“
THAT crazed girl improvising her music.
Her poetry, dancing upon the shore,
Her soul in division from itself
Climbing, falling She knew not where,
Hiding amid the cargo of a steamship,
Her knee-cap broken, that girl I declare
A beautiful lofty thing, or a thing
Heroically lost, heroically found.
No matter what disaster occurred
She stood in desperate music wound,
Wound, wound, and she made in her triumph
Where the bales and the baskets lay
No common intelligible sound
But sang, 'O sea-starved, hungry sea
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
A Dream Within A Dream
Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.
I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?
”
”
Edgar Allan Poe (The Complete Stories and Poems)
“
At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon. She did not know what this chance would be, what wind would bring it her, towards what shore it would drive her, if it would be a shallop or a three-decker, laden with anguish or full of bliss to the portholes. But each morning, as she awoke, she hoped it would come that day; she listened to every sound, sprang up with a start, wondered that it did not come; then at sunset, always more saddened, she longed for the morrow.
”
”
Gustave Flaubert (Madame Bovary)
“
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
“
And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.
”
”
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
“
Oh, I've a love, a true, true love, who waits upon yon shore... and if my love won't be my love, then I will live no more...
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
”
”
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
“
Bright star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
Bright Star
”
”
John Keats (The Complete Poems)
“
Henceforth, whenever we are threatened with being cast adrift upon love’s transcendent, golden shore, I want you to slap my face.
”
”
Amanda Quick (Scandal)
“
Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work.
One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up.
As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean.
He came closer still and called out "Good morning! May I ask what it is that you are doing?"
The young man paused, looked up, and replied "Throwing starfish into the ocean."
"I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man.
To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die."
Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!"
At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said,
"It made a difference for that one.
”
”
Loren Eiseley
“
I am forever walking upon these shores,
Betwixt the sand and the foam,
The high tide will erase my foot prints,
And the wind will blow away the foam,
But the sea and the shore will remain forever.
”
”
Kahlil Gibran (Sand and Foam)
“
Every one of us is called upon, perhaps many times, to start a new life. A frightening diagnosis, a marriage, a move, loss of a job...And onward full-tilt we go, pitched and wrecked and absurdly resolute, driven in spite of everything to make good on a new shore. To be hopeful, to embrace one possibility after another--that is surely the basic instinct...Crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is.
”
”
Barbara Kingsolver (High Tide in Tucson : Essays from Now or Never)
“
Love must be free to wander, To land upon its chosen shore And breathe.
”
”
Delia Owens (Where the Crawdads Sing)
“
Cats are not adoring like dogs. They don’t care. They can never be relied upon to shore up a human ego. They go their way, do their thing, are not subservient and will never apologise. No one has ever come across a cat apologising and if a cat did, it would patently be obvious it was not being sincere.
”
”
Anna Burns (Milkman)
“
The land of dreams. Where men and women in white hoods roam the streets to murder Black folks. Where written laws prohibit the Chinese from stepping upon its shores. Where immigrant children are separated from immigrant mothers on Ellis Island, never to be seen again.
”
”
Chloe Gong (These Violent Delights (These Violent Delights, #1))
“
I swam across the torrent of my madness, and pulled myself upon the shore of a new and better sanity.
”
”
Frances Hardinge (A Face Like Glass)
“
Dedication This book is dedicated to Sir Terry Pratchett OBE who has stood like a wossname upon the rocky shores of our imaginations – the better to guide us safely into harbour.
”
”
Ben Aaronovitch (Foxglove Summer (Peter Grant, #5))
“
I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?
London Bridge is falling down falling down falling down
Poi s'ascose nel foco che gli affina
Quando fiam ceu chelidon—O swallow swallow
”
”
T.S. Eliot (The Waste Land)
“
When evening in the Shire was grey
his footsteps on the Hill were heard;
before the dawn he went away
on journey long without a word.
From Wilderland to Western shore,
from northern waste to southern hill,
through dragon-lair and hidden door
and darkling woods he walked at will.
With Dwarf and Hobbit, Elves and Men,
with mortal and immortal folk,
with bird on bough and beast in den,
in their own secret tongues he spoke.
A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.
He stood upon the bridge alone
and Fire and Shadow both defied;
his staff was broken on the stone,
in Khazad-dûm his wisdom died.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
I sang of leaves, of leaves of gold, and leaves of gold there grew:
Of wind I sang, a wind there came and in the branches blew.
Beyond the Sun, beyond the Moon, the foam was on the Sea,
And by the strand of Ilmarin there grew a Golden Tree.
Beneath the stars of Ever-eve in Eldamar it shone,
In Eldamar beside the walls of Elven Tirion.
There long the golden leaves have grown upon the branching years,
While here beyond the Sundering Seas now fall the Elven-tears.
O Lórien! Too long I have dwelt upon this Hither Shore
And in a fading crown have twined the golden elanor.
But if of ships I now would sing, what ship would come to me,
What ship would bear me ever back across so wide a Sea?
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
Time is the wave upon the shore. It takes some things away, but it brings other things.
”
”
Amy Neftzger (War of Words)
“
So Alecto, wearied of talking, kneeled upon the rock and offered up the sword to her, and placed the child’s hand upon the blade, so that it received also the red blood of the child. This made the child exceeding faint, but it did not swoon of weariness.
Which strength pleased Alecto, who said: Notwithstanding, I offer you my service.
To which a voice on the opposite side of the shore was raised, exceeding wroth, and Alecto heard it shout in a very great shout: Get in line, thou big slut.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it! Something of the awfulness, even of Death itself, is referable to this. No more can I turn the leaves of this dear book that I loved, and vainly hope in time to read it all. No more can I look into the depths of this unfathomable water, wherein, as momentary lights glanced into it, I have had glimpses of buried treasure and other things submerged. It was appointed that the book should shut with a a spring, for ever and for ever, when I had read but a page. It was appointed that the water should be locked in an eternal frost, when the light was playing on its surface, and I stood in ignorance on the shore. My friend is dead, my neighbour is dead, my love, the darling of my soul, is dead; it is the inexorable consolidation and perpetuation of the secret that was always in that individuality, and which I shall carry in mine to my life's end. In any of the burial-places of this city through which I pass, is there a sleeper more inscrutable than its busy inhabitants are, in their innermost personality, to me, or than I am to them?
”
”
Charles Dickens (A Tale of Two Cities)
“
Open to them your hand to the shore, watch them walk
into the sea.
Press upon them all they need, see them yearn for all they
want.
Gift to them the calm pool of words, watch them draw
the sword.
Bless upon them the satiation of peace, see them starve for
war.
Grant them darkness and they will lust for light.
Deliver to them death and hear them beg for life.
Beget life and they will murder your kin.
Be as they are and they see you different.
Show wisdom and you are a fool.
