“
Oh, I'm so glad we know what it's called, that's a great help," snarled Ron, leaning back, trying to stop the plant from curling around his neck.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
From: EONeill22@hotmail.com
Sent: Saturday, June 8, 2013 1:18 PM
To: GDL824@yahoo.com
Subject: what happy looks like
Sunrises over the harbor. Ice cream on a hot day. The sound of the waves down the street. The way my dog curls up next to me on the couch. Evening strolls. Great movies. Thunderstorms. A good cheeseburger. Fridays. Saturdays. Wednesdays, even. Sticking your toes in the water. Pajama pants. Flip-flops. Swimming. Poetry. The absence of smiley faces in an e-mail.
What does it look like to you?
”
”
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
“
He stared down at the golden curls of the Adversary, Destroyer of Kings, Angel of the Bottomless Pit, Great Beast that is called Dragon, Prince of This World, Father of Lies, Spawn of Satan, and Lord of Darkness.
"You know," he concluded, after a while, "I think he actually looks like an Adam.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Ty:
Damn, he's fine.
Damn, he's a good quarterback.
Damn, he's nice and sweet.
Damn, he's a good kisser.
Damn, he's buff.
Damn, he's great to his family.
Damn, now that I know about Henry,
I'm not sure Ty and I are right for each other.
Henry:
I love the way his curls flop around and hang across his forehead.
I love how he never just lets me win. I have to earn it.
I love how he touches me just because.
I love his loyalty.
I love how when we sleep head-to-toe,
he always finds a reason to sleep head-to-head instead.
I love his unconditional support.
I love his spontaneity and crazy sense of humor.
I love his stupid dances.
I love....him.
”
”
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
“
People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away.
”
”
Zadie Smith (On Beauty)
“
Father . . . ," Gabriel began. "Father is a worm."
Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it."
Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?"
Gabriel shook his head. "He's a worm," he said again, tonelessly.
"I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him."
Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?"
"Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
”
”
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
“
The bragging was the worst. I hear this in schools all over the country, in cafés and restaurants, in bars, on the Internet, for Pete's sake, on buses, on sidewalks: Women yammering about how little they eat. Oh, I'm Starving, I haven't eaten all day, I think I'll have a great big piece of lettuce, I'm not hungry, I don't like to eat in the morning (in the afternoon, in the evening, on Tuesdays, when my nails aren't painted, when my shin hurts, when it's raining, when it's sunny, on national holidays, after or before 2 A.M.). I heard it in the hospital, that terrible ironic whine from the chapped lips of women starving to death, But I'm not hun-greeee. To hear women tell it, we're never hungry. We live on little Ms. Pac-Man power pellets. Food makes us queasy, food makes us itchy, food is too messy, all I really like to eat is celery. To hear women tell it we're ethereal beings who eat with the greatest distaste, scraping scraps of food between our teeth with our upper lips curled.
For your edification, it's bullshit.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
All at once, it seemed, the leaves of cottonwood trees around the cabin turned golden and whispered to themselves, then curled into black flutes and floated to the ground in crispy, lacy heaps.
”
”
Kristin Hannah (The Great Alone)
“
Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow."
My journal!"
Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense."
Indeed I shall say no such thing."
Shall I tell you what you ought to say?"
If you please."
I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say."
But, perhaps, I keep no journal."
Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
”
”
Jane Austen (Northanger Abbey)
“
Kat's left hand was curled up against my thigh. For several minutes, I couldn't look away. What was it about the left hand? It was just a hand, and Kat had a really great hand and all, but it wasn't that.
It was typically what went on the left hand, on the ring finger.
God, thinking about rings and the left hand made me want to get out of this vehicle and do about a hundred laps, but being married to Kat- married? My brain tripped up over that word, but it wouldn't be terrible. Nah, it would be far from that. It would be sort of...perfect.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. Then she took my wrist with her two hands. She pressed her lips into the palm of my hand. She placed my hand upon her bosom between her breasts. She turned her lips towards my face and waited. And Arturo Bandini, the great author dipped deep into his colourful imagination, romantic Arturo Bandini, just chock-full of clever phrases, and he said, weakly, kittenishly, 'Hello.
”
”
John Fante (Ask the Dust (The Saga of Arturo Bandini, #3))
“
I ripped all her clothes off. She twisted and turned, slow, so they would slip out from under her. Then she closed her eyes and lay back on the pillow. Her hair was falling over her shoulders in snaky curls. Her eye was all black, and her breasts weren’t drawn up and pointing up at me, but soft, and spread out in two big pink splotches. She looked like the great grandmother of every whore in the world. The devil got his money’s worth that night.
”
”
James M. Cain (The Postman Always Rings Twice)
“
I've never been afraid of ghosts. I live with them daily, after all. When I look in a mirror, my mother's eyes look back at me; my mouth curls with the smile that lured my great-grandfather to the fate that was me. No, how should I fear the touch of those vanished hands, laid on me in love unknowing? How could I be afraid of those that molded my flesh, leaving their remnants to live long past the grave?...All the time the ghosts flit past and through us, hiding in the future. We look in the mirror and see shades of other faces looking back through the years; we see the shape of memory, standing solid in an empty doorway. By blood and by choice, we make our own ghosts; we haunt ourselves.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
It’s … difficult to explain. It’s … it’s like … I think it’s as though everyone has a small place inside themselves, maybe, a private bit that they keep to themselves. It’s like a little fortress, where the most private part of you lives—maybe it’s your soul, maybe just that bit that makes you yourself and not anyone else.” His tongue probed his swollen lip unconsciously as he thought. “You don’t show that bit of yourself to anyone, usually, unless sometimes to someone that ye love greatly.” The hand relaxed, curling around my knee. Jamie’s eyes were closed again, lids sealed against the light. “Now, it’s like … like my own fortress has been blown up with gunpowder—there’s nothing left of it but ashes and a smoking rooftree, and the little naked thing that lived there once is out in the open, squeaking and whimpering in fear, tryin’ to hide itself under a blade of grass or a bit o’ leaf, but … but not … makin’ m-much of a job of it.” His voice broke, and he turned his head so that his face was hidden in my skirt.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Tell me what to do,“ he said. “Tell me what to do to help you.”
Rhys kept the plate beyond reach. He spoke again, and as if the words tumbling out loosened his grip on his power, talons of smoke curled over his fingers and great wings of shadow spread from his back. “Months and months, and you’re still a ghost. Does no one there ask what the hell is happening? Does your High Lord simply not care?”
He did care. Tamlin did care. Perhaps too much. “He’s giving me space to sort it out,” I said, with enough of a bite that I barely recognized, my voice.
"Let me help you,“ Rhys said. "We went through enough Under the Mountain—-”
I flinched.
