Bent Over Quotes

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My kids are starting to notice I'm a little different from the other dads. "Why don't you have a straight job like everyone else?" they asked me the other day. I told them this story: In the forest, there was a crooked tree and a straight tree. Every day, the straight tree would say to the crooked tree, "Look at me...I'm tall, and I'm straight, and I'm handsome. Look at you...you're all crooked and bent over. No one wants to look at you." And they grew up in that forest together. And then one day the loggers came, and they saw the crooked tree and the straight tree, and they said, "Just cut the straight trees and leave the rest." So the loggers turned all the straight trees into lumber and toothpicks and paper. And the crooked tree is still there, growing stronger and stranger every day.
Tom Waits
When God Created Mothers" When the Good Lord was creating mothers, He was into His sixth day of "overtime" when the angel appeared and said. "You're doing a lot of fiddling around on this one." And God said, "Have you read the specs on this order?" She has to be completely washable, but not plastic. Have 180 moveable parts...all replaceable. Run on black coffee and leftovers. Have a lap that disappears when she stands up. A kiss that can cure anything from a broken leg to a disappointed love affair. And six pairs of hands." The angel shook her head slowly and said. "Six pairs of hands.... no way." It's not the hands that are causing me problems," God remarked, "it's the three pairs of eyes that mothers have to have." That's on the standard model?" asked the angel. God nodded. One pair that sees through closed doors when she asks, 'What are you kids doing in there?' when she already knows. Another here in the back of her head that sees what she shouldn't but what she has to know, and of course the ones here in front that can look at a child when he goofs up and say. 'I understand and I love you' without so much as uttering a word." God," said the angel touching his sleeve gently, "Get some rest tomorrow...." I can't," said God, "I'm so close to creating something so close to myself. Already I have one who heals herself when she is sick...can feed a family of six on one pound of hamburger...and can get a nine year old to stand under a shower." The angel circled the model of a mother very slowly. "It's too soft," she sighed. But tough!" said God excitedly. "You can imagine what this mother can do or endure." Can it think?" Not only can it think, but it can reason and compromise," said the Creator. Finally, the angel bent over and ran her finger across the cheek. There's a leak," she pronounced. "I told You that You were trying to put too much into this model." It's not a leak," said the Lord, "It's a tear." What's it for?" It's for joy, sadness, disappointment, pain, loneliness, and pride." You are a genius, " said the angel. Somberly, God said, "I didn't put it there.
Erma Bombeck (When God Created Mothers)
It's no good crying over spilt milk, because all the forces of the universe were bent on spilling it.
W. Somerset Maugham (Of Human Bondage)
The phone rang. I picked it up. “Are you sitting down?” Curran's voice asked. “Yes.” “Good.” Click. I listened to the disconnect signal. If he wanted me to sit, then I'd stand. I got up. The chair got up with me and I ended up bent over my desk, with the chair stuck to my butt. I grabbed the edge of the chair and tried to pull it off. It remained stuck. I would murder him. Slowly. And I'd enjoy every second of it.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
She probably gave up and started playing Minesweeper." [...] We reached the cafe and found Sydney bent over her laptop, with a barely eaten Danish and what was probably her fourth cup of coffee. We slid into seats beside her. "How's it—hey! You ARE playing Minesweeper!
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Tessa was laying on her side, her brown hair spread over the pillow, watching Will, whose face was bent over the pages, with a look of tenderness in her eyes, a tenderness mirrored in the softness of Will's voice as he read.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
She tipped her head back and started laughing, and I started picturing people twerking—everyone in the limo. Quiet Luxen Dude. Rolland. Sadi. All of them bent over, butts in the air, looking like damn fools.
Jennifer L. Armentrout (Opposition (Lux, #5))
I sighed. "Actually, Mom, we argue pretty regularly." "What?" She gaped at me. "Well, stop it!" "Oh, and I kneed him in the groin once." There was a split second of silence before May barked a laugh. She covered her mouth and tried to stop it, but it kept coming out in awkward, squeaky sounds. Dad's lips were pressed together, but I could tell he was on the verge of losing it himself. Mom was paler then snow. "America, tell me you're joking. Tell me you didn't assault the prince." I don't know why, but the word assault pushed us all on the edge; and May, Dad, and I bent over laughing as Mom stared at us. "Sorry, Mom," I managed. "Oh, good lord." She suddenly seemed very excited in meeting Marlee's parents, and I didn't stop her from going.
Kiera Cass (The Elite (The Selection, #2))
He does not always remain bent over the pages; he often leans back and closes his eyes over a line he has been reading again, and its meaning spreads through his blood.