The shore gives way to the sea.
And the sea, my friends,
Does not dream of you.
”
”
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
“
You renounce your friendship even in the hour of our need ' he said. 'Yet you were glad indeed to receive our aid when you came at last to these shores fainthearted loiterers and well-nigh emptyhanded. In huts on the beaches would you be dwelling still had not the Noldor carved out your haven and toiled upon your walls.
”
”
J.R.R. Tolkien (The Silmarillion)
“
Adrift upon the sea of time, the lonely god wanders from shore to distant shore, upholding the laws of the stars above.
”
”
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
“
Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them.
”
”
Erin Morgenstern (The Starless Sea)
“
At ebb tide I wrote a line upon the sand, and gave it all my heart and all my soul. At flood tide I returned to read what I had inscribed and found my ignorance upon the shore.
”
”
Kahlil Gibran
“
...swept into the giddy vortex which keeps so many young people revolving aimlessly, till they go down or are cast upon the shore, wrecks of what they might have been
”
”
Louisa May Alcott
“
Call me Ishmael. Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship.
”
”
Herman Melville
“
As the tides of life rise and fall, life is constant, like the waves crashing upon the shore. Persistence is the key in high and low times…
”
”
James A. Murphy (The Waves of Life Quotes and Daily Meditations)
“
When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.
When I Have Fears That I May Cease To Be
”
”
John Keats (The Complete Poems)
“
...as the slow sea sucked at the shore and then withdrew, leaving the strip of seaweed bare and the shingle churned, the sea birds raced and ran upon the beaches. Then that same impulse to flight seized upon them too. Crying, whistling, calling, they skimmed the placid sea and left the shore. Make haste, make speed, hurry and begone; yet where, and to what purpose? The restless urge of autumn, unsatisfying, sad, had put a spell upon them and they must flock, and wheel, and cry; they must spill themselves of motion before winter came.
”
”
Daphne du Maurier (The Birds and Other Stories)
“
I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
”
”
John Keats
“
Take the time to make some sense for what you wanna say,
And cast your words away upon the waves.
Sail them home with acquiesce on a ship of hope today,
And as they land upon the shore,
Tell them not to fear no more.
I'm not saying right is wrong,
It's up to us to make the best of all the things that come our way.
Cos' everything that's been has past,
The answers in the looking glass.
There's four and twenty million doors
On life's endless corridor,
So say it loud and sing it proud today.
”
”
Noel Gallagher
“
A long time back, she thought, I dreamed a dream, and was enjoying it so much when someone wakened me, and that day I was born. And now? Now, let me see...She cast her mind back. Where was I? she thought. Ninety years...how to take up the thread and the pattern of that lost dream again? She put out a small hand. There...yes, that was it. She smiled. Deeper in the warm snow hill she turned her head upon her pillow. That was better. Now, yes, now she saw it shaping in her mind quietly, and with a serenity like a sea moving along an endless and self-refreshing shore. Now she let the old dream touch and lift her from the snow and drift her above the scarce-remembered bed.
”
”
Ray Bradbury (Dandelion Wine)
“
Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
”
”
Herman Melville
“
Again, there were maidens who cherished the firm belief that he had come from the sea. Because within his breast could be heard the roaring of the sea. Because in the pupils of his eyes there lingered the mysterious and eternal horizon that the sea leaves as a keepsake deep in the eyes of all who are born at the seaside and forced to depart from it. Because his signs were sultry like the tidal breezes of full summer, fragrant with the smell of seaweed cast upon the shore.
”
”
Yukio Mishima (Confessions of a Mask)
“
Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Honor can exist anywhere, love can exist anywhere, but justice can exist only among people who found their relationships upon it.
”
”
Ursula K. Le Guin (Powers (Annals of the Western Shore, #3))
“
His hatred for all was so intense that it should extinguish the very love from which it was conceived. And thus, he ceased to feel. There was nothing further in which to believe that made the prospect of feeling worthwhile. Daily he woke up and cast downtrodden eyes upon the sea and he would say to himself with a hint of regret at his hitherto lack of indifference, 'All a dim illusion, was it? Surely it was foolish of me to think any of this had meaning.' He would then spend hours staring at the sky, wondering how best to pass the time if everything—even the sky itself— were for naught. He arrived at the conclusion that there was no best way to pass the time. The only way to deal with the illusion of time was to endure it, knowing full well, all the while, that one was truly enduring nothing at all. Unfortunately for him, this nihilistic resolution to dispassion didn’t suit him very well and he soon became extremely bored. Faced now with the choice between further boredom and further suffering, he impatiently chose the latter, sailing another few weeks along the coast , and then inland, before finally dropping anchor off the shores of the fishing village of Yami.
”
”
Ashim Shanker (Only the Deplorable (Migrations, Volume II))
“
Eventually man, too, found his way back to the sea. Standing on its shores, he must have looked out upon it with wonder and curiosity, compounded with an unconscious recognition of his lineage. He could not physically re-enter the ocean as the seals and whales had done. But over the centuries, with all the skill and ingenuity and reasoning powers of his mind, he has sought to explore and investigate even its most remote parts, so that he might re-enter it mentally and imaginatively.
”
”
Rachel Carson (The Sea Around Us)
“
Depression simply is. It has no beginning and no end, no boundaries and no world outside itself. It is the first, the last, the only, the alpha and the omega. Memories of better times die upon its desolate shores. Voices drown in its seas. The mind becomes its own prisoner.
”
”
Alexis Hall (Glitterland (Spires, #1))
“
Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father.
But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore.
Are those real islands?' asked the young prince.
Of course they are real islands,' said the man in evening dress.
And those strange and troubling creatures?'
They are all genuine and authentic princesses.'
Then God must exist!' cried the prince.
I am God,' replied the man in full evening dress, with a bow.
The young prince returned home as quickly as he could.
So you are back,' said the father, the king.
I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully.
The king was unmoved.
Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully.
The king was unmoved.
Neither real islands, nor real princesses, nor a real God exist.'
I saw them!'
Tell me how God was dressed.'
God was in full evening dress.'
Were the sleeves of his coat rolled back?'
The prince remembered that they had been. The king smiled.
That is the uniform of a magician. You have been deceived.'
At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress.
My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.'
The man on the shore smiled.
It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.'
The prince pensively returned home. When he saw his father, he looked him in the eyes.
Father, is it true that you are not a real king, but only a magician?'
The king smiled, and rolled back his sleeves.
Yes, my son, I am only a magician.'
Then the man on the shore was God.'
The man on the shore was another magician.'
I must know the real truth, the truth beyond magic.'
There is no truth beyond magic,' said the king.
The prince was full of sadness.
He said, 'I will kill myself.'
The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses.
Very well,' he said. 'I can bear it.'
