“
Onward up many a frightening creek, though your arms may get sore and your sneakers may leak. Oh! The places you'll go!
”
”
Dr. Seuss (Oh, the Places You’ll Go!)
“
One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world - your little carved-out sphere - is twisting and morphing, even breaking apart. One day you have parents; the next day you're an orphan. One day you have a place and a path. The next day you're lost in the wilderness.
And still the sun rises and clouds mass and drift and people shop for groceries and toilets flush and blinds go up and down. That's when you realize that most of it - life, the relentless mechanism of existing - isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
At some point, you have to set down the past. At some point, you have to accept that everyone was doing their best. At some point, you have to gather yourself up, and go onward into your life.
”
”
Olivia Laing (The Trip to Echo Spring)
“
Even from the abyss of horror in which we try to feel our way today, half-blind, our hearts distraught and shattered, I look up again and again to the ancient constellations that shone on my childhood, comforting myself with the inherited confidence that, some day, this relapse will appear only an interval in the eternal rhythm of progress onward and upward.
”
”
Stefan Zweig (The World of Yesterday)
“
Say it,' Ronan told Gansey.
'Say what?'
'Excelsior.'
'That's onward and upward,' Gansey said. 'It means to ascend. That's opposite.'
'Oh well,' Ronan said. 'Squash one, squash two, squash three on and on and on-'
Then he disappeared into the hole, his voice still carrying up.
Adam said, 'I'm not singing along!' but he followed Ronan in.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
When you're born a light is switched on, a light which shines up through your life. As you get older the light still reaches you, sparkling as it comes up through your memories. And if you're lucky as you travel forward through time, you'll bring the whole of yourself along with you, gathering your skirts and leaving nothing behind, nothing to obscure the light. But if a Bad Thing happens part of you is seared into place, and trapped for ever at that time. The rest of you moves onward, dealing with all the todays and tomorrows, but something, some part of you, is left behind. That part blocks the light, colours the rest of your life, but worse than that, it's alive. Trapped for ever at that moment, and alone in the dark, that part of you is still alive.
”
”
Michael Marshall Smith (Only Forward)
“
All that Ruby said was so horribly true, she was leaving everything she cared for. She had laid up her treasures on earth only. She had lived solely for the little things of life, the things that pass, forgetting the great things that go onward into eternity bridging the gulf between the two lives and making of death a mere passing of one dwelling to the other. From twilight to unclouded day. ...it was no wonder her soul clung in blind helplessness to the only things she knew and loved.
”
”
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
“
I've got a huge, terrible problem."
Oh no! Not that horrible toenail fungus that takes six months to cure?"
No, no, no. Much worse. This is shocking news. Are you sure I should tell you while you're driving?"
I've got my headset on. Both hands on the wheel. Windows rolled up. Go for it."
Okay, here goes...Principal Abernethy called me this morning to let me know I'm in the running for valedictorian."
There is silence.
A rather loudish snort.
And guffaws.
Congratulations," she finally says, laughing. "What ever are you going to do?"
Fail ever assignment from today onward."
You won't be able to."
Watch me.
”
”
Lisa McMann (Fade (Wake, #2))
“
Wake up now, look alive, for here is a day off work just to praise Creation: the turkey, the squash, and the corn, these things that ate and drank sunshine, grass, mud, and rain, and then in the shortening days laid down their lives for our welfare and onward resolve. There's the miracle for you, the absolute sacrifice that still holds back seed: a germ of promise to do the whole thing again, another time. . . Thanksgiving is Creation's birthday party. Praise harvest, a pause and sigh on the breath of immortality.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
What would happen to our lives, our world, if the parent could unconditionally affirm the child, saying in so many words: “You are precious to us; you will always have our love and support; you are here to be who you are; try never to hurt another, but never stop trying to become yourself as fully as you can; when you fall and fail, you are still loved by us and welcomed to us, but you are also here to leave us, and to go onward toward your own destiny without having to worry about pleasing us.
”
”
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
“
And when you're alone, there's a very good chance
you'll meet things that scare you right out of your pants.
There are some, down the road between hither and yon,
that can scare you so much you won't want to go on.
But on you will go
though the weather be foul.
On you will go
though your enemies prowl.
On you will go
though the Hakken-Kraks howl.
Onward up many
a frightening creek,
though your arms may get sore
and your sneakers may leak.
”
”
Dr. Seuss (Oh, the Places You’ll Go!)
“
Don’t feel bad about feeling bad. Don’t be frightened of feeling afraid. Don’t be angry about getting angry. There is no need to give up when we are feeling depressed. Nor should we be dismayed at the grief which often accompanies the outgrowing of anything which needs outgrowing. We can be glad that our soul is speaking to us and pushing us onwards. We frequently need to persevere with a period of inner turmoil before the dust can settle and be swept out the door.
”
”
Donna Goddard (The Love of Devotion)
“
I do not understand it. I would not have believed that such things could happen on our farm. It must be due to some fault in ourselves. The solution, as I see it, is to work harder. From now onwards I shall get up a full hour earlier in the mornings.
”
”
George Orwell (Animal Farm)
“
In moments Akiva was up in the ether, scarcely feeling the sting of ice crystals in the thin air. He let his glamour fall away, and his wings were like sheets of fire sweeping the black of the heavens. He moved at speed, onward toward another human city to find another doorway bitter with the devil's magic, and after that another, until all bore the black handprint....Once all the doors were marked, the end would begin. And it would begin with fire.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
SEA OF LIFE
This is not the end, my friend.
Just as the ocean sings songs to infinity
Our friendship too will flow onward
Until the day one of us
Turns and leaves
And the seasons will turn too
As our shells
As they return back to sand
And the tides that brought us
Forth
Will take us back
Again.
I will never leave you, my friend.
Every time you see a wave rushing to
Meet another,
Two friends unite.
Every time you see a wave crashing,
Two friends depart.
The journey will go on, my friend.
Our memories are recorded
In seashells
To show and tell
The lessons learned
In these heavens and hells
Part of this sea of life -
And when the tide is right,
We shall cross paths again
When the ocean sings our song.
Poetry by Suzy Kassem
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
The young must grow old
Whilst old ones grow older.
And cowards will shrink
As the bold grow bolder.
Courage may blossom in quiet hearts,
For who can tell where bravery starts?
Truth is a song, oft lying unsung,
Some mother bird protecting her young.
Those who lay down their lives for friends,
The echo rolls onward, it seldom ends.
Who never turned and ran, but stayed?
This is a warrior, born, not made.
Living in peace, aye many a season,
Calm in life and sound in reason,
Till evil arrives, a wicked horde
Driving the warrior to pick up his sword
The challenger rings then, straight and fair,
Justice is with us, beware, beware.
