Unique Wall Quotes

I’ve met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, “Why?” Why did I cause so much pain? Didn’t I realize that each of us is a sacred, unique snowflake of special unique specialness? Can’t I see how we’re all manifestations of love? I look at God behind his desk, taking notes on a pad, but God’s got this all wrong. We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. And God says, “No, that’s not right.” Yeah. Well. Whatever. You can’t teach God anything.

So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.

If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)

The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others.

Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate. I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me. I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool. And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing. And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything. If only I could think! If only I could feel!

I am trying to understand what it means to own a thing, especially a wild and living being. To have exclusive rights to its fate? To dispose of it at will? To deny others it’s use? Ownership seems a uniquely human behavior, a social contract validating the desire for purposeless possession and control.

... a living, breathing entity not dissimilar to the interior of a cathedral – one of wood, living wood. Where the cathedral had carved stone, here were trees, ivy, flowers, all working together to form the walls...

I like what you’ve done to the place,’ he says, eyeing the ripped fabric and scorched stuffing hanging from the ceiling and walls.

Let me speak plainly: The United States of America is and must remain a nation of openness to people of all beliefs. Our very unity has been strengthened by this pluralism. That's how we began; this is how we must always be. The ideals of our country leave no room whatsoever for intolerance, anti-Semitism, or bigotry of any kind -- none. The unique thing about America is a wall in our Constitution separating church and state. It guarantees there will never be a state religion in this land, but at the same time it makes sure that every single American is free to choose and practice his or her religious beliefs or to choose no religion at all. Their rights shall not be questioned or violated by the state. -- Remarks at the International Convention of B'nai B'rith, 6 September 1984

Science is a match that man has just got alight. He thought he was in a room - in moments of devotion, a temple - and that his light would be reflected from and display walls inscribed with wonderful secrets and pillars carved with philosophical systems wrought into harmony. It is a curious sensation, now that the preliminary splutter is over and the flame burns up clear, to see his hands lit and just a glimpse of himself and the patch he stands on visible, and around him, in place of all that human comfort and beauty he anticipated - darkness still.'The Rediscovery of the Unique' Fortnightly Review (1891)

I have only one thing I hope to convey to you today. We are all human beings, individuals transcending nationality and race and religion, fragile eggs faced with a solid wall called The System. To all appearances, we have no hope of winning. The wall is too high, too strong - and too cold. If we have any hope of victory at all, it will have to come from our believing in the utter uniqueness and irreplaceability of our own and others' souls and from the warmth we gain by joining souls together. Take a moment to think about this. Each of us possesses a tangible, living soul. The System has no such thing. We must not allow The System to exploit us. We must not allow The System to take on a life of its own. The System did not make us: We made The System.

Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.

The questions appeared to be pre-rehearsed. The senior people spoke to the young one in Japanese, and he translated. I answered, and he translated back. Another one. Another one. And one more, that I felt needed a longer answer. Only then did I also notice that there was a clock on the wall opposite me, ticking past 11:59. I opened my mouth and began my answer. To my astonishment, mid-sentence, everyone just stood up, bowed, turned to their right and, in line, walked out of the room. Even while I was talking. They weren’t being rude. It’s just how meetings in Japan work.

Quietude is the hermit’s humble tool. An intrepid person might attempt to wring out of him or herself a translucent state of creative consciousness by deliberately cutting oneself off from all outside stimuli. When the exterior world forms a wall of impenetrable silence, in our state of exile we can hear the unique cadence of the subtle mind’s authentic ringtone.

It can come a bit hard sometimes to see one's own unique, heroic life pinned so pitilessly to a wall. At other times it can endorse, affirm and save, but as I go clowning my sentimental way into eternity, wrestling with all my problems of estrangement and acquiescence, I shuttle between worrying whether I matter at all and whether anything else matters at all but me.

The enduring racial isolation of the ghetto poor has made them uniquely vulnerable in the War on Drugs. What happens to them does not directly affect - and is scarcely noticed by - the privileged beyond the ghetto's invisible walls.

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people--and of towns, which they accustom us to believe are individual, unique like people--an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets.

You are not a one dimensional human being. You are not your social media etiquette, a picture, a few things said under stress or through misunderstanding. You are much more. You are a fearless and wonderful soul who loves greatly. The people that matter are the ones that see all the dimensions of your soul, not just the superficial. They will climb inside that box with you not because they are not sure if they will ever find your uniqueness in another person. They do so because they feel safe enough to share their uniqueness with you. They see your faults and know that they have them also. They feel the walls lowered and the freedom of being themselves. Honesty is never guarded or regretted. That is what makes that box home.

Van Eck keeps the seal in a safe?” said Jesper with a laugh. “It’s almost like hewants us to take it. Kaz is better at making friends with combination locks than with people.” “You’ve never seen a safe like this,” Wylan said. “He had it installed after the DeKappel was stolen. It has a seven-digit combination that he resets every day, and the locks are built with false tumblers to confuse safecrackers.” Kaz shrugged. “Then we go around it. I’ll take expediency over finesse.” Wylan shook his head. “The safe walls are made of a unique alloy reinforced with Grisha steel.” “An explosion?” suggested Jesper. Kaz raised a brow. “I suspect Van Eck will notice that.” “A very small explosion?” Nina snorted. “You just want to blow something up.” “Actually…” said Wylan. He cocked his head to one side, as if he were listening to a distant song. “Come morning, there would be no hiding we’d been there, but if we can get the refugees out of the harbor before my father discovers the theft … I’m not exactly sure where I can get the materials, but it just might work.…” “Inej,” Jesper whispered. She leaned forward, peering at Wylan. “Is that scheming face?” “Possibly.” Wylan seemed to snap back to reality. “It is not. But … but I do think I have an idea.

Look everywhere. There are miracles and curiosities to fascinate and intrigue for many lifetimes: the intricacies of nature and everything in the world and universe around us from the miniscule to the infinite; physical, chemical and biological functionality; consciousness, intelligence and the ability to learn; evolution, and the imperative for life; beauty and other abstract interpretations; language and other forms of communication; how we make our way here and develop social patterns of culture and meaningfulness; how we organise ourselves and others; moral imperatives; the practicalities of survival and all the embellishments we pile on top; thought, beliefs, logic, intuition, ideas; inventing, creating, information, knowledge; emotions, sensations, experience, behaviour. We are each unique individuals arising from a combination of genetic, inherited, and learned information, all of which can be extremely fallible. Things taught to us when we are young are quite deeply ingrained. Obviously some of it (like don’t stick your finger in a wall socket) is very useful, but some of it is only opinion – an amalgamation of views from people you just happen to have had contact with. A bit later on we have access to lots of other information via books, media, internet etc, but it is important to remember that most of this is still just opinion, and often biased. Even subjects such as history are presented according to the presenter’s or author’s viewpoint, and science is continually changing. Newspapers and TV tend to cover news in the way that is most useful to them (and their funders/advisors), Research is also subject to the decisions of funders and can be distorted by business interests. Pretty much anyone can say what they want on the internet, so our powers of discernment need to be used to a great degree there too. Not one of us can have a completely objective view as we cannot possibly have access to, and filter, all knowledge available, so we must accept that our views are bound to be subjective. Our understanding and responses are all very personal, and our views extremely varied. We tend to make each new thing fit in with the picture we have already started in our heads, but we often have to go back and adjust the picture if we want to be honest about our view of reality as we continually expand it. We are taking in vast amounts of information from others all the time, so need to ensure we are processing that to develop our own true reflection of who we are.