"She wins,“ Rhys breathed. "That bitch wins if you let yourself fall apart.
”
”
Sarah J. Maas
“
You have given me something ... I didn't even know I needed. It's the greatest gift I will ever receive--it's, like, completing me already in places I wasn't aware were empty. And yet ... in spite of all that? I don't love you one bit more. You are as important to me as you've always been." He curled down and pressed a kiss to the loose shirt she was wearing--it was one of his, actually, and wasn't that great. "I was wholly bonded to you before this, and will be after this--and forevermore."
"You're going to make me cry again."
"So cry. And let me take care of you. I got this.
”
”
J.R. Ward (The King (Black Dagger Brotherhood #12))
“
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it."
I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back."
Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?"
"You're getting a big laugh out of this, aren't you?"
Kieran shrugged. "There's nothing on TV.
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
I love you, Mary," he says, and that is when I let the tears come. The great heaving sobs of terror and pain that shake my body until I can do nothing but grab on to Travis to anchor me to this spot. He pulls me toward him and I curl around his body as I weep. I fall into darkness with his fingers trailing through my har, my cheeks still wet and my body heaving.
”
”
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
“
Through the forest he pursued the she-monster whose tail coiled over the dead leaves like a silver stream; and he came to a meadow where women, with the hindquarters of dragons, stood around a great fire, raised on the tips of their tails. The moon shone red as blood in a pale circle and their scarlet tongues, formed like fishing harpoons, stretched out, curling to the edge of the flame.
”
”
Gustave Flaubert (Salammbo)
“
Granuaile looked terminally depressed when she emerged from the bathroom with raven hair and, as a result rather Goth by accident. She didn't want to get her picture taken.
"Aughh!" she said miserably, looking in the vanity mirror in the truck of the cab and fingering a wavy curl near her temple. "This sucks more than anything has ever sucked before. You know what we look like? A couple of emo douche bags."
"Well, look at the bright side, Granuaile. Emo Douche Bags would be a great band name."
[That's brilliant! It's already the unofficial name of more bands than I can count.]
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?'
Someone coughed near the doorway.
It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping.
'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly.
It didn't help that Ro kept cackling beside her.
...
'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?'
'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.'
'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends.
...
Why are we talking about this?' Sophie asked
...
'Because it's fun watching you get all red and fidgety!' Amy told her.
'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!'
'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?'
'Never mind,' Sophie mumbled, sinking deeper into her blankets.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
'You cannot pass,' he said. The orcs stood still, and a dead silence fell. 'I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.'
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly onto the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming.
Glamdring glittered white in answer.
There was a ringing clash and a stab of white fire. The Balrog fell back and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
'You cannot pass!' he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
'He cannot stand alone!' cried Aragorn suddenly and ran back along the bridge. 'Elendil!' he shouted. 'I am with you, Gandalf!'
'Gondor!' cried Boromir and leaped after him.
At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog's feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard's knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. 'Fly, you fools!' he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
Great, wide, beautiful, wonderful World,
With the wonderful water round you curled,
And the wonderful grass upon your breast,
World, you are beautifully drest!
”
”
Kate Douglas Wiggin (Rebecca of Sunnybrook Farm)
“
That was what he wanted, to be baked dry and hard, to feel the vaporous worries evaporating one by one, to know finally that all the damp little doubts and hesitations that covered the floor of his being were curling up and expiring in the great furnace-blast of the sun.
”
”
Paul Bowles (Let It Come Down)
“
Once or twice a week I would set my alarm for six A.M. so I could get up and plug in Hot Stix...I would study the curls in the mirror, impressed with both the appliance and my newfound ability to use it.
Then, without fail, at the last second before leaving for school, I would ask myself, "Am I supposed to brush it out or leave it?" Why could I never remember" That feeling of "I'm pretty sure this next step is wrong, but I'm just gonna do it anyway" is part of the same set of instincts that makes me such a great cook.
”
”
Tina Fey (Bossypants)
“
There is a certain proper and luxurious way of lying in bed. Confucius, that great artist of life, "never lay straight" in bed, "like a corpse", but always curled up on one side. I believe one of the greatest pleasures of life is to curl up one's legs in bed. The posture of the arms is also very important, in order to reach the greatest degree of aesthetic pleasure and mental power. I believe the best posture is not lying flat on the bed, but being upholstered with big soft pillows at an angle of thirty degrees with either one arm or both arms placed behind the back of one's head.
”
”
Lin Yutang (The Importance of Living)
“
My little ankle-strap sandals curled with embarrassment for her.
”
”
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
“
Every crack is also an opening. When in the midst of great change, it is helpful to remember how a chick is born. From the view of the chick, it is a terrifying struggle. Confined and curled in a dark shell, half-formed, the chick eats all its food and stretches to the contours of its shell. It begins to feel hungry and cramped. Eventually, the chick begins to starve and feels suffocated by the ever-shrinking space of its world. Finally, its own growth begins to crack the shell, and the world as the chick knows it is coming to an end. Its sky is falling. As the chick wriggles through the cracks, it begins to eat its shell. In that moment—growing but fragile, starving and cramped, its world breaking—the chick must feel like it is dying. Yet once everything it has relied on falls away, the chick is born. It doesn't die, but falls into the world.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
But to the lady who curled my hair in the bathroom, who is now somewhere in a crowd that is laughing at the idea of Trump killing me: Thanks, my hair looks great.
”
”
Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
“
Aurdwynn has one great habit, Your Excellence, one constant touchstone, no matter who rules.” Her secretary hesitated over the map, his own fingers half-curled, as if of half a mind to draw her hand away from a flame. “Rebellion.
”
”
Seth Dickinson (The Traitor Baru Cormorant (The Masquerade, #1))
“
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
”
”
Paul H. Magid (Lifting the Wheel of Karma)
“
This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises,
as the sun strokes them with his old, buttery fingers
and they open —
pools of lace,
white and pink —
and all day the black ants climb over them,
boring their deep and mysterious holes
into the curls,
craving the sweet sap,
taking it away
to their dark, underground cities —
and all day
under the shifty wind,
as in a dance to the great wedding,
the flowers bend their bright bodies,
and tip their fragrance to the air,
and rise,
their red stems holding
all that dampness and recklessness
gladly and lightly,
and there it is again —
beauty the brave, the exemplary,
blazing open.
Do you love this world?
Do you cherish your humble and silky life?
Do you adore the green grass, with its terror beneath?
Do you also hurry, half-dressed and barefoot, into the garden,
and softly,
and exclaiming of their dearness,
fill your arms with the white and pink flowers,
with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?
”
”
Mary Oliver
“
Another tug and a yank at my chestnut curls and she snarls at me, “You are so much like her.”