”
”
Brian Jacques
“
Thus I must contradict you when you go on to argue that men are completely unable to do without the consolation of the religious illusion, that without it they could not bear the troubles of life and the cruelties of reality. That is true, certainly, of the men into whom you have instilled the sweet -- or bitter-sweet -- poison from childhood onwards. But what of the other men, who have been sensibly brought up? Perhaps those who do not suffer from the neurosis will need no intoxicant to deaden it. They will, it is true, find themselves in a difficult situation. They will have to admit to themselves the full extent of their helplessness and their insignificance in the machinery of the universe; they can no longer be the centre of creation, no longer the object of tender care on the part of a beneficent Providence. They will be in the same position as a child who has left the parental house where he was so warm and comfortable. But surely infantilism is destined to be surmounted. Men cannot remain children for ever; they must in the end go out into 'hostile life'. We may call this 'education to reality. Need I confess to you that the whole purpose of my book is to point out the necessity for this forward step?
”
”
Sigmund Freud (The Future of an Illusion)
“
I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.
”
”
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
“
To-morrow would bring its own trial with it; so would the next day, and so would the next; each its own trial, and yet the very same that was now so unutterably grievous to be borne. The days of the far-off future would toil onward, still with the same burden for her to take up, and bear along with her, but never to fling down; for the accumulating days, and added years, would pile up their misery upon the heap of shame.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
Because she looks to the sky so often, people think that her life is sweet, that her eyes are dotted with dreamy stars. But quite the opposite is true and I wish they could see— she looks up so much because all around her it's hard to see without breaking her heart. She once saw in a movie a window sign that said "We're all in the gutter; but some of us are looking at the stars." From that movie onwards, she decided to look up! Doesn't mean her life is sweet, doesn't mean her eyes are dotted with dreamy stars.
”
”
C. JoyBell C.
“
A butterfly is a caterpillar who never gave up on his dream to fly.
”
”
Matshona Dhliwayo
“
For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress
”
”
Diane Setterfield (Once Upon a River)
“
From now onwards he must not only think right; he must feel right, dream right. And all the while he must keep his hatred locked up inside him like a ball of matter which was part of himself and yet unconnected with the rest of him, a kind of cyst.
”
”
George Orwell (1984)
“
Events stream past us like these crowds and the face of each is seen only for a minute. What is urgent is not urgent for ever but only ephemerally. All work and all love, the search for wealth and fame, the search for truth, like itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future.
So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
”
”
Iris Murdoch (Under the Net)
“
To her it seemed an inevitable thing as much a part of herself as her breathing; and yet it appeared transcendent of self, and she looked up and onwards towards her love--for the eyes of the young are drawn to the stars and the spirit of youth is seldom earth-bound." p146
”
”
Radclyffe Hall (The Well of Loneliness)
“
The shaking of American culture is no sign that God has given up on American Christianity. In fact, it may be a sign that God is rescuing American Christianity from itself.
”
”
Russell D. Moore (Onward: Engaging the Culture without Losing the Gospel)
“
When you give up,' said a slim older man whose home we rebuilt, 'you might as well lay down and die.' It was obvious that we weren't just giving people back their homes, but also restoring a sense of dignity.
”
”
Howard Schultz (Onward: How Starbucks Fought for Its Life without Losing Its Soul)
“
I raised my hand to wave in case he looked back; but he did not. He rode straight backed, looking forward. He rode like a Howard. We never look back. We have no time for regrets or second thoughts. If a plan goes awry we make another, if one weapon breaks in our hands, we find a second. If the steps fall down before us we overleap them and go up. It is always onwards and upwards for the Howards; and my father was on his way back to court and to the company of the King without a backwards glance for me.
”
”
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
“
Fear is an assassin; if you let it in your life, it will kill your dreams.
”
”
Matshona Dhliwayo
“
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me."
"What sort of things?"
"I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make."
Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours."
He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
”
”
Judith McNaught (Until You (Westmoreland, #3))
“
It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward.
Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.
”
”
Ellen Datlow (Teeth: Vampire Tales)
“
The schoolroom clock was worn raw by stares; and you couldn't look up at the big Puritanical face of it and not feel the countless years of young eyes reflected in it, urging it onwards. It was a dark, old spirit that didn't so much mark time as bequeath it.
”
”
Tod Wodicka (All Shall Be Well; And All Shall Be Well; And All Manner of Things Shall Be Well)
“
And still the sun rises and clouds mass and drift and people shop for groceries and toilets flush and blinds go up and down. That's when you realize that most of it - life, the relentless mechanism of existing - isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
It is a great thing to start life with a small number of really good books which are your very own. You may not appreciate them at first. You may pine for your novel of crude and unadulterated adventure. You may, and will, give it the preference when you can. But the dull days come, and the rainy days come, and always you are driven to fill up the chinks of your reading with the worthy books which wait so patiently for your notice. And then suddenly, on a day which marks an epoch in your life, you understand the difference. You see, like a flash, how the one stands for nothing, and the other for literature. From that day onwards you may return to your crudities, but at least you do so with some standard of comparison in your mind. You can never be the same as you were before. Then gradually the good thing becomes more dear to you; it builds itself up with your growing mind; it becomes a part of your better self, and so, at last, you can look, as I do now, at the old covers and love them for all that they have meant in the past.
”
”
Arthur Conan Doyle (Through the Magic Door)
“
Let your intuition guide you toward what lights you up, because what lights you up is guiding you onward, like stars illuminating the sacred path before you.
”
”
Kris Franken (The Call of Intuition: How to Recognize & Honor Your Intuition, Instinct & Insight)
“
Being an adult is only an illusion. When it comes down to it I’m not sure any of us ever really grow up. We simply grow taller and hairier. Sometimes, I still feel amazed that I am allowed to drive a car, or that I have not been found out for drinking in the pub. Beneath the veneer of adulthood, beneath the layers of experience we accrue as the years march stoically onwards, we are all still children, with scraped knees and snotty noses, who need our parents … and our friends.
”
”
C.J. Tudor (The Chalk Man)
“
We stumbled on in the darkness, over big stones and through large puddles, along the one road leading from the camp. The accompanying guards kept shouting at us and driving us with the butts of their rifles. Anyone with very sore feet supported himself on his neighbor's arm. Hardly a word was spoken; the icy wind did not encourage talk. Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us."
That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise.
A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way—an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory.
”
”
Viktor E. Frankl
“
Passions change and morph over time as one comes to know and understand oneself more deeply. As you follow your passions, you will find yourself drawn irresistibly onward until one day, you wake up and find you are living a passionate life, filled with a sense of destiny.
”
”
Janet Bray Attwood (The Passion Test: The Effortless Path to Discovering Your Destiny)
“
Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating.
At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well.
”
”
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
“
White-faced, Jord took one look at his expression and said, ‘He’s not coming.’ ‘We’re outnumbered,’ said Damen, ‘but if you run, you might still make it out.’ ‘If we’re outnumbered, what are you going to do?’ Damen drove his horse onward, ready to take up his own place on the front line. He said, ‘Fight.
”
”
C.S. Pacat (Kings Rising (Captive Prince, #3))
“
The trucks roll monotonously onwards, the shouts are monotonous, the falling rain is monotonous. It falls on our heads and on the heads of the dead men up at the front of the truck, on the body of the little recruit with a wound that is far too big for his hip, it’s falling on Kemmerich’s grave, and it’s falling in our hearts.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
I realized that with everything I did from that point onward, I would have to ask myself this question: "How would I feel if what I'm doing right now is written up on the front page of the Wall Street Journal or the New York Times or if it is on television? Would I still do it?" That is a very useful exercise for leaders to engage in, because we shouldn't do anything we might be embarrassed by or ashamed of.
