High Pedestal Quotes

We've searched our database for all the quotes and captions related to High Pedestal. Here they are! All 20 of them:

The fear of not living is a deep, abiding dread of watching your own potential decompose into irredeemable disappointment when 'should be' gets crushed by what is. Sometimes I think it would be easier to die than to face that, because 'what could have been' is much more highly regarded than 'what should have been.' Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.
Neal Shusterman (Challenger Deep)
he thinks too highly of me, places me on a pedestal i've never deserved.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
High on their posthumous pedestals, the dead become hard to see. Grief, deference, and the homogenizing effects of adulation blur the details, flatten the bumps, sand off the sharp corners.
Anne Fadiman (The Opposite of Loneliness: Essays and Stories)
The fairy tale is not the conclusion, but the doorway to a more brilliant reality. Pushed onto a pedestal as the final answer their worth is misshapen and distorted. The world’s story may end with a couple living happily ever after but our life in Christ enables the intimacy of the human relationship to illuminate an eternal perfection. In a balanced perspective, neither denigrated nor exalted from their intended place, fairy tales are a lovely and exhilarating part of life.
Natalie Nyquist (Quest for the High Places: Encouragement for the Waiting Heart)
Whenever we come across a famous painting by an acclaimed artist, we tend to reason with ourselves. That it ought to be good, for everyone thinks highly of it. But had we not known who the artist was, we wouldn’t have appreciated the work that much. We don’t know whom this society and the media would put on a pedestal next. It could very well be you.
Abhaidev (The Influencer: Speed Must Have a Limit)
Never place someone so high on a pedestal that if they should fall... you get crushed.
Mark W. Boyer
High on their posthumous pedestals, the dead become hard to see. Grief, deference, and the homogenizing effects of adulation blur the details, flatten the bumps, sand off the sharp corners.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
If you are humble, nothing will touch you, neither praise nor disgrace, because you know what you are. If you are blamed, you won’t be discouraged; if anyone calls you a saint, you won’t put yourself on a pedestal. If you are a saint, thank God; if you are a sinner, don’t remain one. Christ tells us to aim very high, not to be like Abraham or David or any of the saints, but to be like our heavenly Father.
Mother Teresa (No Greater Love)
Sometimes I think it would be easier to die than to face that, because “what could have been” is much more highly regarded than “what should have been.” Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.
Neal Shusterman (Challenger Deep)
Enough with this condescending outlook of life from a high and mighty, intellectual pedestal! Come down, come down to earth, come down to the street, come down to the soil, for that's where life is.
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
When people put you on the pedestal, don't come off it acting like you're humble. Because if they put you up there, that shows how high they can see. Stay there and pull them up, and they'll grow faster.
Victor L. Wooten
Until women are allowed to make mediocre works of art while still succeeding in the way that many white men get to do this every single day, we will not have the power to take our creative freedoms back. We will be limited by impossible expectations reserved for the few. As long as we are put and put ourselves on a patriarchal pedestal, too high to succeed and doomed to fail, then surely we will be set up to do exactly that, every time.
Amber Tamblyn (Era of Ignition: Coming of Age in a Time of Rage and Revolution)
From those pedestals which intersperse the railing of the Sheldonian, the high grim busts of the Roman Emperors stared down at the fair stranger in the equipage. Zuleika returned their stare with but a casual glance. The inanimate had little charm for her.
Max Beerbohm (Zuleika Dobson)
Don't be so sure," said Gamache. "It's a little humbling to realize the pedestal isn't quite so high after all." Brebeuf chuckled. "Welcome to earth, Armand. It's a little dirty down here.
Louise Penny (A Great Reckoning (Chief Inspector Armand Gamache, #12))
It is in the nature of the human mind to give in, and hold on, to the source of solace with all the might it can muster. Life is hard and any figure that tends to ease the subjective perception of that hardship, attains a high pedestal of utmost reverence in the realm of the individual mind. It all takes place at a molecular level in the human brain with the purpose of self-preservation.
Abhijit Naskar (Neurons of Jesus: Mind of A Teacher, Spouse & Thinker)
The fear of not living is a deep, abiding dread of watching your own potential decompose into irredeemable disappointment when “should be” gets crushed by what is. Sometimes I think it would be easier to die than to face that, because “what could have been” is much more highly regarded than “what should have been.” Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.
Neal Shusterman (Challenger Deep)
My friend Oscar is one of those princes without kingdom who wander around hoping you'll kiss them so they won't turn into frogs. He gets everything back to front and that's why I like him. People who think they get everything right do things wrong, and this, coming from a left-handed person, says it all. He looks at me and thinks I don't see him. he imagines I'll evaporate if he touches me and if he doesn't touch me, then he'll evaporate. He's got me on such a high pedestal he doesn't know how to get up there. He thinks my lips are door to paradise, but doesn't know they are poisoned. I am such a coward that I don't tell him so as not to lose him. I pretend I don't see him, and that I am, indeed, going to evaporate... My friend Oscar is one of those princes who would be well advised to stay away from fairy tales and the princesses who inhabit them. He doesn't know he's really Prince Charming who must kiss Sleeping Beauty in order to wake her from her eternal sleep, but that's because Oscar doesn't know that fairy tales are lies, although not all lies are fairy tales. Princes aren't charming, and sleeping beauties, however beautiful, never wake up from their sleep. He's the best friend I've ever had and if I ever come across Merlin, I'll thank him for having placed him in my path.
-Marina ; Carlos Ruiz Zafón
Don Juan once made love to a woman called Donna Ana. Donna Ana was married to a man called Ottavio. You will read about him in this piece. He does not appear. So when Don Juan made love to Donna Ana, Donna Ana screamed, and her father came to her rescue to defend her virtue. Donna Ana’s father got into a sword fight with Don Juan, and in the sword fight Don Juan killed Donna Ana’s father. Then the story cuts to some time later. There was a statue erected to the memory of Donna Ana’s father, and in a high mood one day Don Juan invited the Statue to come and have supper with him, and lo and behold, the Statue stepped down from its pedestal and came and had supper with Don Juan. And in return the Statue invited Don Juan to supper with it, and on this occasion the Statue took Don Juan down into Hell, where, according to Shaw, Ana joins them and they talk with the Devil. —CHARLES LAUGHTON
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
Next Ashlynn walked up the stairs. Apple expected the princess to exhibit the same eagerness, but her steps were slow. The large mirrors hanging from posts around the pedestal broadcast images of Ashlynn’s face to the audience. But the mirrors didn’t show the book, so Apple couldn’t see Ashlynn’s “flash-forward” story, just Ashlynn’s face as she watched it. Her expression was nervous, hopeful, and then… then sad. How could she be sad? Her story ended joyously! It was almost as if Ashlynn had been hoping to see something or someone in her story who didn’t show. Ashlynn took the pen and closed her eyes as she quickly signed.
Shannon Hale (The Storybook of Legends (Ever After High, #1))
When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))