Unstable Woman Quotes

We've searched our database for all the quotes and captions related to Unstable Woman. Here they are! All 58 of them:

How can I explain to this woman—I thought—that from the age of six I've been a slave to letters and numbers, that my mood depends on the success of their combinations, that the joy of having done well is rare, unstable, that it lasts an hour, an afternoon, a night?
Elena Ferrante (Those Who Leave and Those Who Stay)
When a woman does not want to have a child, she usually has good reason. She may be unmarried or in a bad marriage. She may consider herself too poor to raise a child. She may think her life is too unstable or unhappy, or she may think that her drinking or drug use will damage the baby’s health. She may believe that she is too young or hasn’t yet received enough education. She may want a child badly but in a few years, not now. For any of a hundred reasons, she may feel that she cannot provide a home environment that is conducive to raising a healthy and productive child.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
This principle - that your spouse should be capable of becoming your best friend - is a game changer when you address the question of compatibility in a prospective spouse. If you think of marriage largely in terms of erotic love, then compatibility means sexual chemistry and appeal. If you think of marriage largely as a way to move into the kind of social status in life you desire, then compatibility means being part of the desired social class, and perhaps common tastes and aspirations for lifestyle. The problem with these factors is that they are not durable. Physical attractiveness will wane, no matter how hard you work to delay its departure. And socio-economic status unfortunately can change almost overnight. When people think they have found compatibility based on these things, they often make the painful discovery that they have built their relationship on unstable ground. A woman 'lets herself go' or a man loses his job, and the compatibility foundation falls apart.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
Just an unstable woman, undisciplined, poorly adjusted, and filled with nameless fears.
Alcoholics Anonymous (Alcoholics Anonymous)
Love between man and woman is unstable, but the beautiful love that springs from companionship of children and parents lasts until the end.
Rasmus Larssen Alsaker (Maintaining Health Formerly Health And Efficiency)
Consumer culture is best supported by markets made up of sexual clones, men who want objects and women who want to be objects, and the object desired ever-changing, disposable, and dictated by the market. The beautiful object of consumer pornography has a built-in obsolescence, to ensure that as few men as possible will form a bond with one woman for years or for a lifetime, and to ensure that women's dissatisfaction with themselves will grow rather than diminish over time. Emotionally unstable relationships, high divorce rates, and a large population cast out into the sexual marketplace are good for business in a consumer economy. Beauty pornography is intent on making modern sex brutal and boring and only as deep as a mirror's mercury, anti-erotic for both men and women.
Naomi Wolf (The Beauty Myth)
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love. But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
Anon, I have no idea who you are and to be honest you can fuck off. Yes, Lo takes medication (although FYI it’s for anxiety, not depression and if you were really a friend of hers you’d know that) but so do literally hundreds of thousands of people, and the idea that that automatically makes her either “unstable” as you put it, or suicidal, is fucking offensive.
Ruth Ware (The Woman in Cabin 10)
How can I explain to this woman—I thought—that from the age of six I’ve been a slave to letters and numbers, that my mood depends on the success of their combinations, that the joy of having done well is rare, unstable, that it lasts an hour, an afternoon, a night?
Elena Ferrante (The Neapolitan Novels)
And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.
Ray Bradbury (Something Wicked This Way Comes)
There is no other woman for me, Sera. It’s only you … Like a fucking addiction I can’t shake.” I couldn’t see his eyes, but I could hear the quaver in his voice, the unstable sound of a man on the edge. “I’ll never be good enough. Not for you. But tonight, I’m going to make you feel good.
Keri Lake (Intrepid (Vigilantes #3))
It was interesting to see the ascendency which the uneducated woman, bound to him by no legal tie, had acquired over the brilliant, unstable man.
W. Somerset Maugham (Of Human Bondage (The Unabridged Autobiographical Novel))
You must remember, the so-called Jihadis who are in reality, mentally unstable individuals run by Quranic fundamentalists, do not represent the whole Muslim population of the world.
Abhijit Naskar
Faced with the thoughts, the actions of a woman whom we love, we are as completely at a loss as the world's first natural philosophers must have been, face to face with the phenomena of nature, before their science had been elaborated and had cast a ray of light over the unknown. Or, worse still, we are like a person in whose mind the law of causality barely exists, a person who would be incapable, therefore, of establishing a connexion between one phenomenon and another and to whose eyes the spectacle of the world would appear as unstable as a dream.
Marcel Proust (Within a Budding Grove, Part 2)
Centuries-old ways of looking at the world, centuries-old rules, are jettisoned seemingly overnight. Traditions are mocked and banished. A man—or woman—with an unstable mind sees things falling apart. ‘The center cannot hold; / mere anarchy is loosed upon the world.’ To a psychopath, anarchy is exciting, the chaotic world reflects his chaotic interior life, confirms his conviction that anything should be allowed, that he can rightly do whatever he wants.
