Underworld Don Quotes

We've searched our database for all the quotes and captions related to Underworld Don. Here they are! All 200 of them:

Hazel frowned. "Why that one?" "You don't see the ghost?" Frank asked. "Ghost?" Nico asked. Okay... if Frank was seeing a ghost that the Underworld kids couldn't see, something was definitely wrong.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Sometimes I see something so moving I know I’m not supposed to linger. See it and leave. If you stay too long, you wear out the wordless shock. Love it and trust it and leave.
Don DeLillo (Underworld)
So,uh, where am I, exactly ? And what do you plan on doing with me ?" "You're at Underworld General Hospital. As you can probably guess, we specialize in nonhuman medical care. Our location is secret, so don't ask." "UGH ? Your hospital is called 'ugh' ? Oh, that's precious.
Larissa Ione (Pleasure Unbound (Demonica, #1))
I don’t even know what to say.” Aeron. “I do. Fuck.” Paris.
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
By the way, only a real man can accept his feminine side." "I don't know who fed you that line of garbage, but I can promise she's laughing at you right now.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
How do we thank an angel? Somehow I don’t think a fruit basket will do the trick." ~ Amun
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
When is your birthday?” (…) Wide silver-gold eyes swung to him. “You don’t know?” “No.” Pouting, she twirled a strand of her hair. “How can you not know?” “Do you know mine?” he asked. “Of course I do. It’s the day you met me.
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
Longing on a large scale makes history.
Don DeLillo (Underworld)
Who is here with you?” “Don’t stop,” she begged. “Who is here with you?” he repeated, harshly this time. “You are.” “What is my name?” “Reyes
Gena Showalter (The Darkest Pleasure (Lords of the Underworld, #3))
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Lucifer will be furious with you for failing, but it's not like he can do anything about it. Women don't always do what you want, even if you're Lord of the Underworld.
Trinity Faegen (The Redemption of Ajax (The Mephisto Covenant, #1))
Well I've been calling myself Scarlet Pattinson for several weeks. Have you seen Robert Pattinson? Hottest. Man. Ever. And no, I don't care if that makes me a couger. He sings with the voice of an angel. Gods, I love when a man sings to me. You never did because your voice is terrrible." She shuddered in distaste. "I swear, its like a demon running its claws over brimsone.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
It was a silver cow. But when I say 'cow', don't go running away with the idea of some decent, self-respecting cudster such as you may observe loading grass into itself in the nearest meadow. This was a sinister, leering, Underworld sort of animal, the kind that would spit out of the side of its mouth for twopence.
P.G. Wodehouse (The Code of the Woosters (Jeeves, #7))
I don't wanna take my time going to work, I got a motorcycle and a sleeping bag and ten or fifteen girls. What the hell I wanna go off and go to work for? Work for what? Money? I got all the money in the world. I'm the king, man. I run the underworld, guy. I decide who does what and where they do it at. What am I gonna run around like some teeny bopper somewhere for someone elses money? I make the money man, I roll the nickels. The game is mine. I deal the cards
Charles Manson
The cheesecake was smooth and lush, with the personality of a warm and well-to-do uncle who knows a hundred dirty jokes and will die of sexual exertions in the arms of his mistress.
Don DeLillo (Underworld)
I long for the days of disorder. I want them back, the days when I was alive on the earth, rippling in the quick of my skin, heedless and real. I was dumb-muscled and angry and real. This is what I long for, the breach of peace, the days of disarray when I walked real streets and did things slap-bang and felt angry and ready all the time, a danger to others and a distant mystery to myself.
Don DeLillo (Underworld)
It is all falling indelibly into the past.
Don DeLillo (Underworld)
Mr. Fresh looked up. "The book says if we don't do our jobs everything could go dark, become like the Underworld. I don't know what the Underworld is like, Mr. Asher, but I've caught some of the road show from there a couple of times, and I'm not interested in finding out. How 'bout you?" "Maybe it's Oakland," Charlie said. "What's Oakland?" "The Underworld." "Oakland is not the Underworld!" "The Tenderloin?" Charlie suggested.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
I've traveled all over the world for the Institute, but I never dreamed I'd meet someone like you." "Strong?" A chuckle escaped her. "Yes." "Handsome?" "Of course." "Sharp of wit and skilled with a sword?" "Absolutely." An other chuckle. "But I mean a man… friend… guy. Oh, I don't know what to call you!" He savored her amusement—and her earnest words. "Just call me yours. That is all I want to be." (Ashlyn and Maddox)
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
Customers don’t usually tip in Australia. That’s an American etiquette,” Kara explained.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
You shout because it makes you brave or you want to announce your recklessness.
Don DeLillo (Underworld)
Sometimes I see something so moving I know I'm not supposed to linger. See it and leave. If you stay too long, you wear out the wordless shock. Love it and trust it and leave.
Don DeLillo (Underworld)
What do you want me to call them? Shits and Giggles? Fists and Kneecap? Nah, I don't like that one. Hammer and Nails? Dude, these kids are hard-core gangster. They need kick-A names, not that blah, blah sh-crap you gave them." - William
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
[We] saw products as garbage even when they sat gleaming on store shelves, yet unbought. We didn't say, What kind of casserole will that make? We said, What kind of garbage will that make?
Don DeLillo (Underworld)
Pickup line... pickup line... she racked her brain until she found an explanation and brightened. "Mine would be—roses are red, violets are blue, if you don't do what I say I will kill you.
Gena Showalter (The Darkest Touch (Lords of the Underworld, #11))
I haven't have fun for a long time," Kaia said with a pout. "Me, either. Except with myself, but I don't suppose that counts." "It does the way I do it.
Gena Showalter (Dark Beginnings (Lords of the Underworld, #0.5, 3.5, 4.5))
Twenty-seven.” His brow puckered, and he blinked over at her. “Twenty-seven hundred years, right?” If he were speaking to Taliyah, yes. “No. Just twenty-seven plain, ordinary years.” “You don’t mean human years, do you?” “No. I mean dog years,” she said dryly, then pressed her lips together. Where was the filter that was usually poised over her mouth? Strider didn’t seem to mind, though. Rather, he seemed stupefied. Would Sabin have had the same reaction were he awake? “What’s so hard to believe about my age?” As the question echoed between them, a thought occurred to her and she blanched. “Do I look ancient?” “No, no. Of course not. But you’re immortal. Powerful.
Gena Showalter (The Darkest Whisper (Lords of the Underworld, #4))
Prayer is a practical strategy, the gaining of temporal advantage in the capital markets of Sin and Remission.
Don DeLillo (Underworld)
I would have been here sooner but Lysander held me prisoner in our cloud," Bianka said with a grin. "He wouldn't relent until Sabin gave the ok. Which I still don't understand and will continue to punish him for until he spills. Secrets or guts, I don't care which.
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
This is exactly why Patrick and I chose not to have children." he muttered. "So we would never have to have conversations like this. Andy yet...here I am?""If you could answer the question," I said as politely as I could, "that would be great. I really don't want to have a freaky demon baby, and I can't imagine John wants one, either
Meg Cabot (Underworld (Abandon, #2))
Dear Camryn, I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go. I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever. I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-) But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did. I’m so sorry, baby… I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud. I hope you’ll never forget me. One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did. Love Always, Andrew Parrish
J.A. Redmerski
You know what. You've killed me and sent me to hell, and you must descend to the underworld to find me and make me live again. If you don't come for me, I'll become a demon and drag you down into the dark.
Iris Murdoch (The Sacred and Profane Love Machine)
If you don't watch out, they'll grab you. They'll take you to the underworld and turn you into a bride.
Lauren Oliver (Vanishing Girls)
But if you take off your clothes, I’m sure I can get them dry.” My eyes went wide. “Are you trying tog et my naked?” His silvery gaze met mine. “Do you really need me to answer that?” A hot, sweet flush stole across my cheeks. When he was like this—open, flirty, and downright sexy—I was at my lamest. I wasn’t used to this side of him. I don’t think I ever would be, and there was something thrilling in that. But I stared at him, caught between the images playing out in my head and the very real man standing before me.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Years after I'd seen him for the last time I found myself thinking of him unexpectedly and often. You know how certain places grow powerful in the mind with passing time. In those early morning dreams when I come back to bed after a sleepy pee and fall quickly into the narrow end of the night, there is one set of streets I keep returning to, one dim mist of railroad rooms and certain figures reappear, borderline ghosts.
Don DeLillo (Underworld)
A photograph is a universe of dots. The grain, the halide, the little silver things clumped in the emulsion. Once you get inside a dot, you gain access to hidden information, you slide into the smallest event. This is what technology does. It peels back the shadows and redeems the dazed and rumbling past. It makes reality come true.
Don DeLillo (Underworld)
It's not enough to hate your enemy. You have to understand how the two of you bring each other to deep completion.
Don DeLillo (Underworld)
I thought I told you I don’t play by the rules,” I argue. “Ye’re mistaken,” he says. “Ye just walked into my world unbidden. So you will play by the rules, butterfly. You’ll be playing by all my rules.