The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.

Buffett's uncommon urge to chronicle made him a unique character in American life, not only a great capitalist but the Great Explainer of American capitalism. He taught a generation how to think about business, and he showed that securities were not just tokens like the Monopoly flatiron, and that investing need not be a game of chance. It was also a logical, commonsensical enterprise, like the tangible businesses beneath. He stripped Wall Street of its mystery and rejoined it to Main Street -- a mythical or disappearing place, perhaps, but one that is comprehensible to the ordinary American.

Pain is always accompanied by emotion and meaning so that each pain is unique to the individual. The word pain is used to group together a class of combined sensory-emotional events. The class contains many different types of pain, each of which is a personal, unique experience for the person who suffers.

Whatever that spark is that makes each one of us alive and unique ... mine had gone. Stolen like paintings on the wall. The flickering flame responsible for lighting me up from the inside, making me glow; keeping me warm... my candle had been blown out. I was shut down. I was tired. I was afraid. Small. Quiet.

On a wall of her burial chamber, Ramesses summed up his love for her as such: "My love is unique and none can rival her ... Just by passing, she has stolen away my heart.

The most important thing each of us can know is our unique gift and how to use it in the world.

Never forget—someone else didn’t get the job that day because you were the best candidate with the most unique combination of skills and talent.

The most important thing each of us can know is our unique gift and how to use it in the world

This battle will not be won with a few of the strong holding against the tide of tyranny, but with fists raised in unity to build an indestructible wall against the tide, forcing it away from our shores.

Let us be women who Love. Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love. Let us be women who Love. Let us be women who make room. Let us be women who open our arms and invite others into an honest, spacious, glorious embrace. Let us be women who carry each other. Let us be women who give from what we have. Let us be women who leap to do the difficult things, the unexpected things and the necessary things. Let us be women who live for Peace. Let us be women who breathe Hope. Let us be women who create beauty. Let us be women who Love. Let us be a sanctuary where God may dwell. Let us be a garden for tender souls. Let us be a table where others may feast on the goodness of God. Let us be a womb for Life to grow. Let us be women who Love. Let us rise to the questions of our time. Let us speak to the injustices in our world. Let us move the mountains of fear and intimidation Let us shout down the walls that separate and divide. Let us fill the earth with the fragrance of Love. Let us be women who Love. Let us listen for those who have been silenced. Let us honor those who have been devalued. Let us say, Enough! with abuse, abandonment, diminishing and hiding. Let us not rest until every person is free and equal. Let us be women who Love. Let us be women who are savvy, smart and wise. Let us be women who shine with the light of God in us. Let us be women who take courage and sing the song in our hearts. Let us be women who say, Yes, to the beautiful, unique purpose seeded in our souls. Let us be women who call out the song in another’s heart. Let us be women who teach our children to do the same. Let us be women who Love. Let us be women who Love, in spite of fear. Let us be women who Love, in spite of our stories. Let us be women who Love loudly, beautifully, Divinely. Let us be women who Love.

What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.

Our minds swell into each other like a million currents at sea. We merge, we converge. Everyone flows into everyone else with our even realizing. Even cockroaches play their part. We aren't just a person, we aren't just a gender, we aren't just an age, we aren't just a nationality, we aren't even just a species. The walls between us are imaginary. The thoughts we have that are ours are gloriously unique but also gloriously in the same continuing spectrum. Love, fear, grief, guilt, forgiveness. These are the standard in the repertoire. These are the cover versions we get to play. But to be alive is to be a life. To be life. We are life. The same ever evolving life. We need each other. We are here for each other. The pain of life is life. All life. We need to look after each other. And when it feels like we are truly, deeply alone, that is the moment when we need to do something in order to remember how we connect.

Grammar can erect a false wall. Look at how I keep falling into this trap, writing this piece. To refer to the thousands of diverse individuals with unique histories who are sleeping on the street tonight as "the homeless" certainly expedites a sentence. But it inadvertently reinforces an ugly and false idea, perhaps secretly consoling: that "the homeless" are a monolithic population, a different species of person from those of "us" lucky enough to have jobs and homes.

When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.

Humboldt was the first to relate colonialism to the devastation of the environment. Again and again, his thoughts returned to nature as a complex web of life but also to man’s place within it. At the Rio Apure, he had seen the devastation caused by the Spanish who had tried to control the annual flooding by building a dam. To make matters worse, they had also felled the trees that had held the riverbanks together like ‘a very tight wall’ with the result that the raging river carried more land away each year. On the high plateau of Mexico City, Humboldt had observed how a lake that fed the local irrigation system had shrunk into a shallow puddle, leaving the valleys beneath barren. Everywhere in the world, Humboldt said, water engineers were guilty of such short-sighted follies. He debated nature, ecological issues, imperial power and politics in relation to each other. He criticized unjust land distribution, monocultures, violence against tribal groups and indigenous work conditions – all powerfully relevant issues today. As a former mining inspector, Humboldt had a unique insight into the environmental and economic consequences of the exploitation of nature’s riches. He questioned Mexico’s dependence on cash crops and mining, for example, because it bound the country to fluctuating international market prices. ‘The only capital,’ he said, that ‘increases with time, consists in the produce of agriculture’. All problems in the colonies, he was certain, were the result of the ‘imprudent activities of the Europeans’.

David watched Sol finish the can of beans. Sol always ate fast. He overate. Since he was eight. Sol leaned back in the wooden chair against the wall, under the window. Baby brother. Sol could have been anything he wanted to be. Nothing mathematical, nothing quantitative, of course, but anything else. A beautiful boy, a wonderful brother, they got along well. Then when Sol turned eight years old, age of a new beginning, their mother obsessed over him, ignoring David. Obsessed over Sol and his underwear. Over and over, a regeneration, a newness. Changed his clothes constantly, had him on her lap every minute possible. She put him in bed and tucked the covers in every night. She refused to let their father do it, so he always took care of David. But, of course, David needed no help and Sol always needed Ruth to take care of him. Sol was still being breast fed even when he finally went to kindergarten. Then Ruth slowly increased regular, solid food. But before bed, Sol had a nightcap, mother’s milk. Their special time. Their unique closeness took a turn from breastfeeding to something else. By the time Sol was in third grade, he was one of the fattest kids in class. Then the brothers became a real team. Now here he was. David and Sol still together, on a mission given by the Creator. It was perfect.

The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others.

Another response of the wizards, when faced with a new and unique situation, was to look through their libraries to see if it had ever happened before. This was, Lord Vetinari reflected, a good survival trait. It meant that in times of danger you spent the day sitting very quietly in a building with very thick walls.

