“
Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '.
Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice.
I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.
”
”
Stephen Fry
“
All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own patterns and influence other people's, the weak have their courses mapped out for them. The weak and the unlucky, and the stupid.
”
”
Iain Banks (The Wasp Factory)
“
All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own pattern ms and influence other people’s, the weak have their courses mapped out for them. The weak and the unlucky, and the stupid.
”
”
Iain Banks (The Wasp Factory)
“
I consider everything that happened to be precious moments of my life.
The pain.
The suffering.
The fun…
And I am here right now, because everyone was there for me.
I couldn’t have accomplished anything by standing still, without anybody’s help.
I treasure every moment I have spent here.
Unlucky?
I feel pretty lucky.
This is my resolve.”
-Sawada Tsunayoshi-
”
”
Sawada Tsunayoshi
“
The Other"
She had too much so with a smile you
took some.
Of everything she had you had
Absolutely nothing, so you took some.
At first, just a little.
Still she had so much she made you feel
Your vacuum, which nature abhorred,
So you took your fill, for nature's sake.
Because her great luck made you feel unlucky
You had redressed the balance, which meant
Now you had some too, for yourself.
As seemed only fair. Still her ambition
Claimed the natural right to screw you up
Like a crossed out page, lossed into a basket.
Somebody, on behalf of the gods,
Had to correct that hubris.
A little touch of hatred steadied the nerves.
Everything she had won, the happiness of it,
You collected
As your compensation
For having lost. Which left her absolutely
Nothing. Even her life was
Trapped in the heap you took. She had nothing.
Too late you saw what had happened.
It made no difference that she was dead.
Now that you had all she had ever had
You had much too much.
Only you
Saw her smile, as she took some.
At first, just a little.
”
”
Ted Hughes
“
Dreaming of getting you
I loosed everything
Cheerfulness of smile
And all the dreams of life
”
”
Hasil Paudyal (Blended Words)
“
All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own patterns and influence other people's, the weak have their courses mapped out for them. The weak are the unlucky, and the stupid.
”
”
Iain Banks (The Wasp Factory)
“
The lapse of ages changes all things - time - language - the earth - the bounds of the sea - the stars of the sky, and everything 'about, around, and underneath' man, except man himself, who has always been and always will be, an unlucky rascal. The infinite variety of lives conduct but to death, and the infinity of wishes lead but to disappointment. All the discoveries which have yet been made have multiplied little but existence.
”
”
Lord Byron
“
They were charming and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair.
”
”
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
“
You can’t choose the person who really sees you—the person who knows what you’re feeling without you saying a word, the person who can make you laugh and cry and everything in between just by looking at you. The one you can’t imagine being lucky enough to have, or unlucky enough to lose.
”
”
Kami Garcia (Unbreakable (The Legion #1))
“
Fuck love, Monroe. Love is nothing. You can feel love for anyone. What I feel for you is pain. Knowing that a part of my fucking soul is living outside of my body and now that I’ve found it, I’ll die if I ever lose it. That’s what we have. Love is a shadowed imitation for people unlucky enough to never find their soulmates. What we have is everything.
”
”
C.R. Jane (The Pucking Wrong Number (Pucking Wrong, #1))
“
The rules are simple. Prepare in silence. Train in stillness. Strain as much as possible to become worthy of facing the impossible. Maybe you'll be unlucky, or lucky, enough to be chosen but the chances are you won't. It's much more likely someone else will be picked who is far simpler and purer than you, untrained, unprepared: the timeliest reminder of what matters most.
Intelligence, everything anyone would think of as intelligence, is entirely irrelevant. It's just a question of being empty enough to transmit the will of the gods.
”
”
Peter Kingsley (A Book of Life)
“
In fact this type of man who is devoted to the study of wisdom is always most unlucky in everything, and particularly when it comes to procreating children; I imagine this is because Nature wants to ensure that the evil of wisdom shall not spread further throughout mankind
”
”
Erasmus
“
Treatments worked well enough for us to get by. Most people lived into old age, but the medication, like everything else, has never been free. Life was a privilege, not a right, apparently. Something you had to struggle for when you were unlucky enough to be born at the intersection of poverty and bad genes.
”
”
Jacqueline Koyanagi (Ascension (Tangled Axon, #1))
“
It was an interesting dilemma and pointed up a real point of difference between Nazism and Communism as forms of government: there was no room for the individual in Soviet Russia; conversely not everything was state-managed in Germany. The Nazis never shot anyone for being stupid, inefficient or just plain unlucky. Generally speaking the Nazis looked for a reason to shoot you, the commies were quite happy to shoot you without any reason at all - but when you're going to be shot, what's the difference?
