Twisted Series Quotes

I am alone this evening, and I am alone because of a cruel twist of fate, a phrase which here means that nothing has happened the way I thought it would. Once I was a content man, with a comfortable home, a successful career, a person I loved very much, and an extremely reliable typewriter, but all of those things have been taken away from me, and now the only trace I have of those happy days is the tattoo on my left ankle. As I sit in this very tiny room, printing these words with a very large pencil, I feel as if my whole life has been nothing but a dismal play, presented just for someone else’s amusement, and that the playwright who invented my cruel twist of fate is somewhere far above me, laughing and laughing at his creation.

I have come to understand that life is composed of a series of coincidences. How we react to these - how we exercise what some refer to as free will - is everything; the choices we make within the boundaries of the twists of fate determine who we are.

He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.

When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.

...life is composed of a series of coincidences. How we react to these - how we exercise what some refer to as free will - is everything; the choices we make within the boundaries of the twists of fate determine who we are.

Among Violet's many useful skills was a vast knowledge of different types of knots. The particular knot she was using was called the Devil's Tongue. A group of female Finnish pirates invented it back in the fifteenth century, and named it the Devil's Tongue because it twisted this way and that, in the most complicated and eerie way.

But I have realized recently that words are just words, a series of letters, arranged in a certain order, most likely in the language we were assigned at birth. People are careless with their words nowadays. They throw them away in a text or a tweet, they write them, pretend to read them, twist them, misquote them, lie with, without, and about them. They steal them, then they give them away. Worst of all, they forget them. Words are only a value if we remember how to feel what they mean.

People don't know that they do that to people when they do the things they shouldn't. Hurtful things are roots,they spread ,branch out, creep under the surface touching other parts of the lives of those they hurt. It's never one mistake, it's never one moment, it becomes a series of moments, each moment growing roots and spurting in different directions. And over time, they become muddled like an old twisted tree, strangling itself and tying itself up in knots.

If you let lesser people determine your self-worth, you'll never reach higher than limited imagination. He leaned forward, expression intense. You don't have to work overtime to get people to love you, Ava. Love isn't earned, it's given.

It is often said that if you have a room with a view, you will feel peaceful and relaxed, but if the room is a caravan hurtling down a steep and twisted road, and the view is an eerie mountain range racing backward away from you, while chilly mountain winds sting your face and toss dust into your eyes, then you will not feel one bit of peace and relaxation.

Life is full of ups and downs, twists and turns, love and loss. And life would not be worth experiencing if it weren't just that. You can't have the good without the bad, you need to somehow learn to accept the bad and adjust it in a way that you can endure and overcome. -Alexis Summers in Fulfillment (Book 3 in The Temptation series)

Rivers course through my dreams, rivers cold and fast, rivers well-known and rivers nameless, rivers that seem like ribbons of blue water twisting through wide valleys, narrow rivers folded in layers of darkening shadow, rivers that have eroded down deep in a mountain's belly, sculpted the land, peeled back the planet's history exposing he texture of time itself.

He'd told her she was his. That he was jealous and he wasn't sharing her. Where the hell had that come from? He didn't know, but as she leaned forward and pressed her mouth to his abdomen, he knew he'd spoken the truth. He was jealous. Completely and utterly, and it twisted him up inside to realize it.

Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.

But to deny fate is arrogance, to declare that we are the sole shapers of our existence is madness;if you deny fate life becomes the series of missed opportunities, a regret for what never was and could have been, a remorse of what was not done and could have been done, and the present is wasted, twisted into another missed oppurtunity.

I had started to wonder if maybe my life wouldn't always hold so much pain if I could just find the courage to let it go.

I’ll still love you. You will always be my first, last, and only love.

She did something to his insides, twisted and melted them until he sometimes felt he couldn't think straight.

The woman turns away; one wing blackens like an onyx gem while the other glows white like a bright spotlight. She flies into the sky, leaving the crowd staring in astonishment. Angels fly away in two directions. Half make a black storm of moving, twisting shapes. The other half forms a white-as-snow moving cloud. The ranks are divided.

While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.

Are you in need of assistance?" The man's fierce, disturbing appearance should have caused her to run in the opposite direction as fast as possible, but she felt an unexplainable urge to help him. "My name is Gillian Adair. My father is a doctor. You look as though you might need his help." The man watched her; an expression of total confusion twisted his face. “Are ye my angel, then? Have ye come to take me from this hell?

Our Master can see it all. If you drive down a long curvy road, you don’t see the twists and turns until you are on top of them. But when you see things from a much higher perspective, you can see the whole road and the twists and the turns and the beginning and the end. In Heaven we can see where you are in relation to where you’re going and we can make things happen along the way at the intersections of life. We can create the right time and the right place and we can already see how it all ends. We can see the whole story of your life while you are living it in little bits and pieces.

Men tell women they have high standards when they can’t meet them. Your standards are exactly as they should be. He’s just not good enough for you.

do me any good going to

Seth twisted up his mouth and somewhat sarcastically waved his hand toward the couch and said, “Won’t you please sit down, Madam Queen?” “Thank you,” Tate said primly.

It may be an olive branch that was still attached to a tree. A twisted tree which rotted from the inside out.

Life was a game, and you never knew when the tides reversed, when the coin of fate changed its course, declared its contrary and life-altering outlooks.

When everything was lost, they came for me. I found my family, I found a new home. Pladeris – the city of wind.

So we, in thoughtless play, twist the first gleaming and silky threads of the fatal cord which will cling about our necks, fastened beyond hope of release, as long as our lives shall last!

