“
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
”
”
Charles Frazier (Cold Mountain)
“
Over, under, around, or through, there's always a way. You don't give up and you never give in. They can scar your body and take your freedom, but only you can surrender your heart and soul. Nothing is worth compromising yourself for. Stand fast and stand true. Always.
”
”
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
“
Everyone always wants to know how you can tell when it's true love, and the answer is this: when the pain doesn't fade and the scars don't heal, and it's too damned late.
The tears threaten to return, so I willfully banish all thoughts from my head and take a few more deep breaths. I'm suddenly dizzy from the panic attack I've just suffered, and I close my eyes, resting my head against the warm leather of my steering wheel. Loneliness doesn't exist on any single plane of consciousness. It's generally a low throb, barely audible, like the hum of a Mercedes engine in park, but every so often the demands of the highway call for a burst of acceleration, and the hum becomes a thunderous, elemental roar, and once again you're reminded of what this baby's carrying under the hood.
”
”
Jonathan Tropper (The Book of Joe)
“
If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.
Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.
Here on the upper thigh
at this smooth pasture
neighbor to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.
I could hardly glance at you
before marriage
never touch you
-- your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...
When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said
this is how you touch other women
the grasscutter's wife, the lime burner's daughter.
And you searched your arms
for the missing perfume.
and knew
what good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in an act of love
as if wounded without the pleasure of scar.
You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler's wife. Smell me.
”
”
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
“
If you never find it in your heart to trust me again—if you never
believe another word I say—believe that I love you. My love isn’t perfect,
and it isn’t beautiful. It’s broken and scarred and ugly, but all of it is yours.
I will always be yours
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
If you’re so concerned about my humanity, Elena, then reach into my soul and find it, because I’m not sure I have any left.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Every second we're together, I get under your skin as deeply as you've scarred mine.
”
”
Kresley Cole (Dark Skye (Immortals After Dark, #14))
“
Okay baby... Just turn around and count to one hundred, and I'll get you some pancakes, okay?
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Safe isn't a place. It's the people that love you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
If one wishes to be instructed--not that anyone does--concerning the treacherous role that memory plays in a human life, consider how relentlessly the water of memory refuses to break, how it impedes that journey into the air of time. Time: the whisper beneath that word is death. With this unanswerable weight hanging heavier and heavier over one's head, the vision becomes cloudy, nothing is what it seems...
How then, can I trust my memory concerning that particular Sunday afternoon?...Beneath the face of anyone you ever loved for true--anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other--beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone.
”
”
James Baldwin (Just Above My Head)
“
Put a damn shirt on and cover up your eighteen pack or whatever you got going on under that skin, you are making me drool.”
“Lea, stop saying crap like that to me and stop gawking, awkward.”
Lea smiled down at me, “You, sir are a bit easy on the eye, so therefore I shall stare at you. If you feel at all uncomfortable, I could always knock you over the head with something until you’re unconscious and take pictures.
”
”
Christine Zolendz (Scars and Songs (Mad World, #3))
“
My love isn’t perfect, and it isn’t beautiful. It’s broken and scarred and ugly, but all of it is yours. I will always be yours.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
It’s a shame I’m already destined for Hell, because it’s not where
angels belong.
But I’m not going anywhere without her.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
None of that. A full night’s sleep might put you in a good mood, and I need you at your most disgruntled.” “Keep spewing inanities and you may see me at my worst.” “All Saints, are you saying I haven’t seen you at your worst?” Zoya tossed her hair. “If you had, you’d be under the covers, gibbering prayers.” “A unique way of getting me into bed, but who am I to question your methods?
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
You can ask me for anything else, Elena, anything else, and I'll give it to you without hesitation. Don't ask me to live without you. I won't survive.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I would do anything for you. If you ask me to move the sun out of your eyes, I will push it with my bare hands. If you ask me for the moon, I will wrap it in a purple ribbon and hand it to you. If you ask me for all the stars in the sky, I will create an entire galaxy, just for you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Because." He leaned forward, his hand slipping up her back to unerringly trace the scar tissue of the design burned there, now concealed under the robe. "Someone drew you wings a long time ago and you've been trying to decide whether to fly away ever since." <…> "And because when I look at you, I think you're a gift from God.
