“
I’ve met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, “Why?”
Why did I cause so much pain?
Didn’t I realize that each of us is a sacred, unique snowflake of special unique specialness?
Can’t I see how we’re all manifestations of love?
I look at God behind his desk, taking notes on a pad, but God’s got this all wrong.
We are not special.
We are not crap or trash, either.
We just are.
We just are, and what happens just happens.
And God says, “No, that’s not right.”
Yeah. Well. Whatever. You can’t teach God anything.
”
”
Chuck Palahniuk (Fight Club)
“
So the final conclusion would surely be that whereas other civilizations have been brought down by attacks of barbarians from without, ours had the unique distinction of training its own destroyers at its own educational institutions, and then providing them with facilities for propagating their destructive ideology far and wide, all at the public expense. Thus did Western Man decide to abolish himself, creating his own boredom out of his own affluence, his own vulnerability out of his own strength, his own impotence out of his own erotomania, himself blowing the trumpet that brought the walls of his own city tumbling down, and having convinced himself that he was too numerous, labored with pill and scalpel and syringe to make himself fewer. Until at last, having educated himself into imbecility, and polluted and drugged himself into stupefaction, he keeled over--a weary, battered old brontosaurus--and became extinct.
”
”
Malcolm Muggeridge (Vintage Muggeridge: Religion and Society)
“
If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)
”
”
Haruki Murakami
“
The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate.
I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me.
I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing.
And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything.
If only I could think! If only I could feel!
”
”
Fernando Pessoa (The Book of Disquiet)
“
I am trying to understand what it means to own a thing, especially a wild and living being. To have exclusive rights to its fate? To dispose of it at will? To deny others it’s use? Ownership seems a uniquely human behavior, a social contract validating the desire for purposeless possession and control.
”
”
Robin Wall Kimmerer (Gathering Moss: A Natural and Cultural History of Mosses)
“
... a living, breathing entity not dissimilar to the interior of a cathedral – one of wood, living wood. Where the cathedral had carved stone, here were trees, ivy, flowers, all working together to form the walls...
”
”
Trevor Alan Foris (The Octunnumi Fosbit Files Prologue)
“
I like what you’ve done to the place,’ he says, eyeing the ripped fabric and scorched stuffing hanging from the ceiling and walls.
”
”
Trevor Alan Foris (The Octunnumi Fosbit Files Prologue)
“
Let me speak plainly: The United States of America is and must remain a nation of openness to people of all beliefs. Our very unity has been strengthened by this pluralism. That's how we began; this is how we must always be. The ideals of our country leave no room whatsoever for intolerance, anti-Semitism, or bigotry of any kind -- none. The unique thing about America is a wall in our Constitution separating church and state. It guarantees there will never be a state religion in this land, but at the same time it makes sure that every single American is free to choose and practice his or her religious beliefs or to choose no religion at all. Their rights shall not be questioned or violated by the state.
-- Remarks at the International Convention of B'nai B'rith, 6 September 1984
”
”
Ronald Reagan
“
Science is a match that man has just got alight. He thought he was in a room - in moments of devotion, a temple - and that his light would be reflected from and display walls inscribed with wonderful secrets and pillars carved with philosophical systems wrought into harmony. It is a curious sensation, now that the preliminary splutter is over and the flame burns up clear, to see his hands lit and just a glimpse of himself and the patch he stands on visible, and around him, in place of all that human comfort and beauty he anticipated - darkness still.'The Rediscovery of the Unique' Fortnightly Review (1891)
”
”
H.G. Wells
“
I have only one thing I hope to convey to you today. We are all human beings, individuals transcending nationality and race and religion, fragile eggs faced with a solid wall called The System. To all appearances, we have no hope of winning. The wall is too high, too strong - and too cold. If we have any hope of victory at all, it will have to come from our believing in the utter uniqueness and irreplaceability of our own and others' souls and from the warmth we gain by joining souls together.
Take a moment to think about this. Each of us possesses a tangible, living soul. The System has no such thing. We must not allow The System to exploit us. We must not allow The System to take on a life of its own. The System did not make us: We made The System.
”
”
Haruki Murakami
“
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
”
”
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
“
The questions appeared to be pre-rehearsed. The senior people spoke to the young one in Japanese, and he translated. I answered, and he translated back. Another one. Another one. And one more, that I felt needed a longer answer. Only then did I also notice that there was a clock on the wall opposite me, ticking past 11:59. I opened my mouth and began my answer. To my astonishment, mid-sentence, everyone just stood up, bowed, turned to their right and, in line, walked out of the room. Even while I was talking. They weren’t being rude. It’s just how meetings in Japan work.
”
”
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
“
Quietude is the hermit’s humble tool. An intrepid person might attempt to wring out of him or herself a translucent state of creative consciousness by deliberately cutting oneself off from all outside stimuli. When the exterior world forms a wall of impenetrable silence, in our state of exile we can hear the unique cadence of the subtle mind’s authentic ringtone.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
It can come a bit hard sometimes to see one's own unique, heroic life pinned so pitilessly to a wall. At other times it can endorse, affirm and save, but as I go clowning my sentimental way into eternity, wrestling with all my problems of estrangement and acquiescence, I shuttle between worrying whether I matter at all and whether anything else matters at all but me.
”
”
Stephen Fry (Moab Is My Washpot (Memoir, #1))
“
The enduring racial isolation of the ghetto poor has made them uniquely vulnerable in the War on Drugs. What happens to them does not directly affect - and is scarcely noticed by - the privileged beyond the ghetto's invisible walls.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people--and of towns, which they accustom us to believe are individual, unique like people--an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Van Eck keeps the seal in a safe?” said Jesper with a laugh. “It’s almost like hewants us to take it. Kaz is better at making friends with combination locks than with people.”
“You’ve never seen a safe like this,” Wylan said. “He had it installed after the DeKappel was stolen. It has a seven-digit combination that he resets every day, and the locks are built with false tumblers to confuse safecrackers.”
Kaz shrugged. “Then we go around it. I’ll take expediency over finesse.”
Wylan shook his head. “The safe walls are made of a unique alloy reinforced with Grisha steel.”
“An explosion?” suggested Jesper.
Kaz raised a brow. “I suspect Van Eck will notice that.”
“A very small explosion?”
Nina snorted. “You just want to blow something up.”
“Actually…” said Wylan. He cocked his head to one side, as if he were listening to a distant song. “Come morning, there would be no hiding we’d been there, but if we can get the refugees out of the harbor before my father discovers the theft … I’m not exactly sure where I can get the materials, but it just might work.…”
“Inej,” Jesper whispered.
She leaned forward, peering at Wylan. “Is that scheming face?”
“Possibly.”
Wylan seemed to snap back to reality. “It is not. But … but I do think I have an idea.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You are not a one dimensional human being. You are not your social media etiquette, a picture, a few things said under stress or through misunderstanding. You are much more. You are a fearless and wonderful soul who loves greatly. The people that matter are the ones that see all the dimensions of your soul, not just the superficial. They will climb inside that box with you not because they are not sure if they will ever find your uniqueness in another person. They do so because they feel safe enough to share their uniqueness with you. They see your faults and know that they have them also. They feel the walls lowered and the freedom of being themselves. Honesty is never guarded or regretted. That is what makes that box home.
”
”
Shannon L. Alder
“
Look everywhere. There are miracles and curiosities to fascinate and intrigue for many lifetimes:
the intricacies of nature and everything in the world and universe around us from the miniscule to the infinite; physical, chemical and biological functionality; consciousness, intelligence and the ability to learn; evolution, and the imperative for life; beauty and other abstract interpretations; language and other forms of communication; how we make our way here and develop social patterns of culture and meaningfulness;
how we organise ourselves and others; moral imperatives; the practicalities of survival and all the embellishments we pile on top; thought, beliefs, logic, intuition, ideas; inventing, creating, information, knowledge; emotions, sensations, experience, behaviour.
We are each unique individuals arising from a combination of genetic, inherited, and learned information, all of which can be extremely fallible.
Things taught to us when we are young are quite deeply ingrained. Obviously some of it (like don’t stick your finger in a wall socket) is very useful,
but some of it is only opinion – an amalgamation of views from people you just happen to have had contact with.
A bit later on we have access to lots of other information via books, media, internet etc, but it is important to remember that most of this is still just opinion, and often biased.
Even subjects such as history are presented according to the presenter’s or author’s viewpoint, and science is continually changing. Newspapers and TV tend to cover news in the way that is most useful to them (and their funders/advisors), Research is also subject to the decisions of funders and can be distorted by business interests. Pretty much anyone can say what they want on the internet, so our powers of discernment need to be used to a great degree there too.
Not one of us can have a completely objective view as we cannot possibly have access to, and filter, all knowledge available, so we must accept that our views are bound to be subjective. Our understanding and responses are all very personal, and our views extremely varied. We tend to make each new thing fit in with the picture we have already started in our heads, but we often have to go back and adjust the picture if we want to be honest about our view of reality as we continually expand it. We are taking in vast amounts of information from others all the time, so need to ensure we are processing that to develop our own true reflection of who we are.
