Typical Woman Quotes

We've searched our database for all the quotes and captions related to Typical Woman. Here they are! All 100 of them:

Male leaders are celebrated for their successes, while their excesses are typically excused as the necessary and expected price of masculine ambition.
Kara Cooney (The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt)
I am often asked whether physical aggression by women toward men, such as a slap in the face, is abuse. The answer is: “It depends.” Men typically experience women’s shoves or slaps as annoying and infuriating rather than intimidating, so the long-term emotional effects are less damaging. It is rare to find a man who has gradually lost his freedom or self-esteem because of a woman’s aggressiveness.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Slow and steady wins the race." "That is almost always untrue." "Take it up with Aesop." "Aesop never existed. The stories credited to him were the work of two female slaves." "That sounds about typical. I'll ponder it on the way down.
Leigh Bardugo (Wonder Woman: Warbringer)
Both men had made her feel as if she were the one who was at fault, a typically masculine reaction to a woman who was able to act independently of them.
Flora Kidd (Passionate Choice)
A man typically lights a scene too much, because it makes no matter what you show, a man always wants to see more. A woman understands darkness and shadows
Richard Melo (Happy Talk)
I don't watch a lot of porn, but a typical search term for me is "fat lesbians." What a beautiful fantasy: to be accepted and embraced and adored as your biggest self, the most you, by a woman who is her fullest her.
Melissa Broder (So Sad Today: Personal Essays)
love typically gives rise to responsiveness regarding the beauty of a very specific individual taken as a whole rather than for values taken individually.
Dietrich von Hildebrand (Man, Woman, and the Meaning of Love: God's Plan for Love, Marriage, Intimacy, and the Family)
Did you ever notice that women can seem common while men never do? You won’t ever hear anyone describe a man’s appearance as common. The common man means the average man, a typical man, a decent hardworking person of modest dreams and resources. A common woman is a woman who looks cheap. A woman who looks cheap doesn’t have to be respected, and so she has a certain value, a certain cheap value.
Rachel Kushner (The Mars Room)
Female sexual turn on begins, ironically, with a brain turn off. The impulses can rush to the pleasure centers and trigger orgasm only if the amygdala- the fear and anxiety center of the brain- has been deactivated. The fact that a woman requires this extra neurological step may account for why it takes her on average three to ten times longer than the typical man to reach orgasm.
Louann Brizendine (The Female Brain)
But there was something else going on here. He had to admit even to himself that the woman challenged his intellect and his beliefs with her own, and she wasn’t afraid to disagree with him or to disapprove of his views. Nor did she make any attempt to school her sentiments behind the polite, prim, and proper demeanor of the typical English noblewoman. She was fierce. She was passionate. She was fiery and intense. She was like no other woman he had ever met. And suddenly, just like that, he was under her spell once again.
Anna Durbin (King of Wands)
We were typical, happy thirteen-year-olds who were going out - which meant we never talked or really acknowledged one another. It was wonderful.
Olivia Munn (Suck It, Wonder Woman!: The Misadventures of a Hollywood Geek)
Oh, Pandora. Where’s your willpower? You were told not to open that box, you snoopy girl, you typical woman with your insatiable curiosity; now look what you’ve gone and done.
Lianne Moriarty
I feel compelled to make another 'nonapology.' Many readers are likely to be concerned about my use of masculine pronouns in relation to God. I think I both understand and appreciate this concern. It is a matter to which I have given much thought. I have generally been a strong supporter of the women's movement and action that is reasonable to combat sexist language. But first of all, God is not neuter. He is exploding with life and love and even sexuality of a sort. So 'It' is not appropriate. Certainly I consider God androgynous. He is as gentle and tender and nurturing and maternal as any woman could ever be. Nonetheless, culturally determined though it may be, I subjectively experience His reality as more masculine than feminine. While He nurtures us, He also desires to penetrate us, and while we more often than not flee from His love like a reluctant virgin, He chases after us with a vigor in the hunt that we most typically associate with males. As CS Lewis put it, in relation to God we are all female. Moreover, whatever our gender or conscious theology, it is our duty---our obligation---in response to His love to attempt to give birth, like Mary, to Christ in ourselves and in others. "I shall, however, break with tradition and use the neuter for Satan. While I know Satan to be lustful to penetrate us, I have not in the least experienced this desire as sexual or creative---only hateful and destructive. It is hard to determine the sex of a snake.
M. Scott Peck (People of the Lie: The Hope for Healing Human Evil)
Women have less direct relationship to anger...When a woman "bites" her tongue to avoid expressing anger, its not at all socialization. A lot of it is brain circuitry. Even if a woman wanted to express her anger right away, often her brain circuits would attempt to hijack this response, to reflect on it first out of fear and anticipation of retaliation. Also, the female brain has a tremendous aversion to conflict, which is set up by fear of angering the other person and losing the relationship. Instead of triggering a quick action response in the brain, as it does in males, anger in girls and women moves through the brain's gut feeling, conflict-pain anticipation, and verbal circuits. Scientists speculate that though a woman is slower to act out of anger, once her faster verbal circuits get going, they can cause her to unleash a barrage of angry words that a man cant match. Typical men speak fewer words and have less verbal fluency than women, so they may be handicapped in angry exchanges with women. Often when I see a couple who are not communicating well, the problem I see is that the man's brain's circuits push him frequently and quickly to an angry, aggressive reaction, and the woman feels frightened and shuts down.
Louann Brizendine (The Female Brain)
And when the days passed, and my exhaustion and my enthusiasm led me to loosen my typically-closely-held control over my socially unacceptable attitudes, my raw enthusiasm leaking through as I talked excitedly to Vale about some theory or another, I turned to see him staring at me, brows drawn. His expression made me freeze, my face flushing—because I’d let down a wall I shouldn’t have and wasn’t sure what I might have revealed beyond it. “I—” I started. But he just said, calmly, “You are a very beautiful woman.
Carissa Broadbent (Six Scorched Roses (Crowns of Nyaxia, #1.5))
This touch of luxury was typical of the Base, though it was sometimes hard to explain its necessity to the folk back on Earth. Every man and woman in Clavius had cost a hundred thousand dollars in training and transport and housing; it was worth a little extra to maintain their peace of mind. This was not art for art’s sake, but art for the sake of sanity.
Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
This distorted lens may lead someone studying human sexuality to ask: “Where are you on a spectrum from straight to gay?” This question would miss a pattern we found in our data suggesting that people's arousal systems are not bundled by the gender of whatever it is that turns them on: 4.5% of men find the naked male form aversive but penises arousing, while 6.7% of women find the female form arousing, but vaginas aversive. Using simplified community identifications like the gay-straight spectrum to investigate how and why arousal patterns develop is akin to studying historic human migration patterns by distributing a research survey asking respondents to report their position on a spectrum from “white” to “person of color.” Yes, “person of color,” like the concept of “gay,” is a useful moniker to understand the life experiences of a person, but a person’s place on a “white” to “person of color” spectrum tells us little about their ethnicity, just as a person’s place on a scale of gay to straight tells us little about their underlying arousal patterns. The old way of looking at arousal limits our ability to describe sexuality to a grey scale. We miss that there is no such thing as attraction to just “females,” but rather a vast array of arousal systems that react to stimuli our society typically associates with “females” including things like vaginas, breasts, the female form, a gait associated with a wider hip bone, soft skin, a higher tone of voice, the gender identity of female, a person dressed in “female” clothing, and female gender roles. Arousal from any one of these things correlates with the others, but this correlation is lighter than a gay-straight spectrum would imply. Our data shows it is the norm for a person to derive arousal from only a few of these stimuli sets and not others. Given this reality, human sexuality is not well captured by a single sexual spectrum. Moreover, contextualizing sexuality as a contrast between these communities and a societal “default” can obscure otherwise-glaring data points. Because we contrast “default” female sexuality against “other” groups, such as the gay community and the BDSM community, it is natural to assume that a “typical” woman is most likely to be very turned on by the sight of male genitalia or the naked male form and that she will be generally disinterested in dominance displays (because being gay and/or into BDSM would be considered atypical, a typical woman must be defined as the opposite of these “other,” atypical groups). Our data shows this is simply not the case. The average female is more likely to be very turned on by seeing a person act dominant in a sexual context than she is to be aroused by either male genitalia or the naked male form. The average woman is not defined by male-focused sexual attraction, but rather dominance-focused sexual attraction. This is one of those things that would have been blindingly obvious to anyone who ran a simple survey of arousal pathways in the general American population, but has been overlooked because society has come to define “default” sexuality not by what actually turns people on, but rather in contrast to that which groups historically thought of as “other.