”
”
Philip Kerr (A Man Without Breath (Bernie Gunther #9))
“
My heart is a chasm of everything I know and love, and it will always be filled with you.
”
”
Krista Ritchie (Unlucky Like Us (Like Us, #12))
“
All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own patterns and influence other people’s, the weak have their courses mapped out for them. The weak and the unlucky, and the stupid.
”
”
Iain Banks (The Wasp Factory)
“
I’ve been the son of addicts, a high school dropout, a slut, a tattooist, and a bodyguard, and I love everything about myself, despite so many people telling me I should hate who I am. That I’m shit. That I’m nothing. Not worth air. Not worth this life. I know I’m worth everything.
”
”
Krista Ritchie (Unlucky Like Us (Like Us, #12))
“
But God's the reason for everything noble and fine and heroic. If you had a God …"
"My dear young friend," said Mustapha Mond, "civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic. Conditions have got to be thoroughly unstable before the occasion can arise. Where there are wars, where there are divided allegiances, where there are temptations to be resisted, objects of love to be fought for or defended–there, obviously, nobility and heroism have some sense. But there aren't any wars nowadays. The greatest care is taken to prevent you from loving any one too much. There's no such thing as a divided allegiance; you're so conditioned that you can't help doing what you ought to do. And what you ought to do is on the whole so pleasant, so many of the natural impulses are allowed free play, that there really aren't any temptations to resist. And if ever, by some unlucky chance, anything unpleasant should somehow happen, why, there's always soma to give you a holiday from the facts. And there's always soma to calm your anger, to reconcile you to your enemies, to make you patient and long-suffering. In the past you could only accomplish these things by making a great effort and after years of hard moral training. Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your morality about in a bottle. Christianity without tears–that's what soma is.
”
”
Aldous Huxley (Brave New World)
“
He talked quickly, trying to tell them only the parts of the story that really mattered. However, as the tale unfolded, he had to keep going back to fill in details that he’d left out. In the end, nearly everything seemed important.
”
”
Abigail Hilton (Hunters Unlucky)
“
it wasn't uncommon... that such a girl might die young, but this girl had stayed alive long enough to make her mark, to take up residence in his imagination. to haunt him. now, through her, he mourns and celebrates everything that life has denied him, all the beauty, all the magic. this is how it happens: the dead go away into their solitude, but the young dead stay with us, they color our dreams, they make us wonder about ourselves, that we should be so unlucky, or clumsy, or so downright ordinary as to carry on without them.
”
”
Lawrence Schiller
“
Oskan, do you really believe that I don’t understand exactly what my soldiers are going through? Do you really think I’m a stranger to burdens?” She almost laughed at the bitter absurdity of it all, but she controlled herself, knowing that if she started, she wouldn’t be able to stop.
“They’re lucky, they only have to worry about a flogging if they break ranks and endanger their own lives again. But if I make a mistake, thousands could die, a country could be lost, and who knows what else could be inflicted on those unlucky enough to survive!” Her voice had slowly risen in strength as she spoke, and suddenly she let everything go in a glorious outpouring of emotion.
“Don’t talk to me about burdens, I drew up the plans for them! How many fourteen-year-olds do you know who rule a kingdom at war, who command an army, who keep together an alliance of more species than she can remember, who’s killed more people than she can count, who waits desperately day in, day out, every living blessed second, for the arrival of allies she’s terrified are going to let her down? Please tell me, Oskan, tell me her name. I’d like to have a cozy chat with her and compare notes! I’d like that, it might make me feel just a little less isolated, and just a little less afraid that at any minute the whole sorry, ludicrous, deadly, hellish mess is going to collapse around me, and everyone will finally find out that I don’t know what I’m doing and that I’m making it up as I go along!
”
”
Stuart Hill (The Cry of the Icemark)
“
To tell everything is a very effective means of keeping secrets. Secrets hidden at the heart of midnight are simply waiting to be dragged to the light, as, on some unlucky high noon, they always are. But secrets shrouded in the glare of candor are bound to defeat even the most determined and agile inspector for the light is always changing and proves that the eye cannot be trusted.