But Wilson was ahead of the curve. Long before the first octopus-enrichment handbook was published, many octopuses ago, he set out to create a safe toy worthy of an octopus’s intellect. Working at his lab at Arthur D. Little Corp., Wilson devised a series of three clear Plexiglas cubes with different locks. The smallest of the three has a sliding latch that twists to lock down, like the bolt on a horse’s stall. You can put a live crab—a favorite food—inside and leave the lid unlocked. The octopus will lift the lid. When you lock the lid, invariably the octopus will figure out how to open it. Then it’s time to deploy the second cube. This one has a latch that slides counterclockwise to catch on a bracket. You put the crab in the first box and then lock it inside the second box. The octopus will figure it out. And finally, there’s a third cube. This one has two different latches: a bolt that slides into position to lock down, and a second one with a lever arm, sealing the lid much like an old-fashioned canning jar closes. Bill told me that once the octopus “gets it,” the animal can open all four locks in three or four minutes.

I wish you had been my father,” she said. If Hunyadi were her father, everything would be easier. She would jump at the chance to crusade with him, to fight at his side. If Hunyadi were her father, she would never have known Mehmed, never had her loyalties twisted and tugged into strange new shapes. And her heart would not have to constantly shield itself from the part that missed Mehmed so desperately. Hunyadi would have protected Radu, too. And Radu would have appreciated him in a way Matthias was incapable of. Hunyadi patted her arm with his heavy hand. “Do not wish away what you are. If you were my daughter, I would have extinguished your fire long ago. I would have given you the best tutors and the finest clothes and made you into a pretty doll to be traded away in marriage. I did the same with my son; I made him into someone I do not know, and it fills me with both pride and sadness. That is the best we can do for our children—turn them into strangers with better hopes than we ever had. Your father was a fool and a coward, but his choices shaped you into the fearsome creature you are. I do not want to imagine a world in which you are not you.

Once I was a content man, with a comfortable home, a successful career, a person I loved very much, and an extremely reliable typewriter, but all of those things have been taken away from me, and now the only trace I have of those happy days is the tattoo on my left ankle. As I sit in this very tiny room, printing these words with this very large pencil, I feel as if my whole life has been nothing but a dismal play, presented just for someone else’s amusement, and that the playwright who invented my cruel twist of fate is somewhere far above me, laughing and laughing at his creation.

SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.

That day, Cyrus had learned cowardice was a luxury. Only the priviledged few could afford to run away, to lock their doors and close their eyes to ugliness. The rest lived in homes without doors to lock, looked through eyes without lids to shut. They confronted the dark even as their hearts trembled, as their souls shook--for even strangled by fear, there was no choice but to endure. No one would be along to slay their demons.

If it makes you feel better to continue to deny it to yourself, so be it. I will not take an unwilling woman. But you cannot deny it from me, angel. I have seen you look my way many a time with passion in your eyes.

And like an epiphany just landed on my shoulder, everything feels right. A calming acceptance settles over me, and I know, that even through the twists and uncertainty of time, it's okay if my heart sometimes leads me.

This is apparently a little promotional ¶ where we’re supposed to explain “how and why we came to” the subject of our GD series book (the stuff in quotations is the editor’s words). The overall idea is to humanize the series and make the books and their subjects seem warmer and more accessible. So that people will be more apt to buy the books. I’m pretty sure this is how it works. The obvious objection to such promotional ¶s is that, if the books are any good at all, then the writers’ interest and investment in their subjects will be so resoundingly obvious in the texts themselves that these little pseudo-intimate Why I Cared Enough About Transfinite Math and Where It Came From to Spend a Year Writing a Book About It blurblets are unnecessary; whereas, if the books aren’t any good, it’s hard to see how my telling somebody that as a child I used to cook up what amounted to simplistic versions of Zeno’s Dichotomy and ruminate on them until I literally made myself sick, or that I once almost flunked a basic calc course and have seethed with dislike for conventional higher-math education ever since, or that the ontology and grammar of abstractions have always struck me as one of the most breathtaking problems in human consciousness—how any such stuff will help. The logic of this objection seems airtight to me. In fact, the only way the objection doesn’t apply is if these ¶s are really nothing more than disguised ad copy, in which case I don’t see why anyone reading them should even necessarily believe that the books’ authors actually wrote them—I mean, maybe somebody in the ad-copy department wrote them and all we did was sort of sign off on them. There’d be a kind of twisted integrity about that, though—at least no one would be pretending to pretend.

Some of the things in the Bible take more study to understand than others, and people who haven't studied their Bibles (the unlearned and the unstable) wrest the Bible. They literally twist the scriptures and the end will be their own eternal destruction.

He pressed his forearms flat against the wall, caging me with his body. Electric heat sparked in the space between us. He pulled back. His irises swirled with silver flecks, twisting into a metallic pool. His Wolf stared down at me. "I don't want anyone touching you, except me.

Sunken yellow lurched in a mindfield of black twisted cylinders, falling like poisoned honey across my vision. It cleared, and became a series of flashing images, jagged edges of memories, each more beautiful and terrible than the last, playing across the screen of blackened cement.

There is a cause for every effect, AA, but not all causes are responsible for all effects. To trace all causes and all effects is to end up in a twisted web with no end. No single person can make decisions independently; every choice is the result of changes and inputs from everyone else. Viewed from a higher vantage point, Cheng Xin was chosen by all of humanity to be the Swordholder, and her choice was humanity’s choice, her values humanity’s values. Viewed from specifics, Cheng Xin made her choice because you woke her; you woke her because of me; I was sent into space by Cheng Xin; Cheng Xin went into hibernation because of me … and the one who started it all was Wade, who wanted to kill Cheng Xin. It’s a tangled mess.

Okay, someone’s been smoking the wacky tobacky. And keep your hands to yourself!” She smacked at his roving fingers, fighting the shivers following his touch. "I agreed to let you accompany me because, well...maybe you're right. We should try and put the animosity between our families-stop that!" She gripped his fingers and tried to twist them, but he easily pulled out of her grip. Alessandro laughed. “Darling, I haven’t laughed in ages like I do when I’m with you. I propose a clean slate, eh?” He sighed and sat back against the seat. “Brianna. I’m not going to give up until you are mine. You could make this so much easier if you just accept the inevitable.” He lifted his hand to cup the side of her face. “We belong to each other, and you know it.