You see, my son,' said the king, 'you too now begin to be a magician.
”
”
John Fowles
“
THOU wast all that to me, love,
For which my soul did pine:
A green isle in the sea, love,
A fountain and a shrine
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream too bright to last!
Ah, starry Hope, that didst arise
But to be overcast!
A voice from out the Future cries,
"On! on!"—but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast.
For, alas! alas! with me
The light of Life is o'er!
No more—no more—no more—
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar.
And all my days are trances,
And all my nightly dreams
Are where thy gray eye glances,
And where thy footstep gleams—
In what ethereal dances,
By what eternal streams.
”
”
Edgar Allan Poe
“
I remember staying to look at it for a long time, as one would linger within reach of a consoling whisper. The sky was pearly grey. It was one of those overcast days so rare in the tropics, in which memories crowd upon one, memories of other shores, of other faces.
”
”
Joseph Conrad (Lord Jim)
“
Through Rohan over fen and field where the long grass grows
The West Wind goes walking, and about the walls it goes.
What news from the West, oh wandering wind, do you bring to me tonight?
Have you seen Boromir the Tall by moon or by starlight?
‘I saw him ride over seven streams, over waters wide and grey;
I saw him walk in empty lands, until he passed away
Into the shadows of the North. I saw him then no more.
The North Wind may have heard the horn of the son of Denethor.’
Oh, Boromir! From the high walls westward I looked afar.
But you came not from the empty lands where no men are.
From the mouth of the sea the South Wind flies,
From the sand hills and the stones;
The wailing of the gulls it bears, and at the gate it moans
What news from the South, oh sighing wind, do you bring to me at eve?
Where now is Boromir the Fair? He tarries and I grieve.
‘Ask me not where he doth dwell--so many bones there lie
On the white shores and on the black shores under the stormy sky;
So many have passed down Anduin to find the flowing sea.
Ask of the North Wind news of them the North Wind sends to me!’
Oh Boromir! Beyond the gate the Seaward road runs South,
But you came not with the wailing gulls from the grey seas mouth.
From the Gate of Kings the North Wind rides,
And past the roaring falls
And loud and cold about the Tower its loud horn calls.
What news from the North, oh mighty wind, do you bring to me today?
What news of Boromir the Bold? For he is long away.
‘Beneath Amon Hen I heard his cry. There many foes he fought
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest;
And Rauros, Golden Rauros Falls, bore him upon its breast.’
Oh Boromir! The Tower of Guard shall ever northward gaze
To Rauros, Golden Rauros Falls until the end of days.
”
”
J.R.R. Tolkien
“
We each have within ourselves the ability to shape our own destinies. That much we understand. But, more important, each of us has an equal ability to shape the destiny of the universe. Ah, that you find more difficult to believe. But I tell you it is so. You do not have to be the leader of the Council. You do not have to be king or monarch or the head of a clan to have a significant impact on the world around you.
In the vastness of the ocean, is any drop of water greater than another?
No, you answer, and neither has a single drop the ability to cause a tidal wave.
But, I argue, if a single drop falls into the ocean, it creates ripples. And these ripples spread. And perhaps - who knows - these ripples may grow and swell and eventually break foaming upon the shore.
Like a drop in the vast ocean, each of us causes ripples as we move through our lives. The effects of whatever we do - insignificant as it may seem - spread out beyond us. We may never know what far-reaching impact even the simplest action might have on our fellow mortals. Thus we need to be conscious, all of the time, of our place in the ocean, of our place in the world, of our place among our fellow creatures.
For if enough of us join forces, we can swell the tide of events - for good or for evil.
”
”
Margaret Weis (The Seventh Gate (The Death Gate Cycle, #7))
“
Exhaustion was pressing upon and overpowering her.
"Good-by--because I love you." He did not know; he did not understand. He would never understand. Perhaps Doctor Mandelet would have understood if she had seen him--but it was too late; the shore was far behind her, and her strength was gone.
She looked into the distance, and the old terror flamed up for an instant, then sank again.
”
”
Kate Chopin (The Awakening)
“
Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
Glanzvoller Stern! wär ich so stet wie du,
Nicht hing ich nachts in einsam stolzer Pracht!
SchautŽ nicht mit ewigem Blick beiseite zu,
Einsiedler der Natur, auf hoher Wacht
Beim Priesterwerk der Reinigung, das die See,
Die wogende, vollbringt am Meeresstrand;
Noch starrt ich auf die Maske, die der Schnee
Sanft fallend frisch um Berg und Moore band.
Nein, doch unwandelbar und unentwegt
MöchtŽ ruhn ich an der Liebsten weicher Brust,
Zu fühlen, wie es wogend dort sich regt,
Zu wachen ewig in unruhiger Lust,
Zu lauschen auf des Atems sanftes Wehen -
So ewig leben - sonst im Tod vergehen!
”
”
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
“
Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul, particularly when he has within him such thoughts that by looking into them he is immediately in perfect tranquility; and I affirm that tranquility is nothing else than the good ordering of the mind. Constantly then give to thyself this retreat, and renew thyself; and let thy principles be brief and fundamental, which, as soon as thou shalt recur to them, will be sufficient to cleanse the soul completely, and to send thee back free from all discontent with the things to which thou returnest. For with what art thou discontented? With the badness of men? Recall to thy mind this conclusion, that rational animals exist for one another, and that to endure is a part of justice, and that men do wrong involuntarily; and consider how many already, after mutual enmity, suspicion, hatred, and fighting, have been stretched dead, reduced to ashes; and be quiet at last.- But perhaps thou art dissatisfied with that which is assigned to thee out of the universe.- Recall to thy recollection this alternative; either there is providence or atoms, fortuitous concurrence of things; or remember the arguments by which it has been proved that the world is a kind of political community, and be quiet at last.- But perhaps corporeal things will still fasten upon thee.- Consider then further that the mind mingles not with the breath, whether moving gently or violently, when it has once drawn itself apart and discovered its own power, and think also of all that thou hast heard and assented to about pain and pleasure, and be quiet at last.- But perhaps the desire of the thing called fame will torment thee.- See how soon everything is forgotten, and look at the chaos of infinite time on each side of the present, and the emptiness of applause, and the changeableness and want of judgement in those who pretend to give praise, and the narrowness of the space within which it is circumscribed, and be quiet at last. For the whole earth is a point, and how small a nook in it is this thy dwelling, and how few are there in it, and what kind of people are they who will praise thee.