”
”
Jay Woodman
“
The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Buffett's uncommon urge to chronicle made him a unique character in American life, not only a great capitalist but the Great Explainer of American capitalism. He taught a generation how to think about business, and he showed that securities were not just tokens like the Monopoly flatiron, and that investing need not be a game of chance. It was also a logical, commonsensical enterprise, like the tangible businesses beneath. He stripped Wall Street of its mystery and rejoined it to Main Street -- a mythical or disappearing place, perhaps, but one that is comprehensible to the ordinary American.
”
”
Roger Lowenstein (Buffett: The Making of an American Capitalist)
“
Pain is always accompanied by emotion and meaning so that each pain is unique to the individual. The word pain is used to group together a class of combined sensory-emotional events. The class contains many different types of pain, each of which is a personal, unique experience for the person who suffers.
”
”
Patrick Wall (Pain: The Science of Suffering (Maps of the Mind))
“
Whatever that spark is that makes each one of us alive and unique ... mine had gone. Stolen like paintings on the wall. The flickering flame responsible for lighting me up from the inside, making me glow; keeping me warm... my candle had been blown out. I was shut down. I was tired. I was afraid. Small. Quiet.
”
”
Shonda Rhimes (Year of Yes)
“
The most important thing each of us can know is our unique gift and how to use it in the world
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
Never forget—someone else didn’t get the job that day because you were the best candidate with the most unique combination of skills and talent.
”
”
Carla Harris (Expect to Win: Proven Strategies for Success from a Wall Street Vet)
“
On a wall of her burial chamber, Ramesses summed up his love for her as such: "My love is unique and none can rival her ... Just by passing, she has stolen away my heart.
”
”
Michelle Moran (The Heretic Queen)
“
The most important thing each of us can know is our unique gift and how to use it in the world.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
This battle will not be won with a few of the strong holding against the tide of tyranny, but with fists raised in unity to build an indestructible wall against the tide, forcing it away from our shores.
”
”
Starr Z. Davies (Unique (Powers, #2))
“
Let us be women who Love.
Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love.
Let us be women who Love.
Let us be women who make room.
Let us be women who open our arms and invite others into an honest, spacious, glorious embrace.
Let us be women who carry each other.
Let us be women who give from what we have.
Let us be women who leap to do the difficult things, the unexpected things and the necessary things.
Let us be women who live for Peace.
Let us be women who breathe Hope.
Let us be women who create beauty.
Let us be women who Love.
Let us be a sanctuary where God may dwell.
Let us be a garden for tender souls.
Let us be a table where others may feast on the goodness of God.
Let us be a womb for Life to grow.
Let us be women who Love.
Let us rise to the questions of our time.
Let us speak to the injustices in our world.
Let us move the mountains of fear and intimidation
Let us shout down the walls that separate and divide.
Let us fill the earth with the fragrance of Love.
Let us be women who Love.
Let us listen for those who have been silenced.
Let us honor those who have been devalued.
Let us say, Enough! with abuse, abandonment, diminishing and hiding.
Let us not rest until every person is free and equal.
Let us be women who Love.
Let us be women who are savvy, smart and wise.
Let us be women who shine with the light of God in us.
Let us be women who take courage and sing the song in our hearts.
Let us be women who say, Yes, to the beautiful, unique purpose seeded in our souls.
Let us be women who call out the song in another’s heart.
Let us be women who teach our children to do the same.
Let us be women who Love.
Let us be women who Love, in spite of fear.
Let us be women who Love, in spite of our stories.
Let us be women who Love loudly, beautifully, Divinely.
Let us be women who Love.
”
”
Idelette McVicker
“
What do they think has happened, the old fools,
To make them like this ? Do they somehow suppose
It's more grown-up when your mouth hangs open and drools
And you keep on pissing yourself, and can't remember
Who called this morning ? Or that, if they only chose,
They could alter things back to when they danced all night,
Or went to their wedding, or sloped arms some September ?
Or do they fancy there's really been no change,
And they've always behaved as if they were crippled or tight,
Or sat through days of thin continuous dreaming
Watching light move ? If they don't (and they can't), it's strange:
Why aren't they screaming ?
At death, you break up: the bits that were you
Start speeding away from each other for ever
With no one to see. It's only oblivion, true:
We had it before, but then it was going to end,
And was all the time merging with a unique endeavour
To bring to bloom the million-petalled flower
Of being here. Next time you can't pretend
There'll be anything else. And these are the first signs:
Not knowing how, not hearing who, the power
Of choosing gone. Their looks show that they're for it:
Ash hair, toad hands, prune face dried into lines-
How can they ignore it ?
Perhaps being old is having lighted rooms
Inside your head, and people in them, acting.
People you know, yet can't quite name; each looms
Like a deep loss restored, from known doors turning,
Setting down a Iamp, smiling from a stair, extracting
A known book from the shelves; or sometimes only
The rooms themselves, chairs and a fire burning,
The blown bush at the window, or the sun' s
Faint friendliness on the wall some lonely
Rain-ceased midsummer evening. That is where they live:
Not here and now, but where all happened once.
This is why they give
An air of baffled absence, trying to be there
Yet being here. For the rooms grow farther, leaving
Incompetent cold, the constant wear and tear
Of taken breath, and them crouching below
Extinction' s alp, the old fools, never perceiving
How near it is. This must be what keeps them quiet.
The peak that stays in view wherever we go
For them is rising ground. Can they never tell
What is dragging them back, and how it will end ? Not at night?
Not when the strangers come ? Never, throughout
The whole hideous inverted childhood? Well,
We shall find out.
”
”
Philip Larkin
“
Our minds swell into each other like a million currents at sea. We merge, we converge. Everyone flows into everyone else with our even realizing. Even cockroaches play their part. We aren't just a person, we aren't just a gender, we aren't just an age, we aren't just a nationality, we aren't even just a species. The walls between us are imaginary. The thoughts we have that are ours are gloriously unique but also gloriously in the same continuing spectrum. Love, fear, grief, guilt, forgiveness. These are the standard in the repertoire. These are the cover versions we get to play. But to be alive is to be a life. To be life. We are life. The same ever evolving life. We need each other. We are here for each other. The pain of life is life. All life. We need to look after each other. And when it feels like we are truly, deeply alone, that is the moment when we need to do something in order to remember how we connect.
”
”
Matt Haig (The Life Impossible)
“
Grammar can erect a false wall. Look at how I keep falling into this trap, writing this piece. To refer to the thousands of diverse individuals with unique histories who are sleeping on the street tonight as "the homeless" certainly expedites a sentence. But it inadvertently reinforces an ugly and false idea, perhaps secretly consoling: that "the homeless" are a monolithic population, a different species of person from those of "us" lucky enough to have jobs and homes.
”
”
Karen Russell (Tales of Two Americas: Stories of Inequality in a Divided Nation)
“
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.
”
”
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
“
Humboldt was the first to relate colonialism to the devastation of the environment. Again and again, his thoughts returned to nature as a complex web of life but also to man’s place within it. At the Rio Apure, he had seen the devastation caused by the Spanish who had tried to control the annual flooding by building a dam. To make matters worse, they had also felled the trees that had held the riverbanks together like ‘a very tight wall’ with the result that the raging river carried more land away each year. On the high plateau of Mexico City, Humboldt had observed how a lake that fed the local irrigation system had shrunk into a shallow puddle, leaving the valleys beneath barren. Everywhere in the world, Humboldt said, water engineers were guilty of such short-sighted follies. He debated nature, ecological issues, imperial power and politics in relation to each other. He criticized unjust land distribution, monocultures, violence against tribal groups and indigenous work conditions – all powerfully relevant issues today. As a former mining inspector, Humboldt had a unique insight into the environmental and economic consequences of the exploitation of nature’s riches. He questioned Mexico’s dependence on cash crops and mining, for example, because it bound the country to fluctuating international market prices. ‘The only capital,’ he said, that ‘increases with time, consists in the produce of agriculture’. All problems in the colonies, he was certain, were the result of the ‘imprudent activities of the Europeans’.
”
”
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
“
As I passed I saw a cafe, a cafe on the street, with an open door, and one small round table outside, just big enough for two persons, two glasses of wine, two small iron chairs, a diminutive cafe…shabby, with a faded sign, a dull window, lopsided walls, uneven roof. The smallness of it, the intimacy of it, the humanity of its proportion… A human being feels one can sit in such a cafe even if one’s hair is not perfectly in place and one’s shoes are not shined... One could sit there and feel unique, feel in tune with the world, or out of tune, feel human and open to human emotion... One could sit there if one felt the world too big and too barbaric, and feel once more in a human setting, a proper setting for a human being… Why did I feel warmed by imperfections, discomfort, and patina? Because intense living leaves scars…inner scars, softened, human wear and tear.
”
”
Anaïs Nin
“
The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others.
”
”
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
“
I whipped my head to the left, toward the distinctive couch along the far wall that I heavily featured in my videos, then to my bed and the stupid fucking custom headboard I just had to commission because I couldn’t go to Ikea like everyone else on the goddamn planet. No, I had to be special. Unique.