”
”
James Baldwin (Come Out the Wilderness)
“
It was history’s first co-operative international scientific venture, and almost everywhere it ran into problems. Many observers were waylaid by war, sickness or shipwreck. Others made their destinations but opened their crates to find equipment broken or warped by tropical heat. Once again the French seemed fated to provide the most memorably unlucky participants. Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements. Unluckier
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Certainly the most destructive vice if you like, that a person can have. More than pride, which is supposedly the number one of the cardinal sins - is self pity. Self pity is the worst possible emotion anyone can have. And the most destructive. It is, to slightly paraphrase what Wilde said about hatred, and I think actually hatred's a subset of self pity and not the other way around - ' It destroys everything around it, except itself '.
Self pity will destroy relationships, it'll destroy anything that's good, it will fulfill all the prophecies it makes and leave only itself. And it's so simple to imagine that one is hard done by, and that things are unfair, and that one is underappreciated, and that if only one had had a chance at this, only one had had a chance at that, things would have gone better, you would be happier if only this, that one is unlucky. All those things. And some of them may well even be true. But, to pity oneself as a result of them is to do oneself an enormous disservice.
I think it's one of things we find unattractive about the american culture, a culture which I find mostly, extremely attractive, and I like americans and I love being in america. But, just occasionally there will be some example of the absolutely ravening self pity that they are capable of, and you see it in their talk shows. It's an appalling spectacle, and it's so self destructive. I almost once wanted to publish a self help book saying 'How To Be Happy by Stephen Fry : Guaranteed success'. And people buy this huge book and it's all blank pages, and the first page would just say - ' Stop Feeling Sorry For Yourself - And you will be happy '. Use the rest of the book to write down your interesting thoughts and drawings, and that's what the book would be, and it would be true. And it sounds like 'Oh that's so simple', because it's not simple to stop feeling sorry for yourself, it's bloody hard. Because we do feel sorry for ourselves, it's what Genesis is all about.”
― Stephen Fry
”
”
Stephen Fry
“
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb.
Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion.
If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could.
“It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.”
Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands.
I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.”
“That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.”
“Lucky is better than unlucky,” I say. “We can work on skill now.”
I glance at Tris. She grins at me, then leans in to whisper something to Christina.
“Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.”
Tris makes a face at me, then she and Christina cross the room to get their own weapons.
“Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.”
He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile.
“There’s no need to giggle,” Caleb says irritably.
“Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.”
“I wasn’t trying to look cool!”
Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training.
“Oh, good,” I say. “You hit the air around your target’s body. How useful.”
“I’m a little rusty,” Christina admits, grinning.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
It seems that in the kingdom of Heaven, the cosmic lottery works in reverse; in the kingdom of Heaven, all of our notions of the lucky and the unlucky, the blessed and the cursed, the haves and the have-nots, are turned upside down. In the kingdom of Heaven, the last will be first and the first will be last. In India, I realised that while the poor and oppressed certainly deserve my compassion and help, they do not need my pity. Widows and orphans and lepers and untouchables enjoy special access to the Gospel that I do not have. They benefit immediately from the Good News that freedom is found not in retribution but in forgiveness, that real power belongs not to the strong but to the merciful, that joy comes not from wealth but from generosity. The rest of us have to get used to the idea that we cannot purchase love or fight for peace or find happiness in high positions. Those of us who have never suffered are at a disadvantage because Jesus invites His followers to fellowship in His suffering. In fact, the first thing Jesus did in His sermon on the mount was to mess with our assumptions about the cosmic lottery. In Luke’s account, Jesus says, "Blessed are you who are poor for yours is the Kingdom of God. Blessed are you who hunger now, for you will be satisfied. Blessed are you who weep now, for you will laugh. But woe to you who are rich, for you have already received your comfort. Woe to you who are well-fed now, for you will go hungry. Woe to you who laugh now, for you will mourn and weep.” (Luke 6:20-21; 24-25) It seems that the kingdom of God is made up of the least of these. To be present among them is to encounter what the Celtic saints called “thin spaces”, places or moments in time in which the veil separating heaven and earth, the spiritual and the material, becomes almost transparent. I’d like to think that I’m a part of this kingdom, even though my stuff and my comforts sometimes thicken the veil. Love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control – these are God things, and they are available to all, regardless of status or standing. Everything else is just extra, and extra can be a distraction. Extra lulls us into the complacency and tricks us into believing that we need more than we need. Extra makes it harder to distinguish between God things and just things.