Simone Collins (The Pragmatist's Guide to Sexuality)
FOR THE NEXT TWO DAYS Eddie and I walked together, we played charades trying to communicate and fell into fits of hysteria at each other’s antics. We stalked rabbits and missed, picked bush foods and generally had a good time. He was sheer pleasure to be with, exuding all those qualities typical of old Aboriginal people — strength, warmth, self-possession, wit, and a kind of rootedness, a substantiality that immediately commanded respect.
Robyn Davidson (Tracks: One Woman's Journey Across 1,700 Miles of Australian Outback)
The modern-day Priestess is a woman who is deeply spiritual, yet her beliefs and practices are typically not rooted in a particular religion. Instead they are informed by practices that resonate with her spiritual truths.
Jalaja Bonheim
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?! But Martha? She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
Kai brings his son’s hand to his lips, peppering kisses on his palm, finally pulling a sweet giggle from the typically happy boy.  I’ve never thought about having kids before, but I’d be shocked to find a woman whose ovaries aren’t doing all sorts of cartwheels watching Kai Rhodes know exactly what to do to make his son feel better.
Liz Tomforde (Caught Up (Windy City, #3))
I have two kills to plan, a boyfriend to see, and a best friend to un-piss off. And not in that order. I’m just the typical American woman. Or is it the typical American Psycho?
S.T. Abby (The Risk (Mindf*ck, #1))
I'm just a typical American woman. Or is it the typical American Psycho?
S.T. Abby (The Risk (Mindf*ck, #1))
Married silence is a specific kind of silence, typically one in which the woman goes mute while the man pretends as if it's perfectly normal that she hasn't spoken in hours.
Matthew Norman (Domestic Violets)
There’s nothing typical about Genuine Love. To be loved authentically is to be blessed beyond measure. Only a fool would take advantage of something that so many people yearn for.
Stephanie Lahart
God, how I wish I could relive the whole thing. Short of that, I'd like to share the experience, the ups and downs, so some young man or woman, somewhere, going through the same trials and ordeals, might be inspired or comforted. Or warned. Some young entrepreneur, maybe, some athlete or painter or novelist, might press on. It's all the same drive. The same dream. It would be nice to help them avoid the typical discouragements. I'd tell them to hit pause, think long and hard about how they want to spend their time, and with whom they want to spend it for the next forty years. I'd tell men and women in their midtwenties not to settle for a job or a profession or even a career. Seek a calling. Even if you don't know what that means, seek it. If you're following your calling, the fatigue will be easier to bear, the disappointments will be fuel, the highs will be like nothing you've ever felt. I'd like to warn the best of them, the iconoclasts, the innovators, the rebels, that they will always have a bull's-eye on their backs. The better they get, the bigger the bull's-eye. It's not one man's opinion; it's a law of nature.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
Unlike a woman, who can turn a man on just by thinking about it, a man typically is unable to turn a woman on in the same way. However, she can and will turn herself on if she's given adequate reasons to do so.
Steve Bodansky (The Illustrated Guide to Extended Massive Orgasm (Positively Sexual))
Boys seem to have a different kind of relationship with Mother. Just about every daughter of a narcissistic mother has reported to me that her brother or brothers were better liked and more favored than she or her sisters were. Daughters consistently report how hurtful this has been. Typically, the mother appears not to notice the imbalance, or if confronted, denies it, but it does make some sense. Her sons are not threatening to her in relation to the father as another girl or woman is, because the boys are not as much an extension of her as is a daughter.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
In the late 1960s a woman in the poorer countries of the world typically had six children. Today the average is fewer than three. In fact, demographers now project that the world’s population will begin to decline before 2050.47
Stephanie Coontz (Marriage, a History: From Obedience to Intimacy)
I can’t wait to see them both when you get them done.” Kane playfully nudged me. “I could get them done tomorrow if junior here would hurry up and vacate your premises.” I giggled. “She will come out when she is good and ready.” “Like a typical woman then?” Kane mused. “Her way or the highway option.” I bobbed my head up and down. “You got it.” “Good thing it’s a boy then.” He grinned as he leaned in and kissed my head. “I love you, babydoll.” “And I love you.
L.A. Casey (Aideen (Slater Brothers, #3.5))
If the wood burned up, so did Frank. Such a typical controlling Hera thing to do: I love you and you’re my special hero, and also here’s a stick—when it burns you die HA-HA-HA-HA-HA. I disliked that woman. Ella ruffled her feathers, providing Aristophanes
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
Woman! One-half of mankind is weak, typically sick, changeable, inconstant... she needs a religion of weakness that glorifies being weak, loving, and being humble as divine: or better, she makes the strong weak--she rules when she succeeds in overcoming the strong... Woman has always conspired with the types of decadence, the priests, against the 'powerful', the 'strong', the men.
Friedrich Nietzsche (The Will to Power)
The typical abusive man works to maintain a positive public image (..) Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be (..) assaultive toward his partner or children but nonviolent and nonthreatening with everyone else. (..) The pain of this contrast can eat away at a woman.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
The human female’s sexual behavior is typically far more malleable than the male’s. Greater erotic plasticity leads most women to experience more variation in their sexuality than men typically do, and women’s sexual behavior is far more responsive to social pressure. This greater plasticity could manifest through changes in whom a woman wants, in how much she wants him/her/them, and in how she expresses her desire.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
And then there I was, literally tenderized like pounded meat by my year of work, failure, and physical and emotional battering. My New Zealand beach realization that I was ready for all of the things I had feared I was too broken to ever want felt both good because it meant that I was normal, but also terrifying. I was normal. Years later, Lena Dunham’s character on Girls would have a similar moment when she broke down and wept to a nice, handsome doctor with a beautiful house, “Please don’t tell anyone this, but I want to be happy … I want all the things everyone wants.” I was embarrassed to be a thirty-five-year-old woman who was looking for true love, and a family. It was so freaking typical. But I was also deeply relieved that I’d finally gotten there.
Kristin Newman (What I Was Doing While You Were Breeding)
A typical forager 30,000 years ago had access to only one type of sweet food – ripe fruit. If a Stone Age woman came across a tree groaning with figs, the most sensible thing to do was to eat as many of them as she could on the spot, before the local baboon band picked the tree bare. The instinct to gorge on high-calorie food was hard-wired into our genes. Today we may be living in high-rise apartments with over-stuffed refrigerators, but our DNA still thinks we are in the savannah. That’s what makes some of us spoon down an entire tub of Ben & Jerry’s when we find one in the freezer and wash it down with a jumbo Coke.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
But there was one mistake in this masquerade that revealed the supposed human spirit was literally blowing smoke: It took the form of a woman only from the waist up. That’s typical of the demonic; they always give themselves away with some abnormality of appearance when they try to manifest themselves as human beings.
Ralph Sarchie (Beware the Night: A New York City Cop Investigates the Supernatural)
Monotheism exhibits what is essentially a pathological personality pattern projected onto the ideal of God: the pattern of the paranoid, possessive, power-obsessed male ego. This God is not someone you would care to invite to a garden party. Also interesting is that the Western ideal is the only formulation of deity that has no relationship with woman at any point in the theological myth. In ancient Babylon Anu was paired with his consort Inanna; Grecian religion assigned Zeus a wife, many consorts, and daughters. These heavenly pairings are typical. Only the god of Western civilization has no mother, no sister, no female consort, and no daughter.
Terence McKenna (Food of the Gods: The Search for the Original Tree of Knowledge)
Our circumstances and our surroundings do not dictate how wild God can be. The wild and free nature of God does not bat an eyelash at the state we’re in, because He is not bound by the conventional, the typical, or any rules. Our lives can look shattered and bland, broken and poor—and He can bring life and salvation and color, no matter what.
