Underwood Quotes

We've searched our database for all the quotes and captions related to Underwood. Here they are! All 100 of them:

Why can't you place a blessing like that on us?" I asked. "It only works on wild animals." "So it would only affect Percy," Annabeth reasoned. "Hey!" I protested.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You're a stalker with hooves." "I am not! I followed her to the Big House and hid in a bush and watched the whole thing.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He was slumped over, blood trickling from the side of his mouth. I shook his furry hip, thinking, No! Even if you are half barnyard animal, you're my best friend and I don't want you to die!
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You're Dionysus," I said. "The god of wine." Mr. D rolled his eyes. "What do they say these days, Grover? Do the children say 'Well duh!'?" Y-yes, Mr. D." Then, well, duh! Percy Jackson. Did you think I was Aphrodite, perhaps?" You're a god." Yes, child." A god. You.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Listen to me, your body is not a temple. Temples can be destroyed and desecrated. Your body is a forest—thick canopies of maple trees and sweet scented wildflowers sprouting in the underwood. You will grow back, over and over, no matter how badly you are devastated.
Beau Taplin
Meat!" he said scornfully. "I'm a vegetarian." You eat cheese enchiladas and aluminum cans," I reminded him. Those are vegetables.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
The more boys I meet the more I love my dog.
Carrie Underwood
When I got across, I looked back and saw Tyson giving Grover a piggyback ride (or was it a goatyback ride?).
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
I guess it's going to have to hurt, I guess I'm going to have to cry, And let go of some things I've loved to get to the other side I guess it's going to break me down, Like fallin when you try to fly, Sad but sometimes moving on with the rest of your life starts with goodbye
Carrie Underwood
Hey, can I see that sword you were using?" I showed him Riptide, and explained how it turned from a pen into a sword just by uncapping it. "Cool! Does it ever run out of ink?" "Um, well, I don't actually write with it." "Are you really the son of Poseidon?" "Well, yeah." "Can you surf really well, then?" I looked at Grover, who was trying hard not to laugh. "Jeez, Nico," I said. "I've never really tried." He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
The page is long, blank, and full of truth. When I am through with it, it shall probably be long, full, and empty with words.
Jack Kerouac (Atop an Underwood: Early Stories and Other Writings)
Percy," Grover said, "the gods really don't appreciate people sitting in their thrones. I mean like turn-you-into-a-pile-of-ashes don't appreciate it.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
My eyes were glued on life and they were full of tears.
Jack Kerouac (Atop an Underwood: Early Stories and Other Writings)
Hoover Dam," Thalia said. "It's huge." We stood at the river's edge, looking up at a curve of concrete that loomed between the cliffs. People were walking along the top of the dam. They were so tiny they looked like fleas. The naiads had left with a lot of grumbling—not in words I could understand, but it was obvious they hated this dam blocking up their nice river. Our canoes floated back downstream, swirling in the wake from the dam's discharge vents. "Seven hundred feet tall," I said. "Built in the 1930s." "Five million cubic acres of water," Thalia said. Graver sighed. "Largest construction project in the United States." Zoe stared at us. "How do you know all that?" "Annabeth," I said. "She liked architecture." "She was nuts about monuments," Thalia said. "Spouted facts all the time." Grover sniffled. "So annoying." "I wish she were here," I said.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
God put us here, on this carnival ride. We close our eyes never knowing where it'll take us next.
Carrie Underwood
But how did you know where we were?" Annabeth asked. Advanced planning, my dear. I figured you would wash up near Miami if you made it out of the Sea of Monsters alive. Almost everything strange washes up near Miami.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Sometimes that mountain you've been climbing is just a grain of sand, and what you've been up there searching for forever, is in your hands. When you figure out love is all that matters after all it sure makes everything else seem so small.
Carrie Underwood
Eternity with Artemis?" He heaved a big sigh. Thalia rolled her eyes. "You satyrs. You're all in love with Artemis. Don't you get that she'll never love you back?" "But she's so…into nature," Grover swooned. "You're nuts," said Thalia. "Nuts and berries," Grover said dreamily. "Yeah.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Sometimes [...] real love is silent as well as blind.