”
”
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
“
There’s nothing inside. Only the scungilli shell. Dear girl—” saying it as phony as he knew how—“schlemihls know this and use it, because they know most girls need mystery, something romantic there. Because a girl knows her man would be only a bore if she found out everything there was to know. I know you’re thinking now: the poor boy, why does he put himself down like that. And I’m using this love that you still, poor stupe, think is two-way to come like this between your legs, like this, and take, never thinking how you feel, caring about whether you come only so I can think of myself as good enough to make you come . . .” So he talked, all the way through, till both had done and he rolled on his back to feel traditionally sad. “You have to grow up,” she finally said. “That’s all: my own unlucky boy, didn’t you ever think maybe ours is an act too? We’re older than you, we lived inside you once: the fifth rib, closest to the heart. We learned all about it then. After that it had to become our game to nourish a heart you all believe is hollow though we know different. Now you all live inside us, for nine months, and whenever you decide to come back after that.” He was snoring, for real. “Dear, how pompous I’m getting. Good night . . .” And she fell asleep to have cheerful, brightly colored, explicit dreams about sexual intercourse.
”
”
Anonymous
“
So are you riding with me?” he asks, like Courtney never happened.
“Dear god. I need wine.” I ignore his question. I clearly do not share his ability to ignore everything going on around us.
“Is that a yes?” he asks.
I nod, watching the smile cross his face before he reaches for my hand and guides me to the bar.
“White or red?” he asks me when the bartender approaches us.
“With alcohol.” Because after the way this night has played out, I have no right to be picky.
“Can she have a bottle of your most popular wine, please?” Gavin asks the bartender, who happily agrees. Both men are looking at me with huge grins on their faces, and the bartender is laughing! Apparently he was one of the unlucky few who didn’t see what just happened. If he had, he’d be looking much more sympathetic and handing me a bottle of Patron.
He’s walking away when I remember one very important detail and yell after him, “Make sure it’s a twist lid!”
“A twist lid bottle of wine? Really?” Gavin says beside me.
“Yes, really. Do you have a corkscrew in your truck?”
He’s full on laughing at me when Mr. Bartender comes back with a bottle in his hand, its metal lid gleaming under the lights.
“It’s not our most popular, but it’s the only one I could find that didn’t have a cork.”
“Do I seem like my standards are sky-high right now? This is perfect.
”
”
Alexa Martin (Intercepted (Playbook, #1))
“
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate. In
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way . Le Gentil set off from France a year ahead of time to observe the transit (of Venus) from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship.
Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds.
Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate
”
”
Bill Bryson
“
Chiron: Don’t speak of it here. Don’t scare them. Annabeth: You’re kidding me! We can’t be that unlucky. Chiron: Later, child. If you told them everything, they would be too terrified to proceed. Piper knew it was crazy to think she could read their expressions so well—two people she barely knew. But she was absolutely positive she understood them, and it scared the jujubes out of her. Annabeth took a deep breath. “It’s Jason’s quest,” she announced, “so it’s Jason’s choice. Obviously, he’s the child of lightning. According to tradition, he may choose any two companions.” Someone from the Hermes cabin yelled, “Well, you, obviously, Annabeth. You’ve got the most experience.” “No, Travis,” Annabeth said. “First off, I’m not helping Hera. Every time I’ve tried, she’s deceived me, or it’s come back to bite me later. Forget it. No way. Secondly, I’m leaving first thing in the morning to find Percy.” “It’s connected,” Piper blurted out, not sure how she got the courage. “You know that’s true, don’t you? This whole business, your boyfriend’s disappearance—it’s all connected.” “How?” demanded Drew. “If you’re so smart, how?” Piper tried to form an answer, but she couldn’t. Annabeth saved her. “You may be right, Piper. If this is connected, I’ll find out from the other end—by searching for Percy. As I said, I’m not about to rush off to rescue Hera, even if her disappearance sets the rest of the Olympians fighting again. But there’s another reason I can’t go. The prophecy says otherwise.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
How quickly the years fall away and the passage of time ceases meaning. We have each a purpose: we are bred to it, engineered for it, or we are drawn to it out of some fathomless innate longing that we cannot explain. Some unlucky few must discover—or create—it on their own, but those are rarer in these days, when by the grace of the forebears we are manufactured to our place in the order of the world. We have our destinies. We race for them, fight for them, fulfill them. Or we fail them. Listen, Perceval. Do you hear your long immortal life stretched out before you, before the stars? I have so much to teach you, my dear. The young do not believe in endings. They do not believe in death. They do not believe in time. Everything takes forever to happen, and twenty years is a long time. Under those circumstances, the apocalypse can seem sexy. Death is a fetish, a taste of the edge. It is not real. And so the days are long, and though time holds us green and dying, we cannot yet feel the drag of our chains hauling us forward to the end. But the old, Perceval. The old have forgiven time. Whatever time you may have is too little. If you live a thousand years—as I nearly have, and you surely will—it does not matter. Unless you have given up, laid down your tools, and folded idle hands to wait, beloved, you will still be in the middle of something when you die. The world is a wheel, and we are all broken on it. And that is fine and just. For there is never any hurry, until there is no time.