”
”
Marcus Aurelius (The Meditations of Marcus Aurelius)
“
No one is adequate to comprehending the misery of my lot! Fate obliges me to be constantly in movement: I am not permitted to pass more than a fortnight in the same place. I have no Friend in the world, and from the restlessness of my destiny I never can acquire one. Fain would I lay down my miserable life, for I envy those who enjoy the quiet of the Grave: But Death eludes me, and flies from my embrace. In vain do I throw myself in the way of danger. I plunge into the Ocean; The Waves throw me back with abhorrence upon the shore: I rush into fire; The flames recoil at my approach: I oppose myself to the fury of Banditti; Their swords become blunted, and break against my breast: The hungry Tiger shudders at my approach, and the Alligator flies from a Monster more horrible than itself. God has set his seal upon me, and all his Creatures respect this fatal mark!
”
”
Matthew Gregory Lewis (The Monk)
“
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe.
I felt infinite wonder, infinite pity.
”
”
Jorge Luis Borges
“
Pleasant it is, when over a great sea the winds trouble the waters, to gaze from shore upon another's tribulation: not because any man's troubles are a delectable joy, but because to perceive from what ills you are free yourself is pleasant.
”
”
Lucretius
“
I’ve seen a greater share of wonders, vast
And small, than most have done. My peace is made;
My breathing slows. I could not ask for more.
To reach beyond the stuff of day-to-day
Is worth this life of mine. Our kind is meant
To search and seek among the outer bounds,
And when we land upon a distant shore,
To seek another yet farther still. Enough.
The silence grows. My strength has fled, and Sol
Become a faded gleam, and now I wait,
A Viking laid to rest atop his ship.
Though fire won’t send me off, but cold and ice,
And forever shall I drift alone.
No king of old had such a stately bier,
Adorned with metals dark and grey, nor such
A hoard of gems to grace his somber tomb.
I check my straps; I cross my arms, prepare
Myself to once again venture into the
Unknown, content to face my end and pass
Beyond this mortal realm, content to hold
And wait and here to sleep—
To sleep in a sea of stars.
—THE FARTHEST SHORE 48–70
HARROW GLANTZER
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
Try to choose carefully, Arren, when the great choices must be made. When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
”
”
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
“
A ship doesn't look quite the same from inside, does it? A wise sailor,' Robert said, fanning his arms, 'will one time stand upon the shore and watch his ship sail by, that he shall from then on appreciate not being left behind.' He grinned and added, 'Eh?'
George gave him a little grimace. 'Who's that? Melville? Or C.S. Forrester?'
It's me!' Robert complained. "Can't I be profound now and again?'
Hell, no.'
Why not?'
Because you're still alive. Gotta be dead to be profound.'
You're unchivalrous, George.
”
”
Diane Carey (Best Destiny (Star Trek: The Original Series Unnumbered))
“
O you, who in some pretty boat,
Eager to listen, have been following
Behind my ship, that singing sails along
Turn back to look again upon your own shores;
Tempt not the deep, lest unawares,
In losing me, you yourselves might be lost.
The sea I sail has never yet been passed;
Minerva breathes, and pilots me Apollo,
And Muses nine point out to me the Bears.
You other few who have neck uplifted
Betimes to the bread of angels upon Which one lives and does not grow sated,
Well may you launch your vessel
Upon the deep sea.
”
”
Dante Alighieri (Paradiso (The Divine Comedy, #3))
“
What could she do who would not cast away magic and leave the home that an ageless day had endeared to her while centuries were withering like leaves upon earthly shores, whose heart was yet held by those little tendrils of Earth, which are strong enough, strong enough?
”
”
Lord Dunsany (The King of Elfland's Daughter)
“
His mouth opens. From inside him comes a slow stream, without breath, without interruption. It flows up through his body and out upon me; it passes through the cabin, through the wreck; washing the cliffs and shores of the island, it runs northward and southward to the ends of the earth. Soft and cold, dark and unending, it beats against my eyelids, against the skin of my face.
”
”
J.M. Coetzee (Foe)
“
I tramp the perpetual journey
My signs are a rain-proof coat, good shoes, and a staff cut from the
woods,
No friend of mine takes his ease in my chair,
I have no chair, no philosophy,
I lead no man to a dinner-table, library, exchange,
But each man and each woman of you I lead upon a knoll,
My left hand hooking you round the waist,
My right hand pointing to landscapes of continents and the public
road.
Not I, not any one else can travel that road for you,
You must travel it for yourself.
It is not far, it is within reach,
Perhaps you have been on it since you were born and did not know,
Perhaps it is everywhere on water and on land.
Shoulder your duds dear son, and I will mine, and let us hasten
forth,
Wonderful cities and free nations we shall fetch as we go.
If you tire, give me both burdens, and rest the chuff of your hand
on my hip,
And in due time you shall repay the same service to me,
For after we start we never lie by again.
This day before dawn I ascended a hill and look'd at the crowded
heaven,
And I said to my spirit When we become the enfolders of those orbs,
and the pleasure and knowledge of every thing in them, shall we
be fill'd and satisfied then?
And my spirit said No, we but level that lift to pass and continue
beyond.
You are also asking me questions and I hear you,
I answer that I cannot answer, you must find out for yourself.
Sit a while dear son,
Here are biscuits to eat and here is milk to drink,
But as soon as you sleep and renew yourself in sweet clothes, I kiss
you with a good-by kiss and open the gate for your egress
hence.
Long enough have you dream'd contemptible dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light and of every
moment of your life.
Long have you timidly waded holding a plank by the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod to me, shout,
and laughingly dash with your hair.
”
”
Walt Whitman (Song of Myself)
“
The charm dissolves apace,
And, as the morning steals upon the night,
Melting the darkness, so their rising senses
Begin to chase the ignorant fumes that mantle
Their clearer reason.
Their understanding
Begins to swell: and the approaching tide
Will shortly fill the reasonable shores
That now lie foul and muddy.
”
”
William Shakespeare (The Tempest)
“
When you left
you left behind a field
of silent flowers
under a sky
full of unstirred clouds...you left
a million butterflies
mid-silky flutters
You left like midnight rain
against my dreaming ears
Oh and how you left
leaving my coffee scentless
and my couch comfortless
leaving upon my fingers
the melting snow of you
you left behind
a calendar full of empty days
and seasons full of aimless wanders
leaving me alone
with an armful of sunsets
your reflection behind
in every puddle
your whispers
upon every curtain
your fragrance
inside every petal
you left your echoes in between
the silence of my eyes
Oh and how you left
leaving my sands footless
and my shores songless
leaving me with windows full of
moistened moonlight
nights and nights
of only a half-warmed soul
and when you left...
you left behind a lifetime
of moments untouched
the light of a million stars
unshed
and when you left
you somehow
left my poem...unfinished.
(Published in Taj Mahal Review Vol.11
Number 1 June 2012)
”
”
Sanober Khan
“
Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
”
”
Kahlil Gibran (Mirrors of the Soul)
“
Who Goes With Fergus?
Who will go drive with Fergus now,
And pierce the deep wood's woven shade,
And dance upon the level shore?