”
”
Joey W. Hill (Ice Queen (Nature of Desire, #3))
“
With a shaky breath, I hold the handkerchief to my face, hug her to
my chest, and weep with the angels.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
...Use your finger to trace the scar upon my chest- I lied - it wasn't a knife wound, but a scrape from a nail sliding under a fence to see you...
”
”
John Geddes (A Familiar Rain)
“
You asked me to chase away the monsters under your bed. But the monster was never under your bed, was it? It was in your heart.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I’ve fallen in love with the most unlovable, virulent, tragic parts of him. And I’ve decided I love the taste of poison.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
God, I love it when he’s unhinged.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
You
are my everything. Mind. Body. Soul. I fucking love you, Elena, and you
will love me back. I don’t care if I have to destroy you in the process.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
If you're so concerned about my humanity, Elena, then reach into my soul and find it, because I'm not sure I have any left.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
That, my angel, is called Stockholm Syndrome.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I don’t want to kill you, angel. I want to keep you all to myself.
You’d better take off those rose-colored glasses and accept that the only
place you belong is in my black heart.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Beneath the face of anyone you ever loved for true - anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other - beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone.
”
”
James Baldwin
“
She tried to imagine him as an elder Kai man, with hair turned silvery white instead of its current sloe darkness. He’d still be as handsome and regal as he was now. She chuckled under her breath, amused at the idea that she once thought him hideous.
One yellow eye peered up at her. “What amuses you, wife?” The question fell away to a moan as she rubbed his scalp.
“I was just thinking you are far too handsome for your own good.”
“It’s the scars,” he said. “They give me a certain air.
”
”
Grace Draven (Eidolon (Wraith Kings, #2))
“
But if you ask me to let you go?
Angel, you know I can’t do that.
If you’re gone, then what else do I have to live for?
Hope.
That’s what I have to live for. Hope that one day I might get to hear
you say, “I love you too.”
So I’ll wait. I’ll wait as long as it takes.
Forever yours,
Christian
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
May I know your name, sir?"
The smile rearranged his face under the terrible scars. "Nezahualcoyotl. Michel Nezahualcoyotl. Charmed.
”
”
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
“
Actually, please do that. My cock is already getting hard again thinking about you spending all my money.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
His love and his devotion have corrupted me.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
don’t just want to be a god anymore; I want to worship my goddess. I want to protect her. I want to take care of her. I want her to be mine.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I can promise that I’ll always try to be the best version of myself for you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
The serial killer in my apartment tucked me into bed after I passed out and he made sure to put my socks back on my feet so they wouldn’t get cold.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Over, under, around, or through, there’s always a way. You don’t give up and you never give in. They can scar your body and take your freedom, but only you can surrender your heart and soul. Nothing is worth compromising yourself for. Stand fast and stand true. Always.
”
”
Sherrilyn Kenyon (Illusion (Chronicles of Nick, #5))
“
You are someone who strives to protect others despite all your scars… and you have no idea how endearing I find that.
”
”
Suji Kim (Under the Oak Tree: Season 2 -4-)
“
Eight. I’ve given him eight souls since September sixth. It should have only been one. It should have only been me.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I wish I could say I felt any semblance of guilt, or remorse, or hell, even nothing. I’d take feeling numb over loving the taste of death.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
She’s going to start preschool in the fall. We’ll have to pick her up every day in a different colored Range Rover to assert our dominance.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Love makes us stupid.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
My heart has been yours ever since. I don’t just mean my love. I mean the actual, functional, beating heart in my chest is yours.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I am painfully, catastrophically in love with you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I have problems. Really big fucking problems.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I love you so much that I would burn this world for you and all the people in it just to keep you all to myself. Do you understand me?
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I need to love her so violently that it breaks her, and then fill in all those cracks with gold until the only thing holding her together is me.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Baby, I would never judge you for doing what you needed to do to survive.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Who do I need to kill?
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
Pipsqueak has a way of attracting psychopaths.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
That’s my good fucking girl.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I can give an angel her wings. But I can clip them, too, if it means I get to spend forever with her.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
That’s how every man wants to go. In between the legs of his lover.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
You wanted my attention, baby, and now you’ve got it. Now be a good girl and suck.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
It’s a shame I’m already destined for Hell, because it’s not where angels belong.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
He didn’t kill himself because he gave up on me, but because he lost the only thing that was holding him together.
