The Girls Of Slender Means Quotes

it never really occurred to her that literary men, if they like women at all, do not want literary women but girls.

- 'Poise is perfect balance, an equanimity of body and mind, complete composure whatever the social scene. Elegant dress, immaculate grooming, and perfect deportment all contribute to the attainment of self-confidence.' -

You don't know what it's like trying to eat enough to live on and at the same time avoid fats and carbohydrates.

Beauty is a hard thing. Beauty is a mean story. Beauty is slender girls who die young, fine-featured delicate creatures about whom men write poems. Beauty, my first girlfriend said to me, is that inner quality often associated with great amounts of leisure time. And I loved her for that.

after thirty years' hostile fellowship with Collie, of course she did quite well understand that collie had a habit of skipping several stages in the logical sequence of her thoughts and would utter apparently disconnected statements, especially when confused by unfamiliar subject or the presence of a man

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

The Dieter's Daughter Mom's got this taco guy's poem taped to the fridge, some ode to celery, which she is always eating. The celery, I mean, not the poem which talks about green angels and fragile corsets. I don't get it, but Mom says by the time she reads it she forgets she's hungry. One stalk for breakfast, along with half a grapefruit, or a glass of aloe vera juice, you know that stuff that comes from cactus, and one stalk for lunch with some protein drink that tastes like dried placenta, did you know that they put cow placenta in make-up, face cream, stuff like that? Yuck. Well, Mom says it's never too early to wish you looked different, which means I got to eat that crap too. Mom says: your body is a temple, not the place all good twinkies go to. Mom says: that boys remember girls that're slender. Mom says that underneath all this fat there's a whole new me, one I'd really like if only I gave myself the chance. Mom says: you are what you eat, which is why she eats celery, because she wants to be thin, not green or stringy, of course-- am I talking too fast?-- but thin as paper like the hearts we cut out and send to ourselves, don't tell anyone, like the hearts of gold melons we eat down to the bitter rind.

I answered in the affirmative; and he continued—‘Then you must be aware that if my son Edward were, which God forbid, the unprincipled, reckless man, you pretend to think him’—(here he spoke very slowly, as if he intended that every word which escaped him, should be registered in my memory, while at the same time the expression of his countenance underwent a gradual but horrible change, and the eyes which he fixed upon me became so darkly vivid, that I almost lost sight of every thing else)—‘if he were what you have described him, think you, girl, he could find no briefer means than wedding contracts to gain his ends—’twas but to gripe your slender neck until the breath had stopped, and lands, and lakes, and all were his.

We’ve got art class coming up, Violet.” “Really?” I glance up at the sun, still high in the sky; art class doesn’t start till five-thirty, and it can’t even be near five yet. “I’m going in to change,” Kendra says, pulling her sarong around her, tying it at her slender waist. Slipping her feet into her flip-flops, she pads back to the house, watched by the three of us girls; none of us say a word until she’s well out of earshot. Then Paige turns back to me and Kelly and says: “Riiiiight. Because it takes nearly an hour to get ready for art class.” “It does if you have a crush the size of Big Ben on the art teacher,” Kelly zings back. “She isn’t even any good at art!” Paige giggles. “I mean, not like Violet!” “Violet’s brilliant,” Kelly says, very pleased to have found an opportunity to both praise me, her friend and ally, and get in a dig at Kendra, her rival for Brainiest Girl in Villa Barbiano. “Her paintings are gorgeous.” “Oh yeah?” Evan says to me. He’s very good at tuning out girl talk and focusing only on the important information--a skill doubtless acquired from a lifetime of living with Paige. “What do you paint?” “Still lifes, at the moment,” I say, feeling self-conscious. “But I’d really like to do portraits. We need a life model, though, and Kelly won’t do it and Paige can’t stay still for long enough.” “I fidget,” Paige says cheerfully.