When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs. White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs. Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.

Women make these calls based on so many things that men can only begin to speculate about. Every situation is unique and every woman is right when she decides what is right for herself. At the core of a belief in reproductive freedom is an affirmation of diversity. The right to our human diversity, more than the right to privacy, is what we’re really talking about when we talk about the freedom of choice. Like religious freedom and the freedom of speech, reproductive freedom in America should be understood as a fundamental right of reasonable people to be different from one another and to understand things differently. Our freedom to have differences of

including thousands of paintings in his unique, semi-cartoonish style, often densely packed with animals and figures—Elvis, George Washington, angels—and set fancifully in apocalyptic landscapes. In short order, he was appearing on Johnny Carson’s Tonight Show and creating album covers for R.E.M. and Talking Heads. Upon entry to the garden, I was greeted by a giant self-portrait of a smirking Finster in a burgundy suit, affixed to a cinderblock wall. At the bottom are the words “I began painting pictures in Jan-1976—without any training. This is my painting. A person don’t know what he can do unless he tryes. Trying things is the answer to find your talent.

Artists are the flowers of our world. The best ones are those that can stand out from the crowd and create their own concrete garden -- to move us, inspire us, and makes us think hard. A flower with no smell to it is just something to look at. However, a flower that emits a beautiful fragrance is the one we want in our homes and on our walls. Your mission as an artist, is to become the best-smelling flower in the world, so that when the day finally comes when you are plucked from the ground, the world will cry for the loss of your mind-stimulating fragrance. Be different. Be original. Nobody will remember a specific flower in garden loaded with thousands of the same flower, but they will remember the one that managed to change its color to purple. Truth Is Crying, 2008

Oh, the sudden change of perspective brought about by travel and absence! How different everything was here: the people in the streets, the houses, the color of the air, the sky above the roofs, a low sky, very close, with molded clouds, and which looked as if it had come out of a painting. A unique setting, a subtle atmosphere of silvery greys, the patina of centuries on the old walls—a shimmering marvel for the eyes of a painter. ("The Dead Town")

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider’s web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving—to pluck a leaf from a bush or stroke a rock wall in passing—light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves.

True to a unique tradition of Rome, all the nearby walls had been slathered with that unique institution of the Latin race: graffiti. Daubed in paint of every color were slogans such as Death to the aristocrats! and The shade of Tribune Ateius calls out for blood! and May the curse of Ateius fall on Crassus and all his friends! All of this was scrawled wretchedly and spelled worse. Rome has an extremely high rate of literacy, mostly so that the citizens can practice this particular art form.

The impotence of liberal humanism is a symptom of its essentially contradictory relationship to modern capitalism. For although it forms part of the ‘official’ ideology of such society, and the ‘humanities’ exist to reproduce it, the social order within which it exists has in one sense very little time for it at all. Who is concerned with the uniqueness of the individual, the imperishable truths of the human condition or the sensuous textures of lived experience in the Foreign Office or the boardroom of Standard Oil? Capitalism’s reverential hat-tipping to the arts is obvious hypocrisy, except when it can hang them on its walls as a sound investment. Yet capitalist states have continued to direct funds into higher education humanities departments, and though such departments are usually the first in line for savage cutting when capitalism enters on one of its periodic crises, it is doubtful that it is only hypocrisy, a fear of appearing in its true philistine colours, which compels this grudging support. The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the ‘human’ that present bourgeois society can muster. The ‘unique individual’ is indeed important when it comes to defending the business entrepreneur’s right to make profit while throwing men and women out of work; the individual must at all costs have the ‘right to choose’, provided this means the right to buy one’s child an expensive private education while other children are deprived of their school meals, rather than the rights of women to decide whether to have children in the first place.

Each of us is, more or less, an egg. Each of us is a unique, irreplaceable soul enclosed in a fragile shell. This is true of me, and it is true of each of you. And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own, and then it begins to kill us and cause us to kill others—coldly, efficiently, systematically. . . . Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.2

I’ve met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, "Why?” Why did I cause so much pain? Didn’t I realize that each of us is a sacred, unique snowflake of special unique specialness? Can’t I see how we’re all manifestations of love? I look at God behind his desk, taking notes on a pad, but God’s got this all wrong. We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. And God says, "No, that’s not right.” Yeah. Well. Whatever. You can’t teach God anything. God asks me what I remember. I remember everything.

But how…how am I a dragon? How are you a starman?” “I don’t think of myself as a starman, exactly,” he said soberly, though I sensed he wanted to smile. His hand released mine, the bridge broken; he moved to hang the lantern on a shiny new hook dug into the wall behind us. “I was born here, on earth. Not even far from here, in fact. Just over in Devon. My parents died young, when I was only five. Hastings is my great-uncle and he took me in, and I’ve lived here ever since. But I’ve always known what I am, as far back as I can remember. I’ve always been able to do the things I do. The stars have always spoken to me.” “And you…speak back to them?” “Yes,” he said simply. “But not to people.” “No. Just to Hastings, and to you.” A shiver took me; I crossed my arms over my chest. “What do the stars say?” “All manner of things. Amazing things. Secret things. Things great and small, things profound and insignificant. They told me that, throughout time, there’ve been only a scattering of people like me, folk of both flesh and star. That even the whisper of their magic in my blood could annihilate me if I didn’t learn to control it. That I’d crisp to ash without control. Or, worse, crisp someone else.” His smile broke through. “And they told me about you. That you were born and would come to me when the time was right.” “Did you summon me here?” The muted echo of my voice rebounded against the firefly walls: here-here-here. “To Iverson, I mean?” …mean-mean-mean… He didn’t answer at first. He looked at his feet, then walked to the edge of the embankment and squatted down, raking his fingers through the bright water near the toes of his boots. “We are such stuff as dreams are made on,” he said softly to the water. “Both infinite and finite, human and not. I’m of comet and clay and the sparks of sun across the ocean waves.” He sighed. “I know what it’s like to doubt yourself, to comprehend that you’re so unique you’re forced to wonder about…everything. But, yes, I called you to Iverson.

At one end of the vast C bitten from the castle a sin­gle great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rum­pled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation.

Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 

Welcome, ladies and gentlemen, to your new home.’ He gestured to the stone walls of the cavern that surrounded them. ‘Your lives as you once knew them are over,’ he continued. ‘You have been selected, all of you, the worst, the most cunning, the most mischievous minds from around the world . . . selected to become part of an institution like no other. You have all exhibited certain unique abilities, abilities that set you apart from the mediocrity of the teeming masses and which mark you out as the leaders of tomorrow. Here, in this place, you will be furnished with the knowledge and experience to best exploit your own natural abilities, to hone your craft to a cutting edge.’ He paused and slowly surveyed the pale, wide-eyed faces before him. ‘Each of you has within you a rare quality, a gift if you will, a special talent for the supremely villainous. Society would have us believe that this is an undesirable characteristic, something that should be subdued, controlled, destroyed. But not here . . . no, here we want to see you blossom into all that you can be, to see your innate wickedness flourish, to make you the very worst that you can be.’ He stepped out from behind the lectern and walked to the edge of the raised platform. As he loomed over them he seemed to grow taller and some of those at the front of the group edged backwards nervously. ‘For today all of you have the unique honour and privilege of becoming the newest students of the world’s first and only school of applied villainy.’ He spread his arms, gesturing to the walls around them. ‘Welcome to H.I.V.E., the Higher Institute of Villainous Education.