A. Zavarelli (Crow (Boston Underworld, #1))
You again,” she said, and she did not sound happy. “I know,” the warrior replied with a heartfelt sigh. “You’re so lucky to see me twice in one day. You’re honored by my presence, yada, yada, heard it all before. Let’s just move on, shall we. I don’t handle fawning very well.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
The experts are right, he thought. Venice is sinking. The whole city is slowly dying. One day the tourists will travel here by boat to peer down into the waters, and they will see pillars and columns and marble far, far beneath them, slime and mud uncovering for brief moments a lost underworld of stone. Their heels made a ringing sound on the pavement and the rain splashed from the gutterings above. A fine ending to an evening that had started with brave hope, with innocence. ("Don't Look Now")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
He gulped. "No, we aren't done chatting. Why aren't you afraid of dying?" "Everything and everyone has an end," she said. "I mean, you're going to be killed soon and though I loathe the thought, you don't see me crying about that, either. I know what will happen, and I accept what cannot be changed. I'm trying to live while I can. While WE can. Dwelling on the bad is what destroys all hints of joy.
Gena Showalter (The Darkest Passion (Lords of the Underworld, #5))
History was not a matter of missing minutes on the tape. I did not stand helpless before it. I hewed to the texture of collected knowledge, took faith from the solid and availing stuff of our experience. Even if we believe that history is a workwheel powered by human blood -- read the speeches of Mussolini -- at least we've known the thing together. A single narrative sweep, not ten thousand wisps of disinformation.
Don DeLillo (Underworld)
People don't dream all their lives of escaping the hellish countries they live in and pay their life savings to underworld types for the privilege of being locked up in a freezing, filthy, stinking container ship and hauled like cargo for weeks until they finally arrive in Moscow or Beijing or Baghdad or Kabul. People risk their lives to come here---to New York. The greatest city in the world, where dreams become reality.
Sean Hannity (Let Freedom Ring: Winning the War of Liberty over Liberalism)
People weren’t saying Oh wow anymore. They were saying No way instead and she wondered if there was something she might learn from this.
Don DeLillo (Underworld)
I don’t have time for sweet tonight.” He slides his thick cock between my thighs. “I’m going to fuck ye hard and fast and stuff ye full of my come before I have to leave.
A. Zavarelli (Crow (Boston Underworld, #1))
How memory conspires with objects of human craft, pressing time flat, inciting a tender reminiscence.
Don DeLillo (Underworld)
Mine?” he laughs cruelly as he reaches for the hem of my dress and rips it with his bare hands. “I don’t believe I’ve had the pleasure yet.
A. Zavarelli (Crow (Boston Underworld, #1))
The grasp of objects that bind us to some betokening.
Don DeLillo (Underworld)
I'm completely aware of Matisse and what he said, that painters must begin by cutting out their tongues.
Don DeLillo (Underworld)
slightly older men and women, they had professions and soft slacks with knife pleats and a certain ease of bearing and belonging, the package of attitudes and values known as lifestyle
Don DeLillo (Underworld)
I thought I told you I don’t play by the rules,” I argue. “Ye’re mistaken,” he says. “Ye just walked into my world unbidden. So you will play by the rules, butterfly. You’ll be playing by all my rules.
A. Zavarelli (Crow (Boston Underworld, #1))
Ye don’t get out of my bed the minute I blow my load into you,” he says.
A. Zavarelli (Crow (Boston Underworld, #1))
Lucien: And Flowers--but only Anya can call me that. William: Fine. I'll call you Roses. Lucien: You won't. William: I will. Zodiac sign, Roses? Lucien: First, how does my woman stand you? Second, I don't think I have a sign. I was created rather than born, and I am unsure of the day, much less the month. William: I'll just mark your sign as "Roses". Choice of weapon, Roses? Lucien: You are a bastard. But I like knives. I like to get up close and personal with my kills. Care for a demonstration? William: Later. What are you looking for in a woman, Roses? Lucien: Why don't I just call you Moron? Anya does.....
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
I believed we could know what was happening to us. We were not excluded from our own lives. That is not my head on someone else's body in the photograph that's introduced as evidence. I didn't believe that nations play-act on a grand scale. I lived in the real.
Don DeLillo (Underworld)
All these people formed by language and climate and popular songs and breakfast foods and the jokes they tell and the cars they drive have never had anything in common so much as this, that they are sitting in the furrow of destruction.
Don DeLillo (Underworld)
First rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Second rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Third rule of Teach Kane a Lesson: if someone taps out, you just keep fighting. Fourth rule of Teach Kane a Lesson: there are no rules. Got it?
Gena Showalter (The Darkest Craving (Lords of The Underworld, #10))
Forceful little thing, aren’t you?” “You have no idea. So we doing this or not?” Those lush lips twitched. “Let me get this straight. We’re going to the bathroom, and I’m going to fuck you, and you don’t even care to know my name?” “I’d actually prefer it if you’d keep your stupid mouth closed.” Oops. Her hatred was slipping out. “Well, well. You might just be my soul mate.
Gena Showalter (The Darkest Passion (Lords of the Underworld, #5))
Civilization did not rise and flourish as men hammered out hunting scenes on bronze gates and whispered philosophy under the stars, with garbage as a noisome offshoot, swept away and forgotten. No, garbage rose first, inciting people to build a civilization in response, in self-defense. We had to find ways to discard our waste, to use what we couldn't discard, to reprocess what we couldn't use. Garbage pushed back.
Don DeLillo (Underworld)
Non chiamai Marion. Provai un senso di solitudine, in mancanza di parole migliori, ma in effetti è la parola giusta, una cosa a cui ho sempre cercato di oppormi e da cui sapevo come uscire, ma talvolta anche questo non bastava, e non la chiamai perché non volevo arrendermi, guardando la notte che scendeva.
Don DeLillo (Underworld)
I may remember you, Scarlet,” he bellowed, backing up when she grabbed her fork and held it out like a dagger. She’d murdered men with less. Even immortals. “But you haven’t haunted me.” Motions stiff, he raised his shirt. Amid the cuts, above his heart, was a tattoo of eyes. Dark eyes. Like hers. “Don’t you see? You…haven’t…haunted…me.
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
One corner of his mouth twitched. “Should I consider that a warning?” “Just don’t be surprised if you find yourself riding a bolt of lightning if you piss me off.” “I’m into kinky shit, so that works.
Larissa Ione (Azagoth (Demonica Underworld, #1; Lords of Deliverance, #5.5; Demonica, #11))
Speaking of, “When is your birthday?” Strider asked Kaia. Wide silver-gold eyes swung to him. “You don’t know?” “No.” Pouting, she twirled a strand of her hair. “How can you not know?” “Do you know mine?” he asked. “Of course I do. It’s the day you met me. As good a day as any. “No, it’s not, because that was a trick question, baby doll. I don’t actually have a birthday. I was created fully formed, not born.” True story. “You can be such a moron.” She threw up her arms, exasperated. “Don’t argue with me about this kind of thing. I’ll always be right. Seriously. You were dead until you met me and we both know it. Which means I brought you to life. So, happy belated birthday.
Gena Showalter (The Darkest Surrender (Lords of the Underworld, #8))
And I knew with total certainty that a protection factor of fifteen was the highest level of sunblock scientifically possible. Now they were selling me a thirty.
Don DeLillo (Underworld)
I pick up the list of Benji's five favorite books because we've got work to do: "Gravity's Rainbow" by Thomas Pynchon. He's a pretentious fuck and a liar. "Underworld" by Don DeLillo. He's a snob. "On the Road" by Jack Kerouac. He's a spoiled passport-carrying fuck stunted in eighth grade. "Brief Interviews with Hideous Men" by David Foster Wallace. Enough already. "The Red Badge of Courage" by Stephen Crane. He's got Mayflowers in his blood.
Caroline Kepnes (You (You, #1))
He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.
Don DeLillo (Underworld)
I didn’t share her concern. “Damn it. I should have banished you the first time I saw you. I don’t have time for this, not with everything else. You should be in the Underworld by now. Kiyo isn’t going to kill me.
Richelle Mead (Iron Crowned (Dark Swan, #3))
Doors vurst open all along the walls, and skeletal warriors marched in, hundreds of them, from every time period and nation in Western civilization. They lined the perimeter of the room, blocking the exits. Hades bellowed, "Do you think I want war godling?" I wanted to say, 'Well, these guys don't look like peace activists'. But I thought that might be a dangerous answer.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I don’t know anything other than that it’s always been her, from the moment I saw her three years ago. She’s the thing that I’ve yearned for more than anything else. And for that reason, she’s the one thing I can never have. I cannot control my urges. My instincts.
A. Zavarelli (Reaper (Boston Underworld, #2))
you never consider but might find amazing if you did, how the details of contact, the eye movement and hand waves, the smiles of recognition, the catch-up lives that propel the early dialogue—how this becomes an energy that moves among the guests like a circulating angel, inspiring stories, rumors, flirtations and misconstrued remarks, basically the makings of human history, even
Don DeLillo (Underworld)
I want you to know the level of my devotion to you,” he states. “I don’t ever want you to question it. The things I have and will continue to do to protect you. To avenge you. They are dark things. But that darkness is my burden to carry, and it always will be.
A. Zavarelli (Ghost (Boston Underworld, #3))
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
Don DeLillo (Underworld)
Bemoan technology all you want. It expands your self-esteem and connects you in your well-pressed suit to the things that slip through the world otherwise unperceived.
Don DeLillo (Underworld)
Reality doesn't happen until you analyze the dots.
Don DeLillo (Underworld)
And you keep on looking. You look because this is the nature of the footage, to make a channeled path through time, to give things a shape and a destiny.
Don DeLillo (Underworld)
An airplane hasn’t fallen out of the sky and landed on you, but in the PI world, you face risky business on a daily basis. Don’t let your guard down.
Nancy Mangano (Running Stop Signs)
When hell fills up, the dead will walk the streets.