Young man, lift up your russet brow,
And lift your tender eyelids, maid,
And brood on hopes and fear no more.
And no more turn aside and brood
Upon love's bitter mystery;
For Fergus rules the brazen cars,
And rules the shadows of the wood,
And the white breast of the dim sea
And all dishevelled wandering stars.
”
”
W.B. Yeats (The Collected Poems of W.B. Yeats)
“
Battles against Rome have been lost and won before, but hope was never abandoned, since we were always here in reserve. We, the choicest flower of Britain's manhood, were hidden away in her most secret places. Out of sight of subject shores, we kept even our eyes free from the defilement of tyranny. We, the most distant dwellers upon earth, the last of the free, have been shielded till today by our very remoteness and by the obscurity in which it has shrouded our name. Now, the farthest bounds of Britain lie open to our enemies; and what men know nothing about they always assume to be a valuable prize....
A rich enemy excites their cupidity; a poor one, their lust for power. East and West alike have failed to satisfy them. They are the only people on earth to whose covetousness both riches and poverty are equally tempting. To robbery, butchery and rapine, they give the lying name of 'government'; they create a desolation and call it peace...
”
”
Tacitus
“
Look on beauty,
And you shall see 'tis purchased by the weight;
Which therein works a miracle in nature,
Making them lightest that wear most of it:
So are those crisped snaky golden locks
Which make such wanton gambols with the wind,
Upon supposed fairness, often known
To be the dowry of a second head,
The skull that bred them in the sepulchre.
Thus ornament is but the guiled shore
To a most dangerous sea; the beauteous scarf
Veiling an Indian beauty; in a word,
The seeming truth which cunning times put on
To entrap the wisest.
”
”
William Shakespeare (The Merchant of Venice)
“
Suppose after all that death does end all. Next to eternal joy, next to being forever with those we love and those who have loved us, next to that, is to be wrapt in the dreamless drapery of eternal peace. Next to eternal life is eternal sleep.
Upon the shadowy shore of death the sea of trouble casts no wave. Eyes that have been curtained by the everlasting dark, will never know again the burning touch of tears. Lips touched by eternal silence will never speak again the broken words of grief. Hearts of dust do not break. The dead do not weep. Within the tomb no veiled and weeping sorrow sits, and in the rayless gloom is crouched no shuddering fear.
I had rather think of those I have loved, and lost, as having returned to earth, as having become a part of the elemental wealth of the world – I would rather think of them as unconscious dust, I would rather dream of them as gurgling in the streams, floating in the clouds, bursting in the foam of light upon the shores of worlds, I would rather think of them as the lost visions of a forgotten night, than to have even the faintest fear that their naked souls have been clutched by an orthodox god.
I will leave my dead where nature leaves them. Whatever flower of hope springs up in my heart I will cherish, I will give it breath of sighs and rain of tears. But I cannot believe that there is any being in this universe who has created a human soul for eternal pain. I would rather that every god would destroy himself; I would rather that we all should go to eternal chaos, to black and starless night, than that just one soul should suffer eternal agony.
I have made up my mind that if there is a God, he will be merciful to the merciful.
Upon that rock I stand. –
That he will not torture the forgiving. –
Upon that rock I stand. –
That every man should be true to himself, and that there is no world, no star, in which honesty is a crime.
Upon that rock I stand.
The honest man, the good woman, the happy child, have nothing to fear, either in this world or the world to come.
Upon that rock I stand.
”
”
Robert G. Ingersoll
“
You are to be pitied more than I, perhaps. I soar above all your innumerable miseries, partaking of the nature of the angels; for, as you have said, my place is not in your narrow sphere. You have the earth, I have boundless space. Enchained here below by the thousand bonds of your gross, material senses, your spirits cannot plunge into that limpid Ocean of the infinite, where, lost for a day upon your arid shores, my soul drinks deep.
”
”
Herculine Barbin (Herculine Barbin: Being the Recently Discovered Memoirs of a Nineteenth-century French Hermaphrodite)
“
Upon the shadowy shore of death the sea of trouble casts no wave. Eyes that have been curtained by the everlasting dark, will never know again the burning touch of tears. Lips touched by eternal silence will never speak again the broken words of grief. Hearts of dust do not break. The dead do not weep. Within the tomb no veiled and weeping sorrow sits, and in the rayless gloom is crouched no shuddering fear.
I think of those I have loved and lost as having returned to earth, as having become a part of the elemental wealth of the world – I think of them as unconscious dust, I dream of them as gurgling in the streams, floating in the clouds, bursting in the foam of light upon the shores of worlds...
”
”
Robert G. Ingersoll
“
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
”
”
Maya Angelou
“
He looks up. Again, it is there in the sky. The planet of awesome size, lit by no sun. An invisible titan, all thick black forests and jagged mountains and deep, turbulent oceans. It is very close now. So close that he wonders if he could touch it. As he reaches up, he thinks he sees movement on its surface. Through the canopy of the forests and upon the slopes of the mountains and on the shores of the churning ocean. People maybe. Crowds of people all wrapped in white cloth. They are leaning into each other like dropped puppets. They sway lifelessly. He feels horror in the back of his throat, but still he reaches up. He can’t help himself. It’s just what he does next.
”
”
Joseph Fink (Welcome to Night Vale)
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
”
”
Joseph Conrad (Heart of Darkness)
“
Trousers rolled to the knee but still they got wet. They tied the rope to a cleat at the rear of the boat and rowed back across the lake, jerking the stump slowly behind them. By then it was already evening. Just the slow periodic rack and shuffle of the oarlocks. The lake dark glass and windowlights coming on along the shore. A radio somewhere. Neither of them had spoken a word. This was the perfect day of childhood. This is the day to shape the days upon.
”
”
Cormac McCarthy (The Road)
“
I dreamt I woke upon a boat.
A rocking boat.
A quiet boat.
On a smooth black sea we float.
Away, away
away.
I dreamt a Captain dressed in grey.
I dreamt I wore a long white coat.
I dreamt a stone caught in my throat.
I dreamt I choked
and choked
and choked.
A grey shore,
slopes decorated with dead trees and littered with our limbs.
I dreamt my legs were long and pale
made of smoke.
I choked and choked.
And when I woke I wrote and wrote
as though it all might just float
away!
”
”
Emily Carroll (Through the Woods)
“
Our favourite amusement during that winter was tobogganing. In places the shore of the lake rises abruptly from the water's edge. Down these steep slopes we used to coast. We would get on our toboggan, a boy would give us a shove, and off we went! Plunging through drifts, leaping hollows, swooping down upon the lake, we would shoot across its gleaming surface to the opposite bank. What joy! What exhilarating madness! For one wild, glad moment we snapped the chain that binds us to earth, and joining hands with the winds we felt ourselves divine!