Dean Koontz (Saint Odd (Odd Thomas, #7))
Every time we cheer the downfall of a powerful woman, we're giving ourselves the message that power is bad and we shouldn't desire it. Every time we revel in a beautiful woman's aging or weight gain, we reinforce the idea that we, too, are less valuable if we are old or overweight. Every time we gloat over a woman's loss of a husband to a younger, prettier rival, we are reminding ourselves that our own relationship is unstable, that someday our man, too, will move on to greener pastures.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
I had no particular problem about getting divorced. For all intents and purposes we already were divorced. And I had no emotional hang up about signing and sealing the official documents. If that's what she wanted, fine. It was a legal formality, nothing more. But when it came to why, and how, things had turned out this way, the sequence of events was beyond me. I understood, of course, that over time, and as circumstances changed, a couple could grow closer, or move apart. Changes in a person's feelings aren't regulated by custom, logic, or the law. They're fluid, unstable, free to spread their wings and fly away. Like migratory birds have no concept of borders between countries. But these were all just generalizations, and I couldn't easily grasp the individual case here-that this woman, Yuzu, refused to love this man, me, and chose instead to be loved by someone else. It felt terribly absurd, a horribly ugly way to be treated. There wasn't any anger involved (I think). I mean, what was I supposed to be angry with? What I was feeling was a fundamental numbness. The numbness your heart automatically activates to lessen the awful pain when you want some-body desperately and they reject you. A kind of emotional morphine.
Haruki Murakami (Killing Commendatore)
We discussed ourselves a lot. But although we were women…we struggled to understand what a woman was. Our every move or thought or conversation or dream, once analyzed in depth, seemed not to belong to us. And this excavation seemed to exasperate those who were weaker, who couldn’t tolerate such an excess of self-reflection and believed that to embark on the road of freedom it was simply enough to cut off men. These were unstable times, arcing in waves. Many of us feared a return to the flat calm and stayed on the crest, holding on to extreme formulations and looking down with fear and rage.
Elena Ferrante (Those Who Leave and Those Who Stay)
Labelling a woman as a hypochondriac is the modern day way of labelling a woman hysterical – the insinuation is that it is all in her mind, she is unstable (mentally and perhaps physically) her opinion and feelings are not to be trusted. Her pain and her concerns are not real. But what if the hypochondriac, the highly sensitive woman, is picking up perfectly on the signs that something is wrong, she is registering the imbalance, that something is wrong, but she mistakes the issue as being in her own body, rather than the body of the world beyond her. She is told to quiet down, that nothing is wrong. But there is, she knows there is. This is why the constant reassurance does little to help her. She is feeling, deep in her bones, in her nerves, in her pulse that something is seriously wrong. Because it is. Her biological system may or may not have gotten sick from it yet, but the signs of a sick world are quickening within her.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
This motion is an effort to continue a ridiculous idea first presented by an unstable woman. Now, it's being perpetuated by her sister and daughter, who is clearly…volatile." Contempt dripped off her words. "I do not think it's even worthy of debate." That did it. Chloe and Ryder tried to hold me back, but I yanked myself free and gripped the railing. The Marquisa looked a little frightened by my expression. Well, she did call me volatile. "My mother was a powerful ondine, a Clairvoyant who saw that our future demanded change. I am not just her daughter." I leaned forward. "I am also the sondaleur." My voice, cold and hard, sliced through the air. A hushed silence fell. Hundreds of people stared at me. Raveling, Emma (2011-09-16). Whirl (Ondine Quartet Book 1) (p. 161). Mandorla Publishing. Kindle Edition.
Emma Raveling (Whirl (Ondine Quartet, #1))
Most of all, Violet will know the smile: a slow and confident widening of a too-abundant mouth. This woman is something more than beautiful, something alchemical, an unstable mixture of rare elements bound together by nerve and charm. Am I interrupting something dreadfully important? she asks, with the ironic warmth of a woman who knows in her bones that she is always the most important object in the room.
Beatriz Williams (The Secret Life of Violet Grant (Schuyler Sisters, #1))
In most Asian cultures, I learned, there is no reverence for the vampiric monster as there is in the West; most bloodsucking things are women, and their actions - be it sin in a past life, a pact with a demon, a jealous or unstable personality - are all blamed for their monstrous states. Maybe my mum hated herself for not being able to hold on to her humanity; maybe she hated me for being the cause of her losing it.
Claire Kohda (Woman, Eating)
Writer Camille Paglia offers a refreshing exception to this disparagement of men, as pointed out by Christina Hoff Sommers: For Paglia, male aggressiveness and competitiveness are animating principles of creativity: “Masculinity is aggressive, unstable, and combustible. It is also the most creative cultural force in history.” Speaking of the “fashionable disdain for ‘patriarchal society’ to which nothing good is ever attributed,” she writes, “But it is the patriarchal society that has freed me as a woman. It is capitalism that has given me the leisure to sit at this desk writing this book. Let us stop being small-minded about men and freely acknowledge what treasures their obsessiveness has poured into culture.” “Men,” writes Paglia, “created the world we live in and the luxuries we enjoy”: “When I cross the George Washington Bridge or any of America’s great bridges, I think—men have done this. Construction is a sublime male poetry.”1 Our society has become the angry leered-at woman who doesn’t care that men can build buildings or do amazing things like be good dads, husbands and sons. She focuses instead on the small flaws that some men have and extrapolates to all men; they are all dogs, rapists, perverts, deadbeats and worthless. Who needs them? We
Helen Smith (Men on Strike: Why Men Are Boycotting Marriage, Fatherhood, and the American Dream - and Why It Matters)
Sometimes your gaze alone scares me. Sometimes I've never seen you before. I no longer know what you're doing here, in this popular seaside resort, in this dull, crowded season, where you are even more alone than in your regional capital. The better to kill you, perhaps, or to drive you away, I don't know. I sometimes manage to feel I've never seen you before. That I don't know you, to the point of horror. That I have no idea why you're here, what you want from me, or what will become of you. Becoming is the only subject we never, ever broach. You must not know what you're doing here either, with this woman who is already old, mad with writing. Maybe this is just normal, maybe it's the same all over; it's nothing, you came simply because you were desperate, as you are every day of your life. And also during certain summers at certain times of day or night when the sun quits the sky and slips into the sea, every evening, always, you cannot help wanting to die. This I know. I see the two of us lost in similar natures. I can sometimes be overwhelmed by tenderness for the kind of people we are. Unstable, they say, a bit nutty. 'People who never go to the movies, or the theater, or parties.' Leftists are like that, you know, they have no clue how to enjoy life. Cannes makes them sick and so do the grand hotels of Morocco. Movies and theaters, it's all the same.