Don DeLillo (Underworld)
Imagine this: Instead of waiting in her tower, Rapunzel slices off her long, golden hair with a carving knife, and then uses it to climb down to freedom. Just as she’s about to take the poison apple, Snow White sees the familiar wicked glow in the old lady’s eyes, and slashes the evil queen’s throat with a pair of sewing scissors. Cinderella refuses everything but the glass slippers from her fairy godmother, crushes her stepmother’s windpipe under her heel, and the Prince falls madly in love with the mysterious girl who dons rags and blood-stained slippers. Imagine this: Persephone goes adventuring with weapons hidden under her dress. Persephone climbs into the gaping chasm. Or, Persephone uses her hands to carve a hole down to hell. In none of these versions is Persephone’s body violated unless she asks Hades to hold her down with his horse-whips. Not once does she hold out on eating the pomegranate, instead biting into it eagerly and relishing the juice running down her chin, staining it red. In some of the stories, Hades never appears and Persephone rules the underworld with a crown of her own making. In all of them, it is widely known that the name Persephone means Bringer of Destruction. Imagine this: Red Riding Hood marches from her grandmother’s house with a bloody wolf pelt. Medusa rights the wrongs that have been done to her. Eurydice breaks every muscle in her arms climbing out of the land of the dead. Imagine this: Girls are allowed to think dark thoughts, and be dark things. Imagine this: Instead of the dragon, it’s the princess with claws and fiery breath who smashes her way from the confines of her castle and swallows men whole.
theappleppielifestyle
Come back to me," I told him fiercely. He smiled at me then, subtly and a little crookedly, "Don't you know by now, Malin? Nothing in all of the heavens or underworld below can keep me from you.
Amanda Hocking (From the Earth to the Shadows (Valkyrie, #2))
As soon as we were in, the opening closed behind us. “Of course,” I heard Archer say under his breath. I lifted my fingers, and an orb of light sprang from them. Not that it was particularly helpful. All I saw was a bunch of dark, slick granite, and not much else. “So…is this it?” Jenna asked. “Are we in the Underworld? Because to be honest, I thought it would be hotter.” I looked around in the gloom. “I…don’t know,” I finally said. “Anyone see a sign that says, Underworld This Way? Preferably with an arrow?” “Unfortunately, no,” Archer said. “But something feels weird. Is it just me?
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Camille, if you could be any fairy-tale person in the world, who would you be?” Amma asked. “Sleeping Beauty.” To spend a life in dreams, that sounded too lovely. “I’d be Persephone.” “I don’t know who that is,” I said. Gayla slapped some collards on my plate, and fresh corn. I made myself eat, a kernel at a time, my gag reflex churning with each chew. “She’s the Queen of the Dead,” Amma beamed. “She was so beautiful, Hades stole her and took her to the underworld to be his wife. But her mother was so fierce, she forced Hades to give Persephone back. But only for six months each year. So she spends half her life with the dead, and half with the living.” “Amma, why would such a creature appeal to you?” Alan said. “You can be so ghastly.” “I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been,” Amma said. “And even when she’s with her mother, she’s not really happy, because she knows she’ll have to go back underground.” She grinned at Adora and jabbed a big bite of ham into her mouth, then crowed.
Gillian Flynn (Sharp Objects)
That's why he was here, to surrender himself to longing, to listen to his host recite the anecdotal texts, all the passed-down stories of bonehead plays and swirling brawls, the pitching duels that carried into twilight, stories that Marvin had been collecting for half a century--the deep eros of memory that separates baseball from other sports.
Don DeLillo (Underworld)
I told you I was powerful—not my fault you failed to listen. I’m helping fight the Hunters now and you’ll be lucky if my aim doesn’t accidently-on-purpose veer and kill you. In fact, I don’t think I’ll wait for you.” She glanced over at the tunnels and counted with a point of her finger. “See you in the…second one over, sweetcakes. That’s where the biggest, baddest Hunter was, last time I checked. I’ll just pretend he’s you and nail his ass to the wall.
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
I... I had a dream,’ said Mario through a pained expression, ‘that my life was not my-my-my own. That I didn’t create my own destiny. That my fate was predetermined. Amanita, you don’t think—’ ‘Shush,’ she whispered, placing a finger over his lips, ‘they might hear you...
Louise Blackwick (The Underworld Rhapsody)
I cross to her and cup her face in my hands. “If we were different people in different circumstances, I would get down on my knees and beg you to stay at the end of the winter. I would move heaven and earth and the Underworld itself to keep you with me.” She blinks those big hazel eyes at me and licks her lips. “If…” She sounds so hesitant, I simultaneously want to gather her into my arms and don’t want to move in case she never finishes that sentence. She doesn’t leave me hanging long. “If we were different people, you wouldn’t have to beg. I’d plant my roots right here in this house, and it would take a catastrophic event to make me walk away.
Katee Robert (Neon Gods (Dark Olympus, #1))
And what do you remember, finally, when everyone has gone home and the streets are empty of devotion and hope, swept by river wind? Is the memory thin and bitter and does it shame you with its fundamental untruth--all nuance and wishful silhouette? Or does the power of transcendence linger, the sense of an event that violates natural forces, something holy that throbs on the hot horizon, the vision you crave because you need a sign to stand against your doubt?
Don DeLillo (Underworld)
Don’t try to stay ten moves ahead of your opponent. Stay behind him with a knife.
Gena Showalter (The Darkest Promise (Lords of the Underworld, #13))
We’re oil and water. We don’t mix. I’m bad for him. And he’s no good for me either, probably. But I’m his, regardless. He needs to know that.
A. Zavarelli (Reaper (Boston Underworld, #2))
...lonely-chrome America.
Don DeLillo (Underworld)
The game doesn't change the way you sleep or wash your face or chew your food. It changes nothing but your life.
Don DeLillo (Underworld)
Maybe it was the hip-sprung way she moved, high-assed and shiny, alert to surfaces, like a character in a B movie soaked in alimony and gin.
Don DeLillo (Underworld)
common words of spark and heart.
Don DeLillo (Underworld)
There is only one truth. Whoever controls your eyeballs runs the world.
Don DeLillo (Underworld)
He drove into the spewing smoke of acres of burning truck tires and the planes descended and the transit cranes stood in rows at the marine terminal and he saw billboards for Hertz and Avis and Chevy Blazer, for Marlboro, Continental and Goodyear, and he realized that all the things around him, the planes taking off and landing, the streaking cars, the tires on the cars, the cigarettes that the drivers of the cars were dousing in their ashtrays--all these were on the billboards around him, systematically linked in some self-referring relationship that had a kind of neurotic tightness, an inescapability, as if the billboards were generating reality...
Don DeLillo (Underworld)
Every angel is terrifying. Through the darkness, they move silently... I will go down into death with you. I must go where I must go To see what I must see In that place where no one knows... ... This is where love is taking me. You have been leading Me, angels, in and out of death. I have no idea who you are. Eurydice. Is she nothing Or is she your mirror? I don't know anymore. I am at war. Perhaps that which is given - Being human - Is too hard, And so it is love that brings us, To what cannot be born, To ourselves, And so we must change, Must descend, guided by love, into the unknown. Lovers disappear in each other. Do they disappear forever? Where do they go?
Kathy Acker (Eurydice in the Underworld)
It’s the kind of human junk that deepens the landscape, makes it sadder and lonelier and places a vague sad subjective regret at the edge of your response—not regret so much as a sense of time’s own esthetic, how strange and still and beautiful a chunk of concrete can be, lived in fleetingly and abandoned, the soul of wilderness signed by men and women passing through.
Don DeLillo (Underworld)
The experts are right, he thought, Venice is sinking. The whole city is slowly dying. One day the tourists will travel here by boat to peer down into the waters, and they will see pillars and columns and marble far, far beneath them, slime and mud uncovering for brief moments a lost underworld of stone.
Daphne du Maurier (Don't Look Now and Other Stories)
But the main reason was that waking her would’ve meant telling her good-bye, and telling someone good-bye when you’re planning on walking into hell would’ve felt kind of…final. It was the same reason I hadn’t gone into the hut to find Mom, and why I’d skirted around Archer’s tent. I’d been nearly to the shore when I’d heard him softly call, “Mercer.” Kneeling in the doorway of his tent, his hair a mess, his Hex Hall uniform ridiculously wrinkled, he’d nearly broken my heart. And when I ran to him as soundlessly as I could and practically dove on top of him, I’d told myself that our kiss was just your normal boyfriend/girlfriend saying good morning thing. Even when he pulled me inside, the tent warm and cozy and smelling like him, I hadn’t let myself think that might be the last time I’d see him. And when he’d pulled me closer and murmured, “Mercer, I love-“ I had covered his mouth with my hand. “Don’t say that. Not now. Say it sometime when there is absolutely no chance of death on the horizon, okay?” He mumbled something beneath my palm, and I rolled my eyes as I pulled it away from his mouth. He dropped a kiss on the tip of my nose. “All I was going to say was that I love this tent you made for me. But I guess I can tell you again later. When you get back.” Curling my hand around the back of his neck, I’d pulled him down to me. “You better.” A blush creeping up my neck from the memory, I swung my gaze away from his tent and back toward the lake. I was coming back. I was going to be fine, and getting down into the Underworld to collect demonglass wouldn’t be hard at all. Maybe I’d make it back before lunch. Of course, I couldn’t make it back if I never left.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Why go on? I mean, why record all this? Wouldn’t it be better to surrender it to oblivion for all time? For those who were there certainly don’t have to read it. And the others, and those who will come later? What if they read it only to enjoy something strange and uncanny and to make themselves feel more alive? Does it take an apocalypse to do that? Or a descent into the underworld?