”
”
Helen Keller (The Story of My Life)
“
This is life.
Learning to love through loss. Seeking warm pockets in the bitter cold. Finding the worth of a smile on a cloudy day. Carrying the weight of the world on weary shoulders—mistakes, sins, injustices—added upon daily. Enduring burdens that spur greater strength.
This is life.
Sorting through layers of expressions staring you straight in the eye. A battle to be right when wrong, to be good when bad, to be content when in need, and to laugh when tearing up.
This is life.
Valuing things of no worth. Reevaluating dreams. Laboring ceaselessly against the current. Seeing less, wanting more, having enough.
This is life.
Chasing the moon when the sun would extend its warmth. Slapping the hand that would offer a gentle caress. Cowering at personal, monstrous shadows. Giving and taking in unbalanced weights. Diminishing the majesty of mountains in order to form our own lowly hills. Hoping for more than we deserve.
This is life.
Hurting. Despairing. Losing. Weeping. Suffering. Laboring. Sinking. Mourning. Appreciating with greater capacity and sincerity a learned knowledge that these adversities do have their opposites.
This is life.
A taste. A revelation. A banishment. A mercy. A test. An experience. A turbulent sea-voyage that shall assuredly reach the unseen shore, making seasoned sailors of us all.
This is life.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Open to them your hand to the shore, watch them walk into the sea.
Press upon them all they need, see them yearn for all they want.
Gift to them the calm pool of words, watch them draw the sword.
Bless upon them the satiation of peace, see them starve for war.
Grant them darkness and they will lust for light.
Deliver to them death and hear them beg for life.
Beget life and they will murder your kin.
Be as they are and they will see you different.
Show wisdom and you are a fool.
The shore gives way to the sea.
And the sea, my friends,
Does not dream of you.
”
”
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
“
In that sleep and in sleeps to follow the judge did visit. Who would come other? A great shambling mutant, silent and serene. Whatever his antecedents he was something wholly other than their sum, nor was there system by which to divide him back into his origins for he would not go. Whoever would seek out his story through what unraveling of loins and ledgerbooks must stand at last darkened and dumb at the shore of a void without terminus or origin and whatever science he might bring to beat upon the dusty primal matter blowing down out of the millennia will discover no trace of any ultimate atavistic egg by which to reckon his commencing.
”
”
Cormac McCarthy
“
Well I knew when I first laid eyes on her
I could never be free
One look at her and I knew right away
She should always be with me
Well the dream dried up a long time ago
Don't know where it is anymore
True to life, true to me
Was the girl from the red river shore
Well I'm wearing the cloak of misery
And I've tasted jilted love
And the frozen smile upon my face
Fits me like a glove
Well I can't escape from the memory
Of the one I'll always adore
All those nights when I lay in the arms
Of the girl from the red river shore
Well we're living in the shadows of a fading past
Trapped in the fires of time
I've tried not to ever hurt anybody
And to stay out of the life of crime
And when it's all been said and done
I never did know the score
One more day is another day away
From the girl from the red river shore.
”
”
Bob Dylan (Lyrics, 1962-2001)
“
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
”
”
Edward Abbey (Desert Solitaire)
“
And now I saw how easy it was for the Providence of God to make the most miserable Condition Mankind could be in worse. Now I look'd back upon my desolate solitary Island, as the most pleasant Place in the World, and all the Happiness my Heart could wish for, was to be but there again. I stretch'd out my Hands to it with eager Wishes. O happy Desart, said I, I shall never see thee more. O miserable Creature, said I, whether am I going: Then I reproach'd my self with my unthankful Temper, and how I had repin'd at my solitary Condition; and now what would I give to be on Shore there again. Thus we never see the true State of our Condition, till it is illustrated to us be its Contraries; nor know how to value what we enjoy, but by the want of it.
”
”
Daniel Defoe (Robinson Crusoe)
“
.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba."
"A woman?" someone echoed scornfully. "How could that be?"
"Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf."
"Why didn't he use a boat?" asked Spider with a perplexed frown.
"Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.
”
”
Juliet Marillier (Son of the Shadows (Sevenwaters, #2))
“
And when the last red man shall have perished from the earth and his memory among white men shall have become a myth, these shores shall swarm with the invisible dead of my tribe, and when your children's children shall think themselves alone in the field, the store, the shop, upon the highway or in the silence of the woods they will not be alone. In all the earth there is no place dedicated to solitude. At night, when the streets of your cities and villages shall be silent and you think them deserted, they will throng with the returning hosts that once filled and still love this beautiful land. The white man will never be alone. Let him be just and deal kindly with my people, for the dead are not altogether powerless.
”
”
Chief Seattle
“
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time."
And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer.
Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. "
... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over.
There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
”
”
Herman Melville (Moby Dick)
“
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story,
A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence.
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.
--"The Midnight Star", a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
Hard Times
Music is silenced, the dark descending slowly
Has stripped unending skies of all companions.
Weariness grips your limbs and within the locked horizons
Dumbly ring the bells of hugely gathering fears.
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
It's not melodious woodlands but the leaps and falls
Of an ocean's drowsy booming,
Not a grove bedecked with flowers but a tumult flecked with foam.
Where is the shore that stored your buds and leaves?
Where the nest and the branch's hold?
Still, O bird, my sightless bird,
Not yet, not yet the time to furl your wings.
Stretching in front of you the night's immensity
Hides the western hill where sleeps the distant sun;
Still with bated breath the world is counting time and swimming
Across the shoreless dark a crescent moon
Has thinly just appeared upon the dim horizon.
-But O my bird, O sightless bird,
Not yet, not yet the time to furl your wings.
From upper skies the stars with pointing fingers
Intently watch your course and death's impatience
Lashes at you from the deeps in swirling waves;
And sad entreaties line the farthest shore
With hands outstretched and crooning 'Come, O come!'
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
All that is past: your fears and loves and hopes;
All that is lost: your words and lamentation;
No longer yours a home nor a bed composed of flowers.
For wings are all you have, and the sky's broadening countryard,
And the dawn steeped in darkness, lacking all direction.
Dear bird, my sightless bird,
Not yet, not yet the time to furl your wings!
”
”
Rabindranath Tagore
“
At that sound the bent shape of the king sprang suddenly erect. Tall and proud he seemed again; and rising in his stirrups he cried in a loud voice, more clear than any there had ever heard a mortal man achieve before:
Arise, arise, Riders of Theoden!
Fell deeds awake: fire and slaughter!
spear shall be shaken, shield be splintered,
a sword-day, a red day, ere the sun rises!
Ride now, ride now! Ride to Gondor!
With that he seized a great horn from Guthlaf his banner-bearer, and he blew such a blast upon it that it burst asunder. And straightway all the horns in the host were lifted up in music, and the blowing of the horns of Rohan in that hour was like a storm upon the plain and a thunder in the mountains.