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
Another response of the wizards, when faced with a new and unique situation, was to look through their libraries to see if it had ever happened before. This was, Lord Vetinari reflected, a good survival trait. It meant that in times of danger you spent the day sitting very quietly in a building with very thick walls.
”
”
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
“
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.
White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs.
Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.
”
”
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
“
David watched Sol finish the can of beans. Sol always ate fast. He overate. Since he was eight.
Sol leaned back in the wooden chair against the wall, under the window. Baby brother. Sol could have been anything he wanted to be. Nothing mathematical, nothing quantitative, of course, but anything else. A beautiful boy, a wonderful brother, they got along well.
Then when Sol turned eight years old, age of a new beginning, their mother obsessed over him, ignoring David.
Obsessed over Sol and his underwear. Over and over, a regeneration, a newness. Changed his clothes constantly, had him on her lap every minute possible. She put him in bed and tucked the covers in every night. She refused to let their father do it, so he always took care of David.
But, of course, David needed no help and Sol always needed Ruth to take care of him.
Sol was still being breast fed even when he finally went to kindergarten. Then Ruth slowly increased regular, solid food. But before bed, Sol had a nightcap, mother’s milk. Their special time. Their unique closeness took a turn from breastfeeding to something else. By the time Sol was in third grade, he was one of the fattest kids in class. Then the brothers became a real team.
Now here he was. David and Sol still together, on a mission given by the Creator. It was perfect.
”
”
Michael Grigsby (Segment of One)
“
Women make these calls based on so many things that men can only begin to speculate about. Every situation is unique and every woman is right when she decides what is right for herself. At the core of a belief in reproductive freedom is an affirmation of diversity. The right to our human diversity, more than the right to privacy, is what we’re really talking about when we talk about the freedom of choice. Like religious freedom and the freedom of speech, reproductive freedom in America should be understood as a fundamental right of reasonable people to be different from one another and to understand things differently. Our freedom to have differences of
”
”
Ani DiFranco (No Walls and the Recurring Dream: A Memoir)
“
including thousands of paintings in his unique, semi-cartoonish style, often densely packed with animals and figures—Elvis, George Washington, angels—and set fancifully in apocalyptic landscapes. In short order, he was appearing on Johnny Carson’s Tonight Show and creating album covers for R.E.M. and Talking Heads. Upon entry to the garden, I was greeted by a giant self-portrait of a smirking Finster in a burgundy suit, affixed to a cinderblock wall. At the bottom are the words “I began painting pictures in Jan-1976—without any training. This is my painting. A person don’t know what he can do unless he tryes. Trying things is the answer to find your talent.
”
”
David Epstein (Range: Why Generalists Triumph in a Specialized World)
“
Artists are the flowers of our world. The best ones are those that can stand out from the crowd and create their own concrete garden -- to move us, inspire us, and makes us think hard. A flower with no smell to it is just something to look at. However, a flower that emits a beautiful fragrance is the one we want in our homes and on our walls. Your mission as an artist, is to become the best-smelling flower in the world, so that when the day finally comes when you are plucked from the ground, the world will cry for the loss of your mind-stimulating fragrance. Be different. Be original. Nobody will remember a specific flower in garden loaded with thousands of the same flower, but they will remember the one that managed to change its color to purple.
Truth Is Crying, 2008
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Oh, the sudden change of perspective brought about by travel and absence! How different everything was here: the people in the streets, the houses, the color of the air, the sky above the roofs, a low sky, very close, with molded clouds, and which looked as if it had come out of a painting. A unique setting, a subtle atmosphere of silvery greys, the patina of centuries on the old walls—a shimmering marvel for the eyes of a painter. ("The Dead Town")
”
”
Georges Rodenbach (Hans Cadzand's Vocation & Other Stories)
“
And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider’s web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving—to pluck a leaf from a bush or stroke a rock wall in passing—light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves.
”
”
Vladimir Nabokov (The Stories of Vladimir Nabokov)
“
True to a unique tradition of Rome, all the nearby walls had been slathered with that unique institution of the Latin race: graffiti. Daubed in paint of every color were slogans such as Death to the aristocrats! and The shade of Tribune Ateius calls out for blood! and May the curse of Ateius fall on Crassus and all his friends! All of this was scrawled wretchedly and spelled worse. Rome has an extremely high rate of literacy, mostly so that the citizens can practice this particular art form.
”
”
John Maddox Roberts (The Tribune's Curse (SPQR, #7))
“
The impotence of liberal humanism is a symptom of its essentially contradictory relationship to modern capitalism. For although it forms part of the ‘official’ ideology of such society, and the ‘humanities’ exist to reproduce it, the social order within which it exists has in one sense very little time for it at all. Who is concerned with the uniqueness of the individual, the imperishable truths of the human condition or the sensuous textures of lived experience in the Foreign Office or the boardroom of Standard Oil? Capitalism’s reverential hat-tipping to the arts is obvious hypocrisy, except when it can hang them on its walls as a sound investment. Yet capitalist states have continued to direct funds into higher education humanities departments, and though such departments are usually the first in line for savage cutting when capitalism enters on one of its periodic crises, it is doubtful that it is only hypocrisy, a fear of appearing in its true philistine colours, which compels this grudging support. The truth is that liberal humanism is at once largely ineffectual, and the best ideology of the ‘human’ that present bourgeois society can muster. The ‘unique individual’ is indeed important when it comes to defending the business entrepreneur’s right to make profit while throwing men and women out of work; the individual must at all costs have the ‘right to choose’, provided this means the right to buy one’s child an expensive private education while other children are deprived of their school meals, rather than the rights of women to decide whether to have children in the first place.
”
”
Terry Eagleton (Literary Theory: An Introduction)
“
Each of us is, more or less, an egg. Each of us is a unique, irreplaceable soul enclosed in a fragile shell. This is true of me, and it is true of each of you. And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own, and then it begins to kill us and cause us to kill others—coldly, efficiently, systematically. . . . Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg.2
”
”
Matthew Strecher (The Forbidden Worlds of Haruki Murakami)
“
Beyond the walls and solid roofs of houses is the outdoors. It is always on the doorstep. The sky, serene, or piled with white, slow-moving clouds, or full of wind and purple storm, is always overhead. But walls will assert themselves and domineer. They insist on the unique importance of the contents of walls and would have you believe the spaces above them, the slow processions of the seasons and the alternations of sunshine and rain, are accessories, pleasant or unpleasant, of walls.
Collected in: Sisters of the Earth: Women's Prose and Poetry About Nature by Lorraine Anderson
”
”
Edna Brush Perkins
“
I’ve met God across his long walnut desk with his diplomas hanging on the wall behind him, and God asks me, "Why?” Why did I cause so much pain? Didn’t I realize that each of us is a sacred, unique snowflake of special unique specialness? Can’t I see how we’re all manifestations of love? I look at God behind his desk, taking notes on a pad, but God’s got this all wrong. We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens. And God says, "No, that’s not right.” Yeah. Well. Whatever. You can’t teach God anything. God asks me what I remember. I remember everything.
”
”
Chuck Palahniuk (Fight Club)
“
But how…how am I a dragon? How are you a starman?”
“I don’t think of myself as a starman, exactly,” he said soberly, though I sensed he wanted to smile. His hand released mine, the bridge broken; he moved to hang the lantern on a shiny new hook dug into the wall behind us. “I was born here, on earth. Not even far from here, in fact. Just over in Devon. My parents died young, when I was only five. Hastings is my great-uncle and he took me in, and I’ve lived here ever since. But I’ve always known what I am, as far back as I can remember. I’ve always been able to do the things I do. The stars have always spoken to me.”
“And you…speak back to them?”
“Yes,” he said simply.
“But not to people.”
“No. Just to Hastings, and to you.”
A shiver took me; I crossed my arms over my chest. “What do the stars say?”
“All manner of things. Amazing things. Secret things. Things great and small, things profound and insignificant. They told me that, throughout time, there’ve been only a scattering of people like me, folk of both flesh and star. That even the whisper of their magic in my blood could annihilate me if I didn’t learn to control it. That I’d crisp to ash without control. Or, worse, crisp someone else.” His smile broke through. “And they told me about you. That you were born and would come to me when the time was right.”
“Did you summon me here?” The muted echo of my voice rebounded against the firefly walls: here-here-here. “To Iverson, I mean?”
…mean-mean-mean…
He didn’t answer at first. He looked at his feet, then walked to the edge of the embankment and squatted down, raking his fingers through the bright water near the toes of his boots.
“We are such stuff as dreams are made on,” he said softly to the water. “Both infinite and finite, human and not. I’m of comet and clay and the sparks of sun across the ocean waves.” He sighed. “I know what it’s like to doubt yourself, to comprehend that you’re so unique you’re forced to wonder about…everything. But, yes, I called you to Iverson.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
At one end of the vast C bitten from the castle a single great bastion-tower stood, almost intact, five kilometres high, and casting a kilometre-wide shadow across the rumpled ground in front of the convoy. The walls had tumbled down around the tower, vanishing completely on one side and leaving only a ridge of fractured material barely five hundred metres high on the other. The plant-mass babilia, unique to the fastness and ubiquitous within it, coated all but the smoothest of vertical surfaces with tumescent hanging forests of lime-green, royal blue and pale, rusty orange; only the heights of scarred wall closest to the more actively venting fissures and fumaroles remained untouched by the tenacious vegetation.