And what kind of sick and twisted impulse would cause a professional sportswriter to deliver a sermon from the Book of Revelations off his hotel balcony on the dawn of Super Sunday? I had not planned a sermon for that morning. I had not even planned to be in Houston, for that matter… . But now, looking back on that outburst, I see a certain inevitability about it. Probably it was a crazed and futile effort to somehow explain the extremely twisted nature of my relationship with God, Nixon and the National Football League: The three had long since become inseparable in my mind, a sort of unholy trinity that had caused me more trouble and personal anguish in the past few months than Ron Ziegler, Hubert Humphrey and Peter Sheridan all together had caused me in a year on the campaign trail.

There, conspicuous in the light of the conflagration, lay the dead body of a woman—the white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles—the work of a shell. The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries—something between the chattering of an ape and the gobbling of a turkey—a startling, soulless, unholy sound, the language of a devil. The child was a deaf mute. Then he stood motionless, with quivering lips, looking down upon the wreck.

Come on, Caulder, come on, baby!" By now she jumped up and down like the kids in the stands. Five, four, three... She grabbed her other camera. The buzzer rang and Caulder's body lingered against the side of the bull. He was hung up and he tried to get his hand free. The bull still bucked and twisted, jumped and dropped. Velia grabbed her video camera. If she missed a shot like this, she'd probably be fired by the man himself.

The CN paints a false reality and says things about you that aren’t true, but you question yourself, wondering if they are right because they sound so confident and act like they know more than you, and you feel like you can’t think straight. They twist your words and confuse you with strange thinking. This leaves you questioning and doubting yourself constantly. You feel weak, confused, and fearful about your future. You feel alone.

The soft cream lace of her floaty dress fell to just mid-thigh and long bell sleeves grazed the backs of her hands, creating the picture of elegance. Her long blonde hair was half twisted up, half falling in gently curled tendrils over her shoulders and down her back to add to the effect, while the matte black platform heels and smoky eyes toughened it up. It was just a shame the mascara streaks on her cheeks completely ruined it all.

The edge of something mostly buried in the sand caught the sun, and I bent to pick up a pearl nautilus. Simple and uncomplicatedly lovely, a pearl nautilus whispered its beauty. It wasn’t showy like a cameo or frog shell, with their twists and nubs and variations. It never competed for attention, but it held and reflected a prism of light that perfectly complimented its surroundings. Someone else may have overlooked a pearl nautilus, but I preferred it. - Nicole Abbot (Whisper of Light)

Leviticus was a series of rules for a nomadic desert-dwelling culture, where it was sensible not to eat bacteria-enhanced shellfish or terrine of unclean creeping things, where you needed to isolate people who might have leprosy, granted. But consider: if you wish to condemn yourself to hell for Leviticus 18:22, then you need to carry out all the rest of the laws—stoning blasphemers, buying foreign slaves, killing witches, making burnt offerings, and slaying those who twist thread of two types, which

You're probably thinking the same thing we were: where did Jane get the rope to tie the prisoners? We researched this very conundrum thoroughly, and after two weeks we can say, without a doubt : nobody knows. It's a question that has baffled historians and archaeologists alike. Professor Herbert Halprin explains: "Ropes have been a mystery to scholars throughout the ages. The first ropes were thought to appear as far back as 17,000 BC and made of vines. Unfortunately, being made of vines, none of those early examples survived. Later, da Vinci drew sketches for a rope-making machine, but it was never built. In medieval times, there were secret societies, called Rope Guilds, whose rope-twisting practices were protected via a complicated series of handshakes and passwords -" Okay. Your narrators are interrupting the dear professor, for reasons of boredom. Plus, his English accent sounded sketchy and forced. We asked him where Jane could've gotten the rope, but maybe he thought we asked him where anyone could've gotten any rope at any given point in history. Trust us, we are as frustrated as you must be about the lack of a definitive answer.

Don’t you routinely push yourself into absurd plot twists? Aren’t you often lured into someone else’s drama? It’s hard to resist getting hooked. You believe the premise of their story, whatever it is, and sign on to the madness. It happens. Kids use their amazing imaginations for fun. For them, it’s great to be in an imagined world and to believe in it completely. In the company of other excited kids, they can take a thrilling ride. But staying too long in a fantasy is exhausting, even for a child. After an afternoon of pretending, children are relieved to be called home for supper and to collapse into a warm bed. We adults, too, need to be called home to ourselves. Young or old, no one wants to be locked in a tower forever, however magical it might have seemed at first. I’m asking you to notice where you put your faith, and make changes when you need to. Common sense says to put your faith in you. Don’t lie to yourself for the sake of an idyllic notion. It’s not enough to admit to the fantasy, you need to wake yourself up. See where a bad story is taking you, and alter your course. Say no to the drama. Win the war over fear. Protect yourself from your own abuses, no one can do it for you.

The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane, like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. The minds of men are at last aroused; reason looks out and justifies her own and malice finds all her work in vain. It is the whipper who is whipped and the tyrant who is undone.

All this time you’ve spoken to it, looked into your soul, and spied that darkness lurking and twisting through the fabric of all that you are. You fed it nothing but your hatred, your anger and guilt, shame, regret, and yes, your loneliness. It grew fat on all the things you wanted to be rid of. You did not suspect? Did the Tallis never consider the darkness within was looking back? Learning? And growing strong, ever stronger. Stupid, foolish girl. The Tallis never knew! Ignoring it all, stuffing all the bad and ugly things down, down, down doesn’t get rid of them. What you choose to feed your divine spark is what it turns into!

