Underground Inspirational Quotes

You shouldn't judge someone until you've walk a mile through an underground tunnel in her uncomfortable shoes

Hope can be bruised and battered. It can be forced underground and even rendered unconscious, but hope cannot be killed.

<...> though he found that if you are stupid enough to bury a camera underground you won't be taking many pictures with it afterwards. Thus the story has no picture book for the period May 10, 1991 - January 7, 1992. But this is not important. It is the experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found. God it's great to be alive! Thank you. Thank you.

If you want to reach the non-everyday, you’ll either have to move somewhere else or get into more “underground” things. But once you step into that world, it’ll only take about three days for that to seem normal, too. If you truly want to continue escaping from everyday life, you’ve no other choice but to keep evolving. No matter whether you’re aiming higher or lower. Enjoy each day for what it is

لم أكن أعرف كيف أكون أي شيء! لم أستطع أن أكون حقودًا أو طيب القلب، ولا نذلًا أو أمينًا، ولا بطلًا أو حشرة. إنني أعيش حياتي الآن في هذه الزاوية، مهينًا نفسي بمواساة حاقدة غير مجدية تتمثل في قولي لها: " ﺇﻥ ﺍﻟﺫﻜﻲ ﻻ ﻴﻤﻜﻨﻪ ﺃﻥ ﻴﻜﻭﻥ ﺸﻴﺌﺎ ﺨﻁﻴﺭًا، وﺃﻥ ﺍﻷﺤﻤﻕ ﻭﺤﺩﻩ ، ﻫﻭ الذي ﻴﻤﻜﻨﻪ ﺃﻥ ﻴﻜﻭﻥ ﺃﻱ ﺸﻲ.

Dancing falls into the same category as poetry for a woman – it equals dreaming, which may inspire thoughts about such banned topics as love and desire.

I shall never forget the African torture victim, a young man no older than I was at the time, who had become mentally ill after all he had endured in his homeland. He trembled uncontrollably as he spoke into a video camera about the brutality inflicted upon him. He was a foot taller than I was, and seemed as fragile as a child. I was given the job of escorting him back to the Underground Station afterwards, and this man whose life had been shattered by cruelty took my hand with exquisite courtesy, and wished me future happiness.

Но человек существо легкомысленное и неблаговидное и, может быть, подобно шахматному игроку, любит только один процесс достижения цели, а не самую цель.

Goddess Rising This is for the women Who have walked with hidden shame Stirring like all is well Though weighted down in pain. This is for her Inner Child Who longs to forget Her innocence stolen Body, soul and spirit rent into pieces- fragments-broken-bent This is for the Maiden Longing to belong -To another - In hopes to make right the darkened wrongs Not realizing-blinded by oozing wounds Her own innate delicious power Thick within her womb This is for the Mother Breaking eons of fettered chains For the children she has birthed Through blood and breaths of change She calls them Redemption Regardless of their names This is for the Crone Who called her shattered pieces Home To herself- To all her luminous bodies Where she never dared to feel Making strong her bones Crushing~ oppressors With the swaying of her hips Her hands soaring like doves Honey dripping from her lips This is for the Wild Woman Who traversed the Underground Leaving her footprints While taming the Hellhounds. Like a seed breaking fallow ground Emerging fruitful garden No longer bound By the nightmare of the past Awakened from the Dream- Of Separation SHE. IS.- merging realms between. This is for the woman, for the Goddess For me For you Rising from our ashes Making ALL things new~

Music can inspire people to wake up and say, ‘Somebody’s lying.’ This is the point I’d like to make with my music,” Watt told Rolling Stone in 1985. “Make you think about what’s expected of you, of your friends. What’s expected of you by your boss. Challenge those expectations. And your own expectations. Man, you should challenge your own ideas about the world every day.

Living according to God's truth means that my ego must die, and I must live entirely for God and for my neighbors. Living according to God's truth means not following the crowd and not being dismayed when even your friends misunderstand you. For the God whom you serve will have the final word. On the day of judgement he will speak the final word over the whole of your life.

I want to kill every best-seller list and encourage Americans to discover for themselves inspired new literature that will endure in perpetuity. Let’s pluck from squalid obscurity underground, and publish, the next Hemingways, Fitzgeralds, Morrisons, Bellows, Barths, Vonneguts and Faulkners.