”
”
Ariel N. Anderson (Delilah: An Under Your Scars Novella)
“
Sometimes when I think about my father’s suicide, I wonder if he knew he’d kill a part of me, too.
”
”
Ariel N. Anderson (Delilah: An Under Your Scars Novella)
“
Under chronic stress, adrenaline creates scars in your blood vessels that can cause a heart attack or stroke, and cortisol damages the cells of the hippocampus, crippling your ability to learn and remember.
”
”
Jennifer Fraser (Bullied Brain: Heal Your Scars and Restore Your Health)
“
Jack's cold hand tugged again on hers, another warning that it was time to go, but Evangeline ignored it.
'What kind of curse were you under?' she asked.
Luc let go of a bar to run a hand through his hair, a familiar and terribly human gesture that brought another pang to her heart.
'I didn't realize it until tonight, until the vampire venom was in me and suddenly my head cleared. I can't describe what it was like before. All I know was that your stepsister was all that I could think about. She was the reason I came here- I needed to be perfect for her. After I got mauled by the wolf, my scars weren't sexy scars-'
'He just said sexy scars,' Jacks drawled. 'Are you really listening to this?'
'Shh," Evangeline hissed.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
feel like a soulmate implies some sort of…divine intervention. I think the best love stories come from the people who say that love came out of nowhere for them, not from the people who were looking for love in the first place.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
And the worst part about that thought is that if heaven exists, I know my father can’t exist there with her, which means that in killing himself after losing her, he probably still ended up having to live an eternity without her.
”
”
Ariel N. Anderson (Delilah: An Under Your Scars Novella)
“
Mathematicians still don’t understand
the ball our hands made, or how
your electrocuted grandparents made it possible
for you to light my cigarettes with your eyes.
It isn’t as simple as me climbing into the window
to leave six ounces of orange juice
and a doughnut by the bed, or me becoming
the sand you dug your toes in,
on the beach, when you wished
to hide them from the sun and the fixed eyes
of strangers, and your breath broke in waves
over my earlobe, splashing through my head, spilling out
over the opposite lobe, and my first poems
under your door in the unshaven light of dawn:
Your eyes remind me of a brick wall
about to be hammered by a drunk
driver. I’m that driver. All night
I’ve swallowed you in the bar.
Once I kissed the scar, stretching its sealed
eyelid along your inner arm, dried
raining strands of hair, full of pheromones, discovered
all your idiosyncratic passageways, so I’d know
where to run when the cops came.
Your body is the country I’ll never return to.
The man in charge of what crosses my mind
will lose fingernails, for not turning you
away at the border. But at this moment
when sweat tingles from me, and
blame is as meaningless as shooting up a cow with milk,
I realise my kisses filled the halls of your body
with smoke, and the lies came
like a season. Most drunks don’t die in accidents
they orchestrate, and I swallowed
a hand grenade that never stops exploding.
”
”
Jeffrey McDaniel
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Pepper woke up thinking of butts.
And nothing else.
Ladies' butts.
Skinny butts, big butts, saddlebag butts, flabby and firm butts, the kind that sit so high they seem like part of the woman's back, the kind that ride low and form a UU just above the thighs like in the old television commercials for Hanes Underalls, butts that wiggle and butts that jiggle, sagging butts and robust butts, butts that hardly make an impression under a pair of jeans; sidewinder butts and trumpet butts -- the ones so meaty they actually spread out until they appear to be a woman's thighs (ass so fat you can see it from the front), butts as knotty as acorns, butts as smooth as a slice of Gouda, butts with pimples and butts with cellulite, the kind that have pockmarks or red splotches, butts with tattoos and butts with bullet scars. Butts you can cup in your warm hands. Butts and butts and butts.
In other words, Pepper woke up horny.
”
”
Victor LaValle (The Devil in Silver)
“
I just…I wanted you to know that I get it now. I’ve always been confused and lost, wondering why you left me. But I’m not lost anymore, Dad. I’m going to make the world believe in me the same way you did. I promise. So…that’s why I’m here. To share my breakfast with you.