Marguerite Duras (Yann Andrea Steiner)
I saw that she had put a chair there so that I would be comfortable: what deference was shown to someone who is educated. Studying was considered a ploy used by the smartest kids to avoid hard work. How can I explain to this woman—I thought—that from the age of six I’ve been a slave to letters and numbers, that my mood depends on the success of their combinations, that the joy of having done well is rare, unstable, that it lasts an hour, an afternoon, a night?
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels #3))
In one well-known case, a woman named Martha Robinson was for years beaten and physically misused by a cruel and unstable husband. Eventually, he infected her with gonorrhea and then poisoned her almost to the point of death by slipping antivenereal powders into her food without her knowledge. Her health and spirit broken, she sued for divorce. The judge listened carefully to the arguments, then dismissed the case and sent Mrs. Robinson home with instructions to try to be more patient.
Bill Bryson (At Home: A Short History of Private Life)
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The city’s streets coiled around him, writhing like serpents, London had grown unstable once again, revealing its true, capricious, tormented nature, its anguish of a city that had lost its sense of itself and wallowed, accordingly, in the impotence of its selfish, angry present of masks and parodies, stifled and twisted by the insupportable, unrejected burden of its past, staring into the bleakness of its impoverished future. He wandered its streets through that night and the next day, and the next night, and on until the light and dark ceased to matter. He no longer seemed to need food or rest, but only to move constantly through that tortured metropolis whose fabric was now utterly transformed, the houses in the rich quarters being built of solidified fear, the government buildings partly of vainglory and partly of scorn, and the residences of the poor of confusion and material dreams. When you looked through an angel’s eyes you saw essences instead of surfaces, you saw the decay of the soul blistering and bubbling on the skins of people in the street, you saw the generosity of certain spirits resting on their shoulders in the form of birds. As he roamed the metamorphosed city he saw bat-winged imps sitting on the corners of buildings made of deceits and glimpsed goblins oozing wormily through the broken tilework of public urinals for men. As once the thirteenth-century German monk Richalmus would shut his eyes and instantly see clouds of minuscule demons surrounding every man and woman on earth, dancing like dustspecks in the sunlight, so now Gibreel with open eyes and by the light of the moon as well as the sun detected everywhere the presence of his adversary, his—to give the old word back its original meaning—shaitan.
Salman Rushdie (The Satanic Verses)
He leaned on the bar. "I'm Tony. And you owe me." Okay, here we go, Liza thought, and leaned on the bar, too, mirroring him. "I owe you?" "Yes." He grinned at her. "Because of chaos theory." Liza shook her head. "Chaos theory." He moved closer to her. "Chaos theory says that complex dynamical systems become unstable because of disturbances in their environments after which a strange attractor draws the trajectory of the stress." Liza looked at him, incredulous. "This is your line?" "I am a complex dynamical system," Tony said. "Not that complex," Liza said. "And I was stable until you caused a disturbance in my environment." "Not that stable," Liza said. Tony grinned. "And since you're the strangest attractor in the room, I followed the trajectory of my stress right to you." "That's not what you followed to me." Liza turned so that her back was against the bar, her shoulder blocking him. "Give me something better than that, or I'll find somebody else to amuse myself with." From the corner of her eye, she saw the other guy, the vacant-looking blond, lean down to Bonnie. "Is she always like this?" he said to Bonnie, and Liza turned to size him up. Big. Husky. Boring. "Well, your friend isn't exactly Prince Charming," Bonnie said, giving him her best fluttery smile. He beamed back down at her. "Neither am I. Is that okay?" Oh, come on, Liza thought, and caught Tony-the-bullethead's eye. "He means it," Tony said. "Roger has no line." "After the chaos theory debacle, that's a plus," Liza said. "Poor baby," Bonnie was saying as she put her hand on Roger's sleeve. "Of course, that's okay. I'm Bonnie." Roger looked down at her with naked adoration. "I'm Roger, and you are the most beautiful woman I've ever seen in my life." Bonnie's smile widened, and she moved closer to him. "Which doesn't mean he's bad with women," Tony said, sounding bemused.
Jennifer Crusie (Bet Me)
She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.
