Split Beast Quotes

She was born under the sign of Gemini. And that stands for the good and evil twin. Dr. Jekyll and Mr. Hyde both hiding and residing inside her heart. Her good twin was not bad at all. But her evil twin was even better, and showed up to be way too fatal!

Personally, I like to mix and match--I prefer to get a couple of milk shakes, a banana split ... a sundae or two. Then I top it off with a mocha chip in a cone. I don't know why. I guess that's like the dinner mint at the end of a meal to me. Know what I mean?" Mary had to turn around again. Bitty was looking forward, her brows super-high, her little face the picture of surprise. "He's not kidding," Mary murmured. "Even if you're not into the ice cream, watching him eat all that is something to see.

I hold a beast, a celestial being and a maniac inside of me. It’s up to you which one you meet

...we lay there in the dark for a split second before the beast galumphed toward us. Meabh, always quick with a sword, sprang to her feet and charged the dragon head-on while I mostly just wondered who or what I'd offended in a past life that this one was peopled by dragons. Except I didn't have any past lives, so apparently I'd offended somebody in this life and was facing instant karma. That didn't really improve anything, in my ever so humble opinion.

They were the economist Amos Tversky and the psychologist Daniel Kahneman. Together, the two launched the field of behavioral economics—and Kahneman won a Nobel Prize—by showing that man is a very irrational beast. Feeling, they discovered, is a form of thinking.

Standing in the spotlight, surrounded by all my selves, each of them naked and vulnerable before your lens, I want to be split open and reminded of shame. I know that sounds selfish, but I’m allowed to be selfish ’cause we’re talking about photography. Do you honestly believe I don’t see it for what it actually is: Exploitative? Exploitation is the nature of the beast, whatever the hell that means.

was that the emotional brain—that animalistic, unreliable, and irrational beast—could be overcome through a more rational, joint problem-solving mindset.

You made a split-second decision to murder three people?” Wyatt asked, eyes wide as he looked to Linc. “You should introduce him to Shepherd. They’d get along so well.

Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites.

[Chuuya] felt as if his skin was being twisted until it split apart; his eyes seemed to rupture in their sockets while his organs were being crushed. Only some otherworldly beast could cause such agony. But Chuuya couldn't even so much as scream.

Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.

Atsushi hated pain. But pain had been an intimate part of his life for as long as he could remember. The pain of being stabbed, the pain from being punched, the pain of his hands numbing in the cold, pain inside his head, the pain of hunger—suffering clung to Atsushi like clothing, shaping him. Pain made Atsushi feel like himself. He didn’t know any other way to experience this feeling. After joining the detective agency, the nature of the pain changed, he got hurt less often, and he stopped feeling miserable. Instead, the crushing pressure of necessity tore at Atsushi’s flesh. It split open his shoulder, pierced his chest, and snapped off his leg. The agony was so unbearable that it was as if he could feel his soul leaving his body, but even then, he fought through the pain because it was worth it. He knew he could stubbornly resist the pain no matter how bad it got. There’s a beast inside me, thought Atsushi. And that’s not a metaphor. There’s a literal beast inside me. Right now, he’s howling and wildly feasting as he rampages. For some reason or another, he seems to have the power to negate wounds. Not the power to heal them or to recover but to negate. The reason he’s able to do this isn’t totally unrelated to my birth, probably. It’s not unrelated to the suffering I’ve had to bear all these years. The beast—the tiger—is a manifestation of something within me. I still don’t know what that something is, but if he commands me to stand, then I can’t not stand—just like if he negates my wounds, then my wounds have no choice but to disappear.

Tale a rain check on that date?' I said, turning to Perkins. 'In the Magic Industry,it's kind of "Spell First, Fun Second".' 'I kind of figured that,' he replied, 'so why don't we make this assignment the date?' Intimate candlelit dinners for two are wildly overrated. I could even bring some sandwiches and a Thermos of hot chocolate.' 'Okat,' I said, touching his hand, 'you're in. A sort of romantic uncandlelit "recapturing a dangerously savage beast for two" sort of date - but no dressing up and we split the cost.' 'Game on. I'll go and make some sandwiches and a Thermos.' And with another chuckle, he left.