”
”
John E. Mackey (Conscious Capitalism: Liberating the Heroic Spirit of Business)
“
A bloody scene with no witnesses was about to happen. It was a relief to me, finally, to have the foe in front of me and within reach. I set the mouth of the pistol at the man’s temple – he was too frightened to move – while my other fist grabbed hold of his tunic, feeling medals and badges of rank. An officer; he must have held some command post in these trenches. With a plaintive sound, he reached into his pocket, not to pull out a weapon, but a photograph which he held up to me. I saw him on it, surrounded by numerous family, all standing on a terrace. It was a plea from another world. Later, I thought it was blind chance that I let him go and plunged onward. That one man of all often appeared in my dreams. I hope that meant he got to see his homeland again.
”
”
Ernst Jünger (Storm of Steel)
“
But every person has their own encyclopedia written, which grows out from each soul, composed from birth onward, hundreds of thousands of pages pressing into each other and yet there’s air between them! Like trembling leaves in a forest. A book of contradictions. What’s in there is revised by the moment; the images touch themselves up, the words flicker. A wave washes through the entire text, followed by the next wave, and the next . . .
”
”
Tomas Tranströmer (The Great Enigma: New Collected Poems)
“
A bird does not give up flying today because it couldn't find any worms yesterday.
”
”
Matshona Dhliwayo
“
Onward, and up, and up again, until the impossible was achieved, all barriers were broken, all pains conquered, all abilities possessed. Until all was lightning and no darkness left.
”
”
Gordon R. Dickson (Soldier, Ask Not (Childe Cycle, #3))
“
Wondered whether the moment of no return had already been and gone, or whether this was it, here, right now, hovering above that red button. Either way, going back didn't exist any more, not for her. There was only forward. Only onwards. She straightened up and pressed record.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us."
That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise.
”
”
Viktor E. Frankl (Man’s Search for Meaning)
“
Damen found himself alongside Jord. ‘If you want to live, ride fast.’
White-faced, Jord took one look at his expression and said, ‘He’s not coming.’
‘We’re outnumbered,’ said Damen, ‘but if you run, you might still make it out.’
‘If we’re outnumbered, what are you going to do?’
Damen drove his horse onward, ready to take up his own place on the front line.
He said, ‘Fight.
”
”
C.S. Pacat
“
A pair of jaybirds came up from nowhere, whirled up on the blast like gaudy scraps of cloth or paper and lodged in the mulberries, where they swung in raucous tilt and recover, screaming into the wind that ripped their harsh cries onward and away like scraps of paper or of cloth in turn.
”
”
William Faulkner (The Sound and the Fury)
“
Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.
Wrong or justice, joy or sorrow,
In the present what are they
while there's always jam-tomorrow,
While we tread the onward way?
Never knowing where we're going,
We can never go astray.
To whatever variation
Our posterity may turn
Hairy, squashy, or crustacean,
Bulbous-eyed or square of stern,
Tusked or toothless, mild or ruthless,
Towards that unknown god we yearn.
Ask not if it's god or devil,
Brethren, lest your words imply
Static norms of good and evil
(As in Plato) throned on high;
Such scholastic, inelastic,
Abstract yardsticks we deny.
Far too long have sages vainly
Glossed great Nature's simple text;
He who runs can read it plainly,
'Goodness = what comes next.'
By evolving, Life is solving
All the questions we perplexed.
Oh then! Value means survival-
Value. If our progeny
Spreads and spawns and licks each rival,
That will prove its deity
(Far from pleasant, by our present,
Standards, though it may well be).
”
”
C.S. Lewis
“
The AHA even rode the profit wave of refined carbohydrates from the 1990s onward by charging a hefty fee for the privilege of putting the AHA’s “Heart Healthy” check mark on products, with the label ending up on some dubious candidates, such as Kellogg’s Frosted Flakes, Fruity Marshmallow Krispies, and low-fat Pop-Tarts.
”
”
Nina Teicholz (The Big Fat Surprise: Why Butter, Meat and Cheese Belong in a Healthy Diet)
“
The days of the far off future would toil onward, still with the same burden for her to take up and bear along with her but never to fling down; for the accumulating days, and added years would pile up their misery upon the heap of shame
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
Let the sweet fresh breezes heal me
As they rove around the girth
Of our lovely mother planet
Of the cool, green hills of Earth.
We've tried each spinning space mote
And reckoned its true worth:
Take us back again to the homes of men
On the cool, green hills of Earth.
The arching sky is calling
Spacemen back to their trade.
ALL HANDS! STAND BY! FREE FALLING!
And the lights below us fade.
Out ride the sons of Terra,
Far drives the thundering jet,
Up leaps a race of Earthmen,
Out, far, and onward yet ---
We pray for one last landing
On the globe that gave us birth;
Let us rest our eyes on the fleecy skies
And the cool, green hills of Earth.
”
”
Robert A. Heinlein (The Green Hills of Earth)
“
By the light of burning martyrs, Christ, thy bleeding feet we track
Toiling up new Calv'ries ever with the cross that turns not back
New occasions teach new duties, time makes ancient good uncouth
We must upward still and onward, who would keep abreast of Truth
”
”
James Russell Lowell
“
There is no more thrilling sensation I know of than sailing. It comes as near to flying as man has got to yet - except in dreams. The wings of the rushing wind seem to be bearing you onward, you know not where. You are no longer the slow, plodding, puny thing of clay, creeping tortuously upon the ground; you are a part of Nature! Your heart is throbbing against hers! Her glorious arms are round you, raising you up against her heart! Your spirit is at one with hers; your limbs grow light! The voices of the air are singing to you. The earth seems far away and little; and the clouds, so close above your head, are brothers, and you stretch your arms to them.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
The light which we have gained, was given us, not to be ever staring on, but by it to discover onward things more remote from our knowledge. It is not the unfrocking of a priest, the unmitering of a bishop, and the removing hum from the Presbyterian shoulders that will make us a happy nation; no, if other things as great in the Church, and in the rule of life both economical and political, be not looked into and reformed, we have looked so long upon the blaze that Zwinglius and Calvin have beaconed up to us, that we are stark blind.
”
”
John Milton (Areopagitica)
“
Society is a wave. The wave moves onward, but the water of which it is composed does not. The same particle does not rise from the valley to the ridge. Its unity is only phenomenal. The persons who make up a nation to-day, next year die, and their experience with them.
”
”
Ralph Waldo Emerson (Essays by Ralph Waldo Emerson)
“
You know,” Wayne said, “I’m an Allomancer too.”
The man said nothing.
“I figured you’d want to know,” Wayne said, “since it seems like this is your religion and all. In case you wanted someone else to worship.”
Again no reply.
“I’m a Slider,” Wayne said. “Speed bubbles, you know? Those fancy titles would work for me just fine, I think. Handsome One. Smart One. Um … Guy wif the Great Hat.”