Words present to us little pictures of things, lucid and normal, like the pictures that are hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter’s bench, a bird, an ant-hill; things chosen as typical of everything else of the same sort. But names present to us — of persons and of towns which they accustom us to regard as individual, as unique, like persons — a confused picture, which draws from the names, from the brightness or darkness of their sound, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction, or by a whim on the designer’s part, are blue or red not only the sky and the sea, but the ships and the church and the people in the streets.

The enduring racial isolation of the ghetto poor has made them uniquely vulnerable in the War on Drugs. What happens to them does not directly affect—and is scarcely noticed by—the privileged beyond the ghetto’s invisible walls. Thus it is here, in the poverty-stricken, racially segregated ghettos, where the War on Poverty has been abandoned and factories have disappeared, that the drug war has been waged with the greatest ferocity. SWAT teams are deployed here; buy-and-bust operations are concentrated here; drug raids of apartment buildings occur here; stop-and-frisk operations occur on the streets here. Black and brown youth are the primary targets. It is not uncommon for a young black teenager living in a ghetto community to be stopped, interrogated, and frisked numerous times in the course of a month, or even a single week, often by paramilitary units.

The difference between sport climbing and the big-wall linkups that Alex specializes in is like the difference between sprinting and distance running. One relies primarily on power, the other on endurance. Alex is a long-distance thoroughbred, not a sprinter, and no matter how hard he trains, he will never be able to pull as hard as the world’s best sport climbers, guys like Chris Sharma, Adam Ondra, and Alex Megos; just like how Haile Gebrselassie will never beat Usain Bolt in the hundred-meter dash—and Bolt will never beat Gebrselassie in the 10,000 meters. The point is that while sport climbing and big walls are part of the same sport, they’re entirely different disciplines. One of the things that makes climbing unique, though, is that the different disciplines can be combined. The Dawn Wall, which combined powerful cutting-edge sport climbing with the drawn-out effort of a medieval siege, is a perfect example.

I can remember in days gone by the pressure of feeling like I needed to conform to some sort of religious stereotype. You may feel the same way even now, like nobody really understands who you are, what your unique life calling is or how it fits in the body of Christ. The truth is my friend, most of the frustration believers face today when it comes to their calling comes from a place of trying to make it all fit within the four walls of the church. Truth be told, only about 1% of people are really called to vocational ministry within the local church. The rest of us are called to be in the marketplace, releasing the light and life of the Kingdom every day through our unique creative expression. So whether that’s business or art, family or finance you have the divine opportunity to align yourself today with the purposes of the Kingdom, see God start moving through you like never before and watch as the abundance of our Father overtakes you.

the sales reps walks by her office, taps on the glass wall and calls out, ‘Yo, Soph!’ She calls back ‘Yo, Matt!’ and waves a fist in the air like a homeboy. She is such a fraud. She taps quickly on the delete key, thinking with pleasurable horror of the reaction if she had accidentally clicked on ‘send’. Their hurt, earnest faces! What can Thomas possibly want, after all this time? She finds herself remembering a sugary-brown smell. It is the smell of cinnamon toast, frangipani blossoms and Mr Sheen –the smell of his Aunt Connie’s house. Sophie had been going out with Thomas for nearly a year when she decided to break up with him. The decision was the result of weeks of agonised self-analysis. Yes, she loved him, but did she love him for the right reasons? She knew, for example, that it was right to love a man for his kind heart, but wrong to love him for his bank account. It was fine to love him for his gorgeous blue eyes, but shallow to love him for his tanned muscles. (Unless, of course, they were uniquely his muscles,

Esse" I looked at that face, dumbfounded. The lights of métro stations flew by; I didn’t notice them. What can be done, if our sight lacks absolute power to devour objects ecstatically, in an instant, leaving nothing more than the void of an ideal form, a sign like a hieroglyph simplified from the drawing of an animal or bird? A slightly snub nose, a high brow with sleekly brushed-back hair, the line of the chin – but why isn’t the power of sight absolute? – and in a whiteness tinged with pink two sculpted holes, containing a dark, lustrous lava. To absorb that face but to have it simultaneously against the background of all spring boughs, walls, waves, in its weeping, its laughter, moving it back fifteen years, or ahead thirty. To have. It is not even a desire. Like a butterfly, a fish, the stem of a plant, only more mysterious. And so it befell me that after so many attempts at naming the world, I am able only to repeat, harping on one string, the highest, the unique avowal beyond which no power can attain: I am, she is. Shout, blow the trumpets, make thousands-strong marches, leap, rend your clothing, repeating only: is! She got out at Raspail. I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.

Varanasi is the holiest city in Hinduism in India, which is a very unique city in india. The land of Varanasi (Kashi) has been the ultimate pilgrimage spot for Hindus for ages. Often referred to as Benares, Varanasi is the oldest living city in the world. Ganges in Varanasi is believed to have the power to wash away the sins of mortals. Ganges is said to have its origins in the tresses of Lord Shiva and in Varanasi, it expands to the mighty river that we know of. The city is a center of learning and civilization for over 3000 years. With Sarnath, the place where Buddha preached his first sermon after enlightenment, just 10 km away, Varanasi has been a symbol of Hindu renaissance. Knowledge, philosophy, culture, devotion to Gods, Indian arts and crafts have all flourished here for centuries. The holy city has many other temples also. The Tulsi Manas mandir is a modern marble temple. The walls of the temple are engraved with verses and scenes from Ramcharitmanas, hindi version of Ramayana, written by Tulsidas ji who lived here. Varanasi has produced numerous famous scholars and intellectuals, who have left their mark in respective fields of activity. Varanasi is home to numerous universities, college, schools, Madarsas and Pathshalas and the Guru Shishya tradition still continue in many institutions. The literary tradition of languages, dialects, newspapers, magazines and libraries continue to even this day. In varanasi one must have to do Boat Ride.