Jess Connolly (Wild and Free: A Hope-Filled Anthem for the Woman Who Feels She Is Both Too Much and Never Enough)
Of course, I think Legna tops this particular cake. You see, when Mind Demons teleport, they have to remember to teleport their clothes with them.” “Oh no . . .” “Oh, yes. Noah’s coronation anniversary. There is an incredible celebration every ten years, and everyone goes, even the most solitary of us. Legna was sixteen years old, and she was running late just like any typical teenager. She exploded into the room. Mind you, the display of a teleport in someone so young is ten times what you see her cause now, so she had everyone’s attention. That youngling blushed bright red in places I never thought a woman could blush. It was a most enlightening moment.” “I’ll bet!” Isabella giggled, her skin flushing in sympathetic embarrassment. “The poor thing!” “Well, Noah responded very fast, so I assure you she only had time for a quick blush before he covered her in smoke, blocking her from a multitude of very astonished eyes. We do not tease her about it, however. Noah actually passed a law saying we could not. It was the only way he could get her to go out in public again. I am risking my peace of mind telling you this. One chuckle in front of her, little flower, and you will doom me. So please . . .
Jacquelyn Frank (Jacob (Nightwalkers, #1))
If we want masculinity to be different, we must confront and tackle the baseline instead of longing for exceptions. Loving your mother, holding a door open for a woman, being a good listener, or even being a feminist doesn't make a man an exception. Experiencing oppression—including racism, homophobia, and transphobia—doesn't make a man an exception. If we are invested in perpetuating and glorifying the myth of the "good man," we are also complicit in overlooking, if not permitting, the reprehensible behaviour of the "typical man.
Vivek Shraya (I'm Afraid of Men)
Women, we harm ourselves when we use the Bible as a how-to book on being a woman only rather than look to it to see our God and Savior, who teaches us all things.
Abigail Dodds ((A)Typical Woman: Free, Whole, and Called in Christ)
TYPICAL TROLOLOL: “Sure, but even Virginia Woolf said in A Room of One’s Own that ‘a woman must have money,’ so obviously all girls are just out for cash.
Sam Maggs (The Fangirl's Guide to the Galaxy: A Handbook for Girl Geeks)
Sexuality is no longer about what you think:the genitals, it is now typically about your mentality. If a man feels he is a woman, so he is and vice versa.
Oppong Amankwaa
I was already becoming a woman who sized up another one fast—I was becoming typical.
Lorrie Moore (A Gate at the Stairs)
Not the way things typically went when he hit on a woman—not to toot his own horn, but women really dug the FBI thing—but, oh well. It wasn’t like he was ever going to see her again.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Henry Miller, Genet, Sade, Bataille are really important writers for me and I love them, but I feel often they don’t love me, you know? I feel I always have to wrap my head around the way the girl is treated in the works, and the way the woman writer has been treated within their philosophies. I think of Kathy Acker’s Blood and Guts in High School, where Janey Smith is in an S&M relationship with Jean Genet, who she follows around the deserts of Algeria, and he’s horrible to her, and that’s what I think of when I think of my relationship to those writers. I think you have to read the text, obviously, despite that. You seem to be subverting Sade and Bataille’s ideas of the whore, and Henry Miller – all of his cunt portraits, all of his horrors that he writes about – you’re writing about it from an interiority and a subjectivity that we don’t typically get with the ‘whore’ or the ‘slut’ or the sexual girl.
Kate Zambreno
In the savannahs and forests they inhabited, high-calorie sweets were extremely rare and food in general was in short supply. A typical forager 30,000 years ago had access to only one type of sweet food – ripe fruit. If a Stone Age woman came across a tree groaning with figs, the most sensible thing to do was to eat as many of them as she could on the spot, before the local baboon band picked the tree bare. The instinct to gorge on high-calorie food was hard-wired into our genes. Today we may be living in high-rise apartments with over-stuffed refrigerators, but our DNA still thinks we are in the savannah. That’s what makes some of us spoon down an entire tub of Ben & Jerry’s when we find one in the freezer and wash it down with a jumbo Coke. This ‘gorging gene’ theory is widely accepted.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
They wanted to know, you see. They were afraid that with our typical Austrian faces, we might be able to pass. They didn’t want to be fooled. Even then, in the 1920s, they wanted to be able to tell who was a Jew.
Edith Hahn Beer (The Nazi Officer's Wife: How One Jewish Woman Survived the Holocaust)
Bailey, a former prosecutor, attacked her credibility scattershot, an approach he would use throughout the trial, particularly with female witnesses. ... He accused her, that is--without coming out and saying it--of being a certain kind of woman: conceited, disingenuous, and dissatisfied. The universal misogynist caricature. I'd never gone in for academic gender theories, but Bailey's cross-examination strategy--with Farrar and other women to come--convinced me that the culture of criminal justice has a fundamentally masculine tilt. Repeatedly, in a manner that I suspected was typical in modern courtrooms, he portrayed the female mind as intrinsically unreliable, ruled by emotion, immune to logic, prone to pettiness, swayed by lust, and corrupted by vanity. It rarely spoke plainly. It was seldom candid. It was composed of layers of hidden agendas. It put up a front, behind which was another front. It either aimed to please or to conceal, which were often the same thing. The only way to get the truth from it was to push and prod until it snapped. Make it angry. Make it cry.
Walter Kirn (Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade)
George moved from one group of people he didn’t know to another, trying to get out of the draught. The girls didn’t seem to notice it. They were Sydney girls, with short skirts and long, bare arms. Recently, George had gone to an opening at a gallery in the company of a visiting lecturer from Berlin. The artist was fashionable, and the gallery’s three rooms were packed. Over dinner, the German woman expressed mild astonishment at the number of sex workers who had attended the opening. ‘Is this typical in Australia?’ she asked. George had to explain that she had misunderstood the significance of shouty make-up, tiny, shiny dresses and jewels so large they looked fake.
Michelle de Kretser (The Life to Come)
Another study that winds up in half the textbooks makes the same point, if more subtly. The subjects of the “experiment” were children reared in two different orphanages in Germany after World War II. Both orphanages were run by the government; thus there were important controls in place—the kids in both had the same general diet, the same frequency of doctors’ visits, and so on. The main identifiable difference in their care was the two women who ran the orphanages. The scientists even checked them, and their description sounds like a parable. In one orphanage was Fräulein Grun, the warm, nurturing mother figure who played with the children, comforted them, and spent all day singing and laughing. In the other was Fräulein Schwarz, a woman who was clearly in the wrong profession. She discharged her professional obligations, but minimized her contact with the children; she frequently criticized and berated them, typically among their assembled peers. The growth rates at the two orphanages were entirely different. Fräulein Schwarz’s kids grew in height and weight at a slower pace than the kids in the other orphanage. Then, in an elaboration that couldn’t have been more useful if it had been planned by a scientist, Fräulein Grun moved on to greener pastures and, for some bureaucratic reason, Fräulein Schwarz was transferred to the other orphanage. Growth rates in her former orphanage promptly increased; those in her new one decreased.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
The blackest chapter in the history of this State will be the Indian guardianship over these estates,” an Osage leader said, adding, “There has been millions—not thousands—but millions of dollars of many of the Osages dissipated and spent by the guardians themselves.” This so-called Indian business, as White discovered, was an elaborate criminal operation, in which various sectors of society were complicit. The crooked guardians and administrators of Osage estates were typically among the most prominent white citizens: businessmen and ranchers and lawyers and politicians. So were the lawmen and prosecutors and judges who facilitated and concealed the swindling (and, sometimes, acted as guardians and administrators themselves). In 1924, the Indian Rights Association, which defended the interests of indigenous communities, conducted an investigation into what it described as “an orgy of graft and exploitation.” The group documented how rich Indians in Oklahoma were being “shamelessly and openly robbed in a scientific and ruthless manner” and how guardianships were “the plums to be distributed to the faithful friends of the judges as a reward for their support at the polls.” Judges were known to say to citizens, “You vote for me, and I will see that you get a good guardianship.” A white woman married to an Osage man described to a reporter how the locals would plot: “A group of traders and lawyers sprung up who selected certain Indians as their prey. They owned all the officials…. These men had an understanding with each other. They cold-bloodedly said, ‘You take So-and-So, So-and-So and So-and-So and I’ll take these.’ They selected Indians who had full headrights and large farms.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Bowel transit time, as it is known in the trade, is a very personal thing and varies widely between individuals, and in fact within individuals depending on how active they are on a given day and what and how much they have been eating. Men and women evince a surprising amount of difference in this regard. For a man, the average journey time from mouth to anus is fifty-five hours. For a woman, typically, it is more like seventy-two. Food lingers inside a woman for nearly a full day longer, with what consequences, if any, we do not know. Roughly speaking, however, each meal you eat spends about four to six hours in the stomach, a further six to eight hours in the small intestine, where all that is nutritious (or fattening) is stripped away and dispatched to the rest of the body to be used or, alas, stored, and up to three days in the colon, which is essentially a large fermentation tank where billions and billions of bacteria pick over whatever the rest of the intestines couldn’t manage—fiber mostly. That’s why you are constantly told to eat more fiber: because it keeps your gut microbes happy and at the same time, for reasons not well understood, reduces the risk of heart disease, diabetes, bowel cancer, and indeed death of all types.
