Tall Girl Funny Quotes

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A tall, thin boy with choppy black hair stood next to her. He eyed Isobel as she approached, sizing her up, grinning like he found something funny. She glared at him in return, ready for him to say just one thing about her cheer uniform, because she knew he must have pulled the black jeans he wore straight from the girls' rack at Target.
Kelly Creagh (Nevermore (Nevermore, #1))
He[Crystal's father] had found my height amusing, referring to me as his "little girl" at every opportunity even though I could see the bald patch on top of his head fringed by curls when we stood side by side.
Joss Stirling (Seeking Crystal (Benedicts, #3))
Let me get this straight. I can't take the vampire with me because if I remove the stake, he can kill us all. Now I can't take the girl because she's what? some kind of ninja witch?
Tate Hallaway (Tall, Dark & Dead (Garnet Lacey, #1))
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Louisa May Alcott (Little Women)
I’ve not only learned the name of the dead girl, but I also know where she lives.” Falco arched an eyebrow. “All that, and you still found the time to bat your eyelashes at some traveling con man? That is impressive.” “I wasn’t batting anything,” Cass said. “I was appreciating his performance. Come on. I’ll fill you in on the way to her place.” As the two passed the conjurer, Falco’s grip on her was so tight, she was afraid he was going to leave a bruise. “Good-bye, Maximus,” she called behind her. “Thank you for the magic.” Outside the house, Falco kept his hand wrapped around Cass as they headed down the marble staircase. The tall boy in the vest was gone. “So who’s Paolo?” she asked, pausing at the bottom of the steps to catch her breath. The night had definitely taken a turn for the better. “My roommate,” Falco answered shortly. “Friendly,” Cass said, remembering how the boy had looked straight through her. “Seems to me you have no shortage of admirers,” Falco said. And then, abruptly: “You know conjurers are nothing but common criminals, right? I’d check your pockets--I wouldn’t be surprised if several coins are missing.” Cass’s eyes widened. “I believe I’ve heard the same about artists. And it almost sounds like…But surely it’s not in the nature of a patron of a common prostitute to be jealous.” One of her ankles wobbled, and Cass had to grab on to Falco’s waist to keep from falling over. Falco pushed her away playfully and then pulled her tightly to his chest. “Funny,” he whispered in her ear. “But I doubt there’s anything common about you.” He shook his dark hair back from his face. “Ready to get serious now?” “What do you mean, Master?” she asked, half reeling from the heat of Falco’s breath on her jawbone. A rush of warmth surged through her body. “You’re the one who figured out where our murdered prostitute lived,” Falco said. “Lead the way, Signorina Avogadore.” Falco linked his arm through hers.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout "Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The "real" story, with its beginning, middle and conclusion, would never be told, because it did not exist.
Amit Chaudhuri (A Strange and Sublime Address)
There came a memory long forgotten. It was so close Queenie could almost taste it. She was running down the stairs of her childhood home, in her red leather shoes, and her father was calling her, or was it the good man, Harold Fry? She was rushing, and laughing because it was so funny. “Queenie?” he was calling. “Are you there?” She could see the shape of him, tall against the light, but he kept calling her and casting his eyes everywhere except where she stood. The breath caught with a knot in her chest. “Queenie!” She longed for him to find her at last. “Where are you? Where is that girl? Are you ready?” “Yes,” she said. The light was very bright. Even behind her eyelids, it was silvery. “Yes,” she called, a little louder so that he would hear. “Here I am.” Something twisted at the window and showered the room with stars. Queenie parted her lips, hunting for the next intake of air. And when it didn’t come, but something else did, it was as easy as breathing.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
All righty then. Alice is now, officially, 'The Bullying Crazy Paranoid School Drama Queen'. "Okay, Alice, I'll stay away from Michael, I promise. But I don't think you should even be worried about other girls. I'm sure Michael only has eyes for you. After all, you're so beautiful and… uh… uh… tall." Carly smiled.