”
”
Elizabeth Bear (Dust (Jacob's Ladder, #1))
“
One can readily imagine in what terms a man of today would speak if called upon to make a pronouncement on the only religion ever to have introduced a radical formula of salvation: "The quest for deliverance can be justified only if one believes in the transmigration, in the endless vagrancy of the self, and if one aspires to halt it. But for us who do not believe in it, what are we to halt? This unique and negligible duration? It is obviously not long enough to deserve the effort an escape would require. For the Buddhist, the prospect of other existences is a nightmare; for us, the nightmare consists in the termination of this one, this nightmare. Give us another one, we would be tempted to clamor, so that our disgraces will not conclude too soon, so that they may, at their leisure, hound us through several lives.
Deliverance answers a necessity only for the person who feels threatened by a surfeit of existence, who fears the burden of dying and redying. For us, condemned not to reincarnate ourselves, what's the use of struggling to set ourselves free from a nonentity? to liberate ourselves from a terror whose end lies in view? Further more, what's the use of pursuing a supreme unreality when everything here-below is already unreal? One simply does not exert oneself to get rid of something so flimsily justified, so precariously grounded.
Each of us, each man unlucky enough not to believe in the eternal cycle of births and deaths, aspires to a superabundance of illusion and torment. We pine for the malediction of being reborn. Buddha took exorbitant pains to achieve what? definitive death - what we, on the contrary, are sure of obtaining without meditations and mortifications, without raising a finger." ...
That's just about how this fallen man would express himself if he consented to lay bare the depths of his thought. Who will dare throw the first stone? Who has not spoken to himself in this way? We are so addicted to our own history that we would like to see it drone on and on, relentlessly. But whether one lives one or a thousand lives, whether one has at one's disposal a single hour or all of time, the problem remains the same: an insect and a god should not differ in their manner of viewing the fact of existence as such, which is so terrifying (as only miracles can be) that, reflecting on it, one understands the will to disappear forever so as not to have to consider it again in other existences. This is what Buddha emphasized, and it seems doubtful he would have altered his conclusion had he ceased to believe in the mechanism of transmigration.
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Emil M. Cioran
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But the bed I made up for myself was sufficiently uncomfortable to give me a wakeful night, and I thought a good deal of what the unlucky Dutchman had told me.I was not so much puzzled by Blanche Stroeve’s action, for I saw in that merely the result of a physical appeal. I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognizes its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction in security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to its spiritual value. It is an emotion which is defenceless against passion. I suspected that Blanche Stroeve's violent dislike of Strickland had in it from the beginning a vague element of sexual attraction. Who am I that I should seek to unravel the mysterious intricacies of sex? Perhaps Stroeve's passion excited without satisfying that part of her nature, and she hated Strickland because she felt in him the power to give her what she needed.I think she was quite sincere when she struggled against her husband's desire to bring him into the studio; I think she was frightened of him, though she knew not why; and I remembered how she had foreseen disaster. I think in some curious way the horror which she felt for him was a transference of the horror which she felt for herself because he so strangely troubled her. His appearance was wild and uncouth; there was aloofiness in his eyes and sensuality in his mouth; he was big and strong; he gave the impression of untamed passion; and perhaps she felt in him, too, that sinister element which had made me think of those wild beings of the world's early history when matter, retaining its early connection with the earth, seemed to possess yet a spirit of its own. lf he affected her at all. it was
inevitable that she should love or hate him. She hated him.