To promise to abide by this legislation, so inimical to God, would mean forsaking the gospel and turning away from God's law. This is why Christians have a choice to make, either to trade in their loyalty to God for freedom from persecution, or to remain true to Christ and consequently run the risk of persecution.

You must remember also that He would never make any mistake in creating you. No matter what harsh and hateful words have been said to you, no matter the wrong actions against you, those opinions are not valid. The only valid opinion in which we can place true merit is that of God, and ultimately, your own.--Olivia Worthington of River Oaks Plantation

Unprocessed intense emotion goes underground and creates a subconscious block that can be released as soon as the original event is integrated in the mind, heart, and body.

Barefoot, exhausted and bloody, Harris Borden turned and left the underground prison that had been his home for the past twelve years and walked out into the Nevada desert.

Most of all, I think about how safe we'll be, and when the real moon comes out at night, we'll love it more than we've ever loved it before.

A man who has lived his entire life in a cave does not mourn the sun until he sees it, and once he has, he can never go back underground

We can only help ourselves— and through that, inspire others. Anything else is madness! That you have found your path is enough. Let the others find theirs, or be lost.

It doesn’t matter if you are a diamond or a lump of coal if you remain buried underground.

The dreamer can have no desires, for he has everything ; he is above desire, he is surfeited, he is himself the artist creating his life at every hour, guided only by his own inspiration.

In fact, the age of the Tyrants is the scene of a religious renaissance which on all sides throws up new ecstatic confessions of faith, new secret cults and new sects; but at first these develop underground and do not as yet reach the light of art. Thus we no longer find art being commissioned and stimulated by religion, but, on the contrary, we find in this period religious zeal being inspired by the increased skill of the artist.

Even in the midst of grief, there is growth, compassion, and love to be unearthed. Loss buries us underground, but our broken hearts hold the seeds for our inevitable regrowth. Your grief belongs to you. But so, too, does your coming back.

People say mountains change in about ten years. If something as stubborn and mammoth as a mountain can change in a decade, the hearts of ordinary North Koreans can change. I'm sure of it. I'm living proof." --Ha Young, a North Korean defector

But were we able to offer “them” a more viable narrative? Did we have a narrative potent enough to chase away Asahara’s “utter nonsense”? That was the big task. I am a novelist, and as we all know a novelist is someone who works with “narratives,” who spins “stories” professionally. Which meant to me that the task at hand was like a gigantic sword dangling above my head. It’s something I’m going to have to deal with much more seriously from here on. I know I’m going to have to construct a “cosmic communication device” of my own. I’ll probably have to piece together every last scrap of junk, every weakness, every deficiency inside me to do it. (There, I’ve gone and said it—but the real surprise is that it’s exactly what I’ve been trying to do as a writer all along!)

I believe most Afghan men, on an individual level, are far from extremist or fundamentalist. Hope rests with those men, who control what happens to their daughters. Behind every discreetly ambitious young Afghan woman with budding plans to take on the world, there is an interesting father. And in every successful grown woman who has managed to break new ground and do something women usually do not, there is a determined father, who is redefining honor and society by promoting his daughter. There will always be a small group of elite women with wealthy parents who can choose to go abroad or to take high positions in politics. They will certainly inspire others, but in order for significant numbers of women to take advantage of higher education and participate in the economy on a larger scale, it will take powerful men educating many other men

The Underground Railroad was, in many ways, a seminal movement in American history, one that deserves far more recognition than it has received. It was a kind of prelude to the civil rights movement of the 1950s and 1960s, and it offered lessons in social activism, political resistance, and moral courage that continue to inspire Americans today.

We struggle and push and plant seeds deep underground, and it doesn’t look like much for a while. But then someone comes along and listens to your song or sees your painting or reads your poem, and they feel alive again, like the world is fresh and bursting, just like harvest. Plant something today that will feed someone many months or many years from now. Plant something today, because you’ve feasted on someone else’s carefully planted seeds, seeds that bloomed into nourishment and kept you alive and wide-eyed.

Our bodies are living ecosystems, and like the cycles of nature, we also ebb and flow, go backward and forward, contract and expand, and move through necessary phases of growth, death, and restoration. Contrary to what we might want to believe, healing is not a linear process but an ongoing spiral into subterranean spaces of darkness where we confront the unknown. Where we rest, regenerate, and eventually expand outward into bloom. We might resist the dark spaces inside us but the truth is, most of our healing and growth happens underground and under our skin. We need dark, protected spaces to let the most tender parts of ourselves form. Rest and retreat are just as necessary as the warmth and illumination of light.