I wanted to kiss you. I can't explain why. I have no excuses. At any rate, don't worry. It was clearly a mistake, and I promise it won't happen agai-" Again. He kissed her again. Or rather, he kissed her for the first time- and he was so much better at it than she. This kiss could not be mistaken for an accidental collision mouths. Oh, no. He kissed with purpose. His lips had ideas. His tongue had plans. She closed her eyes and melted against him, flattening her hands on his muscled arms. He brushed his lips to hers in a series of chaste, yet masterful kisses. He swept a hand up her spine and into her hair, where he twisted and gathered the tangled locks in his fist. Then he tugged sharply, tipping her face to his and sending electric sensation over her every nerve. When her mouth fell open in a gasp, he reclaimed her lips, sweeping his tongue between them. Her first instinct was to shy away, but Penny fought against it. She reached higher, lacing her arms about his neck and holding tight. His tongue stroked hers, slow and insistent. He tasted of soot and salt and... and of apples, strangely. Tart, smoky, just a hint of sweet. A lush, decadent pleasure unwound within her, snaking through her veins- as though it had lain coiled in anticipation for years. Waiting on this moment. Waiting on this man.

We are only as beautiful as we allow ourselves to be, our outsides and insides can sparkle just the same. We are allowed to destroy and empower, embrace and ignore. We can allow ourselves to twist a sour moment or word and make it sweet. We can allow ourselves to laugh at our mistakes because we are bound to make them...and learn from them. We are allowed to speak or be silent, feel passion or none. We are allowed to make choices from deep inside ourselves leaving others to question, leaving others to wonder. Life is but a series of allowances, events all wrapped into ones perspective. We are responsible for allowing what's coming to come and embrace it however we allow ourselves to.

Instead of continuing on the highway to the gravel road that led to his house, Marlboro Man took an alternate route. “I’ve got to turn some cattle out of the horse trap,” he said. I didn’t even know what that meant, but I was game. He drove through a series of twisted, confusing roads--roads I could never imagine understanding or negotiating myself--and stopped at a pasture full of black cattle. Swinging open a couple of gates, he made a few gestures with his arms--and in no time at all, the cattle had gone where they were supposed to go. This man had a way of getting creatures of all kinds--whether it be bovine animals or redheaded women in their midtwenties--to bend to his influence.

Terry Jones' Barbarians is about all those peoples whom the Romans wrote off as uncivilized, but it's also a chance to take a look at the Romans themselves from an alternative point of view – from the point of view of the people they trashed. And as such it fits into a thesis we've been banging on about in Terry Jones' Medieval Lives and in Terry's radio series The Anti-Renaissance Show. That thesis is that we've all been sold a false history of Rome that has twisted our entire understanding of our own history – glorifying (and glossing over) a long era of ruthless imperial power, celebrating it for the benefit of Renaissance tyrants and more modern empires, and wildly distorting our view of the so-called 'Middle Ages

Bree crossed her arms over her protruding belly. “I’m fine. No one has shot at me in the last twenty four hours, and my family is talking to me again. Things are looking up.” He grimaced at the mention of her family. “How fortunate for you.” Bree narrowed her eyes at him, picking up on the derogatory tone. “Well, you should know all about the importance of family. You’d do anything for yours, right? Bernardo says jump, you ask ‘how high?’ “ Alessandro felt a sick twist of guilt in his chest, “Well, congratulations, Brianna. You’ve worked very hard for the title of O’Reiley doormat. I hope it’s all you’ve ever wanted. I hope you’re happy.” “Blissfully,” Bree shot back and turned on her heel, leaving him there filled with anger and regret.

We got up, still talking, and began to dance again. “I want to try something,” he said. “Okay, what?” “Twist your arms behind your back.” “Hmm, okay … Like this?” “Yes. And now I’ll hold you like that.” I licked my lips and gave him the look, and I said, “Okay.” “If you want me to stop, tell me.” “Okay. I’ll bite you if I don’t like it. If I’m okay, you get a kiss.” He smiled and clasped my wrists tight, pinioning my arms behind my back. The pressure twisted my shoulders back, just a bit, and thrust my breasts forward. We moved, and I felt my breasts pressing through the silk T-shirt against his chest. I kissed him. “I like it,” I said. “I like it when you hold me, when you have me … in your power.” He kissed me. It was a rapid, sudden, ravishing kiss. He let go of my wrists, and I flung my arms around him. We twirled around. He lifted me up. We plunged back down onto the divan. I was astraddle him, on my knees, looking down on him, breathless. “Lift it off,” he said. “You lift it off,” I said. I bowed, and he pulled the silk T-shirt over my head, leaving it halfway off for just a minute, and masking my face. He kissed me on the forehead through the silk. His lips pressed on my lips, and I hungrily tried to kiss, but I was a prisoner of the silk, and then, slowly, he pulled the T-shirt off my head, and my lips were free, and our lips met, and we kissed, a deep, free warm, liquid kiss. I was melting into him. His hands went up and down my back, sweeping, exploring, pressing, and caressing. He kissed my breasts, slowly, licking and biting each nipple.

Depression, that is,” I continue. “People who’ve never experienced it think it’s a mask, but it’s not. It’s a curtain. And when it falls, it shuts you off from your life, plunging you into complete darkness. There you stand, arms flailing around you, reaching for anything to find your way back. But after exhausting yourself, grasping at only more darkness, you give up and drop to the floor in resignation. “And so you sit. You and the blackness. You and the accusations. You and the self-hatred, the lies that become truth, the failure and pain and hopelessness and black thoughts that twist through you, impaling you to the floor. There you bleed, alone in your black hole, convinced the audience on the other side of the curtain has given up and gone home. The show is over. “Before you know it, you realize the curtain has turned into a cement wall, and you couldn’t escape the darkness even if you wanted to, but by now you don’t care anymore. What’s the point? There’s nothing waiting for you on the other side, and even if there was, you’re such a useless waste of space that you wouldn’t dare to contaminate the world outside with your cancer anyway.” I stop, my eyes burning, my voice heavy in my throat. “You feel like crying all the time but you rarely do. Depression isn’t sadness; it’s numbness. You don’t have the energy for sadness. You can’t sleep. You don’t eat. You have no desire for the things you used to love, but it doesn’t matter because you can’t love anyway. You feel nothing, just a dull, heavy ache that makes it hard to breathe sometimes, let alone get up to start the search again. You fantasize about disappearing, just erasing your pointless existence and sparing the Earth from your toxic presence. By now you’re so exhausted just from the effort of living that there’s nothing left to live it.” I