”
”
Ariel N. Anderson (Delilah: An Under Your Scars Novella)
“
What's going on between us?"
I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you."
"Do you? Really? Because these scars are sexy."
How did she see her self? "I don't give a fuck about your scars."
She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body.
"How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?"
She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?"
Her anger only fed mine. "For the last time I don't give a fuck about your scars."
"Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?"
She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices.
”
”
Julie Schumacher (Dear Committee Members)
“
You will make a difference in this world, child, whether you want to or not. Most people are like sand, the impact of their lives washed away by years. They cause no lasting damage, no lasting benefit.
You are not most people.
You are like fire; you will burn wherever you go. If contained, channeled, you can bring light, but you will also always cast a shadow. You can choose to end life or choose to give it, but punishment will follow every reward. And if your fire goes unchecked, you will burn through lives and history. The closer anyone gets to you, the more at risk they are of falling under your shadow, or being consumed by your flame. You will have to pretend to be other than what you are. You must wear enough armor so that no one can see or touch you. It isn't your fault. It's nothing you did. You cannot change who you are, any more than you can change black eyes to blue. You can only accept it. If you fight yourself, you will lose, and fighting leaves scars. But you will survive them.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
You said it was twenty feet!” “Yeah. You’ll have to trust me. Put your arms around my neck and hang on.” “How can you possibly—” “There!” cried a voice behind them. “Kill the ungrateful tourists!” The children of Nyx had found them. Annabeth wrapped her arms around Percy’s neck. “Go!” With her eyes closed, she could only guess how he managed it. Maybe he used the force of the river somehow. Maybe he was just scared out of his mind and charged with adrenaline. Percy leaped with more strength than she would have thought possible. They sailed through the air as the river churned and wailed below them, splashing Annabeth’s bare ankles with stinging brine. Then—CLUMP. They were on solid ground again. “You can open your eyes,” Percy said, breathing hard. “But you won’t like what you see.” Annabeth blinked. After the darkness of Nyx, even the dim red glow of Tartarus seemed blinding. Before them stretched a valley big enough to fit the San Francisco Bay. The booming noise came from the entire landscape, as if thunder were echoing from beneath the ground. Under poisonous clouds, the rolling terrain glistened purple with dark red and blue scar lines. “It looks like…” Annabeth fought down her revulsion. “Like a giant heart.” “The heart of Tartarus,” Percy murmured. The center of the valley was covered with a fine black fuzz of peppery dots. They were so far away, it took Annabeth a moment to realize she was looking at an army—thousands, maybe tens of thousands of monsters, gathered around a central pinpoint of darkness. It was too far to see any details, but Annabeth had no doubt what the pinpoint was. Even from the edge of the valley, Annabeth could feel its power tugging at her soul. “The Doors of Death.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
I think if two people are meant to be together, then they will be. I don’t know if that makes them soulmates though. I feel like a soulmate implies some sort of…divine intervention. I think the best love stories come from the people who say that love came out of nowhere for them, not from the people who were looking for love in the first place.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
She hands back the ring. “You’d start a war for love?” “For Elena? I wouldn’t just start a war. I’d win it.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
1
You said ‘The world is going back to Paganism’.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia’s fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it. By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. At the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen’s children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears …
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
”
”
C.S. Lewis
“
Do you believe in soulmates, Elena?”
I think about it for a long time. Do I? Everyone wants to believe
they exist. Everyone wants to believe that there’s someone out there that
was always meant to love them.
“I think if two people are meant to be together, then they will be. I
don’t know if that makes them soulmates though. I feel like a soulmate
implies some sort of…divine intervention. I think the best love stories come
from the people who say that love came out of nowhere for them, not from
the people who were looking for love in the first place.” I squeeze his hand
in mine. “Do you believe in soulmates?”
The corner of his mouth tilts into a smile. “Not until I found you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
It means that I’m going to make you want me as bad as I want you. I’m going to make you fantasize about how it feels to have my fingers in your greedy little cunt. I’m going to make you beg for my tongue against your clit. I’m going to make you so wet and needy for me that you’ll do anything to get me to relieve that hot, achy feeling inside you. Once you admit you want me, that’s when I’ll show my appreciation. With every part of me. On every part of you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy.