Such apparently illogical actions are almost never inspired by a single motive. They spring from an unknown number of threads, perhaps thousands of them, some forgotten, some unconscious, some conspicuously suppressed or not admitted, which when collected and spun together have formed a conclusion, however considered or unconsidered it may ultimately seem. It is like the myriad tiny wells and springs, underground streams and significant little rivulets of water emerging from far and wide, seeping out from swamps or caverns of rock crystal, surging forth from dark underground or oozing through rotting vegetation until, bursting from a cleft in the rocks, they all unite and merge imperceptibly together then, tumbling down to the valley, they achieved their ultimate purpose and are transformed into a mighty river.

Springs and summers full of song and revolution. The Popular Front, demonstrations and confrontations, time that takes you away from yourself and your poetry, so that you could see them as if from cosmic space, a way of looking that changes everything into stars, our Earth, you and me, Estonia and Eritrea, blue anemones and the Pacific Ocean. Even the belief that you will write more poems. Something that was breathing into you, as May wind blows into a house bringing smells of mown grass and dogs' barks, - this something has dissipated, become invisible like stars in daylight. For quite a time I haven't permitted myself to hope it would come back. I know I am not free, I am nothing without this breathing, inspiration, wind that comes through the window. Let God be free, whether he exist or no. And then, it comes once again. At dusk in the countryside when I go to an outhouse, a little white moth flies out of the door. That's it, now. And the dusk around me begins little by little to breathe in words and syllables. * In the morning, I was presented to President Mitterrand, in the evening, I was weeding nettles from under the currant bushes. A lot happened inbetween, the ride from Tallinn to Tartu and to our country home through the spring that we had waited for so long, and that came, as always, unexpectedly, changing serious greyish Estonia at once into a primary school child's drawing in pale green, into a play-landscape where mayflies, mayors and cars are all somewhat tiny and ridiculous... In the evening I saw the full moon rising above the alder grove. Two bats circled over the courtyard. The President's hand was soft and warm. As were his eyes, where fatigue was, in a curious way, mingled with force, and depth with banality. He had bottomless night eyes with something mysterious in them like the paths of moles underground or the places where bats hibernate and sleep.

In 1910 Leroux had his greatest literary success with Le Fantôme de l’Opéra (The Phantom of the Opera). This is both a detective story and a dark romantic melodrama and was inspired by Leroux’s passion for and obsession with the Paris Opera House. And there is no mystery as to why he found the building so fascinating because it is one of the architectural wonders of the nineteenth century. The opulent design and the fantastically luxurious furnishings added to its glory, making it the most famous and prestigious opera house in all Europe. The structure comprises seventeen floors, including five deep and vast cellars and sub cellars beneath the building. The size of the Paris Opera House is difficult to conceive. According to an article in Scribner’s Magazine in 1879, just after it first opened to the public, the Opera House contained 2,531 doors with 7,593 keys. There were nine vast reservoirs, with two tanks holding a total of 22,222 gallons of water. At the time there were fourteen furnaces used to provide the heating, and dressing-rooms for five hundred performers. There was a stable for a dozen or so horses which were used in the more ambitious productions. In essence then the Paris Opera House was like a very small magnificent city. During a visit there, Leroux heard the legend of a bizarre figure, thought by many to be a ghost, who had lived secretly in the cavernous labyrinth of the Opera cellars and who, apparently, engineered some terrible accidents within the theatre as though he bore it a tremendous grudge. These stories whetted Leroux’s journalistic appetite. Convinced that there was some truth behind these weird tales, he investigated further and acquired a series of accounts relating to the mysterious ‘ghost’. It was then that he decided to turn these titillating titbits of theatre gossip into a novel. The building is ideal for a dark, fantastic Grand Guignol scenario. It is believed that during the construction of the Opera House it became necessary to pump underground water away from the foundation pit of the building, thus creating a huge subterranean lake which inspired Leroux to use it as one of his settings, the lair, in fact, of the Phantom. With its extraordinary maze-like structure, the various stage devices primed for magical stage effects and that remarkable subterranean lake, the Opera House is not only the ideal backdrop for this romantic fantasy but it also emerges as one of the main characters of this compelling tale. In using the real Opera House as its setting, Leroux was able to enhance the overall sense of realism in his novel.