And then I fancy that the daily intimacy with the sick man moved her strangely. She raised his head to give him food, and it was heavy against her hand; when she had fed him she wiped his sensual mouth and his red beard.She washed his limbs; they were covered with thick hair; and when she dried his hands, even in his weakness they were strong and sinewy. His fingers were long; they were the capable, fashioning fingers of the artist; and I know not what troubling thoughts they excited in her. He slept very quietly, without movement, so that he might have been dead, and he was like some wild creature of the woods, resting after a long chase; and she wondered what fancies passed through his dreams. Did he dream of the nymph flying through the woods of Greece with the satyr in hot pursuit? She fled, swift of foot and desperate, but he gained on her step by step, till she felt his hot breath on her neck; and still she fled silently. and silently he pursued, and when at last he seized her was it terror that thrilled her heart or was it ecstasy?
Blanche Stroeve was in the cruel grip of appetite. Perhaps she hated Strickland still, but she hungered for him, and everything that had made up her life till then became of no account. She ceased to be a woman, complex, kind, and petulant, considerate and thoughtless; she was a Maenad. She was desire.
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W. Somerset Maugham
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It really was too early in the day to deal with all of that energy. She didn't dislike Stella Darling. More than anything Ellie felt a twitch of pity for her. At just under five feet, Stella could barely contain herself within her clothes. Ellie wasn't sure if they were too small for her, or if she just happened to own one of those unlucky bodies nothing seemed to fit right. Her hair was an unnatural red that flew out in every direction and she wore too much makeup.
At the paper, Stella's specialty was weather and farm reports. She also knew a fair bit about natural remedies for everyday problems. She always had great tips for things like curing earaches with a hair dryer and various surefire stain removal techniques. Truth be told, Ellie often felt like she had more in common with Stella than she did anyone else. She recognized the invisibility magic wrapped around Stella's uncontrollable curves. But unlike Ellie, Stella fought it with everything she had. She tried too hard, and although she was not invisible physically the way Ellie could be, she slipped the minds of those around her. She invited herself loudly, brazenly to be included. It was that brazen energy that Ellie wasn't always keen to deal with at nine in the morning.
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Amy S. Foster (When Autumn Leaves)
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Luck School. If he got unlucky people to behave more like lucky people, would they get the same results? Turns out they did. Afterward, 80 percent of Luck School graduates felt their luck had increased. And they weren’t just luckier; they also came away happier.
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Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
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I want to know more about you too,” I cement. “Whatever you want to give me, especially if it’s everything.” “Will you give me everything?” she asks. Yes, is the first gut reaction. I’ll give you my world. Except there are dark parts of my world that I’d rather she never really see. So I end up saying, “I’m gonna try.
”
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Krista Ritchie (Unlucky Like Us (Like Us, #12))
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He treats me like I’m his moon. His stars. Like I’m the person who makes him glad it’s today and there’ll be a tomorrow, and I don’t know if I’ve ever been that for anyone who’s not my family.” I’m important to someone. I’m not a failure. I’m not a fuck-up or future screw-up to Donnelly. I’m someone worth something. And he’s worth everything to me.
”
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Krista Ritchie (Unlucky Like Us (Like Us, #12))
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F*@k love, Monroe. Love is nothing. You can feel love for anyone. What I feel for you is pain. Knowing that a part of my f*@king soul is living outside of my body and now that I've found it, I'll die if I ever lose it. That's what we have. Love is a shadowed imitation for people unlucky enough to never find their soulmates. What we have is everything. - Lincoln Daniels
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C.R. Jane (The Pucking Wrong Number (Pucking Wrong, #1))
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Truth is picky about her friends,” the man continued, with a smile like he and Truth had discussed this over tea a couple years back. “She does not yield herself so easily. Can’t have everyone knowing how the whole of everything works, can you, that’s asking for trouble and it takes away the fun besides—so she sets up stumbling blocks, dresses up decoys, fashions false dichotomies galore, and even then, does she wait patient at the end of her obstacle course?” He swept the air clean with a dismissive flick of the hand. “Of course not. If you want to truly know anything, you are obliged to run the gauntlet and you must be prepared to come out the other end only to discover that Truth is not sitting pretty at the finish line as you presumed, she’s up and moved again, and there’s a whole new cast of challenges lined up as punishment for your slowness or perhaps, if you’re unlucky, for your cleverness, your overconfidence.
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Sienna Tristen (The Heretic's Guide to Homecoming (The Heretic's Guide to Homecoming #1))
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People will pay to hear all sorts of stories. For example, a rich kid losing his family fortune because of gambling. Different people will get different feelings from that story. The rich will use this as a warning to themselves and feel lucky that they haven't gone bankrupt. The poor will feel comforted and feel a sense of equality. Even if someone is born into a superior family, he can lose everything because of his stupidity. A lucky gambler will think the kid is a fool. Unlucky gamblers will rely on this story to persuade themselves to not gamble again.