Hans Erich Nossack (The End: Hamburg 1943)
That’s not all they ever show,” John said. “They show your heart’s desire…what you most want to see-or who-at the time you’re looking.” “Then mine must be broken,” I said. It made sense. Why wouldn’t mine be broken? I was broken, too. Or at least I hadn’t felt normal in a long time. “Yours isn’t broken,” John said. “Considering it’s a mobile device from earth, and no mobile device from earth has ever functioned in the Underworld before, I don’t quite understand…yet.” He was looking at me speculatively. “But it did exactly what ours do. You were worried about your family, so what you were shown was your heart’s desire: the one member of your family who’s in immediate danger, and needs your-“ “Wait a minute,” I interrupted. Something dawned on me. “Was that how you always knew when I was in trouble and needed help? Like that day at school, with Mr. Mueller? And at the jeweler’s that time? Because I was the one you most wanted to see when you looked down into your-“ “Oh, look,” John said, seeming infinitely relieved by the interruption. “Here comes Frank.” Frank was sauntering over. “Found him,” he said, with casual nonchalance. My heart gave a swoop. Only something as monumental as my cousin finally being located could distract me from the discovery that all those times my boyfriend had rescued me from mortal peril, it had been because he’d been spying on me from the Underworld via a handheld device seemingly operated by the Fates.
Meg Cabot (Underworld (Abandon, #2))
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
Il libro si adatta alla mano, si adatta all'individuo. Il modo in cui tieni in mano un libro e giri le pagine, mani e occhi, i movimenti meccanici per rastrellare la ghiaia su una calda strada di campagna, i segni sulla pagina, e come una pagina è uguale alla successiva eppure completamente diversa, le vite nei libri, le colline che diventano verdi, vecchie colline ondulate che ti facevano sentire che stavi diventando un altro.
Don DeLillo (Underworld)
The story of who you are, were, will be: you don’t have to accept any of this. If you want, bypass selective editing and let the whole thing go. All of it. Stay on the blank page as long as you want; then write a new story if you like. Just remember that you’ll have to write in roles for other people that they like if you want others to play along.
Jason Louv (Hyperworlds, Underworlds)
Oh, it does,” he said, thinking of Azagoth and his pitch-black sense of humor. “You just don’t want to be on the funny side of it.
Larissa Ione (Razr (Demonica Underworld, #4; Demonica, #15))
Have you ever seen so many people," she whispered, "gathered in one place in order to be rich, powerful and disgusting together?
Don DeLillo (Underworld)
This is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.
Don DeLillo (Underworld)
We saw a cloudwall hung many miles to the east and hawks floating in the unforced motion that makes you think they’ve been up there, the same two birds since bible times.
Don DeLillo (Underworld)
Is cyberspace a thing within the world or is it the other way around? Which contains the other, and how can you tell for sure?
Don DeLillo (Underworld)
I'll tell you what I long for, the days of disarray, when I didn't give a damn or a fuck or a farthing.
Don DeLillo (Underworld)
and the man and the chair went different ways.
Don DeLillo (Underworld)
I know it’s thankless to be sensible in the face of someone’s primitive distrust.
Don DeLillo (Underworld)
Are you insane? I'm not going to date a man who robbed me! I don't care how big his arms were." "Why not? Asterion dates me, and I murdered him.
Alessa Thorn (The Court of the Underworld: Books 1-4)
How children adapt to available surfaces, using curbstones, stoops and manhole covers. How they take the pockmarked world and turn a delicate inversion, making something brainy and rule-bound and smooth, and then spend the rest of their lives trying to repeat the process.
Don DeLillo (Underworld)
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?” Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.” Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.” “I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.” Masculine cheeks went scarlet as the big bad warrior struggled for a comeback. … “One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.” “Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.” He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Ask yourself where you’re complicit in other people’s stories. If you like them, stay in those stories. If you don’t, don’t. You’re not bound to any of it, though remember that if you want to get rid of the bad aspects of something you’ll probably have to lose the good aspects, too.
Jason Louv (Hyperworlds, Underworlds)
You don't know the connection? You don't know that every privilege in your life and every thought in your mind depends on the ability of the two great powers to hang a threat over the planet?
Don DeLillo (Underworld)
It was a silver cow. But when I say ‘cow’, don’t go running away with the idea of some decent, self-respecting cudster such as you may observe loading grass into itself in the nearest meadow. This was a sinister, leering, Underworld sort of animal, the kind that would spit out of the side of its mouth for twopence. It was about four inches high and six long. Its back opened on a hinge. Its tail was arched, so that the tip touched the spine—thus, I suppose, affording a handle for the cream-lover to grasp. The sight of it seemed to take me into a different and dreadful world.
P.G. Wodehouse (The Code of the Woosters)
It's how the news becomes so powerful it doesn't need TV or newspapers. It exists in people's perceptions. It's something they invent, strong enough to seem real. It's the news without the media.
Don DeLillo
So I’m reading some poem by Louise . . . something, I forget her last name, but it’s about Hades and the underworld, and I don’t even notice that Paige has come up to my table until she says, ‘Doesn’t everyone want love?’ And I’m thinking, wow, that’s a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I’m not just a dumb jock. So I say, ‘I heard this theory once that love means your subconscious is attracted to someone else’s subconscious.’” “Very deep,” Cade said. “Exactly. And I’m feeling proud of myself for that one, until she points to the book and says, ‘Oh, that wasn’t a question. I was just quoting a line from the poem.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Isn't it possible that this midcentury moment enters the skin more lastingly than the vast shaping strategies of eminent leaders, generals steely in their sunglasses -- the mapped visions that pierce our dreams?
Don DeLillo (Underworld)
When I met Thanatos," [Hazel] said, "you know...Death...he told me I wasn't on your list of rogue spirits to capture. He said maybe that's why you were keeping your distance. If you acknowledged me, you'd have to take me back to the Underworld." Pluto waited. "What is your question?" "You're here. Why don't you take me to the Underworld. Return me to the dead?" Pluto's form started to fade. He smiled, but Hazel couldn't tell if he was sad or pleased. "Perhaps that is not what I want to see, Hazel. Perhaps I was never here." (226)
Rick Riordan
I glance up at the stars, trying to piece together constellations in the night sky. But just like my life, they are nothing but a jumbled up map of dots that don’t connect, and they only leave more unexplained questions.
A. Zavarelli (Reaper (Boston Underworld, #2))
Many things that were anchored to the balance of power and the balance of terror seem to be undone, unstuck. Things have no limits now. Money has no limits. I don’t understand money anymore. Money is undone. Violence is undone, violence is easier now, it’s uprooted, out of control, it has no measure anymore, it has no level of values.
Don DeLillo (Underworld)
Longing on a large scale is what makes history. This is just a kid with a local yearning but he is part of an assembling crowd, anonymous thousands off the buses and trains, people in narrow columns tramping over the swing bridge above the river, and even if they are not a migration or a revolution, some vast shaking of the soul, they bring with them the body heat of a great city and their own small reveries and desperations, the unseen something that haunts the day—men in fedoras and sailors on shore leave, the stray tumble of their thoughts, going to a game.
Don DeLillo
What is up with you?” she snapped. “I have been flirting my ass off, and you act like I’m trying to sell you stewed maggots.” “Hey,” he said with a wave of his hand. “Don’t knock stewed maggots. With enough spices and tomatoes––
Larissa Ione (Hades (Demonica Underworld, #2; Lords of Deliverance, #6.5; Demonica, #13))
(Dude, how come the Greeks don’t get a goddess of chocolate? No fair.) The Maya also have shape-shifters, demons, magicians, giants, demigods, and an underworld that may or may not be accessible from the back of a local taco shop.
Roshani Chokshi (Free Sampler of Aru Shah and the End of Time by Roshani Chokshi, The Storm Runner by J.C. Cervantes, and Dragon Pearl by Yoon Ha Lee.)
How language is webbed in the senses. Out of sand-blazed brilliance into quirky minds such as his, into touch, taste and fragrance. He thought he'd linger just a bit longer, let the bath take total hold, ease and alleviate, before he put on clothes and entered the complex boxes where people do their living. Nothing fits the body so well as water.
Don DeLillo
LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this.
Rick Riordan (Percy Jackson's Greek Heroes)
Yes, I want romance!” she says, unashamed. “I want passion and love and connection. I want ambition and goals, too. I want struggle and experience. Failure, then success. I want it all, every last drop of it. I don’t want to live and die for nothing.
Sophie Lark (Snow (Underworld, #2))
I’m so sorry, sweetheart. I’ll let you go, but don’t expect me to forget you. We’re bonded. I’ll be on your trail, doing everything in my power to win and romance you. So prepare to see a lot of me. I love you too much to let you go.” “Like I’d ever allow you to let me go. You’re mine. I love you, too, Flowers.” Her dark lashes swept up, her eyes suddenly shining with love.
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
The demon looked insulted. ‘You don’t like the Underworld, brother?’ ‘Can’ff ssay I do,’ spoke Mario through the curved claw held firmly between his teeth. ‘Much bffetter up tffhere!’ he pointed at the amber-glowing canopy perched at the very top of the World Tree. ‘Yeah but that seems like—,’ the green-eyed demon paused, as though he was bracing himself for something. ‘–work,’ he finally said. The word alone seemed to cause him unimaginable disgust. ‘How about you put that rock down and come waste time with us at the pit?