This is something my mother often says and never explains. Though it is a great mystery to me it is also a blessing, for she always hurries from the room after saying it.
”
”
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
“
It feels good to think about you when I'm warm in bed. I feel as if you're curled up there beside me, fast asleep. And I think how great it would be if it were true.
”
”
Haruki Murakami (Norwegian Wood)
“
Even given the ability of black clothing to trick the eye into believing the wearer is slimmer than he truly is, Mario still appeared to be a rolling tube of sausage with an immense bulge in the middle regions of his ill-tended anatomy. His skull was similarly immense, though not likely because it housed a large cranium. The only hair on his head was the oily curl of black hairs that circled the skull about the height of mid-ear. His eyebrows were ponderous, great furry awnings over the eyelids.
”
”
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
“
Standing Deer
As the house of a person
in age sometimes grows cluttered
with what is
too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.
As the thoughts of a person
in age sometimes grow sparer,
like the great cleanness come into a room,
the soul may grow sparer;
one sparrow song carves it completely.
And still the room is full,
and still the heart.
Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.
Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.
Beloved, what can be, what was,
will be taken from us.
I have disappointed.
I am sorry. I knew no better.
A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished.
”
”
Jane Hirshfield
“
She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter.
Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely.
It was important to have a really good book.
”
”
Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
“
A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?"
I tried not to look as if I was hiding a handsome young lad under the mattress.
"Yes?"
"Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron."
"Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?"
"Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths."
"That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen.
The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
“
There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child.
”
”
Vladimir Nabokov (Lolita)
“
Braith opened her eyes and screamed at what hovered above her, “Gods! Death comes for me!”
The horrifying face of death curled its lip at her and growled, “Well, that’s charmin’.” Death sat back in its chair, hands resting on its knees. “This face is not me fault, ya know?” Death looked off, thought a moment. Its finger traced one of the deep gouges across its jaw. “This one actually is kind of me fault.” She pointed at the other side of her face, where part of her chin was missing. “And this one. A bit of barney at the pub.”
...
“That was not death,” he whispered. “That was our Great-Aunt Brigida.”
“Brigida? Brigida the Foul?” He nodded. “I thought she was dead.”
Addolgar shook his head and whispered, “She just won’t die.
”
”
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
“
Back in Paris they had happy moments together, like stills from a perfume ad (dashing hand in hand down the steps of Montmartre; or suddenly revealed in motionless embrace on the Pont des Arts by the lights of a bateau-mouche as it turned). There were the Sunday afternoon half-arguments, too, the moments of silence when bodies curl up beneath the sheets on the long shores of silence and apathy where life founders. Annabelle's studio was so dark they had to turn on the lights at four in the afternoon. They sometimes were sad, but mostly they were serious. Both of them knew that this would be their last human relationship, and this feeling lacerated every moment they spent together. They had a great respect and a profound sympathy for each other, and there were days when, caught up in some sudden magic, they knew moments of fresh air and glorious, bracing sunshine. For the most part, however, they could feel a gray shadow moving over them, on the earth that supported them, and in everything they could glimpse the end.
”
”
Michel Houellebecq (The Elementary Particles)
“
In a distant and secondhand set of dimensions, in an astral plane that was never meant to fly, the curling star-mists waver and part… See… Great A’Tuin the turtle comes, swimming slowly through the interstellar gulf, hydrogen frost on his ponderous limbs, his huge and ancient shell pocked with meteor craters.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
Economic inequality has long been a signature issue of the left, and it rose in prominence after the Great Recession began in 2007. It ignited the Occupy Wall Street movement in 2011 and the presidential candidacy of the self-described socialist Bernie Sanders in 2016, who proclaimed that “a nation will not survive morally or economically when so few have so much, while so many have so little.” 2 But in that year the revolution devoured its children and propelled the candidacy of Donald Trump, who claimed that the United States had become “a third-world country” and blamed the declining fortunes of the working class not on Wall Street and the one percent but on immigration and foreign trade. The left and right ends of the political spectrum, incensed by economic inequality for their different reasons, curled around to meet each other, and their shared cynicism about the modern economy helped elect the most radical American president in recent times.
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too.
My heart landslided. My legs earthquaked.
”
”
Marisha Pessl (Special Topics in Calamity Physics)
“
O great wide beautiful wonderful World
With the wonderful waters around you curled
And the beautiful grass upon your breast
O World you are beautifully dressed.
”
”
John Crowley (Little, Big)
“
He stared down at the golden curls of the Adversary, Destroyer of Kings, Angel of the Bottomless Pit, Great Beast that is called Dragon, Prince of This World, Father of Lies, Spawn of Satan, and Lord of Darkness. ‘You know,’ he concluded, after a while, ‘I think he actually looks like an Adam.
”
”
Terry Pratchett (Good Omens)
“
Margaret could not help her looks; but the short curled upper
lip, the round, massive up-turned chin, the manner of carrying
her head, her movements, full of a soft feminine defiance, always
gave strangers the impression of haughtiness. […]
She sat facing him and facing the light; her full beauty met his eye; her round white flexile throat rising out of the full, yet lithe figure; her lips, moving so slightly as she spoke, not breaking the cold serene look of her face with any variation from the one lovely haughty curve; her eyes, with their soft gloom, meeting his with quiet maiden freedom. He almost said to himself that he did not like her, before their conversation ended; he tried so to compensate himself for the mortified feeling, that while he looked upon her with an admiration he could not repress, she looked at him with proud indifference, taking him, he thought, for what, in his irritation, he told himself he was - a great rough fellow, with not a grace or a refinement about him. Her quiet coldness of demeanour he interpreted into contemptuousness, and resented it in his heart to the pitch of almost inclining him to get up and go away, and have nothing more to do with these Hales, and their superciliousness.
”
”
Elizabeth Gaskell (North and South)
“
At some time you start to think your dreams are beyond you. The universe is sending you messages to quit... contrary. The universe is simply making sure that it really is something you want. Anything great is worth fighting for. Keep fighting, keep persisting. It is only through persistence that we ultimately succeed.
”
”
Tony Curl
“
I never read a book in my life,” she said again. She looked at the volume where it lay by the boulder, at Scott, at the book again. She seemed to be having a great deal of trouble getting used to the idea of a man reading a book. “What do you read books for?”
Now he laughed, and she flared up at him, “You laughing at me?”
“Lord, no, ma’am. It’s just that nobody ever asked me that before.”
He looked at the still water for a moment, thinking. “Tell you what, suppose you had a friend, he knew a whole lot more than you do. He could tell you things about what people are like all over the world, the way they live, everything. And what folks were like a hundred years ago or even a thousand. He could tell you things that make your hair curl, lose you sleep, or things that make you laugh.” He looked up at her swiftly, and away. “Or cry.”