”
”
Iain M. Banks (Feersum Endjinn)
“
Anything . . . supernatural?” I asked.
“No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .”
“What?” I said.
“Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.”
I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said.
“Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.”
“Couldn’t that just mean that this place doesn’t have any?”
“Hardly. When you were young, did you ever spill red wine on your parents’ carpet?”
I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.”
“And what did your mother do to clean it up?”
“Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.”
“Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.”
“You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.”
“I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook.
”
”
William Ritter (Ghostly Echoes (Jackaby, #3))
“
Welcome, ladies and gentlemen, to your new home.’ He gestured to the stone walls of the cavern that surrounded them. ‘Your lives as you once knew them are over,’ he continued. ‘You have been selected, all of you, the worst, the most cunning, the most mischievous minds from around the world . . . selected to become part of an institution like no other. You have all exhibited certain unique abilities, abilities that set you apart from the mediocrity of the teeming masses and which mark you out as the leaders of tomorrow. Here, in this place, you will be furnished with the knowledge and experience to best exploit your own natural abilities, to hone your craft to a cutting edge.’
He paused and slowly surveyed the pale, wide-eyed faces before him.
‘Each of you has within you a rare quality, a gift if you will, a special talent for the supremely villainous. Society would have us believe that this is an undesirable characteristic, something that should be subdued, controlled, destroyed. But not here . . . no, here we want to see you blossom into all that you can be, to see your innate wickedness flourish, to make you the very worst that you can be.’
He stepped out from behind the lectern and walked to the edge of the raised platform. As he loomed over them he seemed to grow taller and some of those at the front of the group edged backwards nervously.
‘For today all of you have the unique honour and privilege of becoming the newest students of the world’s first and only school of applied villainy.’ He spread his arms, gesturing to the walls around them. ‘Welcome to H.I.V.E., the Higher Institute of Villainous Education.
”
”
Mark Walden (H.I.V.E. Higher Institute of Villainous Education (H.I.V.E., #1))
“
Words present to us little pictures of things, lucid and normal, like the pictures that are hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter’s bench, a bird, an ant-hill; things chosen as typical of everything else of the same sort. But names present to us — of persons and of towns which they accustom us to regard as individual, as unique, like persons — a confused picture, which draws from the names, from the brightness or darkness of their sound, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction, or by a whim on the designer’s part, are blue or red not only the sky and the sea, but the ships and the church and the people in the streets.
”
”
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
“
The enduring racial isolation of the ghetto poor has made them uniquely vulnerable in the War on Drugs. What happens to them does not directly affect—and is scarcely noticed by—the privileged beyond the ghetto’s invisible walls. Thus it is here, in the poverty-stricken, racially segregated ghettos, where the War on Poverty has been abandoned and factories have disappeared, that the drug war has been waged with the greatest ferocity. SWAT teams are deployed here; buy-and-bust operations are concentrated here; drug raids of apartment buildings occur here; stop-and-frisk operations occur on the streets here. Black and brown youth are the primary targets. It is not uncommon for a young black teenager living in a ghetto community to be stopped, interrogated, and frisked numerous times in the course of a month, or even a single week, often by paramilitary units.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
The difference between sport climbing and the big-wall linkups that Alex specializes in is like the difference between sprinting and distance running. One relies primarily on power, the other on endurance. Alex is a long-distance thoroughbred, not a sprinter, and no matter how hard he trains, he will never be able to pull as hard as the world’s best sport climbers, guys like Chris Sharma, Adam Ondra, and Alex Megos; just like how Haile Gebrselassie will never beat Usain Bolt in the hundred-meter dash—and Bolt will never beat Gebrselassie in the 10,000 meters. The point is that while sport climbing and big walls are part of the same sport, they’re entirely different disciplines. One of the things that makes climbing unique, though, is that the different disciplines can be combined. The Dawn Wall, which combined powerful cutting-edge sport climbing with the drawn-out effort of a medieval siege, is a perfect example.
”
”
Mark Synnott (The Impossible Climb: Alex Honnold, El Capitan, and the Climbing Life)
“
I can remember in days gone by the pressure of feeling like I needed to conform to some sort of religious stereotype. You may feel the same way even now, like nobody really understands who you are, what your unique life calling is or how it fits in the body of Christ. The truth is my friend, most of the frustration believers face today when it comes to their calling comes from a place of trying to make it all fit within the four walls of the church. Truth be told, only about 1% of people are really called to vocational ministry within the local church. The rest of us are called to be in the marketplace, releasing the light and life of the Kingdom every day through our unique creative expression. So whether that’s business or art, family or finance you have the divine opportunity to align yourself today with the purposes of the Kingdom, see God start moving through you like never before and watch as the abundance of our Father overtakes you.
”
”
Matt Tommey (Creativity According to the Kingdom: Connecting with Heaven to Create with God and Release Transformation)
“
the sales reps walks by her office, taps on the glass wall and calls out, ‘Yo, Soph!’ She calls back ‘Yo, Matt!’ and waves a fist in the air like a homeboy. She is such a fraud. She taps quickly on the delete key, thinking with pleasurable horror of the reaction if she had accidentally clicked on ‘send’. Their hurt, earnest faces! What can Thomas possibly want, after all this time? She finds herself remembering a sugary-brown smell. It is the smell of cinnamon toast, frangipani blossoms and Mr Sheen –the smell of his Aunt Connie’s house. Sophie had been going out with Thomas for nearly a year when she decided to break up with him. The decision was the result of weeks of agonised self-analysis. Yes, she loved him, but did she love him for the right reasons? She knew, for example, that it was right to love a man for his kind heart, but wrong to love him for his bank account. It was fine to love him for his gorgeous blue eyes, but shallow to love him for his tanned muscles. (Unless, of course, they were uniquely his muscles,
”
”
Liane Moriarty (The Last Anniversary)
“
Esse"
I looked at that face, dumbfounded. The lights of métro stations flew by; I didn’t notice them. What can be done, if our sight lacks absolute power to devour objects ecstatically, in an instant, leaving nothing more than the void of an ideal form, a sign like a hieroglyph simplified from the drawing of an animal or bird? A slightly snub nose, a high brow with sleekly brushed-back hair, the line of the chin – but why isn’t the power of sight absolute? – and in a whiteness tinged with pink two sculpted holes, containing a dark, lustrous lava. To absorb that face but to have it simultaneously against the background of all spring boughs, walls, waves, in its weeping, its laughter, moving it back fifteen years, or ahead thirty. To have. It is not even a desire. Like a butterfly, a fish, the stem of a plant, only more mysterious. And so it befell me that after so many attempts at naming the world, I am able only to repeat, harping on one string, the highest, the unique avowal beyond which no power can attain: I am, she is. Shout, blow the trumpets, make thousands-strong marches, leap, rend your clothing, repeating only: is!
She got out at Raspail. I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.
”
”
Czesław Miłosz (New and Collected Poems: 1931-2001)
“
Varanasi is the holiest city in Hinduism in India, which is a very unique city in india. The land of Varanasi (Kashi) has been the ultimate pilgrimage spot for Hindus for ages. Often referred to as Benares, Varanasi is the oldest living city in the world. Ganges in Varanasi is believed to have the power to wash away the sins of mortals. Ganges is said to have its origins in the tresses of Lord Shiva and in Varanasi, it expands to the mighty river that we know of. The city is a center of learning and civilization for over 3000 years. With Sarnath, the place where Buddha preached his first sermon after enlightenment, just 10 km away, Varanasi has been a symbol of Hindu renaissance. Knowledge, philosophy, culture, devotion to Gods, Indian arts and crafts have all flourished here for centuries. The holy city has many other temples also. The Tulsi Manas mandir is a modern marble temple. The walls of the temple are engraved with verses and scenes from Ramcharitmanas, hindi version of Ramayana, written by Tulsidas ji who lived here. Varanasi has produced numerous famous scholars and intellectuals, who have left their mark in respective fields of activity. Varanasi is home to numerous universities, college, schools, Madarsas and Pathshalas and the Guru Shishya tradition still continue in many institutions. The literary tradition of languages, dialects, newspapers, magazines and libraries continue to even this day. In varanasi one must have to do Boat Ride.
”
”
rubyholidays
“
My identity as Jewish cannot be reduced to a religious affiliation. Professor Said quoted Gramsci, an author that I’m familiar with, that, and I quote, ‘to know thyself is to understand that we are a product of the historical process to date which has deposited an infinity of traces, without leaving an inventory’. Let’s apply this pithy observation to Jewish identity. While it is tempting to equate Judaism with Jewishness, I submit to you that my identity as someone who is Jewish is far more complex than my religious affiliation. The collective inventory of the Jewish people rests on my shoulders. This inventory shapes and defines my understanding of what it means to be Jewish. The narrative of my people is a story of extraordinary achievement as well as unimaginable horror.