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My identity as Jewish cannot be reduced to a religious affiliation. Professor Said quoted Gramsci, an author that I’m familiar with, that, and I quote, ‘to know thyself is to understand that we are a product of the historical process to date which has deposited an infinity of traces, without leaving an inventory’. Let’s apply this pithy observation to Jewish identity. While it is tempting to equate Judaism with Jewishness, I submit to you that my identity as someone who is Jewish is far more complex than my religious affiliation. The collective inventory of the Jewish people rests on my shoulders. This inventory shapes and defines my understanding of what it means to be Jewish. The narrative of my people is a story of extraordinary achievement as well as unimaginable horror. For millennia, the Jewish people have left their fate in the hands of others. Our history is filled with extraordinary achievements as well as unimaginable violence. Our centuries-long Diaspora defined our existential identity in ways that cannot be reduced to simple labels. It was the portability of our religion that bound us together as a people, but it was our struggle to fit in; to be accepted that identified us as unique. Despite the fact that we excelled academically, professionally, industrially, we were never looked upon as anything other than Jewish. Professor Said in his book, Orientalism, examined how Europe looked upon the Orient as a dehumanized sea of amorphous otherness. If we accept this point of view, then my question is: How do you explain Western attitudes towards the Jews? We have always been a convenient object of hatred and violent retribution whenever it became convenient. If Europe reduced the Orient to an essentialist other, to borrow Professor Said’s eloquent language, then how do we explain the dehumanizing treatment of Jews who lived in the heart of Europe? We did not live in a distant, exotic land where the West had discursive power over us. We thought of ourselves as assimilated. We studied Western philosophy, literature, music, and internalized the same culture as our dominant Christian brethren. Despite our contribution to every conceivable field of human endeavor, we were never fully accepted as equals. On the contrary, we were always the first to be blamed for the ills of Western Europe. Two hundred thousand Jews were forcibly removed from Spain in 1492 and thousands more were forcibly converted to Christianity in Portugal four years later. By the time we get to the Holocaust, our worst fears were realized. Jewish history and consciousness will be dominated by the traumatic memories of this unspeakable event. No people in history have undergone an experience of such violence and depth. Israel’s obsession with physical security; the sharp Jewish reaction to movements of discrimination and prejudice; an intoxicated awareness of life, not as something to be taken for granted but as a treasure to be fostered and nourished with eager vitality, a residual distrust of what lies beyond the Jewish wall, a mystical belief in the undying forces of Jewish history, which ensure survival when all appears lost; all these, together with the intimacy of more personal pains and agonies, are the legacy which the Holocaust transmits to the generation of Jews who have grown up under its shadow. -Fictional debate between Edward Said and Abba Eban.

It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world. He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning. Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street sidewalk.

I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore. But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.

Sinclair James - English Communication Language in Asia Is English Language a Hindrance to Communication for Foreigners in Asia? One of the hesitations of westerners in coming to Asia is the language barrier. True, Asia has been a melting pot of different aspects of life that in every country, there is a distinct characteristic and a culture which would seem odd to someone who grew up in an entirely different perspective. Language is one of the most flourishing uniqueness of Asian nations. Although their boundaries are emphasized by mere walls which can be broken down easily, the brand of each individual can still be determined on the language they use or most comfortable with. Communication may be a problem as it is an issue which neighboring countries also encounter on each other. Message relays or even simple gestures, if interpreted wrongly can cause conflicts. Indeed, the complaints are valid. However, on the present day number of American and European visitors and the boost in tourism economies, language barriers seem to have been surpassed. Perhaps, the problem may not even exist at all. According to English Language Proficiency Test (ELPT) and International English Language Testing System (IELTS), Asian countries are not altogether illiterate in speaking and understanding the universal language. If so, there are countries which can even speak English as fluent as any native can. Take for example the Philippines. Once in Manila, the country’s capital, you will find thousands of individuals representing different nationalities. The center for business growth in the country, Business Process Outsourcing (BPO) has proven the literacy of the people in conversing using the international language. Clients from abroad prefer Filipinos in dealing with customers concern since they can easily comprehend grasp and explain things in English. ELPT and IELTS did not even include the Philippines in the list of the top English speaking nations in Asia since they are already considered one of the best and most fluent in this field. Other neighboring Asian countries also send their citizens to the Philippines to learn English. With a mixture of British and American English being used in everyday conversations, the Philippines has to be considered to be included in the top 5 most native English speakers. You may even be surprised to meet a young child in Manila who has not gone to school or mingled with foreigners but can speak and understand English. Singapore, Indonesia, Malaysia and most Asian countries, if indeed all, can also easily understand and speak English. It seems that the concern for miscommunication has completely no basis and remains a groundless issue. Maybe perhaps, those who say this just want to find a dumb excuse? Read more at: SjTravels.com

So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you. Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the carpet, and before you know it, your living room will be like new. One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special molding with beautiful carvings on them to add a unique touch of elegance and style to your home. When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows. Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it. Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art. If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the difference is only visible on close inspection. New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You can also try tapping the wall, drywall sounds hollow while plaster does not. Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.

A nation is not a piece of land, so it must not be seen as such - a nation is a people - a people with various unique ingredients in their way of living - these ingredients do not make them superior or inferior to any other people in the world, rather they simply make them who they are - they simply define their uniqueness - and these unique ingredients from all the peoples of all the countries in the world beautifully construct the radiant, colorful and vivacious fabric of humanity, where all the colors are of equal potential for growth and progress.

Richard Whitney wrote his own requiem for the Crash. “A thing compounded of both wisdom and folly, of both heroism and fright, of stubborn persistence and impatient irresolution, of tragically shattered hopes and ambitions and of incongruous and unique episodes not without at times a certain humorous aspect.

You see, when a baby is born, a special gift comes down from the web of the universe to make the child special and unique. We believe that gift makes us who we are. Your father’s gift has to do with the water in the air, which made the wall around our house. We are all given the ability to control something. It’s an extension of our being.

The barrier undulated and shimmered as the blood flowed. Too small a death, the tribute was dismissed. They waited, hissing at the man and his droning praise. Praise, tribute and promise called it, but all was in order and there would be no rift. Their eyes burning, demons clawed the thinning wall, a barrier that separated two different universes. Like pearls on a string, each universe was unique. One was home to the darkest of energies and the endless chaos of destruction. The other was a teetering mass of creation, springing from a blend of order and chaos. Within the dark universe, life of a different sort fashioned its own world. It was already old when, peering though the shifting folds of the barrier, it had glimpsed our world. For eons, it observed Earth’s smoldering beginning, then its parade of life and the rise of Man. Then it entered our dreams, whispering, cajoling, and hissing promises of glory and power.

We rarely saw each other outside the walls of the gallery, but inside its glaring white spaces, to exorcise the tedium of the tasks we shared, Ben and I often ended up talking, and time and time again, he would say things that resonated so powerfully with my uneasiness about life, and back there and then, I believed it was an uneasiness unique to us, and that we were somehow bound by it.

As we walked along the ramparts we could see them going about their business – veiled women walking here and there, men riding motorbikes or cars, people going to visit their neighbours – and I marvelled yet again at the uniqueness of life in a place like Pakistan, where a community of several hundred people live, work, eat and do their laundry inside the walls of one of the most historically significant military fortifications in south Asia.

I am trying to understand what it means to own a thing, especially a wild and living being. To have exclusive rights to its fate? To dispose of it at will? To deny others its use? Ownership seems a uniquely human behaviour, a social contract validating the desire for purposeless possession and control.

The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies

The role Adolf Knackstedt played in the Berlin story of 1961, when Operation Rose was about to commence, was unique.

They succeed by matching the unique properties of their form to the physical laws of interaction between air and earth.