The Lost Girls Nomad girls are Lost Ones too, With leaves at foot and crown; They too seek shelter in the tress, Drink Red and Gold and Brown. Their circlets made of steam and rain, Their lashes powdered ash, They're firelight, they're fox's kill, They're blood and sweat and scratch. Lost Boys fly forever, and crow the rising sun. They play all day in Neverland, their laughter mermaid-spun. But Lost Girls live underground: They steal from hole to hole. They drink the shadows, wear the night, And paint their cheeks with coal. And when the wind turns colder, They split a doe and climb inside. Still-warm sinew wraps their hands, Dead muscle soaks the light. You'll never tell what's girl, what's beast, Once bloody fur's been trussed- So think your happy thoughts, Lost Boy, Wish on your Fairy Dust.

From Kari Gregg's "What Rough Beast" {Elliot} blinked when a blade speared neatly through the master's chest from the rear. "Got him," Garrick shouted over the master's shoulder. "Set, Elliot." Set what? He didn't care. He channeled his rage and pierced the dark master through, impaling him on his blade. Garrick slid his free. Malachi yanked him down a split second before Garrick's sword severed his head as well as the dark master's. Chest heaving, he sprawled in the dust, blinking at the fuzzy image of the head bouncing across the floor. It came to rest at the bottom spoke of a crumbling ladder, the vampyr's teeth still gnashing. His new partner dragged him upright and, looking in his eyes, squeezed his shoulder. "Set means your blade will set the enemy for your partner's killing blow" Malachi grinned at him, chuckled. "It also means duck.

I grow tired of your mouth.” Bones shifted under Curran’s skin. The nose widened, the jaws grew, the top lip split, displaying enormous teeth. I was staring into the face of a nightmare, a horrible meld of human and lion. If a thing that weighed over six hundred pounds in beast-form could be called a lion. His eyes never changed. The rest of him—the body, the arms, the legs, even his hair and skin remained human. The shapeshifters had three forms: beast, human, and half. They could shift into any of the three, but they always changed shape completely. Most had to strain to maintain the half-form and to be able to speak in it was a great achievement. Only Curran could do this: turn part of his body into one shape while keeping the rest in another. Normally, I had no trouble with Curran’s face in half-form. It was well-proportioned, even—many shapeshifters suffered the “my jaws are way too big and don’t fit together” syndrome—but I was used to that half-form face being sheathed in gray fur. Having human skin stretched over it was nausea inducing. He noticed my heroic efforts not to barf. “What is it now?” I waved my hand around my face. “Fur.” “What do you mean?” “Your face has no fur.” Curran touched his chin. And just like that all traces of the beast vanished. He sat before me fully human. He massaged his jaw. The beast grew stronger during the flare. Curran’s irritation caused his control to slip just a hair. “Having technical difficulties?” I asked and immediately regretted it. Pointing out loss of control to a control freak wasn’t the brightest idea. “You shouldn’t provoke me.” His voice dropped low. He suddenly looked slightly hungry. “You never know what I might do if I’m not fully in control of myself.” Mayday, Mayday. “I shudder at the thought.

The nahab are like the dead; their souls have escaped their breasts,” he said. “The nahab have no knowledge, they know nothing; they cannot spear a fish with a lance or fell a monkey with a dart, or climb a tree. They do not go dressed in air and light, as we do, but wear stinking cloth. They do not bathe in the river, they do not know the rules of decency or courtesy, they do not share their house, their food, their children, or their women. They have soft bones and their skulls split at the least blow. They kill animals and do not eat them, leaving them on the ground to rot. Wherever they pass they leave a trail of filth and poison, even in water. The nahab are so crazed that they try to take with them the stones of the earth, the sand of the rivers, and the trees of the forest. Some want the earth itself. We tell them that the jungle cannot be carried away on their backs like a dead tapir, but they do not listen. They speak to us of their gods but they do not want to hear of ours. Their appetites are unbounded, like the caimans’s. These terrible things I have seen with my own eyes, and I have heard with my own ears, and touched with my own hands.

I find love inexplicable. The sight of a couple always surprises me, their inevitable slow rhythm, their insistent groping, their indistinguishable food, their way of taking hold of each other with hands and eyes at the same time, their way of blurring at the edges. I can’t understand why one hand has to clasp another and never let it go in order to give someone else’s heart a face. How do people who love each other do it? How can they stand it? What is it that makes them forget they were born alone and will die separate? I’ve read many books, and I’ve concluded that love’s an accommodation, certainly not a mystery. It seems to me that the feelings love elicits in other people are, well, pretty much the same as the ones death elicits in me: the sensation that every life is precarious and absolute, the rapid heartbeat, the distress before an unresponsive body. Death — when I received it, when I gave it — is for me the only mystery. All the rest is nothing but rituals, habits, and dubious bonding. To tell the truth, love is a heavenly beast that scares the hell out of me. I watch it devour people, two by two; it fascinates them with the lure of eternity, shuts them up in a sort of cocoon, lifts them up to heaven, and then drops their carcasses back to earth like peels. Have you seen what becomes of people when they split up? They’re scratches on a closed door.