Bill Bryson (The Body: A Guide for Occupants)
The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
Jean-Paul Sartre
The racial oppression that inspired the first generations of the civil rights movement was played out in lynchings, night raids, antiblack pogroms, and physical intimidation at the ballot box. In a typical battle of today, it may consist of African American drivers being pulled over more often on the highways. (When Clarence Thomas described his successful but contentious 1991 Supreme Court confirmation hearing as a “high-tech lynching,” it was the epitome of tastelessness but also a sign of how far we have come.) The oppression of women used to include laws that allowed husbands to rape, beat, and confine their wives; today it is applied to elite universities whose engineering departments do not have a fifty-fifty ratio of male and female professors. The battle for gay rights has progressed from repealing laws that execute, mutilate, or imprison homosexual men to repealing laws that define marriage as a contract between a man and a woman. None of this means we should be satisfied with the status quo or disparage the efforts to combat remaining discrimination and mistreatment. It’s just to remind us that the first goal of any rights movement is to protect its beneficiaries from being assaulted or killed. These victories, even if partial, are moments we should acknowledge, savor, and seek to understand.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
Time and again I've been in a group of people in their forties, fifties, and up who, when talk turns to aging, make the typical lamentations, but sometimes, later, softly, confess that they prefer their lives now, prefer themselves now. This secret is kept from those who need to hear it - the despairing young. Movies certainly don't spoil the secret - how rarely they present a middle-aged woman falling in love, for example, or living by herself in any kind of creative and productive way. What I want you to know: so far, it just gets better.
Beth Ann Fennelly (Great with Child: Letters to a Young Mother)
Behind this lies not just impact or drama, but a typically Japanese tendency. The story of Pygmalion, the Greek myth — in which Pygmalion falls in love with the statue of a young woman that he creates and which is hen transformed into a human by Aphrodite who imbues it with life — represents a Western approach in which the statue represents the human body. In Japan, however, there is a unique predilection for dolls ... This can be interpreted as a decadent, necrophiliac erotic story but it can also be interpreted as a propensity for Japanese men to fall in love with figures. These men's desires are directed at the figure for the very reason that it is a doll. The overwhelming passivity of the doll is a reflection of the behavior of a certain type of Japanese man whose immaturity makes it very difficult for him to establish an equal relationship with a mature woman.
Izima Kaoru (Izima Kaoru: Landscapes With a Corpse)
Before entering Joaquin’s house I always reminded myself that this wasn’t exactly where I was meant to be, but pit stops are okay on the road of life, aren’t they? I thought of myself as some kind of spy, undercover as a girl with low self-esteem, bringing back detailed intelligence reports on the dark side for girls with boyfriends who looked like lesbians and watched Friday Night Lights with them while eating takeout. They could have their supportive relationships and typical little love stories. I’d be Sid and Nancy–ing it up, refusing to settle for the status quo. I’d be cool.
Lena Dunham (Not That Kind of Girl: A young woman tells you what she's "learned")
Female power is the foundation of all other power structures. Social power systems that do not rest directly on instinct can never be more than superstructures. Their leaders can rule only in areas of no special value to sex partners and proteges. A system that disregards the power of the really powerful sex is doomed from the outset: it cannot gain adherents. It is by the power of the dominant sex that all systems function at all. Without the consent of women, there could have been no fascism, no imperialism, no Inquisition. Men could not have become the tools of such systems, had they not been ruled by women. Only a person attached and subservient to another through his basic social instincts - a man with a family to support, typically - can be sucked into the treadmill of such a secondary system and be driven to commit acts of hypocrisy, terror, and treason. The power of woman is the root of force in others.
Esther Vilar (The Polygamous Sex)
If you go to the craft market you will see them everywhere. They represent the mix of cultures and races here in the Dominican Republic, that are the result of centuries of international commerce, colonization, conquest, and the slave trade. The facelessness means that there is no 'typical' Dominican woman.
Sandra Rodriguez Barron (Stay with Me: A Novel)
Upper-body mass is approximately 75%3 greater in men because women’s lean body mass tends to be less concentrated in their upper body,4 and, as a result, men’s upper body strength is on average between 40-60%5 higher than women’s (compared to lower-body strength which is on average only 25% higher in men6). Women also have on average a 41% lower grip strength than men,7 and this is not a sex difference that changes with age: the typical seventy-year-old man has a stronger handgrip than the average twenty-five-year-old woman.8 It’s also not a sex difference that can be significantly trained away: a study which compared ‘highly trained female athletes’ to men who were ‘untrained or not specifically trained’ found that their grip strength ‘rarely’ surpassed the fiftieth percentile of male subjects.9 Overall, 90% of the women (this time including untrained women) in the study had a weaker grip than 95% of their male counterparts.
Invisible Women: Data Bias in a World Designed for Men
In the manuscript and on True Crime Diary, Michelle always found the perfect balance between the typical extremes of the genre. She didn’t flinch from evoking key elements of the horror and yet avoided lurid overindulgence in grisly details, as well as sidestepping self-righteous justice crusading or victim hagiography.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The typical misogynist expects his partner to be a never-ending source of total, all-giving love, adoration, concern, approval, and nurturing. He enters into a relationship with a woman very much as a hungry, demanding infant does, with the unspoken expectation that she will be totally giving and will meet all his needs.
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
Something similar often happens to people who develop an anxiety disorder, such as agoraphobia. People with agoraphobia can become so overwhelmed with fear that they will no longer leave their homes. Agoraphobia is the consequence of a positive feedback loop. The first event that precipitates the disorder is often a panic attack. The sufferer is typically a middle-aged woman who has been too dependent on other people. Perhaps she went immediately from over-reliance on her father to a relationship with an older and comparatively dominant boyfriend or husband, with little or no break for independent existence. In the weeks leading up to the emergence of her agoraphobia, such a woman typically experiences something unexpected and anomalous.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Hally: – […] See, a smart woman tends to act on your typical eighteen-year-old male like instant kryptonite. But, not to worry – mother tells me something mystical happens at graduation and suddenly male people who never pulled a grade above a C in their lives automatically become smarter than anything that wears a skirt. Maybe after that happens, we can date who we want.
Kristen D. Randle (The Only Alien on the Planet)
Solidarity is identifying with one another without feeling like you have to agree on every issue. It’s unity, not uniformity. It’s listening without rushing in to fix the problem. It’s going deeper than typical ways of talking and sharing—going down to the place where souls meet and love comes, where separateness drops away and you know these women because you are these women.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Now, all of this is enough to make anyone a bit anxious, and I’ve seen women, as well as myself when I first got started, develop a type of eating disorder called “orthorexia,” a term meaning hyper-correct/clean eating. This is behavior where a woman will only eat foods, and will delay eating until she is able to eat foods, that she feels are correct and safe—for orthorexics typically this means organic foods.
Alisa Vitti (WomanCode: Perfect Your Cycle, Amplify Your Fertility, Supercharge Your Sex Drive, and Become a Power Source)
Though Black women enjoyed few of the dubious benefits of the ideology of womanhood, it is sometimes assumed that the typical female slave was a houseservant—either a cook, maid, or mammy for the children in the “big house.” Uncle Tom and Sambo have always found faithful companions in Aunt Jemima and the Black Mammy—stereotypes which presume to capture the essence of the Black woman’s role during slavery. As is so often the case, the reality is actually the diametrical opposite of the myth. Like the majority of slave men, slave women, for the most part, were field workers. While a significant proportion of border-state slaves may have been houseservants, slaves in the Deep South—the real home of the slaveocracy—were predominantly agricultural workers. Around the middle of the nineteenth century, seven out of eight slaves, men and women alike, were field workers.