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爆炒小黄瓜 ([歌剧魅影]魔鬼的美人 (Chinese Edition))
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What’s perhaps most surprising, however, is that a science of storytelling is possible. Our narratives almost always conform to certain patterns, which raises the strange possibility that our mental processes have evolved for specific templates best suited to understanding change—a literal physical embodiment of storybook reality, encoded into our minds. Kurt Vonnegut, one of the greatest authors of all time, demonstrated that most human stories could be graphed, with the vertical axis related to whether good or bad things happen to the main character, and the horizontal axis representing time as the story unfolds. The idea came to him when he noticed significant similarities between the “shape” of the story of Cinderella and the New Testament of the Bible. In another story shape, what he called the “Man in the Hole,” a person gets into trouble, then gets out of it to end the story on a happy note. The Wizard of Oz is this kind of story, as is virtually every sitcom episode ever written. If you’re unlucky, you’ll find yourself in a story arc that Vonnegut calls “From Bad to Worse,” in which the character experiences one misfortune after another. (May you never find yourself in this kind of story, as in Kafka’s Metamorphosis.)
”
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Brian Klaas (Fluke: Chance, Chaos, and Why Everything We Do Matters)
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Love is nothing. You can feel love for anyone. What I feel for you is pain. Knowing that a part of my fucking soul is living outside of my body and now that I’ve found it, I’ll die if I ever lose it. That’s what we have. Love is a shadowed imitation for people unlucky enough to never find their soulmates. What we have is everything.
”
”
C.R. Jane (The Pucking Wrong Number (Pucking Wrong, #1))
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Why does nothing work out for me? Matthew seems nice, the apartment is nice, and Marilla seems like she'd be nice if she relaxed for a second. Maybe I was born under an unlucky star. That would explain my red hair, my too many freckles, and everything else that seems to go wrong. It's not fair!
”
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Kathleen Gros (Anne: An Adaptation of Anne of Green Gables (Sort Of) (Sort Of Adaptations, #1))
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I was reminded of Steve Adams, one of my sister Allie’s three sons my first wife Jane and I adopted after Allie’s unlucky husband Jim died in a railroad train that went off an open drawbridge in New Jersey, and then, two days later, Allie died of cancer of the everything.
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Kurt Vonnegut Jr. (Timequake)
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About the unlucky: - When I think I've seen everything, blindness comes to me.
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Susana Martins
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…He’d believed that in the final analysis, there were only two kinds of human beings: the lucky ones and the unlucky ones.
The lucky ones sucked the life out of those around them and only grew stronger. The unlucky ones were condemned to lose everything and spend the remainder of their days slinking the lower depths.
”
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Rieko Yoshihara (Ai no Kusabi Vol. 4: Suggestion)
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Will I miss it? Sure, but you are the most important thing to me. You. You are worth everything, and I am not giving you up again. I can’t. I love you.
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Andi Jaxon (Broken (Unlucky 13, #1))
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It didn’t matter if I took everything or nothing with me to Seattle. No place has ever or will ever feel like home without you.
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Marley Valentine (Unwanted (The Unlucky Ones, #1))
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The man sipped his tea. “This feeling I have, of disgust and hatred, when I hear of what was done to the dogs— in some people, this feeling is multiplied a hundredfold. In some people, this feeling of disgust at what humans are doing to the world becomes everything for them. They cannot stop thinking of such things—of the terrible cruelties we continue to inflict on the animals unlucky enough to share this planet with us. They feel the need to intervene: to do something to stop the suffering. They have to act: their rage will not allow them any other course of action.
”
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Ray Nayler (The Mountain in the Sea)
“
If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters. Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair. I'm sorry to tell you this, but that is how the story goes.
”
”
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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Jaylynn has a halo of spikes and thorns over her head, which digs into her forehead, and the blood runs down her shadowy brown wavy wispy hair. Her eyes can glow the color of pink. ‘I call them Olivia Cooper eyes! You know, with the black teardrops!’ and her dark cherry black blood flows from them too, as we talk. I think I saw from time to time a black widow crawling on her, making webs on her body.