If men had wanted to stay bad forever, they could have, agreed? Agreed. Did we stay out in the fields with the beasts? No. In the water with the barracuda? No. Somewhere we let go of the hot gorilla’s paw. Somewhere we turned in our carnivore’s teeth and started chewing blades of grass. We have been working mulch as much as blood, into our philosophy, for quite a few lifetimes. Since then we measure ourselves up the scale from apes, but not half so high as angels. It was a nice new idea and we were afraid we'd lose it, so we put it on paper and built buildings like this one around it. And we been going in and out of these buildings chewing it over, that one new sweet blade of grass, trying to figure how it all started, when we made the move, when we decided to be different. I suppose one night hundreds of thousands of years ago in a cave by a night fire when one of those shaggy men wakened to gaze over the banked coals at his woman, his children, and thought of their being cold, dead, gone forever. Then he must have wept. And he put out his hand in the night to the woman who must die some day and to the children who must follow her. And for a little bit next morning, he treated them somewhat better, for he saw that they, like himself, had the seed of night in them. He felt that seed like slime in his pulse, splitting, making more against the day they would multiply his body into darkness. So that man, the first one, knew what we know now: our hour is short, eternity is long. With this knowledge came pity and mercy, so we spared others for the later, more intricate, more mysterious benefits of love. So, In sum, what are we? We are the creatures that know and know too much.

If we focus on the meat, this contrast is, financial death and warrior death, a split which Oswald Spengler calls 'hunger death' and 'hero death'. The hungry human, in a 9 to 5 existence is threatened, dishonored, and debased by financial worry and the fear of mental starving, which stunts possibilities, chokes consciousness, produces darkness and pressure not less than starvation in the literal sense. You can lose your whole life-will through the gaping wretchedness of living in the modern world of debt and work. The tragedy is that in the modern world, you die of something (starvation, disease, boredom) and not for something (death by action). In waring and fighting, you sacrifice for higher policies, you can die for something higher, you full for a metaphysics, a mode of consciousness higher than your meat body. On the other hand, economic life merely waste you away. Spengler writes, 'War is the creature, hunger the destroyer, of all things'. In war life is elevated by death, often to the point of irresistible force whose mere existence guarantees victory. But in the economic life hunger awakens the ugly, the vulgar, and wholly un-metaphysical form of fearfulness for one's life under which the higher form of being a human miserably collapses and the naked struggle for survival of the human beast begins. By the warrior, Evola isn't writing about what Henry Kissinger called 'dumb, stupid animals to be used as pawns in foreign policy'. Evola's metaphysical fighter need no longer be a Viking or a Helene, like king Ragnar or Achilles. That world has vanished. The modern soldier has no metaphysics. Evola writes about the struggle within. It is within where the struggle for essence takes place.

Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.

When you lived in the human world, you had legends of the dread beasts and faeries who would slaughter you if they ever breached the wall, didn’t you? Things that slithered through open windows to drink the blood of children? Things that were so wicked, so cruel there was no hope against their evil?” The hair on her neck rose. “Yes.” Those stories had always unnerved and petrified her. “They were based on truth. Based on ancient, near-primordial beings who existed here before the High Fae split into courts, before the High Lords. Some call them the First Gods. They were beings with almost no physical form, but a keen, vicious intelligence. Humans and Fae alike were their prey. Most were hunted and driven into hiding or imprisonment ages ago. But some remained, lurking in forgotten corners of the land.” He swallowed another mouthful. “When I was nearing three hundred years old, one of them appeared again, crawling out of the roots of a mountain. Before he went into the Prison and confinement weakened him, Lanthys could turn into wind and rip the air from your lungs, or turn into rain and drown you on dry land; he could peel your skin from your body with a few movements. He never revealed his true form, but when I faced him, he chose to appear as swirling mist. He fathered a race of faeries that still plague us, who thrived under Amarantha’s reign—the Bogge. But the Bogge are lesser, mere shadows compared to Lanthys. If there is such a thing as evil incarnate, it is him. He has no mercy, no sense of right or wrong. There is him, and there is everyone else, and we are all his prey. His methods of killing are creative and slow. He feasts on fear and pain as much as the flesh itself.” Her blood chilled. “How did you trap such a thing?” Cassian tapped a spot on his neck where a scar slashed beneath his ear. “I quickly learned I could never beat him in combat or magic. Still have the scar here to prove it.” Cassian smiled faintly. “So I used his arrogance against him. Flattered and taunted him into trapping himself in a mirror bound with ash wood. I bet him the mirror would contain him—and Lanthys bet wrong. He got out of the mirror, of course, but by that time, I’d dumped his miserable self into the Prison.

Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…

Suppose (to take a most improbable example) you decided, or were told and chose to believe, that the world was created by an invisible person who, despite all the evidence that he occasionally disliked us but was mostly indifferent, actually loved us and thought about us all the time. Suppose, piling absurdity upon improbability, you also decided, or were told, and chose to believe, that this same person decided to split himself in two and turn one part of himself into an ordinary person like you or me, and pay a visit to a desert tribe and get himself executed for treason; at which point he performed a conjuring trick, came back from the dead, vanished mysteriously but planned to return and punish all the bad people and make everything nice (though in the meantime, the bad people could go on getting away with it and the good people could go on getting buggered up by the bad people – that is, when they weren’t getting cancer, or run over, or bankrupt, or tortured, or flogged or worked like beasts or raped or killed in power struggles which were nothing to do with them). Suppose you were misguided enough to believe that lot. What would you do? Would you devote all your spare hours to finding someone who would disabuse you of these intensely peculiar delusions, so that you could finally sleep at night? Or would you go, once a week or more, to listen to someone telling you that you were quite right, and everything you believed was true, and, what’s more, if you ever stopped believing it, terrible things would happen to you even after you had died?

Robin Hood strung his bow and took his place with never a word, albeit his heartstrings quivered with anger and loathing. Twice he shot, the first time hitting within an inch of the wand, the second time splitting it fairly in the middle. Then, without giving the other a chance for speech, he flung his bow upon the ground. "There, thou bloody villain!" cried he fiercely, "let that show thee how little thou knowest of manly sports. And now look thy last upon the daylight, for the good earth hath been befouled long enough by thee, thou vile beast! This day, Our Lady willing, thou diest—I am Robin Hood." So saying, he flashed forth his bright sword in the sunlight.

Prayed and prayed. Not to the church-god, exactly. To her own. One that lived closer, up on the mountain, perhaps. For here was a place fit for a god to live, not in any building or book. Here she was understood. She was wicked, sure, but no hypocrite. She had fought every day of her life, same as the beasts of the field. The bloody Christ nailed naked and roaring to the cross—his bones iron-split, his body whip-flayed to the meat—he was hard as they come. Surely he prized grit, a game heart. Same as she did.

He stretched out his long legs under the table, settled on his tailbone. He shook his foot, rotated his ankle, as if he'd sat too long. The movement caught the cat's attention. Archie's back arched, his tail swung, ready to pounce. A long lunge, and Cade stiffened. "Dude, I'm not a scratching post." "Archibald Reginald Rose," Amelia called him by his full name. She clapped her hands. "No!" Grace tipped on her chair, caught the action under the table. This was no sweet kneading from the Maine coon. He bared his claws on Cade's thigh, close to the man's groin. Cade inched back, avoided kicking the cat. His jeans were white-seamed and laddered. Archie swatted, then latched on to the loose, swaying threads. He tugged. Denim split, shredded, leaving a sizable hole. No underwear for this man. A shift of his weight, and Cade flashed Grace. Not purposely, yet she got an eyeful. In that moment, she learned more about him than she ever needed to know. He tucked left. His sex, substantial.

We are emotional, irrational beasts who are emotional and irrational in predictable pattern filled ways.

Before the storm, what hung in the air, and even the air itself, seemed to be the long inhalation of the bellows of a machine priming itself for an explosion, or the stampede of a herd of captive beasts. Invariably after the stillness a commotion would begin. Everything yielded to the violence of the wind that took advantage of the sudden darkness to lash the world, a world barely visible in the metallic flashes that struck everything that stood upright, drawing a new line from the lines in the sky down to the earth: a line making everything crack, split and fly off in fury, as if reluctantly snatched from stillness.