Stephen King (The Stand)
But I've never even been to Olympus! Zeus is crazy!" Chiron and Grover glanced nervously at the sky. The clouds didn't seem to be parting around us, as Grover had promised. They were rolling straight over our valley, sealing us in like a coffin lid. Er, Percy ...?" Grover said. "We don't use the c-word to describe the Lord of the Sky.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it's right up there with grenades and cannonballs.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Grover Underwood of the satyrs!" Dionysus called. Grover came forward nervously. "Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders." Grover collapsed on the spot. "Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling." "FOOOOOD," Grover moaned, as the nature spirits carried him away. I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested. "Oh, shut up.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He gave me the brochure. It was about the Hunters of Artemis. The front read, A WISE CHOICE FOR YOUR FUTURE! Inside were pictures of young maidens doing hunter stuff, chasing monsters, shooting bows. There were captions like: HEALTH BENEFITS: IMMORTALITY AND WHAT IT MEANS FOR YOU! and A BOY-FREE TOMORROW! "I found that in Annabeth's backpack," Grover said. I stared at him. "I don't understand." "Well, it seems to me… maybe Annabeth was thinking about joining." I'd like to say I took the news well. The truth was, I wanted to strangle the Hunters of Artemis one eternal maiden at a time.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Remake the wild, a little at a time, each in your own corner of the world. You cannot wait for anyone else, even a god, to do that for you.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Play on, when you're losing the game. Play on, cuz you're going to make mistakes. It's always worth the sacrifice, even when you think you're wrong.
Carrie Underwood
The god of wine looked around at the assembled crowd. “Miss me?” The satyrs fell over themselves nodding and bowing. “Oh, yes, very much, sire!” “Well, I did not miss this place!” Dionysus snapped. “I bear bad news, my friends. Evil news. The minor gods are changing sides. Morpheus has gone over to the enemy. Hecate, Janus, and Nemesis, as well. Zeus knows how many more.” Thunder rumbled in the distance. “Strike that,” Dionysus said. “Even Zeus doesn’t know.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Thank God even crazy dreams come true
Carrie Underwood
Grover and Nico came back from their walk, and Grover helped me fix up my wounded arm. "It's green!" Nico said with delight.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Grover: It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Are you mad?" I ask. "I was." He glances at the ceiling then back at me. "Or confused, anyway. The whole thing threw me through for a loop. I thought I'd finally met a guy at Underwood I could relate to, and it turns out he wasn't a guy at all." I swallow. "I can see how that would be weird." "In a way though, I was relieved." "Relieved?" I echo. "Why?" He looks around embarrased. "Let's just say you had me questioning my sexual orientation.
Jody Gehrman (Babe in Boyland)
I can't believe this is happening to me. The weirdest thing is it was just a dream, and now it's actually real. It's hard to believe sometimes.
Carrie Underwood
Grover started to sniffle and I figured if I didn't cheer him up he'd either start bawling or chewing up my mattress. He tends to eat household objects whenever he gets upset.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Lord, I feel so small sometimes in this great big old world. Yeah, I know there are more important things. But don't forget to remember me.
Carrie Underwood
This is my temporary home It's not where I belong Windows and rooms that I'm passing through This is just a stop, on the way to where I'm going I'm not afraid because I know this is my Temporary home
Carrie Underwood (Carrie Underwood -- Play On: Piano/Vocal/Chords)
Dancing?' Annabeth asked. Thalia nodded. She cocked her ear to the music and made a face. 'Ugh. Who chose Jesse McCartney?' Grover looked hurt. 'I did.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Let us find the dam snack bar," Zoe said. "We should eat while we can." Grover cracked a smile. "The dam snack bar?" Zoe blinked. "Yes. What is funny?" "Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries." Even Thalia smiled at that. "And I need to use the dam restroom." Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not understand." "I want to use the dam water fountain," Grover said. "And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt." I busted up, and I probably would've kept laughing all day, but then I heard a noise: "Moooo." The smile melted off my face. I wondered if the noise was just in my head, but Grover had stopped laughing too. He was looking around, confused. "Did I just hear a cow?" "A dam cow?" Thalia laughed.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Maybe it's the stardust in my head.