Glynnis Rogero (MIDDLE SCHOOL: YOUNGTIMER: ADVENTURES IN TIME SERIES - BOOK 1 (Middle School Books Girls, Middle Grade Books Girls, Adventure Books Girls, Time Travel Books, Friendship Books, Fun Books, Funny Books)
Can I borrow a shirt?” she asks. She looks down at her bag. “All my clothes are dirty, and I hate to put on dirty clothes when I just got out of the shower.” I must have looked at her funny because she rushes on to say, “I’ll return it to you tomorrow, before I leave. I just want to sleep in it. Do you have a washing machine?” I nod. “Which question are you answering? The shirt? Or the washer?” “Both,” I say. She smiles at me. I’d talk to this girl all day long if it means she’ll smile at me like that.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Well then, Juliet, since you can't find anything funny about our predicament, let's see what Charlotte can do," he announced with a flippant, offhand charm. And then, before she could protest, he plucked the baby from her arms, laid her on the bed, and tickled her until she batted at his hands and began shrieking with delight. "See? Charlotte thinks it's funny, don't you, Charlie-girl?" The baby, who obviously adored him, gurgled and squealed, and Juliet found herself staring at the tender picture the two of them made; he, so tall and strong and masculine, her daughter, so tiny and helpless. She swallowed, hard. There was something deep and moving in this powerful image of Lord Gareth de Montforte as a father — a role that seemed to come as easily to him as flight to a bird. Her heart beat faster as she finally acknowledged what she'd been afraid to admit all along. She desired him. Desired him so badly it scared her. He glanced over at her, grinning. She shook her head and folded her arms, feigning annoyance but unable to prevent the growing amusement from sparking her eyes. Then he bent over Charlotte, his nose nearly touching hers, a few locks of hair tumbling over his brow and brushing the baby's forehead. He put his fingers into the corners of his mouth and pulled his cheeks wide, all the while making an absurd gurgling noise and glancing playfully at Juliet out of the corner of his eye to ensure that she was watching, too. He looked completely ridiculous. Worse, he knew he looked completely ridiculous and reveled in it. Unbidden, a burst of laughter escaped Juliet, mingling with Charlotte's happy shrieks. Letting go of his cheeks, Gareth laughed right along with them, a big, happy sound that brightened the room as the candles never could have done. It was warm laughter, family laughter, the kind of laughter that Juliet had never expected to share in ever again. Something
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
A blind man enters a Ladies bar by mistake. He finds his way to a barstool and orders a drink. After sitting there for a while, he yells to the bartender: "Hey, you wanna hear a blonde joke?" The bar immediately falls absolutely quiet. In a very deep, husky voice, the woman next to him says: "Before you tell that joke, sir, I think it is just fair - giving that you are blind - that you should know five things:  1. The bartender is a blonde girl.  2. The bouncer is a blonde girl.  3. I'm a 6 feet tall, 160 LB. blonde woman with a black belt in Karate.  4. The woman sitting next to me is blonde and is a proffesional weightlifter.  5. The lady to your right is a blonde and is a proffesional wretler. Now, think about it seriously, Mister. Do you still wanna tell that joke?" The blind man thinks for a second, shakes his head and declares: "Nah, not if I'm gonna have to explain it five times".
Olav Laudy (4000 decent very funny jokes)
Streisand, the day-trading diva, personified the way people abuse Lynch’s teachings. In 1999 she burbled, “We go to Starbucks every day, so I buy Starbucks stock.” But the Funny Girl forgot that no matter how much you love those tall skinny lattes, you still have to analyze Starbucks’s financial statements and make sure the stock isn’t even more overpriced than the coffee.
Benjamin Graham (The Intelligent Investor)
At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
Awel, take me!” she cried out to the wind. “By the debt you owe me, take me away!” With a rush and a roar the easterly wind of Awel dragged Nimue somersaulting into the air, like a large ungainly leaf, and she was racing over the land. This was all a joke to Awel—winds found everything funny—so it wasn’t a gentle ride or a gentle landing. She chucked Nimue down carelessly on the bank of the river Slip a mile away. She sat up dizzy. Even from here she could see Merlin following at a run, the size of a young giant now, twenty feet tall, kicking down trees as he ran. One hand glowed red, and the air warped around it; the other was so cold it shed trails of mist. Sometimes looking at raw feral magic like this made her feel like she was going mad. Merciful God, why do You allow such things? “Let me go, Merlin! I’m not yours!” “All you are is mine!” giant-Merlin boomed back. “That is all you are! You were nothing when I found you!” “Aid me, beloved Slip! I call in my debt!” The Slip had the face of a little girl, sketched in light ripples on its surface, but she was far older than Nimue. Now she answered the call and heaved herself out of her channel and rushed violently over the land. The torrent snatched Merlin’s feet out from under him, bowling him over and sweeping him backward, smashing him into rocks.
Lev Grossman (The Bright Sword)