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Writing for money and reservation of copyright are, at bottom, the ruin of literature. No one writes anything that is worth writing, unless he writes entirely for the sake of his subject. What in inestimable boon it would be, if in every branch of literature there were only a few books, but those excellent! This can never happen as long as money is to be made by writing. It seems as though the money lay under a curse; for every author degenerates as soon as he begins to put a pen to paper in any way for the sake of gain. The best works of the greatest men all come from the time when they had to write for nothing or for very little. And here, too, that Spanish proverb holds good, which declares that honour and money are not to be found in the same purse--honra y provecho no caben en un saco. The reason why Literature is in such a bad plight nowadays is simply and solely that people write books to make money. A man who is in want sits down and writes a book, and the public is stupid enough to buy it. The secondary effect of this is the ruin of language.

De hecho, el sistema del copyright estadounidense, y en particular la cláusula especial del derecho laboral-el dispositivo denominado work for hire-, propician la circulación mundial de los contenidos y su adaptación a todos los soportes. Al no definir al artista como único propietario de los derechos de la obra, al eliminar el final cut como derecho moral y no necesitar autorización previa, como ocurre con el denominado "derecho de autor" europeo, el copyright y el work for hire resultan particularmente idóneos para la mundialización y la era era digital. Permiten multiplicar un contenido en todos los soportes y facilitan el versioning y el Global Media. En cambio, reducen al mismo tiempo la dimensión artística de las obras y disminuyen los medios de protección de los creadores frente a la industria.

Rămâneam deseori până la apusul soarelui, o vreme care, dacă mă gândesc acum, mi se pare infinită, niște ore și minute pe care nu le-am mai avut niciodată la dispoziție, senzația că am păcălit acel timp care trecea și trece mereu în grabă, sărbătoarea noastră, a celor trei, o familie stranie și disperată, care știa cum să se agațe de lucrurile frumoase, știa cum să le oprească. Și, în timp ce Delphine încerca să răspundă la întrebările greu de înțeles ale Marinei, eu umpleam spațiul cu tăcere, pentru că eram mare și înțelesesem deja că frumusețea durează cât un apus de soare, iar a doua zi dimineața te trezești din nou cu normalitatea care te așteaptă în fața ușii și cu o amintire duioasă, care face ca normalitatea aceea să ți se pară și mai greu de suportat.” Excerpt From Totul va fi perfect Lorenzo Marone This material may be protected by copyright.

FR Je suis un simple observateur de la vie, un éternel voyageur. Mon but est de regarder, d’écouter, d’explorer, d’apprendre, de partager, d’apprécier, si possible en tant qu’une âme tolérante et sans jugement. Alexandra Jicol Copyright © ~ EN I'm a simple observer a traveler through life. My goal is to look, to hear, to explore, to learn, to express, to share, to appreciate all, if possible as a nonjudgmental and a tolerant soul. Alexandra Jicol Copyright © ~ JP 私は人生をただ観察する者であり、永遠に旅をする者です。私の目標は可能な限り寛容で偏見のない心で、見て、聞いて、探索して、学んで、共有して、鑑賞することです。 アレクサンドラ 仁行了 Copyright ©

¿No era una olla de grillos este país, niño, no era un rompecabezas macanudo el Perú? ¿No era increíble que los odriístas y los apristas que tanto se odiaban ahora fueran uña y carne, niño? ¿Qué diría su papá de esto, niño?” Pasaje de: Mario Vargas Llosa. “Conversación en La Catedral.” EpubLibre, 1969-01-01. iBooks. Es posible que este material esté protegido por copyright.

. Recommendation: One avenue for ensuring that all civilian CCTV equipment is SCORPION STARE compatible by 2006 is to exploit an initiative of the US National Security Agency for our own ends. In a bill ostensibly sponsored by Hollywood and music industry associations (MPAA and RIAA: see also CDBTPA), the NSA is ostensibly attempting to legislate support for Digital Rights Management in all electronic equipment sold to the public. The implementation details are not currently accessible to us, but we believe this is a stalking-horse for requiring chip manufacturers to incorporate on-die FPGAs in the one million gate range, re-configurable in software, initially laid out as DRM circuitry but reprogrammable in support of their nascent War on Un-Americanism. If such integrated FPGAs are mandated, commercial pressures will force Far Eastern vendors to comply with regulation and we will be able to mandate incorporation of SCORPION STARE Level Two into all digital consumer electronic cameras and commercial CCTV equipment under cover of complying with our copyright protection obligations in accordance with the WIPO treaty. A suitable pretext for the rapid phased obsolescence of all Level Zero and Level One cameras can then be engineered by, for example, discrediting witness evidence from older installations in an ongoing criminal investigation. If we pursue this plan, by late 2006 any two adjacent public CCTV terminals—or private camcorders equipped with a digital video link—will be reprogrammable by any authenticated MAGINOT BLUE STARS superuser to permit the operator to turn them into a SCORPION STARE basilisk weapon. We remain convinced that this is the best defensive posture to adopt in order to minimize casualties when the Great Old Ones return from beyond the stars to eat our brains.

Eppure, anche così, non sarà sufficiente, anche se ti impegnerai, anche se sarai pronto, e forte, e furbo, anche se farai del tuo meglio, non basterà, non potrai mai essere certo che le cose andranno bene, e che i giorni saranno felici, che sarai al sicuro e che la storia avrà un bel finale, per questo la sola cosa che ti posso dire è: Cerca di dare il meglio, impegnati, di più non so, non lo so, e vorrei poterlo chiedere io a te: Come si fa, Woody, come si fa a scrivere il lieto fine?” Excerpt From Woody Baccomo Federico This material may be protected by copyright.