
(...)
There was also the matter of his small cock. “My cock is four and one-half inches and large cocks bring on my xenophobia.”
Ginsberg thought that Bill’s small penis accounted for his obsession with guns, a subject that many academics have mulled over.
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Barry Miles (Call Me Burroughs: A Life)
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T1 consisted of nineteen settlements distributed throughout the valley. It was an immense human-engineered environment, in which the ancient Mosquitia people transformed the rainforest into a lush, curated landscape. They leveled terraces, reshaped hills, and built roads, reservoirs, and irrigation canals. In its heyday T1 probably looked like an unkempt English garden, with plots of food crops and medicinal plants mingled with stands of valuable trees such as cacao and fruit, alongside large open areas for public ceremonies, games, and group activities, and shady patches for work and socializing. There were extensive flower beds, because flowers were an important crop used in religious ceremonies. All these growing areas were mixed in with residential houses, many on raised earthen platforms to avoid seasonal flooding, connected by paths. “Having these garden spaces embedded within urban areas,” said Fisher, “is one characteristic of New World cities that made them sustainable and livable.
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Douglas Preston (The Lost City of the Monkey God)
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The volume of water and feed that city horses consumed was matched by their daily output of urine and manure. A working horse produced about a gallon of urine daily and thirty to fifty pounds of manure. That volume filled the New York streets daily with about four million pounds and a hundred thousand gallons of redolent excreta that had to be cleared away. When it wasn’t, the streets mired up. Urban manure, both human (night soil) and animal, was a valuable by-product of city living throughout the early and middle decades of the nineteenth century. Street-cleaning departments collected horse manure from stables and streets and sold it to local farmers, who used it to fertilize the gardens, pastures, and fields where they grew food, hay, and grain for the city.
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Richard Rhodes (Energy: A Human History)
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This Cinderella ecology isn’t so new in Britain. The last windfall of sites for rare natives and exotic invaders happened after bombs dropped on London and elsewhere in World War II. The profusion of unexpected species that populated the craters was so great that it was rumored they had been dropped with the bombs as biological weapons of war.7 The Moroccan poppy and the American willow herb were both first spotted in Britain in the remains of bombed-out buildings in the City of London and subsequently spread across Britain. Those were good times for thorn apple from North America and rosebay willow herb from the Yukon, which was nicknamed “bombweed” by Cockney Londoners. Some were newcomers, but many were old arrivals. The daisy-like gallant soldier, its common name a corruption of its Latin name Galinsoga parviflora, came to Kew Gardens from Peru in the 1790s but proliferated unexpectedly in the bomb craters.
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Fred Pearce (The New Wild: Why Invasive Species Will Be Nature's Salvation)
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Tivoli Gardens and all—especially the port—influenced by Coke’s network), led to more than five hundred arrests, displaced thousands of local inhabitants, killed at least seventy-three civilians and six police and military personnel, and injured many more.
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David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
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Another famous town planning concept, the Finger Plan for Copenhagen, was based on a metaphor sand shown by a diagram, of a great hand resting over that city. Since 1947, the great hand has guided Copenhagen’s development. The merchant’s harbour, after which the city was named, sits in the palm of the guiding hand. Fingers point ways to new development. Power lines, telecom lines, and rapid transit lines follow the bones, arteries, veins and nerves of the fingers. Between those fingers we find the green lands of Denmark. Copenhagen was made into a garden city but the hand itself, of urban development, was grey.
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Tom Turner (City as Landscape: A Post Post-Modern View of Design and Planning)
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Lettuce get started then, shall we?
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Olivia Abby (Vertical Gardening:The Beginner's Guide To Organic & Sustainable Produce Production Without A Backyard (vertical gardening, urban gardening, urban homestead, Container Gardening Book 1))
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Evolution moulded our minds and bodies to the life of hunter-gatherers. The transition first to agriculture and then to industry has condemned us to living unnatural lives that cannot give full expression to our inherent inclinations and instincts, and therefore cannot satisfy our deepest yearnings. Nothing in the comfortable lives of the urban middle class can approach the wild excitement and sheer joy experienced by a forager band on a successful mammoth hunt. Every new invention just puts another mile between us and the Garden of Eden.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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Von Thünen’s abstract principles had strikingly concrete geographical consequences. A series of concentric agricultural zones would form around the town, each of which would support radically different farming activities. Nearest the town would be a zone producing crops so heavy, bulky, or perishable that no farmer living farther away could afford to ship them to market. Orchards, vegetable gardens, and dairies would dominate this first zone and raise the price of land—its “rent”—so high that less valuable crops would not be profitable there. Farther out, landowners in the second zone would devote themselves to intensive forestry, supplying the town with lumber and fuel. Beyond the forest, farmers would practice ever more extensive forms of agriculture, raising grain crops on lands where rents fell—along with labor and capital investment—the farther out from town one went. This was the zone of wheat farming. Finally, distance from the city would raise transport costs so high that no grain crop could pay for its movement to market. Beyond that point, landowners would use their property for raising cattle and other livestock, thereby creating a zone of even more extensive land use, with still lower inputs of labor and capital. Land rents would steadily fall as one moved out from the urban market until they theoretically reached zero, where no one would buy land for any price, because nothing it might produce could pay the prohibitive cost of getting to market.