The only sound was that of their footfalls and the gusting wind.
“Now, see,” Wayne said, “this is unfair. Wax doesn’t want you to worship him, right? But you gotta have someone to worship. It’s human nature. It’s ingratiated in us. So, I’m willin’ to be accommodatin’ and let you—”
“He can’t understand you, Wayne,” Marasi said, marching past. “He’s swapped metalminds to keep himself warm.”
Wayne stopped in place as they all hiked onward. “Well, when he gets his brain back, someone tell him I’m a god, all right?”
“Will do,” Wax called from up ahead.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
His will be done, as done it surely will be, whether we humble ourselves to resignation or not. The impulse of creation forwards it; the strength of powers, seen and unseen, has its fulfillment in charge. Proof of a life to come must be given. In fire and in blood, if needful, must that proof be written. In fire and in blood do we trace the record throughout nature. In fire and in blood does it cross our own experience. Sufferer, faint not through terror of this burning evidence. Tired wayfarer, gird up thy loins, look upward, march onward. Pilgrims and brother mourners, join in friendly company. Dark through the wilderness of this world stretches the way for most of us: equal and steady be our tread; be our cross our banner. For staff we have His promis, whose 'word is tried, whose way perfect": for present hope His providence, 'who gives the shield of salvation, whose gentleness makes great'; for final home His bosom, who 'dwells in the height of Heaven'; for crowning prize a glory exceeding and eternal. Let us so run that we may obtain: let us endure hardness as good soldiers; let us finish our course, and keep the faith, reliant in the issue to come off more than conquerors: 'Art though not from everlasting mine Holy One? WE SHALL NOT DIE!
”
”
Charlotte Brontë
“
How do I get past it?” she mumbles, not necessarily to him. Hate. Hurt. Guilt. And grief. So much of it that I feel its thickness and its weight, like she is drowning and can’t breathe. “A single step at a time,” the man says, speaking from some profound experience of his own and with deep understanding, making me wonder if all pain might be the same regardless of its origin. “You’re still here,” he goes on. “So there’s not really a choice. An inch, a foot, not necessarily in the right direction, but onward nonetheless.” My mom shudders a deep breath, looks up at him. “Until eventually,” he says, “the present becomes the past, and you are somewhere else altogether, hopefully in a better place than you are today.
”
”
Suzanne Redfearn (In an Instant)
“
Tereza keeps appearing before my eyes. I see her sitting on the stump petting Karenin’s head and ruminating on mankind’s debacles. Another image also comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears.
That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse for Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse.
And that is the Nietzsche I love, just as I love Tereza with the mortally ill dog resting his head on her lap. I see them one next to the other: both stepping down from the road along which mankind, “the master and proprietor of nature,” marches onward.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
Sunset, oh sunset, who took the years of my youth. Today you're hiding, maybe last year didn't go so smooth. I've got many questions unanswered and many answers too. You've been with me through joy and pain, I'll spend another moment here with you. When love was in my heart, you were there smiling too. And when it all fell apart, it was again just me and you. As you take another year of my life, may I be able to let it all go to you, take all the memories with it, the time when I was twenty-two. I cannot take regrets, resentment and pain through. With your last rays, light up the candles on my cake. From tomorrow onwards, I'll be a new me, a little more wild or wise, or maybe a bit free.. See you in the morning, the new me will be twenty-three.
”
”
Virgil Kalyana Mittata Iordache
“
We have then walked, played, or worked " enough," so we desist. That amount of fatigue is an efficacious obstruction on this side of which our usual life is cast. But if an unusual necessity forces us to press onward, a surprising thing occurs. The fatigue gets worse up to a certain critical point, when gradually or suddenly it passes away, and we are fresher than before. We have evidently tapped a level of new energy, masked until then by the fatigue-obstacle usually obeyed.
”
”
William James (The Energies of Men)
“
There is no more thrilling sensation I know of than sailing. It comes as near to flying as man has got to yet – except in dreams. The wings of the rushing wind seem to be bearing you onward, you know not where. You are no longer the slow, plodding, puny thing of clay, creeping tortuously upon the ground; you are a part of Nature! Your heart is throbbing against hers. Her glorious arms are round you, raising you up against her heart! Your spirit is at one with hers; your limbs grow light! The voices of the air are singing to you. The earth seems far away and little; and the clouds so close above your head, are brothers, and you stretch your arms to them.
”
”
Jerome K. Jerome (Three Men in a Boat)
“
• The child has a primary need from the very beginning of her life to be regarded and respected as the person she really is at any given time. • When we speak here of “the person she really is at any given time,” we mean emotions, sensations, and their expression from the first day onward. • In an atmosphere of respect and tolerance for her feelings, the child, in the phase of separation, will be able to give up symbiosis with the mother and accomplish the steps toward individuation and autonomy. • If they are to furnish these prerequisites for the healthy development of their child, the parents themselves ought to have grown up in such an atmosphere. If they did, they will be able to assure the child the protection and well-being she needs to develop trust. • Parents who did not experience this climate as children are themselves deprived; throughout their lives they will continue to look for what their own parents could not give them at the appropriate time—the presence of a person who is completely aware of them and takes them seriously. • This search, of course, can never fully succeed, since it relates to a situation that belongs irrevocably to the past, namely to the time right after birth and during early childhood.
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
First I sink,
Then I trickle,
Then I rush.
I am here; and here; and here. I touch this surface and also that.
I mingle, I quiver with a thousand voices, and all these voices my own. I am a great tumble of motion which torrents all in unison.
And learning and knowing are the same, and I am a mite, and we are all the space allowed to us.
And if I am made of grief, well! Here is joy, and if I am made a fury, here is peace. Rush, rush, we rush, a sparkling stream through rock and moss, deep in the cold stone of the earth. No daylight here, no dying breaths to catch up. We rush young and bright, and ever-widening, and these bitter atoms are lost in new-minted freshness. We hasten, hasten, onward to the boundless sea.
”
”
Imogen Hermes Gowar (The Mermaid and Mrs. Hancock)
“
The pleasure of kindness is that it connects us with others; but the terror of kindness is that it makes us too immediately aware of our own and other people’s vulnerabilities (vulnerabilities that we are prone to call failings when we are at our most frightened). Vulnerability—particularly the vulnerability we call desire—is our shared biological inheritance. Kindness, in other words, opens us up to the world (and worlds) of other people in ways that we both long for and dread. How can people, from childhood onward, feel confident enough to take such risks?
”
”
Adam Phillips (On Kindness)
“
I know you want it back,” he says, “but I’m afraid I’m going to have to
keep it forever.” He holds it up, shows it to me. Grins. And then puts it in
his pocket. The one place I’d never dare to reach.
“Why?” I can’t help but ask. “Why do you want it so much?”
He spends far too long just looking at me. Not answering my question.
And then he says
“On the darkest days you have to search for a spot of brightness, on the
coldest days you have to seek out a spot of warmth; on the bleakest days
you have to keep your eyes onward and upward and on the saddest days you
have to leave them open to let them cry. To then let them dry. To give them a
chance to wash out the pain in order to see fresh and clear once again.”