Even if you bury me underground and put a concrete slab over the hole – one day you will wake up to find a crack in the concrete with a tiny green sprout shooting through. When you see that shoot – that will be me!

I became a Christian at the age of seventeen. I made a very conscious act of commitment and my only desire was to be kept in purity and holiness throughout the whole time of my earthly pilgrimage. I didn't choose Christ's narrow path for the riches, fame, or comfortable life it would bring, for I had experienced several times in my family before I became a Christian that true discipleship would mean a life of persecution.

Two Valentines are actually described in the early church, but they likely refer to the same man — a priest in Rome during the reign of Emperor Claudius II. According to tradition, Valentine, having been imprisoned and beaten, was beheaded on February 14, about 270, along the Flaminian Way. Sound romantic to you? How then did his martyrdom become a day for lovers and flowers, candy and little poems reading Roses are red… ? According to legends handed down, Valentine undercut an edict of Emperor Claudius. Wanting to more easily recruit soldiers for his army, Claudius had tried to weaken family ties by forbidding marriage. Valentine, ignoring the order, secretly married young couples in the underground church. These activities, when uncovered, led to his arrest. Furthermore, Valentine had a romantic interest of his own. While in prison he became friends with the jailer’s daughter, and being deprived of books he amused himself by cutting shapes in paper and writing notes to her. His last note arrived on the morning of his death and ended with the words “Your Valentine.” In 496 February 14 was named in his honor. By this time Christianity had long been legalized in the empire, and many pagan celebrations were being “christianized.” One of them, a Roman festival named Lupercalia, was a celebration of love and fertility in which young men put names of girls in a box, drew them out, and celebrated lovemaking. This holiday was replaced by St. Valentine’s Day with its more innocent customs of sending notes and sharing expressions of affection. Does any real truth lie behind the stories of St. Valentine? Probably. He likely conducted underground weddings and sent notes to the jailer’s daughter. He might have even signed them “Your Valentine.” And he probably died for his faith in Christ.

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

Poet Ayoade, the first African immigrant to serve as a nuclear missile operator in the United States Air Force, debuts with an inspirational memoir chronicling his childhood in Nigeria and journey to become a doctor and American citizen. Ayoade, who at the age of seven promised his mother “One day, I will take you far away from here,” details his upbringing with an abusive father and the many family tragedies he endured—along with his dedication to creating a different life: “Underground is my unusual journey from childhood poverty to where I am today. How the impossible became a reality.” Readers will be swept into Ayoade’s vivid recollections of his early years, including his strict education, brushes with death, and a strained relationship with his father. He recounts the family’s passion for American movies that made “America seem like the perfect place,” sparking his desire for a better future, and details his decision to become a veterinarian and eventually pursue a career in the U.S. military to ensure the best life for his family (and future generations). Ayoade’s story is moving, particularly his reconciliation with his father and hard-earned American citizenship, and his message that it’s never too late to chase your dreams resonates. That message will evoke strong emotions for readers as Ayoade highlights the importance of hard work and the benefit of a committed support system, alongside his constant “wishing, praying, and fighting to be free from all the sadness and injustice around me”—a theme that echoes through much of the book, including in his acknowledgement that the fear he experienced as a nuclear missile operator was a “cost of this freedom.” Ayoade’s poetry and personal photographs are sprinkled throughout, illuminating his deep love for family and his ultimate belief in liberty as “The reason for it all./ A foundation for a new generation,/ The best gift to any child.” Takeaway: This stirring memoir documents an immigrant’s fight for the American dream. Great for fans of: Ashley C. Ford’s Somebody's Daughter, Maria Hinojosa’s Once I Was You. Production grades Cover: A- Design and typography: A Illustrations: A Editing: A Marketing copy: A