Rainer Maria Rilke
The vision of a champion is bent over, drenched in sweat, at the point of exhaustion, when nobody else is looking.
Mia Hamm
He knelt by the bed and bent over her, draining their last moment to its lees; and in the silence there passed between them the word which made all clear.
Edith Wharton (The House of Mirth)
Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt — his shirt — “Jace.” She moved a little bit away. “I’m pretty sure people down there in the street can see us.” “We could …” He gestured toward the bed. “Move…over there.” She grinned. “You said that like it took you a while to come up with the idea.” When he spoke, his voice was muffled against her neck. “What can I say, you make my thought processes slow down. Now I know what it’s like to be a normal person.” “How … is it?” The things he was doing with his hands under the t-shirt were distracting. “Terrible. I’m already way behind on my quota of witty comments for the day.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The young student sits with his head bent over his books, and his mind straying in youth's dreamland; where prose is prowling on the desk and poetry hiding in the heart.
Rabindranath Tagore (Lover's Gift)
If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done -" Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself." Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
Suddenly Faramir stirred, and he opened his eyes, and he looked on Aragorn who bent over him; and a light of knowledge and love was kindled in his eyes, and he spoke softly. 'My lord, you called me. I come. What does the king command?
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
I… What are you saying, Zsadist?" she stammered, even though she'd heard every word. He glanced back down at the pencil in his hand and then turned to the table. Flipping the spiral notebook to a new page, he bent way over and labored on top of the paper for quite a while. Then he ripped the sheet free. His hand was shaking as he held it out. "It's messy." Bella took the paper. In a child's uneven block letters there were three words: I LOVE YOU Her lips flattened tight as her eyes stung. The handwriting got wavy and then disappeared.   "Maybe you can't read it," he said in a small voice. "I can do it over."   She shook her head. "I can read it just fine. It's… beautiful." "I don't expect anything back. I mean… I know that you don't… feel that for me anymore. But I wanted you to know. It's important that you knew.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
He snorted and hit me in the solar plexus. I bent over and took hold of the room with both hands and spun it. When I had it nicely spinning I gave it a full swing and hit myself on the back of the head with the floor.
Raymond Chandler (Pearls are a Nuisance)
I measure time by the days I've spent away from you/ that thought occurred to me/ as i watched the sky go dark from blue
Lana Del Rey (Violet Bent Backwards Over the Grass)
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
Jennifer Donnelly (A Northern Light)
I failed math twice, never fully grasping probability theory. I mean, first off, who cares if you pick a black ball or a white ball out of the bag? And second, if you’re bent over about the color, don’t leave it to chance. Look in the damn bag and pick the color you want.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
She didn't flirt with him, but they hung out together a lot, and every time I saw their heads bent over a computer screen or map, it made my stomach clench. And my teeth. And my fists.
James Patterson (The Final Warning (Maximum Ride, #4))
I’d still be nice to you if you were ugly.” “Okay.” A wicked grin slipped over his full lips. He bent his head down and whispered, “I just wouldn’t offer you any cookies.
J. Lynn (Wait for You (Wait for You, #1))
Near the window, Finnikin stood with both hands against the wall, his head bent over her. As always, the intimacy between them made Froi ache. "I promise you," Finnikin said. "I've already shouted at her and used a very, very reprimanding tone." "I was quivering," the Queen said, stepping out from behind Finnikin.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
She bent over me again. Blood began to move around in me, like a prospective tenant looking over a house.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
in my veins that roll you run citrus watercolor images of serpents on orange trees quietly arise and grow sweet in my midst
Lana Del Rey (Violet Bent Backwards Over the Grass)
What’s so funny?” I asked, horrified, trying to think of an inconspicuous way to check my breath. “Of everything you’ve done, this is by far the most entertaining!” Maxon bent over, hitting his knee as he laughed. “Excuse me?” He kissed me hard on my forehead. “I always wondered what it would be like to see you try.” He started laughing again. “I’m sorry; I have to go.” Even the way he stood held a sense of amusement. “I’ll see you in the morning.” And then he left. He just left!
Kiera Cass (The One (The Selection, #3))
LA who am I to need you when I've needed so much, asked for so much? And what I've been given, I don't know yet
Lana Del Rey (Violet Bent Backwards Over the Grass)
For sure, they don't teach you this in history class, but in colonial times, the person who got left in the stocks overnight was nothing less than fair game for everybody to nail. Men or women, anybody bent over had no way of knowing who was doing the ram job, and this was the real reason you never wanted to end up here unless you had a family member or a friend who'd stand with you the whole time. To protect you. To watch your ass, for real.