Ride now, ride now! Ride to Gondor!
Suddenly the king cried to Snowmane and the horse sprang away. Behind him his banner blew in the wind, white horse upon a field of green, but he outpaced it. After him thundered the knights of his house, but he was ever before them. Eomer rode there, the white horsetail on his helm floating in his speed, and the front of the first eored roared like a breaker foaming to the shore, but Theoden could not be overtaken. Fey he seemed, or the battle-fury of his fathers ran like new fire in his veins, and he was borne up on Snowmane like a god of old, even as Orome the Great in the battle of the Valar when the world was young. his golden shield was uncovered, and lo! it shone like an image of the Sun, and the grass flamed into green about the white feet of his steed. For morning came, morning and a wind from the sea; and darkness was removed, and the hosts of Mordor wailed, and terror took them, and they fled, and died, and the hoofs of wrath rode over them. And then all the host of Rohan burst into song, and they sang as they slew, for the joy of battle was on them, and the sound of their singing that was fair and terrible came even to the City.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau.
Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover.
Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day.
‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke.
Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense.
Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
”
”
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
“
What infinite heart's-ease
Must kings neglect, that private men enjoy!
And what have kings, that privates have not too,
Save ceremony, save general ceremony?
And what art thou, thou idle ceremony?
What kind of god art thou, that suffer'st more
Of mortal griefs than do thy worshippers?
What are thy rents? what are thy comings in?
O ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree and form,
Creating awe and fear in other men?
Wherein thou art less happy being fear'd
Than they in fearing.
What drink'st thou oft, instead of homage sweet,
But poison'd flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Think'st thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command'st the beggar's knee,
Command the health of it? No, thou proud dream,
That play'st so subtly with a king's repose;
I am a king that find thee, and I know
'Tis not the balm, the sceptre and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farced title running 'fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world,
No, not all these, thrice-gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave,
Who with a body fill'd and vacant mind
Gets him to rest, cramm'd with distressful bread;
Never sees horrid night, the child of hell,
But, like a lackey, from the rise to set
Sweats in the eye of Phoebus and all night
Sleeps in Elysium; next day after dawn,
Doth rise and help Hyperion to his horse,
And follows so the ever-running year,
With profitable labour, to his grave:
And, but for ceremony, such a wretch,
Winding up days with toil and nights with sleep,
Had the fore-hand and vantage of a king.
The slave, a member of the country's peace,
Enjoys it; but in gross brain little wots
What watch the king keeps to maintain the peace,
Whose hours the peasant best advantages.
”
”
William Shakespeare (Henry V)
“
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers.
'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm.
It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity.
The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart.
Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I turn and walk back to the home shore whose tall yellow bluffs still bare of snow I can see nearly half a mile to the north. I find my way as I came, over dusty sandbars and by old channels, through shrubby stands of willows. The cold, late afternoon sun breaks through its cloud cover and streaks the grey sand mixed with snow.
As it has fallen steadily in the past weeks, the river has left behind many shallow pools, and these are now roofed with ice. When I am close to the main shore I come upon one of them, not far from the wooded bank. The light snow that fell a few days ago has blown away; the ice is polished and is thick enough to stand on. I can see to the bottom without difficulty, as through heavy dark glass.
I bend over, looking at the debris caught there in the clear, black depth of the ice: I see a few small sticks, and many leaves. There are alder leaves, roughly toothed and still half green; the more delicate birch leaves and aspen leaves, the big, smooth poplar leaves, and narrow leaves from the willows. They are massed or scattered, as they fell quietly or as the wind blew them into the freezing water. Some of them are still fresh in color, glowing yellow and orange; others are mottled with grey and brown. A few older leaves lie sunken and black on the silty bottom. Here and there a pebble of quartz is gleaming. But nothing moves there. It is a still, cold world, something like night, with its own fixed planets and stars.
”
”
John Meade Haines (The Stars, the Snow, the Fire: Twenty-Five Years in the Alaska Wilderness)
“
He remembered the night in Arlington when the news came: secession. He remembered a paneled wall and firelight. When we heard the news we went into mourning. But outside there was cheering in the streets, bonfires of joy. They had their war at last. But where was there ever any choice? The sight of fire against wood paneling, a bonfire seen far off at night through a window, soft and sparky glows always to remind him of that embedded night when he found that he had no choice. The war had come. He was a member of the army that would march against his home, his sons. He was not only to serve in it but actually to lead it, to make the plans and issue the orders to kill and burn and ruin. He could not do that. Each man would make his own decision, but Lee could not raise his hand against his own. And so what then? To stand by and watch, observer at the death? To do nothing? To wait until the war was over? And if so, from what vantage point and what distance? How far do you stand from the attack on your home, whatever the cause, so that you can bear it? It had nothing to do with causes; it was no longer a matter of vows.
When Virginia left the Union she bore his home away as surely as if she were a ship setting out to sea, and what was left behind on the shore was not his any more. So it was no cause and no country he fought for, no ideal and no justice. He fought for his people, for the children and the kin, and not even the land, because not even the land was worth the war, but the people were, wrong as they were, insane even as many of them were, they were his own, he belonged with his own. And so he took up arms willfully, knowingly, in perhaps the wrong cause against his own sacred oath and stood now upon alien ground he had once sworn to defend, sworn in honor, and he had arrived there really in the hands of God, without any choice at all; there had never been an alternative except to run away, and he could not do that. But Longstreet was right, of course: he had broken the vow. And he would pay. He knew that and accepted it. He had already paid. He closed his eyes. Dear God, let it end soon.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation.
Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.'
Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence.
To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other.
Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones.
Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts.
Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
”
”
Joseph Lewis (Ingersoll the Magnificent)
“
Why then I do but dream on sovereignty,
Like one that stands upon a promontory
And spies a far-off shore where he would tread,
Wishing his foot were equal with his eye,
And chides the sea that sunders him from thence,
Saying, he'll lade it dry to have his way:
So do I wish the crown, being so far off,
And so I chide the means that keeps me from it,
And so, I say, I'll cut the causes off,
Flattering me with impossibilities,
My eye's too quick, my hear o'erweens too much,
Unless my hand and strength could equal them.
Well, say there is no kingdom then for Richard;
What other pleasure can the world afford?
I'll make my heaven in a lady's lap,
And deck my body in gay ornaments,
And witch sweet ladies with my words and looks.
O miserable thought! and more unlikely
Than to accomplish twenty golden crowns!
Why, love forswore me in my mother's womb;
And for I should not deal in her soft laws,
She did corrupt frail nature with some bribe,
To shrink mine arm up like a wither'd shrub,
To make an envious mountain on my back,
Where sits deformity to mock my body;
To shape my legs of an unequal size,
To disproportion me in every part,
Like to a chaos, or an unlick'd bear-whelp
That carries no impression like the dam.