For millennia, the Jewish people have left their fate in the hands of others. Our history is filled with extraordinary achievements as well as unimaginable violence. Our centuries-long Diaspora defined our existential identity in ways that cannot be reduced to simple labels. It was the portability of our religion that bound us together as a people, but it was our struggle to fit in; to be accepted that identified us as unique. Despite the fact that we excelled academically, professionally, industrially, we were never looked upon as anything other than Jewish. Professor Said in his book, Orientalism, examined how Europe looked upon the Orient as a dehumanized sea of amorphous otherness. If we accept this point of view, then my question is: How do you explain Western attitudes towards the Jews? We have always been a convenient object of hatred and violent retribution whenever it became convenient.
If Europe reduced the Orient to an essentialist other, to borrow Professor Said’s eloquent language, then how do we explain the dehumanizing treatment of Jews who lived in the heart of Europe? We did not live in a distant, exotic land where the West had discursive power over us. We thought of ourselves as assimilated. We studied Western philosophy, literature, music, and internalized the same culture as our dominant Christian brethren. Despite our contribution to every conceivable field of human endeavor, we were never fully accepted as equals. On the contrary, we were always the first to be blamed for the ills of Western Europe. Two hundred thousand Jews were forcibly removed from Spain in 1492 and thousands more were forcibly converted to Christianity in Portugal four years later.
By the time we get to the Holocaust, our worst fears were realized. Jewish history and consciousness will be dominated by the traumatic memories of this unspeakable event. No people in history have undergone an experience of such violence and depth. Israel’s obsession with physical security; the sharp Jewish reaction to movements of discrimination and prejudice; an intoxicated awareness of life, not as something to be taken for granted but as a treasure to be fostered and nourished with eager vitality, a residual distrust of what lies beyond the Jewish wall, a mystical belief in the undying forces of Jewish history, which ensure survival when all appears lost; all these, together with the intimacy of more personal pains and agonies, are the legacy which the Holocaust transmits to the generation of Jews who have grown up under its shadow.
-Fictional debate between Edward Said and Abba Eban.
”
”
R.F. Georgy (Absolution: A Palestinian Israeli Love Story)
“
It was clear just how much Tommy loved the city. New York City. The CKY Grocery on Amsterdam had giant, bright red Spartan apples every day of the year, even if it wasn’t the right season. He loved that grocery, and the old, shaky Persian man who owned it. Tommy emphatically, yet erroneously believed that the CKY Grocery was the genuine heart of the great city. All five boroughs embodied distinct feelings for him, but there was only one that he’d ever truly romanticized. To him, Manhattan was the entire world.
He loved everything between the East River and the Hudson; from the Financial District up to Harlem; from Avenue A to Zabar’s. He loved the four
seasons, although autumn was easily the most anticipated. To Tommy, Central Park’s bright, almost copper hues in the fall were the epitome of orange. He loved the unique perfume of deli meats and subway steam. He loved the rain with such verve that every time it so much as drizzled, he would turn to the sky so he could feel the drops sprinkle onto his teeth. Because every raindrop that hit him had already experienced that much envied journey from the tips of the skyscrapers all the way down to the cracked and foot-stamped sidewalks. He believed every inch of the city had its own predetermined genre of music that suited it to a tee. The modal jazz of Miles Davis and Wayne Shorter was absolutely meant for the Upper East Side, north of 61st Street. Precisely between Gershwin and gospel. He loved the view from his apartment, even if it was just the leaves of the tree outside in July or the thin shadows of its bare branches crawling along the plain brick wall in January. Tommy loved his career. He loved his friends. And he loved that first big bite of apple I watched him take each and every morning.
Everything was perfect in the city, and as long as things remained the way he wanted them to, Tommy would continue to love the city forever. Which is exactly why his jaw dropped when he opened the letter he found in his mailbox that morning. The first bite of still un-chewed apple fell out of his mouth and firmly planted itself within the crack of that 113th Street
sidewalk.
”
”
Ryan Tim Morris (The Falling)
“
Destiny. He, I mean Geralt, is linked to me by destiny, and I am to him. Our destinies are conjoined. So it would be better if I went away from here. Right away. Do you understand?” “I confess that I don’t quite.” “Destiny!” She took a sip. “A force which it’s better not to get in the way of. Which is why I think… No, no thank you, don’t serve me any more, please, I’ve eaten so much I think I’ll burst.” “You mentioned thinking.” “I think it was a mistake to lure me here. And force me to… Well, you know what I mean. I must get away from here, and hurry to help him… Because it’s my destiny—” “Destiny,” he interrupted, raising his glass. “Predestination. Something that is inevitable. A mechanism which means that a practically unlimited number of unforeseeable events must end with the same result and no other. Is that right?” “Certainly!” “Then whence and wherefore do you wish to go? Drink your wine, enjoy the moment, delight in life. What is to come will come, if it’s inevitable.” “Like hell. It’s not that easy.” “You’re contradicting yourself.” “No, I’m not.” “You’re contradicting your contradiction, and that’s a vicious circle.” “No!” She tossed her head. “You can’t just sit and do nothing! Nothing comes by itself!” “Sophistry.” “You can’t waste time unthinkingly! You might overlook the right moment… That one right, unique moment. For time never repeats itself.” “Permit me.” He stood up. “Look at that, over there.” On the wall he was pointing at was a protruding relief portraying an immense, scaly snake. The reptile, curled up in a figure of eight, was sinking its great teeth into its own tail. Ciri had once seen something like it, but couldn’t remember where. “There,” said the elf. “The ancient snake Ouroboros. Ouroboros symbolises eternity and is itself eternal. It is the eternal going away and the eternal return. It is something that has no beginning and no end. “Time is like the ancient Ouroboros. Time is fleeting moments, grains of sand passing through an hourglass. Time is the moments and events we so readily try to measure. But the ancient Ouroboros reminds us that in every moment, in every instant, in every event, is hidden the past, the present and the future. Eternity is hidden in every moment. Every departure is at once a return, every farewell is a greeting, every return is a parting. Everything is simultaneously a beginning and an end.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
“
I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore.
But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Sinclair James - English Communication Language in Asia
Is English Language a Hindrance to Communication for Foreigners in Asia?
One of the hesitations of westerners in coming to Asia is the language barrier. True, Asia has been a melting pot of different aspects of life that in every country, there is a distinct characteristic and a culture which would seem odd to someone who grew up in an entirely different perspective. Language is one of the most flourishing uniqueness of Asian nations. Although their boundaries are emphasized by mere walls which can be broken down easily, the brand of each individual can still be determined on the language they use or most comfortable with. Communication may be a problem as it is an issue which neighboring countries also encounter on each other. Message relays or even simple gestures, if interpreted wrongly can cause conflicts. Indeed, the complaints are valid.
However, on the present day number of American and European visitors and the boost in tourism economies, language barriers seem to have been surpassed. Perhaps, the problem may not even exist at all.
According to English Language Proficiency Test (ELPT) and International English Language Testing System (IELTS), Asian countries are not altogether illiterate in speaking and understanding the universal language. If so, there are countries which can even speak English as fluent as any native can. Take for example the Philippines.
Once in Manila, the country’s capital, you will find thousands of individuals representing different nationalities. The center for business growth in the country, Business Process Outsourcing (BPO) has proven the literacy of the people in conversing using the international language.
Clients from abroad prefer Filipinos in dealing with customers concern since they can easily comprehend grasp and explain things in English. ELPT and IELTS did not even include the Philippines in the list of the top English speaking nations in Asia since they are already considered one of the best and most fluent in this field.
Other neighboring Asian countries also send their citizens to the Philippines to learn English. With a mixture of British and American English being used in everyday conversations, the Philippines has to be considered to be included in the top 5 most native English speakers.
You may even be surprised to meet a young child in Manila who has not gone to school or mingled with foreigners but can speak and understand English. Singapore, Indonesia, Malaysia and most Asian countries, if indeed all, can also easily understand and speak English.
It seems that the concern for miscommunication has completely no basis and remains a groundless issue. Maybe perhaps, those who say this just want to find a dumb excuse?
Read more at: SjTravels.com
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James Sinclair
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So, you want to improve your home like you have some knowledge and respect for the endeavor, yes? Very well. First, you need to know the basics associated with it to
showcase what type of knowledge you actually have about it. If that is not enough, try reviewing the article listed below to assist you.
Home improvement is often a daunting task. This is because of the time and the amounts of money required. However, it doesn't have to be so bad. If you have several
projects in your house, divide them up into several smaller DIY projects. For example you may want to redo the entire living room. Start simple, by just replacing the
carpet, and before you know it, your living room will be like new.
One great way to make the inside of your home sparkle is to put new molding in. New molding helps create a fresh sense in your living space. You can purchase special
molding with beautiful carvings on them to add a unique touch of elegance and style to your home.
When it comes to home improvement, consider replacing your windows and doors. This not only has a chance of greatly improving the value of the home, but may also
severely decrease the amount of money required to keep your house warm and dry. You can also add extra security with new doors and windows.