Stillness pooled like blood and Devon sat, stunned and terrified to move in case her universe tilted again. The aunts were already cleaning up: wiping blood off her legs, changing the sheets around her as best they could. Someone carried the placenta away. “Your milk will be black, when it comes in,” Gailey said. “Don’t be alarmed by that. All perfectly normal.” Devon just nodded, too overwhelmed to speak. Perfectly normal? How could anything be normal ever again? Her life had been a series of twisted fairy tales in which she had imagined herself the princess, but this, here, living and breathing and snuffling in her arms, had more truth than all of her swallowed stories combined. She was her daughter’s whole world, a realization both humbling and empowering. Devon had never been anybody’s world before—had never been anything at all, in fact, except the sum of paper flesh she’d consumed without thought.

Beyond a fence, they came to the swimming pool, which spilled over into a series of waterfalls and smaller rocky pools. The area was planted with huge ferns. “Isn’t this extraordinary?” Ed Regis said. “Especially on a misty day, these plants really contribute to the prehistoric atmosphere. These are authentic Jurassic ferns, of course.” Ellie paused to look more closely at the ferns. Yes, it was just as he said: Serenna veriformans, a plant found abundantly in fossils more than two hundred million years old, now common only in the wetlands of Brazil and Colombia. But whoever had decided to place this particular fern at poolside obviously didn’t know that the spores of veriformans contained a deadly beta-carboline alkaloid. Even touching the attractive green fronds could make you sick, and if a child were to take a mouthful, he would almost certainly die—the toxin was fifty times more poisonous than oleander. People were so naïve about plants, Ellie thought. They just chose plants for appearance, as they would choose a picture for the wall. It never occurred to them that plants were actually living things, busily performing all the living functions of respiration, ingestion, excretion, reproduction—and defense. But Ellie knew that, in the earth’s history, plants had evolved as competitively as animals, and in some ways more fiercely. The poison in Serenna veriformans was a minor example of the elaborate chemical arsenal of weapons that plants had evolved. There were terpenes, which plants spread to poison the soil around them and inhibit competitors; alkaloids, which made them unpalatable to insects and predators (and children); and pheromones, used for communication. When a Douglas fir tree was attacked by beetles, it produced an anti-feedant chemical—and so did other Douglas firs in distant parts of the forest. It happened in response to a warning alleochemical secreted by the trees that were under attack. People who imagined that life on earth consisted of animals moving against a green background seriously misunderstood what they were seeing. That green background was busily alive. Plants grew, moved, twisted, and turned, fighting for the sun; and they interacted continuously with animals—discouraging some with bark and thorns; poisoning others; and feeding still others to advance their own reproduction, to spread their pollen and seeds. It was a complex, dynamic process which she never ceased to find fascinating. And which she knew most people simply didn’t understand. But if planting deadly ferns at poolside was any indication, then it was clear that the designers of Jurassic Park had not been as careful as they should have been.

Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.

What secrets?” Eena blurted out. Kira answered the question by defensively listing them out on her fingers. “How about the fact that Derian was coming for you in a few short days, or the fact that Gemdorin was forcing you to search for some magic gem we were all unaware existed. How about the knowledge of your unusual powers that you stupidly used to infect the Ghengats, which was also a secret you kept to yourself until it was discovered by Gemdorin, making it too late for us to do anything about preventing you from being beaten half to death! You hide things as if you think your abilities are so superior to what the rest of us can possibly contribute!” Eena shook her head adamantly. “That’s not what I think…” “It’s how you behave. It’s how you come across to everyone. Your selfish actions speak a helluva lot louder than your hollow words or your foolish intentions.” The young queen felt a rise of tears burn her eyes. “My intentions are not foolish. All I ever meant to do was protect those around me.” “By keeping us in the dark? That’s not protection, girl. That’s neglect.” Eena sniffled as fresh waterworks ran down her cheeks. Her face twisted up, confused. “People get hurt when they’re involved in my problems.” “In our problems.” “No! My problems!” she insisted. Kira threw up her arms. “There you go being all selfish again!” Eena sucked in a ragged breath, almost crying out the next question. “How do you figure that’s being selfish? I’m trying to keep everyone safe!” “And what did I just get through telling you about that idiotic notion?” Eena looked up at the ceiling. She raised her palms in frustration as she bawled. “I don’t know what else to do! What do you want from me?” Kira stepped forward and knelt in front of her tortured sister. Her hand rested gently on Eena’s knee as the Mishmorat’s gruff countenance melted. A softer, kinder voice answered the desperate question. “We want you to understand that the world doesn’t rest on your shoulders. You’re only responsible for a small portion of what happens daily on Moccobatra. Life isn’t dependent upon you alone, Sha Eena. It’s dependent upon all of us. We’re a team. We work together doing our own part. We need you to be part of our team, not a single entity existing on your own.

Should I be scared?” “I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.” “What if I don’t want to go on a second date?” “Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?” “Well, now I feel pressured to say yes just so I can hear the inquiry.” “You’re going to have to deal with the pressure, sweet cheeks.” “Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.” “Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?” “Bobbies obviously.” He blinks. Sits back. “What?” “Bobbies for life.” “But I’m on the Rebels.” “Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.” “We’re dating.” “Eh.” I wave my hand. “Fine. We’re living together.” “Hmm, I don’t know.” I twist a strand of hair in my finger. “Christ, we’re married.” “Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.” “Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it. “Do we have kids?” I ask. “Six.” “Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?” “Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.” Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn. “We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.” “Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless. “So . . . with all that said, our six children at your side, would you wear a Rebels shirt?” I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it? With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years. “I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.” He lifts his finger to the sky. “I’ll take it.