A memoir in which the author shares his impressive journey of emigrating to the United States to escape a difficult life in an impoverished Nigerian village. Born into an extremely poor family in Nigeria, ‘Deji Ayoade had early memories of wanting to come to America to do better for himself. For years, he dreamed about having a bright future in the United States. At seven, he promised his mother that one day he would be a doctor in America and take her and his siblings away from their dangerous and impoverished existence. By the age of thirty-three, ‘Deji had been in the United States for five years and was living his dream. He had earned a master’s degree, married and had a child, been recruited into the Navy, and become a US citizen. He makes good on the promise to his mother and brings her, his sister, and his sister’s baby to the United States. UNDERGROUND: A Memoir of Hope, Faith, and the American Dream is a well-structured, compelling memoir written by a determined man with big dreams, ambitious goals, and the strength to never lose sight of where he is headed. Commitment, intelligence, and drive contribute to his fulfilling what he deems to be his purpose in life. His accomplishments in the armed services are nothing short of admirable. Ayoade draws readers into the 1980s culture of the poorer regions of Nigeria with vivid descriptions of the sights, sounds, and smells of areas in which they lived. His credible recreation of scenes reveals insight into the civilization that had considerable influence on him. Family dynamics also play a significant role in Ayoade’s life. His recollection of his father’s contradictory behaviors both confuse and enlighten him. His fond memories of his grandmother—the family member he trusted the most—are heartfelt and touching. While coming to the United States offers many positive experiences for Ayoade, it doesn’t come without problems, and one that the author talks about with deep emotion and candidness is racism. Thoughtful in the way he acknowledges possible differences of perspectives, he describes how it feels to be looked at differently. One scene in particular demonstrates just how prejudiced and insensitive people can be when it comes to racial biases. Ayoade writes from the heart with emotion and honesty that demonstrate his passion for what he does in life. His ability to weave together a cohesive story from so many disparate fragments is remarkable. His religious faith and commitment to never-ending improvement for himself are inspiring and a basis for being a role model for others. UNDERGROUND: A Memoir of Hope, Faith, and the American Dream–author ‘Deji Ayoade’s reflections on overcoming enormous obstacles and emigrating from Nigeria to the United States–is candid, heartwarming, and inspirational.

The Coming Out Dawn has ushered in Yet another era Whilst the sun sets on the other Bidding it farewell Rotating like the globe Each era getting its time to shine Like a star as it should Fulfilling its destiny before the sun sets Ushering out yet another era Shuttered for too long Shunned Dismissed Scattered underground among thorns Bristles,debris and twigs Among inhabitable bats, rats and stones Stalactites as chandeliers Stalagmites as cedar floors Mustaches touching their feet Beards touching the ground Disheveled unshaven hairs covered their entire bodies The people looked around They noticed their sharp resemblance To the animals living above them Surely the people thought... They must have evolved from these creatures living above them And as time passes they outgrew their long tails “Oh God!” Pleaded the people “Did You not make room for us too?” God heard the pleas of the people and pitied them And God showed the people mercy Grateful were the people Pale from the dark shelter of the caves and unshaven hairs They were guided to a place where they could share in the land The people thanked God for taking them to green pastures They set up systems On the money the people put God first and boldly proclaimed “In Almighty God We Trust" The people established a Holiday specifically to thank God for remembering them God prospered the people He brought out from the underground caves As time passes the people became selfish, greedy and violent The underground people forgot how God took them out of the dark caves The people from below forgot God's mercy Because the people lived among the stony caves They knew not how to make the land productive The people sought expertise exploitively The people concocted and instituted bitter irrational laws To hold the experts as hostages against their will Experts brought great success The experts grew crops that were traded profitably Experts were unpaid Even with the huge booming success of the crops they grew The people that came out from below the caves Unrelentingly wants everything above the caves As the era rotates From one era to the next Like each era is destined to be Until the era's sun sets

the old idea that a rock band can be a vital, inspiring part of a community of people looking to improve society.

Salute the flag with respect and appreciation Appreciation to what you gain from the land Land of treasures above and undergrounds Undergrounds are roots of the giant trees Trees shade our home Home on the same land is worth a salutation A salutation is for those who lost their lives for our homes Homes are plenty for Gaga Gaga Exist

useless human beings, who formerly vegetated upon a soil that seemed barren of everything else.” The sheep were brought in by hundreds of thousands, and to some of the retreating population they became known as “the lairds’ four-footed clansmen.” Meanwhile, the clansmen themselves had three principal choices. They could move to the edge of the sea, which they hated, and live on fish, which most of them also hated. They could move to the Lowlands. Or they could emigrate to other continents. Into the middle of this tide went many of the original clansmen of Colonsay, some early, some later on, some after long stays on the mainland, others more directly from the island, some settling in the Lowlands, notably in Renfrewshire, others going to Australia, Canada, or the United States. Of those who left the Highlands as a result of the clearances, my own particular forebears were among the last. When my great-grandfather married a Lowland girl, in West Lothian, in 1858, he was in the middle of what proved to be a brief stopover between the bens and the glens and Ohio. He worked in a West Lothian coal mine, and the life underground apparently inspired him to keep moving. Serfdom in Scottish coal mines had been abolished in 1799, but Scottish miners of the mid-nineteenth century might as well have been serfs. They worked regular shifts of fifteen hours and sometimes finished their week with a twenty-four-hour day. Six-year-old girls in the mines did work that later, in times of relative enlightenment, was turned over to ponies. Wages were higher and hours a little shorter for mine work in the Mahoning Valley of Ohio, and my great-