I did a very unscientific Twitter poll to ask if people were hearing and talking more about death due to the pandemic, outside of the factual news arena. Our survey said no, by a whisker. It was the old referendum split that keeps cropping up like a curse. The number of the beast is now surely 48/52.

Chaos is only the beginning, my friend. It’s not enough to wound the beast. That can make him more dangerous when he recovers. No, we must split him apart, tear him down, and then start rebuilding from the ashes. Civil war. Never forget our goal, my friend. All this violence must lead to civil war.

The split is raw, like my skin has been unzipped and my chest is open, my heart climbs up and clambers out on aortic arms, dragging ventricles and veins, squeezed dry, old, blue and used. My lonely lungs will continue to breathe. Blood will make its own way to where it needs to be. I will live without the thumping beat, the throbbing beast, it belongs to you now, for a while at least. Please send it back, half full, with no hard feelings.

Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.

For a split second, Newt and Tina gaze at each other,

Good, because I also want to watch your back.” His features split into a smile so bright that my heart melts. “Protecting me?” “I take care of what’s mine.

Words are your greatest tool when it comes to love. Speak the truth of your heart and you can’t go wrong. Be honest, even if it hurts, even if it makes you feel like you’ve split open your chest and let the world see the most vulnerable part of yourself. Whoever you love will thank you for it. And if you find it hard to speak the words, then write them.

Now if we turn to the Book of Revelation—which we saw as a cause of offense in its apparent celebration of a God of violence—we have to say in all honesty that it is in fact a nonviolent New Testament writing, and profoundly so. ‘The Lamb’ is the general symbolic name given to Jesus in the book, mentioned 29 times, an image of nonviolence and the book’s undisputed hero. The essence of the Lamb is not to use violence. When we first hear of it is ‘standing as if it had been slaughtered’ (5:6): it does not fight, it is slaughtered, and it continues exactly ‘as if it were something slaughtered (i.e. it does not lose this identity). Furthermore its followers do not fight, they also are killed. We learn that the Lamb holds the key to human history, opening its seals to reveal its purpose and meaning, including its intense inner violence. The Lamb is able to do this because it represents a completely different human / divine way of responding, other than that of violence. At the same time, precisely because of this revelation, all hell (literally) breaks out around the Lamb. The old world system—the Beast—does not remain indifferent to the introduction of a new way and the absolute challenge it makes, but reacts with continually redoubled violence. At the end of the book there is a final battle when the Beast and the kings of the earth with their armies are all slain by a figure called the Word of God, by the sword which comes from his mouth. But directly afterwards the new earth and the city of the Lamb welcome and heal these very kings and nations which have just been slain! The only figures not to be restored are the Beast and its prophet which represent the system of violence, the imperial order with its ideological apparatus of cult and worship. No doubt there is a powerful tonality of anger running through the book, against the oppression and murder that the Christian communities were then experiencing at the hands of the Roman Empire. And there is pretty clearly a sense of emotional release offered by the images of destruction and vengeance unleashed against the forces of oppression. But the final structure of the book is redemptive and life-giving, and that has to be admitted in any honest assessment. The duality then is not between a vengeful God and a gentle Jesus, or an initially gentle Jesus and then a violent one, but between an actual world and culture of violence and a core message of forgiveness and nonviolence. The early Christians were sorely oppressed by the former and seeking desperately to hang on to the latter. If they use language and symbolism derived from the former to restore hope in the substance of the latter then the tension is literary and poetic, rather than two moods or identities of God. The book of Revelation was intended to have a cathartic effect on emotion, in order that the Christians who read or heard it could arrive, in their minds and hearts, at the transformed perspective where they welcomed and blessed their enemies. In other words it was and is intended to be therapeutic.3 In contrast the split between Jesus and a God of punishment—which came to full growth in the Middle Ages—is ontological, and can only lead to a fundamental division in the Christian soul, with eternal love on the one hand, and eternal violence on the other. In other words, a spiritual schizophrenia. This

Bandit or demon, human or beast, none of it made any difference. The bandits had made this a situation of predators and prey. Only living mattered. Everything else was nothing more than an afterthought.

In this case, as in others, the split within the U.S. government was not over the facts of Schacht’s career, which were mainly a matter of public record. It was instead a political dispute, rooted in differing appraisals of the extent of the German business elite’s culpability for the actions of Hitler’s state and their responsibility for the actions of the institutions they led. Schacht’s case became the focal point for the ongoing debate over the role of private enterprises in public society—a dispute that in one way or another has been at center stage in American politics for most of this century.