He kicked a pebble into the water and watched the sunlight break and break, and heal. “More than that. Suppose you had a friend there waiting for you anytime you wanted him, anyplace. He’d give you all he’s got or any part of it, whenever you wanted it. And even more, you could shut him up if you didn’t feel like listening. Or if he said something you like, you could get him to say it over a hundred times, and he’d never mind.”
He pointed at the book. “And all that you can put in your pocket.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
“
I know it must seem a curious analogy, a man with a flower, but sometimes he seemed to me like a lily. Yes. A lily. Possessed of that strange, ominous calm of sentient vegetable, like one of those cobra-headed, funereal lilies whose white sheaths are curled out of flesh as thick and tensely yielding to the touch as vellum. When I said that I would marry him, not one muscle in his face stirred, but he let out a long, extinguished sigh. I thought: Oh! how he must want me! And it was as though the imponderable weight of his desire was a force I might not withstand, not by virtue of its violence, but because of its very gravity...and I began to shudder, like a race horse before a race, yet also with a kind of fear, for I felt both a strange, impersonal arousal at the thought of love and at the same time a repugnance I could not stifle for his white, heavy flesh that had too much in common with the armfuls of arum lilies that filled my bedroom in great glass jars, those undertakers' lilies with the heavy pollen that powders your fingers as if you had dipped them in turmeric. The lilies I always associate with him; that are white. And stain you.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
I am not at all sure that the majority of the human race have not been ugly, and even among those "lords of their kind," the British, squat figures, ill-shapen nostrils, and dingy complexions are not startling exceptions. Yet there is a great deal of family love amongst us. I have a friend or two whose class of features is such that the Apollo curl on the summit of their brows would be decidedly trying; yet to my certain knowledge tender hearts have beaten for them, and their miniatures—flattering, but still not lovely—are kissed in secret by motherly lips. I have seen many an excellent matron, who could have never in her best days have been handsome, and yet she had a packet of yellow love-letters in a private drawer, and sweet children showered kisses on her sallow cheeks. And I believe there have been plenty of young heroes, of middle stature and feeble beards, who have felt quite sure they could never love anything more insignificant than a Diana, and yet have found themselves in middle life happily settled with a wife who waddles. Yes! Thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty—it flows with resistless force and brings beauty with it.
”
”
George Eliot (Adam Bede)
“
Oak got mixed up with the wrong people, that’s all,” Jude said wearily.
Cardan smiled, a curl of black hair falling in front of his face. “He’s more like you than you want to see. Clever. Ambitious.”
“If what’s happening is anyone’s fault, it’s mine,” Jude said with another sigh. “For not ordering Lady Nore’s execution when I had the chance.”
“All the obscene snake songs must have been greatly distracting,” Cardan said lightly, moving on from the discussion of Oak. “Generosity of spirit is so uncharacteristic in you.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
They regarded each other for a moment. He lay down once more, and after a moment she followed and jumped a little when she found out that he had slid his arm beneath her shoulders. There was a self-conscious moment of mutual discomfort before she turned onto her side abs curled towards him. Tightening his arm around her, he spoke into the top of her head.
‘You know what I can’t understand? You have all these people telling you all the time how great you are, smart, funny and talented and all that, I mean endlessly, I’ve been telling you for years. So why don’t you believe it? Why do you think people say that stuff, Em? Do you think it’s a conspiracy, people secretly ganging up to be nice to you?
”
”
David Nicholls (One Day)
“
Once, a great handful of a girl out west told him - I never did love you. […]How mean of her to salve her spit curled conscience by trying to take away their past! In the kitchen he had started to use those very words on Lou - they sprang readily to mind, as wounding words do - but he stopped himself.
”
”
Annie Dillard (The Maytrees)
“
The white saucer like some full moon descends
At last from the clouds of the table above;
She sighs and dreams and thrills and glows,
Transfigured with love.
She nestles over the shining rim,
Buries her chin in the creamy sea;
Her tail hangs loose; each drowsy paw
Is doubled under each bending knee.
A long, dim ecstasy holds her life;
Her world is an infinite shapeless white,
Till her tongue has curled the last holy drop,
Then she sinks back into the night,
Draws and dips her body to heap
Her sleepy nerves in the great arm-chair,
Lies defeated and buried deep
Three or four hours unconscious there.
”
”
Harold Monro (Collected poems;)
“
Vargo climbed in, twisted and turned a few times to get comfortable on the pillow, then pulled the lid down and latched it.
As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realization that he never recalled the coffin having a pillow before.
The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more. He'd been shaken around in the wheely thing and then sat on by Nanny, and he was angry about that because he knew, in a dim, animal way, that scratching Nanny might be the single most stupid thing he could do in the whole world, since no one else was prepared to feed him. This hadn't helped his temper.
Then he'd encountered a dog, which had tried to lick him. He'd scratched and bitten it a few times, but this had had no effect apart from encouraging it to try to be more friendly.
He'd finally found a comfy resting place and had curled up into a ball, and now someone was using him as a cushion-
There wasn't a great deal of noise. The coffin rocked a few times, and then pivoted around.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
“
Confession
I love you – I love you, e’en as I
Rage at myself for this obsession,
And as I make my shamed confession,
Despairing at your feet I lie.
I know, I know – It ill becomes me,
I am too old, time to be wise …
But how? … This love – it overcomes me,
A sickness this in passion’s guise.
When you are near I’m filled with sadness,
When far, I yawn, for life’s a bore.
I must pour out this love, this madness,
There’s nothing that I long for more!
When your shirts rustle, when, my angel,
Your girlish voice I hear, when your
Light step sounds in the parlour – strangely,
I turn confused, perturbed, unsure.
Your frown – and I’m in pain, I languish;
You smile – and joy defeats distress;
My one reward for a day’s anguish
Comes when your, pale hand, love, I kiss.
When you sit, bent over your sewing,
Your eyes cast down and fine curls blowing.
About your face, with tenderness
I like childlike watch, my heart o’erflowing
With love, in my gaze a caress.
Shall I my jealousy and yearning
Describe, my bitterness and woe
When by yourself on some bleak morning
Off on a distant walk you go,
Or with another spend the evening
And, with him near, the piano play,
Or for Opochka leave, or, grieving
Weep and in silence, pass the day?
Alina! Pray relent have mercy!
I dare not ask for love – with all
My many sins, both great and small,
I am perhaps of love unworthy!
But if feigned love, if you would
Pretend, you’d easily deceive me,
For happily would I, believe me,
Deceive myself if but I could!