Louise Blackwick (The Underworld Rhapsody)
My heart beats for him. The man who shares my secret. The man who holds my life in the palm of his hands. Sometimes, I think I could love him. But most of the time, I just hate him. For making me weak. For tempting me to stay. For wondering when he’ll finally make good and kill me too. I don’t know how it’s possible to have feelings that are such polar opposites. I want to slap him. I want to scream in his face and force him to acknowledge me. His cavalier attitude towards me is worse than any of the pain Blaine ever inflicted on me. I’m not even worth his attention. A moment of his time. And yet, when he walks into the room, everything else ceases to exist.
A. Zavarelli (Reaper (Boston Underworld, #2))
You’ll venture down there-alone-to collect as much demonglass as you can.” “Why does everyone keep talking like this is a walk in the park?” Archer asked. He tried to raise his hand, probably to push it through his hair, leaving me to dodge his elbow. “Oh, Sophie will just go skip down to the Underworld to put some demonglass in a basket!” “No one takes Sophie’s safety more seriously than her father and I do,” Mom said. Her voice was low and even, but her eyes were steely. I wasn’t sure if it was the Brannick in her, or just the mom. “I know that,” said Archer, backing down. “And I know…Look, I know Sophie is a demon. She could wipe the floor with any of us, magically speaking. But what exactly does going to the Underworld entail? I mean, are there other demons down there? Monsters? What could happen to her?” My parents exchanged a glance, and then Aislinn cleared her throat. “We don’t really know. No one has ever attempted this before.” “So, what?” Archer asked, clearly angry now. “You’re just sending her and hoping for the best? That’s insane! There has to be some other way to fight the Casnoffs.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It’s a great shame our child-protection duties* don’t extend to vetoing some of the terrible names parents saddle their unfortunate babies with. This morning I delivered little baby Sayton—pronounced “Satan,” as in the king of the underworld. It’s hard to believe he’ll get through his school career unbullied, and yet we merrily wave him off on that journey. (Or maybe he’s actually the devil and I should have just shoved him back in.)
Adam Kay (This Is Going to Hurt: Secret Diaries of a Young Doctor)
He picks up speed and seems to lose his gangliness, the slouchy funk of hormones and unbelonging and all the stammering things that seal his adolescence. He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides bring him into eloquence.
Don DeLillo
Perhaps we should explore some other options before swanning off to Ireland,” Dad said, pushing his glasses up. “After all, Sophie, you’ve been through quite the ordeal.” “I’ll nap on the plane. Look, we are dealing with the possibility of an army of demons. I don’t know about you guys, but those words are right up there with ‘root canal’ and ‘school on Saturdays’ in terms of things that terrify me. Were already three weeks behind. We don’t have time to just sit here and explore options or read more books or listen to more half-assed prophecies from this jerk,” I said, pointing to Torin. He made a gesture that I think was the old-timey version of flipping me off. “So, yeah,” I continued. “Maybe this is a totally stupid idea. But if there’s even a chance one of us can get into the underworld, then we have to take it.” “Okay, I do like you,” Finley said, flashing me a grin.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Why don’t you ask them to imagine what sort of Underworld punishment the gods would devise for the department’s four dead professors? Personally, I’d have the Furies tie them up while the shades of the women they murdered slowly skinned them alive to the sound of one of their own ritualistic drums. But that’s just me.
Jordanna Max Brodsky (Winter of the Gods (Olympus Bound Book 2))
You have really long eyelashes,” Sunny blurted out. Interesting segue. But he could roll. He leaned back, crossing his ankles, saying, “My eyes sparkle like sapphires. I’m built like a tank and hung like a stallion.” Now she wrinkled her brow, clearly confused. “I don’t understand what you’re doing.” That makes two of us.
Gena Showalter (The Darkest King (Lords of the Underworld, #15))
But who cooks it?" I asked, imaging an underground kitchen staffed by tiny, invisible chefs. "Who serves it?" "I don't know," he said, with a disinterested shrug. I couldn't help laughing. "John, food magically appears here three times a day, and you don't know where it comes from? You've been here for almost two hundred years. Haven't you ever tried to find out?" He shot me a sarcastic look of his own. "Of course. I have theories. I think it's part of the compensation for the job I do, since there isn't any pay. But there's room and board. Anything I've ever wanted or needed badly enough usually appears, eventually. For instance"-he sent one of those knee-melting smiles in my direction-"you." I swallowed. The smile made it astonishingly hard to follow the conversation, even though I was the one who'd started it. "Compensation from whom?" He shrugged again. It was clear this was something he didn't care to discuss. "I have passengers waiting. For now, here." He lifted the lid of a platter. "I highly recommend these." I don't know what I expected to see when I looked down...a big platter of pomegranates? Of course that wasn't it at all. "Waffles?
Meg Cabot (Underworld (Abandon, #2))
Dimly Kev remembered one of the mythology stories the Hathaways were so fond of... the Greek one about Hades, the god of the underworld, kidnapping the maiden Persephone in a flowery field and dragging her down through an opening in the earth. Down to his dark, private world where he could possess her. Although the Hathaway daughters had all been indignant about Persephone's fate, Kev's sympathies had privately been on Hades' side. Romany culture tended to romanticize the idea of kidnapping a woman for one's bride, even mimicking it during their courtship rituals. "I don't see why eating a mere half-dozen pomegranate seeds should have condemned Persephone to stay with Hades part of every year," Poppy had said in outrage. "No one told her the rules. It wasn't fair. I'm certain she would never have touched a thing, had she known what would happen." "And it wasn't a very filling snack," Beatrix had added, perturbed. "If I'd been there, I would have asked for a pudding or a jam pastry, at least." "Perhaps she wasn't altogether unhappy, having to stay," Win had suggested, her eyes twinkling. "After all, Hades did make her his queen. And the story says he possessed 'the riches of the earth.'" "A rich husband," Amelia had said, "doesn't change the fact that Persephone's main residence is in an undesirable location with no view whatsoever. Just think of the difficulties in leasing it out during the off-months." They had all agreed that Hades was a complete villain. But Kev had understood exactly why the underworld god had stolen Persephone for his bride. He had wanted a little bit of sunshine, of warmth, for himself, down in the cheerless gloom of his dark palace.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Don’t you understand, Sara? I do own you, my Firefly. You gave me your consent, your promise, and my magic sealed the pact. I was ready to tear the club to the ground, to destroy the underworld boss of Tricity for this... for you, so yes, I own you. You will not flirt with or touch another man for as long as our contract lasts; get used to it.
Olena Nikitin (Magic and Medicine (Amber Legends, #1))
Baseball’s oh so simple. You tag a man, he’s out. How different from being it. What spectral genius in the term, that curious part of childhood that sees through the rhymes and nonsense words, past the hidings and seekings and pretendings to something old and dank, some medieval awe, he thought, or earlier, even, that crawls beneath the midnight skin.
Don DeLillo (Underworld)
In the Times every morning, wasn’t it a fact that the obits and the ad column tended to appear on facing pages?
Don DeLillo (Underworld)
It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent.
Don DeLillo (Underworld)
She is beginning to think it is possible that all creation is a spurt of blank matter that chances to make an emerald planet here, a dead star there, with random waste between.
Don DeLillo (Underworld)
There is another kind of belief, a second force, insecure, untrusting, a faith that is spring-fed by the things we fear in the night.
Don DeLillo (Underworld)
My dream wasn’t to be a princess in a castle. I wanted to be Persephone, claimed by the god of the underworld.
Skye Warren (Don't Let Go (Dark Nights, #2))
What's the point of waking up in the morning if you don't try to match the enormousness of the known forces in the world with something powerful in your own life?
Don DeLillo
I don't think of myself as evil, but no can say they've led a perfect life.
H.P. Mallory (Fire Burn and Cauldron Bubble (Underworld, #1) (Witch, Warlock and Vampire, #1))
Don't take this the wrong way,but I hope you get stabbed again.Like,real soon.I loved kissing you all better.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Pause for a moment, you wretched weakling, and take stock of yourself.
Don DeLillo (Underworld)
Don’t let my calm exterior fool you. There’s a beast inside me that’s capable of horrors you can’t imagine.
Larissa Ione (Azagoth (Demonica Underworld, #1; Lords of Deliverance, #5.5; Demonica, #11))
The dead have come to take the living. The dead in winding-sheets, the regimented dead on horseback, the skeleton that plays the hurdy-gurdy.
Don DeLillo (Underworld)
I felt the distance and stillness of that sprawled dawn like some endless sky waking inside me, flared against the laughter.
Don DeLillo (Underworld)
We’re oil and water. We don’t mix. I’m bad for him. And he’s no good for me either, probably. But I’m his, regardless. He needs to know that. So
A. Zavarelli (Reaper (Boston Underworld, #2))
I don’t think the darkness within my heart would ever allow space for love, dolcezza. Monsters are more afraid of the light than angels are of the dark.” eight The
Haley Jenner (Virtuous Lies (Lies of the Underworld, #1))
My dream wasn’t to be a princess in a castle. I wanted to be Persephone, claimed by the god of the underworld. Except that was the thing about getting captured; it wasn’t up to me. I
Skye Warren (Don't Let Go (Dark Erotica, #2))
So I got to witness firsthand how those metal links got broken. The muscles in his upper arms pumped to the size of grapefruits, and the fabric of the T-shirt tightened around them almost to tearing… Then the metal gave way with a musical twang, and the chain snaked noisily from the grate, falling to the rain-softened earth with a clunk. “By all means,” John said, brushing his hands together in a self-satisfied way, “let’s call Mr. Smith.” I ducked my head, hiding my blushing cheeks by pretending to be busy putting my cell phone back in my bag. Encouraging his occasional lapses into less than civilized behavior seemed like a bad idea, so I didn’t let on how extremely attractive I’d found what he’d just done. “You know,” I remarked coolly, “I’m already your girlfriend. You don’t have to show off your superhuman strength for me.” John looked as if he didn’t for one minute believe my disinterest. He opened the grate for me with a gentlemanly bow. “Let’s go find your cousin,” he said. “I’d like to be home in time for supper. Where’s the coffin?” “It’s at my mom’s house,” I said. “What?” That deflated his self-satisfaction like a pin through a balloon. He stood stock-still outside the door to his crypt, the word HAYDEN carved in bold capital letters above his head. “What’s it doing there?” “Seth Rector and his girlfriend and their friends asked me if they could build it in my mom’s garage,” I said. “They said it was the last place anyone would look.” John shook his head slowly. “Rector,” he said, grinding out the word. “I should have known.” I threw him a wide-eyed glance. “You know Seth Rector?” “Not Seth,” he said, darkly.