“I can’t believe you have that memorized,” I whisper.
He leans back again. Closes his eyes again. Says, “Nothing in this life
will ever make sense to me but I can’t help but try to collect the change and
hope it’s enough to pay for our mistakes.
”
”
Tahereh Mafi (Shatter Me Series 6-Book Box Set: Shatter Me, Unravel Me, Ignite Me, Restore Me, Defy Me, Imagine Me)
“
But most of all, as summer slanted to an end, he was learning to love idleness, idleness no longer as stretches of freedom reclaimed by stealth here and there from involuntary labour, surreptitious thefts to be enjoyed sitting on his heels before a flowerbed with the fork dangling from his fingers, but as a yielding up of himself to time, to a time flowing slowly like oil from horizon to horizon over the face of the world, washing over his body, circulating in his armpits and his groin, stirring his eyelids. He was neither pleased nor displeased when there was work to do; it was all the same. He could lie all afternoon with his eyes open, staring at the corrugations in the roof-iron and the tracings of rust; his mind would not wander, he would see nothing but the iron, the lines would not transform themselves into pattern or fantasy; he was himself, lying in his own house, the rust was merely rust, all that was moving was time, bearing him onward in its flow.
”
”
J.M. Coetzee (Life & Times of Michael K)
“
Azrael raised his finger to a face that filled the sky, lit by the faint glow of dying galaxies.
There are a billion Deaths, but they are all aspects of the one Death: Azrael, the Great Attractor, the Death of Universes, the beginning and end of time.
Most of the universe is made up of dark matter, and only Azrael knows who it is.
Eyes so big that a supernova would be a mere suggestion of a gleam on the iris turned slowly and focused on the tiny figure on the immense whorled plains of his fingertips. Beside Azrael the big Clock hung in the center of the entire web of the dimensions, and ticked onward. Stars glittered in Azrael's eyes.
The Death of the Discworld stood up.
LORD I ASK FOR -
Three of the servants of oblivion slid into existence alongside him.
One said, Do not listen. He stands accused of meddling.
One said, And morticide.
One said, And pride. And living with intent to survive.
One said, And siding with chaos against good order.
Azrael raised an eyebrow.
The servants drifted away from Death, expectantly.
LORD, WE KNOW THERE IS NO GOOD ORDER EXCEPT THAT WHICH WE CREATE....
Azrael's expression did not change.
THERE IS NO HOPE BUT US. THERE IS NO MERCY BUT US. THERE IS NO JUSTICE. THERE IS JUST US.
The dark, sad face filled the sky.
ALL THINGS THAT ARE ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION.
AND EVEN OBLIVION MUST END SOMEDAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF BIRDS.
Death took a step backwards.
It was impossible to read expression in Azrael's features.
Death glanced sideways at the servants.
LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?
He waited.
LORD? said Death.
In the time it took to answer, several galaxies unfolded, whirled around Azrael like paper streamers, impacted, then were gone.
Then Azrael said:
Yes.
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
Listlessly we trudge onward. We had pictured our entry into our own country after the long years out there rather differently from this. We imagined that people would be waiting for us, expecting us; now we see that already every one is taken up with his own affairs. Life has moved on, is still moving on; it is leaving us behind almost as if we were superfluous already. This village, of course, is not Germany; all the same, the disappointment sticks in our gizzard and a shadow passes over us and a queer foreboding.
”
”
Erich Maria Remarque (The Road Back)
“
Whether one calls slime molds, fungi, and plants “intelligent” depends on one’s point of view. Classical scientific definitions of intelligence use humans as a yardstick by which all other species are measured. According to these anthropocentric definitions, humans are always at the top of the intelligence rankings, followed by animals that look like us (chimpanzees, bonobos, etc.), followed again by other “higher” animals, and onward and downward in a league table—a great chain of intelligence drawn up by the ancient Greeks, which persists one way or another to this day. Because these organisms don’t look like us or outwardly behave like us—or have brains—they have traditionally been allocated a position somewhere at the bottom of the scale. Too often, they are thought of as the inert backdrop to animal life. Yet many are capable of sophisticated behaviors that prompt us to think in new ways about what it means for organisms to “solve problems,” “communicate,” “make decisions,” “learn,” and “remember.” As we do so, some of the vexed hierarchies that underpin modern thought start to soften. As they soften, our ruinous attitudes toward the more-than-human world may start to change. The second field of research that has guided me in this inquiry concerns the way we think about the microscopic organisms—or microbes—that cover every inch of the planet. In the last four decades, new technologies have granted unprecedented access to microbial lives. The outcome? For your community of microbes—your “microbiome”—your body is a planet. Some prefer the temperate forest of your scalp, some the arid plains of your forearm, some the tropical forest of your crotch or armpit. Your gut (which if unfolded would occupy an area of thirty-two square meters), ears, toes, mouth, eyes, skin, and every surface, passage, and cavity you possess teem with bacteria and fungi. You carry around more microbes than your “own” cells. There are more bacteria in your gut than stars in our galaxy. For humans, identifying where one individual stops and another starts is not generally something we
”
”
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
“
The torrent, swollen by the melting snow, plunges into a tremendous abyss, from which the spray rolls up like the smoke from a burning house. The shaft into which the river hurls itself is an immense chasm, lined by glistening coal-black rock, and narrowing into a creaming, boiling pit of incalculable depth, which brims over and shoots the stream onward over its jagged lip. The long sweep of green water roaring forever down, and the thick flickering curtain of spray hissing forever upward, turn a man giddy with their constant whirl and clamor.
”
”
Arthur Conan Doyle (Sherlock Holmes: The Complete Collection (4 Novels, 56 Short Stories, and Exclusive Bonus Features))
“
If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page.
”
”
Diane Setterfield (Once Upon a River)
“
in time-wasting loops and diversions. Its changes of direction are frequently teasing: on its journey it heads at different times north, south, and west, as though it has forgotten its easterly destination—or put it aside for the while. At Ashton Keynes it splits into so many rivulets that every house in the village must have a bridge to its own front door; later, around Oxford, it takes a great unhurried detour around the city. It has other capricious tricks up its sleeve: in places it slows to drift lazily in wide pools before recovering its urgency and speeding on again. At Buscot it splits into twin streams to maroon a lengthy piece of territory, then regathers its water into a single channel. If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the
”
”
Diane Setterfield (Once Upon a River)
“
I’m too breathless, too overwrought to say anything in reply. I cling onto him, my arms around him, loving him so much I think I’ll die of it. Can he hear my scattered thoughts? Or just read what I’m feeling in my eyes? Just one look to drink me in. Just a touch to eat me up. Carry me away. Your hands are so hot against my skin, burning me wherever you touch. But don’t stop touching me. Never stop loving me. Oh Callum, I love you so much. And what you’re doing to me.. My blood is on fire. Each kiss, each caress robs me of another piece of my heart, another part of my soul. There’s no you and me anymore. There’s just us- as one. I return your kiss, our lips pressing together harder and harder, until I can’t tell where I stop and you start. Lost in a dream and carried onwards and upwards, until we’re both so high we’re touching heaven. Knocking on heaven’s door.