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William Cronon (Nature's Metropolis: Chicago and the Great West)
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exit. My aversion to getting a regular job was not the result of being lazy—although sometimes I am. Nor was it that I simply don’t like being told what to do—although I don’t. What I have never been able to tolerate is the prospect that my few years on earth will be frittered away filling out the form to verify that I filled out the previous form, or worse, toiling in the service of some enterprise that perpetuates the things I hate: war, corporate bullying, bureaucratic hoop-jumping, plunder of nature, and more hours tethered to electronic screens. I was willing to work, but I wanted my work to matter—to repair land and cities, to cultivate peace and justice. I wanted not the frazzled anxiety that follows eight hours of chair-bound button-pushing, but the bodily satisfaction of employing hands, legs, and lungs in concert with the mind. I often felt helpless at the state of the world—climate change, racism, species extinction, poverty, war—and I wanted ways to address these things with my very life, to live in a way that was not just ethical but joyful. Looking around, I saw that I was not alone. Anxious at the erosion of their freedom and security, Americans hungered for alternatives. A movement was afoot—local food and urban farms, bike co-ops and time banks and tool libraries, permaculture and guerrilla gardening, homebirthing and homeschooling and home cooking—a new twist on the back-to-the-land movement of the previous generation. I decided to go find Americans leading lives of radical simplicity.
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Mark Sundeen (The Unsettlers: In Search of the Good Life in Today's America)
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One of them, Mycobacterium vaccae, seems to have the ability to trigger our serotonin production, effectively making us happier and more relaxed. M. vaccae occurs naturally in soil and water, and is inhaled or ingested when we come in contact with dirt. Our exposure to mycobacteria has decreased considerably due to sanitation and water treatment in Western urban areas, but by regularly playing outside or helping out with a backyard garden, children can still get in contact with it.
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Linda Åkeson McGurk (There's No Such Thing as Bad Weather: A Scandinavian Mom's Secrets for Raising Healthy, Resilient, and Confident Kids (from Friluftsliv to Hygge))
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By 1972, Tivoli Gardens had in effect been subjected to military conquest by the JLP: it was a JLP-only district, purged of PNP supporters and run by a local system in which JLP politicians distributed state largesse in return for votes at election time, residents had become a dependent and captive constituency, and local gangs—led by Christopher Coke’s father, among others—kept the peace and enforced the rules.86 Tivoli was the first of the garrison districts.
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David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
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garrison district is the Jamaican term for an urban or periurban “neighborhood whose members are armed by the leader of the community, and also a neighborhood that is loyal to and affiliated with one of the major Jamaican political parties … in the case of Tivoli Gardens, the Jamaica Labour Party (JLP).
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David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
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Hosack was the original urban gardener, experimenting with fruits and vegetables by day and mingling with his cosmopolitan friends at night.
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Victoria Johnson (American Eden: David Hosack, Botany, and Medicine in the Garden of the Early Republic)
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The Last Street of Tehean
Facing the airport, all that's now left in my grasp
is a crumpled land
that fits in the palm of my hand.
Facing wavering sunbeams—
a sun that is angry and mute.
All the way from the salt sands of Dasht-e Lut,
it came, the dream
that forced my fingers' shift,
that set my teeth on edge.
A muted breeze,
whirlwind spun from sand dunes
all the way, even through the back alley.
Are you pasting together the cut-up fragments of my face to make me laugh?
No longer than the palm of the hand, a short leap,
exactly the length you had predicted.
A huge grave in which to lay the longest night of the year to sleep.
Sleep has quit our eyelids for other pastures,
has dropped its anchor at the shores of garden ponds,
has lost the chapped flaking of its lips,
poor thing!
Are you pasting together the cut-up fragments of my face to make me laugh?
With scissors - snip, snip - they are severing something.
The alphabet shavings strewn on the ground,
are they the letters that spell our family name?
With every zig-zag,
you cage my mother's breath,
her footprints fading
in the shifting sands.
Are you pasting together the cut-up fragments of my face to make me laugh?
No.
A strange land-shape form.
I will not return.
I left behind a shoe, one of a pair,
for you to put on and follow after me.
Translated from Persian to English by Franklin Lewis
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Rosa Jamali (Selected Poems of Rosa Jamali)
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SUCCESSFUL COMMUNITY WELCOMES AND rewards more than one kind of person. Diverse residents support themselves and enrich one another’s lives with different talents. So, too, over a season’s communal work at a student farm, a group bonds to become a family.
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Jeremy N. Smith (The Urban Garden: How One Community Turned Idle Land into a Garden City and How You Can, Too)
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Most permaculturists are expert at understanding the relationships between landforms and water harvesting or between soil microorganisms and plant health. But when it comes to our human relationships, we often founder. Nurturing the vegetables in the garden is a lot easier than nurturing our connections to the people who decide where to plant the vegetables and who will water them.
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Juliana Birnbaum Fox (Sustainable [R]evolution: Permaculture in Ecovillages, Urban Farms, and Communities Worldwide)
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I certainly sense a bit of that when urban friends ask me how I can stand living here, “so far from everything?” (When I hear this question over the phone, I’m usually looking out the window at a forest, a running creek, and a vegetable garden, thinking: Define everything.)
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Barbara Kingsolver (Animal, Vegetable, Miracle)
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This means we need to build nature into the urban system, and into our lives, at all scales. Yes, cities need big, immersive destination parks. But they also need medium-sized parks and community gardens within walking distance of every home. They also need pocket parks and green strips and potted plants and living, green walls.
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Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
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When the fourth Earl of Bedford hired Inigo Jones to build him an Italianate piazza on land that Henry VIII had “appropriated” from the local convent, for some reason the 7th Earl decreed that a church be built, on the cheap, on the west side of the square. Since the business end of an Anglican church is supposed to be at the east end of the nave, the portico that sticks out into the square is a fake, as is the door in its center. The main entrance is at the west end, opening into the old cemetery, now a pleasant urban garden enclosed by the tall former houses that are now all shops and offices. The main entrance is on the far side of the park, on Bedford Lane. But you can climb over the spiky fence on the piazza providing you are both careful and very stupid.
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Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))