Change your shower curtain once a month. Showering produces excessive humidity in a bathroom that in turn causes shower curtains to develop mold and mildew. To keep
your space fresh and healthy, replace your curtains. Don't buy expensive plastic curtains with hard to find designs, and you won't feel bad about replacing it.
Sprucing up your walls with art is a great improvement idea, but it doesn't have to be a painting. You can use practically anything for artwork. For instance, a
three-dimensional tile works great if you contrast the colors. You can even buy some canvas and a frame and paint colored squares. Anything colorful can work as art.
If you are renovating your kitchen but need to spend less money, consider using laminate flooring and countertops. These synthetic options are generally much less
expensive than wood, tile, or stone. They are also easier to care for. Many of these products are designed to closely mimic the natural products, so that the
difference is only visible on close inspection.
New wallpaper can transform a room. Before you add wallpaper, you need to find out what type of wall is under the existing wallpaper. Usually walls are either drywall
or plaster smoothed over lath. You can figure out what kind of wall you are dealing with by feeling the wall, plaster is harder, smoother, and colder than drywall. You
can also try tapping the wall, drywall sounds hollow while plaster does not.
Ah, you have read the aforementioned article, or you wouldn't be down here reading through the conclusion. Well done! That article should have provided you with a
proper foundation of what it takes to properly and safely improve your home. If any questions still remain, try reviewing the article again.
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GutterInstallation
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What makes the church truly unique in the life of the people of God is that we are now meant to hold our place in the wall together, in teams of people who worship like monks, live like family, and engage the world like missionaries. But what happens when the church itself goes astray? When the church becomes more of a club than the hands and feet of Jesus? We are called to examine our hearts and test our ways. It is time also to look at the way we do church.
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Brian Sanders (Microchurches: A Smaller Way)
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Visit TopLine Clothes Lines for electric ceiling mounted clothes lines & unique wall mounted units. Rated Australia's best indoor clothes lines. View here today for all models and display center locations around Australia. Topline is the new revolution for clothes lines and you can view all units here.
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Topline Clotheslines
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I am trying to understand what it means to own a thing, especially a wild and living being. To have exclusive rights to its fate? To dispose of it at will? To deny others its use? Ownership seems a uniquely human behavior, a social contract validating the desire for purposeless possession and control.
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Robin Wall Kimmerer
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This capacity to maintain a long series of exhalations is unique to humans, thanks to bipedal locomotion. In quadrupedal animals like monkeys and apes, the shoulder locks the chest wall whenever the weight is on one arm during movement, and this means they can only take one breath per walking cycle. In humans, the arms are freed from weight-bearing, and so we are able to disconnect the breathing and walking cycles. This becomes important later for the evolution of speech, because this too depends on being able to sustain long, uninterrupted exhalations. Otherwise, we would end up with one-word sentences!
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Clive Gamble (Thinking Big: How the Evolution of Social Life Shaped the Human Mind)
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Redeemed particularity is part of God’s perfecting plan for his creation. Redeemed uniqueness is a gift of the Spirit allowing ransomed humans to be ‘gifted’ to the world for its common good. As Gunton puts it, ‘The Spirit enables people and things to be themselves through Jesus Christ.’ There is unity but never uniformity…
…The redemption of the post-Pentecost world contrasts with the well-intentioned credo of the band U2. In ‘I Still Haven’t Found What I’m Looking For,’ belief in ‘Kingdom come’ coincides with the hope that ‘all the colors’ will eventually ‘bleed into one.’
While this is indeed a worthy hope, it is not quite the biblical one. In Scripture, it is not all who bleed into one but one (Jesus of Nazareth) who ‘bleeds’ into all so that our particularity - our ‘colors’ are not ‘washed out’ but brightened, like a renovated painting. Pentecost does not return us to a pre-Babel monochrome. Instated, it redeems diversity so that tribe, tongue, and racial contrasts remain, but without the ‘dividing wall’ between us (Eph.2:14). The kingdom itself is a coat of many colors because the Spirit does not wash out but redeems particularity.
This also explains why Christ’s Spirit-driven moral influence moves us away from racist, classist, sexist, and nationalist errors. These are gospel issues.
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Joshua M. McNall
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Redeemed particularity is part of God’s perfecting plan for his creation. Redeemed uniqueness is a gift of the Spirit allowing ransomed humans to be ‘gifted’ to the world for its common good. As Gunton puts it, ‘The Spirit enables people and things to be themselves through Jesus Christ.’ There is unity but never uniformity…
…The redemption of the post-Pentecost world contrasts with the well-intentioned credo of the band U2. In ‘I Still Haven’t Found What I’m Looking For,’ belief in ‘Kingdom come’ coincides with the hope that ‘all the colors’ will eventually ‘bleed into one.’
While this is indeed a worthy hope, it is not quite the biblical one. In Scripture, it is not all who bleed into one but one (Jesus of Nazareth) who ‘bleeds’ into all so that our particularity - our ‘colors’ - are not ‘washed out’ but brightened, like a renovated painting. Pentecost does not return us to a pre-Babel monochrome. Instated, it redeems diversity so that tribe, tongue, and racial contrasts remain, but without the ‘dividing wall’ between us (Eph.2:14). The kingdom itself is a coat of many colors because the Spirit does not wash out but redeems particularity.
This also explains why Christ’s Spirit-driven moral influence moves us away from racist, classist, sexist, and nationalist errors. These are gospel issues.
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Joshua M. McNall
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it crystallizes a number of uniquely American ideals about the relationship between the economy, rights, and sovereignty: Labor mixed with nature creates property. Property creates virtue. Private property-based virtue exists prior to the state. And the state's only legitimate function is to protect virtue, not create virtue. It's a sleight of hand, this sequence, for, as Turner wrote in his notes, "government came before." But it was, and remains, a powerful move, one that premises the virtue of freedom as existing independently of the state and restricts the role of the state to only guarding virtue. That premise makes possible the ongoing refusal of the United States to accept the legitimacy of social or economic rights.
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Greg Grandin (The End of the Myth: From the Frontier to the Border Wall in the Mind of America)
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It was fast. Crawling along the walls, mouth unhinged, fangs bared.
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Scott J. Moses (Our Own Unique Affliction)
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And it's not only beauty and beautiful things. In a flicker of sunlight on a blank wall, or a reach of muddy pavement, or smoke from an engine at night, there's a sudden significance and importance and inspiration that makes the breath stop with a gulp of certainty and happiness. It's not that the wall or the smoke seem important for anything or suddenly reveal any general statement, or are suddenly seen to be good or beautiful in themselves- only that for you they're perfect and unique. It's like being in love with a person... I suppose my occupation is being in love with the universe.
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Rupert Brooke (The Letters of Rupert Brooke)
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The father of Zionism, Theodore Herzl, wrote in his seminal 1896 pamphlet, The Jewish State, “There [in Palestine] we shall be a sector of the wall of Europe against Asia, we shall serve as the outpost of civilization against barbarism.”24 Former Prime Minister Ehud Barak, who led the country between 1999 and 2001, used a metaphor with a similar meaning: Israel is a “villa in the middle of a jungle,” arguing that Israel was a civilized nation among Muslim savages in the Middle East. This language matters because it displays a contempt for non-Jews that is carried into its relations with outsiders. It was common for Jews to be taught at school or in religious education, as I was told at home by my liberal Jewish parents, that Jews are the chosen people and have a unique relationship with God and society. We could and should help others (though there were set limits to this sympathy, namely excluding Palestinians). It is a belief system that allows racial supremacy against non-Jews to thrive and justifies disregard for their lives. Prime Minister Benjamin Netanyahu said in 2010, referencing the phrase from verses in the Book of Isaiah, that Israel is “a proud people with a magnificent country and one which always aspires to serve as ‘light unto the nations.
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Antony Loewenstein (The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World)
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Bigotry is a poison that corrodes the very fabric of humanity, staining our hearts with prejudice and our minds with ignorance. It is a destructive force that thrives on fear, division, and the rejection of our shared humanity. To combat bigotry is to dismantle the barriers that separate us, to recognize the inherent worth of every individual, regardless of their race, religion, gender, or sexual orientation. It is to embrace diversity as a source of strength, understanding that our differences are what make us beautifully unique. Bigotry blinds us to the richness of the tapestry of human existence, condemning us to a world of narrow-mindedness and intolerance. It stifles progress, stifles progress, hampers empathy, and perpetuates injustice. It is an affront to the principles of equality and the fundamental rights we all deserve. Confronting bigotry requires courage, empathy, and a commitment to unlearn the biases ingrained within us. It is an ongoing process that demands self-reflection and a willingness to challenge our own preconceived notions. It is about standing up against discrimination in all its forms, whether overt or subtle, and refusing to be complicit in the face of injustice. In the fight against bigotry, we must be vigilant and steadfast, for it is not enough to be non-racist or non-discriminatory; we must actively be anti-bigotry. We must use our voices to amplify the silenced, to advocate for change, and to build bridges of understanding where there were once walls of prejudice. Let us remember that the power to eradicate bigotry lies within each and every one of us. It is through education, dialogue, and empathy that we can dismantle the walls of hatred and forge a society built on acceptance, respect, and love. Together, let us be the fierce advocates for equality, the beacons of hope in the face of darkness, and the champions of a world where bigotry has no place. For in the unity of our actions, we can create a future where every individual can flourish, and where the radiant tapestry of humanity shines in all its glory.