Meg Cabot (Underworld (Abandon, #2))
And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills. Peace.
Don DeLillo
Don’t mess this up. “So, uh, I would hate if you reached into my pocket.” There was a suspended beat of silence. Then a dry, “I don’t think so.” “I don’t have a present for you.” Interest lit her dark eyes, but she remained still. Even suspicious. “The present wouldn’t happen to be a hard cock, would it? Because if it is, I would have to return it. Minus a few inches.” His
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Why did we come back this way instead of popping up somewhere less…cramped?” I asked, substituting the word cramped for creepy. I was trying not to feel weirded out that I was in my boyfriend’s crypt. It was only a building, after all. A very unpleasant one. “This is a portal,” he said, as if that explained everything. “A what?” “A portal,” John whispered. “A direct link from here to the Underworld. That’s why you don’t feel dizzy this time.” I hadn’t even noticed, but he was right. I didn’t feel sick, for once, though we’d just jumped between astral planes. “This is a doorway through which the souls of the departed enter the world of the dead after they pass,” John explained softly. “The doorway closes behind the dead once they enter. They can never leave again-“ “Unless they escape,” I interrupted. Because this was what had happened to me. He glanced down at me with a teasing smile. “Unless I choose to let them escape,” he said, “because they seem to want their mothers so badly.” “That was two years ago,” I reminded him. I shouldn’t have mentioned the thing that morning about being inexperienced with men, even if it was technically true. He was never going to let me help him if he always thought of me as someone he had to protect. “And do I have to remind you that you didn’t let me escape, I-“ “Shhh.” He held up a hand. “Someone’s coming.
Meg Cabot (Underworld (Abandon, #2))
The cicadas buzzing, I can hear them through the window. Buzzing louder and louder. Just like the night I sat by the window in the dark, gasping for air, feeling the riddle wriggling in my chest, hearing the monster's heavy footsteps in my ears. And suddenly I know. What they do all those years living in the ground. The nymphs who are to become cicadas. Maybe they don’t know it themselves, but they are writing their song. Collecting the notes in the dark earth. The song rising to the sky, this is how it is, this is how it always is. The song floating toward the sky comes from the underworld.
Lene Fogelberg (Beautiful Affliction)
We're not gonna die We're not gonna die We're not gonna die, leading them in a chant, a mantra that was joyful and mock joyful at the same time because this is New York, New York and we want it both ways.
Don DeLillo (Underworld)
Of course it’s real, you bloody git,” Frank said to the young man behind the fruit cart, who had apparently questioned the legitimacy of this form of currency. “That’s a genuine piece of eight. I could buy your whole cart with it.” Great, I thought, sarcastically. John and his crew were doing an excellent job of blending in. Kayla appeared to be thinking along similar lines, since she asked, “Where are those guys from, anyway?” “Here,” I assured her. “Really?” She looked skeptical. The fruit vendor had apparently decided the piece of eight was authentic, and was surrendering more fruit on a stick than Henry could carry. “Because I’d have remembered seeing him around here. And I don’t want to get into some whole long-distance thing. Those never work out.” I smiled, meeting John’s gaze. “Oh,” I said, “you never know.
Meg Cabot (Underworld (Abandon, #2))
A naked woman was amazing. He'd never seen it this way, in full light, without half-off clothes or a beach blanket across the lap or sex in a dark car. This was her whole body naked in light, standing and lying and front and back and open and showing and then different when she walked, surer than he was, unclunky and smooth-moving, with parts that didn't bounce. She knew how to be naked. She looked like she'd been raised naked in this room, a skinny girl when she was a girl, probably, and skinny in a certain way, with a little bulgy belly and ashamed of her feet, but grown out of shyness and wrong proportions now, and being married of course, used to being seen, and she didn't have curves and swerves but was good looking naked and stuck to him when they fucked like a thing fighting for light, a great wet papery moth.
Don DeLillo (Underworld)
This happened back east of course. I've heard that term a lot since coming to this part of the country. But I never think of the term as a marker of geography. It's a reference to time, a statement about time, about all the densities of being and experience, it's time disguised, it's light-up time, shifting smoky time tricked out as some locus of stable arrangement. When people use that term they're talking about the way things used to be before they moved out here, the way the world used to be, not just New Jersey or South Philly, or before their parents moved, or grandparents, and about the way things still exist in some private relativity theory, some smoky shifting mind dimension, or before the other men and women came this way, the ones in Conestoga wagons, a term we learned in grade school, a back-east term, stemming from the place where the wagons were made.
Don DeLillo (Underworld)
I have noticed that this hell we are in is purifying and refining the edges of my mind and heart. And then it made me think: what if that's what hell really is? What if everyone who goes to hell, goes there to come out purified and refined? What if it's just a stopover? What if nobody is ever really left there? What if everything, at one point, becomes, or is, utterly holy? (Don't chastise me for my thoughts, for I am never afraid to think.)
C. JoyBell C.
Cat's brows shot up as Lucas slid the plate across the counter. "I'm impressed. I wouldn't have assumed you ate real food much less cooked it," she teased. "I'm curious, what did you think I ate?" he asked as he grabbed a fork and a knife for her. She smiled. "I don't know, bats... small critters you happen upon in the underworld." Lucas handed her a napkin. "Nah, bats don't really have that much meat on them," he retorted with a grin of his own.
Brynn Myers (The Echoed Life of Jorja Graham (Jorja Graham #2))
I don't have reason to live but i have reason to die. If you see my novel nightman. that's talking about demon and underworld. How can i know about that other than die and see myself? If you are atheist you will think the same.
Arozy Saputra (101 Reason To Make You Hate Your Life)
You don't think of the tape as boring or interesting. It is crude, it is blunt, it is relentless. It is the jostled part of your mind, the film that runs through your hotel brain under all the thoughts you know you're thinking.
Don DeLillo (Underworld)
Continue to fill the underworld, and the ferryman's pockets, and don't even bother trying to wash away the blood of thousands that already stains your hands. Meanwhile, I'll be over here, growing old in comfort, warmed by my home's hearth and my lover's gentle arms. So, carry on, dear. And when the ships' shadows creep over the horizon, when the chariots thunder across the sand and fire rains down from the sky, ask yourself, which would be the better way to die?
Laura M. Hughes (Art of War)
Outside, you don't even hear a single bird, and a deathly, oppressive silence hangs over the house and clings to me as if it were going to drag me into the deepest regions of the underworld. At times like these, Father, Mother and Margot don't matter to me in the least. I wander from room to room, climb up and down the stairs and feel like a songbird whose wings have been ripped off and who keeps hurling itself against the bars of its dark cage. "Let me out, where there's fresh air and laughter!" a voice within me cries. I don't even bother to reply anymore, but lie down on the divan. Sleep makes the silence and the terrible fear go by more quickly, helps pass the time, since it's impossible to kill it.
Anne Frank (Anne Frank: The Diary of a Young Girl)
Come Zvezda,” he urges. “It’s time.” “What if I say I don’t want to?” His hand wavers, but he doesn’t retreat. “Then it would break my heart.” “I didn’t realise that you had a heart to break,” I whisper. “Even monsters have hearts, my sweet.
A. Zavarelli (Thief (Boston Underworld, #5))
So you put me through all this suffering just to taunt me?’ ‘Humans suffer because they take seriously that which we create for entertainment.’ ‘Oh really? Because let me tell you, I wasn’t the least bit entertained!’ ‘That’s because you were not being entertained, Mr Fantoccio, you were being enlightened,’ stated the Mistress through a pair of foggy eyes. ‘You want to know why painting never worked for you? Because painters are creators and you, Mr Fantoccio, are an overseer. You don’t care about setting up the puppet show; you are merely interested in giving it a good ending. For you, Mr Fantoccio, creating the world was never enough; you aspire to run it. With every breath, you want to shape it. With every choice, you need to control it.
Louise Blackwick (The Underworld Rhapsody)
And to me, they gave a helmet of invisibility. Sometimes my gift was called the "cap" of invisibility. Seriously? Caps are what baseball players wear. Caps are cute. Caps are silly. The king of the underworld does not wear a "cap". It's a helmet, people. You wouldn't call Poseidon's trident a "shrimp fork," would you? Or Zeus's lightning bolts, "sparklers"? So don't let me hear you say "cap." Furthermore, I don't want to hear anything about some wizard-boy's "Cloak of Invisibility," either. Mine came first.