One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.

Two kinds of development help explain how a readiness built up to kill all Jews, including women and children. One is a series of “dress rehearsals” that served to lower inhibitions and provided trained personnel hardened for anything. First came the euthanasia of incurably ill and insane Germans, begun on the day when World War II began. Nazi eugenics theory had long provided a racial justification for getting rid of “inferior” persons. War provided a broader justification for reducing the drain of “useless mouths” on scarce resources. The “T-4” program killed more than seventy thousand people between September 1939 and 1941, when, in response to protests from the victims’ families and Catholic clergy, the matter was left to local authorities. Some of the experts trained in this program were subsequently transferred to the occupied east, where they applied their mass killing techniques to Jews. This time, there was less opposition. The second “dress rehearsal” was the work of the Einsatzgruppen, the intervention squads specially charged with executing the political and cultural elite of invaded countries. In the Polish campaign of September 1939 they helped wipe out the Polish intelligentsia and high civil service, evoking some opposition within the military command. In the Soviet campaign the Einsatzgruppen received the notorious “Commissar Order” to kill all Communist Party cadres as well as the Jewish leadership (seen as identical in Nazi eyes), along with Gypsies. This time the army raised no objections. The Einsatzgruppen subsequently played a major role, though they were far from alone, in the mass killings of Jewish women and children that began in some occupied areas in fall 1941. A third “dress rehearsal” was the intentional death of millions of Soviet prisoners of war. It was on six hundred of them that the Nazi occupation authorities first tested the mass killing potential of the commercial insecticide Zyklon-B at Auschwitz on September 3, 1941. Most Soviet prisoners of war, however, were simply worked or starved to death. The second category of developments that helped prepare a “willingness to murder” consisted of blockages, emergencies, and crises that made the Jews become a seemingly unbearable burden to the administrators of conquered territories. A major blockage was the failure to capture Moscow that choked off the anticipated expulsion of all the Jews of conquered eastern Europe far into the Soviet interior. A major emergency was shortages of food supplies for the German invasion force. German military planners had chosen to feed the invasion force with the resources of the invaded areas, in full knowledge that this meant starvation for local populations. When local supplies fell below expectations, the search for “useless mouths” began. In the twisted mentality of the Nazi administrators, Jews and Gypsies also posed a security threat to German forces. Another emergency was created by the arrival of trainloads of ethnic Germans awaiting resettlement, for whom space had to be made available. Faced with these accumulating problems, Nazi administrators developed a series of “intermediary solutions.” One was ghettos, but these proved to be incubators for disease (an obsession with the cleanly Nazis), and a drain on the budget. The attempt to make the ghettos work for German war production yielded little except another category of useless mouths: those incapable of work. Another “intermediary solution” was the stillborn plan, already mentioned, to settle European Jews en masse in some remote area such as Madagascar, East Africa, or the Russian hinterland. The failure of all the “intermediary solutions” helped open the way for a “final solution”: extermination.

He reached beneath the chain and began to slide it off, but Seri stayed on his back, reached for his face and dug her fingernails in. Her middle fingers gouged into his eyes, the nails twisting, forcing one of them out so it dangled upon his cheek like a misplaced testicle

Living did not mean one joy piled upon another. It was merely the hope for less pain, hope played like a playing card upon another hope, a wish for kindnesses and mercies to emerge like kings and queens in an unexpected twist in the game. One could hold the cards oneself or not: they would land the same way, regardless. Tenderness did not enter into it, except in a damaged way.

She twists like a flame. Her back, a sierra of bone, her hips, a sandstone canyon. And I can believe her gaze, born from a thousand years dreaming and as dew-cool as moonlight, is only for me. — Eliot Khalil Wilson, from “New Orleans Odalisque,” The Saint of Letting Small Fish Go (Cleveland State University Poetry Center, 2003)

Despite its claim to a new view among the psychological sciences, affective neuroscience is deeply rooted within physiological psychology, behavioral biology, and the modernized label for all of these disciplines: behavioral neuroscience. The present coverage will rely heavily on data collected by individuals in these fields, but it will put a new twist on the evidence. It reinterprets many of the brain-behavior findings to try to account for the central neuropsychic states of organisms.

She didn't know if the priests' poison was starting to infect her, or if this was just what growing up was - a series of compromises that twisted a child's idealism into something shameful.

The galaxy was vast beyond mortal comprehension. It was common to visualise it as a great spiral of light, but this was an illusion. The stars were only tiny specks scattered across the endless night. To travel between them required risking a still greater darkness, the maddened hell that was the immaterium. The only light in that twisted nether-realm was the Astronomican, the soul-blaze guided by the Emperor Himself. Yet even the divine beacon had limits. In the far reaches it thinned and faded to nothing. There, at the very edge of where the shadows reigned unchallenged, sat the Blackstone Fortress. It was older than human civilisation. Whatever hands had built it were no longer around to explain its opaque workings. Such a shadowed existence led, unsurprisingly, to superstition. It had borne many names through the slow creep of years. The Dark Star. Old Unfathomable. The Eater of the Dead. Thousands more across hundreds of languages. That last name was given for a particular oddity of the ancient station. Its gravity obeyed no known rules. Instead, it seemed almost hungry. It pulled in debris and ships, a train of wreckage and ruin that spiralled in from the stars to be consumed into the lightless hull. There in the belly of the beast everything was slowly absorbed. Perhaps that was how it repaired itself. Perhaps it was how it learned. Perhaps it was growing. There was no one to ask.

Ah," said Tom, "there's many a twist between handcuff and wrist." Daisy laughed. "Don't count your villains until they're catched," she said.