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D.L. Lewis
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Monster. Demon. Evil. Insufferable child. Miserable bitch. Though they all hurt and damaged me in unique ways, I think one was worse. One broke me, unlike the rest. One made me realize that perhaps death would be the only cry loud enough to be heard. No one heard me. No one ever fucking heard me. “Being told that I was, inevitably, going to kill people. Being told that they could see the sinister evil inside my soul. That looking at me made them sick.” I choke on tears and swallow hard, blinking past the emotions and fighting all my inner safety walls to get the words out. “That I was better off dead. Because all my existence did was make them wish to die.
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K.M. Moronova (The Fabric of Our Souls)
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I’ve heard it said that sometimes, in return for the gifts of the earth, gratitude is enough. It is our uniquely human gift to express thanks, because we have the awareness and the collective memory to remember that the world could well be otherwise, less generous than it is. But I think we are called to go beyond cultures of gratitude, to once again become cultures of reciprocity. I
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Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
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The Polite Wassermann. Margaret Trabert lay on the blood-shot candlewick of the bedspread, unsure whether to dress now that Trabert had taken the torn flying jacket from his wardrobe. All day he had been listening to the news bulletins on the pirate stations, his eyes hidden behind the dark glasses as if deliberately concealing himself from the white walls of the apartment and its unsettled dimensions. He stood by the window with his back to her, playing with the photographs of the isolation volunteers. He looked down at her naked body, with its unique geometry of touch and feeling, as exposed now as the faces of the test subjects, codes of insoluble nightmares. The sense of her body’s failure, like the incinerated musculatures of the three astronauts whose after-deaths were now being transmitted from Cape Kennedy, had dominated their last week together. He pointed to the pallid face of a young man whose photograph he had pinned above the bed like the icon of some algebraic magus. ‘Kline, Coma, Xero - there was a fourth pilot on board the capsule. You’ve caught him in your womb.
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J.G. Ballard (The Atrocity Exhibition)
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What I had done was focus on a price that was of unique historical significance to me, only me, namely, my purchase price. Behavioral finance theorists, who have in recent decades begun to analyze the psychological errors in thinking that persistently bedevil most investors, call this anchoring (of yourself to a price that has meaning to you but not to the market).
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Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
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The moment his hands massaged, I cracked again. Wracking sobs exploded from my chest and I doubled over with pain. Not from the rape, or Q’s anger, but because of his touch. No one touched me so tenderly. Never had my parents cuddled or offered comfort in their arms. I grew up never knowing how to hug or kiss or love. Brax came along, and with his sweetness, helped heal me. Even with his tender heartedness, he never just held me—never saw the real me or washed or tended.
It had taken being kidnapped, and sold to a man who didn’t want me, to show how much my existence lacked. Q shattered my walls with his uncouth ways. How could I ever go back to a life where my senses lived in limbo? Where no one cared enough to kill for me?
Q stopped washing my hair, gathering me tighter to him. I crushed against his wet, suited chest, inhaling his unique scent.
He let me cry and didn’t reprimand or control. He offered comfort in silence. Lips pressed my forehead, whispering, “Je suis ici,” over and over. I’m here. I’m here.
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Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
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investing is a unique kind of casino—one where you cannot lose in the end, so long as you play only by the rules that put the odds squarely in your favor. People who invest make money for themselves; people who speculate make money for their brokers. And that, in turn, is why Wall Street perennially downplays the durable virtues of investing and hypes the gaudy appeal of speculation.
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Benjamin Graham (The Intelligent Investor)
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The tendency to view the diversity of forms as bothersome illusions (maya) to be transcended is a common trap in certain nondual teachings. There is often a desire to move beyond the inconvenient multiplicity of parts back to the oneness of pure awareness. However, this practice of discarding the relative in favour of the absolute only leads to further separation and more walls dividing self from Self. Rather than escaping our parts, we can become curious about their unique vantage points. This presents opportunities for connection and appreciating our shared essence. Completely discarding maya overlooks the value of this multiplicity in allowing the absolute to fully know and express itself. The parts are not obstacles to be overcome, but rather vehicles on the path—the teachers in the schoolhouse we call life. What's in the way, is the way. As Rumi's 'Guest House' poem expresses, each part has come for a reason, bringing gifts to share. Rather than rejecting these 'visitors,' we can open the door wide to welcome their presence. By listening to their wisdom with curiosity and compassion, we can deepen our understanding and connection to the whole.
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Laura Patryas (Awaken To Love: Reclaiming Wholeness through Embodied Nonduality with Jungian Wisdom, Psychosynthesis & Internal Family Systems)
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what it does in order to increase its own growth. But as it happens, when the individuals flourish, so does the whole. The way of the Three Sisters reminds me of one of the basic teachings of our people. The most important thing each of us can know is our unique gift and how to use it in the world. Individuality is cherished and nurtured, because, in order for the whole to flourish, each of us has to be strong in who we are and carry our gifts with conviction, so they can be shared with others. Being among the sisters provides a visible manifestation of what a community can become when its members understand and share their gifts. In reciprocity, we fill our spirits as well as our bellies.
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Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
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I like to keep these qualities in mind, and strive to embody them: Visionary
Creative, bold, unique vision Thinker
Critical thinker, open-minded, willing to change your mind Warrior
You will run through walls to win If you’re able to convey all three attributes, you’re going to succeed with investors. You’re also going to attract talent. Finally, don’t forget to be authentic. That is the key that unlocks everything in life.
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Ryan Breslow (Fundraising)
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The role Adolf Knackstedt played in the Berlin story of 1961, when Operation Rose was about to commence, was unique.
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Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
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A day of the Lord is coming, Jerusalem, when your possessions will be plundered and divided up within your very walls. I will gather all the nations to Jerusalem to fight against it; the city will be captured, the houses ransacked, and the women raped. Half of the city will go into exile, but the rest of the people will not be taken from the city. Then the Lord will go out and fight against those nations, as he fights on a day of battle. On that day his feet will stand on the Mount of Olives, east of Jerusalem, and the Mount of Olives will be split in two from east to west, forming a great valley, with half of the mountain moving north and half moving south. You will flee by my mountain valley, for it will extend to Azel. You will flee as you fled from the earthquake in the days of Uzziah king of Judah. Then the Lord my God will come, and all the holy ones with him. On that day there will be neither sunlight nor cold, frosty darkness. It will be a unique day—a day known only to the Lord—with no distinction between day and night. When evening comes, there will be light.” – Zechariah 14:1-7
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Clifford T. Wellman Jr. (The Road to Revelation 4: Life and Death)
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Nothing on this earth had ever felt as good as being inside Chloe.
He gritted his teeth, hanging on to the last remnants of sanity he possessed, as he tried to calm enough not to take her like some primal beast.
The grip of her.
The silky heat.
He braced his elbow next to her head and their eyes locked.
He was fucking Chloe.
This was going to change them forever.
He experienced a rush of panic that quickly dimmed as her thighs clasped his hips and she arched to meet him, gasping.
Her hands fell to his waist, nails digging into his skin.
He moved, gripped her wrists, and brought them up over her head. They were touching everywhere, the length of him sliding into her. Her breasts against his chest. Her inner muscles clamped around him and he cursed, thrusting inside her.
He'd think later. Much, much later.
He covered her mouth with his, his tongue sliding against hers. The air grew thick and humid. Tinged with a desperate, urgent lust. He ripped away and groaned.
Pumped harder inside her.
Her head pressed into the pillow and her neck arched.
He held her wrists tighter, he bit her exposed throat, before soothing the skin with his tongue.
She cried out. Her nails dug harder. Her thighs clenched.
Their movements deepened. Quickened.
He let her go, levered up, and rammed hard inside her, circling his hips. Grinding against her. Thrusting harder. Faster. Deeper.
The bed frame banged its frantic beat against the wall.
Over and over and over again.
Her body rippled down the length of his cock.
He jerked, losing what little control he had as he came in a loud shout, just as her orgasm rushed through her, milking him for everything he was worth, his vision dimming as intense pleasure tore through him in endless waves.
He had no idea how long they went on like that. Pushing and pulsing together mindlessly, lost in the aftershocks of bone-deep satisfaction. He collapsed on top of her, burying his face in the crook of her neck, inhaling that special scent, unique to Chloe. He licked her skin. Tasting salt and sex.
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Kate Angell (The Cottage on Pumpkin and Vine)
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Khrushchev and Ulbricht attempted to save face by holding their own high-profile meeting in East Berlin a few days later, and uniquely, Michael Howard, having witnessed Kennedy’s historic speech at the Rathaus Schönberg, now watched the Communist response. “I went over with a couple of my colleagues to the East to listen to Nikita Khrushchev speak in East Berlin. He turned up with Walter Ulbricht in an open car. It was a very heavy day—quite an ominous portent. And there were quite big crowds, which had fairly obviously been told to come along.