This worked to their advantage within the Roman Empire, since the Jews enjoyed a unique exemption from the state religion, which included the obligation of emperor worship. For a time the Roman state treated believers in Christ as one more sect under the umbrella of Judaism, extending to them the same exemption. Michael Green deals with these developments in his book, Evangelism in the Early Church, from which I have drawn heavily in this section.2

It was fast. Crawling along the walls, mouth unhinged, fangs bared.

But around the altar a church bulges its arches, and its walls are moving further and further out. What they enclose is-sacred. You can no longer reach out for it, no longer touch it. Howling with a devouring hunger you wander round about these walls, searching for the little that is profane, and the circles of your path keep on extending further and further. Soon that church will embrace the whole world, and you'll be driven out to the furthest edge ; one more step, and the world of the sacred has triumphed: you sink into the abyss. So take courage while there is still time, stray no longer in the over grazed profane, dare the leap, and rush in through the gates into the sanctuary itself. When you devour the sacred, you have made it your own! Digest the sacramental wafer, and you are rid of it!

The word “moss” is commonly applied to plants which are not actually mosses. Reindeer “moss” is a lichen, Spanish “moss” is a flowering plant, sea “moss” is an alga, and club “moss” is a lycophyte. So what is a moss? A true moss or bryophyte is the most primitive of land plants. Mosses are often described by what they lack, in comparison to the more familiar higher plants. They lack flowers, fruits, and seeds and have no roots. They have no vascular system, no xylem and phloem to conduct water internally. They are the most simple of plants, and in their simplicity, elegant. With just a few rudimentary components of stem and leaf, evolution has produced some 22,000 species of moss worldwide. Each one is a variation on a theme, a unique creation designed for success in tiny niches in virtually every ecosystem.

Monster. Demon. Evil. Insufferable child. Miserable bitch. Though they all hurt and damaged me in unique ways, I think one was worse. One broke me, unlike the rest. One made me realize that perhaps death would be the only cry loud enough to be heard. No one heard me. No one ever fucking heard me. “Being told that I was, inevitably, going to kill people. Being told that they could see the sinister evil inside my soul. That looking at me made them sick.” I choke on tears and swallow hard, blinking past the emotions and fighting all my inner safety walls to get the words out. “That I was better off dead. Because all my existence did was make them wish to die.

As I passed I saw a cafe, a cafe on the street, with an open door, and one small round table outside, just big enough for two persons, two glasses of wine, two small iron chairs, a diminutive cafe…shabby, with a faded sign, a dull window, lopsided walls, uneven roof. The smallness of it, the intimacy of it, the humanity of its proportion… A human being feels one can sit in such a cafe even if one’s hair is not perfectly in place and one’s shoes are not shined... One could sit there and feel unique, feel in tune with the world, or out of tune, feel human and open to human emotion... One could sit there if one felt the world too big and too barbaric, and feel once more in a human setting, a proper setting for a human being… Why did I feel warmed by imperfections, discomfort, and patina? Because intense living leaves scars…inner scars, softened, human wear and tear.

Let us be women who Love. Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love. Let us be women who Love. Let us be women who make room. Let us be women who open our arms and invite others into an honest, spacious, glorious embrace. Let us be women who carry each other. Let us be women who give from what we have. Let us be women who leap to do the difficult things, the unexpected things and the necessary things. Let us be women who live for Peace. Let us be women who breathe Hope. Let us be women who create beauty. Let us be women who Love. Let us be a sanctuary where God may dwell. Let us be a garden for tender souls. Let us be a table where others may feast on the goodness of God. Let us be a womb for Life to grow. Let us be women who Love. Let us rise to the questions of our time. Let us speak to the injustices in our world. Let us move the mountains of fear and intimidation. Let us shout down the walls that separate and divide. Let us fill the earth with the fragrance of Love. Let us be women who Love. Let us listen for those who have been silenced. Let us honour those who have been devalued. Let us say, Enough! with abuse, abandonment, diminishing and hiding. Let us not rest until every person is free and equal. Let us be women who Love. Let us be women who are savvy, smart, and wise. Let us be women who shine with the light of God in us. Let us be women who take courage and sing the song in our hearts. Let us be women who say, Yes to the beautiful, unique purpose seeded in our souls. Let us be women who call out the song in another’s heart. Let us be women who teach our children to do the same. Let us be women who Love. Let us be women who Love, in spite of fear. Let us be women who Love, in spite of our stories. Let us be women who Love loudly, beautifully, Divinely. Let us be women who Love.

Tracy K. Smith, in her essay “Survival in Two Worlds at Once: Federico Garcia Lorca and Duende” argues that we poets can’t assume that the goblin will roost in our art. If there’s duende in our poems, it’s a happy accident, a result of living in such a way that makes the goblin curious enough to visit. She loves the concept of duende, she says, because it supposes that we don’t write poems to win the reader’s approval: we write poems in order to engage in the perilous yet necessary struggle to inhabit ourselves—our real selves, the ones we barely recognize—more completely. It is then that the duende beckons, promising to impart “something newly created, like a miracle,” then it winks inscrutably and begins its game of feint and dodge, lunge and parry, goad and shirk. . . . You’ll get your miracle, but only if you can decipher the music of the battle, only if you’re willing to take risk after risk. If we write poems that face our unique struggles, attempting to find “our real selves,” duende might grant us a “miracle”: that is, the poem. Duende, it seems, doesn’t care who the artist is or what they believe, but only that the work reeks of human struggle. Of feelings exposed. Of the “bare, forked animal” smeared in blood and mud.

Owned Traffic Channels A friend of mine owns a SaaS company that’s competing in a massively crowded space. His product gets 500,000 unique visitors a month because he’s exceptional at search engine optimization (SEO), and his company ranks on the first page of Google for many high-volume terms. He owns these organic traffic channels in his market, so even though other names on those pages might be more recognizable, he can stay highly competitive. Even if you own a high-traffic search term on Google, Amazon, or the WordPress plugin store, you can have a pretty commoditized product that can still succeed. One caveat is that this moat can be a bit dicey to maintain because the algorithms at any of those companies can change quickly—and have. Google’s many updates have tanked businesses overnight that depended solely on SEO-driven traffic.

In some way, we can compare our inner talents and passions to Earth’s natural resources. Just like buried within the Earth and waiting to be discovered, there are all sorts of natural resources that can provide enormous value to society. Every individual possesses a unique set of talents, skills, and passions waiting to be unearthed too. This means that to uncover our true identity, we must embark on a journey of exploration and self-discovery—a process that can hardly happen while imprisoned within the walls of a school.

So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.