He licked his lips, ignoring the shivers that made his body vibrate or the pain lancing through his body. “D’you know, I’ve been here before?” He lifted his chin, words getting slower. “Another man snatched me away, locked me up, and tortured me for weeks.” He swallowed, vision swimming. “I deserved it, of course. I killed his wife.” A chuckle rumbled in his chest but didn’t quite make it to his lips. “I keep him in my bed nowadays, because it turns out we’re both monsters and torture turns us on.” He smiled, but that gesture fell away when a series of hacking coughs rattled his bones. “A-Ask me his name.” Narrow Face stepped behind him, out of view. “Dude, do I give a fuck about who you’re screwing?” Jay’s face twisted into a disgusted grimace. “I want that name and if—” “Daniel Nieto.” His eyesight was all fucked-up now, but Stavros still made out the sudden stillness that permeated the room. The slight widening of Jay’s eyes, too. Oh, that was satisfying to watch. “Turns out m-monsters can love too, and he loves me as much as I love him. He will c-come for me and he will kill for me. I can’t begin to tell you just how badly you’ve fucked up.” He started laughing, even though it hurt, even though his eyes were crossing and his hands had gone numb. His throat was on fire, his chest the same, but he laughed through all of the pain.

For the first time I can remember, I sense fear building within Ever. His face is harsh as his hands clench. Anxiously, I twist my necklace charm, knowing that Ever's rare reaction shows how serious the situation is.

Nichols Canyon Road winds up into the hills north of Hollywood, twisting and turning like a tortured snake, and the occasional houses perch on the tops of

Note how you feel when relaxed. The part of your subconscious that you notice — that is consciousness. There is nothing remarkable about that. You don't have to find it. You really don't need to do it. There is always sensitivity in here. Settle in for a few minutes; just continue with your breathing. Trust that there will be a natural rhythm in your breath. That there's always sensitivity here. Breathing back, thinking you're there. Breathing out and realizing that you are breathing well. If your mind gets busy, don’t worry, that’s what it’s designed to do.  Say "in" as you breathe in, quietly say "out" as you breathe out, to keep your attention steady. Thoughts, pictures, and emotions will come and go. The goal is to consider them without having to think about them. Don’t make an effort to stop them. Don't try and get them to go. Don't try to change them; they are going to change themselves. No need to talk about them now. There is plenty of time for this to be done later. There's no need to add anything to the picture. Just stick with it, sense them when sounds appear, feel them as feelings come up, when ideas and memories come to mind, remember them. And we sit down and know we're there. Watch what’s happening in your mind and body the way you’d watch a movie or a TV show.  The storyline is going to twist and transform, plot threads are going to pass, and something different is going to emerge. You don't have to look for this series, just settle down, relax and it's going to come to you. Remember how those feelings and perceptions and pictures don't have much heaviness, like the story in a movie they don't have any real substance. Nothing to dive into or hook on, nothing to shut down, push away, or alter. You don’t need to do anything at all.  Let go, calm down, ease your mind, smile a little, look down and know you're sitting down. Take a moment before we close and consider the ever-changing, constantly connected network of causes and conditions that contribute to this and every single moment. If someone who has been supportive comes to mind, say thanks in silence.

First of all, I want to say a huge thank you for choosing to read Twisted Lies, the fourteenth instalment of the Kim Stone series, and to many of you for sticking with Kim Stone and her team since the very beginning.

He doesn't know how lucky he is that I didn't come sooner to obliterate him until he was chunks of meat ground into the floor. It's only because I'm the bigger man and carry actual respect for pack hierarchy. You don't deserve disrespect, not when you're one of the most caring, intelligent, brave Omegas in the pack." He reached out tentatively to touch my cheek where tears had dampened it. His fingers were warm against my skin, sending shivers down my spine. "If he does a damn thing…Aria, I won't let him touch you again. We'll figure it out, okay? This isn't permanent." Without thinking about it, I leaned into him, seeking solace in his strength. He pulled me up to my feet, straightening me as I wobbled a bit. Unable to meet his concerned gaze, I swore under my breath. "Ugh, I'm a mess. I'm sorry. I just need a second." "Shh, it's no problem. You take your time. Don't worry about it or me." He wrapped his arms around me gently, pulling me close until we were chest-to-chest. I numbly wrapped my arms around his slightly squishy waist and nuzzled into him. The scent of his cologne wafted up, mingling with the earthy undertones of his natural musk. Each breath seemed like coming home. His scent was intoxicating, making my head spin with safety, comfort, joy. My nose filled with him. I had smelled him a million times, this was nothing new. But now? Something inside me unclenched, while at the same time, my cells twisted with a new emotion. Something deeper, darker, primal. An urge that unlocked inside me, twisting a sense of familiarity into something so much more. From hot tears to a cellular connection that quaked all the way down to the tips of my toes. My fingers spasmed around him. My mouth both dry and salivating as the same time. Was I losing my mind? Had I finally hit a mental breakdown?

Unplanned, Charlie

And don’t get it twisted, he wasn’t the

By the time she was eating her breakfast he could be lying dead on the German wire or twisted in agony on the battlefield.

I have realised recently that words are just words, a series of letters arranged in a certain order, most likely in the language we were assigned at birth. People are careless with their words nowadays. They throw them away in a text or tweet, they write them, pretend to read them, twist them, misquote them, lie with, without, and about them. They steal them, then they give them away. Worst of all, they forget them. Words are only of value if we remember how to feel what they mean. We won't forget, will we? I like to think that what we have is more than just words.

My face twisted awkwardly “distract?” I repeated confused. “How am I meant to do that? It’s not like he’s going to sit around and wait, and I doubt I can call for a time out mid-fight.” “Well, you can try fighting him directly again, but you didn’t do so well the first time.” Drake then looked me over up and down, “you could always try your womanly ways on him.” More of a joke than a suggestion. I narrowed my eyes at him, not amused with his jokes. “You want me to seduce that armoured demon with my womanly ways? I’m probably as seductive as a dirt-covered potato can get,” I muttered irritated. “What do you take me for anyway? I didn’t train for seven years for this, there’s no way I could do that, even if my life depended on it! I would never do something like that anyhow. It would be a new low in how pathetic I can look.