Angela Y. Davis (Women, Race & Class)
Dana daydreamed of one day being able to set her agenda at B.Altman with the same courage and tenacity as the woman who was now driving the VW while speaking animatedly about her travel plans for the near future. She would be journeying to India in search of exotic merchandise for the store’s Indian extravaganza, a lavish event planned by Ira Neimark and Dawn Mello to compete with Bloomingdale’s Retailing as Theater movement. The movement was the brainchild of Bloomingdale’s Marvin Traub, who staged elaborate presentations such as China: Heralding the Dawn of a New Era. Typical extravaganzas featured fashion, clothing, food, and art from various regions of the world. “I’ll bring back enough items to make Bloomingdale’s blush!” Nina said confidently. “And I’m not just talking sweaters, hats, and walking sticks. I’ll stop first in the Himalayas and prowl the Landour Bazaar.” Lynn Steward ~ A Very Good Life
Lynn Steward (A Very Good Life (Dana McGarry Novel, #1))
Adam's reply reflects his fear, as well as a note of deep sorrow. But there's no confession. Adam seems to have realized that it was pointless to try to plead innocence, but neither did he make a full confession. What he did was try to pass off the blame. He immediately pointed the finger at the one closest to him: Eve. Also implicit in Adam's words (The Woman whom YOU gave) was an accusation against God. So quickly did sin corrupt Adam's mind that in his blame shifting, he did not shy away from making God Himself an acessary to the crime. This is so typical of sinners seeking to exonerate themselves that the New Testament epistle of James expressly instructs us, "Let no one say when he is tempted, "I am tempted by God"; for God cannot be tempted by evil, nor does He Himself tempt anyone. But each one is tempted when he is drawn away by his own desires and enticed"James 1:13. Adam, however, was subtly trying to put at least some of the blame on God himself.
John F. MacArthur Jr. (Twelve Extraordinary Women : How God Shaped Women of the Bible and What He Wants to Do With You)
While women suffer from our relative lack of power in the world and often resent it, certain dimensions of this powerlessness may seem abstract and remote. We know, for example, that we rarely get to make the laws or direct the major financial institutions. But Wall Street and the U.S. Congress seem very far away. The power a woman feels in herself to heal and sustain, on the other hand--"the power of love"--is, once again, concrete and very near: It is like a field of force emanating from within herself, a great river flowing outward from her very person. Thus, a complex and contradictory female subjectivity is constructed within the relations of caregiving. Here, as elsewhere, women are affirmed in some way and diminished in others, this within the unity of a single act. The woman who provides a man with largely unreciprocated emotional sustenance accords him status and pays him homage; she agrees to the unspoken proposition that his doings are important enough to deserve substantially more attention than her own. But even as the man's supremacy in the relationship is tacitly assumed by both parties to the transaction, the man reveals himself to his caregiver as vulnerable and insecure. And while she may well be ethically and epistemically disempowered by the care she gives, this caregiving affords her a feeling that a mighty power resides within her being. The situation of those men in the hierarchy of gender who avail themselves of female tenderness is not thereby altered: Their superordinate position is neither abandoned, nor their male privilege relinquished. The vulnerability these men exhibit is not a prelude in any way to their loss of male privilege or to an elevation in the status of women. Similarly, the feeling that one's love is a mighty force for the good in the life of the beloved doesn't make it so, as Milena Jesenka found, to her sorrow. The feeling of out-flowing personal power so characteristic of the caregiving woman is quite different from the having of any actual power in the world. There is no doubt that this sense of personal efficacy provides some compensation for the extra-domestic power women are typically denied: If one cannot be a king oneself, being a confidante of kings may be the next best thing. But just as we make a bad bargain in accepting an occasional Valentine in lieu of the sustained attention we deserve, we are ill advised to settle for a mere feeling of power, however heady and intoxicating it may be, in place of the effective power we have every right to exercise in the world.
Sandra Lee Bartky (Femininity and Domination: Studies in the Phenomenology of Oppression (Thinking Gender))
It’s the typical hungry-vagina fodder, written in the same cotton-candy verbiage: “To really wow your guy pal, wait until he’s almost there”—this is written in italics, an editorial nudge-wink—”and then put him in your mouth for a mind-blowing climax.” Tasha is always annoyed by the use of “him” in place of “penis.” What if she didn’t know any better? What if she thought “him” meant him? All of him? She imagines herself an anaconda of a woman, her jaw unhinged, swallowing her lover like a reptilian black widow.
Olivia A. Cole (Panther in the Hive)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
If we see that God’s intention is to work Himself into us, we shall automatically eat and drink of Him. Mothers know that babies eat and drink automatically, not caring for any forms, manners, or regulations. Infants are better at eating and drinking than adults are. Our eating and drinking are often hindered by all the attention we give to table manners. Sometimes the more we pay attention to manners, the less we enjoy our food. I heard of a Chinese ambassador who attended a formal state dinner in Germany. Because he was so concerned about proper etiquette and table manners, he did not enjoy the food at all. He spent his time watching how others at the dinner conducted themselves and how they used their eating utensils. Table manners kept him from eating. Children are not like this. When my little granddaughter visits us, her grandmother often gives her something to eat. My granddaughter enjoys her food in a spontaneous and informal way. She is a good example of how we should pay less attention to forms and more to eating and drinking. At the very time the Lord Jesus was speaking with the Samaritan woman, the priests in the temple were worshipping God in the formal, systematic, prescribed manner. But where was God at that time? Was He in the temple with [517] the priests, or was He with the woman by the well in Samaria? As we all know, He was with the Samaritan woman. He met with her in the open air, away from the temple and the altar, without religious forms and rituals. Eventually, this Samaritan woman drank of the living water and offered real worship to God. At that time the true worship to God was offered not by the priests in the temple, but by the Samaritan woman who was drinking the living water. The priests worshipped God in vain; the Samaritan woman worshipped Him in reality by drinking Him into her being. The Spirit as the living water was infused into her. God was seeking real worship, and He received it from this Samaritan woman who drank of the Spirit as the living water. Today’s Christians need to see what real worship is. They condemn those in the Lord’s recovery as heretical, when they themselves are heretical and ignorant of the truth. Like the priests in the temple, they are blind to what true worship is. In John 4 the Lord Jesus did not spend time talking to typical Jews according to the Old Testament way of worship. Instead, He conversed with an immoral, semi-heathen woman concerning the worship which satisfies God’s heart. This woman worshipped God in her spirit by drinking of Him as the water to quench her thirst. Thus, God was worshipped by her in a genuine way. How much different this is from formal, religious worship! Throughout the centuries, most Christian worship has been like that of the priests in the temple. Only a small number have worshipped God in spirit by drinking of Him as living water.
Witness Lee (Life-Study of Exodus (Life-Study of the Bible))
In 1998, an autistic woman known as Muskie had some fun with this when she set up a mock website for a fake organization she called the Institute for the Study of the Neurologically Typical. Muskie had her ISNT “experts” present the facts behind the disorder she referred to as “Neurotypical Syndrome.” WHAT IS NT? Neurotypical Syndrome is a neurobiological disorder characterized by preoccupation with social concerns, delusions of superiority, and obsession with conformity. HOW COMMON IS IT? Tragically, as many as 9625 out of every 10,000 individuals may be neurotypical. ARE THERE ANY TREATMENTS FOR NT? There is no known cure for neurotypical syndrome.
John Donvan (In a Different Key: The Story of Autism)
In men, there is the familiar distinction between the Madonna on a pedestal and the lowlife whore, in the sense that they elevate the love object to unknown—and, above all, unattainable—heights. These are the super-conventional husbands who respect their wives. They often respect them so much that they become psychologically impotent. The shadow of the for-bidden mother covers the beloved in this cloak of respect, so that any sexual approach becomes impossible. However, this impotence wholly melts away, together with the respect, when such a man goes to a whore, either in his imagination or in reality. The pendulum swings the other way, because in this case the woman, in the figure of the whore, is humiliated just as much as the wife-mother is extolled. The dimension of lust appears here, inevitably accompanied by feelings of guilt. It is in this context that we come across the typical male fantasy, well known to every prostitute, of 'saving' a woman. A large number of her clients want to 'save' her from her ruin. They want to restore to her the status of being an object of love. In other words, they want her to become a wife-mother, which brings them back to respect, and completes the circle. Interestingly, in either case, whether he saves her or humiliates her, the power lies with the man. This in itself is a rewrite of the original mother-child scenario. His position has shifted from passive to active.