Chuck Palahniuk (Choke)
Imagination They say adults have no imagination. Not true. Just instead of dinosaurs and spaceships, they imagine silence and the new babysitter bent over the coffee table.
Bo Burnham (Egghead: Or, You Can't Survive on Ideas Alone)
Be the art that life is breathing. Be the soul the world is living.
Lana Del Rey (Violet Bent Backwards Over the Grass)
You're only as happy as your least happy child.
Lana Del Rey (Violet Bent Backwards Over the Grass)
I stepped on a bird/ cried in my new boyfriend's arms/ to live is to kill
Lana Del Rey (Violet Bent Backwards Over the Grass)
Is it still there?" I asked, staring at his head, bent over, as he wedged the stethoscope beneath my left breast. And then, before I could stop myself, "Does it sound broken?
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
Ren," I whispered. "I want-" And then I was leaning over him, my cropped hair brushing against his cheeks as I bent to kiss him. Our lips met and I felt like I was diving into oblivion. The kiss grew deep, inmediate and hungry. He lifted me up and I wrapped my legs around his waist, molding my body against his.
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
i like u so much/ but it makes me nervous when u don't call/ under my breath i say/ Don't make me be resilient/ i want to be soft/ if u let me be myself/ u will be the first one who ever did.
Lana Del Rey (Violet Bent Backwards Over the Grass)
It was when she returned to him, chilled & clearheaded, that it happened. He sat against the tree, his knees bent & his head in his hands. His shoulders slumped. Tired, unhappy. Something tender caught in her breath at the sight of him. And then he raised his eyes and looked at her, and she saw what she had not seen before. She gasped. His eyes were beautiful. His face was beautiful to her in every way, and his shoulders and hands. And his arms that hung over his knees, and his chest that was not moving, because he held his breath as he watched her. And the heart in his chest. This friend. How had she not seen this before? How had she not seen him? She was blind. And then tears choked her eyes, for she had not asked for this. She had not asked for this beautiful man before her, with something hopeful in his eyes that she did not want.
Kristin Cashore (Graceling (Graceling Realm, #1))
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Harper Lee (To Kill a Mockingbird)
For years I begged you/ to just take me in your arms/ you wouldn't. Couldn't.
Lana Del Rey (Violet Bent Backwards Over the Grass)
He bent his head to mine and kissed the sense out of me. If you’d asked me my name, I’d have told you wrong. He had that kind of ability and he was mine, maybe it was because he was mine and because I loved him the way I did that his spell could cast itself over me with such ferocity.
Fisher Amelie (Callum & Harper (Sleepless, #1))
Echo bent over the table to make her second shot. Her beautiful breasts were right there for me to see, but i wanted to do more than observe, i wanted to... "You should put your tongue back in your mouth. You 'll get all cotton-mouthed if it dries out." "I can't help it you 're hot." I loved it when she dished it out.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
She wasn't broken. She was just bent, over the chance of being ignored by the one she loved.
Robert M. Drake
Yeah, you do. Because right now, I'm your best hope to defeat Byzamoth. So if you don't want to spend eternity bent over and holding your ankles for him, you'll back the fuck off. ~Wraith
Larissa Ione (Passion Unleashed (Demonica, #3))
Then she went to Damon. He was still lying where he had fallen. The ghosts had passed over him, taking no notice of him. Elena’s brightness hovered over him, one shining hand reaching to touch his hair. Then she bent and kissed the dark head on the ground.
L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
Ever since people first existed, they have been doing all the things we label "codependent." They have worried themselves sick about other people. They have tried to help in ways that didn't help. They have said yes when they meant no. They have tried to make other people see things their way. They have bent over backwards avoiding hurting people's feelings and, in so doing, have hurt themselves. They have been afraid to trust their feelings. They have believed lies and then felt betrayed. They have wanted to get even and punish others. They have felt so angry they wanted to kill. They have struggled for their rights while other people said they didn't have any. They have worn sackcloth because they didn't believe they deserved silk.
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
You're afraid. I get it," he bent to murmur comfortingly in my ear. "I know why you ran today, and I know why you're running now. But shit happens, babe, there's no protecting against it. You also can't let it take over your life and rule your relationships with people. We need to enjoy the time we have, however long it's going to be. Stop running.
Samantha Young (On Dublin Street (On Dublin Street, #1))
I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in.
Samuel Beckett (Krapp's Last Tape & Embers)
I love you, but you don’t understand me, I’m a real poet! My life is my poetry, my lovemaking is my legacy!