”
”
Malorie Blackman
“
He listened to the keening of the wind whistling through holes in the walls, and he pondered the thought that there might be something out there in the dark—God or Devil or something more elemental than either—that looked at humankind as Josh had viewed the roach—less than intelligent, certainly nasty, but struggling onward on its journey, never giving up, fighting through obstacles or going around them, doing whatever it had to do to survive. And he hoped that if the time ever came for that elemental fist to come crashing down, its wielder might take a moment of pause as well.
”
”
Robert McCammon (Swan Song)
“
Every little thing now has to be about maximising your potential, and perfecting yourself, and honing yourself, and getting the best deal out of your life, and out of your body, and out of your precious fucking time. Everything’s a corporate retreat now. Everything has utility. You want to get fucked up and just escape your own existence for once, just check out of your life for a while, like every other human being who has ever lived? No. Even a fucking acid trip has to be a means to an end. It has to be about team-building. It has to be about trust and wellness and creativity. It has to be about your authentic journey towards physical and psychological perfection. It has to be about you asserting the integrity of your choice to do it in the first place. It can’t be a lapse of judgment. There are no lapses of judgment. It can’t be wrong. There are no wrongs. There’s just choice, and choice is neutral, and we’re neutral, and everything is neutral, and everything’s a game, and if you want to win the game then you’re going to have to optimise yourself, and actualise yourself, and utilise yourself, and get the edge, and God forbid that you should have an actual human experience of frailty, or mortality, or limitation, or humanity, or of the fucking onward march of time – those are just distractions, those are obstacles, they’re defects, they’re inconveniences in the face of our curated, bespoke, freely fucking chosen authentic existence, and sure, we can never quite decide if we’re the consumers of our lives or the products of them, but there’s one thing we are damn sure of, which is that nobody on earth has any right to pass any judgment on us, either way. Freedom in the marketplace! It’s the only thing that matters! It’s the only thing that exists!
”
”
Eleanor Catton (Birnam Wood)
“
Finally there are those who saw at once that the question was a trap. There is no answer. Instead of wasting time grappling with that trap. They decide to act. They look to their childhood and look for what filled them with enthusiasm then and disregarding the advice of their elders, devote their life to it. Because enthusiasm is the sacred fire. They slowly discover, their actions are linked to a mysterious impulse beyond human knowledge. And they bow their heads as a sign of respect for that mystery and pray that they will not be diverted from a path they do not know, a path which they have chosen to travel because of the flame burning in their hearts. They use their intuition when they can and resort to discipline when intuition fails them. They seem quite mad. And sometimes they behave like mad people. But they are not mad. They have discovered true love and will. And those two things reveal the goal and the direction that they should follow. Their will is crystalline, their love is pure and their steps determined. In moments of doubt or sadness they never forget: I am an instrument, allow me to be an instrument capable of manifesting your will. They have chosen their road, and they may understand what their goal is only when they find themselves before the unwanted visitor. That is the beauty of the person who continues onward with enthusiasm and respect for the mystery of life as his only guide. His road is beautiful, and his burden light. The goal will be large or small, it can be far away or right next door. He goes in search of it with respect and honor. He knows what each step means, and how much it costs in effort and training and intuition. He focuses not just on the goal to be reached but on everything happening around him. He often has to stop because his strength fails him. At such moments, love appears and says: You think you're heading toward a specific point, but the whole justification for the goals existence lies in your love for it. Rest a little. But as soon as you can, get up and carry on. Because ever since your goal found out that you were traveling toward it, it has been running to meet you.
”
”
Paulo Coelho
“
As American culture changes, the scandal of Christianity is increasingly right up front, exactly where it was in the first century. The shaking of American culture will get us back to the question Jesus asked his disciples at Caesarea Philippi: “Who do you say that I am?” As the Bible Belt recedes, those left standing up for Jesus will be those who, like Simon Peter of old, know how to answer that question. Once Christianity is no longer seen as part and parcel of patriotism, the church must offer more than “What would Jesus do?” moralism and the “I vote values” populism to which we’ve grown accustomed. Good.
”
”
Russell D. Moore (Onward: Engaging the Culture without Losing the Gospel)
“
What were you doing with her?” The words burst from my lips. Before I can take them back, he stares at me.
I stare back at him as the silence stretches onwards.
We’re both stiff. He says nothing.
“Maybe I should ask you the same thing.”
I shake my head, my nails digging into my palms.
Then before I can react, he has pushed me roughly up the wall, his eyes now dark and fiery, like a storm ready to unleash itself. Good. He’s mad too. His hands force me to the wall as he presses his body against mine. The intensity of the move, the feel of him makes my breath hitch.
“Get off me,” I seethe, pounding my fists into his chest but Adrian keeps me locked in place, so that his breath caresses my ear.
“Were you guys too rushed?’ He mocks. “Too desperate to book a hotel room?”
I can barely stifle a disgusted snort. “What are you talking about?” Fury pumps through my head. “A hotel room? What kind of girl do you think I am—mmf?”
He moves against me, moving to kiss me. The moment where his lips meet mine hard and unyielding. He tastes of smoke and lipgloss—and I’m reminded of the scene earlier where he and Lauren got out of the closet together. Disgust fills me as I squirm in his arms.
He groans, fire burning in his voice. “You want me, you’re trying to hide from it.”
“No,” I try to bite the words at him but it comes out strangled.
I try to push him away but before I have to, he releases me.
I try to put as much distance between him and myself, shaking.
Loathing is my voice. "Get away from me. I hate you."
He swallows and looks away, his breathing slowing. He pushes himself from the wall, still very pale.
Then closing his eyes and turning, he starts walking away, heading towards the parking lot.
"I hate you!" I scream again behind him.
Adrian stops for a moment, his back to me. “I’ve told you from the very beginning. You should.”
He keeps on walking, never glancing back.
”
”
L. Jayne (Chasing After Infinity)
“
WAS THERE STILL SOMETHING MURMURING? WAS IT still the kind murmuring of Plotius, protecting and kind and strong? oh, Plotius, oh, that it might endure, oh, that it might endure murmuringly, quiet and quieting, welling up from the unfathomable depths within and without, now that the labor was over, now that the labor sufficed, now that nothing need follow, oh, that it might go on forever! and verily it went on, murmuring and murmuring, rolling in softly in endlessness, murmur-wave after murmur-wave, each of them tiny yet all of them radiating in a boundless cycle; it was simply there, no sort of hearkening, no effort whatsoever was needed to hold on to it, indeed this murmurousness was not to be held onto, for it strove onward, mingled with the trickling of the fountain, with the trickling of the waters, merged with them in the vast and colorless might of a rest-bearing stream, itself the thing carried, itself rest, itself a moving stream, softly lapping the keel and sides of the boat with slithering foam.