To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp.
To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower.
To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.
”
”
Colette (The Vagabond)
“
But finally, when they stopped to sleep, not bothering with a tent, just bedding down in a hollow they’d trampled in the tall grass with their boots, Arin spoke. He slid a hand under her tunic to touch her bare back, then stopped. “Is this all right?”
She wanted to explain that she hadn’t thought she’d ever bear anyone’s touch on her scarred back, that it should revolt him and revolt her. Yet his touch made her feel soft and new. “Yes.”
He pushed the shirt up, seeking the lash marks, tracing their length. She let herself feel it, and shivered, and thought of nothing. But a tension grew. He was still, but for his hand.
Kestrel said, “What’s wrong?”
“Your life would have been easier if you had married the Valorian prince.”
She drew herself up so that she could face him. The scent of black powder clung to them both. His skin smelled like a blown-out candle. “But not better,” she said.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.”
For a few long seconds, he just stared at me. There were new things to discover in his face still, even after so long spent in close company. Faint shadows under his cheekbones. The scar that ran through his eyebrow.
“You don’t know what to call it?” he said, when he finally spoke again.
His armor hit the ground with a clatter, and he reached for me. Wrapped an arm around my waist. Pulled me against him. Whispered against my mouth: “Sivbarat. Zethetet.”
One Shotet word, one Thuvhesit. Sivbarat referred to a person’s dearest friend, someone so close that to lose them would be like losing a limb. And the Thuvhesit word, I had never heard before.
We didn’t quite know how to fit together, lips too wet, teeth where they didn’t belong. But that was all right; we tried again, and this time it was like the spark that came from friction, a jolt of energy through my body.
He clutched at my sides, pulled my shirt into his fists. His hands were deft from handling carving knives and powders, and he smelled like it, too, like herbs and potions and vapor.
I pressed into him, feeling the rough stairwell wall against my hands, and his quick, hot breaths against my neck. I had wondered, I had wondered what it was like to go through life without feeling pain, but this was not the absence of pain I had always craved, it was the opposite, it was pure sensation. Soft, warm, aching, heavy, everything, everything.
I heard, echoing through the safe house, a kind of commotion. But before I let myself pull away so we could see what it was, I asked him quietly, “What does it mean, ‘zethetet’?”
He looked away, like he was embarrassed. I caught sight of that creeping blush around the collar of his shirt.
“Beloved,” he said softly. He kissed me again, then picked up his armor and led the way toward the renegades.
I couldn’t stop smiling.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
We all have scars.” Nathaniel looked him straight in the eyes. “Only some of us wear ours on the inside. They don’t change who we are, only who we might’ve been. They change the way we see the world around us. People like you and me, we know bad things happen. We know what real pain is, and we know that sometimes there really is a monster under the bed. We don’t have the luxury the rest of the world does. We can’t pretend those things aren’t real, that life is all sunshine and rainbows. We know different, we’ve seen too much to believe otherwise. Wear your scars as a badge of honor. They show the world you were strong enough to survive. Don’t let them make you feel like you need to hide.
”
”
Lynley Wayne (Scars (Scars #1))
“
How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.
”
”
Maggie Smith (You Could Make This Place Beautiful)
“
I love you." ... "I love you so much it makes me insane. I love you so much it makes me dangerous. I love you so much that I would burn this world for you and all the people in it to keep you all to myself. Do you understand me? If It comes down to a choice, you will choose me. I don't give a fuck if it costs the remainder of your soul. You are mine and only mine.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
I won’t do a thing,” I said. “Without you I’m not moving.” Through the front window was another cliché, rain raging while the women inside wept like girls. The traffic screamed its emergency around us, but we could do this thing on our own. She was all the world’s money, and I would spend it with her, my sharpest friend who changed the tide, my only comfort from the brutal gamble of the world and the wicked ways of men. I grabbed her hands and clasped them together over her scar into a position of strength, like a prayer we wouldn’t be caught dead saying. Gather around us, heroic women of Haddam. Gather around us and put us under your silken wings. We are here, we are here, we are here, won’t someone take us across the sound together.
”
”
Daniel Handler
“
When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.”