Lana Del Rey (Violet Bent Backwards Over the Grass)
and in that moment i decided to do nothing about everything
Lana Del Rey (Violet Bent Backwards Over the Grass)
You don't want to be forgotten You just want to disappear
Lana Del Rey (Violet Bent Backwards Over the Grass)
there's things you still don't know about me like sometimes i'm afraid my sadness is too big and that one day you might have to help me handle it
Lana Del Rey (Violent Bent Backwards Over The Grass)
Much were bent over in laughter. I pushed him, and he rolled to the floor without my intended insult. “Come off it!” I stamped my foot. “What’s so funny?” John asked, coming over in the middle of eating an apple. He tossed me an apple and I threw it at Much. He only laughed harder. “K-k-kissed Scar!” he hooted. “Someone kissed you?” John asked, turning to me. He didn’t look like it were too funny. “Who is he?” This made Much laugh more. “None of your business, John Little,” I told him. He stepped closer to me with a flat face that, if I could ape it, I’d never be kissed by a stupid girl when I didn’t want to be. “Who, Scar?” “Jenny Percy!” Much roared. John’s face broke open, like a smile could split a black mood. “Wait till Rob hears this.
A.C. Gaughen (Scarlet (Scarlet, #1))
I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on.
Marya Hornbacher
Like a view of the sea on a summer day on the most perfect winding road taken in from your car seat window A thing perfect and ready to become a part of the texture of the fabric of Something more ethereal like Mount Olympus where Zeus and Athena and the rest of the immortals play
Lana Del Rey (Violet Bent Backwards Over the Grass)
Am i being brazen for saying this year makes me feel/ like we could've written it better/ than him?
Lana Del Rey (Violet Bent Backwards Over the Grass)
and that monsters don’t always know they are monsters.
Lana Del Rey (Violet Bent Backwards Over the Grass)
Because captains aren't like poets they don't make metaphors between the sea and the sky. And as I thought that to myself I realized - that's why I write.
Lana Del Rey (Violet Bent Backwards Over the Grass)
He bent down so I could hear him over the music. "What are you doing here?" he asked with a hard tone. Okay. Not the best first line. Something like, you look beautiful, have my babies would have been a little bit better.
R.S. Grey (Scoring Wilder)
He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.
Jandy Nelson (The Sky Is Everywhere)
I tried to smile back, but I was trying not to stare at the ribbon of skin that was showing beneath his T-shirt as he bent over. As usual, my mouth went a little dry and my breathing sped up, and that weird, almost sad feeling settled in my stomach. I never thought I'd be glad to hear Vandy's braying voice, but when she shouted, 'All right! That's it for today!' I could have kissed her. Well, on second thought, no. Maybe a firm handshake.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
So what you’re saying is Nate isn’t sex on a stick?” Emma asked. Casey chuckled. “Nate is barely sex on a low fat wheat-thin. But I sowed a few wild oats back in my day, so I’m totally satisfied with what I have.” She bent over to grab up her abandoned container and silverware. Waving her fork at Emma, she said, “You, on the other hand, have a bag of oats needing satisfying.” Emma rolled her eyes. “Let’s leave my oats out of this please.
Katie Ashley (The Proposition (The Proposition, #1))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Stay on your path Sylvia Plath don't fall away like all the others
Lana Del Rey (Violet Bent Backwards Over the Grass)
Ian saw the tears shimmering in her magnificent eyes and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, "If you would take one step forward, darling, you could cry in my arms. And while you do, I'll tell you how sorry I am for everything I've done - " Unable to wait, Ian caught her, pulling her tightly against him. "And when I'm finished," he whispered hoarsely as she wrapped her arms around him and wept brokenly, "you can help me find a way to forgive myself." Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: "I'm sorry," he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. "I'm sorry." Slowly, he bent his head, covering her mouth with his. "I'm so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
They're asking everyone for their name and information. They say we're going to Sassnitz, on the German island of Rügen.' She squeezed my hand. I bent over and kissed the top of her head. I then leaned back against the wall and closed my eyes. My name and information. Who was I? I looked down at Joana and the children. Who did I want to be?
Ruta Sepetys (Salt to the Sea)
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
Kids didn't have huge backpacks when I was their age. We didn't have backpacks at all. Now it seemed all the kids had them. You saw little second-graders bent over like sherpas, dragging themselves through the school doors under the weight of their packs. Some of the kids had their packs on rollers, hauling them like luggage at the airport. I didn't understand any of this. The world was becoming digital; everything was smaller and lighter. But kids at school lugged more weight than ever.