And am I then a man to be belov'd?
O monstrous fault, to harbor such a thought!
Then since this earth affords no joy to me
But to command, to check, to o'erbear such
As are of better person than myself,
I'll make my heaven to dream upon the crown,
And whiles I live, t' account this world but hell,
Until my misshap'd trunk that bears this head
Be round impaled with a glorious crown.
And yet I know not how to get the crown,
For many lives stand between me and home;
And I - like one lost in a thorny wood,
That rents the thorns, and is rent with the thorns,
Seeking a way, and straying from the way,
Not knowing how to find the open air,
But toiling desperately to find it out -
Torment myself to catch the English crown;
And from that torment I will free myself,
Or hew my way out with a bloody axe.
Why, I can smile, and murther whiles I smile,
And cry "Content" to that which grieves my heart,
And wet my cheeks with artificial tears,
And frame my face to all occasions.
I'll drown more sailors than the mermaid shall,
I'll slay more gazers than the basilisk,
I'll play the orator as well as Nestor,
Deceive more slily than Ulysses could,
And like a Simon, take another Troy.
I can add colors to the chameleon,
Change shapes with Proteus for advantages,
And set the murtherous Machevil to school.
Can I do this, and cannot get a crown?
Tut, were it farther off, I'll pluck it down.
”
”
William Shakespeare (King Henry VI, Part 3)
“
To fill the days up of his dateless year
Flame from Queen Helen to Queen Guenevere?
For first of all the sphery signs whereby
Love severs light from darkness, and most high,
In the white front of January there glows
The rose-red sign of Helen like a rose:
And gold-eyed as the shore-flower shelterless
Whereon the sharp-breathed sea blows bitterness,
A storm-star that the seafarers of love
Strain their wind-wearied eyes for glimpses of,
Shoots keen through February's grey frost and damp
The lamplike star of Hero for a lamp;
The star that Marlowe sang into our skies
With mouth of gold, and morning in his eyes;
And in clear March across the rough blue sea
The signal sapphire of Alcyone
Makes bright the blown bross of the wind-foot year;
And shining like a sunbeam-smitten tear
Full ere it fall, the fair next sign in sight
Burns opal-wise with April-coloured light
When air is quick with song and rain and flame,
My birth-month star that in love's heaven hath name
Iseult, a light of blossom and beam and shower,
My singing sign that makes the song-tree flower;
Next like a pale and burning pearl beyond
The rose-white sphere of flower-named Rosamond
Signs the sweet head of Maytime; and for June
Flares like an angered and storm-reddening moon
Her signal sphere, whose Carthaginian pyre
Shadowed her traitor's flying sail with fire;
Next, glittering as the wine-bright jacinth-stone,
A star south-risen that first to music shone,
The keen girl-star of golden Juliet bears
Light northward to the month whose forehead wears
Her name for flower upon it, and his trees
Mix their deep English song with Veronese;
And like an awful sovereign chrysolite
Burning, the supreme fire that blinds the night,
The hot gold head of Venus kissed by Mars,
A sun-flower among small sphered flowers of stars,
The light of Cleopatra fills and burns
The hollow of heaven whence ardent August yearns;
And fixed and shining as the sister-shed
Sweet tears for Phaethon disorbed and dead,
The pale bright autumn's amber-coloured sphere,
That through September sees the saddening year
As love sees change through sorrow, hath to name
Francesca's; and the star that watches flame
The embers of the harvest overgone
Is Thisbe's, slain of love in Babylon,
Set in the golden girdle of sweet signs
A blood-bright ruby; last save one light shines
An eastern wonder of sphery chrysopras,
The star that made men mad, Angelica's;
And latest named and lordliest, with a sound
Of swords and harps in heaven that ring it round,
Last love-light and last love-song of the year's,
Gleams like a glorious emerald Guenevere's.
”
”
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
“
There is a vast difference between being a Christian and being a disciple. The difference is commitment.
Motivation and discipline will not ultimately occur through listening to sermons, sitting in a class, participating in a fellowship group, attending a study group in the workplace or being a member of a small group, but rather in the context of highly accountable, relationally transparent, truth-centered, small discipleship units.
There are twin prerequisites for following Christ - cost and commitment, neither of which can occur in the anonymity of the masses.
Disciples cannot be mass produced. We cannot drop people into a program and see disciples emerge at the end of the production line. It takes time to make disciples. It takes individual personal attention.
Discipleship training is not about information transfer, from head to head, but imitation, life to life. You can ultimately learn and develop only by doing.
The effectiveness of one's ministry is to be measured by how well it flourishes after one's departure.
Discipling is an intentional relationship in which we walk alongside other disciples in order to encourage, equip, and challenge one another in love to grow toward maturity in Christ. This includes equipping the disciple to teach others as well.
If there are no explicit, mutually agreed upon commitments, then the group leader is left without any basis to hold people accountable. Without a covenant, all leaders possess is their subjective understanding of what is entailed in the relationship.
Every believer or inquirer must be given the opportunity to be invited into a relationship of intimate trust that provides the opportunity to explore and apply God's Word within a setting of relational motivation, and finally, make a sober commitment to a covenant of accountability.
Reviewing the covenant is part of the initial invitation to the journey together. It is a sobering moment to examine whether one has the time, the energy and the commitment to do what is necessary to engage in a discipleship relationship.
Invest in a relationship with two others for give or take a year. Then multiply. Each person invites two others for the next leg of the journey and does it all again. Same content, different relationships.
The invitation to discipleship should be preceded by a period of prayerful discernment. It is vital to have a settled conviction that the Lord is drawing us to those to whom we are issuing this invitation. . If you are going to invest a year or more of your time with two others with the intent of multiplying, whom you invite is of paramount importance.
You want to raise the question implicitly: Are you ready to consider serious change in any area of your life? From the outset you are raising the bar and calling a person to step up to it. Do not seek or allow an immediate response to the invitation to join a triad. You want the person to consider the time commitment in light of the larger configuration of life's responsibilities and to make the adjustments in schedule, if necessary, to make this relationship work.
Intentionally growing people takes time. Do you want to measure your ministry by the number of sermons preached, worship services designed, homes visited, hospital calls made, counseling sessions held, or the number of self-initiating, reproducing, fully devoted followers of Jesus?
When we get to the shore's edge and know that there is a boat there waiting to take us to the other side to be with Jesus, all that will truly matter is the names of family, friends and others who are self initiating, reproducing, fully devoted followers of Jesus because we made it the priority of our lives to walk with them toward maturity in Christ. There is no better eternal investment or legacy to leave behind.
”
”
Greg Ogden (Transforming Discipleship: Making Disciples a Few at a Time)