“It wasn’t just her, it was him, too,” I said, between bites of my burrito.
“Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.”
My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.”
“But I want to.” She hooked her pinky finger with mine. “Are you okay?”
I nodded. “Better, now that you’re here.”
When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?”
I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her.
“It’s up to you.”
“I know, but…would you take him back?”
“Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.”
“What happened to all that talk about scarring him?”
“Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.”
I didn’t say anything. But I knew she was right.
“I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?”
She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I’d wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren’t pretty.
”
”
Julie Schumacher (Dear Committee Members)
“
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
”
”
Jean-François Lyotard (Libidinal Economy)
“
I have bad news for you, Bethany. I am not a good man. Please don't get it in your head that I am. I love Elena and I would do absolutely anything for her. Anything. That makes me the worst kind of man. Love is the most volatile poison in the universe. I'm not a saint by any stretch of the imagination, but I make you a promise on my life, that Elena will always be safe with me, even if it costs me everything in the end.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
means that I’m going to make you want me as bad as I want you. I’m going to make you fantasize about how it feels to have my fingers in your greedy little cunt. I’m going to make you beg for my tongue against your clit. I’m going to make you so wet and needy for me that you’ll do anything to get me to relieve that hot, achy feeling inside you. Once you admit you want me, that’s when I’ll show my appreciation. With every part of me. On every part of you.
”
”
Ariel N. Anderson (Under Your Scars (Under Your Scars, #1))
“
You’ve seen what this drug can do. I assure you it is just the beginning. If jurda parem is unleashed on the world, war is inevitable. Our trade lines will be destroyed, and our markets will collapse. Kerch will not survive it. Our hopes rest with you, Mister Brekker. If you fail, all the world will suffer for it.”
“Oh, it’s worse than that, Van Eck. If I fail, I don’t get paid.”
The look of disgust on the merch’s face was something that deserved its own DeKappel oil to commemorate it.
“Don’t look so disappointed. Just think how miserable you would have been to discover this canal rat had a patriotic streak. You might actually have had to uncurl that lip and treat me with something closer to respect.”
“Thank you for sparing me that discomfort,” Van Eck said disdainfully. He opened the door, then paused. “I do wonder what a boy of your intelligence might have amounted to under different circumstances.”
Ask Jordie, Kaz thought with a bitter pang. But he simply shrugged. “I’d just be stealing from a better class of sucker. Thirty million kruge.”
Van Eck nodded. “Thirty. The deal is the deal.”
“The deal is the deal,” Kaz said. They shook.
As Van Eck’s neatly manicured hand clasped Kaz’s leather-clad fingers, the merch narrowed his eyes.
“Why do you wear the gloves, Mister Brekker?”
Kaz raised a brow. “I’m sure you’ve heard the stories.”
“Each more grotesque than the last.”
Kaz had heard them, too. Brekker’s hands were stained with blood. Brekker’s hands were covered in scars. Brekker had claws and not fingers because he was part demon. Brekker’s touch burned like brimstone—a single brush of his bare skin caused your flesh to wither and die.
“Pick one,” Kaz said as he vanished into the night, thoughts already turning to thirty million kruge and the crew he’d need to help him get it. “They’re all true enough.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
You are beautiful because your eyes are different sizes and your lisp gets in between your tongue and teeth every time you try to say "something". You are beautiful because the scar under your chin looks like a spider and because you have a massive fear of heights. You are beautiful because there never has been, nor will there every be anyone else on this Earth like you. Because your flaws are like fingerprints and should be embraced just like the free will that resides inside. You are not beautiful because of the symmetry in the little squares on your telephone, you are beautiful because "you" are the only "you" this place will ever know.
”
”
John O'Callaghan
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face.
“You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.”
Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange.
“What did you do to her?” Tobias says, terse. “What in God’s name did you do?”
“I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.”
“They must have given her too much of what?” he says.
“You have a nice voice,” I say.
“Tris,” he says, “please be quiet.”
“The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.”
Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.”
Johanna does not respond for a few seconds. She folds her hands in front of her.
“Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.”
“Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.”
“Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.”
“Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I gave him my best cryptic smile.
He grimaced. “What have you found out?” he asked.
“I’m not at liberty to tell you that.” Not with the Pack suspect.