Michael Crichton (Prey)
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
He ran a hand over his face and shook his head. "Lass, I have never lied to you. I adore you and there have never been any other women from the future here. And these"- he flung a tampon in the air- "cleaning swabs, I cannot fathom why they upset you so greatly, but I assure you I have never let the maids use them." Lisa's brow furrowed. No man could be so stupid. "Cleaning Swabs?" He snatched up a gun and jerked the barrel in her direction, and an unwrapped tampon shot out. It was coated with black from the slow corrosion of the steel. She eyed it for a moment, bent, and plucked it from the floor. "You clean your guns with these?" He lowered the gun. "Is that not the purpose for which they were designed? I vow I could not conceive of another." Didn't you read the box?" There were too many words I didn't understand!
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.
Gerard Manley Hopkins (Gerard Manley Hopkins: The Major Works)
What would make Nico realize they were simply, irreconcilably too different. ‘Yes?’ Nico didn’t seem able to talk at first. Then: ‘You are a legitimate demigod Care Bear.’ Will’s top lip trembled. He fell to his knees. Then he bent over in loud, raucous laughter until tears poured from his eyes. ‘You’re so weird.’ Nico crawled over, pulled Will to him and silenced his laughter with a tender kiss. ‘Please keep being my own personal Care Bear, though.’ ‘Always,’ said Will.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
I could feel his whole body trying to claim me, want me, own me in lust, and it made me feel so valuable and wanted. As I was bent over the table, I felt like I was the world to him, and he could think of nothing else, could feel nothing else: he was consumed with my body, dedicated to exploring my female sexual power and energy, and his desperate hitting of me with the belt felt like he would rather die, than be without the chance to connect with me in sex.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
And me not sleeping tonight or tomorrow night or any night for a long while, now that this has started. And he thought of her lying on the bed with the two technicians standing straight over her, not bent with concern, but only standing straight, arms folded. And he remembered thinking then that if she died, he was certain he wouldn’t cry. For it would be the dying of an unknown, a street face, a newspaper image, and it was suddenly so very wrong that he had begun to cry, not at death but at the thought of not crying at death, a silly empty man near a silly empty woman, while the hungry snake made her still more empty. How do you get so empty? he wondered. Who takes it out of you? And that awful flower the other day, the dandelion! It had summed up everything, hadn’t it? ‘What a shame! You’re not in love with anyone!’ And why not?
Ray Bradbury (Fahrenheit 451)
Day and night she had drudged and struggled and thrown her soul into her work, and there was not much of her left over for anything else. Being human, she suffered from this lack and did what she could to make up for it. If she passed the evening bent over a table in the library and later declared that she had spent that time playing cards, it was as though she had managed to do both those things. Through the lies, she lived vicariously. The lies doubled the little of her existence that was left over from work and augmented the little rag end of her personal life.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
Do me a favor?” he whispered. Beth's hold tightened on his hand. ”Anything, what do you need?” ”Hum the Jeopardy theme.” There was a pause.Then Beth burst out laughing and swatted his shoulder. ”Wrath-” ”Actually,take your clothes off and hum it while doing some belly grooves.” As his shellan bent down and kissed his forehead, he looked up at her through his wraparounds. ”You think I'm kidding? Come on, we both need the distraction. And I promise I'll tip well” "You never carry cash." He extended his tongue and swept it over his upper lip. "I plan on working it off.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I have eavesdropped with impunity on the lives of people who do not exist. I have peeped shamelessly into hearts and bathroom closets. I have leaned over shoulders to follow the movements of quills as they write love letters, wills and confessions. I have watched as lovers love, murderers murder and children play their make-believe. Prisons and brothels have opened their doors to me; galleons and camel trains have transported me across sea and sand; centuries and continents have fallen away at my bidding. I have spied upon the misdeeds of the mighty and witnessed the nobility of the meek. I have bent so low over sleepers in their beds that they might have felt my breath on their faces. I have seen their dreams.
Diane Setterfield (The Thirteenth Tale)
How could I not fall in love with him," she asked. And on the tail end of her words, her bedroom door flew open and closed just as fast. Jen bent over, panting heavily as she looked up at Sally. "Hey Sally girl. Who we falling in love with?" Jen asked breathlessly. "Jen, what's wrong?" Sally paused and then decided on a better question. "What have you done now?" Jen stood up and took two deep breaths. Seeming to have regained her wind, she spoke quickly. "First off, I've changed my mind. I don't want you to name your first born after me." Sally interrupted. "Thank goodness for that," she muttered. "I want you to name your entire freaking litter after me," Jen growled. "Do you know what I've been through?" Jen's arms were flinging around as she glared at Sally. "I did that little strip tease to try and keep things from escalating with the rest of the pack and Decebel was beyond pissed. I had to sneak out of the gathering room and make a run for it. I've been running through the freaking forest trying to throw him off by changing back and forth so that I could place my clothes that I carried in my freaking muzzle. CARRIED IN MY MUZZLE SALLY! I put them in different places to throw off him off my scent." Jen went over to Sally's window and was trying to judge the danger of using it as an exit.