My mission with Rave Scout is to promote cultural inclusiveness and increase the visibility of marginalized talent and diversify the underground scene through and by producing digital immersive experiences. The ultimate aim is to motivate the community and the scene to experience and learn how to feel and passively accept their vulnerabilities and one another.

American intelligence knew little about Iraq, and much of what it knew was wrong. The CIA didn’t begin to imagine that Saddam could be overthrown and then operate from underground, nor did it foresee the insurgency that followed, and the ripple effect of that fighting, inspiring jihadists across the Middle East and North Africa. The consequences of that ignorance have been immense. Roughly half a million people have died, including fifteen thousand American combatants and contractors, in the name of the war on terror. Estimates of the financial toll run from $3 trillion to $6 trillion; in today’s dollars, World War II cost about $4 trillion. And in Iraq, the only winners of the war have been Iran, whose military commanders gained political power and prestige in Baghdad while working with jihadists to kill American troops, and Russia, which has forged a regional alliance of convenience with the Iranians.

In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.

Shine like a star and brighten the corner where you are. Remember that stars do not shine from underground; they are high in the sky so that they can shine. Shine like a star, dear one. You were created to shine bright.

We need to be present in our love story, watching, listening, and most importantly being aware of our own behaviours without judgment – present, living life in each second as it unfolds. And if like me, your Albie goes away, because like ours your roots didn’t go all the way underground, shed your tears, acknowledge your heartache, and know that there is never an end to a love story. Because relationships end but love stays emblazoned in your heart, the experience of tremendous beauty written in your very being, making your light brighter and the world a more beautiful place for all.

(Taken from the scene in which protagonist Rebeka is caught snooping around down in the underground floors of Project Code-X...) “I was just curious as to what was down here,” I said boldly. He studied me, evaluating the situation carefully. His face relaxed. “They say curiosity is the mark of a great scientist,” he mused light-heartedly. “It is often the loss of that child-like curiosity that ends the career of many a great scientist prematurely. Their minds go dead and they are no longer inspired. Once that light goes, they are completely and utterly useless to me.” He had a habit of ruminating aloud, so I said nothing. Then perceiving me again, he took me by the arm. “Well now, Doctor Taft. Let me show you precisely what we are doing down here in the basement," he said, proceeding to guide me around the corridor.

AND where did the books go when the world turned against them? When the flames of wrath blackened their pages and erased the words, they fled to find solace and redemption in the dark places of the world. “They were exiled into darkness so their own light might one day return to illuminate the world. They went underground, literally and metaphorically, so that their haven became the hidden places far beneath the feet of their persecutors. “Thus was born the Incunabula: it was forged by fire and persecution, to preserve and protect until the book might rise, Phoenix-like, from the ashes of demise.

uploaded to various video sites. In the comments section beneath one such website that posted video footage of Camp Century, one viewer wrote, “The machinery and the whole project makes me think of the Thunderbird animations.” Who knows, maybe the underground facilities in the popular British science fiction TV series Thunderbirds were inspired by Camp Century or other similar confirmed or rumored subterranean bases of the global elite.

When foreigners read the Book of Acts you see inspiring stories. When we Chinese read the Book of Acts we see it in our lives.

أكن أعرف كيف أكون أي شيء! لم أستطع أن أكون حقودًا أو طيب القلب، ولا نذلًا أو أمينًا، ولا بطلًا أو حشرة. إنني أعيش حياتي الآن في هذه الزاوية، مهينًا نفسي بمواساة حاقدة غير مجدية تتمثل في قولي لها: : ﺇﻥ ﺍﻟﺫﻜﻲ ﻻ ﻴﻤﻜﻨﻪ ﺃﻥ ﻴﻜﻭﻥ ﺸﻴﺌﺎ ﺨﻁﻴﺭًا، وﺃﻥ ﺍﻷﺤﻤﻕ ﻭﺤﺩﻩ ، ﻫﻭ الذي ﻴﻤﻜﻨﻪ ﺃﻥ ﻴﻜﻭﻥ ﺃﻱ ﺸﻲ.