He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword.
“You will tell me what you know now,” he said.
“Or?"
He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.”
His eyes ignited with gold. His gaze was unbearable now.
“I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine.
I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?”
His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted.
“I think I still remember how,” he said.
A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said.
He smiled, slow and lazy. “Not laughing anymore, little girl?”
He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.”
“Bring your pig-sticker and we’ll find out.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.'
'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.'
'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line.
'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.
”
”
Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))
“
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read:
A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this.
-Poppy
Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked...
After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk.
Tentatively she emerged from behind the screen.
Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers.
"Do you like my nightgown?" Beatrix asked.
Christopher nodded, not taking his gaze from her. "Where's the rest of it?"
"This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..."
"Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath.
Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip.
Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many."
HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not."
"How could you? You don't even know who it was, do you?"
"No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all.
"Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside."
A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon.
"Yes," he whispered. "A long list indeed."
"So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice.
"Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?"
She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward.
Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance."
Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room.
"Ah, there you are. Good evening, Grey. Rose, Lord Archer is here."
Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?"
Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
When Kestrel opened her eyes, she was lying in her bed. Someone had built a fire, which sent ripples of orange light over the ceiling. An oil lamp burned on the night table, casting her father’s face into extremes of shadow and bone. He had drawn a chair close and perhaps had been sleeping in it, but his eyes were alert.
“Your knee needs to be tapped,” he said.
She looked at it. Someone--her father?--had cut away the right legging at her thigh, and below the sheared black cloth her knee was swollen to twice its normal size. It felt tight and hot.
“I don’t know what that means,” Kestrel said, “but it doesn’t sound very nice.”
“Irex dislocated your kneecap. It slipped back into place, but the blow must have torn your muscle. Your knee’s filling with blood. That’s what’s causing you so much pain: the swelling.” He hesitated. “I have some experience with this kind of wound, on the battlefield. I can drain it. You’ll feel better. But I would have to use a knife.”
Kestrel remembered him cutting her mother’s arm, blood weaving through his fingers as he tried to close the wound. He looked at her now, and she thought that he was seeing the same thing, or seeing Kestrel remember it, and that they were mirroring each other’s nightmare.
His gaze fell to his scarred hands. “I’ve sent for a doctor. You can wait until she comes, if you prefer.” His voice was flat, yet there was a small, sad note that probably only she would have heard. “I wouldn’t suggest this if I didn’t feel myself capable and if I didn’t think it would be better to do it now. But it’s your choice.”
His eyes met hers. Something in them made her think that he would never have let Irex kill her, that he would have pushed into the ring and planted a blade in Irex’s back if he had thought his daughter might die, that he would have thrown away his honor with hers.
Of course, Kestrel couldn’t be sure. Yet she nodded. He sent a slave for clean rags, which he eased under her knee. Then he went to the fire and held a small knife in the flames to sterilize it.
He returned to her side, the blackened knife in his hand. “I promise,” he said, but Kestrel didn’t know whether he meant to say that he promised this would help her, or that he knew what he was doing, or that he would have saved her from Irex if she had needed saving. He slid the knife in, and she fainted again.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him.
“I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said.
The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending.
Kestrel reached beneath her skirts to pull down a knee-high stocking.
Arin made a sound.
“I want to feel the grass beneath my feet,” Kestrel told him.
“Someone’s going to see you.”
“I don’t care.”
“But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing.
Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away.
He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer.
“Perfect,” she said.
“Almost.”
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream.
“Don’t wake up,” he said.
The air smelled like new leaves. “You said you trusted me.”
“I did.” He added, “I do.”
“You are a dream.”
He smiled.
“I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.”
Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.”
Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned.
The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass.
She closed her eyes, and tried to find her way back into her dream.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Stop!” she called out.
To a one, the crewmen froze. A dozen heads swiveled to face her.
Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.”
His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?”
“Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?”
“Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.”
A lump formed in Sophia’s throat, impossible to speak around.
Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.”
Bang.
Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast.
Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.”
She paused several seconds, waiting for the crew’s boisterous laughter to ebb.
Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.”
Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga.
“A sacrifice?” Her voice was weak. Her knees were weaker.
“A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection.
Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out.
He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.”
She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you.
“Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…”
Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))