Carrie Underwood (Carrie Underwood -- Play On: Piano/Vocal/Chords)
Peace Love Rock and Roll!!!
Carrie Underwood
And he don't know...that I dug my key into the side of his pretty little souped up 4 wheel drive, carved my name into his leather seats. I took a Louisville slugger to both headlights, slashed a hole in all 4 tires...Maybe, next time he'll think before he cheats.
Carrie Underwood
It's hard enough for a person to keep their own socks pulled up, let alone someone else's.
Stephen King (The Stand)
*Oh, I know I could say were through And tell myself I'm over you But even if I made a vow I promise not to miss you now And try to hide the truth inside I fell cause I, I just can't live a lie *
Carrie Underwood
Grover!" I yelled up. "You can drop me now, but don't worry. I have a - " Grover dropped me. Honestly, what sort of protector just drops you into a fire when you tell him it's okay to drop you into a fire?
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Satyrs aren't dryads, but we have roots, too. Camp Half Blood is mine.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Piper: it looks like we have hole. Percy: Yeah we've got a dam hole! (LOL-ing) Piper: What! Percy: Inside joke. (still LOL-ing) Piper: Whatever.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
For winter's rains and ruins are over, And all the season of snows and sins; The days dividing lover and lover, The light that loses, the night that wins; And time remembered is grief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins.
Algernon Charles Swinburne
And make sure you tell daddy That I'm still his little girl Yeah I still feel like I'm where I'm supposed to be But don't forget to remember me
Carrie Underwood
Jesus, take the wheel Take it from my hands 'Cause I can't do this on my own I'm letting go So give me one more chance To save me from this road I'm on Jesus, take the wheel
Carrie Underwood (Some Hearts (Piano Vocal Chords))
For death is a spider's web, and once caught within its silky strands, our only hope of escape is to kill the spider.
Bobby Underwood (The Sensual Sea (Matt Ransom, #7))
Cause' I don't wanna' spend my life jaded, waiting to wake up one day and find that I've let all these years go by wasted. Oh I don't wanna' keep on wishing, missing, but still every morning the color of the night, I ain't spending no more time wasted.
Carrie Underwood
I don't think I believe in angels, that's all. And if you were one, that would mean I'd have to re-evaluate my beliefs. I'm not quite ready to do that.
Karen Mahoney (The Iron Witch (The Iron Witch, #1))
throw caution to the wind and just do it
Carrie Underwood
Then Mr. Underwood's meaning became clear: Atticus had used every tool available to free men to save Tom Robinson, but in the secret courts of men's hearts Atticus had no case.
Harper Lee (To Kill a Mockingbird)
I wanna be inside your heaven Take me to the place you cry from Where the storm blows your way I wanna be the earth that holds you Every bit of air you're breathin' in A soothin' wind I wanna be inside your heaven
Carrie Underwood
For it is by God's design that the heart clings to the small but wonderful moments in life, or else the abundance of darkness in the world would become paramount, and eclipse the good.
Bobby Underwood (The Gentle Tide (Matt Ransom #3))
I am young now and can look upon my body and soul with pride. But it will be mangled soon, and later it will begin to disintegrate, and then I shall die, and die conclusively. How can we face such a fact, and not live in fear?
Jack Kerouac
At first, it was hard to sit down and read the things that people were saying. A lot of people would've worked their way up to this position and would've gotten a thick skin over a few years' time. For me, though, all this happened in a few months.
Carrie Underwood
You can do anything you put your mind to. I believe in all of you. Never doubt yourself, even if everyone around you is doubting you. Stand tall. Prove them all wrong.Each and every one of you have something amazingly special about you and don’t let anyone tell you any different. Thank you for being my fans.. and my friends. Thank you for giving me a reason to sing. Thank you for being you.
Carrie Underwood
Jesus take the wheel
Carrie Underwood
Grover, stop eating your seat belt. You're setting a bad example.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Proximity to power deludes some into thinking they wield it.