People say mountains change in about ten years. If something as stubborn and mammoth as a mountain can change in a decade, the hearts of ordinary North Koreans can change. I'm sure of it. I'm living proof." --Ha Young, a North Korean defector interviewed in Jieun Baek's book "North Korea's Hidden Revolution: How the Information Underground is Transforming a Closed Society

You cannot catch the Muse. The Muse catches you.

They both knew the stakes were high and they were trapped in the inevitable, but there were far greater questions racing through their minds that night.

Life is good even in sorrow, it’s good to live in the world, no matter how.

And the world too will be in a bad way if ever it happens that there are no more wildernesses, no more silent unspoilt places to which a man can retire and think, if every corner of the earth is filled with noise and underground tunnels and soaring airplanes and communication networks, if cables and sewers scar the surface and undermine the crust. Mankind needs to keep a few quiet corners for those who seek a respite and feel the urge to retreat for a while from over-civilization to creative silence. For those who occasionally feel the hermit instinct there should at least be a chance to try it out. The law of absolute utility, of total functionalism, is not a law of life. There is an extraordinarily close connection between the wilderness and fruitful, satisfying life. Where all the secluded places ring with tumult, where the silent muses have been degraded to pack horses and all the sources of inspiration forced into the service of official mills grinding out propaganda, the wilderness has indeed been conquered—but at what a price. Even greater devastation has taken its place.

With the decline of the United States as the world’s leader, I find it important to look around our globe for intelligent people who have the depth of understanding that could perhaps chart a way to the future. One such person is Bernard-Henri Lévy a French philosopher who was born in Béni Saf, French Algeria on November 5, 1948. . The Boston Globe has said that he is "perhaps the most prominent intellectual in France today." Although his published work and political activism has fueled controversies, he invokes thought provoking insight into today’s controversial world and national views. As a young man and Zionist he was a war correspondent for “Combat” newspaper for the French Underground. Following the war Bernard attended Lycée Louis-le-Grand in Paris and in 1968; he graduated with a degree in philosophy from the famous École Normale Supérieure. This was followed by him traveling to India where he joined the International Brigade to aid Bangladeshi freedom fighters. Returning to Paris, Bernard founded the ‘New Philosophers School.’ At that time he wrote books bringing to light the dark side of French history. Although some of his books were criticized for their journalistic character and unbalanced approach to French history, but most respected French academics took a serious look at his position that Marxism was inherently corrupt. Some of his musings include the predicament of the Kurds and the Shame of Aleppo, referring to the plight of the children in Aleppo during the bloody Syrian civil war. Not everyone agrees with Bernard, as pointed out by an article “Why Does Everyone Hate Bernard-Henri Lévy?” However he is credited with nearly single handedly toppling Muammar Gaddafi. His reward was that in 2008 he was targeted for assassination by a Belgium-based Islamist militant group. Looking like a rock star and ladies man, with his signature dark suits and unbuttoned white shirt, he said that “democracies are not run by the truth,” and notes that the American president is not the author of the anti-intellectual movement it, but rather its product. He added that the anti-intellectualism movement that has swept the United States and Europe in the last 12 months has been a long time coming. The responsibility to support verified information and not publicize fake news as equal has been ignored. He said that the president may be the heart of the anti-intellectual movement, but social media is the mechanism! Not everyone agrees with Bernard; however his views require our attention. If we are to preserve our democracy we have to look at the big picture and let go of some of our partisan thinking. We can still save our democracy, but only if we become patriots instead of partisans!

Women and sports are a classic conflict in a culture of honor, similar to that of war. The point of athletic events was to have women admiring male competitors from the sidelines, and later presenting the winner with his reward. The more segregated and conservative the society, the harsher the restrictions on women’s sports. [...] The real reasons for those governments’ reluctance to have women practicing sports are, of course, exactly what Nader has figured out: A woman who feels her own physical strength may be inspired to think she is capable of other things. And when an entire society is built on gender segregation, such ideas could cause problems for those who would like to hold on to wealth and power.

Chivalry is not dead it is just hiding underground

...let the earth crumble under them, let the whole of France perish on the barricades...