While most of the town were settling down to their dinners that evening, Hannah, a raven-haired servant girl, hurried across the marketplace and up the path to the ordinary, where she knocked on the door. Candlelight gleamed through the cracks in the closed shutter after a second knock; the door opened and she slipped inside. Tears started down her cheeks as soon as she tried to speak. “What is it?” said the widow Jennison, keeper of the establish¬ment. “What on earth is wrong?” “Tobias is in trouble.” Hannah sat at one of the trestle tables. Sniffing back her tears, she told the story of her lover’s misadventure. They’d been planning for several months to break away from their servitude and look for a better situation in the West Indies. He’d taken to theft to raise money for the trip, but his master, the tallow chandler Aaron Tuck, discovered his transgressions, and Tobias went into hiding. “There’s men a-lookin’ for him now,” Hannah said as tears came to her eyes again. “We can’t stay here another week. People are sayin’ dreadful things about us that just ain’t true.” “Where is Tobias now?” Nancy asked. “On the neck somewheres. I’m supposed to meet him at midnight.” The widow touched her friend’s hand. She herself had been in trouble years before, so she understood the errors to which the girl’s turbulent feelings were likely to bring her. “Yes, life must seem a prison to you. I can see why you want to leave.” “We’ve gut to leave!” Hannah said. “Just tonight they arrested Marthy Hubbard. Mr. Ridley may want to use us for an example, too.” Nancy went to the cupboard for a pitcher of cider. “I don’t like what’s happened to Martha either. I’ll help you, but you’ll have to promise to be patient and not make things worse.” “What do you mean?” Hannah looked around the dusky room with a frightened glance. Experience had taught her that her elders often resorted to compromise when they meant to help. “I’m going to talk with Governor Willoughby. Now don’t fret, child. He’ll be more sympathetic than you think. Besides, you don’t have any choice but to wait unless you want to live in the woods. There won’t be a ship headed south till next month.” Hannah frowned and took a quick swallow of cider. The two friends talked for a while longer by the light of an iron betty lamp, then Hannah went outside to look for Tobias. But all her hopes went for naught. The constable’s men found him just before midnight on the slender strip of marsh and pasture that connected the Botolph peninsula to the mainland. Now happy that they would get to bed at a decent hour, the men in the search party brought Tobias to the guard-house on the edge of town, where he sat till dawn on a slat bench, dozing or clutching his head in his hands.

Charlotte tugs on my jersey. “Do you mind if I take some pics tonight?” she yells over the stereo system, which is blasting our classic rock warmup playlist. “’Course not. Do your thing.” She gives me one of those lingering smiles that makes me wonder if my mom is right. If Charlotte has had feelings for me since high school. I watch her walk away. She’s wearing some cutoffs that make her ass look amazing and her slender legs long. “Just friends, huh?” Billy elbows me hard. “Best rethink that.” “Why are you always pestering me?” He holds a hand over his heart. “You wound me, bro. I’m trying to be a good person. Which means I’m not making a move on your girl like I want to.” I don’t even bother arguing that she’s not my girl. Because Charlotte feels like she’s mine. Fuck it. I’m done debating this. I’m going after what I really want.

There is a wilderness in little girls. We could not contain it. It made magic of the rain and a temple of the forest. We raced down narrow trails, hair flying wind-wild behind us, and pretended that the slender spruce and hemlock were still the ancient woods that industry had chewed down to splinters. We made ourselves into warriors, into queens, into goddesses. Fern leaves and dandelions became poultices and potions, and we sang incantations to the trees. We gave ourselves new names: Artemis, Athena, Hecate. Conversations were in code, our letters filled with elaborate ciphers, and we taught ourselves the meanings of stones.

It was not the first instance of a man taking a girl to bed with the aim of converting her soul, but he, in great exasperation, felt that it was, and poignantly, in bed, willed and willed the awakening of her social conscience.

—Oye, Jane, deberías cobrarles la cantidad de tiempo libre que le dedicas a ese trabajo. —El mundo de los libros es ante todo altruista —decía Jane. Siempre se refería al negocio de la edición como "el mundo de los libros". Solía andar mal de dinero, así que por querer ahorrar unos chelines para el contador de gas de la calefacción, no podía, según ella, ponerse a dieta en invierno, justo cuando había que mantener la habitación caliente además de alimentar el cerebro.

El gigantesco murmullo orgánico de la multitud, en nada semejante a la voz de un ser animado, sino más bien como una catarata o una alteración geológica, se propagaba por los parques y el Mall. Solo los hombres de las ambulancias Saint John, firmes ante sus camiones, conservaban su identidad. Los miembros de la familia real alzaron el brazo una vez más, hicieron un amago de marcharse, remolonearon y volvieron a saludar, desapareciendo definitivamente. Brazos desconocidos rodeaban cuerpos desconocidos. Muchos amoríos, algunos duraderos, surgieron esa noche; y numerosos bebés de la variedad experimental, deliciosos en su tono de piel y estructura racial, vinieron al mundo al cumplirse su correspondiente ciclo de nueve meses.

Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek. “Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other. Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that. In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him. “Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.” He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other. “Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up. But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym. And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect: “Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.” “Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!” Evan’s grin deepens as he looks down at me; he winks. “It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.