His bath chamber across the main room was all that remained, so I backtracked and entered it. The extravagance to which I was accustomed within the Hytanican palace did not range so far as to include the depth and size of his bath, nor the unusual mosaic tiles set into the floor. But what struck me the most were the shelves filled with ointments and bandages, and the long table against the wall that was similar to what one would find in a physician’s examination room. He had in many ways grown up a prince, but this chamber was more telling of his past than all the finery in his wardrobe. When I returned to the parlor, I felt strangely cold. Narian had once more taken up his place on the sofa, and I went to sit at his feet, wanting to be closer to the fire. He swung around and put one leg on each side of me, then started to massage my back. After a few minutes, he slipped down behind me to wrap his arms around my waist, and I leaned against him. He was warm and safe and all that I wanted. At times I felt that there was no world outside of him, and it was the best feeling I ever had. This was one of those times. “Were you ever happy here?” I softly inquired. “Yes,” he answered after a moment of thought. “I was--here in the temple.” Though I had not handled seeing Miranna’s room very well, I again had a surge of curiosity about the Overlord’s Hall, which Narian had subtly referenced. But I did not ask him to take me there--seeing it would not help me, and it would not help him. He needed to forget that place. “Then tell me something about your childhood. Something pleasant.” I closed my eyes, feeling the vibration of his chest as he began to speak. “I remember when that mural on my wall was painted. I was perhaps six or seven. The High Priestess commissioned an artist, and gave her freedom to paint something colorful and unique, something that would amuse me. I was permitted to watch, but at that age…” “Watching wasn’t enough,” I guessed, and he laughed. “The artist was on a ladder, and she had her palette with her, but she’d left the majority of her paints on the floor. I was into them before she could say a word, and I spread paint everywhere. In my hair, on my clothes, the floors, the wall where she was trying to create her masterpiece, everywhere.” He was reminiscing now instead of just telling me a story, seeing it unfold in his mind. “I’d forgotten, honestly forgotten, that I’d been told not to touch the paints. Nan was furious--we were supposed to go to a banquet that night and I’d--” “Nan?” I asked, and he tensed for a moment. “That’s what I used to call the High Priestess, when I was young.” Smiling at the idea, I nestled against him and said, “Go on.” He continued the story, and I listened contentedly, eventually falling asleep in his embrace.

When water is being filled in a pot, the sound we hear is a function of the pot, not of the water. Same water makes different sounds in different pots. Each of us, described in Sanskrit as Ghata, meaning pot, responds in a unique way to the stimuli from the surrounding environment. Do not be surprised when the response of another appears entirely different from yours. The pot has created the illusion of a wall, of mine and other. Once you become aware of that illusion, otherness melts and the universe becomes a unified verse again, with apparently diverse responses becoming part of the same symphony.

Appendix 1 Our Family's Core Values and Mission YOUR CORE VALUES What are the most important values in your family? Do your kids know these are critical? Do both parents agree on the ranking of values? This worksheet will help you develop and communicate your top values. A "value" is an ideal that is desirable. It is a quality that we want to model in our own lives and see developed in the lives of our kids. For instance, honesty is a very important value, for without it you can't have trust in your relationships. Take time in writing your answers to the following questions. 1. When time and energy are in short supply, what should we make sure we cover in parenting our children? List a few ideas. Then circle the nonnegotiables. 2. What are the "we'd like to get around to these" values? These are the semi-negotiables. 3. What were the top three values of each of your families of origin (the family you grew up in)? Father Mother 1. 1. 2. 2. 3. 3. 4. Think about a healthy, positive family-one that serves as a role model for you. What would you say are their top three values? 1. 2. 3. 5. What are three or four favorite Scripture verses that communicate elements of a healthy family? 1. 2. 3. 4. Based on these verses, what are the three or four principles from Scripture that you'd like to see evidenced in your family? 1. 2. 3. 4. 6. What values are your "pound the table with passion" values? What are the ones that you feel very strongly about? (You may already have them listed.) To help you with this, complete the following sentences: More families need to ... The problem with today's families is ... DEVELOPING YOUR FAMILY'S MISSION STATEMENT Besides writing out your core values, you will do well to develop a family mission statement (or covenant). These important documents will shape your family. The founders of the United States knew that guiding documents would keep us on course as a fledgling democracy; so too will these documents guide your family as you seek to be purposeful. Sample mission statement: We exist to love each other and advance Gods timeless principles and his kingdom on earth. Complete the following: 1. Our family exists to ... 2. What are some activities or behaviors that you imagine your family carrying out? 3. Describe some qualities of character that you can envision your family being known for. 4. What is unique about your family? What makes you different? What are you known for? What sets you apart? 5. What do you hope to do with and through your family that will outlive you? What noble cause greater than yourselves do you want your family to pursue? 6. With these five questions completed, look for a Scripture that supports the basic ideas of your rough-draft concepts for your family mission statement. If there are several candidates, talk about them thoughtfully and choose one, writing it out here: 7. Using the sample as a template, your five questions and your family Scripture, write a rough draft of your family mission statement: 8. Rewrite the mission statement, keeping the same concepts but changing the order of the mission statement. This is simply to give you two options. 9. Discuss this mission statement as a family if the kids are old enough. Discuss it with a few other friends or extended family members. Any feedback? 10. Pray about your family mission statement for a couple of weeks, asking God to affirm it or help you edit it. Then write up the final version. Consider making a permanent version of your family mission statement to hang on a wall in your home.

Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. I mentioned I’d been in contact with her mother. “Oh crikey, that sounds dangerous!” “She’s a feisty woman, isn’t she?” William giggled. “Granny’s great fun after a few gin and tonics.” “Sh, William,” Diana said, giggling too. “My mother’s been a tremendous source of support to me. She never talks publicly; she’s just there for me.” “And what about William’s other granny?” “I have enormous respect for the Queen; she has been so supportive, you know. People don’t see that side of her, but I do all the time. She’s an amazing person.” “Has she been good over the divorce?” “Yes, very. I just want it over now so I can get on with my life. I’m worried about the attacks I will get afterward.” “What attacks?” “I just worry that people will try and knock me down once I am out on my own.” This seemed unduly paranoid. People adored her. I asked William how he was enjoying Eton. “Oh, it’s great, thanks.” “Do you think the press bother you much?” “Not the British press, actually. Though the European media can be quite annoying. They sit on the riverbank watching me rowing with their cameras, waiting for me to fall in! There are photographers everywhere if I go out. Normally loads of Japanese tourists taking pictures. All saying “Where’s Prince William?’ when I’m standing right next to them.” “How are the other boys with you?” “Very nice. Though a boy was expelled this week for taking ecstasy and snuff. Drugs are everywhere, and I think they’re stupid. I never get tempted.” “Does matron take any?” laughed Diana. “No, Mummy, it gives her hallucinations.” “What, like imagining you’re going to be king?” I said. They both giggled again. “Is it true you’ve got Pamela Anderson posters on your bedroom wall?” “No! And not Cindy Crawford, either. They did both come to tea at the palace, though, and were very nice.” William had been photographed the previous week at a party at the Hammersmith Palais, where he was mobbed by young girls. I asked him if he’d had fun. “Everyone in the press said I was snogging these girls, but I wasn’t,” he insisted. Diana laughed. “One said you stuck your tongue down her throat, William. Did you?” “No, I did not. Stop it, Mummy, please. It’s embarrassing.” He’d gone puce. It was a very funny exchange, with a flushed William finally insisting: “I won’t go to any more public parties; it was crazy. People wouldn’t leave me alone.” Diana laughed again. “All the girls love a nice prince.” I turned to more serious matters. “Do you think Charles will become king one day?” “I think he thinks he will,” replied Diana, “but I think he would be happier living in Tuscany or Provence, to be honest.” “And how are you these days--someone told me you’ve stopped seeing therapists?” “I have, yes. I stopped when I realized they needed more therapy than I did. I feel stronger now, but I am under so much pressure all the time. People don’t know what it’s like to be in the public eye, they really don’t.