Christine Feehan (Dark Desire (Dark, #2))
What we call “man” and “woman” are material manifestations of the created duality referred to in the Quran where God says, “And that He created the pair, the male and the female” [53:45], which act as vehicles in this world to manifest the duality of Divine Attributes, those of Majesty coming forth predominantly in the masculine form, and those of Beauty dominating in the feminine form. It is balance between the masculine and feminine that should be sought to create harmony, not sameness. Sameness implies oneness, and oneness is God’s alone. Sameness implies self-sufficiency, and self-sufficiency is God’s alone. Sameness implies completeness, and completeness is God’s alone. Creation on the other hand is the beautiful and diverse spectrum of deficient multiplicities that arise out of the initial paired duality. Each side of the paired duality is deficient in ways that render it unstable and in a state of constant anxiety until its deficiencies are complemented by the other side. That is the indication given in the verses recited at Muslim weddings: “And from among His signs is that He created mates for you from yourselves so that you may find tranquility in them, and He put between you love and compassion; most surely there are signs in this for a people who reflect.” [30:21]
Mohamed Ghilan
Do you think we love each other enough to marry?" he asked, definitely. It made her tremble. "No," she answered, truthfully. "I don't think so - we're too young." "I thought perhaps," he went on miserably, "that you, with your intensity in things, might have given more - than I could ever make up to you. - And even now - if you think it better - we'll be engaged." Now Miriam wanted to cry. And she was angry too. He was always such a child, for people to do as they liked with. "No, I don't think so," she said firmly. He pondered a minute. "You see," he said, "with me - I don't think one person would ever monopolise me - be everything to me - I think never." This she did not consider... "You stop away, will you?" She did not answer. By this time she was very angry. "Well, what shall we do?" she said shortly. "I suppose I'd better drop French. I was just beginning to get on with it. - But I suppose I can go alone." "I don't see that we need," he said. "I can give you a French lesson, surely." "Well - and there are Sunday nights. I shan't stop coming to chapel, because I enjoy it, and it's all the social life I get. But you've no need to come home with me. I can go alone." "All right," he answered, rather taken aback... "And you won't think about it, and let it trouble you, will you?" he asked. "Oh no," replied Miriam, without looking at him. He was silent. She thought him unstable. He had no fixity of purpose, no anchor of righteousness that held him. "Because," he continued, "a man gets across his bicycle - and goes to work - and does all sorts of things. But a woman broods." "No, I shan't bother," said Miriam. And she meant it.
D.H. Lawrence (Sons and Lovers)
Did I ever smile like this, beaming my uncritical love? With such unstable chemistry, we struggle to assemble love.
Joanne Limburg (The Woman Who Thought too Much)
fantasizing about being the type of woman who lived unapologetically, who experienced and learned and applied the knowledge gathered along the way to enable herself to thrive. The type of woman who learned to navigate her way out of the impossible labyrinth of family history and tradition. One who unlearned the inherited toxic traits that were handed down to her and bound her to an unstable and wildly limited path like angry, unbreakable vines.
Amy Lukavics (Nightingale)
I also like to call this category "hypersuck," because women tend to get "sucked" into believing that our bodies are wild, scary, shameful places that need to be managed by an outside source, medicated, controlled, and sterilized. (We have the media and other social influences to thank for that.) We are rewarded for acting/speaking/looking like young girls versus confident women. We have too few powerful, healthy role models, but plenty of exhausted moms and emaciated models front and center on our cultural stage. We have a hard time appreciating our grown-up female bodies. We're made to feel that feminine intuition is fickle. We suspect that our energy is unstable. We're conditioned to think that our periods are shameful and disgusting. We look for ways to fix what's broken. We discipline the highs and lows of our female essence. We disconnect from our own bodies and, often, our deepest sense of knowing. Ultimately, our mind-body conversation tips the scales in a negative direction, and this too affects hormone balance. And since hypersuck (that old cultural conditioning) tricks us into thinking our bodies are supposed to be acting this way, we allow serious hormonal issues - and all the symptoms that tag along - to linger for years before seeking out any kind of sustainable action to help heal ourselves. Sadly, many women lose faith long before reaching the point of action.
Alisa Vitti (WomanCode: Perfect Your Cycle, Amplify Your Fertility, Supercharge Your Sex Drive, and Become a Power Source)
It is important to note in this respect that Venus, or in her Greek form, Aphrodite, is not a fertility goddess at all, such as are Ceres and Persephone; she is the goddess of love. Now in the Greek concept of life, Love embraced much more than the relationship between the sexes, it included the comradeship of fighting men and the relationship of teacher and pupil. The Greek hetaira, or woman whose profession is love, was something very different to our modern prostitute...In the temples of Aphrodite the art of love was sedulously cultivated, and the priestesses were trained from childhood in its skill. But this art was not simply that of provoking passion, but of adequately satisfying it on all levels of consciousness; not simply by the gratification of the physical sensations of the body, but by the subtle etheric exchange of magnetism and intellectual and spiritual polarisation. This lifted the cult of Aphrodite out of the sphere of simple sensuality, and explains why the priestesses of the cult commanded respect and were by no means looked upon as common prostitutes, although they received all comers. They were engaged in ministering to certain of the subtler needs of the human soul by means of their skilled arts. We have brought to a higher pitch of development than was ever known to the Greeks the art of stimulating desire with film and revue and syncopation, but we have no knowledge of the far more important art of meeting the needs of the human soul for etheric and mental interchange of magnetism, and it is for this reason that our sex life, both physiologically and socially, is so unstable and unsatisfactory. We cannot understand sex aright unless we realise that it is one aspect of what the esotericist calls polarity, and that this is a principle that runs through the whole of creation, and is, in fact, the basis of manifestation.