Frank Underwood
it's so easy to get lost inside a problem that seems so big at the time it's like a river a that's so wide it swallows you whole while your sittin round thinkin 'bout what you can't change and worrying about all the wrong things times flying by moving so fast you better use it all cause you can't get it back sometimes that mountain you've been climbing is just a grain of sand and what you've been out there searching for forever is in your hands ooooo when you figure out love is all that matters after all it sure makes everything else seem so small.
Carrie Underwood (Some Hearts (Piano Vocal Chords))
The little girl knew if she bit any member of her family, they would get rabies too, and she died without ever having been petted. I cried so hard Mrs. Underwood had to take me to the school nurse.
Fannie Flagg (Daisy Fay and the Miracle Man)
A poet is a blind optimist. The world is against him for many reasons. But the poet persists. He believes that he is on the right track, no matter what any of his fellow men say. In his eternal search for truth, the poet is alone. He tries to be timeless in a society built on time.
Jack Kerouac
She didn’t have to say that it wasn’t our time, that a whole new world had opened up for her in Mexico. She didn’t have to say that she was just beginning her journey, while I was already weary from mine because of all those I’d lost along the way.” — The Sapphire Sea
Bobby Underwood (The Sapphire Sea (Matt Ransom #8))
Did you ever stand on a street corner in American at five o'clock in the morning? I did.
Jack Kerouac
Every story, no matter how different, was about her; except I got to write the happy ending I didn’t get to live.
Bobby Underwood (Ruff Draft: Stories My Dog Didn't Write)
Right now. Living. Aiming to misbehave or just trying not to fade away.
Michael R. Underwood (Geekomancy (Ree Reyes, #1))
Bad things seem to happen when you're around, don't they, Halliday?
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
I was amazed by the fact that I was not the only writer living, not the only young man "with a locomotive in his chest, and that's a fact," not the only youth with a million hungers and not one of them appeasable, not the only one who is lonely among multitudes, and does not know why.
Jack Kerouac
Old enough to vote, too stupid to realize the consequences.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
If we never did the things we shouldn't do, we'd never feel good about doing the things we should.
Francis Underwood (Kevin Spacey)
Cause sometimes that mountain you've been climbing Is just a grain of sand And what you've been out there searching for forever Is in your hands And when you figure out Love is all that matters after all It sure makes everything else Seem so small
Carrie Underwood
I went over to where Ted was leaning against the green cinderblock wall. He was sitting with his legs splayed out below the bulletin board, which was full of notices from the Mathematical Society of America, which nobody ever read, Peanuts comic strips (the acme of humor, in the late Mrs. Underwood’s estimation), and a poster showing Bertrand Russell and a quote: “Gravity alone proves the existence of God.” But any undergraduate in creation could have told Bertrand that it has been conclusively proved that there is no gravity; the earth just sucks.
Richard Bachman
She had aged with style and beauty. In soft romantic lighting, I could still see the magnificent girl from Mexico who had saved me with her love. When the lighting was less sentimental and somewhat more revealing, she was perhaps even more magnificent. The years had added a velvety richness to her physical beauty, a resonance to her inner loveliness that made her even more spectacular. She was a woman in every sense of the word, yet so much of the young girl remained in those dark and lovely eyes it made you feel young again too.
Bobby Underwood (Just Beyond Love (Matt Ransom))
A man cannot impart the true feeling of things to others unless he himself has experienced what he is trying to tell of.
Jack Kerouac
Things need not have happened to be true. Tales and dreams are the shadow-truths that will endure when mere facts are dust and ashes and forgot -- Sandman
Michael R. Underwood
no longer alive except in his memory.
Bobby Underwood (The Trail to Santa Rosa (The Wild Country #2))
I held her in my arms and rocked her back and forth. I cried until I threw up. Then I went back to rocking my darling again, weeping beneath the early morning Mexican sun.
Bobby Underwood (The Sapphire Sea (Matt Ransom #8))
And then she started crying, tears which crawled slowly, silently down her cheeks, as though pain had finally found an avenue of escape.
Bobby Underwood (Galveston)
When politicians continually campaign on saving something, that's when you can be absolutely certain of its demise.