Vicky Alvear Shecter (Hades Speaks!: A Guide to the Underworld by the Greek God of the Dead (Secrets of the Ancient Gods))
I rose on still unsteady legs to walk over and shake Mr. Grave’s hand. The doctor simply stared over my head, seeming to notice neither my hand, nor me standing there in front of him. This was explained when Frank said to me scornfully, a second later, “He can’t see you. He’s blind.” “Oh,” I said, feeling mortified. I hadn’t noticed until that point that Mr. Grave’s eyes had a milky-white sheen to them, and that he’d never once looked directly at anyone who was speaking. “I’m so sorry.” “Don’t be,” Mr. Graves said, managing to find my hand anyway and give it a squeeze. “It’s not your fault.” “Actually, it could have been,” Frank said. “It was a Fury that-“ “Frank, the young lady said she’d like to see the captain. Why don’t you go fetch him?” Mr. Graves snapped. To me, he said, “Miss Oliviera, I do apologize. It’s been quite some time since these fellows have been in the company of a young lady.” “Speak for yourself, old man,” Frank said. He came to his feet with sudden alacrity. “Why don’t I just take her to the captain?” “I hardly think that’s a good idea,” Mr. Liu muttered, into his teacup. “His orders were if she showed up, we were to bring her straight to him,” Frank said. Mr. Graves’s face expressed the exact dismay I felt upon being reminded of this. “Just go and fetch the captain, Frank. Or young Henry can do it.” “What?” Henry cried, looking stricken. “I don’t want to go down there. All those dead people. And I’m the one who always gets stuck handing out the blankets-“ “It’s not important,” I said quickly. Blankets? What blankets? What on earth as Henry talking about? “I’ll just wait until John comes back-“ “See?” Henry looked triumphant. “I told you. She’s not the one.” “It doesn’t matter,” Frank said, impatiently. “Either way, we’re stick with her.” This wasn’t a very nice thing to hear about yourself-that people thought of you as someone they were stuck with. Not that I hadn’t been thinking the very same thing about them…and not that I didn’t share Henry’s fear that I wasn’t Queen-of-the-Underworld material.
Meg Cabot (Underworld (Abandon, #2))
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
She looked over my head, a serene smile on her face. “Once my vampire novel becomes a best seller, Harley and I can go on book tours together.” “That would be nice. The author who writes about vampires that don’t exist, and the vampire who loves him.” “You have no emotional depth.
Hannah Jayne (Under Suspicion (Underworld Detection Agency, #3))
As a writer, I prided myself on seeing and describing the world as it was, not as I wanted it or thought it was supposed to be. I had made my living writing hard-boiled fiction about tough, cynical men and femmes fatales swept up in ugly underworlds of crime, sex, and murder. Would I suddenly be reduced to penning saccharine fluff about some little girl who lost her pet bunny but Jesus brought it back again? “Oh, God,” I prayed fervently more than once, “whatever happens, don’t let me become a Christian novelist!” Even that prospect, terrible as it was, was only a part of the greater danger. If I became a Christian, would I lose my freedom of thought? Would I sacrifice my ability to question every proposition and examine every belief to the bone? Would I lose my realism and my tragic sensibility? Would I descend into that smiley-faced religious idiocy that mistakes the good health and prosperity of the moment for the supernatural favor of God?
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
That’s Hades. He sometimes forgets basic manners.” “Don’t need ‘em where I live.” Razr snorted. “Don’t believe him. His mate keeps him in line. “Pfft.” Hades waved his hand in dismissal. “She knows who rules the roost.” Lilliana laughed. “Cat does.” Hades’s shoulders slumped. “Yeah.” Suddenly, he grinned and waggled his brows. “But she has sex with me, so it’s all good.
Larissa Ione (Razr (Demonica Underworld, #4; Demonica, #15))
He said only, “Bad people. Some very bad people.” Uncle Chris’s mouth flattened into a small, thin line. Then he nodded crisply. He knew all about bad people. John was speaking in a language he understood. “Is it drugs?” Uncle Chris asked, in a hushed voice. I looked at John, in his black jeans and T-shirt, with his long dark hair, and studded leather wristbands. I could see why Uncle Chris had asked. To someone of his generation, it would have to be either drugs, or…well, a rock band. John gave me a barely perceptible shake of his head. No, his eyes begged me. Don’t. “Yes,” I said, glancing back at Uncle Chris. “It’s drugs.” John’s gaze instantly rolled towards the sky. “Piercey,” Uncle Chris said, exhaling gustily and dragging a hand through his hair. “We talked about this. I thought you were the one I didn’t have to worry about.” We had talked about something along those lines, I remembered, outside this very house, the night before Jade was killed. But it had been about Uncle Chris giving me driving lessons. I didn’t recall drugs being mentioned. “Well,” I said. “Things are a little messed up right now. That’s why we’re here. I wanted to make sure Alex is okay.” “Alex?” Uncle Chris threw me a look of alarm. “Don’t tell me Alex is doing drugs.” I could see now why John had been against lying about the drugs thing. I’d thought it would simplify things. But it was only making them worse. “He’s not,” I said quickly. If Alex got out of all this alive, he was going to kill me.
Meg Cabot (Underworld (Abandon, #2))
You mentioned earlier that if I wanted to help, Miss Oliviera, I should save the lectures, and help,” Mr. Smith said as he sprayed. “Perhaps that’s exactly what Fates do.” I shook my head, bewildered. “I’m sorry?” “Perhaps Fates are people like us…ordinary souls who’ve found themselves caught up in the battle between good and evil, and have chosen to take a stand and help do what’s right.” Mr. Smith was lecturing again, but this time the speech seemed to be directed at John, too. His tone was kindly, however. “Maybe that’s why John’s fingerprints aren’t in the Isla Heusos Police Department database, and why no one will find his footsteps here. Small things that take just a moment to do, yes, but that could add up, in the end, to make an enormous difference to someone. What do you say to that, Miss Oliviera?” “I…I don’t know,” I said. I was confused. I supposed he was right, though. This could certainly explain how John was able to drift like a ghost in and out of the Isla Heusos Cemetery-and my various schools-leaving behind no trace, except rumors and the faintest images on video, and broken padlocks and chains.
Meg Cabot (Underworld (Abandon, #2))
We can take things as slowly as you want, but you know it’s too late now to change your mind, Pierce,” he said, in a warning tone. “Of course,” I said. I could see I had approached this all wrong. Where, when you actually needed one, was one of those annoying women’s magazines with advice on how to handle your man? Although that advice probably didn’t apply to death deities. “Because the Furies are after me. And I promised you that I wouldn’t try to escape. That isn’t what I was-“ “No,” he said, with an abrupt shake of his head. “The Furies have no part in this. It doesn’t matter anymore whether or not you try to escape.” He was pacing the length of the room. A muscle had begun to twitch wildly in the side of his jaw. “I thought you knew. I thought you understood. Haven’t you read Homer?” Not again. Mr. Smith was obsessed with this Homer person, too. “No, John,” I said, with forced patience. “I’m afraid we don’t have time to study the ancient Greek poets in school anymore because we have so much stuff to learn that happened since you died, such as the Civil War and the Holocaust and making files in Excel-“ “Well, considering what they had to say about the Fates,” John interrupted, impatiently, “Homer might possibly have been of more use to you.” “The Fates?” The Fates were something I dimly remembered having been mentioned in the section we’d studied on Greek mythology. They were busybodies who presided over everyone’s destiny. “What did Homer have to say about them?” John dragged a hand through his hair. For some reason, he wouldn’t meet my gaze. “The Fates decreed that anyone who ate or drank in the realm of the dead had to remain there for all eternity.” I stared at him. “Right,” I said. “Only if they are pomegranate seeds, like Persephone. The fruit of the dead.” He stopped pacing suddenly and lifted his gaze to mine. His eyes seemed to burn through to my soul. “Pomegranate seeds are what Persephone happened to eat while she was in the Underworld,” he said. “That’s why they call them the fruit of the dead. But the rule is any food or drink.” A strange feeling of numbness had begun to spread across my body. My mouth became too dry for me to speak. “However you feel about me, Pierce,” he went on, relentlessly, “you’re stuck here with me for the rest of eternity.
Meg Cabot (Underworld (Abandon, #2))
Okay, do you guys feel protected?” “I do,” Archer said. “Also, a little violated, but that’s neither here nor there.” I rolled my eyes. “You two?” “Yeah,” Cal said. “Whatever you did, I think it worked.” “Same,” Jenna added. “Awesome.” I started walking forward, the other following. “Archer, any helpful factoids about demonglass you’d like to offer up?” “Um, okay. Well, after the war in heaven, the angels who fought on the wrong side were stripped down to just their most basic level.” “Right,” I nodded. “Dad told me that. Demons are just pure dark magic, nothing more. Until they’re put in a body, obviously.” “I don’t know, there are times when you seem like you’re just pure dark-ow.” Archer broke off as I poked him in the ribs. “Anyway, the demons were forced into another dimension. What people call hell, or the Underworld, or whatever. Supposedly-and for us, hopefully-that’s where you find demonglass. Which, really, is nothing more than rock that’s been permeated with all that dark magic. Demon Kryptonite, basically.” “So we’re going into another dimension?” Jenna asked, her voice wavering a little. “Like what the Itineris does?” “That’s the idea,” Archer replied. Seeing as how the Itineris almost always left Jenna trying not to cough out her inner organs, I understood why she sounded a little freaked out. “This doesn’t feel like another dimension, though,” I said. “It just feels like-“ “A cave,” Cal said. “Yeah, a cave.” As soon as I said that, my heart started to pound. Ugh, this new claustrophobia thing was highly annoying.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I don’t believe it!Are you telling me that these ugly creepers have left the Land of Maradonia? And… they are now in their old world?” King Apollyon, ruler of the Underworld, stood with his two sons, Abbadon and Plouton, in the empty cave of the unicorns and anger aroused within him. Prince Abbadon shivered fearfully. His red rimmed eyes gaped wide. He looked so frightful, so pitiful and gestured wildly with both hands. Then he took a deep shuddering breath when he said: “Yes, but we know where they might be. We have information from our outposts telling us that Maya and Joey have reached their world in a region which is called Oceanside. Yes, Father, the discouraging truth is that the teenagers disappeared and it is very difficult to pinpoint them again, because they slipped into a different world.