Quinn Loftis
This looks good." "That's Metamucil," Bricker said with disgust, snatching it from her hand. "So?" She turned to scowl at him. "What's wrong with Metamucil?" "It's--" He glanced at the container and read, "A dietary supplement." "That sounds healthy," she said, trying to grab it back. "Eshe," he said, his disgust giving way to amusement. "It's what old mortals take to get regular." "To get regular what?" she asked, and then poked him in the stomach, hard. The moment Bricker bent over with an "oomph," she snatched the container back and repeated, "Regular what?" "Crap," he gasped, clutching his stomach. "I didn't hit you that hard," she said with some disgust of her own. "No." He sighed, straightening. "I meant that's what they get regulated. Crap." Eshe dropped the can in dismay. "They buy crap?
Lynsay Sands (Born to Bite (Argeneau, #13))
And when Finnikin grabbed her to him and buried his face in her neck and then bent down and placed his mouth on hers, the others pretended that there was something very interesting happening in the meadow. The priest-king even pointed at the nothing they were pretending to see. But Froi didn’t. He just watched the way Finnikin’s hands rested on Evanjalin’s neck and he rubbed his thumb along her jaw and the way his tongue seemed to disappear inside her mouth as if he needed a part of her to breathe himself. And Froi wondered what Evanjalin was saying against Finnikin’s lips when they stopped because whatever the words were it made them start all over again and this time their hunger for each other was so frightening to watch that it made Froi look away.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
I'd still be nice to you if you were ugly." "Okay." A wicked grin slipped over his full lips. He bent his head down and whispered, "I just wouldn't offer you any cookies." I folded my arms and tried to ignore the close proximity of our faces. "I'm starting to think cookies is a code word for something else." "Maybe it is." He tugged on my bag again as he took a confident step back, forcing me down another step. "And just think about it. If cookie was a code word, whatever it symbolizes, it's been in your mouth, sweetheart.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
No. I hear you say the word, as if I sat in the room beside you. I see you, bent over the tome in your hand with a frown on your face and a curse on your lips, as if I were puddled in the shadow at your feet. The realization that there are no more pages is sinking in now. I hear it. I see it. No, you say again. What of Mia and Jonnen? Of Scaeva? Mercurio and Ashlinn and Tric? The secrets of the darkin? The Crown of the Moon? I promised ruins in her wake. Pale light glittering on waters that drank a city of bridges and bones. All these questions unanswered, and yet the book is at its end? No, you say. It cannot end like that. Fear not, little mortal. The song is not yet sung. This is but the calm before the crescendo. This tale is only two of three. Birth. And life. And death. So patience, gentlefriends. Patience. Close your eyes. Take my hand. And walk with me.
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
You aren't even angry with me anymore, Stefan, so let me up." He didn't budge. "It would be a misconception on your part, little Tanya, if you are thinking I have to be angry to make love to you." His head bent, his lips grazing her cheek all the way to her ear. With his warm breath sending tingles all over her, he continued in a whisper, "I wanted you last night, today a dozen times, right now more than ever. Tell me to love you, Tanya. Demand it of me!
Johanna Lindsey (Once a Princess (Cardinia's Royal Family, #1))
There was some sort of commotion going on outside, and I decided I’d had enough. I went to the door and stuck my head out. Marco was gasping for breath on the sofa, and two of the guards were bent over a cell phone. “What are you doing?” I demanded. “Trying to record this,” the smart-ass from the shopping trip told me. “Nobody is going to believe us otherwise.” “Well, cut it out. It isn’t funny!” “On what planet?” I glared at him, which did no good,because he simply went back to to tinkering with the phone. So I looked at Marco. “Can’t you do anything with them?” Marco flopped a hand at me, tears streaming down his reddened cheeks, and tried to say something. But all that came out for several moments were asthmatic wheezes. I bent over his prone form, starting to worry about him, and he put a hand on my neck and pulled me down. ” It…is…funny,” he gasped.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
I never told anyone about waking in the night to him standing over me with a knife. It was small, one of my switchblades, chosen for carving. His seeping dick twitched as he bent toward me, his slick left hand went down on my sternum, the other holding the knife like a scapel. "What're you gonna do?" I asked, reaching for him, my fingers closing around his hard, wet length. "Carve my name on your skin so everyone knows you're mine.