Bobby Underwood (The Turquoise Shroud (Seth Halliday #1))
Grover was almost as good as Piper McLean at procuring luxury vehicles.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
I'd never had to kill anyone. Maybe I still hadn't. What I'd killed wasn't human, but I had learned something very valuable. Whoever they were, wherever they were from, and whatever they wanted here in Nautica City, they were not immortal. They could die, just like we could.
Bobby Underwood (Nautica City)
Outside the cabin, a dull pop resounded in the quietude. As Zachariah’s bio-organic soul plummeted into eternal darkness, he thought of sparrows, and wondered if God had seen him fall…
Bobby Underwood (The Sapphire Sea (Matt Ransom #8))
A note from Annabeth.” Piper shook her head in amazement. “I don’t see how that’s possible, but if it is—” “She’s alive,” Leo said. “Thank the gods and pass the hot sauce.” Frank frowned. “What does that mean?” Leo wiped the chip crumbs off his face. “It means pass the hot sauce, Zhang. I’m still hungry.” Frank slid over a jar of salsa. “I can’t believe Reyna would try to find us. It’s taboo, coming to the ancient lands. She’ll be stripped of her praetorship.” “If she lives,” Hazel said. “It was hard enough for us to make it this far with seven demigods and a warship.” “And me.” Coach Hedge belched. “Don’t forget, cupcake, you got the satyr advantage.” Jason had to smile. Coach Hedge could be pretty ridiculous, but Jason was glad he’d come along. He thought about the satyr he’d seen in his dream—Grover Underwood. He couldn’t imagine a satyr more different from Coach Hedge, but they both seemed brave in their own way.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
This room in the heart is a necessary protection and must be guarded like no other. It must be kept hidden from everyone, for without it we have no refuge from grief over love lost, or the terrible ache of unrequited love. It is a room built into every heart by God.
Bobby Underwood (Love at the Library (Christmas Short, #1))
Sorry we couldn't be of more help," Caroline said with genuine feeling. "It was an awful way to die." He looked at Caroline, his face acknowledging the truth of her statement. Not quite a smile, just an indication of sad agreement. "All ways of dying are awful to the one leaving,
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
A delicate scent hung in the air as we strolled down the long boulevard toward the Opera House holding hands. Paris had come to life in a very special way, the lights of the Eiffel Tower a gentle reminder that nothing mattered once that starry blanket covered the great city, except love. Love was the reason Paris existed. For those lonely in their soul, their heart a barren wasteland starving for nourishment, she offered hope. For those like Caroline and I, lucky enough to have found each other and begin the healing process to repair our brokenness, Paris was a bastion to love's transforming power. A year ago I could not have pictured myself holding hands with someone as nice as Caroline, as lovely and unpretentious. She was pretty, but her soul made her beautiful. I loved everything about her, including her damage.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
There was nothing to do but forge ahead, so they mounted horses and wagons, and headed deeper into the mountain, ever leery of the dead soldier’s jacket, of phantom Indians who had taken great pains to hide the place which they sought so hard to find, and of the sporadic eerie rustling of a single tree among many as they descended. Wyn could not help but wonder if some long-dead spirits were trying to warn them away, as they got closer to Whisper Valley…
Bobby Underwood (Whisper Valley: A Wild Country Western)
Sad to say, in my four-thousand-plus years, the times I'd felt most at home had all happened during the past few months: at Camp Half-Blood, sharing a cabin with my demigod children; at the Waystation with Emma, Jo, Georgina, Leo and Calypso, all of us sitting around the kitchen table chopping vegetables from the garden for dinner; at the Cistern in Palm Springs with Meg, Grover, Mellie, Coach Hedge and a prickly assortment of cactus dryads; and now at Camp Jupiter, where the anxious, grief-stricken Romans, despite their many problems, despite the fact that I brought misery and disaster wherever I went, had welcomed me with respect, a room above their coffee shop and some lovely bed linen to wear. These places were homes. Whether I deserved to be part of them or not - that was a different question.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.