Dion Fortune (The Mystical Qabalah)
Undependable people, in contrast, provide erratically and inflict heavy costs on their mates. In a study of newlywed couples, my lab found that emotionally unstable men were especially costly to women. They tended to be self-centered, to monopolize shared resources, and to be possessive, monopolizing much of the time of their wives. These men showed higher-than-average sexual jealousy, becoming enraged when their wives even talked with someone else, as well as dependency: they would insist that their mates provide for all of their needs. With a tendency to being abusive, both verbally and physically, they also displayed inconsiderateness, such as by failing to show up on time. Emotionally unstable men were also moodier than their more stable counterparts, sometimes crying after minor setbacks. Suggesting a further diversion of their time and resources was their tendency to have more affairs than average.34 All of these costs indicate that emotionally unstable mates will absorb their partner’s time and resources, divert their own time and resources elsewhere, and fail to channel resources consistently over time. Dependability and stability are personal qualities that signal increased likelihood that a woman’s resources will not be drained by the man.
David M. Buss (The Evolution Of Desire: Strategies of Human Mating)
A woman will follow you to the end of the world as long as she can trust you enough to lead her the right way. No woman will submit to a man who doesn’t have a sense of direction on his own. Doesn’t know what he wants to do with his life and is unstable. Not just financially but mentally as well. Keep her happy son, and that goes for all of you.
A.J. Davidson (A Hitta for Christmas)
A group of same-aged people is inherently unstable. Peers will compete just as siblings compete. The ancestral sorority was transgenerational, and if we want whatever strength and balm may come from sisterhood, it wouldn’t hurt to recapitulate in some measure the timeworn model and brace our listing library of cohorts with bookends of the young and the seasoned.
Natalie Angier (Woman: An Intimate Geography)
Everyone now knows that the woman was mentally unstable and desperate for attention. She set you up, targeted you. She admitted it.
Loreth Anne White (The Maid's Diary)
I was losing hope, and my thoughts grew increasingly confused. We’ve conquered a lot, but she’s a crazy woman! She’s mentally unstable and emotionally driven by everything. She wants me to be open and honest, but she can’t handle it. Just when I let her into my thoughts and struggles, she clobbers me! She doesn’t really want to help me at all or truly be HOT. I shouldn’t have told her anything!
Phil Fretwell (Savage Marriage: Triumph over Betrayal and Sexual Addiction)
Everyone knows it’s not the hardest thing in the world to paint a woman as unstable. There are road maps. Centuries of examples of best practice by gentlemen such as myself who are willing to indulge their heinous tendencies
Gilly Macmillan (author)
Listen to me, Brooklyn West. You are the most infuriating woman I’ve ever met. You’re fucking crazy, you drink far too much, swear worse than Nix’s batshit Nana, and resort to violence far too quickly.” Her lips part, almost reaching a smile. “I have zero clue how we’re going to straighten out the shit in your head.” I stroke her cheek with my thumb. “You’re fucked up, unstable, and sometimes, you scare the hell out of me. That’s the truth nobody wants to tell you.” Tears shine in her eyes. “I told you to let me go. You still can.” “Shut the fuck up. I’m not done.” Unable to help myself, I let my palm slide up her bare leg. She’s wearing a short black dress, which exposes her creamy thighs as it rides up. Despite the funeral taking place across the road, my cock hardens beneath her. “My life hasn’t been the same since you walked into it.” I graze my lips against hers. “You insisted on trying to kill yourself rather than be saved. I’ve been terrified of losing you since. Every single one of us is wrapped around your finger. We love the bones of you.
J. Rose (Desecrated Saints (Blackwood Institute, #3))
The Director eyed her nervously, as though she were some unstable substance. Zoe, observing this, whispered to Frances, "I'm the sort of woman who scares the pants off that sort of man. They wait to be set upon.