Mary Calmes (Mine)
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place
Andrea Gibson
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground. I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below. He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
Sarah Dessen (What Happened to Goodbye)
Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
His tender tone turned her heart over. She obliged, tilting her head back slightly and looking up at him in the firelit darkness. When he bent his head and his mouth met hers, she gave a little sigh, her lips parting slightly in surprise and expectation. He kissed her with the same sure decisiveness with which he did everything else, his mouth trailing to her cheek and chin and ear, returning again and again to her mouth and lingering there, his breath mingling with her own. She felt adrift in small, sharp bursts of pleasure. Was this how a man was suppose to kiss a woman? Tenderly... firmly... repeatedly? His fingers fanned through her hair till the pins gave way and wayward locks spilled like black ribbon to the small of her back. In answer, her arms circled his neck, bringing him nearer, every kiss sweeter and surer than the one before. Soon they were lost in a haze of sighs and murmurs and caresses.
Laura Frantz (The Colonel's Lady)
Jonquil went by with a full plate of food, and Petunia reached out and tried to snag a small cream puff from it. Jonquil lifted it over Petunia's head before she could, and clucked her tongue. "These are for Lily," she said. "Oh really?" Petunia gave her a look. "And possibly some are for that Analousian duke Jacques invited," Jonquil said with a sparkle in her eye. "But none are for you." Then she flipped one to Oliver. "You can have one, my lord earl," she said, and twirled away. "These are excellent," Oliver said, eating half of it in one bite. He fed Petunia the other half so she wouldn't get cream on her knitting. Oliver was just leaning in to steal a kiss - "I hope this means you're planning on marrying her, boy," barked King Gregor. Oliver leaped to his feet. "Sire! Yes! I mean ... I ... sire!" "I didn't pardon you and restore your earldom so that you could loll around my gardens flirting with my daughters," King Gregor said. Then he bent down and gave Petunia a kiss on the cheek. "I like him," he whispered loudly in her ear. "Me too," she whispered back, blushing.
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
On an impulse he went into the room and stood before the window, pushing aside the sheer curtain to watch the snow, now nearly eight inches high on the lampposts and the fences and the roofs. It was the sort of storm that rarely happened in Lexington, and the steady white flakes, the silence, filled him with a sense of excitement and peace. It was a moment when all the disparate shards of his life seemed to knit themselves together, every past sadness and disappointment, every anxious secret and uncertainty hidden now beneath the soft white layers. Tomorrow would be quiet, the world subdued and fragile, until the neighborhood children came out to break the stillness with their tracks and shouts and joy. He remembered such days from his own childhood in the mountains, rare moments of escape when he went into the woods, his breathing amplified and his voice somehow muffled by the heavy snow that bent branches low, drifted over paths. The world, for a few short hours, transformed.
Kim Edwards (The Memory Keeper's Daughter)
Above this race of men stands an immense and tutelary power, which takes upon itself alone to secure their gratifications and to watch over their fate. That power is absolute, minute, regular, provident, and mild. It would be like the authority of a parent if, like that authority, its object was to prepare men for manhood; but it seeks, on the contrary, to keep them in perpetual childhood: it is well content that the people should rejoice, provided they think of nothing but rejoicing. For their happiness such a government willingly labors, but it chooses to be the sole agent and the only arbiter of that happiness; it provides for their security, foresees and supplies their necessities, facilitates their pleasures, manages their principal concerns, directs their industry, regulates the descent of property, and subdivides their inheritances: what remains, but to spare them all the care of thinking and all the trouble of living? Thus it every day renders the exercise of the free agency of man less useful and less frequent; it circumscribes the will within a narrower range and gradually robs a man of all the uses of himself. The principle of equality has prepared men for these things;it has predisposed men to endure them and often to look on them as benefits. After having thus successively taken each member of the community in its powerful grasp and fashioned him at will, the supreme power then extends its arm over the whole community. It covers the surface of society with a network of small complicated rules, minute and uniform, through which the most original minds and the most energetic characters cannot penetrate, to rise above the crowd. The will of man is not shattered, but softened, bent, and guided; men are seldom forced by it to act, but they are constantly restrained from acting. Such a power does not destroy, but it prevents existence; it does not tyrannize, but it compresses, enervates, extinguishes, and stupefies a people, till each nation is reduced to nothing better than a flock of timid and industrious animals, of which the government is the shepherd.