Paul Verheage
In your light we see light. —Psalm 36:9 (NIV) ELENA ZELAYETA, BLIND CHEF Without warning at age thirty-six, Elena Zelayeta, pregnant with her second child, totally lost her sight. She had been the chef at a popular restaurant she and her husband owned. A sixty-seven-year-old widow now, she continued to prepare her famous Mexican dishes, marketing them with the help of her two sons, the younger of whom she’d never seen. Typical of San Francisco, it was raining when I arrived at her home. The door was opened by a very short, very broad woman with a smile like the sun. Well under five feet tall, “and wide as I am high,” she said, she led me on a fast-paced tour of the sizable house, ending in the kitchen, where pots bubbled and a frying pan sizzled. Was it possible that this woman who moved so swiftly and surely, who was now so unhesitatingly dishing up the meal she’d prepared for the two of us, really blind? She must see, dimly at least, the outlines of things. At the door to the dining room, Elena paused, half a dozen dishes balanced on her arms. “Is the light on?” she asked. No, she confirmed, not the faintest glimmer of light had she seen in thirty years. But she smiled as she said it. “I hear the rain,” she went on as she expertly carved the herb-crusted chicken, “and I’m sure it’s a gray day for the sighted. But for us blind folk, when we walk with God, the sun is always shining.” Let me walk in Your light, Lord, whatever the weather of the world. —Elizabeth Sherrill Digging Deeper: Ps 97:11; 1 Jn 1:5
Guideposts (Daily Guideposts 2014)
In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour. I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over. I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer. We have moved on from religion. Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts. We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify. I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual. Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.
Paul Torday (Salmon Fishing in the Yemen)
He gave me a crooked smile. God, he could charm me even when I wanted to throttle him. "Life is short. It's your decision how you deal with this. Let's forgive, forget, and move on." That comment doused the charm. "Why is it that when a man screws up, they always pull out the forgive and forget card? And you're right, it is my decision how I deal with this. But it was your decision that got us here in the first place! Yes, life is short. Too short to deal with BS like this." "Nothing is going on." He threw his hands in the air. "I don't even remember that woman's name. I was sitting at the bar and she sat next to me. We shot the breeze for a few minutes. She had foam on her lip and I wiped it off. That's it." "Well, maybe I want to wipe some foam off of some hot tourist's lip and shoot the breeze." "You better not!" His jaw clenched. Typical double standard.
Kate Young (Southern Sass and a Crispy Corpse (Marygene Brown Mystery, #2))
April 4th, 1984. Last night to the flicks. All war films. One very good one of a ship full of refugees being bombed somewhere in the Mediterranean. Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him. first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank as suddenly as though the holes had let in the water, audience shouting with laughter when he sank, then you saw a lifeboat full of children with a helicopter hovering over it, there was a middleaged woman might have been a jewess sitting up in the bow with a little boy about three years old in her arms, little boy screaming with fright and hiding his head between her breasts as if he was trying to burrow right into her and the woman putting her arms round him and comforting him although she was blue with fright herself, all the time covering him up as much as possible as if she thought her arms could keep the bullets off him, then the helicopter planted a 20 kilo bomb in among them terrific flash and the boat went all to matchwood, then there was a wonderful shot of a child’s arm going up up up right up into the air a helicopter with a camera in its nose must have followed it up and there was a lot of applause from the party seats but a woman down in the prole part of the house suddenly started kicking up a fuss and shouting they didnt oughter of showed it not in front of kids they didnt it aint right not in front of kids it aint until the police turned her turned her out i dont suppose anything happened to her nobody cares what the proles say typical prole reaction they never—   Winston stopped writing, partly because he was suffering from cramp. He
George Orwell (1984)
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.
Judith McNaught (Almost Heaven (Sequels, #3))
If you are a woman, the main focus of this book is on men but you may find some of the information of interest. It may help you to understand more about what the typical men are going through in this country and why they don’t marry as readily anymore or go to college as often as they once did. Though you may disagree with much that is written here, keeping an open mind to how men actually feel and think as opposed to how the media, white knights and other women tell them how to think and feel may help you to understand how to connect with men in a more open and intimate way. Your husband, son, father or brother will thank you for it. And as Martin Luther King Jr. once said from a Birmingham jail, “injustice anywhere is a threat to justice everywhere.” If we as women allow injustice to men today, who knows what will happen to us tomorrow? If learning about men rather than blaming them for all the ills of the world appeals to you, welcome. My
Helen Smith (Men on Strike: Why Men Are Boycotting Marriage, Fatherhood, and the American Dream - and Why It Matters)
Can I make you a cup of tea?” He says that would be wonderful, and she smiles handsomely; then her face darkens in terrible sorrow. “And I am so sorry, Mr. Arthur,” she says, as if imparting the death of a loved one. “You are too early to see the cherry blossoms.” After the tea (which she makes by hand, whisking it into a bitter green foam—“Please eat the sugar cookie before the tea”) he is shown to his room and told it was, in fact, the novelist Kawabata Yasunari’s favorite. A low lacquered table is set on the tatami floor, and the woman slides back paper walls to reveal a moonlit corner garden dripping from a recent rain; Kawabata wrote of this garden in the rain that it was the heart of Kyoto. “Not any garden,” she says pointedly, “but this very garden.” She informs him that the tub in the bathroom is already warm and that an attendant will keep it warm, always, for whenever he needs it. Always. There is a yukata in the closet for him to wear. Would he like dinner in the room? She will bring it personally for him: the first of the four kaiseki meals he will be writing about. The kaiseki meal, he has learned, is an ancient formal meal drawn from both monasteries and the royal court. It is typically seven courses, each course composed of a particular type of food (grilled, simmered, raw) and seasonal ingredients. Tonight, it is butter bean, mugwort, and sea bream. Less is humbled both by the exquisite food and by the graciousness with which she presents it. “I most sincerely apologize I cannot be here tomorrow to see you; I must go to Tokyo.” She says this as if she were missing the most extraordinary of wonders: another day with Arthur Less. He sees, in the lines around her mouth, the shadow of the smile all widows wear in private. She bows and exits, returning with a sake sampler. He tries all three, and when asked which is his favorite, he says the Tonni, though he cannot tell the difference. He asks which is her favorite. She blinks and says: “The Tonni.” If only he could learn to lie so compassionately.
Andrew Sean Greer (Less (Arthur Less, #1))
What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.
Margaret Atwood (Spotty-Handed Villainesses)
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Our jobs, our relationships, our lives can all be taken for granted until they bore us-although if they are threatened, appreciation returns quickly enough. Sexual conquest is also subject to this rule. But the personal relationship we have with someone we love has strong subconscious and underpinning-like a mother’s feeling for her baby. This is why ‘What many women cannot give, one woman can’. Having said which, it is necessary to return to the basic fact that, for the male, there is always an element of ‘conquest’ in sexual fulfillment. There is probably an element of conquest in a woman’s attitude to the male, but it is of a different kind. If she feels, of the man who is making love to her, ‘He’s mine’, it is because she feels that he now belongs to her. Before that, he was fair game to all the females in the world; now she has him pinned down. He has become her property-hopefully. This attitude-although it certainly can exist in a man- is certainly less typical of the male. He feels that the world is full of beddable girls who are inaccessible to him for various reasons, but at least he’s got this one undressed…
Alan Bold (The Sexual Dimension in Literature (Critical Studies Series))
Why, for example, do people gorge on high-calorie food that is doing little good to their bodies? Today’s affluent societies are in the throes of a plague of obesity, which is rapidly spreading to developing countries. It’s a puzzle why we binge on the sweetest and greasiest food we can find, until we consider the eating habits of our forager forebears. In the savannahs and forests they inhabited, high-calorie sweets were extremely rare and food in general was in short supply. A typical forager 30,000 years ago had access to only one type of sweet food – ripe fruit. If a Stone Age woman came across a tree groaning with figs, the most sensible thing to do was to eat as many of them as she could on the spot, before the local baboon band picked the tree bare. The instinct to gorge on high-calorie food was hard-wired into our genes. Today we may be living in high-rise apartments with over-stuffed refrigerators, but our DNA still thinks we are in the savannah. That’s what makes some of us spoon down an entire tub of Ben & Jerry’s when we find one in the freezer and wash it down with a jumbo Coke. This ‘gorging gene’ theory is widely accepted. Other theories are far more contentious. For
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Anger is stereotypically normal for men because they are supposed to be aggressors. Women are supposed to be victims, and good victims shouldn’t become angry; they’re supposed to be afraid. Women are punished for expressing anger—they lose respect, pay, and perhaps even their jobs. Whenever I see a savvy male politician play the “angry bitch card” against a female opponent, I take it as an ironic sign that she must be really competent and powerful. (I have yet to meet a successful woman who hasn’t paid her dues as a “bitch” before she was accepted as a leader.)20 In courtrooms, angry women like Ms. Norman lose their liberty. In fact, in domestic violence cases, men who kill get shorter and lighter sentences, and are charged with less serious crimes, than are women who kill their intimate partners. A murderous husband is just acting like a stereotypical husband, but wives who kill are not acting like typical wives, and therefore they are rarely exonerated.21 Emotion stereotyping is even worse when the female victim of domestic violence is African American. The archetypal victim in American culture is fearful, passive, and helpless, but in African American communities, women sometimes violate this stereotype by defending themselves vigorously against their alleged batterers.