It was much later that I noticed a hole had painlessly opened up in the middle of my heart, as though my body were trying to split itself apart.

Zeus turned the sky black, commanding dozens of explosive lightning strikes that filled the plain with ear-splitting thunder and sent thick smoke curling into the air from the fires left in their stead. Poseidon drove his glowing trident into the ground, opening gaping rifts that swallowed everyone in their path. Ares mercilessly wielded his sword, slashing through human after human, leaving his hands and armour dripping with blood. Athena whirled her spear around, skewering anyone who came too close. Apollo’s hands glowed, sunlight bursting from his outstretched palms, blinding and scorching everyone within twenty feet. Artemis fired off arrows while commanding an army of ferocious beasts that used their pointed teeth and enormous talons to maim and kill their victims. Aphrodite bewitched males with pink mist she blew from her mouth, forcing them to turn on their allies. And Hera threw crackling white fireballs, incinerating the humans they collided with.

The Kindred were split into three distinct branches, all outcomes of their past genetic trades. There were the Tranq Kindred—a group of males with piercing blue eyes and a double set of short, sharp vestigial fangs. There were rumors that the fangs grew and they bit when they had sex with the female of their choice and other rumors that they could heal any illness with a bite. Liv wasn’t sure how much of that was true and how much was just media hype but the buzz about their sexual habits had earned this group the nickname “Blood Kindred.” Then there were the Twins, a branch of the Kindred in which the males always came in pairs and had to share a woman. No one knew exactly why and they declined to offer an explanation. Some said they were telepathic and needed sex to communicate but that hadn’t been proven—not that anyone had ever gotten a chance to study them. The Kindred as a whole kept strictly to themselves and refused to participate in any kind of scientific research or experiments. So no one really knew anything about the Twin Kindred other than they refused to make love to a woman individually. And then there were the Ragers—also known as the Beast Kindred. Working for so long in a hospital as she went through nursing school, the sight and idea of drawing blood wasn’t frightening to Liv so the Blood Kindred didn’t scare her. And being a twin herself, she wasn’t terribly afraid of the Twin Kindred either. But the Beast Kindred, well…they scared the ever-loving crap out of her. As tall and dominant as the rest of the warrior race, the Beast Kindred were said to have the most unpredictable tempers. Rumor had it that they could go into berserker-like rages when protecting their women, killing anyone that stood in their way no matter how many opposed them. But it was the other rumors, the sexual rumors, which put a lump in Liv’s throat. Besides being filled with animalistic lust, the Beast Kindred were said to have sexual stamina unequaled by anyone. Rumor had it that they could come again and again without going soft and their marathon love-making sessions put even practitioners of tantric sex to shame. Just

In the annual Feast of Fools at Christmastime, every rite and article of the Church no matter how sacred was celebrated in mockery. A dominus festi, or lord of the revels, was elected from the inferior clergy—the curés, subdeacons, vicars, and choir clerks, mostly ill-educated, ill-paid, and ill-disciplined—whose day it was to turn everything topsy-turvy. They installed their lord as Pope or Bishop or Abbot of Fools in a ceremony of head-shaving accompanied by bawdy talk and lewd acts; dressed him in vestments turned inside out; played dice on the altar and ate black puddings and sausages while mass was celebrated in nonsensical gibberish; swung censers made of old shoes emitting “stinking smoke”; officiated in the various offices of the priest wearing beast masks and dressed as women or minstrels; sang obscene songs in the choir; howled and hooted and jangled bells while the “Pope” recited a doggerel benediction. At his call to follow him on pain of having their breeches split, all rush violently from the church to parade through the town, drawing the dominus in a cart from which he issues mock indulgences while his followers hiss, cackle, jeer, and gesticulate. They rouse the bystanders to laughter with “infamous performances” and parody preachers in scurrilous sermons. Naked men haul carts of manure which they throw at the populace. Drinking bouts and dances accompany the procession. The whole was a burlesque of the too-familiar, tedious, and often meaningless rituals; a release of “the natural lout beneath the cassock.