Alexis de Tocqueville (Democracy in America)
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
I've been sitting here now, and do you know what I was saying to myself? If I did not believe in life, if I were to lose faith in the woman I love, if I were to lose faith in the order of things, even if I were to become convinced, on the contrary, that everything is a disorderly, damned, and perhaps devilish chaos, if I were struck even by all the horrors of human disillusionment--still I would want to live, and as long as I have bent to this cup, I will not tear myself from it until I've drunk it all. However, by the age of thirty, I will probably drop the cup, even if I haven't emptied it, and walk away...I don't know where. But until my thirtieth year, I know this for certain, my youth will overcome everything--all disillusionment, all aversion to live. I've asked myself many times: is there such despair in the world as could overcome this wild and perhaps indecent thirst for life in me, and have decided that apparently there is not--that is, once again, until my thirtieth year, after which I myself shall want no more, so it seems to me. Some snotty-nosed, consumptive moralists, poets especially, often call this thirst for life base. True, it's a feature of the Karamazovs, to some extent, this thirst for life despite all; it must be sitting in you too; but why is it base? There is still an awful lot of centripetal force on our planet, Alyosha. I want to live, and I do live, even if it be against logic. Though I do not believe in the order of things, still the sticky little leaves that come out in the spring are dear to me, the blue sky is dear to me, some people are dear to me, whom one loves sometimes, would you believe it, without even knowing why; some human deeds are dear to me, which one has perhaps long ceased believing in, but still honors with one's heart, out of old habit...I want to go to Europe, Alyosha, I'll go straight from here. Of course I know that I will only be going to a graveyard, but to the most, the most previous graveyard, that's the thing! The precious dead lie there, each stone over them speaks of such ardent past life, of such passionate faith in their deeds, their truth, their struggle, and their science, that I--this I know beforehand--will fall to the ground and kiss those stones and weep over them--being wholeheartedly convinced, at the same time, that it has all long been a graveyard and nothing more. And I will not weep from despair, but simply because I will be happy in my shed tears. I will be drunk with my own tenderness. Sticky spring leaves, the blue sky--I love them, that's all! Such things you love not with your mind, not with logic, but with your insides, your guts, you love your first young strength...
Fyodor Dostoevsky (The Brothers Karamazov)
Don't you recognize me?' 'No.' 'Eponine.' Marius bent hastily forward and saw that it was indeed that unhappy girl, clad in a man's clothes. 'How do you come to be here? What are you doing?' 'I'm dying,' she said. There are words and happenings which arouse even souls in the depths of despair. Marius cried, as though starting out of sleep: 'You're wounded! I'll carry you into the tavern. They'll dress your wound. Is it very bad? How am I to lift you without hurting you? Help, someone! But what are you doing here?' He tried to get an arm underneath her to raise her up, and in doing so touched her hand. She uttered a weak cry. 'Did I hurt you?' 'A little.' 'But I only touched your hand.' She lifted her hand for him to see, and he saw a hole in the centre of the palm. 'What happened?' he asked. 'A bullet went through it.' 'A bullet? But how?' 'Don't you remember a musket being aimed at you?' 'Yes, and a hand was clapped over it.' 'That was mine.' Marius shuddered. 'What madness! Your poor child! Still, if that's all, it might be worse. I'll get you to a bed and they'll bind you up. One doesn't die of a wounded hand.' She murmured: 'The ball passed through my hand, but it came out through my back. It's no use trying to move me. I'll tell you how you can treat my wound better than any surgeon. Sit down on that stone, close beside me.' Marius did so. She rested her head on his knee and said without looking at him: 'Oh, what happiness! What bliss! Now I don't feel any pain.
Victor Hugo (Les Misérables)
...she wanted him to feel like she did, like he'd done something forbidden, wanted to give him something he'd like and really wasn't supposed to have, something that would feel wrong, something he wanted. "Kiss me again," she whispered, reaching up, her fingers sliding through his hair. She almost didn't know herself as she moved against him. He bent helplessly toward her. She bit her tongue. Bit it hard, the pain chasing through her nerve endings and alchemizing into something close to pleasure. When her mouth opened under his, it was flooded with welling blood. He groaned at the taste of it, red eyes going wide with surprise and something like fear. His hand gripped her arms as he pushed her body back against the brick of the wall, holding her in place. He'd been careful before, but he wasn't being careful now as he licked her mouth; and it amazed her as much as it terrified her. He kissed her ferociously, savagely, their lips sliding together with bruising fervor. The pain in her tongue became a distant throbbing. Her fingers dug into the muscles of his back, their bodies pressed so close that he must have felt every hitch in her breath, every shuddering beat or her heart. And as scared of him as she had been, right then she was more frightened of herself. Gavriel reeled back from her, lips ruddy. He wiped his mouth against the back of his hand, her blood smearing over his skin. Gazing at her for a long moment with something like horror, as though he was seeing her for the first time, he spoke. "You are more dangerous than daybreak.
Holly Black (The Coldest Girl in Coldtown)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?” Adam said, “Do you mean these Chinese men believe the Old Testament?” Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.” Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.” “Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
John Steinbeck (East of Eden)