(So- hair-raising.) Along with the markings of unlucky, thirteen were tattooed on her and chiseled into her chest. Other insignias are cataloging her, she has numbers on her marking her like a beast. She has the cereal barcode numbers of-
(J-N-0069699611) on her left butt cheek, which glows lime green in the dark! You are nothing but a number along with your first and last initials when you are a dark angel. She can have fire readily available at her fingertips, sharp retracting claws. Along with withdrawing fangs and horns. She also has a very elaborate samurai-like sword with a curved blade. As well as, yes you guessed it! She can sparkle like many thousands of little reflective broken mirrors in the brilliant full moonlight.
I never thought I would speak to a black angel, yet she is my little girl, how could I not? ‘To live is to be haunted, to die is to be unperturbed.’ I remember back when she was on the edge of fifteen, and my life was entertaining, pleasurable, and stimulating. Not at all like now; I remember her first days of high school everything seemed flawless, little did I know, that the tower's children had their children, and their evil spirits were passed down to the next demons in the circle of pain; his clan started torturing my little girl until her end. Just as there, mothers did with me.
All my life I have tried to prove this story… but how do I write a story that seems so silly to other people that do not understand?
”
”
Marcel Ray Duriez
“
Ruling Venezuela as the unelected military strongman from 1948 to 1950 and as President from 1952 to 1958. The President of Venezuela was Marcos Pérez Jiménez, a Venezuelan General, who also considered himself to be a civil engineer. He spent much of the country’s oil profits modernizing the infrastructure, including the construction of the new Caracas to La Guaira highway. The new road was terribly expensive requiring bridges and tunnels. Two tunnels alone cost $20,000,000 and nearly broke the State Treasury, but the road was completed in 1953, just in time for me to ride on it up the mountains to Caracas. The old taxi went uphill at very steep angles, reaching an altitude of 7,400 feet before dipping back down into the city. Looking into the deep ravines next to what had been the old road, I could see wrecks of the vehicles that were unlucky enough to have gone off the road. Finally crossing the top of the Coastal ridge, we followed the winding road down into the extinct volcanic basin that housed the capital city. As we got closer to the downtown district, I noticed that the Guardia National police were everywhere! The traffic was horrendous and there was a layer of smog in the valley, but everything was reasonably quiet except for loud banging sounds. Since there was a noise ordinance in Caracas, cars were not permitted to blow their horns. Instead, the cabdrivers banged the side of their car door with their hand.
”
”
Hank Bracker
“
Everything presents itself to me, in the coarsest, most loathsome light.
”
”
Leo Tolstoy (Anna Karenina)
“
If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle. This is because not very many happy things happened in the lives of the three Baudelaire youngsters. Violet, Klaus, and Sunny Baudelaire were intelligent children, and they were charming, and resourceful, and had pleasant facial features, but they were extremely unlucky, and most everything that happened to them was rife with misfortune, misery, and despair.
”
”
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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Inwardly their spirit was utterly commercial, everything was seen by them in terms of money. It was their barrier, their defence, their hope for the future, their support for the present, it raised them above their fellowmen, and with it they warded off evil. The only mental qualities that they respected were those which produced money in substantial quantities, it was their one criterion of success, it was power and it was glory. To say that a man was poor was to label him a rotter, bad at his job, idle, feckless, immoral. If it was somebody whom they really rather liked, in spite of this cancer, they could add that he had been unlucky. They had taken care to insure against this deadly evil in many ways. That it should not overwhelm them through such cataclysms beyond their control as war or revolution they had placed huge sums of money in a dozen different countries; they owned ranches, and estancias, and South African farms, an hotel in Switzerland, a plantation in Malaya, and they possessed many fine diamonds, not sparkling round Linda’s lovely neck to be sure, but lying in banks, stone by stone, easily portable.
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Nancy Mitford (The Pursuit of Love)
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We all have our individual destinies to fulfil. Each one must play their part. We will then be happy and that is all we need. We can turn everything we do into a prayer. Instead of feeling inadequate or unlucky, we can feel a part of the grand energetic flow of the Creation which encompasses everyone. We belong to it and benefit richly from that belonging. The flowering of our own potential will be greatly enhanced. All life forms value their own existence and the reaching of their own potential. Being aware of this helps us to move from the natural egocentricity that accompanies being human. Instead of constantly seeing our own life and needs as being of primary importance, we soften that view with an appreciation of the life-value and needs of everyone and everything. Respect and goodwill replace comparison and ill-will.
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Donna Goddard (Dance: A Spiritual Affair)
“
Sniper Shoots Schoolboy. Nice alliteration. Everything
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J.R. McLeay (Unlucky Day)