Penelope Lively (Perfect Happiness)
Death hit people differently. She was getting by. He had all but given up. There was no middle ground as woman. She was used to it, but it still pissed her off. Frigid, or a slag. Girly, or one of the boys. Hrad, or emotionally unstable. When USA sneezed , the UK caught the cold. Her face was often difficult to read, but at that moment it told him whatever McEvoy found Margie Knight o not, she'd tear every dodgy sauna, massage parlour and tin-pot knocking shop in the city apart trying. It might have been a few minutes, it might have been an hour, when he heard Holland's voice... The mood she is in right now, Holland, if you're so much as suggest that it might be her time of the month, I'm guessing she'll kill you on the spot. I think the poison inside me has eaten away every ounce of courage there might ever have been. I need to find just a little more. "Look, I'm getting tired of saying sorry" "Well I'm not tired of hearing you say it, OK?" Maybe they bred them somewhere, taught then how to put their hair in a bun and look down their pointed noses, before sending them out into the world with a pair of bug glasses, a fondness for tweed and something uncomfortable up their backside. "I'm going to kill Holland. No, I'm going to make him listen to some proper country music and then I'm going to kill him." "Actually, fuck that, the music would be wasted on him anyway. I'll just kill him." "fuckfuckbullocksfuck..." "What? I make you sick? I make you want to hurt me?" "You knock, you wait, you get asked to come in, you come in. It's pretty bloody straightforward." ...sat at home like Tom Throne, trying to keep the rest of the world well away. Police officer and prison staff are old enemies. The finders and the keepers resenting each other. 'Everybody says it switches around when you get old and they have to look after you. The parent becomes the child...It's non sense though., it really is. Even when they're cooking for you and getting your shopping in, you know? Even when they're doing up the buttons on your pyjamas and pretending to listen to your stupid stories, even when they're wiping your arse, you're still the father--It never stops, never. You're still the father and he's still the son. Still the son...' A thin layer across the top of the cistern in the ladies, invisible unless used in some of the more drugs-conscious clubs. ...Depending on how it looks, thy either do nothing, or break it again, re-set it.' 'Do they need volunteers?' "Don't talk to me. Not like that, do you understand? Not 'are you all right?' Not 'sorry'..." "I don't..." "Talk to me like a murdered." Holland couldn't believe what he was hearing. Palmer? 'Sorry?' Throne shouted. 'Fucking sorry...?' 'Shut your fucking stupid cunt's mouth. I will kill you, is that clear? I'm not afraid, certainly not of you. I don't care what happens. He can shoot the pair of us, I don't give a fuck. But if I hear so much as a breath coming out of you before this is finished, a single poisonous whisper, I'll rip your face off with my bare hands. I'll take it clean off, Nicklin, I'll make you another nice, new identity...
Mark Billingham (Scaredy Cat (Tom Thorne, #2))
most bloodsucking things are women, and their actions-be it sin in a past life, a pact with a demon, a jealous or unstable personality-are all blamed for their monstrous states.
Claire Kohda (Woman, Eating)
Unless I’m going to write a romance about a woman unstable enough to fall for her stalker, it’d never work. And really, who would read something like that?
S.M. Shade (The Dark of You)
I wasn’t going to hurt him,” she told the man, earning a huff of clear disbelief from Mr. Victor in the process. “You broke my nose,” Mr. Victor snapped. “Which really does beg the question of why you’ve been allowed in the same room with me.” He narrowed an eye on her that was rapidly turning an interesting shade of black. “It is never permissible for a lady to punch a gentleman, not proper in the least. Although . . . given that you seem to be acquainted with Miss Plum as well, you’re obviously not a proper sort of lady.” “I’ve never claimed to be a proper lady, Mr. Victor. In fact, I’m just the nanny.” “You are a proper lady,” Everett said as he reached up and pulled the rag off his face, sporting not one but two black eyes. “And you’re not just the nanny.” Warmth began traveling up Millie’s neck to settle on her face, but before she could so much as get a word of appreciation out of her mouth, Mr. Victor let out another grunt. “Do not tell me, Mr. Mulberry, that this woman, the one who recently broke my nose, has been hired to watch Fred’s children? Surely you must realize that putting those precious scamps in the direct vicinity of a woman prone to violence is hardly in their best interest.” He mopped at his nose again. “She hit me in a manner that suggests she’s spends quite a bit of time pummeling people. That clearly proves she’s unstable—and proves you’re not fit to see to the children’s basic needs, since you hired her as a nanny in the first place.” “I’ve hardly spent my life pummeling people, sir,” Millie said before Everett could reply. “Well, there was this one boy at the orphanage, Freddy Franklin, but . . . I digest from the topic at hand.” “Digress,” Everett said right before he laughed. “I hate to point this out, Millie, but it might benefit you to go back through all the D words, since they seem to be giving you trouble today.” Millie’s lips twitched. “And that explains why I was so dismayed—another D word that I know means upset—about not having my sensible clothing available. My aprons come in remarkably handy for holding my dictionaries.” Additional warmth spread over her when Everett smiled. Hoping
Jen Turano (In Good Company (A Class of Their Own Book #2))
DEFENDING A RAPIST What is the character of a person who becomes a sexual enabler? We get an early glimpse into this question from 1975, when Hillary Clinton defended a man, Thomas Alfred Taylor, who was accused of beating and raping a twelve-year-old girl. A virgin prior to the attack, she spent five days in a coma, several months recovering from her injuries, and years in therapy. Even people who are accused of heinous crimes deserve criminal representation. Hillary’s strategy in defending Taylor, however, was to blame the teenage victim. According to an affidavit filed by Hillary, children who come from “disorganized families such as the complainant” sometimes “exaggerate or romanticize sexual experiences.” Hillary suggested the girl was “emotionally unstable with a tendency to seek out older men and engage in fantasizing.” Here Hillary seems to be echoing what Bernie Sanders wrote in his rape fantasy essay. In this case, however, the girl certainly didn’t dream up the assault and rape. There was physical evidence that showed she had been violated, and she was beaten so badly she was in a coma. Prosecutors had in their possession a bloodied pair of Taylor’s underwear. But fortunately for Hillary and her client, the forensic lab mishandled the way that evidence was preserved. At the time of trial, the state merely had a pair of Taylor’s underwear with a hole cut in it. Hillary plea bargained on behalf of Taylor and got him released without having to do any additional time. A tape unearthed by the Washington Free Beacon has Hillary celebrating the outcome. “Got him off with time served in the county jail,” she says. Did Hillary believe that, in this case, justice was done? Certainly not. On the tape, Hillary admits she never trusted her client. “Course he claimed he didn’t, and all this stuff.” So she decided to verify his story. “I had him take a polygraph, which he passed—which forever destroyed my faith in polygraphs.” Clearly Hillary knows her client is guilty, and this fact doesn’t bother her. The most chilling aspect of Hillary’s voice is her indifference—even bemusement—at getting a man off after he raped a twelve-year-old. The episode is a revealing look into the soul of an enabler. In fact, it reminds me of Alinsky protesting to Frank Nitti about the wasted expense of importing an out-of-town-killer. Hillary, like Alinsky, seems to be a woman without a conscience.9