”
”
Alexander Pushkin
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
To a casual passerby, his appearance would not have inspired much confidence. His overcoat was patched in spots and frayed at the cuffs, he wore an old tweed suit that was missing a button, his white shirt was stained with ink and tobacco, and his tie--this was perhaps the strangest of all--was knotted not once, but twice, as if he'd forgotten whether he'd tied it and, rather than glancing down to check, had simply tied it again for good measure. His white hair poked out from beneath his hat, and his eyebrows rose from his forehead like great snowy horns, curling over a pair of bent and patched tortoiseshell glasses. All in all, he looked like someone who'd gotten dressed in the midst of a whirlwind and, thinking he still looked too presentable, had thrown himself down a flight of stairs.
It was when you looked in his eyes that everything changed.
Reflecting no light save their own, they shone brightly in the snow-muffled night, and there was in them a look of such uncommon energy and kindness and understanding that you forgot entirely about the tobacco and ink stains on his shirt and the patches on his glasses and that his tie was knotted twice over. You looked in them and knew that you were in the presence of true wisdom.
”
”
John Stephens (The Emerald Atlas (The Books of Beginning, #1))
“
Someone told me I'd find a princess of great worth here. One with the strength to be the hero this realm needs."
He stared at me with those unsettling blue eyes. They were cold, like ice water - made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. In brisk steps, he strode across the marble to the courtyard. But before crossing the threshold, he turned back to glare at me with his lip curled ever so slightly. "It seems she was mistaken."...
I felt my own lip curl in response. How rude! Who the Grimm was this peasant to judge me? I was wearing a Glenda original. Original! Not some fairy-godmother knockoff worn by those servant girls turned royal. I was a crown princess, for the love of fairy, and no one dismissed me.
”
”
Betsy Schow (Spelled (The Storymakers, #1))
“
The great, great run of us, in the tales told by winds and mountains and trees and cities and the sea and Leviathan and the abyss and by him, my erstwhile master then companion, of whom we spoke, are full stops. We are what happens in the infinitely small instance between one moment worthy of remark and another. We are specks. Milliards of us contained within each such tiny beady ink eye.
But I believe, and I hope it is not the arrogance of love that befuddles me because I do not say I loved him and I know he never loved me, but I believe that were he ever to speak of me, if he were to write the great book of his own life, when it came to the few years I was at his side, that he, for the curl of a moment, as if raising a finger, would pause as if for breath.
That I am one of the elect, privileged forever to be a comma.
”
”
Keanu Reeves (The Book of Elsewhere)
“
Daily Alice awoke, as she always did, when the sun broke in at her eastward windows with a noise like music. She kicked off the figured coverlet and lay naked in the long bars of sun for a time, touching herself awake, finding eyes, knees, breasts, red-gold hair all in place and where she had left them. Then she stood, stretched, brushed the last of sleep from her face, and knelt by the bed amid the squares of sun and said, as she had every morning since she could speak, her prayers:
O great wide beautiful wonderful World
With the wonderful waters around you curled
And the beautiful grass upon your breast
O World you are beautifully dressed.
”
”
John Crowley (Little, Big)
“
She smiled, lifted her arm, and tugged on a couple of his pain-in-the-ass curls, her expression tender enough to bring him back to cold reality. He was an ex-cop. She was the president’s daughter. He was scrap metal. She was pure gold. Beyond all that, he had a dead zone a mile wide inside him, while she bubbled with life. “Lucy …”
“Oh lord …” She rolled her eyes and flopped to her back. “Here we go. The speech.” She deepened her voice in exaggerated imitation of him. “Before this goes any further, Lucy, I need to make sure you don’t get the wrong idea. I’m a cowboy, wild and free. No little filly can ever tame a man like me.” She sneered. “As if I’d want to.
”
”
Susan Elizabeth Phillips (The Great Escape (Wynette, Texas, #7))
“
... I will take a long shower, as the shower is the only place I will have any privacy. In the stall I will get down on my knees and weep, letting the water run over my body, praying to get better, praying not to hurt myself any more than I’m already hurting, praying that this loss, that this whole time, will move over me, through me, like a dark storm passing over a great plane. A great plain which is, essentially, my soul. A soul which is neither light nor dark, neither wholly alone nor wholly with any other, certainly not with God, just flat, open, deathless, and free. Curled up in a wet ball on the tile floor I will hear myself say, something in me is dying. I no longer know to whom I’m talking.
”
”
Maggie Nelson (The Red Parts)
“
I stopped walking. I stood still in the middle of the track and I surveyed the landscape around me and I understood that the eyes which did this had lived a million times before. The way I scanned this horizon was the way the horizon had been scanned by my ancestors fifty thousand years ago as they walked the savannahs with spears between their toes. They had made me. I had learned it from them. Everything my body did the way I curled my fingers and bent my elbows the way I turned my head when I heard a sound. I had learned it from them and they had learned it from the apes before them and the apes had learned it from the fish and all of us had comes through this together. Everything led up to me and everything I was would lead beyond me there was this great chain and I was a link in it. The past and the future they were nothing they came together and parted again and everything was rising and falling and swirling around everything else.
”
”
Paul Kingsnorth
“
Happy birthday. Your thirteenth is important. Maybe your first really public day. Your thirteenth is the chance for people to recognize that important things are happening to you.
Things have been happening to you for the past half year. You have seven hairs in your left armpit now. Twelve in your right. Hard dangerous spirals of brittle black hair. Crunchy, animal hair. There are now more of the hard curled hairs around your privates than you can count without losing track. Other things. Your voice is rich and scratchy and moves between octaves without any warning. Your face has begun to get shiny when you don’t wash it. And two weeks of a deep and frightening ache this past spring left you with something dropped down from inside: your sack is now full and vulnerable, a commodity to be protected. Hefted and strapped in tight supporters that stripe your buttocks red. You have grown into a new fragility.
And dreams. For months there have been dreams like nothing before: moist and busy and distant, full of unyielding curves, frantic pistons, warmth and a great falling; and you have awakened through fluttering lids to a rush and a gush and a toe-curling scalp-snapping jolt of feeling from an inside deeper than you knew you had, spasms of a deep sweet hurt, the streetlights through your window blinds crackling into sharp stars against the black bedroom ceiling, and on you a dense white jam that lisps between legs, trickles and sticks, cools on you, hardens and clears until there is nothing but gnarled knots of pale solid animal hair in the morning shower, and in the wet tangle a clean sweet smell you can’t believe comes from anything you made inside you.
”
”
David Foster Wallace (Consider the Lobster and Other Essays)
“
And well may God with the serving-folk
Cast in His dreadful lot;
Is not He too a servant,
And is not He forgot?
For was not God my gardener
And silent like a slave;
That opened oaks on the uplands
Or thicket in graveyard gave?