Gloria Tesch
With his tongue between his teeth, Officer Wally cocked his weapon and took aim. BANG! Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it. BANG! The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near... BANG! “He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing. ‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’ It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red. The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound. It was alluring, resplendent and at the same time, terrifying. Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld. In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music. The cobbles trembled under the approaching sound of footsteps. ‘Where is he? Where did he go?’ said the pursuing man. ‘H-he just vanished, sarge. In-into thin air!’ ‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’ ‘Yes, sarge.’ ‘What’s this now?’ ‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’ ‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index. ‘This ain’t blood, either.’ ‘Sir?’ The sergeant shoved the finger in his mouth. ‘Theatrical red paint.
Louise Blackwick (The Underworld Rhapsody)
Desecrate our temple, will you? Go ahead. However, I suggest you say goodbye to your cock before you do so.” Win! Not a challenge, not a challenge, not a fucking challenge. Please don’t let that be a challenge. He had a feeling the woman meant what she’d said. If he whipped out Stridy Monster to relieve himself, he’d lose Stridy Monster. And there was no greater tragedy than that. Ask anyone who’d been with him. “Uh,
Gena Showalter (The Darkest Passion (Lords of the Underworld, #5))
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
Then she took of her panties and handed them to me. I tossed them on the bed and got undressed. I felt a breath of estrangement in the room and thought she might be a voyeur of her own experience, living at an angle to the moment and recording in some state of future-mind. But then she pulled me down, snatched a fistful of hair and pulled me into a kiss, and there was a heat in her, a hungry pulse that resembled a gust of being.
Don DeLillo (Underworld)
Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.” He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.” “Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?” Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.” “It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.” “Cohabitation?” he echoed. He was clearly unfamiliar with the word. “Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.” “You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“ “No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.” Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record. “What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.” “Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.” I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery. Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age? Apparently not. “What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
Meg Cabot (Underworld (Abandon, #2))
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
Something touched her shoulder. a light touch, as if a butterfly had landed there. She stiffened, but something told her not to open her eyes. "Grace." A soft voice, unmistakable. She sucked in her breath. "Oh--Christopher--" "Don't turn around," he said. "Or look at me." I am only a very little bit here, Grace. It is taking all my strength for you to hear me. I cannot also make myself seen." Don't turn around. She thought of Orpheus in the Greek tales, who had been forbidden from turning to look behind him at his dead wife as he escorted her from the underworld. He had failed, and lost her. Grace had always thought he was silly-- surely it could not be that difficult simply not to turn around and look at someone. But it was. She felt the ache inside her like pain, the loss of Christopher. Who had understood her, and not judged her. "I thought," she whispered, "ghosts could only return if they had unfinished business. Are the fire-messages yours?" "I think," she whispered, "ghosts could only return if they had unfinished business. Are the fire-messages yours?" "I think," he said, "that you are my unfinished business." "What do you mean?" "You don't need my help to solve this," said Christopher, and she could seehim, behind her eyelids, looking at her with his funny quizzical smile, his eyes such a dark violet behind his spectacles. You only need to believe that you can solve it. And you can. You are a natural scientist, Grace, and a solver of puzzles. All you have to do is silence the voice in your head that says you aren't good enough, don't know enough. I have faith in you.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Scarlet jumped on top of her, straddling her and sending her skull cracking into the ground. Her aunt clawed blindly, and actually managed to rake a hand down Scarlet’s stitches, ripping every single one open. “My former mistress is such a…girl,” Cronus said, disappointed. “Where are the pounding fists?” “Well, my man ain’t got no skills,” Gideon replied proudly. He wanted to stand up and point to himself and shout that Scarlet was his. That she belonged to him. “Don’t you just wait and see.” A moment passed in silence, then Cronus shook his head and said, “How do the others stand you?” Gideon
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
I bend before you like a branch bending towards the earth, pressing my body against your knees. This is the body that your wife gave birth to. Don’t send me to an early death. It is sweet to see the sun’s light. Do not force me down into the darkness of the Underworld. I was the first child to call you father, the first you called your child. I was the first to sit upon your knee while you fondly kissed me. You used to say to me, “Will I see you one day, happy in your husband’s house, bringing honor to your family?” And I would say to you, as I pulled upon your beard, the same beard I now caress, “And what about you, Father? Will I welcome you into my house, when you are an old man, and take care of you in thanks for all the years that you took care of me?” I remember every word we said, but you have forgotten them, and now you are planning to end my life.
Euripides
Cotter thinks he sees a path to the turnstile on the right. He drains himself of everything he does not need to make the jump. Some are still jumping, some are thinking about it, some need a haircut, some have girlfriends in woolly sweaters and the rest have landed in the ruck and are trying to get up and scatter. A couple of stadium cops are rumbling down the ramp. Cotter sheds these elements as they appear, sheds a thousand waves of information hitting on his skin. His gaze is trained on the iron bars projected from the post. He picks up speed and seems to lose his gangliness, the slouchy funk of hormones and unbelonging and all the stammering things that seal his adolescence. He is just a running boy, a half-seen figure from the streets, but the way running reveals some clue to being, the way a runner bares himself to consciousness, this is how the dark-skinned kid seems to open to the world, how the bloodrush of a dozen strides brings him into eloquence.
Don DeLillo (Underworld)
It’s splendid how much at home we feel at Pignol’s. A tacit complicity at every moment prevails among the regulars here. A process of self-selection operates: starving crooks, thirsty whores, witless grasses working for low-grade cops, middle- class types a bit too willing to conform (leaving aside the pound of black-market meat and the camembert without ration tickets) - all feel too ill at ease here. They’ve only got to stay away. Along with anyone else who doesn’t meet the requirements of this establishment: first and foremost, to keep your trap shut. The war? Past history. The Krauts? Don’t know any. Russia? Change at Reaumur. The police? There was a time when they were needed for directing the traffic. At Pignol’s, silence constitutes the most important, most difficult and lengthiest induction ordeal. After that, it’s a matter of imponderables. It works according to the rule of three: the people who don’t get along with the people that I get along with are people I can’t get along with. Syllogisms, of course. Now clear out!
Jacques Yonnet (Paris Noir: The Secret History of a City)
Grover took his reed pipes out of his pocket. “No searcher has ever come back. Once they set out, they disappear. They’re never seen alive again.” “Not once in two thousand years?” “No.” “And your dad? You have no idea what happened to him?” “None.” “But you still want to go,” I said, amazed. “I mean, you really think you’ll be the one to find Pan?” “I have to believe that, Percy. Every searcher does. It’s the only thing that keeps us from despair when we look at what humans have done to the world. I have to believe Pan can still be awakened.” I stared at the orange haze of the sky and tried to understand how Grover could pursue a dream that seemed so hopeless. Then again, was I any better? “How are we going to get into the Underworld?” I asked him. “I mean, what chance do we have against a god?” “I don’t know,” he admitted. “But back at Medusa’s, when you were searching her office? Annabeth was telling me—” “Oh, I forgot. Annabeth will have a plan all figured out.” “Don’t be so hard on her, Percy. She’s had a tough life, but she’s a good person. After all, she forgave me.…” His voice faltered.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Even as the feminine principle was venerated for its fertile, life-giving properties, there are also many examples of Goddesses who embodied the entire life process: birth, life, death, and regeneration. This is important because it can be tempting to romanticise the Goddess as a sort of angelic Fairy Godmother or abundant Good Mother. The feminine principle is more complex and more powerful than that. There are many stories from mythology that tell of the different faces of the Goddess. One such myth tells of the ancient Sumerian goddess who “outweighed, overshadowed, and outlasted them all . . .Inanna, Queen of Heaven.”[xxvi] This story originated in ancient Mesopotamia, five or six thousand years ago. In the myth, Inanna, who rules as queen over the upper world (birth and life), decides to visit Ereshkigal, queen of the Underworld (death and transformation). As Inanna descends into her sister’s realm, she is stripped of all the symbols of her upper world sovereignty, so that she comes before Ereshkigal naked and bowed low. Her enforced stay in the Underworld and the return after three days predates the Christian story by thousands of years. It is one of the first stories of ritual descent from the realm of life to the realm of death and the return to life after a time of incubation in the Underworld. This is also the theme of most ancient initiation rituals like the Orphic mysteries, the Eleusinian mysteries, and of much of the Egyptian sacred teachings. At the time when the story of Inanna’s journey first appeared, the increasingly male dominated Sumerian culture was separating from earlier matrilineal forms. Before the descent myth, another story tells how Inanna, in order to rule, had to take power from the God, Enki, assuming his symbols of sovereignty as her own. Ereshkigal, queen of the Underworld, represents the archaic feminine, the dark mysteries of the older religion which had been sent underground. The descent story can, therefore, be understood as Inanna balancing her heroic victories in the upper (masculine) world by reconnecting with the rhythms and cycles of the under (feminine) world. Based on clinical experience, one analyst called this a “pattern of a woman’s passage from cultural adaptation to an encounter with her essential nature”.
Kaalii Cargill (Don't Take It Lying Down: Life According to the Goddess)