Split is doing well at the box office around the world, but it misrepresents people with dissociative identity disorder (DID; previously called multiple personality disorder). The trailer is particularly gripping, luring in audiences by depicting a man with DID kidnapping and preparing to torture three teenage girls. Kevin (played by James McAvoy) juggles 24 personalities that are based on stereotypes: a cutesy 9-year-old infatuated with Kanye West, a flamboyant designer, and the “Beast,” a superhuman monster who sees the girls as “sacred food.” Kevin falsely represents people with DID through exaggerated symptoms, extreme violence, and unrealistic physical characteristics. The senior author, an expert in DID, has not seen any DID patient who is this violent in 25 years of clinical practice. Kevin’s ghastly personalities are so over-the-top that terrifying scenes are making audiences laugh.

Epitaphs for some Space Beasts ... He died because he split his skin. He should have opened first the tin! The sharp-toothed CATTYBAT lies here. It bit a thousand legs each year. One night while dreaming in its bed It bit itself and woke up dead! ... Wes Magee

This beast that puffed smoke and spat fire and shrieked like a devil of an alien tribe; that split the silence as hideously as the long track split the once smooth plain; that was made of iron and wood; this thing of the white man’s, coming from out of the distance where the Great Spirit lifted the dawn, meant the end of the hunting-grounds and the doom of the Indian. Blood had flowed; many warriors lay in their last sleep under the trees; but the iron monster that belched fire had gone only to return again. Those white men were many as the needles of the pines. They fought and died, but always others came. The chief was old and wise, taught by sage and star and mountain and wind and the loneliness of the prairie-land. He recognized a superior race, but not a nobler one. White men would glut the treasures of water and earth. The Indian had been born to hunt his meat, to repel his red foes, to watch the clouds and serve his gods. But these white men would come like a great flight of grasshoppers to cover the length and breadth of the prairie-land. The buffalo would roll away, like a dust-cloud, in the distance, and never return. No meat for the Indian — no grass for his mustang — no place for his home. The Sioux must fight till he died or be driven back into waste places where grief and hardship would end him. Red and dusky, the sun was setting beyond the desert. The old chief swept aloft his arm, and then in his acceptance of the inevitable bitterness he stood in magnificent austerity, somber as death, seeing in this railroad train creeping, fading into the ruddy sunset, a symbol of the destiny of the Indian — vanishing — vanishing — vanishing —

We are emotional, irrational beasts who are emotional and irrational in predictable, pattern-filled ways.

Dad's intentions were good, but even so, it was like living with a wild animal. Like those crazy hippies the Alaskans talked about who lived with wolves and bears and invariably ended up getting killed. The natural-born predator could seem domesticated, even friendly, could lick your throat affectionately or rub up against you to get a back scratch. But you knew, or should know, that it was a wild thing you lived with, that a col- lar and leash and a bowl of food might tame the actions of the beast, but couldn't change its essential nature. In a split second, less time than it took to exhale a breath, that wolf could claim its nature and turn, fangs bared.

First things first. Let’s bone up on history. If men had wanted to stay bad forever, they could have, agreed? Agreed. Did we stay out in the fields with the beasts? No. In the water with the barracuda? No. Somewhere we let go of the hot gorilla’s paw. Somewhere we turned in our carnivore’s teeth and started chewing blades of grass. We been working mulch as much as blood, into our philosophy, for quite a few lifetimes. Since then we measure ourselves up the scale from apes, but not half so high as angels. It was a nice new idea and we were afraid we’d lose it, so we put it on paper and built buildings like this one around it. And we been going in and out of these buildings chewing it over, that one new sweet blade of grass, trying to figure how it all started, when we made the move, when we decided to be different. I suppose one night hundreds of thousands of years ago in a cave by a night fire when one of those shaggy men wakened to gaze over the banked coals at his woman, his children, and thought of their being cold, dead, gone forever. Then he must have wept. And he put out his hand in the night to the woman who must die some day and to the children who must follow her. And for a little bit next morning, he treated them somewhat better, for he saw that they, like himself, had the seed of night in them. He felt that seed like slime in his pulse, splitting, making more against the day they would multiply his body into darkness. So that man, the first one, knew what we know now: our hour is short, eternity is long. With this knowledge came pity and mercy, so we spared others for the later, more intricate, more mysterious benefits of love. “So, in sum, what are we? We are the creatures that know and know too much. That leaves us with such a burden again we have a choice, to laugh or cry. No other animal does either. We do both, depending on the season and the need. Somehow, I feel the carnival watches, to see which we’re doing and how and why, and moves in on us when it feels we’re ripe.