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
Himmler felt threatened by the ever increasing influence of Maria Orsic, and on two occasions told Adolf Hitler that she is not to be trusted because she is unstable, and she has close ties to the Jews. Himmler also mentioned the name of Princess Stephanie von Hohenlohe. Little did he know that Princess Stephanie was a close friend to Hitler who showered her with gifts.  In fact, Hitler overlooked her Jewish roots, and gave her a castle in Austria as token of his admiration for her beauty and her services to the Reich as a spy extraordinaire. On Orsic, Hitler simply said: We need her for the time being but keep an eye on her…” and he added, “I don’t trust secret societies…” Himmler, SS General Jakob Sporrenberg, and SS General Hans Kammler kept Maria Orsic in isolation, and prevented her from having access to Adolf Hitler.
Jean-Maximillien De La Croix de Lafayette (Volume I. UFOs: MARIA ORSIC, THE WOMAN WHO ORIGINATED AND CREATED EARTH’S FIRST UFOS (Extraterrestrial and Man-Made UFOs & Flying Saucers Book 1))
Diana’s world may be characterized as an unstable equilibrium; the unhappiness of her marriage balanced by the satisfaction she finds in her royal work, particularly among the sick and the dying; the suffocating certainties of the royal system matched by her growing self-confidence in using the organization for the benefit of her work. Her thinking about her royal position changes by the month. However, while the graph of her progress shows various ups and downs, the general trend over the past year has been towards staying within rather than leaving the organization. She now feels impatience with the creaking machinery of monarchy rather than despair, business-like indifference towards Prince Charles as opposed to shrinking deference and cool disregard of Camilla Parker-Bowles rather than jealous rage. It is by no means a consistent development but her growing interest in how to control and reform the system as well as her serious commitment to use her position to do good in the world point to staying rather than taking flight. At the same time the Duchess’s departure merely adds another element of uncertainty in an already precarious position. It is not an issue for complacency. The Princess can be a volatile, impatient young woman whose moods regularly swing from optimism to despair. As astrologer Felix Lyle says: “She is prone to depression, a woman who is easily defeated and dominated by those with a strong character. Diana has a self-destructive side. At any moment she could say ‘to hell with the lot of you’ and go off. The potential is there. She is a flower waiting to bud.
Andrew Morton (Diana: Her True Story in Her Own Words)
justice for Mary and Freddie, then not only would he be unstable for the station of Duke, but he would be unworthy to court a young woman of virtue such as Miss Miller. It was time to stop railing against the world for treating him unfairly and start thinking about what he might do to improve the world.
Hanna Hamilton (Charity Falls for the Rejected Duke)
I’ve tried to think of every reason why I should wash my hands of this place. But I keep returning to the conclusion that I owe it to every man, woman, and child on this estate to try and save the estate. Eversby Priory has been the work of generations. I can’t destroy it.” “I think that’s a very admirable decision,” she said with a hesitant smile. His mouth twisted. “My brother calls it vanity. He predicts failure, of course.” “Then I’ll be the counterbalance,” she said impulsively, “and predict success.” Devon gave her an alert glance, and he dazzled her with a quick grin. “Don’t put money on it,” he advised. The smile faded except for a lingering quirk at one corner of his mouth. “I kept waking during the night,” he said, “arguing with myself. But then it occurred to me to wonder what my father would have done, had he lived long enough to find himself in my position.” “He would have saved the estate?” “No, he wouldn’t have considered it for a second.” Devon laughed shortly. “It’s safe to say that doing the opposite of what my father would have done is always the right choice.” Kathleen regarded him with sympathy. “Did he drink?” she dared to ask. “He did everything. And if he liked it, he did it to excess. A Ravenel through and through.” She nodded, thinking of Theo. “It has occurred to me,” she ventured, “that the family temperament isn’t well suited to stewardship.” Amusement glinted in his eyes. “Speaking as a man who has the family temperament in full measure, I agree. I wish I could claim to have a mother from steady, pragmatic stock, to balance out the Ravenel wildness. Unfortunately she was worse.” “Worse?” Kathleen asked, her eyes widening. “She had a temper?” “No, but she was unstable. Flighty. It’s no exaggeration to say there were days at a time when she forgot she even had children.” “My parents were very attentive and involved,” Kathleen volunteered after a moment. “As long as you were a horse.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Essentially, this history suggests that up until approximately 1700 most Europeans thought of themselves as possessed of a single body type. Under the ‘one-body’ regime, the testicles and penis, and ovum and womb (or in later formulations the vagina), were homologous, the former being driven from the body by the dry heat of the male while the latter remained inside, in the cool, wet interior of the female. Thus, because one’s body was plumbed in much the same way whether one was male or female, it was the experiences which the body underwent and the possession of a peculiar mix of humours which determined whether one would be male or female. As a result of this view masculinity and femininity (both as physical and mental characteristics) were seen as part of a continuum which encompassed not only masculinity and feminity but effeminacy. While this implies that both gender and sex were unstable – maleness could degenerate into effeminacy, females could become male – it does not necessarily mean that gender boundaries were unstable as well. Thus, while many eighteenth-century men were accused of being effeminate because manliness was a virtue that could be aspired to by both sexes, women could equally be praised for their 'manly’ characters. In neither case was the social role of the individual fundamentally questioned. While anatomy was not used to exclude either sex of the characteristics normally associated with its opposite, 'woman’ was associated with unrestrained sexuality, irrationality, and openness to the influence of both the devil and God, while 'man’ was seen as more rational, sexually controlled, and possessed of a kind of dangerous intellectual pride which threatened his ability to experience salvation.