Ten going on twenty, this solemn child. Probably due to all her painful and difficult experiences, and being left so often in the company of adults. Kate wondered whether, with her poor deformed leg, she had often been able to play with other children, to learn what it was like to be a child herself. Once again arrived safely on the first floor, Christophe left them briefly in the foyer to retrieve the wheelchair. “Enough exercise for now,” he told his daughter firmly, when she objected. “You thought to hide your fatigue, ma petit, and the fact that you are feeling some discomfort. Now you shall rest a bit. There, sit. Yes, sit, I say.” “I’m so sorry, Chris.” Kate was horrified by her own obtuseness

As you can see, letting go of core emotions is not easy. They’ve become part of our identity, and we often derive a twisted pleasure from them. We may even wonder who we will be without them.

Me fave book in the series it's makes my cry each time i read it it digs so deep for me and it really gives me the twists i want i one hundred percent recommend this to people

As far as I knew, no one knew Lucifer's actual appearance. At one point it was probably well known, but over the millennia it was twisted. He did somewhat look like Tom Ellis though, or was it that Tom Ellis looked like him?

Hold still." Emma squirmed again, her lush lips curving in a smile as she gazed up at me coyly. "But it tickles." My dick pulsed, sheer lust twisting my insides up in knots. But I kept my hands steady. "Almost there." I piped another series of rosettes along the curve of her breast, heading for the pretty little pouting nipple, now deep pink and stiff. Her breath hitched, and I gave her a wicked smile. "Be good, or I won't lick it off." "Liar. You can't wait." She was laid out on my bed, wearing nothing but the lemon-buttercream flowers and swirls I'd decorated her lovely body with. "Guilty as charged." My mouth actually watered with the need to taste her, mix her flavors with my cream. Fuck up into the tight, silky-hot clasp of her body, where it felt both like home and the best pleasure I'd ever had in my life. My hand shook a little as I circled her perky nipple, choosing to highlight rather than cover it. Emma bit her bottom lip, her lids lowering as she subtly arched into the tip of the pastry bag. Heat rippled through me, and I tossed the buttercream aside. "Now, where to start?" I wanted it all at once. Every delectable inch of her. Always. All the time. Impatient and aching, I stroked my shaft, keeping the hold light lest I blow now. Because nothing looked more delicious than Emma Maron spread out before me, smiling in that way that said she was all mine. Happiness warred with lust, making for a heady cocktail in my veins. I had Emma right where I wanted her----with me. Everything else took a back seat to her and the way she watched me palm my dick, all greedy need and anticipation. It fueled my own.

Everything from then on became a series of steps: quietly summoning Ress; telling the young, talented guard to keep his mouth shut and to find whatever healers were closest; wrapping her in his cloak so no one could see the blood on her skin; scooping her up and carrying her to her rooms; barking orders at the healers; and finally pinning her down on the bed as they forced the antidote down her throat until she choked on it. Then the long, long hours spent holding her as she vomited, twisting her hair back, snarling at anyone who entered the room.

I’d like to rip that pig’s heart out through his throat, but we all know that would be terrible for my image,” he said, a twisted smile on his face.

Cheeks courting scarlet, she wills herself to focus on the sun-faded spines staring back at her as the rustle of Silas undressing fights hard to pull at her attention. Red, black, ivory white… she names each spine’s color as she twists her fingers together. Mahogany brown, duck-egg blue…

Girls blinded by their own grief… come on Sadie, can’t you see that he’s using you?” Sadie lets out a sharp, frustrated sigh. “Because you know so well what it’s like to use someone, don’t you?! You of all people! Everything you’re accusing him of is everything you’ve done to me. All you’ve ever done is take my grief and twist it whenever you needed someone to come back to, whenever you needed someone to keep you in check!

There is a cause for every effect, AA, but not all causes are responsible for all effects. To trace all causes and all effects is to end up in a twisted web with no end.

The abuser will take personal information about their victims, twist it around, and use it against the victim.

I have realized recently that words are just words, a series of letters, arranged in a certain order, most likely in the language we were assigned at birth. People are careless with their words nowadays. They throw them away in a text or a tweet, they write them, pretend to read them, twist them, misquote them, lie with, without, and about them. They steal them, then they give them away. Worst of all, they forget them. Words are only of value if we remember how to feel what they mean.

When I was separated from the lab, attending some seminar or conference, it was the series of twisted e-mails from Bill that held me fast to what I loved about my job, even while trapped with pasty middle-aged men who regarded me as they would a mangy stray that had slipped in through an open basement window. There’s a place somewhere where I am part of the in-group, I would remind myself as I stood alone with my buffet dish in some Marriott ballroom, apparently radiating cooties and so excluded from the back-slapping stories of building mass spectrometers during the good old days.

So… why you?” “There are many very specific qualities one must fulfill to be capable of being one of the Syrizen,” Ariadnea said. “We all are Solarie, because the more external, energetic magic of the Solarie is needed to give us the sheer power to push between the layers. But at the same time, we require a sensitivity to the movements of magic that most Solarie lack. There is a very intricate series of tests to determine each candidate. No one knows why, but overwhelmingly, only women tend to make the cut.” “There aren’t many of us,” Eslyn said, “but we’re good at what we do. We may only be able to dip half a layer deeper, but even that gives us many unique powers.” Her eyeless gaze fell to me, and her smile twisted, widened, with a hungry curiosity. She leaned forward. “Though I hear that the thing that lives inside of you draws from much, much deeper than that.” My mouth went dry. {Me,} a whisper beckoned, from far, far away. {She’s talking about me.}

I felt him closing in on me. My insides twisted and my cheeks grew warmer with his approach as if I could feel the warmth of his shower radiating off him. "All of a sudden, you're quiet and shy? You're not your usual pain in the ass self. I know you came here for a reason. What did you want to yell at me for this time?" he stopped just a few feet from me. "Do you think you could put a shirt on? This is a business call, not the typical company you keep," I felt like I was chastising my shoes.