”
”
Hermann Broch (Death of Virgil (Vintage International))
“
I remembered the promise of the Holy Ghost; and what the positive declarations of the Gospel had never succeeded in bringing home to me, I learned at last from necessity, and believed, for the first time in my life, in this promise, in the only sense in which it answered the needs of my soul, in that, namely, of a real external supernatural action, capable of giving me thoughts, and taking them away from me, and exerted on me by a God as truly master of my heart as he is of the rest of nature. Renouncing then all merit, all strength, abandoning all my personal resources, and acknowledging no other title to his mercy than my own utter misery, I went home and threw myself on my knees and prayed as I never yet prayed in my life. From this day onwards a new interior life began for me: not that my melancholy had disappeared, but it had lost its sting. Hope had entered into my heart, and once entered on the path, the God of Jesus Christ, to whom I then had learned to give myself up, little by little did the rest."[130]
”
”
William James (The Varieties of Religious Experience)
“
Postcolonial Love Poem (excerpt)
I’ve been taught bloodstones can cure a snakebite,
Can stop the bleeding-most people forgot this
When the war ended. The war ended
Depending on which war you mean: those we started,
Before those, millennia ago and onward,
Those which started me, which I lost and won-
Those ever-blooming wounds.
---
There are wildflowers in my desert
which take up to twenty years to bloom.
The seeds sleep like geodes beneath hot feldspar sand
until a flash flood bolts the arroyo, lifting them
in its copper current, opens them with memory—
they remember what their god whispered
into their ribs: Wake up and ache for your life.
Where your hands have been are diamonds
on my shoulders, down my back, thighs-
I am your culebra.
I am in the dirt for you.
Your hips are quartz-light and dangerous,
two rose-horned rams ascending a soft desert wash
before the November sky untethers a hundred-year flood-
the desert returned suddenly to its ancient sea.
---
The rain will eventually come, or not.
Until then, we touch our bodies like wounds-
The war never ended and somehow begins again.
”
”
Natalie Díaz (Postcolonial Love Poem)
“
Well, brethren, you and I are committed to the onward course, we cannot go back; neither can we turn to the right hand or to the left. What shall we do, then? Shall we lie down, and fret? Shall we stand still, and be dismayed? No! In the Name of the Lord, let us again set up our banner, the royal standard of Jesus the Crucified. Let us sound the trumpets joyously, and let us march on, not with the trembling footsteps of those who know that they are bent upon an enterprise of evil, but with the gallant bearing of men whose cause is Divine, whose warfare is a crusade. Courage, my brethren; behold, the angels of God fly in our front, and, lo, the eternal God Himself leads our van. "The Lord of hosts is with us; the God of Jacob is our refuge." "Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea.
”
”
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
“
There are four obstacles. First: we are told from childhood onward that everything we want to do is impossible. We grow up with this idea, and as the years accumulate, so too do the layers of prejudice, fear, and guilt. There comes a time when our personal calling is so deeply buried in our soul as to be invisible. But it’s still there. If we have the courage to disinter dream, we are then faced by the second obstacle: love. We know what we want to do, but are afraid of hurting those around us by abandoning everything in order to pursue our dream. We do not realize that love is just a further impetus, not something that will prevent us going forward. We do not realize that those who genuinely wish us well want us to be happy and are prepared to accompany us on that journey. Once we have accepted that love is a stimulus, we come up against the third obstacle: fear of the defeats we will meet on the path. We who fight for our dream, suffer far more when it doesn’t work out, because we cannot fall back on the old excuse: “Oh, well, I didn’t really want it anyway.” We do want it and know that we have staked everything on it and that the path of the personal calling is no easier than any other path, except that our whole heart is in this journey. Then, we warriors of light must be prepared to have patience in difficult times and
”
”
Paulo Coelho (The Alchemist)
“
And now it’s really over. I finally realized that I must do my schoolwork to keep from being ignorant, to get on in life, to become a journalist, because that’s what I want! I know I can write. A few of my stories are good, my descriptions of the Secret Annex are humorous, much of my diary is vivid and alive, but … it remains to be seen whether I really have talent. “Eva’s Dream” is my best fairy tale, and the odd thing is that I don’t have the faintest idea where it came from. Parts of “Cady’s Life” are also good, but as a whole it’s nothing special. I’m my best and harshest critic. I know what’s good and what isn’t. Unless you write yourself, you can’t know how wonderful it is; I always used to bemoan the fact that I couldn’t draw, but now I’m overjoyed that at least I can write. And if I don’t have the talent to write books or newspaper articles, I can always write for myself. But I want to achieve more than that. I can’t imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don’t want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I’ve never met. I want to go on living even after my death! And that’s why I’m so grateful to God for having given me this gift, which I can use to develop myself and to express all that’s inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that’s a big question, will I ever be able to write something great, will I ever become a journalist or a writer? I hope so, oh, I hope so very much, because writing allows me to record everything, all my thoughts, ideals and fantasies. I haven’t worked on “Cady’s Life” for ages. In my mind I’ve worked out exactly what happens next, but the story doesn’t seem to be coming along very well. I might never finish it, and it’ll wind up in the wastepaper basket or the stove. That’s a horrible thought, but then I say to myself, “At the age of fourteen and with so little experience, you can’t write about philosophy.” So onward and upward, with renewed spirits. It’ll all work out, because I’m determined to write!
”
”
Anne Frank (The Diary of a Young Girl)
“
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner.
The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so.
Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
”
”
Charles Haddon Spurgeon
“
One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
”
”
Erich Maria Remarque
“
What is this mysterious masculine force which spurs you onwards, whence comes this will, this heroic initiative which seems to precede the start of the great journey? This is what prevents you turning back on the path. If you were to do so, if you failed to travel the path to its end, you would be guilty, because the practices of your initiation have mobilised enormous forces which destroy men and drive them insane if they are not aimed in the right direction. The signs will help you open a way for yourself in the virgin forest where no roads exist.
'Even the Gods are your enemies; because their impersonal lives are at risk in this war. You will have to overcome the Archetypes, dethrone them, reincorporating their tremendous numinous energies within yourself. Do you remember the Greek legend? Man was a circular androgynous. He began to roll up Mount Olympus. The Gods were frightened, fearing defeat, and so they resorted to artifice: they divided the man-sphere in half. The result was that he was so busy trying to find his other half that he had no time to make war with them. But, luckily, the Gods made a mistake. Because one day we will bring them back to life as well, giving them a face.
'When the water runs downhill, it gives rise to Samsara and human generations, to the circular movement of the involuted earth; when it runs uphill, the opposite direction, it provokes the mutation of the Gods themselves, the divinisation of the hero; it creates a free, eternal race, without Gods, without a king. This is the Road of the Warrior.
”
”
Miguel Serrano (Nos, Book of the Resurrection)
“
Human beings need to acknowledge that their greatest allegiance should belong not to a human-designed government but to the power on which their very existence depends. People must identify themselves as Earth Citizens before any other designation of identity. Through this simple, painless shift in thinking about ourselves and one another, I believe we can make great changes in the world and its destiny. I am a person who is not satisfied when I hear people resign themselves to the current human condition, chalking it all up to the inevitabilities of "human nature." I think that all of life, including humankind is either growing and thriving, or declining and dying. To say "Poverty will always exist" or "War is just part of human existence" is to accept and contribute to the decline of humanity. Life is meant to push onward and upward, always evolving to a higher, more well-adapted form. So, too, humanity must evolve upward. To stagnant, to stay stuck in the quagmire of our current habits and beliefs, is to succumb to our own inertia.