And was not God my armourer,
All patient and unpaid,
That sealed my skull as a helmet,
And ribs for hauberk made?
Did not a great grey servant
Of all my sires and me,
Build this pavilion of the pines,
And herd the fowls and fill the vines,
And labour and pass and leave no signs
Save mercy and mystery?
For God is a great servant,
And rose before the day,
From some primordial slumber torn;
But all we living later born
Sleep on, and rise after the morn,
And the Lord has gone away.
On things half sprung from sleeping,
All sleeping suns have shone,
They stretch stiff arms, the yawning trees,
The beasts blink upon hands and knees,
Man is awake and does and sees-
But Heaven has done and gone.
For who shall guess the good riddle
Or speak of the Holiest,
Save in faint figures and failing words,
Who loves, yet laughs among the swords,
Labours, and is at rest?
But some see God like Guthrum,
Crowned, with a great beard curled,
But I see God like a good giant,
That, laboring, lifts the world.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
But the black kitten had been finished with earlier in the afternoon, and so, while Alice was sitting curled up in a corner of the great arm-chair, half talking to herself and half asleep, the kitten had been having a grand game of romps with the ball of worsted Alice had been trying to wind up, and had been rolling it up and down till it had all come undone again; and there it was, spread over the hearth-rug, all knots and tangles, with the kitten running after its own tail in the middle.
”
”
Lewis Carroll (Through the Looking-Glass)
“
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination.
The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be.
My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals.
We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in.
There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die?
Out of compassion, I hope that those questioners never find that which they seek.
One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness.
Never in my life have I ever heard one begging so desperately for someone to prove him wrong.
This is kind of what I believe right now… although, I do not want to be proved wrong…
For what are we left with if there remains no mystery? What hope might we find if we know all of the answers?
What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic?
No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith.
And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all.
-Drizzt Do’Urden
”
”
R.A. Salvatore (Streams of Silver (Forgotten Realms: The Icewind Dale, #2; Legend of Drizzt, #5))
“
She’s twenty-one and just by her hairstyle you can tell she’s saving IT for the man she will marry. It’s short at the sides and high on top, with a sideburn-length curl in front each ear. Look around you next time you’re out strolling, there’s hordes of them like her. They all wore braces when they were kids, played a lot of sports, were considered tom-boys, spent endless hours worrying about pimples, black-heads and acne, and wanted only one thing out of life-- get married and be a loving motherto both their children and their husband. In the meantime, they work at meaningful jobs like teaching and nursing until the Right Man comes along.
They’re the reason Canadian men are amongst the most neurotic, childish and apathetic males on the Western continent. They need the challenge of a mature woman in order to bring out their maturity, and instead they’re offered mamas. Yet it isn’t the girls’ fault. After all they’re only being what men want them to be, what they think men want them to be. And vice-versa. Both sexes being what they think the other wants them to be and neither one really knowing because they’ve never asked their opposite what they would like, and this total absence of communication being the root cause of this great void between modern man and woman
”
”
Juan Antonio Butler (The Garbageman)
“
Elephants command attention. But their size is not what makes the heart skip a beat. It's how they walk with the world's weight on their shoulders, sensitive, noble, their hearts pulsing and as wide open as the great grey leaves that are their ears. MoFos used to say that an elephant never forgets and until this very moment, I hadn't understood what that really meant. An elephant's memories don't reside in organ or skin or bone. They live closer to tree time than we do, and their memories reside in the soul of their species, which dwarfs them in size, is untouchable, and lives on forever to honor every story. They carry stories from generations back, as far as when their ancestors wore fur coats, That is why, when you are close to an elephant, you feel so deeply. If they so choose, they have the ability to hold your sadness so you may safely sit in the lonely seat of loss, still hopeful and full of love. Their great secret is that they know everything is a tide—not a black tide, but the natural breath of life—in and out, in and out, and to be with them is to know this too, And here they were, suddenly lifting the weight of our sadness for us, carrying it in the curl of their trunks. We all sat together in our loss, not dwelling, but remembering. For an elephant never forgets,
”
”
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
“
There they were, the movers and shakers of Benjamin Franklin Hight - the sports stars, the cheerleaders, the good, the great, the gorgeous - bent over their pizzas.
Trish sensed my angst and said, "My mother says girls like Lisa Shooty get the ultimate curse known to man."
"What's that?"
"Too much too soon."
I looked at poor, cursed Lisa who had been sprayed with sex appeal at birth. She had gleaming teeth and long, raven-black curls. She threw back her head and laughed with diamond-studded joy.
"When do you think the curse takes effect?" I asked.
"Not in our lifetime," Trish answered.
”
”
Joan Bauer (Thwonk)
“
But his eyes stutter over a TGI Fridays and he twitches a little, lip curling in involuntary distaste. Something about its facade feels foreign, intrusive, jarring. A tiny, cluttered shoe-repair shop next to it does not elicit the same feeling, nor does a vape shop next door. Just the chain stores that Manny sees—a Foot Locker, a Sbarro, all the sorts of stores one normally finds at a low-end suburban mall. Except these mall stores are here, in the heart of Manhattan, and their presence is… not truly harmful, but irritating. Like paper cuts, or little quick slaps to the face. The subway sign, though, feels right and real. The billboards, too, no matter what’s on them. The cabs, and flow of cars and people—all these things soothe the irritants, somehow. He draws in a deep breath that reeks of hot garbage and acrid steam belching from a manhole cover nearby, and it’s foul but it’s right.
”
”
N.K. Jemisin (The City We Became (Great Cities, #1))
“
2:130
WHAT TO BEGIN NEXT
I can't decide what work, what study, to being next, among the several possible. If there is no spirit, no soul, no divine dimension or value, then whatever we do is just killing time, meaningless and idle. On the other hand, if God and the mystery of spirit overlap with this time and place in simultaneous layering, then anything we work on performs eternity and is the very motion of mystery. Each gesture and word and idea appears in this moment's presence and in the other as well. This is a great truth of being.
Whether a particular actions leads toward a future heaven or hell is not worth considering. Even when you will die is not important. Eternity creates itself at this point. This moment is where you grow nearer and nearer God. Time and the infinite curl together in every nick, touch, taw, tine, and root fiber. Here and now is where you can be shown the miracle of what continuously occurs.
”
”
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
“
We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say “By the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
”
”
Daphne du Maurier (Rebecca)
“
Nanna: Inside, there was a long rigmarole that went on and on; it began with my hair, which had been cut off in the church, and said that he had gathered it together and made a neckband of it for himself; and my forehead was clearer than a cloudless sky. He compared my eyebrows to the black wood which is used to make combs, and he said that my cheeks were so white that they filled milk and cream with envy. He declared my teeth were like a row of pearls, and my lips like pomegranate blossoms; he composed a great preamble on my hands - he even praised my fingernails; and he said that my voice was like the canticle 'Gloria in eccelsis'; and when he came to my breasts, he waxed positively ecstatic - they displayed two apples as white and shining as the snow in sunlight. Finally he allowed himself to slip down to the fountain, saying that he had drunk from it all unworthily, and that it distilled nectar and manna, and that the curls of hair round it were made of silk.