Tim Hitchcock (English Masculinities, 1660-1800 (Women And Men In History))
Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail. Raven smiled very gently at Jacques. “Do you mind if I help her? Shea is quite weak.” Not waiting for his approval, she slipped an arm around Shea’s waist, supporting her as she tried to stand. Instantly Shea felt the ripple of unease coursing through Jacques. The others felt it as the ground shifted and rolled. The flames in his eyes glowed a brilliant red, and a slow hiss escaped him. Raven glared at Mikhail over her shoulder. He shrugged helplessly. I am not doing it, little one. Jacques is unstable. He does not like the woman apart from him. Temper tantrums seem to run in your family.
Christine Feehan (Dark Desire (Dark, #2))
Do you mind if I help her? Shea is quite weak.” Not waiting for his approval, she slipped an arm around Shea’s waist, supporting her as she tried to stand. Instantly Shea felt the ripple of unease coursing through Jacques. The others felt it as the ground shifted and rolled. The flames in his eyes glowed a brilliant red, and a slow hiss escaped him. Raven glared at Mikhail over her shoulder. He shrugged helplessly. I am not doing it, little one. Jacques is unstable. He does not like the woman apart from him. Temper tantrums seem to run in your family.
Christine Feehan (Dark Desire (Dark, #2))
We thank you for the offer, healer, but Shea is unused to our ways.” Jacques couldn’t remember most of them himself. He was as uneasy in the presence of the Carpathian as Shea. His black eyes glittered like ice, caught and trapped the reflection of a lightning whip as it sizzled across the dark sky. “The other male is not with you.” “Byron,” Mikhail supplied. “He has been a good friend to you for centuries. He is aware that you completed the ritual and this woman is your true lifemate. Search your mind, Jacques. Remember how difficult this time is on our unattached males.” Shea’s face went crimson under the unearthly paleness. The reference to the ritual had to mean they were aware Jacques had made love to her. The lack of privacy disturbed her immensely. She went to move around Jacques, strongly objecting to the this woman label. She did have a name. She was a person. She had a feeling they all thought her the hysterical type. She certainly hadn’t managed to show them her normal calm self. Jacques stepped backward and his arm swept behind him to pin her against the wall. He never took his eyes from the trio before them. He knew he was unstable, still fighting to hold on to reason when his every instinct was to attack. He trusted none of them and would not allow Shea to be put in any danger. Shea retaliated with a hard pinch. She was not going to cower behind her wild man like some seventeenth-century heroine fainting with the vapors. So she was surrounded by a few vampires. Big deal. Carpathians. Jacques sounded amused. If you laugh at me, Jacques, I might find another wooden stake and come after you myself, she warned him silently. “Well, for heaven’s sake.” Shea sounded exasperated as she addressed the group. “We’re all civilized, aren’t we?” She shoved at Jacques’ broad back. “Aren’t we?” “Absolutely.” Raven stepped forward, ignoring Mikhail’s restraining hand. “At least the women are. The men around here haven’t quite graduated from the swinging-through-trees stage yet.” “I owe you an apology for last night, Miss O’Halloran,” Mikhail said with far too much Old World charm. “When I saw you crouched over my brother, I thought…” Raven snorted. “He didn’t think, he reacted. He really is a great man, but overprotective with the people he loves.” There was a wealth of love in her teasing tone. “Honestly, Jacques, you can’t keep her prisoner, locked up like some nun in a convent.” Shea was mortified. Jacques, move! You’re embarrassing me.
Christine Feehan (Dark Desire (Dark, #2))
should have listened to my mother’s nagging voice. I should have paid attention to the accumulated horror stories of forty-three years of life as a woman. Never trust a stranger. Never let a man you don’t know into your house, your car, your pants. I’d ignored them all, and picked Aidan up instead, for a night of wild sex. Now an obviously mentally unstable felon with a gun in his drawer was coming for me. It was no better than I deserved.
Michele Campbell (A Stranger on the Beach)