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Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
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Nachama, his parents, and two sisters would eventually be rounded up and transported to a concentration camp, Auschwitz, in the spring of 1943. All but Nachama were gassed, and he would spend the next two years of living hell surviving on his wits, charm, and his extraordinary singing voice. Prisoner 116155, as was tattooed on Nachama’s wrist, entertained the camp guards, inspired and revived his fellow prisoners with his unique and powerful baritone, his popular rendition of “’O Sole Mio” gaining him the nickname “the singer of Auschwitz.
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Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
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Tracy K. Smith, in her essay “Survival in Two Worlds at Once: Federico Garcia Lorca and Duende” argues that we poets can’t assume that the goblin will roost in our art. If there’s duende in our poems, it’s a happy accident, a result of living in such a way that makes the goblin curious enough to visit. She loves the concept of duende, she says, because it supposes that we don’t write poems to win the reader’s approval: we write poems in order to engage in the perilous yet necessary struggle to inhabit ourselves—our real selves, the ones we barely recognize—more completely. It is then that the duende beckons, promising to impart “something newly created, like a miracle,” then it winks inscrutably and begins its game of feint and dodge, lunge and parry, goad and shirk. . . . You’ll get your miracle, but only if you can decipher the music of the battle, only if you’re willing to take risk after risk. If we write poems that face our unique struggles, attempting to find “our real selves,” duende might grant us a “miracle”: that is, the poem. Duende, it seems, doesn’t care who the artist is or what they believe, but only that the work reeks of human struggle. Of feelings exposed. Of the “bare, forked animal” smeared in blood and mud.
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John Wall Barger (The Elephant of Silence: Essays on Poetics and Cinema)
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Let us be women who Love. Let us be women willing to lay down our sword words, our sharp looks, our ignorant silence and towering stance and fill the earth now with extravagant Love. Let us be women who Love. Let us be women who make room. Let us be women who open our arms and invite others into an honest, spacious, glorious embrace. Let us be women who carry each other. Let us be women who give from what we have. Let us be women who leap to do the difficult things, the unexpected things and the necessary things. Let us be women who live for Peace. Let us be women who breathe Hope. Let us be women who create beauty. Let us be women who Love. Let us be a sanctuary where God may dwell. Let us be a garden for tender souls. Let us be a table where others may feast on the goodness of God. Let us be a womb for Life to grow. Let us be women who Love. Let us rise to the questions of our time. Let us speak to the injustices in our world. Let us move the mountains of fear and intimidation. Let us shout down the walls that separate and divide. Let us fill the earth with the fragrance of Love. Let us be women who Love. Let us listen for those who have been silenced. Let us honour those who have been devalued. Let us say, Enough! with abuse, abandonment, diminishing and hiding. Let us not rest until every person is free and equal. Let us be women who Love. Let us be women who are savvy, smart, and wise. Let us be women who shine with the light of God in us. Let us be women who take courage and sing the song in our hearts. Let us be women who say, Yes to the beautiful, unique purpose seeded in our souls. Let us be women who call out the song in another’s heart. Let us be women who teach our children to do the same. Let us be women who Love. Let us be women who Love, in spite of fear. Let us be women who Love, in spite of our stories. Let us be women who Love loudly, beautifully, Divinely. Let us be women who Love.
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Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
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Aimshala's Vision for Education: Empowering Educators, Enriching Lives
In the heart of every learner's journey, there exists a light of inspiration, a guide through the moving seas of knowledge and discovery. This guide, often hidden and ignored, is the educator. At Aimshala, we understand the transformative power of educators not just in imparting knowledge, but in enriching lives and empowering minds. Our vision for education is deeply rooted in the belief that by empowering educators, we can create ripples of change that extend beyond classroom walls, enriching the lives of countless individuals and, by extension, society itself.
The Unknown Heroes of Our Society
Educators are the unknown heroes of our society, the architects of the future, shaping minds and inspiring hearts. They do more than teach; they awaken curiosity, instill resilience, and foster a lifelong love for learning. The impact of a passionate educator extends far beyond academic achievements; it touches on the very essence of who we become.
At Aimshala, we recognize the challenges educators face daily juggling administrative tasks, adapting to new technologies, and meeting each student's unique needs. Yet, despite these hurdles, their commitment never wavers. They continue to light the path for their students, often with little recognition for their monumental impact. It's for these unsung heroes that Aimshala dedicates its mission: to empower educators and acknowledge their invaluable contribution to shaping our future.
A Journey of Empowerment
Empowerment is at the core of Aimshala's vision for education. But what does it truly mean to empower educators? It means providing them with the tools, resources, and support they need to thrive in their roles. It means creating an environment where their voices are heard, their challenges are addressed, and their achievements are celebrated.
We believe in a holistic approach to empowerment. From continuous professional development opportunities to innovative teaching tools, Aimshala is committed to ensuring educators have what they need to succeed. But empowerment goes beyond material resources; it's about fostering a community of educators who can share experiences, challenges, and successes. A community where collaboration and support are the norms, not the exceptions.
Enriching Lives Through Education
Education has the power to transform lives. It opens doors to new opportunities, develops horizons, and builds bridges across cultures. Aimshala's vision extends to every student touched by our educators. By enriching the lives of educators, we indirectly enrich the lives of countless students.
An enriched life is one of purpose, understanding, and continual growth. Through our support for educators, Aimshala aims to cultivate learning environments where students feel valued, respected, and inspired to reach their full potential. These environments encourage critical thinking, creativity, and the courage to question. They nurture not just academic skills but life skills—empathy, resilience, and the ability to adapt to change.
Building a Future Together
The future of education is a collaborative vision, one that requires the efforts of educators, students, families, and communities. Aimshala stands at the forefront of this collaborative effort, bridging gaps and fostering partnerships that enhance the educational experience for all.
Technology plays a pivotal role in shaping this future. Aimshala embraces innovative educational technologies that make learning more accessible, engaging, and effective. However, we also recognize that technology is but a tool in the hands of our capable educators. It is their wisdom, passion, and dedication that truly transform education.
At Aimshala, our vision for education is clear: to empower educators and enrich lives. We understand the challenges and celebrate the triumphs. We believe in the power of education to transform society.
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Tanya Singh
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In some way, we can compare our inner talents and passions to Earth’s natural resources. Just like buried within the Earth and waiting to be discovered, there are all sorts of natural resources that can provide enormous value to society. Every individual possesses a unique set of talents, skills, and passions waiting to be unearthed too. This means that to uncover our true identity, we must embark on a journey of exploration and self-discovery—a process that can hardly happen while imprisoned within the walls of a school.
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Enric Mestre Arenas (THE MODERN WORLD AGAINST THE HUMAN SOUL: Exploring modernity's impact on the human spirit and well-being)
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Artists do the opposite, every day. We tear down our own walls to dig into the center of our glittery souls and fashion something that’s uniquely ours—something that no one else can create. We present a slice of our humanity to the world, and nine times out of ten, the world tells us it isn’t for them.
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Alison Rose Greenberg (Maybe Once, Maybe Twice)
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Who were these people who were Nico's friends at that club? It seemed like an Italian-Spanish coffeeshop. I'm not sure, it was quite far from downtown in a pretty hidden location. I don't remember the name of the club or the street, but if I drive from Urgell I can find it. I took a few pictures outside the reception area while we were waiting outside with Adam to be allowed to enter after being registered as club members. They took our entry into the almost empty private club very seriously, unlike my girlfriend selling weed in their dispensary at age 20, when I just gave her a job elsewhere.
The pictures I took were of two skateboards hanging on the wall next to each other. They were spray-painted with smiling devilish faces, the comedy and tragedy masks.
(„Sock and buskin: The sock and buskin are two ancient symbols of comedy and tragedy. In ancient Greek theatre, actors in tragic roles wore a boot called a buskin (Latin cothurnus). The actors with comedic roles wore only a thin-soled shoe called a sock (Latin soccus).” – Source: Wikipedia)
There was another skateboard hanging on the wall, showing the devil smiling with his eyes and teeth and horns only visible in the darkness of the artwork. I doubt they were Italians – they were rather Spaniards – but I never really met anyone else from there besides Nico and Carulo. But I trusted Carulo; he was different. Carulo was a known person in Catalonia.
He was known to be the person who was sitting in the Catalan Parliament and rolled a joint and lit it up, smoking during a session as a protest against the law prohibiting marijuana growing and smoking in Spain. Nico told me when he introduced me to Carulo in the summer of 2013, almost a year earlier: “This is the guy you can thank for being able to smoke freely in Catalonia without the police bothering you. Tomas, meet Carulo.”
He never really ordered from me if I had met him before. He had no traffic; his growshop was always closed. He was only smoking inside with his younger brother, who was always walking his bull terrier.
Their white Bull Terrier was female, half the size of Chico, but she was kind of crazy; you could see in her eyes that she was not normal; she had mental issues. At least, looking into Carulo's eyes and his brother's eyes, I recognized the similar illness in their dog's eyes.
In 2014, it had been over four years since I had been working with dogs in my secondary job interpreting Italian and travelling every fifth weekend.
Additionally, Huns came to Europe with their animals, including their dogs. There are at least nine unique Hungarian dog breeds.
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Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)