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.
David Baldacci (Memory Man (Amos Decker, #1))
I worked and worked, and before I knew it, my collage was finished. Still damp from Elmer’s glue, the masterpiece included images of horses--courtesy, coincidentally, of Marlboro cigarette ads--and footballs. There were pictures of Ford pickups and green grass--anything I could find in my old magazines that even remotely hinted at country life. There was a rattlesnake: Marlboro Man hated snakes. And a photo of a dark, starry night: Marlboro Man was afraid of the dark as a child. There were Dr Pepper cans, a chocolate cake, and John Wayne, whose likeness did me a great favor by appearing in some ad in Golf Digest in the early 1980s. My collage would have to do, even though it was missing any images depicting the less tangible things--the real things--I knew about Marlboro Man. That he missed his brother Todd every day of his life. That he was shy in social settings. That he knew off-the-beaten-path Bible stories--not the typical Samson-and-Delilah and David-and-Goliath tales, but obscure, lesser-known stories that I, in a lifetime of skimming, would never have hoped to read. That he hid in an empty trash barrel during a game of hide-and-seek at the Fairgrounds when he was seven…and that he’d gotten stuck and had to be extricated by firefighters. That he hated long pasta noodles because they were too difficult to eat. That he was sweet. Caring. Serious. Strong. The collage was incomplete--sorely lacking vital information.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She had a lovely singing voice. Most well-bred young ladies could play, but few could sing, and Miss Cross could. Eliza, he reminded himself. Perhaps his future wife, the mother of his children, the woman would share his bed and his house. She loved her dog, she sang beautifully, and she liked the theater. Other than that, he knew nothing about her.Could he do this? She wasn't a typical beauty. Her face was round and her hair was an ordinary shade of light brown. A string of pearls circled her neck, and Hugh was sure her pale green silk gown had cost as much as Edith's court gown, but it suited her. Some women had no sense of style and bought the latest fashion whether it made them ugly or exquisite. With two sisters and a mother in his house, Hugh knew enough of ladies' clothing to see that this lady chose well. When she reached to turn the page, he got up and went to stand beside her to turn the next one. Her voice wobbled a bit as he did so, but she played on. Her skin was lovely. He spied a few freckles on her nose, but her shoulders and bosom were as pale as cream. Her bosom... Hugh reached for the next page and stole a quick glance downward. Plump and tempting, now that he looked at it. Her hands were graceful on the keys, and his mind wandered involuntarily into thoughts of what they would feel like on him. What it would be like to kiss her. What she would be like in bed. Would she be shy? Frightened? He found himself hoping not, even though he hadn't even decided to court her yet.
Caroline Linden (An Earl Like You (The Wagers of Sin, #2))
Marvel comes quickly, cloaked in the mundane. It's the woman waking to the smell of smoke as fire spreads, miles away, through her brother's house. It's the sharp flash of recognition as a young man glimpses, in the ordinary hubbub, the stranger with whom he will share his life. It's a mother's dream of her baby, blue in the cold store, six months before he comes, stillborn, into the world. Even the Church Fathers admitted the category of marvelous- or mirabilis, as they knew it. For them it was an irksome classification. A grey area. Compare the marvel with it's less troublesome metaphysical kin. In the thirteenth century, the miracle reflected the steady-handed authorship of the divine- truth made manifest. Similarly magic, or magicus, demonstrated with tell-tale showmanship the desperate guile of the devil. The marvel, however, was of poor performance and tended, therefore, towards ambiguity. It took shape in the merely mortal sphere. It seemed to lack the requisite supernatural chutzpah. Here, the clergy were typically surplus to requirements. Yet, if less outwardly compelling, the marvel was also less easily contained than either the miraculous or the magical. It remained more elusive. More stubborn. And if finally reducible in time, with the erosions of memory, to rationalization, anecdote, drinking tale or woman's lore, the marvel also rarely failed to leave behind a certain residual uncertainty. A discomfiting sense of possibility. Or, on bolder occasions, an appetite for wonder.
Alison MacLeod (Wave Theory of Angels)
Information or allegations reflecting negatively on individuals or groups seen less sympathetically by the intelligentsia pass rapidly into the public domain with little scrutiny and much publicity. Two of the biggest proven hoaxes of our time have involved allegations of white men gang-raping a black woman-- first the Tawana Brawley hoax of 1987 and later the false rape charges against three Duke University students in 2006. In both cases, editorial indignation rang out across the land, without a speck of evidence to substantiate either of these charges. Moreover, the denunciations were not limited to the particular men accused, but were often extended to society at large, of whom these men were deemed to be symptoms or 'the tip of the iceberg.' In both cases, the charges fit a pre-existing vision, and that apparently made mundane facts unnecessary. Another widely publicized hoax-- one to which the President of the United States added his sub-hoax-- was a 1996 story appearing in USA Today under the headline, 'Arson at Black Churches Echoes Bigotry of the Past.' There was, according to USA Today, 'an epidemic of church burning,' targeting black churches. Like the gang-rape hoaxes, this story spread rapidly through the media. The Chicago Tribune referred to 'an epidemic of criminal and cowardly arson' leaving black churches in ruins. As with the gang-rape hoaxes, comments on the church fire stories went beyond those who were supposed to have set these fires to blame forces at work in society at large. Jesse Jackson was quoted was quoted in the New York Times as calling these arsons part of a 'cultural conspiracy' against blacks, which 'reflected the heightened racial tensions in the south that have been exacerbated by the assault on affirmative action and the populist oratory of Republican politicians like Pat Buchanan.' Time magazine writer Jack White likewise blamed 'the coded phrases' of Republican leaders for 'encouraging the arsonists.' Columnist Barbara Reynolds of USA Today said that the fires were 'an attempt to murder the spirit of black America.' New York Times columnist Bob Herbert said, "The fuel for these fires can be traced to a carefully crafted environment of bigotry and hatred that was developed over the last century.' As with the gang-rape hoaxes, the charges publicized were taken as reflecting on the whole society, not just those supposedly involved in what was widely presumed to be arson, rather than fires that break out for a variety of other reasons. Washington Post columnist Dorothy Gilliam said that society in effect was 'giving these arsonists permission to commit these horrible crimes.' The climax of these comments came when President Bill Clinton, in his weekly radio address, said that these church burnings recalled similar burnings of black churches in Arkansas when he was a boy. There were more that 2,000 media stories done on the subject after the President's address. This story began to unravel when factual research showed that (1) no black churches were burned in Arkansas when Bill Clinton was growing up, (2) there had been no increase in fires at black churches, but an actual decrease over the previous 15 years, (3) the incidence of fires at white churches was similar to the incidence of fires at black churches, and (4) where there was arson, one-third of the suspects were black. However, retractions of the original story-- where there were retractions at all-- typically were given far less prominence than the original banner headlines and heated editorial comments.
Thomas Sowell (Intellectuals and Society)
I remember the case of a man who was inextricably involved in a number of shady affairs. He developed an almost morbid passion for dangerous mountain climbing, as a sort of compensation. he was seeking "to get above himself." In a dream one night, he saw himself stepping off the summit of a high mountain into empty space. When he told me his dream, I instantly saw his danger and tried to emphasize the warning and persuade him to restrain himself. I even told him that the dream foreshadowed his death in a mountain accident. It was in vain. Six months later he "stepped off into space." A mountain guide watched him and a friend letting themselves down a rope in a difficult place. The friend had found a temporary foothold on a ledge, and the dreamer was following him down. Suddenly he let go of the rope, according to the guide, "as if he were jumping into the air." He fell upon his friend, and both went down and were killed. Another typical case was that of a lady who was living above herself. She was high and mighty in her daily life, but she had shocking dreams, reminding her of all sorts of unsavory things. When I uncovered them, she indignantly refused to acknowledge them. The dreams then became menacing, and full of references to the walks she used to take by herself in the woods, where she indulged in soulful fantasies. I saw her danger, but she would not listen to my many warnings. Soon afterwards, she was savagely attacked in the woods by a sexual pervert; but for the intervention of some people who heard her screams, she would have been killed. There was no magic in this. What her dreams had told me was that this woman had a secret longing for such an adventure-just as the mountain climber unconsciously sought the satisfaction of finding a definite way out of this difficulties. Obviously, neither of them expected the stiff price involved: She had several bones broken, and he paid with his life.