John Keats
Still, as Wyn watched the beautiful landscape move past, on rails which evermore were connecting the states and territories, he felt an ache for the untamed, the wild country. He wondered if one day the beauty outside his window might all be lost; a day when everything was connected by train; a day when towns were so big, and so close together, that the land was viewed simply as a place to build. To Wyn the wild country was a living, natural thing to be respected, and he suddenly felt wistful for days gone by, no matter how dangerous they may have been.
Bobby Underwood (Whisper Valley (The Wild Country, #3))
From morning until sunset — and sometimes by moonlight — the surfer dudes ride waves onto shore worried about nothing more than impressing the gorgeous girls watching them. Sometimes those bikini-clad California sweethearts let a boy get to second base to a romantic Leslie Gore or Connie Francis song. If she's really in-love, and trusts him not to tell his buddies, she'll let him round third and wave him home. When that happens, it usually isn't long before Nautica is all abuzz about an impending beach wedding.
Bobby Underwood (Nautica City)
Bad or good, movies nearly always have a strange diminishing effect on works of fantasy (of course there are exceptions; The Wizard of Oz is an example which springs immediately to mind). In discussions, people are willing to cast various parts endlessly. I've always thought Robert Duvall would make a splendid Randall Flagg, but I've heard people suggest such people as Clint Eastwood, Bruce Dern and Christopher Walken. They all sound good, just as Bruce Springsteen would seem to make an interesting Larry Underwood, if ever he chose to try acting (and, based on his videos, I think he would do very well ... although my personal choice would be Marshall Crenshaw). But in the end, I think it's best for Stu, Larry, Glen, Frannie, Ralph, Tom Cullen, Lloyd, and that dark fellow to belong to the reader, who will visualize them through the lens of the imagination in a vivid and constantly changing way no camera can duplicate. Movies, after all, are only an illusion of motion comprised of thousands of still photographs. The imagination, however, moves with its own tidal flow. Films, even the best of them, freeze fiction - anyone who has ever seen One Flew Over The Cuckoo's Nest and then reads Ken Kesey's novel will find it hard or impossible not to see Jack Nicholson's face on Randle Patrick McMurphy. That is not necessarily bad ... but it is limiting. The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.
Stephen King (The Stand)
Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.
Bobby Underwood (Gypsy Summer)
It was two weeks after the day she turned eighteen All dressed in white Going to the church that night She had his box of letters in the passenger seat Sixpence in a shoe, something borrowed, something blue And when the church doors opened up wide She put her veil down Trying to hide the tears Oh she just couldn't believe it She heard trumpets from the military band And the flowers fell out of her hand Baby why'd you leave me Why'd you have to go? I was counting on forever, now I'll never know I can't even breathe It's like I'm looking from a distance Standing in the background Everybody's saying, he's not coming home now This can't be happening to me This is just a dream The preacher man said let us bow our heads and pray Lord please lift his soul, and heal this hurt Then the congregation all stood up and sang the saddest song that she ever heard Then they handed her a folded up flag And she held on to all she had left of him Oh, and what could have been And then the guns rang one last shot And it felt like a bullet in her heart Baby why'd you leave me Why'd you have to go? I was counting on forever, now I'll never know I can't even breathe It's like I'm looking from a distance Standing in the background Everybody's saying, he's not coming home now This can't be happening to me This is just a dream Oh, this is just a dream Just a dream
Carrie Underwood
If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Vampires used to be the Dracula types, but in the last ten years most of them have become weak, brooding androgynes that only go after teenagers. A friend of mine took the opportunity to rid his whole city of them after the forth Mormon Vamps book hit and the sparkle meme was at its strongest." "So does that make Ms. Mormon Sparkle Vamp a hero?" "Of a sort. Before they started to sparkle, there were a lot of vamps who were tortured antiheroes, thanks to Rice and Whedon." Ree grimaced. "Do you know if she was clued in?" Eastwood shrugged. "She's very secretive, no one in the Underground has been able to say for sure. It's all rumor. My guess is she lost someone to a vampire and decided the greatest revenge she could inflict was to turn them into a laughing stock.
Michael R. Underwood (Geekomancy (Ree Reyes, #1))
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))