”
”
Ilchi Lee (Earth Citizen: Recovering Our Humanity)
“
A boat beneath a sunny sky, Lingering onward dreamily In an evening of July – Children three that nestle near, Eager eye and willing ear, Pleased a simple tale to hear – Long has paled that sunny sky: Echoes fade and memories die: Autumn frosts have slain July. As a child, I don’t understand exactly what it is about. I can’t read the significance of Alice reaching the final square and becoming a queen. But I feel the sadness in the poem, and, in this later now, I know why. It’s because everything is in the present tense, even though it cannot all be; either some of it has passed, or some of it hasn’t happened yet. The sky is sunny, but it has paled. The boat is lingering, but it is gone. It’s July, but it’s autumn. This is a riddle, a paradox. Lewis Carroll must be either looking back into the past, feeling the sunshine and the drifting boat as if he were still there . . . or looking forward from the present, imagining a time when the sky and the boat and the summer will have vanished. Which is it? Doesn’t matter. Wherever he stands, he feels both at once. The current, the retrospective, the projected, all are written in the present tense because they are all, always, mixed up together. Because, even as something is happening, it is gone. Ubi sunt qui ante nos fuerunt? Where is the boat? Where is the summer? Where are the children?
”
”
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
“
Let me tell you a joke, Rora said.
Mujo wakes up one day, after a long night of drinking, and asks himself what the meaning of life is. He goes to work, but realizes that is not what life is or should be. He decides to read some philosophy and for years studies everything from the old Greeks onward, but can't find the meaning of life. Maybe it's the family, he thinks, so he spends time with his wife, Fata, and the kids, but finds no meaning in that and so he leaves them. He thinks, Maybe helping others is the meaning of life, so he goes to medical school, graduates with flying colors, goes to Africa to cure malaria and transplants hearts, but cannot discover the meaning of life. He thinks, maybe it's the wealth, so he becomes a businessman, starts making money hand over fist, millions of dollars, buys everything there is to buy, but that is not what life is about. Then he turns to poverty and humility and such, so he gives everything away and begs on the streets, but still he cannot see what life is. He thinks maybe it is literature: he writes novel upon novel, but the more he writes the more obscure the meaning of life becomes. He turns to God, lives the life of a dervish, reads and contemplates the Holy Book of Islam - still, nothing. He studies Christianity, then Judaism, then Buddhism, then everything else - no meaning of life there. Finally, he hears about a guru living high up in the mountains somewhere in the East. The guru, they say, knows what the meaning of life is. So Mujo goes east, travels for years, walks roads, climbs the mountain, finds the stairs that lead up to the guru. He ascends the stairs, tens of thousands of them, nearly dies getting up there. At the top, there are millions of pilgrims, he has to wait for months to get to the guru. Eventually it is his turn, he goes to a place under a big tree, and there sits the naked guru, his legs crossed, his eyes closed, meditating, perfectly peaceful - he surely knows the meaning of life, Mujo says: I have dedicated my life to discovering the meaning of life and I have failed, so I have come to ask you humbly, O Master, to divulge the secret to me. The guru opens his eyes, looks at Mujo, and calmly says, My friend, life is a river. Mujo stares at him for a long time, cannot believe what he heard. What's life again? Mujo asks. Life is a river, the guru says. Mujo nods and says, You turd of turds, you goddamn stupid piece of shit, you motherfucking cocksucking asshole. I have wasted my life and come all this way for you to tell me that life is a fucking river. A river? Are you kidding me? That is the stupidest, emptiest fucking thing I have ever heard. Is that what you spent your life figuring out? And the guru says, What? It is not a river? Are you saying it is not a river?
”
”
Aleksandar Hemon (The Lazarus Project)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
I'd read the section in my guidebook about the trail's history the winter before, but it wasn't until now—a couple of miles out of Burney Falls, as I walked in my flimsy sandals in the early evening heat—that the realization of what that story meant picked up force and hit me squarely in the chest: preposterous as it was, when Catherine Montgomery and Clinton Clarke and Warren Rogers and the hundreds of others who'd created the PCT had imagined the people who would walk that high trail that wound down the heights of our western mountains, they'd been imagining me. It didn't matter that everything from my cheap knockoff sandals to my high-tech-by-1995-standards boots and backpack would have been foreign to them, because what mattered was utterly timeless. It was the thing that compelled them to fight for the trail against all the odds, and it was the thing that drove me and every other long-distance hiker onward on the most miserable days. It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B.
It had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way. That's what Montgomery knew, I supposed. And what Clarke knew and Rogers and what thousands of people who preceded and followed them knew. It was what I knew before I even really did, before I could have known how truly hard and glorious the PCT would be, how profoundly the trail would both shatter and shelter me.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
And growth has no end. One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
”
”
Erich Maria Remarque (The Road Back)
“
Don't listen to Hassan i Sabbah," they will tell you. "He wants to take your body and all pleasures of the body away from you. Listen to us. We are serving The Garden of Delights Immortality Cosmic Consciousness The Best Ever In Drug Kicks. And love love love in slop buckets. How does that sound to you boys? Better than Hassan i Sabbah and his cold windy bodiless rock? Right?"
At the immediate risk of finding myself the most unpopular character of all fiction—and history is fiction—I must say this:
"Bring together state of news—Inquire onward from state to doer—Who monopolized Immortality? Who monopolized Cosmic Consciousness? Who monopolized Love Sex and Dream? Who monopolized Life Time and Fortune? Who took from you what is yours? Now they will give it all back? Did they ever give anything away for nothing? Did they ever give any more than they had to give? Did they not always take back what they gave when possible and it always was? Listen: Their Garden Of Delights is a terminal sewer—I have been at some pains to map this area of terminal sewage in the so called pornographic sections of Naked Lunch and Soft Machine—Their Immortality Cosmic Consciousness and Love is second-run grade-B shit—Their drugs are poison designed to beam in Orgasm Death and Nova Ovens—Stay out of the Garden of Delights—It is a man-eating trap that ends in green goo—Throw back their ersatz Immortality—It will fall apart before you can get out of The Big Store—Flush their drug kicks down the drain—They are poisoning and monopolizing the hallucinogen drugs—learn to make it without any chemical corn—All that they offer is a screen to cover retreat from the colony they have so disgracefully mismanaged. To cover travel arrangements so they will never have to pay the constituents they have betrayed and sold out. Once these arrangements are complete they will blow the place up behind them.
”
”
William S. Burroughs (Nova Express (The Nova Trilogy, #2))
“
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and
pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course.
When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding.
A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
”
”
Wheston Chancellor Grove (Who Has Known Heights)
“
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them.
Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them.
Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity.
In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them.
Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
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Kristopher Jansma (Why We Came to the City)