C.G. Jung (Man and His Symbols)
Although I have suggested that American culture tends to favor the side of independence over the side of inclusion (and I would extend that to Western culture in general), it is not a generalization that seems to apply uniformly to men and women in our culture. Indeed, although I have no idea why it may be, it seems to me that men tend to have more difficulty acknowledging their need for inclusion, tend to me more oriented toward differentiation, and that women tend to have more difficulty acknowledging their need for distinctness, tend to be more oriented toward inclusion. Whether this is a function of social experience throughout the lifespan, the effects of parenting anatomical (even genital) density, or some combination, I do not know. Whatever the source of this distinction between men and women, I believe it is also the case that this very distinction is to be found within any one person as well. Whatever the source of this distinction between men and women, I believe it is also the case that this very distinction is to be found within any one person as well. In this respect constructive-developmental theory revives the Jungian notion that there is a man in every woman and a woman in every man; saying so is both a consequence of considering that all of life is animated by a fundamental evolutionary ambivalence, and that 'maleness'/'femaleness' is but one of its expressions. Similarly, I believe that while Western and Eastern cultures reflect one side or the other of this ambivalence, they project the other. Western cultures tend to value independence, self-assertion, aggrandizement, personal achievement, increasing independence from the family of origin; Eastern cultures (including the American Indian) value the other pole. Cheyenne Indians asked to talk about themselves typically begin, 'My grandfather...' (Strauss, 1981); many Eastern cultures use the word 'I' to refer to a collectivity of people of which one is a part (Marriott, 1981); the Hopi do not say, 'It's a nice day,' as if one could separate oneself from the day, but say something that would have to be translated more like, 'I am in a nice day,' or 'It's nice in front, and behind, and above" (Whorf, 1956). At the same time one cannot escape the enormous hunger for community, mystical merging, or intergenerational connection that continually reappears in American culture through communalism, quasi-Eastern religions, cult phenomena, drug experience, the search for one's 'roots,' the idealization of the child, or the romantic appeal of extended families. Similarly, it seems too glib to dismiss as 'mere Westernization' the repeated expression in Eastern cultures of individualism, intergenerational autonomy, or entrepreneurialism as if these were completely imposed from without and not in any way the expression of some side of Eastern culture itself.
Robert Kegan (The Evolving Self: Problem and Process in Human Development)
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A few years ago, a couple of young men from my church came to our home for dinner. During the course of the dinner, the conversation turned from religion to various world mythologies and we began to play the game of ‘Name That Character.” To play this game, you pick a category such as famous actors, superheroes or historical characters. In turn, each person describes events in a famous character’s life while everyone else tries to guess who the character is. Strategically you try to describe the deeds of a character in such a way that it might fit any number of characters in that category. After three guesses, if no one knows who your character is, then you win. Choosing the category of Bible Characters, we played a couple of fairly easy rounds with the typical figures, then it was my turn. Now, knowing these well meaning young men had very little religious experience or understanding outside of their own religion, I posed a trick question. I said, “Now my character may seem obvious, but please wait until the end of my description to answer.” I took a long breath for dramatic effect, and began, “My character was the son of the King of Heaven and a mortal woman.” Immediately both young men smiled knowingly, but I raised a finger asking them to wait to give their responses. I continued, “While he was just a baby, a jealous rival attempted to kill him and he was forced into hiding for several years. As he grew older, he developed amazing powers. Among these were the ability to turn water into wine and to control the mental health of other people. He became a great leader and inspired an entire religious movement. Eventually he ascended into heaven and sat with his father as a ruler in heaven.” Certain they knew who I was describing, my two guests were eager to give the winning answer. However, I held them off and continued, “Now I know adding these last parts will seem like overkill, but I simply cannot describe this character without mentioning them. This person’s birthday is celebrated on December 25th and he is worshipped in a spring festival. He defied death, journeyed to the underworld to raise his loved ones from the dead and was resurrected. He was granted immortality by his Father, the king of the gods, and was worshipped as a savior god by entire cultures.” The two young men were practically climbing out of their seats, their faces beaming with the kind of smile only supreme confidence can produce. Deciding to end the charade I said, “I think we all know the answer, but to make it fair, on the count of three just yell out the answer. One. Two. Three.” “Jesus Christ” they both exclaimed in unison – was that your answer as well? Both young men sat back completely satisfied with their answer, confident it was the right one…, but I remained silent. Five seconds ticked away without a response, then ten. The confidence of my two young friends clearly began to drain away. It was about this time that my wife began to shake her head and smile to herself. Finally, one of them asked, “It is Jesus Christ, right? It has to be!” Shaking my head, I said, “Actually, I was describing the Greek god Dionysus.
Jedediah McClure (Myths of Christianity: A Five Thousand Year Journey to Find the Son of God)
You are a totally pathetic, historical example of the phallocentric, to put it mildly." "A pathetic, historical example," Oshima repeats, obviously impressed. By his tone of voice he seems to like the sound of that phrase. "In other words you're a typical sexist, patriarchic male," the tall one pipes in, unable to conceal her irritation. "A patriarchic male," Oshima again repeats. The short one ignores this and goes on. "You're employing the status quo and the cheap phallocentric logic that supports it to reduce the entire female gender to second-class citizens, to limit and deprive women of the rights they're due. You're doing this unconsciously rather than deliberately, but that makes you even guiltier. You protect vested male interests and become inured to the pain of others, and don't even try to see what evil your blindness causes women and society. I realize that problems with restrooms and card catalogs are mere details, but if we don't begin with the small things we'll never be able to throw off the cloak of blindness that covers our society. Those are the principles by which we act." "That's the way every sensible woman feels," the tall one adds, her face expressionless. [...] A frozen silence follows. "At any rate, what you've been saying is fundamentally wrong," Oshima says, calmly yet emphatically. "I am most definitely not a pathetic, historical example of a patriarchic male." "Then explain, simply, what's wrong with what we've said," the shorter woman says defiantly. "Without sidestepping the issue or trying to show off how erudite you are," the tall one adds. "All right. I'll do just that—explain it simply and honestly, minus any sidestepping or displays of brilliance," Oshima says. "We're waiting," the tall one says, and the short one gives a compact nod to show she agrees. "First of all, I'm not a male," Oshima announces. A dumbfounded silence follows on the part of everybody. I gulp and shoot Oshima a glance. "I'm a woman," he says. "I'd appreciate it if you wouldn't joke around," the short woman says, after a pause for breath. Not much confidence, though. It's more like she felt somebody had to say something. Oshima pulls his wallet out of his chinos, takes out the driver's license, and passes it to the woman. She reads what's written there, frowns, and hands it to her tall companion, who reads it and, after a moment's hesitation, gives it back to Oshima, a sour look on her face. "Did you want to see it too?" Oshima asks me. When I shake my head, he slips the license back in his wallet and puts the wallet in his pants pocket. He then places both hands on the counter and says, "As you can see, biologically and legally I am undeniably female. Which is why what you've been saying about me is fundamentally wrong. It's simply impossible for me to be, as you put it, a typical sexist, patriarchic male." "Yes, but—" the tall woman says but then stops. The short one, lips tight, is playing with her collar. "My body is physically female, but my mind's completely male," Oshima goes on. "Emotionally I live as a man. So I suppose your notion of being a historical example may be correct. And maybe I am sexist—who knows. But I'm not a lesbian, even though I dress this way. My sexual preference is for men. In other words, I'm a female but I'm gay. I do anal sex, and have never used my vagina for sex. My clitoris is sensitive but my breasts aren't. I don't have a period. So, what am I discriminating against? Could somebody tell me?
Haruki Murakami (Kafka on the Shore)