”
”
Pietro Aretino (The Secret Life of Nuns)
“
Melisandre’s red lips curled into a smile. “I have seen you in my fires, Jon Snow.” “Is that a threat, my lady? Do you mean to burn me too?” “You mistake my meaning.” She gave him a searching look. “I fear that I make you uneasy, Lord Snow.” Jon did not deny it. “The Wall is no place for a woman.” “You are wrong. I have dreamed of your Wall, Jon Snow. Great was the lore that raised it, and great the spells locked beneath its ice. We walk beneath one of the hinges of the world.” Melisandre gazed up at it, her breath a warm moist cloud in the air. “This is my place as it is yours, and soon enough you may have grave need of me. Do not refuse my friendship, Jon. I have seen you in the storm, hard-pressed, with enemies on every side. You have so many enemies. Shall I tell you their names?” “I know their names.” “Do not be so certain.” The ruby at Melisandre’s throat gleamed red. “It is not the foes who curse you to your face that you must fear, but those who smile when you are looking and sharpen their knives when you turn your back. You would do well to keep your wolf close beside you. Ice, I see, and daggers in the dark. Blood frozen red and hard, and naked steel. It was very cold.” “It is always cold on the Wall.” “You think so?” “I know so, my lady.” “Then you know nothing, Jon Snow,” she whispered.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment.
Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
”
”
Claire Robson (Love in Good Time: A Memoir)
“
Belle's mind populated the castle with royalty from all the eras she could imagine:
Recent ones with great powdered wigs and hats in the shapes of fanciful things like ships, great skirts that billowed out, ugly garish makeup on the faces of those who gossiped behind embroidered silk fans.
Renaissance rulers with thick curled collars and poison rings, intellect and conspiracy at every dinner.
Ancient kings and queens in long, heavy dresses and cloaks, wise looks on their faces and solid gold crowns on their heads, innocents in a world they believed to possess unicorns and dragons, and maps whose seas ran off at the edges, beyond where the tygres were.
Of course, maybe around here there were dragons and unicorns. Who knew? They had talking teacups.
”
”
Liz Braswell (As Old as Time)
“
Florence lives alone in the great dreary house, and day succeeded day, and still she lived alone; and the blank walls looked down upon her with a vacant stare, as if they had a Gorgon-like mind to stare her youth and beauty into stone.
No magic dwelling-place in magic story, shut up in the heart of a thick wood, was ever more solitary and deserted to the fancy, than was her father's mansion in its grim reality, as it stood lowering on the street: always by night, when lightd were shining from neighbouring windows, a blot upon its scanty brightness; always by day, a frown upon its never-smiling face.
There were not two dragon sentries keeping ward before the gate of this above, as in magic legend are usually found on duty over the wronged innocence imprisoned; but besides a glowering visage, with its thin lips parted wickedly, that surveyed all comers from above the archway of the door, there was a monstrous fantasy of rusty iron, curling and twisting like a petrification of an arbour over threshold, budding in spikes and corkscrew points, and bearing, one on either side, two ominous extinguishers, that seemed to say, 'Who enter here, leave light behind!
”
”
Charles Dickens (Dombey and Son)
“
He turned abruptly his great searching eyes from the sea to Stephen's face.
--The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you.
--Someone killed her, Stephen said gloomily.
--You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . .
He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips.
--But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all.
He shaved evenly and with care, in silence, seriously.
Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.
”
”
James Joyce
“
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him.
He wiped his eyes. “You really want to know, don’t you.”
“Yeah.”
“Why?”
I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire.
He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.”
“Seems like I’ve picked that right up again.”
He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said?
“Probably something stupid.”
“You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.”
“Oh dear god,” I said in horror. “And that worked?”
Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.”
I looked over at him. “What did I say?”
He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.”
I had to know. “Have you?”
“No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle.
Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this.
Forgotten him.
It had to have been the strongest magic the world had ever known.
That was the only way I’d have ever left his side.
He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret.
Instead he opened his hand between us.
The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved.
“Just wait,” Kelly whispered.
I did.
It only took a moment.
The firefly pulsed in his hand.
“There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away.
He stared after it.
I only had eyes for him.
”
”
T.J. Klune (Heartsong (Green Creek, #3))
“
One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail, and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar; a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man’s beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger’s bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth, and made signs to Shasta to kneel also. The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn’t think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about.
”
”
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
“
The nymphs in green? Delightful girls.’ ‘It is clear you have been a great while at sea, to call those sandy-haired coarse-featured pimply short-necked thick-fingered vulgar-minded lubricious blockheads by such a name. Nymphs, forsooth. If they were nymphs, they must have had their being in a tolerably rank and stagnant pool: the wench on my left had an ill breath, and turning for relief I found her sister had a worse; and the upper garment of neither was free from reproach. Worse lay below, I make no doubt. “La, sister,” cries the one to the other, breathing across me – vile teeth; and “La, sister,” cries the other. I have no notion of two sisters wearing the same clothes, the same flaunting meretricious gawds, the same tortured Gorgon curls low over their brutish criminal foreheads; it bespeaks a superfetation of vulgarity, both innate and studiously acquired. And when I think that their teeming loins will people the East . . . Pray pour me out another cup of coffee. Confident brutes.
”
”
Patrick O'Brian (HMS Surprise (Aubrey & Maturin, #3))
“
And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are—a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.
”
”
Charles Dickens (David Copperfield)
“
What . . . fellow?” The wind was cool, but I could see sweat trickling down the back of Jamie’s neck, dampening his collar and plastering the linen between his shoulders.
Duff didn’t answer immediately. A look of speculation flickered in his small, deep-set eyes.
“Don’t think about it, Duff,” Roger said, softly, but with great assurance. “I can reach ye from here with an oar, ken?”
“Aye?” Duff glanced thoughtfully from Jamie, to Roger, and then to me. “Aye, reckon ye might. But allowin’ for the sake for argyment as how you can swim, MacKenzie—and even that Mr. Fraser might keep afloat—I dinna think that’s true of the lady, is it? Skirts and petticoats . . .” He shook his head, pursing thin lips in speculation as he looked at me. “Go to the bottom like a stone, she would.”
Peter shifted ever so slightly, bringing his feet under him.