The mechanism of the clock was enclosed in a box resembling a large cupboard, but I was disappointed with the workings. They were much smaller than I had anticipated. The clock was worked by heavy weights suspended on long cables. My father picked up a handle like the crank handle of a car and wound them up. There were two of them. One to work the hands, the other controlling the hammer which struck out the hours on a large bell. Then the mousetraps were set, Not to catch mice, but to control the lighting. Previously my father had to make a special trip each evening to switch on the lights of the clock, returning near midnight to switch them off. To obviate this he invented a method of light control which may have been unique. Two switches, one for switching on and the other for switching off were used. They were fixed on the inside wall of the tower. A mousetrap mounted near each switch was so arranged that when the trap sprung, the arc traversed by the closing trap enabled the switch to be flicked on or off as required. Adjustable sleeves were set along the the cables for required times. The sleeves on the descending cables tripped the mouse traps which actuated the switches.

Since you are always in your own head, thoughts about what it means to be you take up a lot of mental space. With some cultural variations, most people are keen on being individuals, unique and special persons whose hopes and dreams and fears and doubts are all their own. If you have the means, you personalize everything: your license plate, your ring tone, your computer’s desktop wallpaper, your bedroom’s walls. Everything around you says something about your personality.

The Sausage Race Every ballpark in the big leagues has its unique traditions, but only Miller Park has the sausage race. In the sixth inning of every game, five young (and really fast) Brewers employees (or friends of employees) dress in sausage costumes and race around the warning track.

Differences should be viewed for what they really are: unique strengths.

What’s unique about Wright’s disdain for endlessly proliferating microdefinitions inspired by and based on other microdefinitions is that he eventually, casually, and seemingly offhandedly suggests at the end of his article that we could simply rewrite the law altogether and eliminate the crime known as burglary. Some men just want to watch the world burn. His logic rests on the fabulous conclusion that, legally speaking, architecture is a form of “magic,” one that has no place in an otherwise rational system. Architecture is the “magic of four walls,” he writes, referring to its power to fundamentally transform how certain crimes are judged

ay cheese!" If you're like most women I know, you have at least one family and friends photo area in your home. My entire home is practically a photo gallery! Walls, tabletops, and my refrigerator door are all crowded with the faces of people I love. My husband, Bob, my children, grandchildren, new friends, old friends you name 'em and I've displayed 'em. How precious are these gatherings of faces to us. And it's so fitting, isn't it? Because our family and friends' pictures tell the story of their lives.. .and ours! Cherish your family and friends and those priceless moments. Hold them close. Seek out your friends and enjoy their company more often. Treasure their faces, their characteristics, their uniqueness. But also make room for new people.. .and add them to the gallery in your heart. ant to hold a spring garden party? It can be a birthday, a graduation, or just a celebration. For invitations, glue inexpensive packets of seeds to index cards and write in your party information. Pass them out or stick them in envelopes and mail them. Decorate a picnic table with an umbrella and bright floral sheets or vinyl cloths. Why not decorate the awnings and porch posts to make it even more festive? Flowers, flowers, and flowers everywhere create a bright, aromatic space. If you're limber and energetic or you're inviting kids, spread sheets on the ground for an authentic, old-fashioned picnic. A little red wagon or painted tub with a potted plant makes a fun off-to-the-side "centerpiece." Use a clean watering can for your lemonade pitcher. Engage your imagination and have fun entertaining.

Instantly, I noticed that our conversation was easy, flirtatious and exciting. It didn’t take very long for us to get to know each other. To start with, I was a little taken aback with both of them being so friendly and talkative. As we talked, I really didn’t know what to call Rita and I stammered some as I attempted to navigate around the social aspects of my dilemma. I didn’t know her last name and “Mrs. Whatjamacallit” didn’t seem appropriate, so I continued using her first name. What seemed awkward to me at first, soon became and sounded acceptable. I also noticed that Connie alternated between calling her mother “Mom” and “Rita.” At first this was strange, but soon I kind of understood the unique relationship between them. For me it seemed different, however I tend to adapt easily and now I was becoming acquainted with a girl who called her mother by her first name. The house was without central heating, but it did have a big cast iron Franklin stove in the living room. Rita looked over to me and asked if I would light the fire. “Guess so,” I replied. I soon found out that lighting the fire encompassed getting and splitting the firewood, and then tending to it. Connie showed me to the front porch where there was a big pile of cordwood, just dumped in one heap. I also noticed that the wind was picking up and was blowing the white stuff onto the porch and covering the woodpile. “Might be a good idea to bring in enough wood to last the night,” I thought aloud. This was going to become a full time job! With Connie’s able help I got a roaring fire going. Rita made sandwiches and poured us all some Coca-Cola, which she topped off with some Canadian Whiskey. Turning the damper down on the fire, I thought to myself that the Franklin stove would never heat this size house, besides the wind was coming in through the cracks around the windows and doors. I knew that the house didn’t have much insulation by how cold the walls were. The windows were single pane, which also didn’t help much, but at least it was shelter. When I mentioned this, Rita said, “Never mind, we’ll all be able to stay warm in bed.” By this time, Connie and I were clowning around and Rita reminded us that she was also there. “I may be momma but I’m not about to freeze, while you kids have all the fun! Besides we only have one bed.” Suddenly the whole scene came into focus. The sandwiches on the kitchen table wouldn’t be our only food. The sandwiches we would have that night would just be the beginning of a feast.

what it does in order to increase its own growth. But as it happens, when the individuals flourish, so does the whole. The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.

The tendency to view the diversity of forms as bothersome illusions (maya) to be transcended is a common trap in certain nondual teachings. There is often a desire to move beyond the inconvenient multiplicity of parts back to the oneness of pure awareness. However, this practice of discarding the relative in favour of the absolute only leads to further separation and more walls dividing self from Self. Rather than escaping our parts, we can become curious about their unique vantage points. This presents opportunities for connection and appreciating our shared essence. Completely discarding maya overlooks the value of this multiplicity in allowing the absolute to fully know and express itself. The parts are not obstacles to be overcome, but rather vehicles on the path—the teachers in the schoolhouse we call life. What's in the way, is the way. As Rumi's 'Guest House' poem expresses, each part has come for a reason, bringing gifts to share. Rather than rejecting these 'visitors,' we can open the door wide to welcome their presence. By listening to their wisdom with curiosity and compassion, we can deepen our understanding and connection to the whole.

investing is a unique kind of casino—one where you cannot lose in the end, so long as you play only by the rules that put the odds squarely in your favor. People who invest make money for themselves; people who speculate make money for their brokers. And that, in turn, is why Wall Street perennially downplays the durable virtues of investing and hypes the gaudy appeal of speculation.