“Claire?” Jamie said. I saw his fingers curl tight round the oars, and heard the note of strain in his voice. I sighed and drew the pistol out from under the coat across my lap.
“Right,” I said. “Which one shall I shoot?
”
”
Diana Gabaldon (The Fiery Cross (Outlander, #5))
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
That is the bizarre thing about the good news: who knows how you will really hear it one day, but once you have heard it, I mean really HEARD it, you can never UNHEAR it. Once you have read it, or spoken it, or thought it, even if it irritates you, even if you hate hearing it or cannot find it feasible, or try to dismiss it, you cannot UNREAD it, or UNSPEAK it, or UNTHINK it.
It is like a great big elephant in a tiny room. Its obvious presence begins to squeeze out everything else, including your own little measly self. Some accept it easily, some accept it quickly, and some are struck with the mystical reality of it right away. These people have no trouble bringing the unseen into the realm of the seen. But others of us fight the elephant; we push back on it, we try to ignore it, get it to leave the room, or attempt to leave the room ourselves. But it does not help. The trunk keeps curling around the doorknob. The hook is there. It may snooze or loom or rise and recede, but regardless of the time passed or the vanity endured, the idea keeps coming back, like a cosmic boomerang you just cannot throw away. I did not realize this was part of the grace of it all-such relentless truthfulness.
”
”
Carolyn Weber (Surprised by Oxford)
“
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
”
”
Toni Morrison (The Bluest Eye)
“
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?”
Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back.
“Fuck,” he said. “I thought that was one-way glass.”
“It is.”
Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me.
“What did he say?” LeBlanc asked.
“Wait for me.”
“What?”
“It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.”
“Are you going to?” LeBlanc asked.
Marsten’s lips curved in a smile. “He didn’t invite me.”
LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.”
“I’m not.”
“You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.”
“Really? Huh.”
LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.”
“Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it."
“I don’t need to prove anything. Certainly not to a smart-mouthed—”
He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away.
“You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.”
“So I win.”
His face purpled. “You smug—”
“Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
”
”
Kelley Armstrong (Bitten (Otherworld, #1))
“
Are you really going to carry me up those stairs?"
"Yeah."
Gennie cast a look at the winding staircase and tightened her hold. "I'd just like to mention it wouldn't be terribly romantic if you were to trip and drop me."
"The woman casts aspersions on my machismo."
"On your balance," she corrected as he started up. She shivered as her wet skin began to chill, then abruptly laughed. “Grant, did it occur to you what those assorted pile of clothes would look like if someone happened by?”
“They’d probably look a great deal like what they are,” he considered. “And it should discourage anyone from trespassing. I should have thought of it before-much better than a killer-dog sign.”
She sighed, partially from relief as they reached the landing. “You’re hopeless. Anyone would think you were Clark Kent.”
Grant stopped in the doorway to the bathroom to stare at her. “Come again?”
“You know, concealing a secret identity. Though you’re anything but mild-mannered,” she added as she toyed with a damp curl that hung over his ear. “You’ve set up this lighthouse as some kind of Fortress of Solitude.”
The long intense look continued. “What was Clark Kent’s Earth mother’s name?”
“Is this a quiz?”
“Do you know?”
She arched a brow because his eyes were suddenly serious. “Martha.”
“I’ll be damned,” he murmured. He laughed, then gave her a quick kiss that was puzzlingly friendly considering they were naked and pressed together. “You continue to surprise me, Genvieve. I think I’m crazy about you.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
Once I’m at the bottom, I knock on the exit door.
Zeke opens it, a stupid grin on his face.
“No trouble with the guard?”
“No.”
“I figured Drea would be easy to get by. She doesn’t care about anything.”
“It sounded like she had looked the other way before.”
“That doesn’t surprise me. Is this Prior?”
“In the flesh.”
“Why’s he bleeding?”
“Because he’s an idiot.”
Zeke offers me a black jacket with a factionless symbol stitched into the collar. “I didn’t know that idiocy caused people to just start spontaneously bleeding from the nose.”
I wrap the jacket around Caleb’s shoulders and fasten one of the buttons over his chest. He avoids my eyes.
“I think it’s a new phenomenon,” I say. “The alley’s clear?”
“Made sure of it.” Zeke holds out his gun, handle first. “Careful, it’s loaded. Now it would be great if you would hit me so I’m more convincing when I tell the factionless you stole it from me.”
“You want me to hit you?”
“Oh, like you’ve never wanted to. Just do it, Four.”
I do like to hit people--I like the explosion of power and energy, and the feeling that I am untouchable because I can hurt people. But I hate that part of myself, because it is the part of me that is the most broken.
Zeke braces himself and I curl my hand into a fist.
“Do it fast, you pansycake,” he says.
I decide to aim for the jaw, which is too strong to break but will still show a good bruise. I swing, hitting him right where I mean to. Zeke groans, clutching his face with both hands. Pain shoots up my arm, and I shake my hand out.
“Great.” Zeke spits at the side of the building. “Well, I guess that’s it.”
“Guess so.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Brian Doyle about the Irish custom of “taking to the bed.”
He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know.
Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20
Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91
”
”
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
“
My kin would sooner have a badger in their house than a Campbell."
Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it.
"Most MacGregors were comfortable enough with badgers in the parlor."
"Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them."
Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers."
Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers."
"We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?"
"Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them."
"Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land."
Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to."
"Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example.
For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint.
Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!"
Shelby found herself swept off her feet in a crushing hug that held welcome.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan.
Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
”
”
Stacey Ballis (Off the Menu)
“
There is no silence upon the earth or under the earth like the silence under the sea;
No cries announcing birth,
No sounds declaring death.
There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts;
And silence in the growth and struggle for life.
The bonitoes pounce upon the mackerel,
And are themselves caught by the barracudas,
The sharks kill the barracudas
And the great molluscs rend the sharks,
And all noiselessly--
Though swift be the action and final the conflict,
The drama is silent.
There is no fury upon the earth like the fury under the sea.
For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage.
Moreover, the pace of the blood is too fast.
But under the waves the blood is sluggard and has the same temperature as that of the sea.
There is something pre-reptilian about a silent kill.
Two men may end their hostilities just with their battle-cries,
'The devil take you,' says one.
'I'll see you in hell,' says the other.
And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed?
No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven.
But let silent hate be put away for it feeds upon the heart of the hater.
Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey.
One looked to say--'The cat,'
And the other--'The cur.'
But no words were spoken;
Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity.
If the right upper lip curled over the canine, it went unnoticed.
The lashes veiled the eyes not for an instant in the passing.
And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute.
A word would have dulled the exquisite edge of the feeling.
An oath would have flawed the crystallization of the hate.
For only such culture could grow in a climate of silence--
Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain.
”
”
E.J. Pratt
“
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her.
It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))